1 00:00:37,664 --> 00:00:41,828 Welcome to the annual 24-hour race at the Le Mans Circuit in France. 2 00:00:45,238 --> 00:00:46,432 This program is about 3 00:00:46,573 --> 00:00:49,736 how one of the strange ways history connects things 4 00:00:49,876 --> 00:00:52,276 is going to affect the way this race will end 5 00:00:52,412 --> 00:00:53,777 24 hours from now. 6 00:00:59,652 --> 00:01:02,018 Because every year at Le Mans, 7 00:01:02,155 --> 00:01:05,420 the winner gets his picture taken as he crosses the line. 8 00:01:13,032 --> 00:01:16,524 And because of the weird way history has of turning things on their heads, 9 00:01:16,669 --> 00:01:17,931 that's why he's going to win. 10 00:01:20,573 --> 00:01:24,202 The winner is photographed winning, because he's photographed winning. 11 00:01:24,344 --> 00:01:26,335 So in more senses than one, when this is all over, 12 00:01:26,479 --> 00:01:27,844 it's going to be a photo finish. 13 00:01:40,193 --> 00:01:41,626 100 years ago, 14 00:01:41,761 --> 00:01:44,161 the race to put photography into everybody's hands 15 00:01:44,297 --> 00:01:45,992 got off to a rough start: 16 00:01:46,132 --> 00:01:49,590 the bucket of chemicals you needed to develop your holiday snaps, 17 00:01:49,736 --> 00:01:52,637 that tore when you tried to get them off the developer. 18 00:01:52,772 --> 00:01:54,296 Then came a breakthrough: 19 00:01:54,440 --> 00:01:57,409 a guy called George Eastman put film emulsion 20 00:01:57,544 --> 00:02:01,605 on some flexible stuff that had just been invented in 1895. 21 00:02:01,748 --> 00:02:04,876 Eastman then packaged this flexible stuff into rolls 22 00:02:05,018 --> 00:02:07,953 that you could easily load into his new pocket camera, 23 00:02:08,087 --> 00:02:10,851 that would revolutionize the business of holiday snaps, 24 00:02:10,990 --> 00:02:12,958 called "The Kodak." 25 00:02:14,160 --> 00:02:16,526 And by the strangest coincidence, 26 00:02:16,663 --> 00:02:19,530 the clue to where that new flexible stuff came from 27 00:02:19,666 --> 00:02:22,157 is in one of the first pictures shot with it 28 00:02:22,302 --> 00:02:24,497 during a different kind of shoot. 29 00:02:27,874 --> 00:02:29,808 Now, all those Eastman photos 30 00:02:29,943 --> 00:02:33,140 of all those great white hunters up the jungle were only possible 31 00:02:33,279 --> 00:02:35,247 because of what the great white hunters 32 00:02:35,381 --> 00:02:36,541 were doing up the jungle: 33 00:02:36,683 --> 00:02:41,620 causing the Great Disappearing Elephant Scare of 1867. 34 00:02:41,754 --> 00:02:44,120 The reason: the market for ivory. 35 00:02:44,257 --> 00:02:46,725 It had tripled in the previous 30 years. 36 00:02:46,859 --> 00:02:49,953 England alone took 1 million pounds of ivory a year. 37 00:02:50,096 --> 00:02:51,290 Work it out-- 38 00:02:51,431 --> 00:02:53,831 60 pounds a tusk, 2 tusks an animal, 39 00:02:53,967 --> 00:02:58,427 that's 8,333 and a bit dead elephants a year 40 00:02:58,571 --> 00:03:00,539 for England for fun. 41 00:03:00,673 --> 00:03:03,699 This kind of fun. 42 00:03:03,843 --> 00:03:05,970 Now, a good billiard ball was hard to find. 43 00:03:06,112 --> 00:03:07,807 You had to knock off quite a few elephants 44 00:03:07,947 --> 00:03:09,039 to get the right stuff. 45 00:03:09,182 --> 00:03:10,376 Because a really good ball 46 00:03:10,516 --> 00:03:14,111 came from the centerline of a perfect elephant tusk. 47 00:03:14,254 --> 00:03:15,516 So the news out of Africa 48 00:03:15,655 --> 00:03:18,419 was not good for playboys of the Western world, 49 00:03:18,558 --> 00:03:20,253 never mind the elephants. 50 00:03:22,228 --> 00:03:27,894 Then, in 1869, a couple of printers from Albany, New York, called Hyatt 51 00:03:28,034 --> 00:03:29,365 came up with a substitute. 52 00:03:29,502 --> 00:03:30,628 It was cheap, 53 00:03:30,770 --> 00:03:33,000 it was indistinguishable from the original, 54 00:03:33,139 --> 00:03:36,040 and it eventually got used for this, 55 00:03:36,175 --> 00:03:39,201 because the ivory substitute was celluloid. 56 00:03:39,345 --> 00:03:42,246 One other celluloid product will give you a clue 57 00:03:42,382 --> 00:03:43,872 as to where it came from. 58 00:03:44,017 --> 00:03:47,680 The Hyatts also manufactured celluloid false teeth, 59 00:03:47,820 --> 00:03:51,881 which, on occasion, as per the "New York Times" of 1875, 60 00:03:52,025 --> 00:03:53,549 tended to explode. 61 00:04:02,068 --> 00:04:06,232 What was causing all the bangs and which, when heated, squeezed, 62 00:04:06,372 --> 00:04:07,669 and mixed with camphor, 63 00:04:07,807 --> 00:04:11,140 turned into celluloid, was guncotton, 64 00:04:11,277 --> 00:04:14,303 specially treated cotton that made really good explosions-- 65 00:04:14,447 --> 00:04:16,210 in the late 19th century, 66 00:04:16,349 --> 00:04:18,943 the new way to get more bang for your buck. 67 00:04:19,085 --> 00:04:22,612 So, from then on, a lot more shooting went on. 68 00:04:22,755 --> 00:04:25,417 Now, it was a well-known mystery at the time 69 00:04:25,558 --> 00:04:28,152 that for those few a bullet just missed, 70 00:04:28,294 --> 00:04:29,955 you had two bangs: 71 00:04:30,096 --> 00:04:31,222 one, the gun firing, 72 00:04:31,364 --> 00:04:34,299 the other--well, nobody knew. 73 00:04:36,536 --> 00:04:39,937 So a Viennese gent called Ernst Mach decided to find out. 74 00:04:40,073 --> 00:04:41,370 He used the way 75 00:04:41,507 --> 00:04:44,237 turbulent air affects any light shining through it 76 00:04:44,377 --> 00:04:47,210 to photograph a bullet in a high-speed air stream, 77 00:04:47,347 --> 00:04:49,645 and he saw what looked like a bow wave 78 00:04:49,782 --> 00:04:52,649 coming off the bullet's nose. 79 00:04:52,785 --> 00:04:55,549 Mach worked out that this shock wave 80 00:04:55,688 --> 00:04:58,486 propagated outwards faster than the speed of sound, 81 00:04:58,624 --> 00:05:01,650 so the first bang you heard was the sound of a shock wave; 82 00:05:01,794 --> 00:05:06,561 the second was the sound of the gun. 83 00:05:08,134 --> 00:05:11,501 Two big deal things came out of Mach's amazing pictures. 84 00:05:11,637 --> 00:05:15,573 The first was the modern science of aerodynamics, 85 00:05:15,708 --> 00:05:18,040 without which these cars wouldn't look the way they do, 86 00:05:18,177 --> 00:05:19,269 move the way they do, 87 00:05:19,412 --> 00:05:21,312 maybe even stay on the track the way they do. 88 00:05:22,849 --> 00:05:25,147 The second was noisier even than this place, 89 00:05:25,284 --> 00:05:27,809 because once Mach had a photograph of shock waves, 90 00:05:27,954 --> 00:05:29,854 he could look at how explosives happen, 91 00:05:29,989 --> 00:05:33,220 how the shock wave propagates, how the force is shaped, 92 00:05:33,359 --> 00:05:34,485 which meant, of course, 93 00:05:34,627 --> 00:05:36,219 that you could now, for the first time, 94 00:05:36,362 --> 00:05:38,057 plan an efficient explosion. 95 00:05:40,366 --> 00:05:44,496 Mach's shock wave mathematics helped make the atom bomb work. 96 00:05:44,637 --> 00:05:48,368 Now, the reason Mach had photographed shock waves 97 00:05:48,508 --> 00:05:50,339 was so he could see them. 98 00:05:50,476 --> 00:05:54,139 "Physical evidence was the only reality you could trust," he said. 99 00:05:54,280 --> 00:05:56,840 And even then, the way you described experience 100 00:05:56,983 --> 00:06:00,350 would still be relative to the context you were in at the time. 101 00:06:04,357 --> 00:06:07,121 So a 24-hour race would really only be a reference 102 00:06:07,260 --> 00:06:09,922 to what time meant on this planet, 103 00:06:10,062 --> 00:06:12,462 spinning on this axis, during this sunset. 104 00:06:12,598 --> 00:06:14,293 Elsewhere, who knows? 105 00:06:14,434 --> 00:06:16,800 So even time and space would be constrained 106 00:06:16,936 --> 00:06:18,369 by your perception of it. 107 00:06:18,504 --> 00:06:20,233 You see what Mach was getting at, 108 00:06:20,373 --> 00:06:22,841 if you take that kind of look at what's happening here. 109 00:06:22,975 --> 00:06:25,136 Oh, and I'm presuming you're not a racing driver. 110 00:06:30,183 --> 00:06:31,810 What I want to try and show you 111 00:06:31,951 --> 00:06:35,079 is how this looks relative to different experience. 112 00:06:36,489 --> 00:06:39,788 A pit stop and a wheel change is, for a professional driver, 113 00:06:39,926 --> 00:06:42,451 the slowest thing that happens at Le Mans. 114 00:06:42,595 --> 00:06:44,688 But, if you were doing this, 115 00:06:44,831 --> 00:06:47,595 the whole thing would be just a blur of activity. 116 00:06:47,733 --> 00:06:50,998 It was for me, filming this in the pits for the first time. 117 00:06:54,140 --> 00:06:57,166 What seems to be happening is that you and I 118 00:06:57,310 --> 00:06:59,574 are processing the data coming in from this experience 119 00:06:59,712 --> 00:07:01,339 the only way we can: 120 00:07:01,481 --> 00:07:04,143 based on our normal modes of operation, 121 00:07:04,283 --> 00:07:05,648 which affect how we perceive 122 00:07:05,785 --> 00:07:07,480 the business of traveling on a racetrack 123 00:07:07,620 --> 00:07:10,020 at up to 150 miles an hour. 124 00:07:10,156 --> 00:07:11,418 We get overload. 125 00:07:11,557 --> 00:07:14,651 Everything's coming too fast at you to process, 126 00:07:14,794 --> 00:07:17,695 and on top of it all, you're doing it in the dark. 127 00:07:17,830 --> 00:07:20,526 So basically, you perceive everything happening 128 00:07:20,666 --> 00:07:23,100 faster than it really is. 129 00:07:24,804 --> 00:07:28,797 But for the professional racing driver, the effect is exactly the opposite. 130 00:07:30,543 --> 00:07:33,637 Distance measurement becomes extremely precise. 131 00:07:33,779 --> 00:07:36,771 Car in front. Car in front. 132 00:07:36,916 --> 00:07:37,883 Turn left. 133 00:07:40,052 --> 00:07:41,076 Turn left again. 134 00:07:42,321 --> 00:07:43,879 Now turn right. 135 00:07:44,023 --> 00:07:45,650 Time appears to slow down. 136 00:07:45,791 --> 00:07:47,952 He sees things we wouldn't. 137 00:07:48,094 --> 00:07:51,120 This is a world as perceived by the professional driver 138 00:07:51,264 --> 00:07:54,131 relative to his experience in races. 139 00:07:58,504 --> 00:07:59,994 Well, it's 3:30 in the morning here, 140 00:08:00,139 --> 00:08:01,868 and they've been at it for nearly 12 hours. 141 00:08:02,008 --> 00:08:04,169 Meanwhile, I presume all this talk about relativity 142 00:08:04,310 --> 00:08:07,370 means you know who is about to pick up on Mach's idea 143 00:08:07,513 --> 00:08:09,777 that there was no such thing as absolute space and time 144 00:08:09,916 --> 00:08:11,406 that would be the same for everybody 145 00:08:11,551 --> 00:08:12,813 everywhere in the universe. 146 00:08:12,952 --> 00:08:14,385 He was a chap who would have said 147 00:08:14,520 --> 00:08:17,318 that as these car drivers went faster and faster, 148 00:08:17,456 --> 00:08:19,424 time for them really did slow down: 149 00:08:22,562 --> 00:08:26,589 Einstein, thanks to whom you can hear all this stuff. 150 00:08:26,732 --> 00:08:28,029 Because in 1900, 151 00:08:28,167 --> 00:08:32,365 he heard about sunlight falling on a new metal called selenium 152 00:08:32,505 --> 00:08:35,167 and making it give off electrons-- that is, electricity-- 153 00:08:35,308 --> 00:08:36,297 as if the sunlight 154 00:08:36,442 --> 00:08:39,309 were knocking the electrons out of the selenium, 155 00:08:39,445 --> 00:08:42,676 which is basically how modern solar energy systems work. 156 00:08:42,815 --> 00:08:46,842 But back in 1900, light wasn't supposed to be able to do that, 157 00:08:46,986 --> 00:08:49,386 because light was a wave, everybody thought-- 158 00:08:49,522 --> 00:08:51,012 till Einstein. 159 00:08:51,157 --> 00:08:54,149 Light, he said, blowing physics apart, 160 00:08:54,293 --> 00:08:56,818 was a wave and a particle. 161 00:08:57,530 --> 00:08:58,724 Einstein used to explain 162 00:08:58,864 --> 00:09:01,526 to people who didn't understand relativity and such-- 163 00:09:01,667 --> 00:09:03,259 most of us-- thank you-- 164 00:09:03,402 --> 00:09:05,597 that light could be both waves and particles 165 00:09:05,738 --> 00:09:10,232 the same way that beer could be both beer and pints. 166 00:09:10,376 --> 00:09:13,504 Now, whether or not that observation leads you to a closer understanding 167 00:09:13,646 --> 00:09:17,013 of the duel nature of light, I won't presume to ask, 168 00:09:17,149 --> 00:09:19,014 but it was good enough for Einstein. 169 00:09:19,151 --> 00:09:21,142 There was, however, at the time, 170 00:09:21,287 --> 00:09:23,448 one bunch of people who got very worked up 171 00:09:23,589 --> 00:09:26,752 at this discovery that light could behave like particles, 172 00:09:26,892 --> 00:09:29,360 but they weren't exactly physicists. 173 00:09:31,797 --> 00:09:32,855 They were the kind of people 174 00:09:32,999 --> 00:09:35,263 who'd been turning up to the party at Le Mans 175 00:09:35,401 --> 00:09:40,395 or the PGA or the Oscars or whatever since the 1920s: 176 00:09:40,539 --> 00:09:43,440 celebrities-- Hollywood people. 177 00:09:43,576 --> 00:09:46,670 But it wasn't the duel nature of light that turned them on, 178 00:09:46,812 --> 00:09:49,645 but because the way selenium made electricity from light 179 00:09:49,782 --> 00:09:51,511 meant only one thing: 180 00:09:51,651 --> 00:09:52,948 Well, what are we waiting for? 181 00:09:53,085 --> 00:09:54,052 Waiting for sound. 182 00:09:54,186 --> 00:09:55,778 I haven't a lot of time waiting for you. 183 00:09:55,921 --> 00:09:56,888 Come on, sound. 184 00:09:58,024 --> 00:09:59,582 Yes, sound on film. 185 00:09:59,725 --> 00:10:02,853 Because if selenium were exposed to a varying light 186 00:10:02,995 --> 00:10:04,656 produced by a varying current, 187 00:10:04,797 --> 00:10:06,492 produced by a microphone membrane 188 00:10:06,632 --> 00:10:08,657 vibrating from a sound going up and down, 189 00:10:08,801 --> 00:10:12,293 then the varying light could expose film negative varyingly, 190 00:10:12,438 --> 00:10:16,101 like this, making a sound track on the film. 191 00:10:16,242 --> 00:10:18,676 When you projected the movie, 192 00:10:18,811 --> 00:10:21,405 light shining on the sound track down the side 193 00:10:21,547 --> 00:10:24,380 came through the pattern in varying amounts. 194 00:10:24,517 --> 00:10:28,419 That varying light hit more selenium that generated varying current 195 00:10:28,554 --> 00:10:31,250 that ended up vibrating the membrane on a loudspeaker 196 00:10:31,390 --> 00:10:33,381 to reproduce the original sound. 197 00:10:33,526 --> 00:10:35,460 Hooray for Hollywood? Wrong. 198 00:10:35,594 --> 00:10:36,561 Listen. 199 00:10:38,030 --> 00:10:41,295 There still wasn't enough sound for a cinema audience to hear 200 00:10:41,434 --> 00:10:42,696 until an accident happened 201 00:10:42,835 --> 00:10:46,498 that gave a chap called Lee de Forest an idea. 202 00:10:48,040 --> 00:10:51,032 Here's a vacuum tube with a filament down this end 203 00:10:51,177 --> 00:10:53,338 and a positive base plate at the other. 204 00:10:53,479 --> 00:10:56,846 Electricity will make the filament give off negative electrons 205 00:10:56,982 --> 00:11:00,577 that'll be attracted to the positive base plate, okay? 206 00:11:00,720 --> 00:11:04,281 Now, remember that weak signal too small to hear on the film? 207 00:11:04,423 --> 00:11:06,323 You want to boost it, 208 00:11:06,459 --> 00:11:09,553 so you put a negatively charged grid in. 209 00:11:09,695 --> 00:11:13,358 This'll repel the negative filament electrons. 210 00:11:13,499 --> 00:11:15,023 But through that top wire, 211 00:11:15,167 --> 00:11:18,000 a varyingly positive input coming onto the grid 212 00:11:18,137 --> 00:11:20,196 will make the grid varyingly positive, 213 00:11:20,339 --> 00:11:22,933 attracting the electrons from the filament in surges 214 00:11:23,075 --> 00:11:24,770 through to the base plate. 215 00:11:24,910 --> 00:11:27,344 Those surges are a boosted reproduction 216 00:11:27,480 --> 00:11:28,970 of your input signal. 217 00:11:29,115 --> 00:11:34,314 But you ought to see clearly on Sunday. 218 00:11:34,453 --> 00:11:36,853 Thanks to that accident I mentioned, and Lee de Forest, 219 00:11:36,989 --> 00:11:39,617 you could hear all the Hollywood stars on the movies, 220 00:11:39,759 --> 00:11:41,659 or your grandmother long distance 221 00:11:41,794 --> 00:11:44,592 now phone signals could be amplified too, 222 00:11:44,730 --> 00:11:48,666 or big band swing on the radio for the same reason 223 00:11:48,801 --> 00:11:51,065 because radio signals got amplified too-- 224 00:11:55,341 --> 00:11:56,831 which was also the same reason 225 00:11:56,976 --> 00:11:59,911 you can hear what I'm saying now, too, of course. 226 00:12:04,650 --> 00:12:07,312 Lee de Forest's Audion signal booster 227 00:12:07,453 --> 00:12:09,387 made possible contact between people 228 00:12:09,522 --> 00:12:11,285 no matter how far apart they were. 229 00:12:11,423 --> 00:12:16,656 At first, with wireless and cable, and then, finally, all this: 230 00:12:16,796 --> 00:12:20,323 the incredible shrinking world of TV and satellite communications. 231 00:12:20,466 --> 00:12:22,400 Instant Le Mans all over the planet. 232 00:12:22,535 --> 00:12:25,698 Thanks to Lee de Forest, it's a very talkative world. 233 00:12:25,838 --> 00:12:27,738 Do you remember I said the de Forest invention 234 00:12:27,873 --> 00:12:29,431 happened because of an accident? 235 00:12:29,575 --> 00:12:32,772 The strange thing is, the accident didn't happen to de Forest. 236 00:12:34,513 --> 00:12:37,141 It had happened to Thomas Edison. 237 00:12:37,283 --> 00:12:39,251 Back in 1883, he was playing around 238 00:12:39,385 --> 00:12:41,148 with the invention he'd just come up with, 239 00:12:41,287 --> 00:12:42,618 his light bulb, 240 00:12:42,755 --> 00:12:44,689 when he saw smutty carbon deposits 241 00:12:44,824 --> 00:12:46,451 all round the bottom of the bulb 242 00:12:46,592 --> 00:12:49,220 where he'd sealed it with a small metal base plate. 243 00:12:49,361 --> 00:12:50,988 With typical modesty, 244 00:12:51,130 --> 00:12:54,998 Edison called this strange phenomenon "The Edison Effect" 245 00:12:55,134 --> 00:12:58,661 and added it to his growing list of patents and forgot it. 246 00:13:01,807 --> 00:13:05,072 By this time, of course, Edison was already world famous 247 00:13:05,211 --> 00:13:07,008 for all the inventions he'd thought up 248 00:13:07,146 --> 00:13:09,808 while he was working on the railroads-- 249 00:13:09,949 --> 00:13:12,816 railroads that he'd helped to make so successful, 250 00:13:12,952 --> 00:13:16,513 they were about to trigger the first American ecocrisis. 251 00:13:21,827 --> 00:13:24,295 And you don't have to look very hard at this picture 252 00:13:24,430 --> 00:13:27,365 to see what kind of crisis I'm talking about. 253 00:13:35,541 --> 00:13:39,375 You see, back in the 19th century, America was made of wood. 254 00:13:39,511 --> 00:13:41,706 And with the whole of the country still to open up, 255 00:13:41,847 --> 00:13:44,680 it was a case of "plenty more where that came from." 256 00:13:44,817 --> 00:13:48,981 But although it takes a good few years to grow a tree, 257 00:13:49,121 --> 00:13:51,817 it doesn't take very long to do this to it. 258 00:14:01,600 --> 00:14:04,660 Unlike the people in the lumber business today, 259 00:14:04,803 --> 00:14:07,533 back then, nobody'd ever heard of sustainability. 260 00:14:07,673 --> 00:14:08,935 Why should they have? 261 00:14:09,074 --> 00:14:12,373 Well, thanks to the railroads, they were about to. 262 00:14:14,280 --> 00:14:16,510 The problem is really very simple: 263 00:14:16,649 --> 00:14:18,913 the wooden bits holding the rails together. 264 00:14:19,051 --> 00:14:22,316 No big deal, I suppose, if you just say it like that. 265 00:14:22,454 --> 00:14:24,547 But think about what was happening to railroads 266 00:14:24,690 --> 00:14:26,920 by Edison's time in 1890: 267 00:14:27,059 --> 00:14:32,224 they were expanding like crazy: ten new miles of track a day 268 00:14:32,364 --> 00:14:36,562 Now, ten miles of track takes 20,000 wooden ties. 269 00:14:36,702 --> 00:14:40,069 That's 500 trees a day. 270 00:14:43,208 --> 00:14:45,608 And that's not counting the wood for wagons 271 00:14:45,744 --> 00:14:47,268 and workers' accommodations, 272 00:14:47,413 --> 00:14:50,405 the wooden towns that mushroomed alongside the railroads, 273 00:14:50,549 --> 00:14:52,949 the wooden fuel the locomotives used, 274 00:14:53,085 --> 00:14:54,313 and the bridges, 275 00:14:54,453 --> 00:14:56,512 one of which could take 1 million feet of timber. 276 00:14:56,655 --> 00:14:58,350 And then there were the telegraph poles. 277 00:14:58,490 --> 00:14:59,650 They made a fortune 278 00:14:59,792 --> 00:15:02,124 for the fellow who got the contract from Western Union 279 00:15:02,261 --> 00:15:05,458 to put them up alongside every railroad track in America. 280 00:15:05,597 --> 00:15:07,497 I give up on how many trees that took, 281 00:15:07,633 --> 00:15:09,362 but it made him a lot of money. 282 00:15:09,501 --> 00:15:13,437 Enough to found a university and end up naming it after himself: 283 00:15:15,441 --> 00:15:17,033 Cornell. 284 00:15:20,379 --> 00:15:22,939 So the railroads used up a lot of wood, 285 00:15:23,082 --> 00:15:24,515 but back then, America had plenty, 286 00:15:24,650 --> 00:15:25,617 so who cared? 287 00:15:27,086 --> 00:15:30,578 True, but since the average bit of lumber left out in the open 288 00:15:30,723 --> 00:15:34,250 lasts about seven years and then needs to be replaced-- 289 00:15:34,393 --> 00:15:36,020 well, you get the point. 290 00:15:36,161 --> 00:15:38,789 Maybe there were going to be railroads all over America, 291 00:15:38,931 --> 00:15:41,365 but maybe there weren't going to be any trees. 292 00:15:41,500 --> 00:15:44,264 And then, at a stroke, America was saved. 293 00:15:50,142 --> 00:15:52,337 by gaslight: 294 00:15:52,478 --> 00:15:55,038 burning the gas you got by cooking coal. 295 00:15:55,180 --> 00:15:59,947 By the 1830s, gaslight was all the rage. 296 00:16:00,085 --> 00:16:04,419 Underneath the gaslight's glitter 297 00:16:04,556 --> 00:16:08,686 stands a little fragile girl 298 00:16:08,827 --> 00:16:13,127 heedless of the night winds bitter 299 00:16:13,265 --> 00:16:17,793 as they round her bitter whirl. 300 00:16:17,936 --> 00:16:20,427 Gaslight changed everybody's life. 301 00:16:20,572 --> 00:16:23,700 People started going out in the evenings for the first time: 302 00:16:23,842 --> 00:16:26,140 to the new night shift work at the factories, 303 00:16:26,278 --> 00:16:28,576 evening classes, gentlemen's clubs. 304 00:16:28,714 --> 00:16:31,808 Above all, to the excitement and bright lights 305 00:16:31,950 --> 00:16:35,545 of the new, rave musical shows like this one. 306 00:16:35,687 --> 00:16:39,453 There are many sad and weary 307 00:16:39,591 --> 00:16:43,960 in this pleasant world of ours, 308 00:16:44,096 --> 00:16:48,192 crying every night so dreary, 309 00:16:48,333 --> 00:16:52,793 "Won't you buy my pretty flowers?" 310 00:16:52,938 --> 00:16:56,738 Now, the trouble with gaslight was the by-product: 311 00:16:56,875 --> 00:17:00,436 coal tar, a black, foul-smelling muck, 312 00:17:00,579 --> 00:17:02,444 and an ecocrisis waiting to happen, 313 00:17:02,581 --> 00:17:04,845 because all they did was chuck it in the nearest river 314 00:17:04,983 --> 00:17:07,850 and get back to morally uplifting songs. 315 00:17:10,255 --> 00:17:12,587 Then German chemists with a recycling turn of mind 316 00:17:12,724 --> 00:17:14,157 started distilling the black muck 317 00:17:14,293 --> 00:17:16,284 and got all sorts of amazing things-- 318 00:17:16,428 --> 00:17:19,363 brilliant artificial dyes, chemicals to make aspirin, 319 00:17:19,498 --> 00:17:23,935 and something that would preserve wooden railroad ties for 30 years 320 00:17:24,069 --> 00:17:26,833 and save America from that ecocrisis-- 321 00:17:26,972 --> 00:17:28,530 creosote. 322 00:17:28,674 --> 00:17:32,735 There are many sad and weary 323 00:17:32,878 --> 00:17:37,474 in this pleasant world of ours, 324 00:17:37,616 --> 00:17:41,416 crying every night so dreary, 325 00:17:41,553 --> 00:17:47,116 "Won't you buy my pretty flowers?" 326 00:17:55,567 --> 00:18:00,630 Meanwhile, you'll be riveted to know that the coal tar story continues. 327 00:18:00,772 --> 00:18:02,603 I'll just wait till I'm on the ground. 328 00:18:06,044 --> 00:18:07,807 It's an extraordinary turn of fate 329 00:18:07,946 --> 00:18:09,914 that even while German interest in coal tar 330 00:18:10,048 --> 00:18:12,915 was saving the railroads with creosote, 331 00:18:13,051 --> 00:18:15,815 that same interest would soon ruin the railroads, 332 00:18:15,954 --> 00:18:18,286 thanks to war and the weather. 333 00:18:22,895 --> 00:18:24,556 First, the weather: 334 00:18:24,696 --> 00:18:26,425 it rains a lot in Britain, 335 00:18:26,565 --> 00:18:28,624 so in the early part of the 19th century, 336 00:18:28,767 --> 00:18:30,667 when a Scotsman called Macintosh discovered 337 00:18:30,802 --> 00:18:34,704 that another by-product of coal tar, called naphtha, 338 00:18:34,840 --> 00:18:36,774 would turn rubber into a solution, 339 00:18:36,909 --> 00:18:39,241 he knew he was going to be rich. 340 00:18:39,378 --> 00:18:42,677 Because when he spread the rubber between two sheets of cotton, 341 00:18:42,814 --> 00:18:44,406 he produced the waterproof raincoat 342 00:18:44,550 --> 00:18:46,848 we still call macintosh today. 343 00:18:46,985 --> 00:18:51,547 So in 1854, the Crimean war and all those wet troops, 344 00:18:51,690 --> 00:18:53,453 made Macintosh a million, 345 00:18:53,592 --> 00:18:57,824 in spite of the fact that in summer heat, his coats stank, 346 00:18:57,963 --> 00:19:00,830 and in winter ice, they cracked. 347 00:19:03,168 --> 00:19:05,136 And the reason for this Goodyear Blimp 348 00:19:05,270 --> 00:19:07,966 is because that's who solved Macintosh's problem. 349 00:19:08,106 --> 00:19:09,835 Because by that time, 350 00:19:09,975 --> 00:19:13,706 Charles Goodyear's amazing new vulcanized rubber was available, 351 00:19:13,845 --> 00:19:16,143 thanks to another accident Goodyear had 352 00:19:16,281 --> 00:19:19,773 when he dropped some rubber mixed with sulfur onto a hot stove, 353 00:19:19,918 --> 00:19:22,648 and out came a new rubber that was perfect for Macintosh 354 00:19:22,788 --> 00:19:25,382 and for groundsheet for troops in the Civil War, 355 00:19:25,524 --> 00:19:29,255 which turned rubber manufacture into really big business. 356 00:19:29,394 --> 00:19:31,521 And speaking of civil wars, 357 00:19:31,663 --> 00:19:34,962 in 1863, a German military type was sent to America 358 00:19:35,100 --> 00:19:37,591 to observe the use of balloons by the Northern army. 359 00:19:37,736 --> 00:19:39,067 And he got so excited, 360 00:19:39,204 --> 00:19:41,365 he went home and invented a kind of balloon 361 00:19:41,506 --> 00:19:42,939 that would bring airborne warfare 362 00:19:43,075 --> 00:19:45,942 to civilian populations for the first time. 363 00:19:46,078 --> 00:19:47,602 He named the airship after himself-- 364 00:19:47,746 --> 00:19:49,077 the Zeppelin-- 365 00:19:49,214 --> 00:19:52,206 its propellors driven by the new gasoline engines 366 00:19:52,351 --> 00:19:54,683 that would also fit into another invention 367 00:19:54,820 --> 00:19:57,288 that would one day eventually ruin the railroads 368 00:19:57,422 --> 00:20:00,983 and make possible the 24-hour race at Le Mans: 369 00:20:02,361 --> 00:20:03,521 the automobile. 370 00:20:05,564 --> 00:20:07,896 One last twist: You remember coal tar? 371 00:20:08,033 --> 00:20:11,901 Well, one of its by-products was a synthetic dye called aniline. 372 00:20:12,037 --> 00:20:13,937 Turned out, if you added aniline to rubber, 373 00:20:14,072 --> 00:20:16,700 it speeded up the vulcanizing process for tires 374 00:20:16,842 --> 00:20:19,572 and made the tire immensely more hard-wearing. 375 00:20:26,518 --> 00:20:27,746 Hard-wearing enough 376 00:20:27,886 --> 00:20:30,650 to handle the 24 hours of punishment it has to take 377 00:20:30,789 --> 00:20:34,452 on the car that crosses the finishing line first. 378 00:20:51,109 --> 00:20:52,736 Well, there you have it. 379 00:20:52,878 --> 00:20:55,312 The end of another Le Mans, and the end of another program. 380 00:20:55,447 --> 00:20:56,812 And as I promised, 381 00:20:56,948 --> 00:21:00,179 thanks to the strange historical pathway that linked tires 382 00:21:00,319 --> 00:21:02,446 back through gaslight, railroads, 383 00:21:02,587 --> 00:21:06,387 relativity, and bullets to celluloid here at Le Mans, 384 00:21:06,525 --> 00:21:09,289 where I took all these happy snaps. 385 00:21:09,428 --> 00:21:13,524 The winner is photographed winning, because he's photographed winning. 386 00:21:13,665 --> 00:21:15,724 That's what I thought I said.