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00:00:04,800 --> 00:00:09,160
For centuries, the sea has protected
us and provided for us.

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00:00:12,240 --> 00:00:17,400
It's been a source of food,
wealth, opportunity -

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00:00:17,400 --> 00:00:20,560
and our front-line of defence
against invasion.

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00:00:24,120 --> 00:00:28,520
But over the last 200 years,
our view of the sea has changed.

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It has become our playground,

6
00:00:35,960 --> 00:00:38,880
a place of pleasure and relaxation.

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00:00:38,880 --> 00:00:40,120
Aghhh!

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00:00:41,440 --> 00:00:43,680
I like the houses along there. Yeah.

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00:00:46,840 --> 00:00:52,160
I'm setting out on my boat, Rocket,
along the coast of East Anglia,

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00:00:52,160 --> 00:00:54,080
to chart this transformation.

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00:00:56,320 --> 00:01:00,480
I will see how a day at the seaside
became an irresistible

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00:01:00,480 --> 00:01:02,520
subject for artists...

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00:01:02,520 --> 00:01:03,640
I'm stopping now.

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00:01:03,640 --> 00:01:05,160
..artists of all kinds...

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00:01:05,160 --> 00:01:08,400
She looks like one
of those pilots, you know. Argh!

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00:01:08,400 --> 00:01:11,520
..how it transformed our coastal
architecture...

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00:01:11,520 --> 00:01:12,640
Mmm!

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00:01:13,680 --> 00:01:20,120
..and how it created a seaside
culture that is uniquely British.

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00:01:20,120 --> 00:01:23,520
HIGH-PITCHED VOICE:
That's the way to do it!

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00:01:38,800 --> 00:01:40,680
DOG BARKS

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00:01:52,040 --> 00:01:56,600
For this journey, I am going
to sail from Gorleston-on-Sea,

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00:01:56,600 --> 00:02:01,560
down the Suffolk and Essex coasts,
and into the Thames.

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00:02:01,560 --> 00:02:07,520
Ending at the very heart
of our maritime power - Greenwich.

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00:02:07,520 --> 00:02:09,840
BUSTLING VOICES

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00:02:22,640 --> 00:02:26,080
This is our idea of a seaside
resort.

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00:02:26,080 --> 00:02:30,960
The wide sandy beaches,
the deckchairs, windshields,

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00:02:30,960 --> 00:02:35,680
children playing, the grand hotels,
the B&Bs, the music hall.

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And it's all the creation
of the Victorians,

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00:02:38,440 --> 00:02:41,600
to make the ideal place
for a family holiday.

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00:02:41,600 --> 00:02:45,360
Not Majorca,
not Florida...but Gorleston.

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00:02:50,280 --> 00:02:54,560
Gorleston-on-Sea is a small seaside
town on the southern edge

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00:02:54,560 --> 00:02:56,680
of Great Yarmouth.

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00:02:56,680 --> 00:03:01,200
And, like its neighbour, it was
transformed in the Victorian age.

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00:03:09,760 --> 00:03:15,480
By the mid-1800s, 80,000 visitors
were heading to Great Yarmouth

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00:03:15,480 --> 00:03:17,120
and Gorleston each summer.

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And they all came by the new
creation of industrial genius -

37
00:03:23,320 --> 00:03:24,680
the railway.

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Tempting though it is to stay,
I have a boat to board.

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00:03:37,920 --> 00:03:42,280
Rocket, the gaff cutter
I've owned for over 30 years,

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00:03:42,280 --> 00:03:45,800
is anchored just off the beach,
awaiting my arrival.

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00:03:45,800 --> 00:03:47,840
Hi, John. Hi.

42
00:03:47,840 --> 00:03:51,120
'And on board, my crew.'
Thanks very much.

43
00:03:51,120 --> 00:03:52,960
Are you coming up? Yeah.

44
00:03:55,800 --> 00:03:57,880
Can you move, Stanley?

45
00:03:57,880 --> 00:04:03,360
'Stanley the dog -
always happy to get under my feet.

46
00:04:03,360 --> 00:04:05,640
'John Holden, Stanley's owner,

47
00:04:05,640 --> 00:04:09,400
'who has spent his life around boats
and looks after Rocket.'

48
00:04:09,400 --> 00:04:11,720
OK, Cally, get the anchor up.

49
00:04:11,720 --> 00:04:13,560
Anchor up!

50
00:04:13,560 --> 00:04:16,240
'And Cally Stubbs - a local sailor

51
00:04:16,240 --> 00:04:20,000
'who brings valuable experience
of these tricky waters.'

52
00:04:20,000 --> 00:04:23,720
John, I'll hold ahead to wind...
OK. ..and we can get the sails up.

53
00:04:23,720 --> 00:04:27,880
'Sails up, anchor up,
and it's time to go.'

54
00:04:42,600 --> 00:04:46,720
Our first stop is just a few miles
along the coast -

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00:04:46,720 --> 00:04:49,000
we're heading to the port
of Lowestoft.

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00:04:54,880 --> 00:04:59,680
During the 19th century, all along
this coastline, people flocked

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to the seaside, keen to escape the
dirt of the cities, even for a day.

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It was a spectacle that captivated
artists and writers of the time.

59
00:05:14,560 --> 00:05:19,400
In 1851, the painter William Frith
went down with his canvasses

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00:05:19,400 --> 00:05:23,920
to Ramsgate in Kent. He did a series
of sketches and then a huge

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00:05:23,920 --> 00:05:27,520
painting called Ramsgate Sands:
Life At The Seaside.

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00:05:31,560 --> 00:05:34,080
The painting was controversial.

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00:05:34,080 --> 00:05:38,320
Frith had captured the confusion
of social classes.

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00:05:38,320 --> 00:05:41,080
The sands were open to all.

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00:05:41,080 --> 00:05:44,680
The beaches swarmed with a variety
of characters, all muddled up

66
00:05:44,680 --> 00:05:49,040
together - people who would never
normally have thought of mixing.

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And the seaside was an open
invitation to abandon convention.

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For years, artists had delighted
in it, with all its scope

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00:06:01,840 --> 00:06:05,840
for social embarrassment
and sexual titillation.

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00:06:15,400 --> 00:06:18,840
Welcome to Lowestoft.
Have you been through here?

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00:06:18,840 --> 00:06:21,280
Yeah, about 20 years ago.
Oh, right.

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00:06:23,160 --> 00:06:25,560
We're safely into Lowestoft,

73
00:06:25,560 --> 00:06:29,160
but our destination is just
a little further upriver.

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00:06:29,160 --> 00:06:31,000
Where are we going?
I can see a swan.

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00:06:31,000 --> 00:06:33,560
We're looking for a bald man
waving at us. OK.

76
00:06:36,960 --> 00:06:40,720
Oulton Broad lies
on the outskirts of Lowestoft,

77
00:06:40,720 --> 00:06:43,440
right on edge of the Norfolk broads.

78
00:06:43,440 --> 00:06:45,480
Lovely, thank you.

79
00:06:45,480 --> 00:06:48,240
Thanks very much, Cally.
Thanks, John.

80
00:06:48,240 --> 00:06:50,600
Thank you. OK, David.
Brilliant manoeuvre, I thought.

81
00:06:50,600 --> 00:06:53,360
Yeah, well, ten out of ten
for that one. Ten out of ten!

82
00:06:53,360 --> 00:06:54,960
Bye-bye, see you.

83
00:06:56,720 --> 00:07:01,240
The Victorians may have created
our image of the traditional

84
00:07:01,240 --> 00:07:02,720
seaside holiday,

85
00:07:02,720 --> 00:07:06,040
but I've come to see evidence
that Lowestoft was attracting

86
00:07:06,040 --> 00:07:09,560
tourists long before the reign
of Queen Victoria.

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00:07:18,240 --> 00:07:23,240
This is Lowestoft Porcelain,
among the earliest porcelain

88
00:07:23,240 --> 00:07:28,600
produced in Britain, much of it
dating from the 1760s onwards.

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00:07:32,400 --> 00:07:34,800
There are some very fine examples
here.

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00:07:34,800 --> 00:07:38,840
This is a tankard,
made in about 1790,

91
00:07:38,840 --> 00:07:41,480
showing the entrance
to the beach at Lowestoft,

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00:07:41,480 --> 00:07:43,560
with cottages along the front.

93
00:07:43,560 --> 00:07:47,120
On one side,
the lighthouse on the hill,

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00:07:47,120 --> 00:07:49,640
a stone lighthouse
which still stands.

95
00:07:49,640 --> 00:07:52,600
And an interesting
little lighthouse here

96
00:07:52,600 --> 00:07:56,840
that was moveable, it could go along
the beach to show the smaller boats

97
00:07:56,840 --> 00:07:58,960
the right channel to come up.

98
00:07:58,960 --> 00:08:01,960
Big ships at that time couldn't come
in, there was no proper harbour,

99
00:08:01,960 --> 00:08:03,960
they had to go up to Great Yarmouth.

100
00:08:03,960 --> 00:08:06,920
And then this, a brandy flask.

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00:08:06,920 --> 00:08:09,000
Fairly conventional
picture on one side,

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00:08:09,000 --> 00:08:11,760
merchant ships flying the
Red Ensign, but what's really

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00:08:11,760 --> 00:08:16,240
interesting on the other side,
it's proof that Lowestoft was

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00:08:16,240 --> 00:08:20,440
already like all the resorts along
this coast, being used for holidays.

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00:08:20,440 --> 00:08:22,960
Here's a bathing machine.

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00:08:22,960 --> 00:08:27,760
A man here with his long coat going
up into the bathing machine,

107
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he had changed there. Well,
not changed, he stripped naked.

108
00:08:30,600 --> 00:08:33,040
Because it was thought very
important that you should go

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00:08:33,040 --> 00:08:35,680
naked into the sea,
not have any clothes on,

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nothing to prevent the sea salt
water getting into you.

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00:08:38,600 --> 00:08:41,080
That was the cure
they wanted for their health.

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00:08:41,080 --> 00:08:45,360
And then on this end, a funny
kind of three-ribbed tent which

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went down into the water.

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You hid inside this thing
so nobody could see you.

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So you couldn't swim, you just stood
in the water and washed yourself.

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00:08:53,000 --> 00:08:56,400
And this is obviously an ink pot.

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Ink in there, quill pens,
four places for them.

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And this is its twin, really.

119
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This was to dry the ink before
blotting paper.

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Would've had sand or a combination
of sand and flour in it,

121
00:09:09,360 --> 00:09:11,760
and you just shook it out
on the wet ink

122
00:09:11,760 --> 00:09:15,080
and blew it off
and the ink would dry.

123
00:09:15,080 --> 00:09:19,600
But what's significant is, look -
"A Trifle from Lowestoft."

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00:09:19,600 --> 00:09:22,520
Each of them has written on them
"A Trifle from Lowestoft."

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Hundreds and hundreds of these,
"A Trifle from Lowestoft."

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Proving that this place was
a holiday resort and these were,

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00:09:29,320 --> 00:09:31,080
in effect, souvenirs.

128
00:09:31,080 --> 00:09:36,720
A reminder of a few days away from
the rat-race of the 18th century.

129
00:09:36,720 --> 00:09:39,600
Can I take this off now?
Yeah, that's fine.

130
00:09:41,040 --> 00:09:44,000
I never thought Rocket would
go on the Broads, John.

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We're heading back downriver
to Lowestoft,

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and the British seaside
at its most traditional.

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Along the seafront,
there's just time to catch a show.

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Ohhh! That was good. Let's all sing.

135
00:10:13,400 --> 00:10:17,760
Punch and Judy
is a seaside favourite.

136
00:10:17,760 --> 00:10:23,360
Just the other day, it was voted one
of the top icons of Englishness.

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00:10:23,360 --> 00:10:27,080
Except Mr Punch is not
English at all.

138
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Snap!

139
00:10:28,280 --> 00:10:31,040
He's actually Italian,

140
00:10:31,040 --> 00:10:33,600
a mischievous character
who used to entertain

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00:10:33,600 --> 00:10:36,000
the crowds in the streets
and squares.

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He was imported to Britain
in the 17th century,

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first performing in Covent Garden.

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It was the Victorians who moved him
to the coast and turned

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a raucous street show for adults
into a children's seaside treat.

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00:10:53,280 --> 00:10:55,000
Here we go! Here we go!

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CHEERING

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00:10:56,600 --> 00:10:59,840
Every Punch and Judy show
has its own characters,

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00:10:59,840 --> 00:11:02,760
this one has got the crocodile,
we've already had the ghost,

150
00:11:02,760 --> 00:11:04,280
we've had the policeman.

151
00:11:04,280 --> 00:11:07,080
And there's a lot of slapstick
and hitting and all the rest of it.

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00:11:07,080 --> 00:11:10,400
It's not actually nearly as fierce
as the original Punch and Judy.

153
00:11:10,400 --> 00:11:15,040
In the true story, Punch kills the
wife, kills anybody who comes near,

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he kills the policeman, the hangman
comes to hang Mr Punch

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00:11:18,800 --> 00:11:22,400
and Mr Punch tricks the hangman into
hanging himself instead of Mr Punch.

156
00:11:22,400 --> 00:11:24,760
And finally, he kills the devil.

157
00:11:24,760 --> 00:11:26,960
It looks as though
he's about to be killed here.

158
00:11:26,960 --> 00:11:29,680
But what the appeal of it is
is very interesting because it's not

159
00:11:29,680 --> 00:11:34,920
exactly...funny, it's quite cruel
and yet children seem to love it.

160
00:11:34,920 --> 00:11:36,920
ALL: Mr Punch!

161
00:11:36,920 --> 00:11:40,000
MUSICAL TUNE: "I Do Like
To Be Beside The Seaside"

162
00:11:43,880 --> 00:11:47,480
The man behind the curtain
is Bryan Clarke.

163
00:11:47,480 --> 00:11:51,120
He has been a Punch and Judy
man for over 60 years,

164
00:11:51,120 --> 00:11:54,960
and he's been working these beaches
since he was a boy.

165
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But he's not just a performer.
He is also a craftsman.

166
00:12:02,360 --> 00:12:06,080
So this is where they're all made?
Yes, this is the workshop.

167
00:12:06,080 --> 00:12:10,560
'At his home near Lowestoft,
Bryan carves his own Punch

168
00:12:10,560 --> 00:12:12,080
'and Judy puppets.

169
00:12:12,080 --> 00:12:15,760
'He's made and sold hundreds
over the years.'

170
00:12:17,760 --> 00:12:21,000
Is there a particular look
that Mr Punch has to have?

171
00:12:21,000 --> 00:12:23,200
Cos they're slightly different,
all of them.

172
00:12:23,200 --> 00:12:26,680
Yeah. The hook nose, hook chin,
red nose, red chin.

173
00:12:26,680 --> 00:12:29,240
This is called a sugarloaf hat.

174
00:12:29,240 --> 00:12:32,840
He's clowny-looking,
he's sort of jester-looking.

175
00:12:32,840 --> 00:12:34,880
And he's Italian.
And he comes from Italy.

176
00:12:34,880 --> 00:12:37,080
We get all our pictures
from this book here,

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00:12:37,080 --> 00:12:40,920
which was illustrated by that
wonderful illustrator called

178
00:12:40,920 --> 00:12:43,720
George Cruikshank in about 1840.

179
00:12:43,720 --> 00:12:47,280
It was like the Bible
for the Punch and Judy man.

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00:12:49,000 --> 00:12:52,240
He saw a Punch and Judy show
and he did the drawings,

181
00:12:52,240 --> 00:12:56,160
which are in the book,
and from that we got this Punch.

182
00:12:56,160 --> 00:12:59,360
But over the years,
Punch has become more stylized,

183
00:12:59,360 --> 00:13:01,400
he's become more sort of friendly.

184
00:13:01,400 --> 00:13:04,480
But basically,
we still sort of keep him

185
00:13:04,480 --> 00:13:07,000
Italian with all his goggle-eyes.

186
00:13:07,000 --> 00:13:09,560
Some people are very frightened
of clowns.

187
00:13:09,560 --> 00:13:11,400
There's something
eerie about the clown.

188
00:13:11,400 --> 00:13:13,760
But they're never frightened
of Punch. Are they not?

189
00:13:13,760 --> 00:13:18,200
I think the distinctive voice,
the children love it.

190
00:13:18,200 --> 00:13:19,480
How do you do that voice?

191
00:13:19,480 --> 00:13:23,640
It's made by these things,
which is called a swazzle.

192
00:13:23,640 --> 00:13:26,200
A swazzle? A swazzle.

193
00:13:26,200 --> 00:13:30,680
And it's a little reed like this
and then we place it in our mouth,

194
00:13:30,680 --> 00:13:32,560
like that, on our tongue.

195
00:13:32,560 --> 00:13:34,320
And then it goes to the
roof of your mouth.

196
00:13:34,320 --> 00:13:37,680
HIGH-PITCHED VOICE: Ha-ha-ha,
that's the way to do it!

197
00:13:37,680 --> 00:13:40,880
NORMAL VOICE: That's the distinctive
voice, and I can talk to you...

198
00:13:40,880 --> 00:13:44,280
When we're learning, we go...
"One, two, three, four, five, six,"

199
00:13:44,280 --> 00:13:47,120
and so you get that alternate voice
coming in with each number.

200
00:13:47,120 --> 00:13:50,040
NORMAL VOICE: You're very nice,
Mr Punch! HIGH-PITCHED: Very good.

201
00:13:50,040 --> 00:13:52,320
NORMAL VOICE: You've got
a very nice gentleman here.

202
00:13:52,320 --> 00:13:55,240
ALTERNATING VOICES: Who's he?
I don't know. Hit him with snapstick.

203
00:13:55,240 --> 00:13:57,800
NORMAL VOICE: You can't hit him
with that. So, you know...

204
00:13:57,800 --> 00:13:59,080
And it's just fun, isn't it?

205
00:13:59,080 --> 00:14:01,720
My Mr Punch is a bit like that,
I think. Yeah, yeah.

206
00:14:01,720 --> 00:14:04,640
But he's certainly got a big hook
nose. He looks a bit like you!

207
00:14:04,640 --> 00:14:06,320
Yeah, thank you, yes!

208
00:14:06,320 --> 00:14:10,800
Well...no, they do say that,
you know, like a dog,

209
00:14:10,800 --> 00:14:14,080
people grow like their dogs. Well,
you grow like the puppets, you know.

210
00:14:14,080 --> 00:14:16,400
I don't think my eyes are quite
goggle-eyes like them!

211
00:14:16,400 --> 00:14:17,760
THEY LAUGH

212
00:14:27,080 --> 00:14:32,320
Another sunny morning, and we're
setting off early to catch the tide.

213
00:14:34,160 --> 00:14:36,720
Is Stanley all right?
Yeah, he's good.

214
00:14:36,720 --> 00:14:38,920
He just likes to see
where he's going,

215
00:14:38,920 --> 00:14:41,240
but I don't want him going out
on the side deck.

216
00:14:49,840 --> 00:14:54,320
Our next destination is the seaside
village of Walberswick.

217
00:15:02,400 --> 00:15:07,880
Today, Walberswick is a tranquil
and rather exclusive place.

218
00:15:07,880 --> 00:15:11,480
In the late 1800s, it was the site
of an artistic revolution.

219
00:15:15,080 --> 00:15:20,080
In 1884, a young artist,
Philip Wilson Steer,

220
00:15:20,080 --> 00:15:22,400
came to Walberswick to paint.

221
00:15:22,400 --> 00:15:24,600
He stayed here at Valley Farm.

222
00:15:26,480 --> 00:15:28,240
He'd been studying in Paris,

223
00:15:28,240 --> 00:15:30,760
and there he'd come under
the influence of the French

224
00:15:30,760 --> 00:15:34,480
Impressionists with their intense
study of the effect of light

225
00:15:34,480 --> 00:15:38,120
on landscape, and it was that
that he found here in Walberswick,

226
00:15:38,120 --> 00:15:40,160
making a new stage in his career

227
00:15:40,160 --> 00:15:44,120
and the beginning of
British Impressionism.

228
00:15:54,880 --> 00:15:58,960
It was in this marshy estuary,
and the beach beyond,

229
00:15:58,960 --> 00:16:02,000
that Steer found
his artistic inspiration.

230
00:16:10,960 --> 00:16:17,000
His canvasses are shimmering
landscapes and figure studies,

231
00:16:17,000 --> 00:16:22,280
fleeting moments of youthful freedom
captured in brilliant

232
00:16:22,280 --> 00:16:23,640
dots of colour.

233
00:16:27,120 --> 00:16:30,760
A fellow artist said,
"I have never seen a canvas which is

234
00:16:30,760 --> 00:16:36,640
"more like sun and wind. You feel
like sunshine and wind and youth

235
00:16:36,640 --> 00:16:42,400
"are glorious things, and that life
is a gift to be grateful for."

236
00:16:56,600 --> 00:17:01,360
Even today, Walberswick
is a Mecca for artists.

237
00:17:01,360 --> 00:17:03,920
Jason Bowyer is
a professional painter,

238
00:17:03,920 --> 00:17:06,400
who has been coming here
for 30 years.

239
00:17:07,920 --> 00:17:11,000
So what was it that brought Steer
to Walberswick?

240
00:17:11,000 --> 00:17:14,720
I think that when he was here,
he felt that the shackles were off.

241
00:17:14,720 --> 00:17:18,800
You know, and I'm sure that was
the opportunity to experiment.

242
00:17:18,800 --> 00:17:23,880
You know, it's a beautiful little
estuary and I think he loved

243
00:17:23,880 --> 00:17:30,120
the light that came off, obviously,
the wonderful, sparkling sea.

244
00:17:30,120 --> 00:17:31,760
The movement, the wind.

245
00:17:38,880 --> 00:17:43,080
Is the light similar to the light
the French Impressionists got?

246
00:17:43,080 --> 00:17:45,600
Is this Britain's French
Impressionist scenery?

247
00:17:45,600 --> 00:17:48,240
Yeah, I mean, this is... You know,

248
00:17:48,240 --> 00:17:52,040
a lot of paintings of this type
are painted against the light.

249
00:17:52,040 --> 00:17:54,480
There's wonderful roofs
at the end of the harbour wall

250
00:17:54,480 --> 00:17:56,920
there on the left-hand side, now,

251
00:17:56,920 --> 00:18:01,160
and then the fishing boat just with
that little delicacy of line.

252
00:18:02,480 --> 00:18:05,200
And then this landing stage
in front of us,

253
00:18:05,200 --> 00:18:09,600
you get a sense which is a time
it is now, but it transcends

254
00:18:09,600 --> 00:18:14,360
you into something which is...which
I suppose is much more eternal.

255
00:18:17,200 --> 00:18:20,120
You haven't given me any brown,
I can't do these browns.

256
00:18:20,120 --> 00:18:21,600
JASON LAUGHS

257
00:18:21,600 --> 00:18:23,400
I've only got blues
and yellows here.

258
00:18:23,400 --> 00:18:26,040
You're getting on further than me,
you've got paint on canvas.

259
00:18:26,040 --> 00:18:28,760
Yeah, well, I'm just...
THEY LAUGH

260
00:18:28,760 --> 00:18:31,560
I'm talking more than you.
I've done enough!

261
00:18:43,680 --> 00:18:46,320
Next day, we're back on Rocket,

262
00:18:46,320 --> 00:18:49,360
but our luck with the weather
seems to be running out.

263
00:18:50,440 --> 00:18:52,440
It's not exactly plain sailing.

264
00:18:54,200 --> 00:18:57,960
It's a bit frustrating today
because the way we want to go

265
00:18:57,960 --> 00:19:00,840
is dead into the wind
and, of course, you can't

266
00:19:00,840 --> 00:19:05,040
sail dead into the wind, your sails
just flap like our ensign is.

267
00:19:05,040 --> 00:19:07,600
What you like is the wind,
well, ideally for Rocket,

268
00:19:07,600 --> 00:19:11,080
the wind on the side or behind you,
then you can go roaring along.

269
00:19:11,080 --> 00:19:12,880
But she's designed for sailing.

270
00:19:13,960 --> 00:19:16,840
But still, you can't do anything
about the weather, you can't do

271
00:19:16,840 --> 00:19:20,040
anything about the tide, you can't
do anything about the wind.

272
00:19:20,040 --> 00:19:25,640
Which is why sailing is
one of the most...frustrating

273
00:19:25,640 --> 00:19:27,600
and difficult sports.

274
00:19:28,760 --> 00:19:32,120
Fun, nevertheless. Now the sun's
coming out, which is great.

275
00:19:32,120 --> 00:19:33,360
Beautiful.

276
00:19:40,120 --> 00:19:44,480
Our next stop is just a little way
down the Suffolk coast.

277
00:19:44,480 --> 00:19:47,200
We're heading for Aldeburgh.

278
00:19:55,280 --> 00:19:59,600
This town, with its long beach
washed by the cold North Sea,

279
00:19:59,600 --> 00:20:02,440
has attracted artists
for generations.

280
00:20:04,240 --> 00:20:06,520
At the beginning
of the 20th century,

281
00:20:06,520 --> 00:20:09,280
one man in particular
was drawn to it

282
00:20:09,280 --> 00:20:13,000
and inspired by it to compose
some of our greatest music.

283
00:20:17,240 --> 00:20:21,480
Musicians often talk about the
things that stir their imagination.

284
00:20:21,480 --> 00:20:24,760
For one of our most famous
composers, Benjamin Britten,

285
00:20:24,760 --> 00:20:26,800
it was the sea.

286
00:20:26,800 --> 00:20:30,000
He was brought up back up the coast
there at Lowestoft

287
00:20:30,000 --> 00:20:32,320
and he remembers as a child
his whole life being

288
00:20:32,320 --> 00:20:37,480
coloured by fierce storms
which drove ships ashore,

289
00:20:37,480 --> 00:20:40,920
which ate away great sections
of the neighbouring cliffs.

290
00:20:40,920 --> 00:20:45,920
He left all that and went to
the balmy sunlight of California

291
00:20:45,920 --> 00:20:48,720
just before the Second World War,
but halfway through the war,

292
00:20:48,720 --> 00:20:52,640
he suddenly realised that this place
was his real home. And at some

293
00:20:52,640 --> 00:20:57,760
risk to himself, he came back across
the Atlantic, daring the U-boats,

294
00:20:57,760 --> 00:21:02,280
and arrived here in Aldeburgh
and settled here, because he knew

295
00:21:02,280 --> 00:21:09,200
that this place, these beaches,
this sea, was his real inspiration.

296
00:21:13,920 --> 00:21:18,680
Even from a very young age,
Britten had been drawn to the sound

297
00:21:18,680 --> 00:21:20,320
and movement of the sea.

298
00:21:24,440 --> 00:21:29,120
Here at the Red House, now a museum
to Benjamin Britten's life,

299
00:21:29,120 --> 00:21:32,160
there are passionate devotees
of his work.

300
00:21:32,160 --> 00:21:34,800
This is Britten's piano,
his Steinway. His own piano?

301
00:21:34,800 --> 00:21:37,320
Yes, from the late 1960s.

302
00:21:37,320 --> 00:21:40,400
'Lucy Walker explains how,
even as a young man,

303
00:21:40,400 --> 00:21:44,040
'he was fascinated by the changing
moods of the sea.'

304
00:21:45,360 --> 00:21:48,200
SHE PLAYS A GENTLE MELODY

305
00:21:51,000 --> 00:21:55,400
This piece, Sailing,
starts in a very peaceful way.

306
00:22:02,040 --> 00:22:06,040
Just slipping along in a gentle
breeze, really, isn't it? Exactly.

307
00:22:08,560 --> 00:22:11,680
That's lovely.
It's like Rocket on a calm sea.

308
00:22:11,680 --> 00:22:13,320
Then what happens?

309
00:22:13,320 --> 00:22:16,960
Then this middle section where
the sea is much more turbulent.

310
00:22:16,960 --> 00:22:19,520
MELODY CONTINUES TUMULTUOUSLY

311
00:22:25,280 --> 00:22:29,640
Everybody's madly rushing around,
pulling at the ropes, "Help!"

312
00:22:29,640 --> 00:22:33,720
Yes, exactly. And then is peace
restored or do they sink?

313
00:22:33,720 --> 00:22:36,520
SHE LAUGHS
Peace is restored towards the end

314
00:22:36,520 --> 00:22:39,000
where the same peaceful music
comes back.

315
00:22:39,000 --> 00:22:41,000
It's just towards the end here.

316
00:22:41,000 --> 00:22:43,440
GENTLE MELODY RESUMES

317
00:22:50,800 --> 00:22:52,440
That's lovely. And then it...

318
00:22:52,440 --> 00:22:54,560
How old was he when he wrote that?

319
00:22:54,560 --> 00:22:57,200
He was just shy of his 21st birthday.

320
00:22:57,200 --> 00:23:00,200
Oh, really? So one of his first
compositions?

321
00:23:00,200 --> 00:23:01,880
One of his early mature compositions.

322
00:23:01,880 --> 00:23:04,920
He'd already written huge amounts
as a child already. Called Holiday?

323
00:23:04,920 --> 00:23:07,520
Well, this, he called it...
The published score,

324
00:23:07,520 --> 00:23:10,520
it's gone through several changes
in title. This is called Sailing.

325
00:23:10,520 --> 00:23:12,440
On the manuscript,
it's called Yachting.

326
00:23:12,440 --> 00:23:15,040
Because he swam, didn't he, a lot?
It seemed that way,

327
00:23:15,040 --> 00:23:17,960
and his diaries from this time,
while he was composing this piece,

328
00:23:17,960 --> 00:23:21,000
are full of tales of him having
a rough sea bathe in the North Sea.

329
00:23:21,000 --> 00:23:23,560
And it happens on regular occasions.
Or long walks...

330
00:23:23,560 --> 00:23:27,280
Yes, so you can't take the sea
out of Britten, really.

331
00:23:27,280 --> 00:23:29,040
I don't think you can, no.

332
00:23:41,720 --> 00:23:45,840
The next leg of our journey takes us
across one of the busiest

333
00:23:45,840 --> 00:23:49,600
shipping lanes in Britain,
heading to Harwich.

334
00:23:59,200 --> 00:24:02,640
So, Cally, this is your country
we're coming into, Harwich?

335
00:24:02,640 --> 00:24:04,000
Yes, it's quite an old town.

336
00:24:04,000 --> 00:24:07,160
Harwich looks rather beautiful from
here. I've never seen it like that.

337
00:24:07,160 --> 00:24:11,800
The first time I ever, ever went
to sea was from Harwich. Oh, really?

338
00:24:11,800 --> 00:24:14,680
When I was about 12,
I went from here to Holland...

339
00:24:14,680 --> 00:24:17,880
Yeah, to Holland.
..on the night ferry,

340
00:24:17,880 --> 00:24:20,160
with a bicycle, with my mum.

341
00:24:20,160 --> 00:24:22,640
I remember the excitement
of coming to Harwich because it

342
00:24:22,640 --> 00:24:24,240
was dark when we got here,

343
00:24:24,240 --> 00:24:27,240
it was ten o'clock
the ferry left or something. Mm.

344
00:24:27,240 --> 00:24:30,080
And we were on one of those
old-fashioned Pullman cars where

345
00:24:30,080 --> 00:24:35,240
you had real china on the tables
and armchairs to sit in
on the train. Oh, fabulous.

346
00:24:35,240 --> 00:24:38,800
We got on board and I can't remember
a thing until we arrived in Holland.

347
00:24:38,800 --> 00:24:41,760
And I'd never been abroad before,
the first time I'd ever been abroad.

348
00:24:41,760 --> 00:24:43,800
How old were you then? 12.

349
00:24:43,800 --> 00:24:46,840
It was just after we'd smashed
the Germans, you know.

350
00:24:52,440 --> 00:24:56,840
Today, Harwich is dominated
by the container port of Felixstowe,

351
00:24:56,840 --> 00:24:58,640
just across the estuary.

352
00:25:00,120 --> 00:25:03,680
But at the turn of the 20th century,
these waters were better known

353
00:25:03,680 --> 00:25:08,000
for the rather more leisurely
pursuit of yachting.

354
00:25:08,000 --> 00:25:10,960
A hobby brought to Britain
by a king.

355
00:25:13,600 --> 00:25:19,480
In 1660, the Dutch presented
King Charles II with a gift -

356
00:25:19,480 --> 00:25:24,840
a 52-foot sailing boat,
built solely for pleasure.

357
00:25:24,840 --> 00:25:28,200
For amateur yachtsmen,
this is where it all began.

358
00:25:32,000 --> 00:25:36,760
Here at the Harwich Low Lighthouse -
now their maritime museum -

359
00:25:36,760 --> 00:25:40,520
I've come to see a remarkable
record of this craft.

360
00:25:45,800 --> 00:25:50,240
This is a model of the first
Royal Yacht.

361
00:25:50,240 --> 00:25:52,240
She was called the Mary.

362
00:25:52,240 --> 00:25:56,040
She was presented to Charles II
by the city of Amsterdam. The very

363
00:25:56,040 --> 00:26:00,480
word "yacht" comes from the Dutch
"jacht", which was the word used for

364
00:26:00,480 --> 00:26:04,240
a sort of small working boat that
flitted in and out among the fleet

365
00:26:04,240 --> 00:26:08,760
carrying people and provisions and
doing jobs. And in the Dutch design,

366
00:26:08,760 --> 00:26:12,160
of course, with these leeboards
here, like the Thames barges have,

367
00:26:12,160 --> 00:26:16,200
but with little elaborate touches
to demonstrate that this is

368
00:26:16,200 --> 00:26:18,960
a private yacht, in effect.

369
00:26:18,960 --> 00:26:22,720
A unicorn gilded at the bow there.

370
00:26:22,720 --> 00:26:27,160
And little gilding
around the cannons.

371
00:26:27,160 --> 00:26:34,480
And then an elaborate stern with a
coat of arms of the King of England.

372
00:26:34,480 --> 00:26:37,440
So a very fine boat
and he was very fond of her.

373
00:26:37,440 --> 00:26:40,920
In fact, he sort of became addicted
to yachting.

374
00:26:40,920 --> 00:26:46,000
In the 25 years of his reign,
he had 26 Royal Yachts built.

375
00:26:46,000 --> 00:26:47,400
And this is one of the finest.

376
00:26:47,400 --> 00:26:51,440
This is a model thought to be
of a ship called the Catherine.

377
00:26:51,440 --> 00:26:54,200
And this model itself
is very precious.

378
00:26:54,200 --> 00:26:58,000
It was made in the late 1600s,
and this shows how

379
00:26:58,000 --> 00:27:02,880
the Royal Yacht gradually became
more and more elaborate.

380
00:27:04,040 --> 00:27:06,440
The detail is really fine,
and it's only possible

381
00:27:06,440 --> 00:27:09,920
because the wood they've used
for the carving is fruitwood -

382
00:27:09,920 --> 00:27:13,440
apple, pearwood -
which grows very, very slowly

383
00:27:13,440 --> 00:27:16,840
and so has no grain. It's like
carving marble, and you can get

384
00:27:16,840 --> 00:27:21,480
this absolute exquisite detail
of tiny little bits.

385
00:27:21,480 --> 00:27:24,880
The figurehead has got two figures.

386
00:27:26,400 --> 00:27:29,760
The wreaths are very elaborate
around the gunports,

387
00:27:29,760 --> 00:27:33,800
and as we come back down
the side here, this great

388
00:27:33,800 --> 00:27:39,720
frieze of acanthus leaves,
very elaborate Baroque decoration.

389
00:27:39,720 --> 00:27:44,640
Poseidon here, trampling a monster.

390
00:27:44,640 --> 00:27:46,320
Lamps on the stern.

391
00:27:47,880 --> 00:27:53,040
And then two putti with anchors
on the back here.

392
00:27:55,400 --> 00:28:00,280
If you peer over down there,
there's golden steps to the cabins.

393
00:28:00,280 --> 00:28:05,240
Inside there, again, four-poster
bed, paintings on the walls,

394
00:28:05,240 --> 00:28:11,160
fine furniture - entirely a sort of
pleasure dome for the King.

395
00:28:13,280 --> 00:28:17,840
Charles II loved the sea.
He'd go to sea at any excuse.

396
00:28:17,840 --> 00:28:21,600
He'd take his court to sea,
he'd meet his admirals on the sea,

397
00:28:21,600 --> 00:28:26,680
he took up racing his "jacht",
or his yacht, for pleasure.

398
00:28:26,680 --> 00:28:29,960
It was the beginning of a whole
industry that started, rather

399
00:28:29,960 --> 00:28:33,840
like horse racing, started with
the monarch and then trickled down.

400
00:28:39,680 --> 00:28:41,080
For the first time,

401
00:28:41,080 --> 00:28:44,280
boats became about more than
fighting and fishing.

402
00:28:44,280 --> 00:28:46,000
They were built for fun.

403
00:28:48,360 --> 00:28:53,000
John... Yes? ..why do you like
sailing? Why? Yeah.

404
00:28:53,000 --> 00:28:57,120
I like that feel when you're still
and then the wind picks up,

405
00:28:57,120 --> 00:29:00,720
and you just lean over and
accelerate. Nothing better than that.

406
00:29:00,720 --> 00:29:05,120
I think the strange thing about it
is that you take it out to sea

407
00:29:05,120 --> 00:29:08,200
and you're completely
at the mercy of the winds...

408
00:29:08,200 --> 00:29:10,560
the winds and the tide.

409
00:29:10,560 --> 00:29:13,920
And it's like having a little...

410
00:29:13,920 --> 00:29:19,880
a little sort of domestic sea that
you suddenly cast onto the wild sea.

411
00:29:25,240 --> 00:29:30,320
Not far up the River Orwell
from Harwich is the tiny village

412
00:29:30,320 --> 00:29:33,400
and boat yard of Pin Mill.

413
00:29:46,880 --> 00:29:49,040
I think there was a seal there.

414
00:29:49,040 --> 00:29:50,440
Just there.

415
00:29:59,400 --> 00:30:04,440
In 1935 this idyllic stretch
of river became the home of a man

416
00:30:04,440 --> 00:30:07,960
who probably did more than anybody
else to introduce generations

417
00:30:07,960 --> 00:30:12,520
of children to the pleasures and the
excitements of sailing and the sea.

418
00:30:12,520 --> 00:30:17,160
His name was Arthur Ransome
and he wrote Swallows and Amazons.

419
00:30:23,960 --> 00:30:27,240
Swallows and Amazons is
a children's classic.

420
00:30:27,240 --> 00:30:28,400
Golly, it's a pirate.

421
00:30:29,440 --> 00:30:32,560
12 novels recount the innocent
adventures of the children

422
00:30:32,560 --> 00:30:36,640
of two families during carefree
summer holidays...

423
00:30:36,640 --> 00:30:38,080
Land ahoy!

424
00:30:38,080 --> 00:30:40,240
..mostly spent sailing dinghies.

425
00:30:43,400 --> 00:30:47,320
A keen sailor himself, Ransome
turned sailing into the ideal

426
00:30:47,320 --> 00:30:50,040
image of childhood fun and escape.

427
00:30:50,040 --> 00:30:51,720
Nearly there! Nearly there!

428
00:30:51,720 --> 00:30:52,760
Nearly there!

429
00:30:54,000 --> 00:30:56,680
The early novels are set
in the Lake District,

430
00:30:56,680 --> 00:31:02,080
but he later moved the action to the
coastal waters of Suffolk and Essex.

431
00:31:16,080 --> 00:31:19,800
Pin Mill hasn't really changed much
since the 1930s.

432
00:31:21,960 --> 00:31:25,280
This little village
captivated Ransome,

433
00:31:25,280 --> 00:31:29,840
and he used to come here,
to the Butt & Oyster, for a pint.

434
00:31:34,000 --> 00:31:37,560
In 1937 he wrote a famous book
that's based here,

435
00:31:37,560 --> 00:31:40,400
it's called
We Didn't Mean To Go To Sea.

436
00:31:40,400 --> 00:31:43,200
It's actually rather a terrifying
story of a group of children

437
00:31:43,200 --> 00:31:47,840
who get landed on a boat alone, the
owner having gone ashore, and then

438
00:31:47,840 --> 00:31:54,200
drift out to sea and are forced to
sail in a gale at night to Holland.

439
00:31:54,200 --> 00:31:55,800
So it's quite an alarming story.

440
00:31:55,800 --> 00:31:59,560
But it's very Arthur Ransome,
it has his own illustrations.

441
00:31:59,560 --> 00:32:02,280
The Hard here, for instance,
is the first picture

442
00:32:02,280 --> 00:32:04,720
and there are pictures of how
to tie bowlines

443
00:32:04,720 --> 00:32:07,560
and how to work an anchor
and all sorts of things.

444
00:32:07,560 --> 00:32:12,080
And a very obsessive attention
to the detail of sailing -

445
00:32:12,080 --> 00:32:15,720
he doesn't mind boring you silly
with two or three pages of,

446
00:32:15,720 --> 00:32:18,200
you know, how to hoist a sail
or how to take in a reef.

447
00:32:18,200 --> 00:32:21,760
But it was this book and these books
that really entranced children.

448
00:32:21,760 --> 00:32:23,880
I think also frightened them.

449
00:32:23,880 --> 00:32:26,840
I was so, when I first read them
I thought I'd never go to sea

450
00:32:26,840 --> 00:32:30,720
if it was like this but
that's clearly the secret of what

451
00:32:30,720 --> 00:32:33,520
he did to dramatize sailing.

452
00:32:51,520 --> 00:32:54,120
The boat that the children were in
when they didn't mean to go

453
00:32:54,120 --> 00:32:58,160
to sea was based on a real boat
that Arthur Ransome had bought

454
00:32:58,160 --> 00:33:01,960
and which he renamed
the Nancy Blackett after the main

455
00:33:01,960 --> 00:33:04,840
character in Swallows and Amazons.

456
00:33:04,840 --> 00:33:07,880
Nancy Blackett, who had been
called Ruth Blackett

457
00:33:07,880 --> 00:33:11,560
but she wanted to be the chief
of the pirates, and she was told

458
00:33:11,560 --> 00:33:16,840
that pirates were ruth-less,
so she changed her name to Nancy.

459
00:33:16,840 --> 00:33:21,120
And the Nancy Blackett, the real
boat, has been found and restored

460
00:33:21,120 --> 00:33:24,440
and is here now at Pin Mill
and I'm just on my way to see her.

461
00:33:32,560 --> 00:33:34,960
Hi, Peter.
Hello!

462
00:33:34,960 --> 00:33:39,200
'On board is Peter Willis. The man
responsible for looking after her.'

463
00:33:39,200 --> 00:33:40,880
I borrowed this dinghy
to get out here

464
00:33:40,880 --> 00:33:44,880
and it's a bit of a bathtub.
Bit of string.

465
00:33:44,880 --> 00:33:47,600
OK. Have you got her?
Yeah, yeah.

466
00:33:47,600 --> 00:33:53,200
Good. Is this strong? OK, great,
thank you very much indeed.

467
00:33:53,200 --> 00:33:55,360
Yep. Welcome aboard.
Thank you.

468
00:33:55,360 --> 00:33:57,840
Come below. Have you had to do
a lot of work to her?

469
00:33:57,840 --> 00:34:00,240
This is all the original wood,
is it?

470
00:34:00,240 --> 00:34:01,320
Some of it is.

471
00:34:01,320 --> 00:34:05,160
The interior was totally reshaped
to bring her back as she would

472
00:34:05,160 --> 00:34:06,840
have been when Ransome owned her.

473
00:34:06,840 --> 00:34:10,920
Lots of space, isn't there?
What's the picture there?

474
00:34:10,920 --> 00:34:14,600
That's himself sailing.
The bald man, see.

475
00:34:14,600 --> 00:34:16,000
Galley here.

476
00:34:16,000 --> 00:34:17,480
Galley there, sink there.

477
00:34:17,480 --> 00:34:18,760
Yeah.

478
00:34:18,760 --> 00:34:20,640
She's quite heavy inside.

479
00:34:20,640 --> 00:34:22,760
I mean, wooden drawers
and all that...

480
00:34:22,760 --> 00:34:25,280
Solid. Solid construction, yeah.
Yes, nice. Very nice.

481
00:34:28,680 --> 00:34:33,920
What do you think Ransome saw
in this boat and in the sea?

482
00:34:33,920 --> 00:34:37,480
For this boat he just felt
totally at home in her.

483
00:34:37,480 --> 00:34:41,520
She's was a good sea boat,
she's all he ever wanted.

484
00:34:41,520 --> 00:34:46,080
He went onto bigger boats and wider
boats and all sorts of boats

485
00:34:46,080 --> 00:34:49,280
but this was the best boat
he ever owned, he said.

486
00:34:49,280 --> 00:34:53,480
Very nice to see a boat that carries
so many memories!

487
00:34:53,480 --> 00:34:54,920
I mean, I remember reading

488
00:34:54,920 --> 00:34:56,960
We Didn't Want to Go to Sea
as a child.

489
00:34:58,000 --> 00:35:00,000
Scared the living daylights
out of me.

490
00:35:00,000 --> 00:35:02,480
Did you read it as a child?
Oh, yes.

491
00:35:02,480 --> 00:35:05,840
Have you always been a Ransome fan?
Yes, very much. Why so?

492
00:35:07,320 --> 00:35:10,080
I think for the reason
practically everybody is.

493
00:35:10,080 --> 00:35:14,880
You get totally sucked
into the world of these children,

494
00:35:14,880 --> 00:35:19,000
of sailing. It turned me onto
sailing totally, Ransome.

495
00:35:20,960 --> 00:35:24,120
That's why I have never lost
the fondness for the books.

496
00:35:47,560 --> 00:35:51,320
'With plenty of wind to fill
our sails, and the tide running

497
00:35:51,320 --> 00:35:56,640
'in our favour, we're leaving
Suffolk behind us
and crossing into Essex.'

498
00:36:01,400 --> 00:36:03,920
What speed are we doing
as a matter of curiosity?

499
00:36:03,920 --> 00:36:07,880
Seven knots.
Seven knots. Maximum speed!

500
00:36:11,000 --> 00:36:13,760
It's just a few hours
to our next destination,

501
00:36:13,760 --> 00:36:16,480
the little town of Frinton-on-Sea.

502
00:36:27,760 --> 00:36:29,840
'Frinton is a small,

503
00:36:29,840 --> 00:36:33,400
'rather old-fashioned town
on the Essex coast.'

504
00:36:40,520 --> 00:36:45,160
Between the wars, it was a byword
for genteel seaside holidays.

505
00:36:50,120 --> 00:36:54,560
'But I'm here to see a more recent
addition to Frinton's seafront.

506
00:36:55,800 --> 00:36:59,160
'It's a surprise, already
attracting a crowd of onlookers.

507
00:37:01,600 --> 00:37:04,920
'This is the original
art of the seaside,

508
00:37:04,920 --> 00:37:06,280
'taken to its extreme.

509
00:37:09,000 --> 00:37:11,960
'Nicola Wood is a sand sculptor

510
00:37:11,960 --> 00:37:16,080
'and she and her team have been
hard at work since dawn.'

511
00:37:16,080 --> 00:37:18,160
Just caught you before you finished.

512
00:37:18,160 --> 00:37:19,800
Yes.

513
00:37:19,800 --> 00:37:24,920
My sand castles never looked
like this. It's so small!

514
00:37:24,920 --> 00:37:27,280
How do you get this smoothness,
first of all?

515
00:37:27,280 --> 00:37:30,840
Well, the sand itself is very dense
and very compact.

516
00:37:30,840 --> 00:37:34,160
So you can apply quite a lot
of pressure onto it to make

517
00:37:34,160 --> 00:37:35,760
a smooth surface.

518
00:37:35,760 --> 00:37:39,760
You can...kind of massage the grains
into position, I suppose.

519
00:37:39,760 --> 00:37:41,840
Yes.

520
00:37:41,840 --> 00:37:44,920
And just a variety of different
tools and smoothing devices.

521
00:37:44,920 --> 00:37:48,280
This is tips for children
on the beach....if you want to make

522
00:37:48,280 --> 00:37:49,680
the perfect sand castle.

523
00:37:49,680 --> 00:37:51,720
If you want to make
the perfect sand castle

524
00:37:51,720 --> 00:37:53,640
the trick is in the preparation.

525
00:37:53,640 --> 00:37:54,680
You need a lot of water,

526
00:37:54,680 --> 00:37:58,840
and you need to prepare your pile
of sand in layers.

527
00:37:58,840 --> 00:38:00,200
Is this... What sand is this?

528
00:38:00,200 --> 00:38:02,200
This is Frinton beach sand,
there's quite

529
00:38:02,200 --> 00:38:05,720
a lot of stones in it, so it makes
it quite difficult for carving with.

530
00:38:05,720 --> 00:38:08,800
But it is beautiful beach sand.
I mean, it's really, really old.

531
00:38:08,800 --> 00:38:11,760
But tell me about how you make
the look of it right.

532
00:38:11,760 --> 00:38:14,520
Because she is the most
wonderful shape.

533
00:38:14,520 --> 00:38:16,120
That's one way of putting it.

534
00:38:16,120 --> 00:38:18,320
Yeah, well, she is!
But where did you begin?

535
00:38:18,320 --> 00:38:21,120
How do you get the height?
How do you get all the angles right?

536
00:38:21,120 --> 00:38:24,080
Is there something inside there,
a framework, or just sand?

537
00:38:24,080 --> 00:38:26,760
There's nothing inside, a lot
of people think that there is.

538
00:38:26,760 --> 00:38:30,360
But this was, when we arrived,
just a big blob of sand.

539
00:38:30,360 --> 00:38:33,280
And this is what we did for the head,
make a big wooden box,

540
00:38:33,280 --> 00:38:36,080
compressed it down, put loads
and loads of water in it,

541
00:38:36,080 --> 00:38:39,800
remove the wood, and you've got a
solid block, almost like sandstone.

542
00:38:39,800 --> 00:38:41,600
And we made a kind of wedding cake

543
00:38:41,600 --> 00:38:44,560
if you can imagine different
levels of steps going up.

544
00:38:44,560 --> 00:38:47,520
And on each step we would pour water
and make a kind of moat.

545
00:38:54,160 --> 00:38:57,120
Did you start with an idea
in your mind of exactly what

546
00:38:57,120 --> 00:38:59,240
this would be like?

547
00:38:59,240 --> 00:39:01,880
Or have you done it as it's gone
along? Developed it...

548
00:39:01,880 --> 00:39:04,680
You just kind of adapt
and evolve it as you carve.

549
00:39:04,680 --> 00:39:06,640
And I've got lots of source
material, I've got

550
00:39:06,640 --> 00:39:10,200
pictures of old-fashioned postcards
here that I've been referring to.

551
00:39:10,200 --> 00:39:11,400
Oh, yes.

552
00:39:11,400 --> 00:39:13,960
And the idea was originally
to do a fun, cartoon,

553
00:39:13,960 --> 00:39:17,040
seaside old-fashioned
postcard type thing.

554
00:39:17,040 --> 00:39:18,560
But because the sand is not

555
00:39:18,560 --> 00:39:22,040
so strong, it left little room
for elaborate shapes.

556
00:39:22,040 --> 00:39:24,440
But she is elaborate!
She is really elaborate!

557
00:39:24,440 --> 00:39:28,840
She's got sunglasses. Wacky hair.
A sour-looking mouth, slightly.

558
00:39:28,840 --> 00:39:32,560
She looks like one of those pilot
things, you know, ahh!

559
00:39:32,560 --> 00:39:34,680
Ice cream cone, melting...

560
00:39:34,680 --> 00:39:35,960
Yes.

561
00:39:35,960 --> 00:39:39,640
..huge thunder thighs.
And a beach ball!

562
00:39:39,640 --> 00:39:41,160
Yes! Got everything you want!

563
00:39:41,160 --> 00:39:43,640
More than you want, I think.
More than you want!

564
00:39:43,640 --> 00:39:45,600
And a swimming costume
with polka dots on it.

565
00:39:45,600 --> 00:39:47,120
What happens at the end?

566
00:39:47,120 --> 00:39:50,760
I mean, traditionally with
a sand castle you kick it down,

567
00:39:50,760 --> 00:39:52,360
don't you, before the tide comes in.

568
00:39:52,360 --> 00:39:55,880
Yeah, you do. I mean, they are...
it is temporary art.

569
00:39:55,880 --> 00:39:58,360
They are transient.
So they don't last for ever

570
00:39:58,360 --> 00:40:01,560
and if they're not taken away
by the elements then they're often

571
00:40:01,560 --> 00:40:03,920
bulldozed down and the sand is
recycled for another

572
00:40:03,920 --> 00:40:06,480
sculpture or put back on the beach
like this one will be.

573
00:40:06,480 --> 00:40:09,000
I've never seen anything like this.

574
00:40:09,000 --> 00:40:11,760
I'm absolutely gobsmacked by it,
I think it's wonderful.

575
00:40:27,200 --> 00:40:31,120
Our next stop is a town that went
to extraordinary lengths to

576
00:40:31,120 --> 00:40:32,600
attract visitors.

577
00:40:33,720 --> 00:40:36,760
We're heading to Southend-on-Sea.

578
00:40:36,760 --> 00:40:40,320
Home to the boldest pier
on the British coast.

579
00:40:48,840 --> 00:40:52,400
John, we're really at the mouth
of the Thames, aren't we here?

580
00:40:52,400 --> 00:40:54,200
It feels like it now to me, yes.

581
00:40:54,200 --> 00:40:56,000
The longest pier in the world.

582
00:40:57,240 --> 00:40:58,760
Has it always been the same length?

583
00:40:58,760 --> 00:41:00,360
Or did they make it
gradually longer?

584
00:41:00,360 --> 00:41:01,760
No, it's grown. It's grown.

585
00:41:01,760 --> 00:41:04,440
The Victorians had a wooden pier
at the very end and then it grew

586
00:41:04,440 --> 00:41:05,800
and grew and grew.

587
00:41:05,800 --> 00:41:09,400
But it's always in trouble
because boats collide with it,

588
00:41:09,400 --> 00:41:10,520
don't they, in the past?

589
00:41:10,520 --> 00:41:13,440
They have collided with it,
over the past few years boats have.

590
00:41:13,440 --> 00:41:15,120
Gone through the middle of it.

591
00:41:15,120 --> 00:41:18,600
It's not a very easy entry.
It's a bit rough.

592
00:41:25,160 --> 00:41:27,600
The pier at Southend
stretches almost

593
00:41:27,600 --> 00:41:30,360
a mile and a half
into the Thames estuary.

594
00:41:31,880 --> 00:41:35,760
The original iron structure
was completed in 1889

595
00:41:35,760 --> 00:41:38,200
but it's been extended twice
in the years

596
00:41:38,200 --> 00:41:41,360
since to accommodate growing
numbers of visitors.

597
00:41:42,480 --> 00:41:46,680
It stands like a barometer
of Southend's changing fortunes.

598
00:41:50,640 --> 00:41:54,320
When this pier was threatened with
demolition in the late '70s,

599
00:41:54,320 --> 00:41:57,600
the poet laureate Sir John Betjeman,
along with others,
came to the rescue,

600
00:41:57,600 --> 00:42:01,120
he said, "I love this place,
to lose it would be like
losing a limb.

601
00:42:01,120 --> 00:42:04,080
"The pier is Southend
and Southend is the pier."

602
00:42:04,080 --> 00:42:05,240
And he was dead right,

603
00:42:05,240 --> 00:42:08,000
it was the Victorians who had
discovered the pleasures of

604
00:42:08,000 --> 00:42:13,560
the pier. The illusion of being out
at sea, but in perfect safety and no

605
00:42:13,560 --> 00:42:17,720
risk of sea-sickness, or as another
writer, William Thackeray, put it,

606
00:42:17,720 --> 00:42:23,640
"To pace these vast decks without
the need of a steward with a basin."

607
00:42:28,600 --> 00:42:32,480
The Victorians loved walking up
and down seaside pleasure piers

608
00:42:32,480 --> 00:42:36,560
and they were soon being built
at resort towns all around Britain.

609
00:42:39,600 --> 00:42:44,880
In 1883 the American artist,
James McNeill Whistler, came here,

610
00:42:44,880 --> 00:42:45,920
to Southend.

611
00:42:47,040 --> 00:42:49,800
He captured the scene
on a busy Bank Holiday,

612
00:42:49,800 --> 00:42:53,960
with Victorian day-trippers
promenading along the seafront.

613
00:43:08,880 --> 00:43:11,840
This is the face of today's
seaside - loud music,

614
00:43:11,840 --> 00:43:14,920
rides that are more
and more terrifying.

615
00:43:14,920 --> 00:43:17,360
The Victorians would have
absolutely loved it.

616
00:43:17,360 --> 00:43:20,840
I'm on one of the gentlest
of the rides,

617
00:43:20,840 --> 00:43:24,640
but this has all taken the place
of promenading on the pier,

618
00:43:24,640 --> 00:43:29,000
of Punch and Judy, of tea dances
and music hall shows.

619
00:43:29,000 --> 00:43:33,920
This is a trend that actually
began here, at Southend.

620
00:43:44,680 --> 00:43:48,760
It all started in a building just
half a mile along the seafront.

621
00:43:56,640 --> 00:44:02,760
This ornate interior was once the
lavish entrance hall to the Kursaal,

622
00:44:02,760 --> 00:44:07,800
which claims to be the first
purpose-built theme park
in the world.

623
00:44:09,720 --> 00:44:14,080
Beyond these walls lay 20 acres
of funfair.

624
00:44:16,680 --> 00:44:21,320
It was this great hall, a cinema,
a ballroom which was used

625
00:44:21,320 --> 00:44:24,680
for all kinds of exhibitions and
sports as well as for dancing and

626
00:44:24,680 --> 00:44:29,840
eating, an arcade there with side
shows all the way down, disguised as

627
00:44:29,840 --> 00:44:33,920
a Cairo street. There was everything
you could think of,
from roller coasters,

628
00:44:33,920 --> 00:44:37,400
there was a trotting track, and then
there were weirder ones. In the

629
00:44:37,400 --> 00:44:42,040
middle of the First World War there
was a reconstruction of an Ypres

630
00:44:42,040 --> 00:44:44,920
trench and there was a side show

631
00:44:44,920 --> 00:44:48,840
where you could knock the Kaiser's
head off, which was very popular,

632
00:44:48,840 --> 00:44:50,840
the man who had that made a fortune.

633
00:45:01,200 --> 00:45:03,520
It's difficult now
to imagine all that,

634
00:45:03,520 --> 00:45:07,360
but this Kursaal in the years
between the wars was

635
00:45:07,360 --> 00:45:10,920
everything that Southend had
to offer, all the excitements,

636
00:45:10,920 --> 00:45:13,880
all the attractions,
constant novelties,

637
00:45:13,880 --> 00:45:17,160
come and see Al Capone's car,
come and see the fattest man,

638
00:45:17,160 --> 00:45:19,360
come and see the thinnest man,

639
00:45:19,360 --> 00:45:24,520
watch the first lady lion tamer -
just what you want on a day out.

640
00:45:35,120 --> 00:45:37,160
Yeah, that's a good view
of the pier, isn't it?

641
00:45:37,160 --> 00:45:39,240
See how long it is from there.

642
00:45:39,240 --> 00:45:43,280
As we leave Southend's
magnificent pier behind,

643
00:45:43,280 --> 00:45:45,440
the light is starting to fade.

644
00:45:46,600 --> 00:45:49,360
Fortunately, our next stop
is nearby.

645
00:45:51,880 --> 00:45:55,440
Just a few miles to the west
lies a strip of land

646
00:45:55,440 --> 00:45:59,480
separated from the coast of Essex
by a series of creeks.

647
00:46:01,000 --> 00:46:02,240
Canvey Island.

648
00:46:09,640 --> 00:46:12,000
You might not think it
at first glance,

649
00:46:12,000 --> 00:46:15,240
but this was once Britain's
top holiday destination.

650
00:46:19,520 --> 00:46:22,800
Extraordinarily, in the 40 years
leading up to 1950,

651
00:46:22,800 --> 00:46:27,720
Canvey Island was the fastest
growing seaside resort in Britain.

652
00:46:27,720 --> 00:46:30,000
The Victorians came
to the seaside for the beach

653
00:46:30,000 --> 00:46:33,720
and swimming in the sea, but in
the '30s what people wanted was

654
00:46:33,720 --> 00:46:39,240
fresh air and sunshine,
and Canvey Island provided both.

655
00:46:39,240 --> 00:46:43,960
And it had two advantages - it was
close to London, and it was cheap.

656
00:46:48,240 --> 00:46:51,720
The 1930s were really
Canvey Island's Golden Age.

657
00:46:59,640 --> 00:47:03,360
You can still see the evidence
today. Standing on the beach

658
00:47:03,360 --> 00:47:07,560
overlooking the Thames estuary
is the Labworth Cafe.

659
00:47:13,880 --> 00:47:18,080
The Labworth was built in 1932,
one of the first modern buildings

660
00:47:18,080 --> 00:47:20,400
to be put up just after
the First World War.

661
00:47:20,400 --> 00:47:23,480
It's in what is called the
Art Deco style, decorative style,

662
00:47:23,480 --> 00:47:26,280
and it was built by famous
engineer Ove Arup,

663
00:47:26,280 --> 00:47:29,680
who went on the build
the Sydney Opera House,

664
00:47:29,680 --> 00:47:32,600
rather grander than this.
But this design is said to be

665
00:47:32,600 --> 00:47:35,560
based on the bridge of the
Queen Mary,

666
00:47:35,560 --> 00:47:39,680
the bridge above, and then
cocktail lounge below to sip

667
00:47:39,680 --> 00:47:41,800
your drink while the sea
rolled past.

668
00:47:44,520 --> 00:47:49,520
In the 1930s, Art Deco was all
the rage at the seaside.

669
00:47:50,840 --> 00:47:54,200
It was the architecture of sunshine
and light.

670
00:47:56,640 --> 00:48:00,800
Seafronts and coastal towns
were redeveloped with the sun

671
00:48:00,800 --> 00:48:02,560
and leisure in mind.

672
00:48:05,680 --> 00:48:08,800
The Labworth cafe tells the story
of the British seaside,

673
00:48:08,800 --> 00:48:11,160
hugely popular in the 1930s,

674
00:48:11,160 --> 00:48:15,200
falling into disrepair in the 1960s
and now being revived once again

675
00:48:15,200 --> 00:48:19,320
as people come back to this kind
of place, the cafe downstairs,

676
00:48:19,320 --> 00:48:20,760
a restaurant upstairs

677
00:48:20,760 --> 00:48:23,960
and sitting here reminds me
of being on the Queen Mary,

678
00:48:23,960 --> 00:48:25,560
and it's cocktail time.

679
00:48:25,560 --> 00:48:28,840
Pina Colada, top of the list,
excellent!

680
00:48:33,920 --> 00:48:35,960
Here's to the British seaside.

681
00:48:43,880 --> 00:48:48,600
The final leg of our journey
brings us into the Thames proper.

682
00:48:48,600 --> 00:48:52,720
The royal river on which London's
fortunes were built.

683
00:48:52,720 --> 00:48:54,440
We're heading for Greenwich.

684
00:48:59,400 --> 00:49:03,080
'But the weather, it seems,
has turned against us.

685
00:49:03,080 --> 00:49:06,560
'This feels rather more like
the great British summer we know

686
00:49:06,560 --> 00:49:09,840
'and love...or love
to complain about.'

687
00:49:09,840 --> 00:49:13,400
Looking for Thames Haven. That's the
next place to look for. Yeah.

688
00:49:13,400 --> 00:49:15,240
I was hoping we'd be able
to sail up here

689
00:49:15,240 --> 00:49:18,400
but I don't think it looks
very likely, does it?

690
00:49:18,400 --> 00:49:22,280
My dream was to sail up the Thames,
past Greenwich,

691
00:49:22,280 --> 00:49:25,240
under Tower Bridge, all under sail.

692
00:49:25,240 --> 00:49:31,760
But instead we've got drizzle and
grey skies. No sign of wind at all.

693
00:49:31,760 --> 00:49:33,000
It may come.

694
00:49:37,800 --> 00:49:39,640
'Even for experienced sailors,

695
00:49:39,640 --> 00:49:42,840
'the Thames can be a daunting
waterway to navigate.'

696
00:49:42,840 --> 00:49:44,840
Can't really see very much, really.

697
00:49:44,840 --> 00:49:48,440
'It has strong tides, narrow
channels and sandbanks.

698
00:49:49,640 --> 00:49:52,480
'And it is one of the busiest
shipping lanes in Britain -

699
00:49:52,480 --> 00:49:56,840
'handling some 45 million tonnes
of cargo every year.'

700
00:49:56,840 --> 00:49:58,120
Okay...and up.

701
00:50:00,760 --> 00:50:04,280
Here, a little local knowledge
goes a very long way.

702
00:50:04,280 --> 00:50:06,320
How does that look?
All right, I think.

703
00:50:07,640 --> 00:50:11,240
'We're going to take on board
a Thames Pilot to guide us

704
00:50:11,240 --> 00:50:13,200
'safely upriver.'

705
00:50:13,200 --> 00:50:16,840
Good morning!
Where do you want to get down?

706
00:50:16,840 --> 00:50:19,280
On the shrouds?
Yeah, I'll go here...yes.

707
00:50:19,280 --> 00:50:23,160
'John Stafford has been
a river pilot for 18 years.

708
00:50:24,680 --> 00:50:29,400
'There have been men like him
working these waters
for generations.'

709
00:50:29,400 --> 00:50:32,360
Good morning!
Good morning! And welcome.

710
00:50:32,360 --> 00:50:35,400
Thank you very much.
And thank you very much for coming.

711
00:50:35,400 --> 00:50:39,280
Since the time of Henry VIII,
local sailors have been boarding

712
00:50:39,280 --> 00:50:43,880
ships on the river to deliver them
safely to their destination.

713
00:50:43,880 --> 00:50:45,880
Pilots deal with traffic control.

714
00:50:46,880 --> 00:50:52,640
If you only had the one ship on
the river, life would be a dawdle.

715
00:50:52,640 --> 00:50:54,880
But you don't, you have
multiple ships.

716
00:50:54,880 --> 00:50:57,680
You'll hear it just as we go up
and I'm listening to the port

717
00:50:57,680 --> 00:51:00,280
control radio...you'll hear
lots of ships calling.

718
00:51:00,280 --> 00:51:03,400
And they're all doing something,
there are ships going onto berths,

719
00:51:03,400 --> 00:51:07,120
off berths and you don't want to be
in the same place at the same time.

720
00:51:07,120 --> 00:51:10,400
So you're, as a pilot, you're
adjusting the speed to make sure

721
00:51:10,400 --> 00:51:13,480
that everything matches
and it's choreography, really.

722
00:51:13,480 --> 00:51:15,880
Marine choreography of the Thames.
Really, so you're,

723
00:51:15,880 --> 00:51:19,840
the ballet is being organized...
The dance orchestrator!

724
00:51:19,840 --> 00:51:22,240
..a dance orchestrator.

725
00:51:31,880 --> 00:51:36,440
On this river, it's hard to escape
the weight of history.

726
00:51:36,440 --> 00:51:39,960
For centuries, sailors have
navigated these waters.

727
00:51:41,000 --> 00:51:44,400
Generations united by a passion
for the sea,

728
00:51:44,400 --> 00:51:47,840
and the simple power
of wind and sail.

729
00:51:59,280 --> 00:52:01,080
There's Canary Wharf.

730
00:52:01,080 --> 00:52:03,280
Yeah, this is Blackwell Point.

731
00:52:03,280 --> 00:52:06,240
Yeah, and this is just
the beginning of the city.

732
00:52:06,240 --> 00:52:08,720
Now, how far have we got to go
until we get to Greenwich?

733
00:52:08,720 --> 00:52:11,800
Just around this corner, yes?
Just around the corner.

734
00:52:17,680 --> 00:52:18,960
Greenwich.

735
00:52:20,040 --> 00:52:22,920
For five centuries this place
has been at the heart

736
00:52:22,920 --> 00:52:25,280
of our relationship with the sea.

737
00:52:25,280 --> 00:52:29,520
A home to maritime science,
history and art.

738
00:52:32,880 --> 00:52:34,880
Can you slow down?

739
00:52:34,880 --> 00:52:36,440
Watch the bowsprit!

740
00:52:36,440 --> 00:52:40,520
'The river entrance to Greenwich
is a flight of slippery steps,

741
00:52:40,520 --> 00:52:43,640
'where grandees used to disembark.'

742
00:52:43,640 --> 00:52:44,680
That was dodgy!

743
00:52:50,240 --> 00:52:54,600
'Today, Greenwich is a monument
to some of our greatest sailors

744
00:52:54,600 --> 00:52:56,520
'and their mastery of the seas.'

745
00:53:07,600 --> 00:53:11,200
Of all the places we've visited
in our journey around Britain's

746
00:53:11,200 --> 00:53:14,160
shores, Greenwich
is the most powerful

747
00:53:14,160 --> 00:53:16,800
symbol of our relationship
with the sea.

748
00:53:17,880 --> 00:53:22,800
It was here that Henry VIII was
born, the father of the Royal Navy.

749
00:53:22,800 --> 00:53:25,920
It was here that Queen Elizabeth
was born.

750
00:53:25,920 --> 00:53:28,520
It was here that she welcomed
Francis Drake

751
00:53:28,520 --> 00:53:31,880
back from his circumnavigation
of the world in the Golden Hind.

752
00:53:31,880 --> 00:53:34,960
And it was here that Lord Nelson
lay in state

753
00:53:34,960 --> 00:53:36,800
after his death at the Battle
of Trafalgar.

754
00:53:36,800 --> 00:53:41,560
This great palace with Christopher
Wren's buildings there,

755
00:53:41,560 --> 00:53:44,920
the old hospital,
and then the Royal Naval College.

756
00:53:44,920 --> 00:53:48,040
But the building I'm going to see
is the oldest building on this site,

757
00:53:48,040 --> 00:53:52,000
and the most delicate one -
the Queen's House.

758
00:54:03,760 --> 00:54:10,200
The Queen's House was built in 1616
as a royal waterside retreat,

759
00:54:10,200 --> 00:54:11,640
close to the river.

760
00:54:17,960 --> 00:54:21,560
'Now it's home to the
National Maritime Museum -

761
00:54:21,560 --> 00:54:24,280
'and our greatest collection
of maritime art.

762
00:54:41,920 --> 00:54:45,560
'It's been a fascinating journey
around Britain.

763
00:54:45,560 --> 00:54:50,080
'But for me, one tiny object
captures the spirit of the seafaring

764
00:54:50,080 --> 00:54:52,160
'past we've been looking at.

765
00:54:52,160 --> 00:54:56,080
'It's a treasure from Britain's
first great era of sea travel,

766
00:54:56,080 --> 00:54:57,320
'the Elizabethan age.'

767
00:55:00,040 --> 00:55:02,880
This is the most extraordinary
object,

768
00:55:02,880 --> 00:55:09,440
it looks like a large pocket watch.
It's gilded brass.

769
00:55:09,440 --> 00:55:16,400
It was made in 1569, it's said to
have been made for Francis Drake

770
00:55:16,400 --> 00:55:21,720
to take to the West Indies in 1570,
it's called 'Cole's Compendium.'

771
00:55:21,720 --> 00:55:26,000
It's actually a present
for a sailor who has everything,

772
00:55:26,000 --> 00:55:29,640
because this really does have
everything you could need.

773
00:55:29,640 --> 00:55:33,760
It's very delicate and I have
to open it up rather carefully.

774
00:55:33,760 --> 00:55:39,040
It has a series of dials
on the inside, the first one is to

775
00:55:39,040 --> 00:55:45,360
tell you the phases of the moon,
and then the next dial to it here

776
00:55:45,360 --> 00:55:51,480
is a perpetual calendar, giving you
dates year-on-year-on-year,

777
00:55:51,480 --> 00:55:54,680
then we come to the key measurement
for sailors, the measurement

778
00:55:54,680 --> 00:56:01,200
of latitude, and this one, I have
to put spectacles on to see this.

779
00:56:03,080 --> 00:56:07,480
This one gives various places
and the latitudes that they're at,

780
00:56:07,480 --> 00:56:14,800
Antwerp, Venice, Lisbon, Naples
and so on.

781
00:56:14,800 --> 00:56:17,440
Now this is the most complex

782
00:56:17,440 --> 00:56:19,840
and difficult bit, if I can do it
like this.

783
00:56:21,280 --> 00:56:24,800
It folds up and that way.

784
00:56:24,800 --> 00:56:30,000
Don't ask me how but it helps you
tell the latitude that you're at.

785
00:56:30,000 --> 00:56:35,120
And it reveals beneath it a little
tiny compass in the centre there.

786
00:56:35,120 --> 00:56:37,680
How you do it in a rough sea,
I can't imagine.

787
00:56:37,680 --> 00:56:42,920
And then we fold the whole thing up
and open the other side, the back.

788
00:56:45,720 --> 00:56:50,040
Rather mysterious dial of seaports
and the inscription says

789
00:56:50,040 --> 00:56:57,920
"The names of principle portes
and havens of Europe."

790
00:56:57,920 --> 00:57:01,320
And finally in the last leaf
this very beautiful device,

791
00:57:01,320 --> 00:57:04,200
almost incomprehensible
to a layman's eyes,

792
00:57:04,200 --> 00:57:07,400
which allows you to work out
the tides.

793
00:57:07,400 --> 00:57:09,920
All important, of course,
when you're sailing.

794
00:57:09,920 --> 00:57:13,160
What time the tides are high
and low and therefore

795
00:57:13,160 --> 00:57:14,640
also which way they're flowing.

796
00:57:17,520 --> 00:57:19,360
And there it is, Cole's Compendium.

797
00:57:21,840 --> 00:57:23,960
In a way this beautiful,

798
00:57:23,960 --> 00:57:29,440
complex object perfectly illustrates
our island's story. How we,

799
00:57:29,440 --> 00:57:33,680
who the Romans thought of as
the furthest people in the world,

800
00:57:33,680 --> 00:57:39,360
living on the island set in an
unknown sea, became, by conquering

801
00:57:39,360 --> 00:57:44,200
that sea, among the richest
and most powerful nations on Earth.

802
00:57:56,640 --> 00:58:01,120
If we successfully navigate
Tower Bridge it'll be my dream come

803
00:58:01,120 --> 00:58:02,640
true, Cally.
How exciting!

804
00:58:02,640 --> 00:58:06,680
For me, it's the perfect end to
a journey to all the four corners

805
00:58:06,680 --> 00:58:12,040
of Britain, is to end up
in the heart of London,

806
00:58:12,040 --> 00:58:13,480
going under Tower Bridge.

807
00:59:11,920 --> 00:59:13,960
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