1 00:00:06,000 --> 00:00:10,240 In 1840, one man transformed travel in the British Isles. 2 00:00:10,240 --> 00:00:11,920 His name was George Bradshaw, 3 00:00:11,920 --> 00:00:16,120 and his railway guides inspired the Victorians to take to the tracks. 4 00:00:18,240 --> 00:00:20,840 Stop by stop, he told them where to travel, 5 00:00:20,840 --> 00:00:22,680 what to see and where to stay. 6 00:00:24,120 --> 00:00:28,760 Now, 170 years later, I'm making a series of journeys 7 00:00:28,760 --> 00:00:31,640 across the length and breadth of these isles 8 00:00:31,640 --> 00:00:34,280 to see what of Bradshaw's Britain remains. 9 00:00:55,000 --> 00:00:57,720 Steered by my Bradshaw's Guide, I'm now at the halfway point 10 00:00:57,720 --> 00:01:01,320 of my journey from London Paddington to Newton Abbot. 11 00:01:01,320 --> 00:01:05,520 Today, I shall complete my crossing of the county of Somerset. 12 00:01:07,280 --> 00:01:09,840 On this leg, I'll be exploring a church that moves 13 00:01:09,840 --> 00:01:12,040 in mysterious ways. 14 00:01:12,040 --> 00:01:16,520 That's extraordinary! It really is moving from side to side! 15 00:01:16,520 --> 00:01:22,000 I'll find out just what it takes to run a 19th-century signal box. 16 00:01:22,000 --> 00:01:24,200 I had no idea what a signalman needed to do 17 00:01:24,200 --> 00:01:26,840 was so responsible and so physical 18 00:01:28,560 --> 00:01:31,120 And I'll summon all my strength 19 00:01:31,120 --> 00:01:35,160 to shift a 110-tonne steam locomotive. 20 00:01:35,160 --> 00:01:36,440 HE GROANS 21 00:01:36,440 --> 00:01:39,080 She's moving! I can't believe it, she's moving. 22 00:01:40,280 --> 00:01:44,760 On this journey, I'm paying tribute to Isambard Kingdom Brunel, 23 00:01:44,760 --> 00:01:47,600 master engineer of the Great Western Railway. 24 00:01:47,600 --> 00:01:50,960 I started at Paddington station, one of his finest monuments, 25 00:01:50,960 --> 00:01:54,120 travelled west through Wiltshire and into Somerset, 26 00:01:54,120 --> 00:01:57,120 and I'll finish at Newton Abbot in Devon - 27 00:01:57,120 --> 00:01:59,920 the scene of one of his magnificent failures. 28 00:02:01,600 --> 00:02:03,720 I'm covering 25 miles on this leg, 29 00:02:03,720 --> 00:02:06,840 travelling north-west through Somerset 30 00:02:06,840 --> 00:02:09,040 ending on the coast at Minehead. 31 00:02:16,200 --> 00:02:18,040 My first stop today is Taunton. 32 00:02:18,040 --> 00:02:21,120 My Bradshaw's tells me that it was successfully defended 33 00:02:21,120 --> 00:02:24,160 against the Royalists during the English Civil War 34 00:02:24,160 --> 00:02:27,560 and also that, there, the ill-fated Duke of Monmouth 35 00:02:27,560 --> 00:02:31,400 proclaimed himself King in 1685. 36 00:02:31,400 --> 00:02:34,320 Legend has it that Queen Victoria was so incensed 37 00:02:34,320 --> 00:02:38,360 by this history of anti-monarchic feeling 38 00:02:38,360 --> 00:02:40,600 that whenever she crossed Taunton, 39 00:02:40,600 --> 00:02:44,160 she would draw the curtain in her railway carriage window 40 00:02:44,160 --> 00:02:47,280 so as not to see her disloyal subjects. 41 00:03:01,720 --> 00:03:06,000 Looks like Taunton is trying to make up for its anti-Royalist past... 42 00:03:08,240 --> 00:03:11,680 "Somerset's county town," says my Bradshaw's, 43 00:03:11,680 --> 00:03:15,120 "has a most pleasing appearance, situated in the central part 44 00:03:15,120 --> 00:03:18,800 "of the luxuriant Vale of Taunton Deane." 45 00:03:18,800 --> 00:03:25,080 The guidebook's also captivated by one church, St Mary Magdalene. 46 00:03:25,080 --> 00:03:28,360 Bradshaw's tells me that the tower of Taunton's gothic church 47 00:03:28,360 --> 00:03:31,960 is of Henry VII's age, 153 feet high, 48 00:03:31,960 --> 00:03:34,880 of light and elegant proportions, 49 00:03:34,880 --> 00:03:37,880 and set off with pinnacles, battlements and niches 50 00:03:37,880 --> 00:03:41,160 in the elaborate style of that day. 51 00:03:41,160 --> 00:03:43,760 And I'm hoping the vicar can tell me more. 52 00:03:43,760 --> 00:03:47,000 BELLS PEAL 53 00:03:51,640 --> 00:03:54,360 Hello, Michael. Welcome. Lovely to see you. 54 00:03:54,360 --> 00:03:59,000 My Bradshaw's tells me that the tower here is of Henry VII's age, 55 00:03:59,000 --> 00:04:03,280 so it's very historic. Ah! But it isn't quite. 56 00:04:03,280 --> 00:04:08,560 It's not strictly true - it's a facsimile of the original. 57 00:04:08,560 --> 00:04:13,840 The original was 1508, but in Victorian times, they rebuilt it. 58 00:04:13,840 --> 00:04:18,120 They've rebuilt it very faithfully because it doesn't look Victorian. 59 00:04:18,120 --> 00:04:22,560 Well, you know what the Victorians were like, they always liked to add, 60 00:04:22,560 --> 00:04:26,280 but they resisted that temptation. They didn't put a clock face there. 61 00:04:26,280 --> 00:04:30,040 They just built it as it was because it was so magnificent. 62 00:04:32,320 --> 00:04:36,280 The restoration of the church and tower was overseen 63 00:04:36,280 --> 00:04:39,440 by renowned Victorian architect George Gilbert Scott. 64 00:04:39,440 --> 00:04:43,080 One of Britain's most prolific architects, 65 00:04:43,080 --> 00:04:46,960 over 800 buildings in the UK were restored or designed by him, 66 00:04:46,960 --> 00:04:50,840 including, in London, the St Pancras Midland Hotel 67 00:04:50,840 --> 00:04:54,720 and the Albert Memorial in Kensington Gardens. 68 00:04:54,720 --> 00:04:58,680 So, St Mary Magdalene's tower is in esteemed company. 69 00:04:58,680 --> 00:05:00,520 Out into the glorious sunshine. 70 00:05:01,760 --> 00:05:03,360 MICHAEL PANTS 71 00:05:03,360 --> 00:05:06,400 As we came up, my heart was pounding more and more. 72 00:05:06,400 --> 00:05:09,320 The steps were getting steeper and steeper, 73 00:05:09,320 --> 00:05:12,120 and also, thinner and thinner! I have size 11 feet! 74 00:05:12,120 --> 00:05:14,920 MICHAEL SIGHS Not easy... Not easy. 75 00:05:16,800 --> 00:05:19,440 Rod, having walked up all those steps, 76 00:05:19,440 --> 00:05:24,160 gives you an appreciation of the task of building this tower in 1508 77 00:05:24,160 --> 00:05:27,040 and the Victorians rebuilding it. What do you know of the rebuilding? 78 00:05:27,040 --> 00:05:30,600 There is a lovely story about the Victorian rebuild. 79 00:05:30,600 --> 00:05:32,320 In those days, of course, 80 00:05:32,320 --> 00:05:35,120 it was before they had a lot of mechanical help, 81 00:05:35,120 --> 00:05:37,560 so the building was done by pulleys, blocks, tackles 82 00:05:37,560 --> 00:05:39,560 and a donkey. 83 00:05:39,560 --> 00:05:42,640 The donkey went backwards and forwards for several years 84 00:05:42,640 --> 00:05:46,560 down Hammet Street, pulling the heavy stones up the tower. 85 00:05:46,560 --> 00:05:48,120 Then, right at the end, 86 00:05:48,120 --> 00:05:51,480 when the tower was finished in its magnificence, 87 00:05:51,480 --> 00:05:56,200 the builders took the donkey all the way up, to here where we stand now, 88 00:05:56,200 --> 00:05:59,880 to give him a good view of what he'd helped to build. 89 00:05:59,880 --> 00:06:01,880 The donkey must have thought it was 90 00:06:01,880 --> 00:06:03,920 an "Eeyore-some" view. Goodness me! 91 00:06:03,920 --> 00:06:07,200 HE CHUCKLES Yes, I'm sure he did! 92 00:06:07,200 --> 00:06:12,280 There is something else about the tower and that relates to the bells. 93 00:06:12,280 --> 00:06:15,120 There are 15 bells - 12 are regularly rung - 94 00:06:15,120 --> 00:06:17,960 but they are infamous in the bell-ringing world. 95 00:06:17,960 --> 00:06:20,800 They are not terribly good, they need replacing. 96 00:06:20,800 --> 00:06:25,240 Well, you just watch what happens when I call them up. 97 00:06:30,920 --> 00:06:33,440 OK, folks, ready to ring. 98 00:06:33,440 --> 00:06:35,600 BELLS RING 99 00:06:44,000 --> 00:06:47,120 BELLS RING, MICHAEL LAUGHS 100 00:06:47,120 --> 00:06:49,200 I know what happens! 101 00:06:49,200 --> 00:06:51,080 The tower sways! 102 00:06:51,080 --> 00:06:54,560 I am standing in the centre of the tower and it's going... 103 00:06:55,520 --> 00:06:56,920 ..wobbly... 104 00:06:56,920 --> 00:06:58,840 BELLS CONTINUE 105 00:06:58,840 --> 00:07:03,600 That's extraordinary, it really is moving from side to side. 106 00:07:03,600 --> 00:07:07,720 I was once in a skyscraper in an earthquake and it felt like this. 107 00:07:07,720 --> 00:07:11,040 Luckily, I trust Victorian builders. Yes. 108 00:07:11,040 --> 00:07:13,400 BELLS PEAL 109 00:07:19,800 --> 00:07:23,560 The Victorians' appetite for railway building meant that 110 00:07:23,560 --> 00:07:25,600 by the end of the 19th century, 111 00:07:25,600 --> 00:07:28,880 whilst mainlines joined the country's major cities, 112 00:07:28,880 --> 00:07:32,680 branch lines had penetrated almost every corner of the country. 113 00:07:35,360 --> 00:07:40,160 One such line, engineered by Brunel, was the West Somerset Railway, 114 00:07:40,160 --> 00:07:42,640 which ran from Taunton to the Somerset coast. 115 00:07:43,840 --> 00:07:47,520 Today the line starts five miles out of town. 116 00:07:49,160 --> 00:07:53,360 When my Bradshaw's was written, the West Somerset line was new. 117 00:07:53,360 --> 00:07:57,480 "14 miles long, It runs through Bishops Lydeard, Crowcombe, 118 00:07:57,480 --> 00:08:00,960 "Stogumber and Williton, to the market town of Watchet." 119 00:08:00,960 --> 00:08:04,600 Today, it runs from Bishops Lydeard to Minehead, 120 00:08:04,600 --> 00:08:08,280 a distance of 20 miles, making it the longest stretch 121 00:08:08,280 --> 00:08:11,920 of standard-gauge heritage railway in the United Kingdom. 122 00:08:11,920 --> 00:08:15,720 I'm going on it, and I'm steaming with excitement. 123 00:08:23,200 --> 00:08:24,920 I've done a lightning change, 124 00:08:24,920 --> 00:08:28,400 because on this trip, not for me the passenger carriage. 125 00:08:28,400 --> 00:08:30,760 No, I'm headed for the footplate. 126 00:08:30,760 --> 00:08:33,440 Hello. Pleased to meet you, Michael. 127 00:08:33,440 --> 00:08:36,720 Can I come on? Please do. Come aboard. 128 00:08:36,720 --> 00:08:41,560 Driver Merv Hebditch has invited me to travel up front. 129 00:08:41,560 --> 00:08:46,240 Always an exciting moment when your steam locomotive leaves the station. 130 00:08:46,240 --> 00:08:48,720 TRAIN HISSES AND CHUGS 131 00:08:48,720 --> 00:08:50,840 TRAIN WHISTLE BLOWS 132 00:08:50,840 --> 00:08:52,320 WHISTLE BLOWS 133 00:08:55,560 --> 00:08:59,400 What a glorious sound this locomotive is making! 134 00:08:59,400 --> 00:09:02,880 TRAIN HISSES AND CHUGS 135 00:09:09,600 --> 00:09:11,920 Brunel was commissioned to build the line. 136 00:09:11,920 --> 00:09:14,800 It was operated by the Bristol & Exeter Railway Company 137 00:09:14,800 --> 00:09:19,960 and opened in 1862. Over a decade later, the line was taken over 138 00:09:19,960 --> 00:09:22,800 by that most famous of railway companies 139 00:09:22,800 --> 00:09:26,080 and one very close to Brunel's heart - the Great Western. 140 00:09:28,200 --> 00:09:31,640 To be in England on a summer's day is bliss, 141 00:09:31,640 --> 00:09:35,560 but to be on a steam locomotive in West Somerset is heaven. 142 00:09:38,000 --> 00:09:43,120 Like other small rural branches, the line closed in the 1970s. 143 00:09:43,120 --> 00:09:46,960 However, it reopened as a heritage railway some years later, 144 00:09:46,960 --> 00:09:51,000 and is enjoyed today by passengers who like a ticket to nostalgia. 145 00:09:52,400 --> 00:09:54,560 We've got quite a crowded train! 146 00:09:54,560 --> 00:09:59,480 Why do you think the British people are so fascinated by steam engines? 147 00:09:59,480 --> 00:10:01,160 They're just a living thing. 148 00:10:02,200 --> 00:10:05,080 We put the fire in the morning, it comes to life, creates steam, 149 00:10:05,080 --> 00:10:08,640 it makes a noise. I've been doing this 52 years, 150 00:10:08,640 --> 00:10:10,720 and I still get a buzz out of it. 151 00:10:20,240 --> 00:10:23,920 I'd like to stay on, but this is my stop. It'd be nice if you could. 152 00:10:24,880 --> 00:10:26,800 I'm disembarking at Williton, 153 00:10:26,800 --> 00:10:30,880 although it's only mentioned in passing in my Bradshaw's Guide. 154 00:10:30,880 --> 00:10:34,680 I'm here to visit something that's a magnet for rail enthusiasts - 155 00:10:34,680 --> 00:10:37,520 a signal box that's nearly as old as the line itself 156 00:10:37,520 --> 00:10:38,920 and still operational. 157 00:10:40,880 --> 00:10:44,240 'Signalman Nick Budd pulls the levers.' 158 00:10:44,240 --> 00:10:48,320 Hello! Hello, Nick, that looks like hard work. 159 00:10:48,320 --> 00:10:52,160 It is. It's nice and warm today. Are you a signalman, born and bred? 160 00:10:52,160 --> 00:10:56,040 No, I was an airline captain, would you believe? 161 00:10:56,040 --> 00:11:00,280 Then I gave it up, and decided to come here. 162 00:11:00,280 --> 00:11:02,120 What did you used to fly? 163 00:11:02,120 --> 00:11:03,840 Boeing 747s. 164 00:11:04,920 --> 00:11:08,600 It just shows the railways attract allsorts. 165 00:11:08,600 --> 00:11:13,800 So, in those days, you had 400 lives under your supervision, 166 00:11:13,800 --> 00:11:17,880 and you do today. Absolutely. The only difference is speed. 167 00:11:17,880 --> 00:11:20,600 In those days, I was flying planes at 650mph, 168 00:11:20,600 --> 00:11:23,320 and today I'm controlling trains at 25mph. 169 00:11:23,320 --> 00:11:27,720 When's our next train? The next train is in 20 minutes. 170 00:11:27,720 --> 00:11:32,120 That doesn't sound like much time to a trainee signalman like me! 171 00:11:34,600 --> 00:11:38,240 First, you set the route, and then the signals. 172 00:11:38,240 --> 00:11:40,080 Now... 173 00:11:40,080 --> 00:11:42,120 These levers are colour-coded. 174 00:11:42,120 --> 00:11:44,040 The black ones are the points. 175 00:11:44,040 --> 00:11:46,200 The blue ones LOCK the points. 176 00:11:46,200 --> 00:11:48,360 The red ones are for signals. 177 00:11:48,360 --> 00:11:50,360 The white ones are spare levers. 178 00:11:50,360 --> 00:11:54,320 The one and only brown one locks and unlocks the gates 179 00:11:54,320 --> 00:11:56,160 on the level crossing. 180 00:11:56,160 --> 00:11:59,120 I think I'd rather fly a 747! That sounds pretty complicated! 181 00:11:59,120 --> 00:12:01,200 Well, that's only the beginning. 182 00:12:02,640 --> 00:12:05,200 'My first job is to close the gates.' 183 00:12:07,720 --> 00:12:09,720 Hope we are still in time. I think, just. 184 00:12:09,720 --> 00:12:12,480 'Next, they need to be locked.' 185 00:12:12,480 --> 00:12:14,400 And home. 186 00:12:15,440 --> 00:12:18,480 Time to put off the signal now. Number 23, please. 187 00:12:25,040 --> 00:12:27,320 It is quite pressurised, isn't it? 188 00:12:27,320 --> 00:12:30,680 The very idea that you're responsible for people's lives. 189 00:12:30,680 --> 00:12:33,600 Usually, there's a train coming the other way at the same time. 190 00:12:33,600 --> 00:12:38,000 'Thank goodness there isn't today! This is complicated enough!' 191 00:12:38,000 --> 00:12:40,160 Signal. 192 00:12:40,160 --> 00:12:42,080 Back. 193 00:12:45,040 --> 00:12:47,320 Gates... 194 00:12:47,320 --> 00:12:49,760 unlocked. 195 00:12:49,760 --> 00:12:53,320 With the train in the station, now I have to open the gates again. 196 00:12:53,320 --> 00:12:56,520 Oh, dear! How do these open? 197 00:12:58,680 --> 00:13:00,280 Ah... 198 00:13:00,280 --> 00:13:01,600 No. 199 00:13:01,600 --> 00:13:03,720 There's a lever the other side. 200 00:13:03,720 --> 00:13:07,240 Thank you, that was a helpful tip. There we go. 201 00:13:10,960 --> 00:13:13,560 I had no idea that what a signalman needed to do 202 00:13:13,560 --> 00:13:15,880 was so responsible and so physical. 203 00:13:18,560 --> 00:13:21,840 OK, the train's here. The gates are open, 204 00:13:21,840 --> 00:13:25,160 the signal's on. What next? 205 00:13:25,160 --> 00:13:29,320 Now we need a token for the train to go to the next signal box. Right. 206 00:13:29,320 --> 00:13:30,960 Three and one? Three and one. 207 00:13:38,120 --> 00:13:40,640 KEY RATTLES 208 00:13:42,800 --> 00:13:45,440 Take it out. I have to take that out? That's it. 209 00:13:45,440 --> 00:13:48,560 'This Victorian token system was a safety measure to ensure 210 00:13:48,560 --> 00:13:53,120 'that no two trains could ever be on one stretch of single track 211 00:13:53,120 --> 00:13:55,120 'at the same time. 212 00:13:55,120 --> 00:13:59,040 'Only a driver with the token in his possession could proceed. 213 00:13:59,040 --> 00:14:01,440 'Let's hope I've got this right!' 214 00:14:01,440 --> 00:14:03,280 I think you're expecting this. 215 00:14:03,280 --> 00:14:07,520 You're not the signalman! I am for now. 216 00:14:07,520 --> 00:14:10,840 Safe journey! Thank you very much. Bye, now. 217 00:14:10,840 --> 00:14:12,840 That went smoothly. All we have to do now 218 00:14:12,840 --> 00:14:14,680 is put that back in the machine, 219 00:14:14,680 --> 00:14:17,680 so that we can get another one out sometime. 220 00:14:19,960 --> 00:14:24,080 A kind offer, but I think that's my lot for the day. 221 00:14:24,080 --> 00:14:26,120 For now, it's onwards. 222 00:14:26,120 --> 00:14:30,320 I'm looking forward to experiencing the ride as a passenger. 223 00:14:38,000 --> 00:14:40,240 My final stop of the day is Watchet, 224 00:14:40,240 --> 00:14:42,520 which my Bradshaw's tells me has 225 00:14:42,520 --> 00:14:44,360 "a coastguard station prettily seated 226 00:14:44,360 --> 00:14:46,960 "in a secluded creek on the Bristol Channel." 227 00:14:46,960 --> 00:14:51,440 It sounds like a delightful place to watch the last rays of the sun. 228 00:14:51,440 --> 00:14:55,480 In the 19th century, Watchet was a busy commercial port, 229 00:14:55,480 --> 00:14:57,320 shipping locally mined iron ore 230 00:14:57,320 --> 00:15:00,760 across the Bristol Channel to the Welsh furnaces. 231 00:15:00,760 --> 00:15:04,320 The only ships docking here today are sailboats and yachts, 232 00:15:04,320 --> 00:15:07,400 as the port is now an active marina. 233 00:15:09,320 --> 00:15:12,240 A beautiful sunset on the Somerset coast, 234 00:15:12,240 --> 00:15:15,400 and I'm lucky to be in Watchet to watch it. 235 00:15:26,000 --> 00:15:29,400 The sun has risen on another beautiful morning. 236 00:15:30,840 --> 00:15:36,000 I'm continuing my journey north on this wonderful heritage line. 237 00:15:36,000 --> 00:15:38,560 My Bradshaw's tells me that 238 00:15:38,560 --> 00:15:42,280 "Dunster Castle, standing on the cliff to the south, 239 00:15:42,280 --> 00:15:45,480 "is within a very short distance". But when my guide was published, 240 00:15:45,480 --> 00:15:47,320 you couldn't get there by train. 241 00:15:47,320 --> 00:15:50,000 Now you take the Dunster Castle Express. 242 00:15:57,880 --> 00:16:00,960 For wealthy landowners in the rural wilds, 243 00:16:00,960 --> 00:16:04,760 the arrival of the railway presented huge financial opportunities. 244 00:16:07,600 --> 00:16:11,880 Some sought profit by allowing the rail companies to build tracks 245 00:16:11,880 --> 00:16:15,080 through their estates, whilst others saw the potential 246 00:16:15,080 --> 00:16:17,560 in bringing tourism and trade to their area. 247 00:16:20,200 --> 00:16:22,680 One such champion was George Luttrell. 248 00:16:22,680 --> 00:16:26,520 In 1867, he inherited the Dunster estate - 249 00:16:26,520 --> 00:16:29,960 at the time, one of the largest in Somerset. 250 00:16:29,960 --> 00:16:32,800 So keen was he to revitalise his corner of the county 251 00:16:32,800 --> 00:16:35,320 that he backed plans to extend the line 252 00:16:35,320 --> 00:16:37,880 from Watchet via Dunster to Minehead, 253 00:16:37,880 --> 00:16:40,920 and he became the first director of this new railway. 254 00:16:44,280 --> 00:16:47,640 And now, appearing out of the smoke from the engine 255 00:16:47,640 --> 00:16:49,720 as though it were looming out of a mist, 256 00:16:49,720 --> 00:16:52,880 is the magnificent sight of Dunster Castle, 257 00:16:52,880 --> 00:16:55,320 brilliantly lit on this sunny day. 258 00:16:56,640 --> 00:16:58,360 What a sight! 259 00:17:18,720 --> 00:17:22,760 Today, Dunster is in the hands of the National Trust, 260 00:17:22,760 --> 00:17:27,400 and volunteer guide Martin Harborne has kindly agreed to tell me more. 261 00:17:29,680 --> 00:17:32,560 What a wonderful room. How old is the castle? 262 00:17:32,560 --> 00:17:36,240 The castle, 1,000 years old. Originally there was a Saxon castle here, 263 00:17:36,240 --> 00:17:40,640 then when the Normans arrived, they built there big stone castle. 264 00:17:40,640 --> 00:17:45,520 Then the Luttrells took it over? Indeed. In 1376, they purchased it. 265 00:17:45,520 --> 00:17:48,360 They were here an awfully long time. Was it 21 generations? 266 00:17:48,360 --> 00:17:50,600 21 generations, 600 years, 267 00:17:50,600 --> 00:17:54,080 right through until 1976, when the Luttrell family handed it over 268 00:17:54,080 --> 00:17:56,480 to the National Trust for their custody. 269 00:17:56,480 --> 00:17:58,720 I'm interested in one particular Luttrell, 270 00:17:58,720 --> 00:18:01,560 a Victorian, George Luttrell. 271 00:18:01,560 --> 00:18:04,640 George Fownes-Luttrell, that's his portrait up there, 272 00:18:04,640 --> 00:18:08,080 and he was involved in the total alteration of the castle, 273 00:18:08,080 --> 00:18:11,480 by the well-known architect of the day, Anthony Salvin. 274 00:18:11,480 --> 00:18:14,040 What sorts of things did he do? 275 00:18:14,040 --> 00:18:18,120 He completely transformed the castle from an Elizabethan-style castle, 276 00:18:18,120 --> 00:18:22,040 where the family lived at one side, the servants lived on this side 277 00:18:22,040 --> 00:18:24,320 and they entertained in the middle... 278 00:18:24,320 --> 00:18:27,760 He turned it into a Victorian comfortable gentleman's residence 279 00:18:27,760 --> 00:18:31,640 with an upstairs and downstairs. And using the latest technology? 280 00:18:31,640 --> 00:18:34,280 Absolutely, yes, he wanted all the latest technology, 281 00:18:34,280 --> 00:18:37,120 things that were almost unheard of down here - 282 00:18:37,120 --> 00:18:41,000 bathrooms, and gas supplies and those sorts of things, 283 00:18:41,000 --> 00:18:43,760 which, in the 1870s, was really cutting-edge stuff. 284 00:18:46,760 --> 00:18:50,320 The remodelling took four years and cost over £25,000, 285 00:18:50,320 --> 00:18:53,800 which was more than Luttrell's yearly income from the estate - 286 00:18:53,800 --> 00:18:57,600 'a sobering £2.5 million in today's money.' 287 00:19:02,120 --> 00:19:07,000 The billiards room was an important part of a Victorian household? 288 00:19:07,000 --> 00:19:08,760 A most essential part. 289 00:19:08,760 --> 00:19:12,160 This was a gentlemen's room. During the Victorian period, 290 00:19:12,160 --> 00:19:15,160 this would have been full of the smells of cigars and brandy 291 00:19:15,160 --> 00:19:17,720 and only the men were allowed in here. 292 00:19:17,720 --> 00:19:20,720 Was this another innovation of George Fownes-Luttrell? 293 00:19:20,720 --> 00:19:23,640 It was. Prior to the alternations, 294 00:19:23,640 --> 00:19:26,800 this was the kitchen of the main house. 295 00:19:26,800 --> 00:19:28,920 Unheard of in Victorian times, 296 00:19:28,920 --> 00:19:33,160 parts of the house had central heating, and the new kitchen, 297 00:19:33,160 --> 00:19:37,000 which was built in the basement, was well ventilated with windows. 298 00:19:38,120 --> 00:19:43,960 It was also state-of-the-art. Mod cons included a two-oven cooker, 299 00:19:43,960 --> 00:19:48,080 a built-in bain-marie and a dumbwaiter. 300 00:19:48,080 --> 00:19:52,920 This pioneering attitude towards new technologies continues unabated. 301 00:19:52,920 --> 00:19:57,520 In 2008, it became the first Grade I listed National Trust property 302 00:19:57,520 --> 00:20:00,560 to have solar panels installed. 303 00:20:00,560 --> 00:20:03,640 George Luttrell would be proud! 304 00:20:03,640 --> 00:20:07,080 Can you think of anything you'd rather have than a beautiful castle? 305 00:20:07,080 --> 00:20:11,240 I can - a beautiful castle with a view of steam trains. 306 00:20:17,280 --> 00:20:19,680 And that's where I'm headed. 307 00:20:19,680 --> 00:20:23,240 Back to Dunster station to pick up the extended line, 308 00:20:23,240 --> 00:20:26,960 which so helped invigorate this rural corner of Somerset. 309 00:20:38,480 --> 00:20:43,600 My journey continues through stunning Somerset toward Minehead, 310 00:20:43,600 --> 00:20:47,240 which my Bradshaw's describes as "a beautiful watering hole". 311 00:20:47,240 --> 00:20:51,120 But when the railway reached there from 1874, 312 00:20:51,120 --> 00:20:55,040 then holiday-makers began to arrive by the train load. 313 00:20:57,480 --> 00:21:01,120 Formerly a small fishing port, Minehead was already popular 314 00:21:01,120 --> 00:21:04,360 amongst the wealthy as a fashionable sea-bathing resort 315 00:21:04,360 --> 00:21:07,000 from as early as 1752. 316 00:21:09,560 --> 00:21:12,080 However, it wasn't until train travel 317 00:21:12,080 --> 00:21:16,920 that it became easily accessible and affordable for the middle classes. 318 00:21:16,920 --> 00:21:19,640 The West Somerset Railway should have linked 319 00:21:19,640 --> 00:21:23,880 across the Porlocks with the Lynton to Barnstaple line, 320 00:21:23,880 --> 00:21:28,360 but even for the Victorians, those hills proved too great an obstacle, 321 00:21:28,360 --> 00:21:31,360 and so, Minehead is the end of the line. 322 00:21:51,520 --> 00:21:55,360 Hello. Hello! How was the train journey? Wonderful, stunning. 323 00:21:55,360 --> 00:21:57,600 Do you know Minehead? Not at all. 324 00:21:57,600 --> 00:22:01,680 Are you going in to have a look? Yes. Where do you suggest we go? 325 00:22:01,680 --> 00:22:05,600 All I know is my Bradshaw's calls it a beautiful watering hole. 326 00:22:05,600 --> 00:22:10,240 Oh! So, sounds like we've got something to look forward to. 327 00:22:10,240 --> 00:22:16,160 A pint or a gin and tonic? Could be either! Enjoy your day! Bye-bye! 328 00:22:18,400 --> 00:22:21,360 Today the station is packed with steam fans, 329 00:22:21,360 --> 00:22:24,440 but in Victorian times, it was tourists from the Big Smoke 330 00:22:24,440 --> 00:22:26,600 and South Wales crowding the platform. 331 00:22:28,000 --> 00:22:32,560 I'm meeting General Manager of this heritage railway, Paul Conibeare. 332 00:22:32,560 --> 00:22:35,400 Paul, hello. Michael, welcome to Minehead. 333 00:22:35,400 --> 00:22:38,880 It's a vast station with these great, long platforms. 334 00:22:38,880 --> 00:22:42,280 That emphasises how important it was in its heyday. 335 00:22:42,280 --> 00:22:44,640 Yes, it was a very busy Great Western terminus, 336 00:22:44,640 --> 00:22:47,760 and it's very long to cope with the visitors it anticipated on the day. 337 00:22:47,760 --> 00:22:50,840 It is the terminus. I can see hills ahead - 338 00:22:50,840 --> 00:22:54,480 presumably the Porlocks are what prevented it from going further. 339 00:22:54,480 --> 00:22:57,720 There were plans to go to Porlock and Lynmouth, but Sir George Newnes, 340 00:22:57,720 --> 00:23:00,160 who was involved in the Lynton-Barnstaple railway 341 00:23:00,160 --> 00:23:02,800 didn't want the riff-raff in their part of the world. 342 00:23:02,800 --> 00:23:05,040 The riff-raff from Minehead? Yes. 343 00:23:05,040 --> 00:23:10,240 I notice, on your trains, that you have the engine on the front. 344 00:23:10,240 --> 00:23:15,400 That must imply that you have some way of turning them around? 345 00:23:15,400 --> 00:23:19,440 Luckily, we've invested in a new turntable, which was fitted in 2008, 346 00:23:19,440 --> 00:23:22,480 to provide the ability for the first time since the early '60s 347 00:23:22,480 --> 00:23:25,120 to turn the locomotives so they face the right direction 348 00:23:25,120 --> 00:23:27,800 for the cameras and the visitors to the railway! 349 00:23:27,800 --> 00:23:31,920 The turning-around of extremely heavy locomotives was a problem 350 00:23:31,920 --> 00:23:36,120 that confronted rail companies until the dawn of the diesel era. 351 00:23:36,120 --> 00:23:39,560 At Minehead, they had to be turned in a locomotive shed 352 00:23:39,560 --> 00:23:41,400 some distance from the tracks - 353 00:23:41,400 --> 00:23:45,080 a slow process, which ate into the efficiency of the line. 354 00:23:45,080 --> 00:23:47,120 The shed was demolished in the 1960s. 355 00:23:49,320 --> 00:23:52,920 This new turntable - a Victorian original for the most part - 356 00:23:52,920 --> 00:23:57,440 was purchased in 1974, but due to lack of funding and space, 357 00:23:57,440 --> 00:24:00,560 it wasn't put in place until 2008. 358 00:24:00,560 --> 00:24:03,680 We now have a locomotive weighing 110 tonnes, 359 00:24:03,680 --> 00:24:06,880 which our driver, David, will show you how to turn. 360 00:24:06,880 --> 00:24:10,480 I'll just use my little finger. Hello, David. Reporting for duty, sir. 361 00:24:12,000 --> 00:24:15,240 We're just going to push it, are we? Just push it. OK, here goes. 362 00:24:16,920 --> 00:24:18,720 HE GROANS 363 00:24:18,720 --> 00:24:22,040 She's moving. I can't believe it. 364 00:24:22,040 --> 00:24:25,080 Don't know about you, David, but I'm putting quite a lot of... 365 00:24:25,080 --> 00:24:28,960 effort into this. I have weight on my side! 366 00:24:28,960 --> 00:24:33,200 And now...that it's...in motion... 367 00:24:33,200 --> 00:24:36,600 it gets a little bit...easier, because... 368 00:24:36,600 --> 00:24:39,280 it...has...momentum. 369 00:24:39,280 --> 00:24:41,920 Somebody tells me that stopping this thing 370 00:24:41,920 --> 00:24:46,800 is even harder than getting it going. I'll do the stopping. OK. 371 00:24:48,800 --> 00:24:52,840 We're arriving...at our end point... 372 00:24:53,920 --> 00:24:56,360 I'm ceasing to push, cos it's moving on its own momentum 373 00:24:56,360 --> 00:24:58,360 and you're now braking it. 374 00:25:00,360 --> 00:25:02,040 And, ohhh... 375 00:25:02,040 --> 00:25:03,840 Overshot a tiny bit. 376 00:25:05,480 --> 00:25:07,960 Just easing it back. 377 00:25:07,960 --> 00:25:10,720 You're learning to do that pretty well. 378 00:25:10,720 --> 00:25:12,360 Ah... 379 00:25:14,040 --> 00:25:15,800 Next time, I'll do it alone. 380 00:25:20,320 --> 00:25:22,960 APPLAUSE What can I say? 381 00:25:27,640 --> 00:25:30,360 Thanks to the likes of George Newnes, 382 00:25:30,360 --> 00:25:33,840 a key player in establishing the twin resorts of Lynton and Lynmouth, 383 00:25:33,840 --> 00:25:36,760 the rail link was never built. 384 00:25:36,760 --> 00:25:39,840 So I can go no further by train. 385 00:25:39,840 --> 00:25:43,480 Instead, I'll cross the impenetrable Porlock Hill by road 386 00:25:43,480 --> 00:25:46,960 to reach the next notable attraction mentioned in my guide. 387 00:25:48,160 --> 00:25:51,560 Bradshaw says that tourists "should proceed to the far-famed 388 00:25:51,560 --> 00:25:55,200 "valley of the rocks on foot, along the cliff wall, 389 00:25:55,200 --> 00:25:57,360 "whence the scenery is very fine. 390 00:25:57,360 --> 00:26:00,720 "The view in the valley is exceedingly grand. 391 00:26:00,720 --> 00:26:05,560 "He should employ a guide to accompany him on his first visit," 392 00:26:05,560 --> 00:26:07,960 and mine is called Terry. 393 00:26:09,880 --> 00:26:15,760 Hello. Hello, Michael. What gave rise to these formations of rock? 394 00:26:15,760 --> 00:26:20,520 One time, the river ran through here, carving out this valley, 395 00:26:20,520 --> 00:26:24,600 then the river diverted to its present course running into Lynmouth. 396 00:26:24,600 --> 00:26:26,120 The crags you can see here 397 00:26:26,120 --> 00:26:28,760 were mainly caused by the weathering action 398 00:26:28,760 --> 00:26:33,760 over thousands of years, leaving complicated and intriguing shapes. 399 00:26:36,880 --> 00:26:39,720 Beautiful view. It does take your breath away. 400 00:26:39,720 --> 00:26:43,520 At this point, we're about 500ft above sea level. 401 00:26:43,520 --> 00:26:46,440 Whoa, it's a long way down. Yes. 402 00:26:46,440 --> 00:26:49,480 So, who created this path? It was one of the hotel owners. 403 00:26:49,480 --> 00:26:53,480 He wanted it for his tourists. He wanted a romantic walk, 404 00:26:53,480 --> 00:26:55,560 something that was sensational. 405 00:26:55,560 --> 00:26:58,640 It must've attracted painters and writers over the years. 406 00:26:58,640 --> 00:27:02,480 It did. Some of the early visitors were Keats and Shelley. 407 00:27:02,480 --> 00:27:05,880 They went home and romanced about this place 408 00:27:05,880 --> 00:27:08,600 and they nicknamed it "Little Switzerland". 409 00:27:08,600 --> 00:27:12,400 At one point, it was said it was the grandest walk in England. 410 00:27:27,040 --> 00:27:29,480 I've had a wonderful journey from Taunton, 411 00:27:29,480 --> 00:27:33,040 enjoying travel, Victorian-style, by steam train. 412 00:27:33,040 --> 00:27:37,000 I've filled my lungs with smoke and my eyes with smuts. 413 00:27:37,000 --> 00:27:40,280 What better place to blow them away, than here on the Devon cliffs 414 00:27:40,280 --> 00:27:43,520 where the romantic poets drew inspiration - 415 00:27:43,520 --> 00:27:45,600 one of the finest views in England. 416 00:27:51,240 --> 00:27:55,480 On my next journey, I get up close with a piece of natural history... 417 00:27:55,480 --> 00:27:58,760 It's a moa egg, it's an extinct bird from New Zealand. 418 00:27:58,760 --> 00:28:04,120 There's only 36 specimens of a decent size been catalogued in the world. 419 00:28:04,120 --> 00:28:08,840 I visit a garden used as a viewing platform for public hangings... 420 00:28:08,840 --> 00:28:11,120 We've got three tiers going up, 421 00:28:11,120 --> 00:28:14,000 and according to the records, they were full. 422 00:28:14,000 --> 00:28:16,560 It was shoulder-to-shoulder, line-to-line of people. 423 00:28:16,560 --> 00:28:19,480 ..and encounter a timepiece like no other. 424 00:28:19,480 --> 00:28:22,880 In my political career, Peter, I met a few two-faced liars, 425 00:28:22,880 --> 00:28:25,360 but this is my first experience of a four-faced liar. 426 00:28:25,360 --> 00:28:28,000 One of them's correct, though! THEY LAUGH 427 00:28:43,640 --> 00:28:46,440 Subtitles by Red Bee Media Ltd