1 00:00:04,360 --> 00:00:08,840 For Victorian Britons, George Bradshaw was a household name. 2 00:00:08,840 --> 00:00:11,320 At a time when railways were new, 3 00:00:11,320 --> 00:00:15,640 Bradshaw's guidebook inspired them to take to the tracks. 4 00:00:15,640 --> 00:00:18,720 I'm using a Bradshaw's guide to understand 5 00:00:18,720 --> 00:00:21,440 how trains transformed Britain, 6 00:00:21,440 --> 00:00:26,960 its landscape, its industries, society, and leisure time. 7 00:00:26,960 --> 00:00:30,480 As I crisscross the country 150 years later, 8 00:00:30,480 --> 00:00:33,880 it helps me to discover the Britain of today. 9 00:00:52,800 --> 00:00:57,440 I'm continuing my trip along the tracks of the Flying Scotsman. 10 00:00:57,440 --> 00:01:02,600 Today, I hope to have a singsong amongst holy innocents as my journey 11 00:01:02,600 --> 00:01:06,640 stretches into industrial Nottinghamshire, to discover how 12 00:01:06,640 --> 00:01:11,440 a novelist writing in Yorkshire prompted a Victorian concern 13 00:01:11,440 --> 00:01:16,120 for animals, and to meet my match as I strike into County Durham. 14 00:01:25,200 --> 00:01:28,840 My journey is taking me up the East Coast Main Line from 15 00:01:28,840 --> 00:01:32,920 London King's Cross through Hertfordshire, Bedfordshire, 16 00:01:32,920 --> 00:01:37,200 and on via Nottinghamshire to where a steam locomotive 17 00:01:37,200 --> 00:01:40,080 first hauled wagons in County Durham. 18 00:01:40,080 --> 00:01:44,600 I'll progress along the North Sea coast, crossing the Scottish border, 19 00:01:44,600 --> 00:01:46,880 to finish in the capital, Edinburgh. 20 00:01:49,480 --> 00:01:52,160 Today I start at Newark-on-Trent, 21 00:01:52,160 --> 00:01:54,800 a town dubbed the Key of the North. 22 00:01:54,800 --> 00:01:59,680 I'll continue on to Retford before stopping off in Thirsk and finishing 23 00:01:59,680 --> 00:02:03,680 in Stockton-on-Tees, the cradle of the modern railway. 24 00:02:06,280 --> 00:02:10,280 'On this journey, I rally a crowd of choristers...' 25 00:02:10,280 --> 00:02:13,280 Has your chanting ever been atrocious? 26 00:02:13,280 --> 00:02:14,560 No. 27 00:02:15,560 --> 00:02:17,960 '..become friends with a prickly chap...' 28 00:02:17,960 --> 00:02:21,520 Hello, Charles. Charles is certainly not lacking in energy or strength, 29 00:02:21,520 --> 00:02:24,280 is he? He is quite a character. 30 00:02:24,280 --> 00:02:27,120 '..and get fired up with a Victorian chemist.' 31 00:02:28,240 --> 00:02:29,720 Let there be light. 32 00:02:39,720 --> 00:02:44,280 My first stop today will be Newark. Bradshaw's says, "the parish church 33 00:02:44,280 --> 00:02:47,480 "of St Mary is one of the finest in the kingdom. 34 00:02:47,480 --> 00:02:51,600 "A grammar school founded in Henry VIII's reign with a song school 35 00:02:51,600 --> 00:02:54,200 "attached is near the church." 36 00:02:54,200 --> 00:02:59,000 Children singing - a choir of new archangels, perhaps. 37 00:03:05,640 --> 00:03:07,080 Beside the River Trent, 38 00:03:07,080 --> 00:03:10,200 Newark's old castle provided the focus for a town 39 00:03:10,200 --> 00:03:12,800 where roads and railway lines converge. 40 00:03:14,440 --> 00:03:17,880 Its church steeple has long towered over the hustle and bustle 41 00:03:17,880 --> 00:03:19,720 of this market town. 42 00:03:19,720 --> 00:03:23,840 The Bradshaw traveller would already have recognised it as a hub. 43 00:03:36,120 --> 00:03:38,200 I'm meeting Andrew Fern, 44 00:03:38,200 --> 00:03:41,160 clerk at the charity that founded the choir school. 45 00:03:42,800 --> 00:03:45,040 Andrew, Bradshaw's mentions the very distinguished 46 00:03:45,040 --> 00:03:48,160 St Mary Magdalene Church, and mentions too that the grammar school 47 00:03:48,160 --> 00:03:51,280 from Henry VIII's time had a song school attached. 48 00:03:51,280 --> 00:03:53,440 For what purpose was there a song school? 49 00:03:53,440 --> 00:03:57,920 The song school was to enable the young men to learn to sing 50 00:03:57,920 --> 00:04:01,080 and to further their religious education at the same time. 51 00:04:01,080 --> 00:04:03,640 How was such a school funded? 52 00:04:03,640 --> 00:04:07,280 Thomas Magnus was a loyal courtier of Henry VIII, 53 00:04:07,280 --> 00:04:10,680 and because he was faithful to his king he was rewarded 54 00:04:10,680 --> 00:04:14,720 with emoluments and decided to endow the schools here 55 00:04:14,720 --> 00:04:16,280 with some of that wealth. 56 00:04:21,640 --> 00:04:25,280 Thomas Magnus was Henry VIII's chaplain. 57 00:04:25,280 --> 00:04:28,480 At a time when religion and power went hand in hand, 58 00:04:28,480 --> 00:04:31,040 Magnus left his mark on Newark. 59 00:04:31,040 --> 00:04:35,200 He bequeathed land that generated revenue for the trust to fund 60 00:04:35,200 --> 00:04:37,360 the grammar school and the song school. 61 00:04:47,480 --> 00:04:50,760 I think of funded choirs attached to Oxford and Cambridge colleges, 62 00:04:50,760 --> 00:04:52,200 to cathedrals, and so on, 63 00:04:52,200 --> 00:04:54,760 but it's quite unusual, isn't it, for a parish church? 64 00:04:54,760 --> 00:04:57,680 It's very unusual. We're enormously lucky. 65 00:04:57,680 --> 00:05:00,320 We're just one of the few parish churches in the whole country 66 00:05:00,320 --> 00:05:04,440 to have an endowed choir. And it gives a great opportunity 67 00:05:04,440 --> 00:05:09,800 to youngsters of all backgrounds, and sometimes different talents, 68 00:05:09,800 --> 00:05:12,720 to come together and make music. It's fantastic. 69 00:05:21,880 --> 00:05:25,760 Today's choir echoes the voices of generations of children 70 00:05:25,760 --> 00:05:31,400 who attended the school over the past five centuries. 71 00:05:31,400 --> 00:05:35,240 The choirmaster is Stephen Bullamore. 72 00:05:35,240 --> 00:05:37,640 Choir, what a splendid sound. 73 00:05:37,640 --> 00:05:39,520 Thank you very much. You must be Stephen. 74 00:05:39,520 --> 00:05:42,680 Yes, thank you very much. It's great to see you. 75 00:05:42,680 --> 00:05:45,120 What a range of ages. 76 00:05:45,120 --> 00:05:47,720 And what does it feel like to sing with this choir? 77 00:05:47,720 --> 00:05:52,880 Well, it feels quite cool because it feels like it's a chance to be you, 78 00:05:52,880 --> 00:05:55,120 and it feels like you can express yourself. 79 00:05:55,120 --> 00:05:56,400 That's very nice indeed. 80 00:05:56,400 --> 00:06:00,360 So, has this choir pretty much been singing since 1530? 81 00:06:00,360 --> 00:06:03,680 Not necessarily each individual member, but as a body 82 00:06:03,680 --> 00:06:06,280 we've been going for a very long time, yes. 83 00:06:06,280 --> 00:06:09,400 I've been digging into the archives and we have a list of music which 84 00:06:09,400 --> 00:06:14,560 was sung in the 19th century, kept by one of my predecessors. 85 00:06:14,560 --> 00:06:20,200 And he also comments on quite how well the singing was or was not, 86 00:06:20,200 --> 00:06:23,680 so we have a rather nice comment: "All the music went well tonight." 87 00:06:23,680 --> 00:06:24,720 That's good. 88 00:06:26,480 --> 00:06:29,800 "Chanting in the morning simply atrocious. 89 00:06:29,800 --> 00:06:33,520 "As bad in the evening, and the anthem murdered entirely." 90 00:06:34,720 --> 00:06:36,760 Now, let's check with the choir. 91 00:06:36,760 --> 00:06:40,080 Has your chanting ever been atrocious? 92 00:06:40,080 --> 00:06:41,680 ALL: No. 93 00:06:41,680 --> 00:06:44,520 And have you ever murdered an anthem? 94 00:06:44,520 --> 00:06:45,920 ALL: No! 95 00:06:49,120 --> 00:06:53,120 Before leaving Newark, I'm going to visit a special display 96 00:06:53,120 --> 00:06:57,720 celebrating a time when train travel was still an adventure. 97 00:06:59,600 --> 00:07:04,200 The London North Eastern Railway ran to some beautiful places - 98 00:07:04,200 --> 00:07:07,840 York, Scarborough, Berwick-upon-Tweed - 99 00:07:07,840 --> 00:07:11,200 but how were those attractions to be illustrated? 100 00:07:12,920 --> 00:07:15,520 Posters were the answer, 101 00:07:15,520 --> 00:07:18,560 and writer Edward Yardley has a passion for them. 102 00:07:20,000 --> 00:07:21,960 Edward, I'm Michael. How lovely to see you. 103 00:07:21,960 --> 00:07:25,680 Lovely to see you. What a great collection of railway posters. 104 00:07:25,680 --> 00:07:27,920 Yes. When does the railway poster start life? 105 00:07:27,920 --> 00:07:31,440 The poster starts in the Victorian period, Michael, but it starts as 106 00:07:31,440 --> 00:07:35,840 a rather muddled set of images with some overstated letterpress. 107 00:07:35,840 --> 00:07:38,960 It really gets going in the Edwardian period, 108 00:07:38,960 --> 00:07:43,640 and by 1923, we were in the heyday of the poster period. 109 00:07:43,640 --> 00:07:45,560 Illustrated by artists, 110 00:07:45,560 --> 00:07:50,040 these posters transformed platforms into open-air galleries, 111 00:07:50,040 --> 00:07:53,840 and Frank Henry Mason was one of the masters. 112 00:07:53,840 --> 00:07:59,040 Born in 1875, he'd been a marine life painter when the LNER 113 00:07:59,040 --> 00:08:01,520 lured him into the advertising world. 114 00:08:02,680 --> 00:08:07,600 He demonstrated his talent for everything from the Flying Scotsman 115 00:08:07,600 --> 00:08:11,360 to the most intricate industrial scenes, 116 00:08:11,360 --> 00:08:14,960 and the east coast seaside destinations. 117 00:08:16,440 --> 00:08:18,040 Well, that speaks for itself. 118 00:08:18,040 --> 00:08:19,520 I mean, that is the classic, isn't it? 119 00:08:19,520 --> 00:08:22,240 Inviting us to the broad, open beach. 120 00:08:22,240 --> 00:08:25,080 Yes, this is what we think of as a typical railway poster, 121 00:08:25,080 --> 00:08:28,920 designed to entice the holiday public to the resort. 122 00:08:28,920 --> 00:08:30,280 It's Scarborough in this one. 123 00:08:30,280 --> 00:08:32,120 And it's alluring after all this time. 124 00:08:32,120 --> 00:08:33,720 Yes. But, now, this is quite different. 125 00:08:33,720 --> 00:08:36,080 This is NOT buckets and spades at all. 126 00:08:36,080 --> 00:08:39,000 No, but this was the advertising manager coming up with 127 00:08:39,000 --> 00:08:44,000 a different slant on enticing the public to the Great Britain 128 00:08:44,000 --> 00:08:48,040 in terms of its industry as well as coastal resorts merely being 129 00:08:48,040 --> 00:08:49,640 for the holiday-maker. 130 00:08:49,640 --> 00:08:51,840 A tribute to what's actually going on in Britain. 131 00:08:51,840 --> 00:08:54,560 Absolutely. And then up the east coast we go. 132 00:08:54,560 --> 00:08:56,920 Berwick-upon-Tweed, the famous bridge. 133 00:08:56,920 --> 00:09:00,560 And at last we arrive in Scotland, and that's a beautiful piece too. 134 00:09:00,560 --> 00:09:02,960 Indeed, and this is a series of six, Michael, 135 00:09:02,960 --> 00:09:05,920 showing the different types of fishing boats that in those days 136 00:09:05,920 --> 00:09:10,320 were very much at work in the harbours up and down the east coast. 137 00:09:10,320 --> 00:09:11,640 These posters... 138 00:09:11,640 --> 00:09:15,160 Yeah. ..remain very popular and you're obviously extraordinarily 139 00:09:15,160 --> 00:09:18,160 keen about them. Why are we so attracted still to 140 00:09:18,160 --> 00:09:21,080 the work of Frank Mason and others all these years later? 141 00:09:21,080 --> 00:09:23,760 Well, I think you can sum it up in the word "nostalgia". 142 00:09:23,760 --> 00:09:26,600 These are images of a bygone age. 143 00:09:26,600 --> 00:09:28,000 Yes. 144 00:09:39,720 --> 00:09:41,760 I'm leaving Newark to press northward. 145 00:09:45,920 --> 00:09:49,160 My next stop will be Retford in Nottinghamshire. 146 00:09:49,160 --> 00:09:52,200 According to Bradshaw's, the inhabitants manufacture hats, 147 00:09:52,200 --> 00:09:55,880 sail cloth, and paper, in considerable quantities. 148 00:09:55,880 --> 00:09:59,480 The Chesterfield Canal from the Trent has been of great advantage 149 00:09:59,480 --> 00:10:04,640 to the town. In Victorian times they discovered a new industrial plant, 150 00:10:04,640 --> 00:10:08,120 proving that the manufacture of the town was highly flexible. 151 00:10:24,040 --> 00:10:28,240 Retford has kept the traces of its industrial splendour, 152 00:10:28,240 --> 00:10:32,120 with fine Victorian frontages adorning the town square. 153 00:10:37,120 --> 00:10:41,240 The Northern Rubber Factory was founded here during that boom era, 154 00:10:41,240 --> 00:10:45,040 and has been on this site since 1871. 155 00:10:45,040 --> 00:10:49,320 Its product was destined to become indispensable. 156 00:10:49,320 --> 00:10:52,560 Mike Heslop has worked here for nearly 40 years, 157 00:10:52,560 --> 00:10:56,600 and knows about the history of rubber at the time of my Bradshaw's. 158 00:10:57,600 --> 00:11:00,360 In the Victorian times, the only rubber that was available 159 00:11:00,360 --> 00:11:03,200 was natural rubber, which was taken from trees, 160 00:11:03,200 --> 00:11:04,600 and that was sourced from Brazil 161 00:11:04,600 --> 00:11:06,840 because that was the only place that they grew, 162 00:11:06,840 --> 00:11:11,400 and it was illegal to actually export seeds or plants from Brazil. 163 00:11:11,400 --> 00:11:14,400 But in the 1870s, a chap called Henry Wickham 164 00:11:14,400 --> 00:11:17,800 smuggled 70,000 seeds from Brazil to Kew Gardens, 165 00:11:17,800 --> 00:11:21,840 where they were propagated and the resulting plants were 166 00:11:21,840 --> 00:11:24,120 distributed throughout the Empire. 167 00:11:24,120 --> 00:11:27,640 So to Ceylon, Malaya, at the time, India, 168 00:11:27,640 --> 00:11:30,320 all of which had the correct climate to grow rubber plants. 169 00:11:31,560 --> 00:11:35,960 When those rubber trees had grown in those colonial regions, their gum 170 00:11:35,960 --> 00:11:39,960 was a cheap commodity readily available to imperial Britain. 171 00:11:41,480 --> 00:11:45,240 Back in America, in 1839, Charles Goodyear had discovered that 172 00:11:45,240 --> 00:11:49,080 by heating rubber with sulphur, one was able to harden 173 00:11:49,080 --> 00:11:53,480 the amorphous mass into a material which would hold its shape. 174 00:11:53,480 --> 00:11:56,720 This process would be called vulcanisation. 175 00:11:58,480 --> 00:12:00,920 Alfred Pegler saw the potential, 176 00:12:00,920 --> 00:12:03,720 and founded the factory as a family business. 177 00:12:04,880 --> 00:12:07,520 His great-grandson would go on to look after the company, 178 00:12:07,520 --> 00:12:10,880 and put his name down in railway history. 179 00:12:10,880 --> 00:12:15,280 Alan Pegler is well known for his activities in the rail industry. 180 00:12:15,280 --> 00:12:19,480 In the early '60s, he purchased the Flying Scotsman and he then spent 181 00:12:19,480 --> 00:12:22,240 a large amount of his fortune restoring the train. 182 00:12:22,240 --> 00:12:24,680 We owe to him the fact that it has now been restored 183 00:12:24,680 --> 00:12:27,440 and is available for us to ride. Yeah, absolutely, yes. 184 00:12:33,080 --> 00:12:35,960 Inside the factory's Victorian walls, 185 00:12:35,960 --> 00:12:39,400 the activity is resolutely modern. 186 00:12:39,400 --> 00:12:44,440 The old vulcanisation technique has evolved to produce army tank wheels, 187 00:12:44,440 --> 00:12:48,440 while synthetic rubber is used by 21st-century aerospace. 188 00:12:49,480 --> 00:12:54,440 Manufacturing manager, Tom Wagstaff, takes me behind the scenes. 189 00:12:54,440 --> 00:12:59,040 So, Michael, this is a fire test and what we're going to do is we've got 190 00:12:59,040 --> 00:13:02,720 a silicone rubber seal in the test rig. This particular seal, 191 00:13:02,720 --> 00:13:06,880 a safety-critical engine component for an aircraft. The point 192 00:13:06,880 --> 00:13:09,360 of the fire test is we are going to hit it 193 00:13:09,360 --> 00:13:11,360 with 1,100 degrees C of flame. 194 00:13:11,360 --> 00:13:14,280 We're going to do that for five minutes to make sure that 195 00:13:14,280 --> 00:13:17,080 the seal stays intact, and it will be safe on the aircraft. 196 00:13:17,080 --> 00:13:19,240 So that looks pretty metallic, 197 00:13:19,240 --> 00:13:20,880 but actually it is... 198 00:13:20,880 --> 00:13:22,760 Silicone rubber. Silicone rubber. 199 00:13:28,120 --> 00:13:29,160 Whoa! 200 00:13:30,520 --> 00:13:31,560 Excuse me. 201 00:13:33,760 --> 00:13:37,960 Silicone rubber is the perfect material for this aircraft seal, 202 00:13:37,960 --> 00:13:42,720 because it can survive very high temperatures, as in this fire test, 203 00:13:42,720 --> 00:13:47,800 and extremes of cold, down to -60 Celsius. 204 00:13:47,800 --> 00:13:50,240 I can feel the heat radiating from here. 205 00:13:50,240 --> 00:13:51,520 A pretty powerful flame. 206 00:13:51,520 --> 00:13:55,240 It really is an aggressive flame, for the worst type of fire. 207 00:13:55,240 --> 00:13:57,600 I'm just going to have a look at what's happened to the seal. 208 00:13:59,040 --> 00:14:01,200 And the answer is nothing. 209 00:14:06,200 --> 00:14:10,360 With contracts with NASA and the British Ministry of Defence, 210 00:14:10,360 --> 00:14:13,440 the company is accustomed to manufacturing critical 211 00:14:13,440 --> 00:14:17,280 pieces of equipment, such as this in-flight refuelling hose. 212 00:14:18,280 --> 00:14:21,920 Imagine a fighter plane coming in at 300, 400mph, 213 00:14:21,920 --> 00:14:23,800 to the back of a tanker plane. 214 00:14:23,800 --> 00:14:26,280 It's got to be able to connect onto this. 215 00:14:26,280 --> 00:14:29,160 It's got to be strong enough to be able to take that force 216 00:14:29,160 --> 00:14:31,760 without breaking loose from the aircraft. 217 00:14:31,760 --> 00:14:35,520 And how on Earth does this thing find its way towards the fuel tank? 218 00:14:35,520 --> 00:14:37,760 So, it's a good question. 219 00:14:37,760 --> 00:14:40,080 These can be up to 120 feet long, 220 00:14:40,080 --> 00:14:42,640 and today the pilot will fly in, 221 00:14:42,640 --> 00:14:45,880 home in to the back of the tanker, and try and hook the end of it. 222 00:14:45,880 --> 00:14:48,480 I couldn't do it. I'm sure you could, Michael! 223 00:14:49,880 --> 00:14:51,760 But what we're actually doing as well - 224 00:14:51,760 --> 00:14:56,160 a really interesting piece of technology - is for drones, so UAVs. 225 00:14:56,160 --> 00:15:00,840 We're actually running data fibres within it, so an unmanned aircraft 226 00:15:00,840 --> 00:15:05,120 can clip onto the back, get fuel on board, download mission parameters, 227 00:15:05,120 --> 00:15:08,560 uncouple, and it allows those to stay in the sky 24 hours a day. 228 00:15:08,560 --> 00:15:11,880 And so, really, you're working on an intelligent hose. 229 00:15:11,880 --> 00:15:14,520 Oh, absolutely, yeah. This is the cutting edge of technology 230 00:15:14,520 --> 00:15:18,400 across the world. Can you imagine what a gardener could do with that? 231 00:15:40,480 --> 00:15:44,320 Thirsk, please. Senior. £27.05, then, please. 232 00:16:00,760 --> 00:16:05,160 To make my journey from Retford to Thirsk, I've had to change trains 233 00:16:05,160 --> 00:16:10,080 in York, but who needs an excuse to come to this magnificent station? 234 00:16:14,480 --> 00:16:17,280 When it was built in 1877, 235 00:16:17,280 --> 00:16:21,600 York was the largest station in Britain, and many perceived it as 236 00:16:21,600 --> 00:16:23,320 a monument to extravagance. 237 00:16:24,880 --> 00:16:27,360 The whole station was constructed on a curve, 238 00:16:27,360 --> 00:16:29,640 making it all the more striking. 239 00:16:33,400 --> 00:16:35,800 My next station will be Thirsk. 240 00:16:35,800 --> 00:16:39,280 Bradshaw's says, "that it cannot lay claim to any feature 241 00:16:39,280 --> 00:16:42,040 "worthy of attention." Oh, dear. 242 00:16:42,040 --> 00:16:44,280 I'm sure the people of Thirsk would not agree. 243 00:16:44,280 --> 00:16:47,960 "A few miles on is Byland Abbey, a fine ruin, 244 00:16:47,960 --> 00:16:52,320 "in going to which Laurence Sterne's house may be observed." 245 00:16:52,320 --> 00:16:56,520 Sterne, although a man of the cloth, wrote satire and comedy, 246 00:16:56,520 --> 00:16:59,840 and so his surname was not particularly appropriate. 247 00:17:11,840 --> 00:17:14,960 Despite Bradshaw's giving Thirsk the brush-off, 248 00:17:14,960 --> 00:17:16,920 it's actually a charming town, 249 00:17:16,920 --> 00:17:20,360 with a picturesque town clock and a cobbled market square. 250 00:17:22,040 --> 00:17:26,680 Just outside, in a pastoral haven, a man penned a series of books 251 00:17:26,680 --> 00:17:28,560 that shook the literary world. 252 00:17:29,600 --> 00:17:34,120 Patrick Wildgust is curator of the Laurence Sterne Trust. 253 00:17:34,120 --> 00:17:36,920 Well, Patrick, Bradshaw's recommended that I come to see 254 00:17:36,920 --> 00:17:40,040 Laurence Sterne's house, and I must say, it is highly attractive. 255 00:17:40,040 --> 00:17:42,760 But let's begin with - who was Laurence Sterne? 256 00:17:42,760 --> 00:17:46,000 Laurence Sterne was a clergyman, and he was the clergyman of two villages 257 00:17:46,000 --> 00:17:48,200 to the south of here, but he had ambition. 258 00:17:48,200 --> 00:17:50,840 He said, "I write not to be fed, but to be famous." 259 00:17:50,840 --> 00:17:52,200 And he produced a book called 260 00:17:52,200 --> 00:17:54,600 The Life And Opinions Of Tristram Shandy, Gentleman, 261 00:17:54,600 --> 00:17:57,440 one of the most extraordinary books that's in the English canon. 262 00:17:57,440 --> 00:18:00,320 And why is it extraordinary? Because it's funny. 263 00:18:00,320 --> 00:18:03,160 It's a genuinely funny book, but it's also very clever. 264 00:18:03,160 --> 00:18:07,000 It begins with a rather strange way of referring to the hero's 265 00:18:07,000 --> 00:18:10,960 conception, which is dictated by the winding of the clock, 266 00:18:10,960 --> 00:18:13,400 and as a result of this, it was scandalous. 267 00:18:13,400 --> 00:18:16,000 That, presumably, is the book. 268 00:18:16,000 --> 00:18:18,160 Well, this is the first volume. 269 00:18:18,160 --> 00:18:20,360 This is a first edition, a copy of the first volume, 270 00:18:20,360 --> 00:18:23,280 which was published in 1759, and here is the title page. 271 00:18:23,280 --> 00:18:25,480 Shandy's a North Yorkshire dialect word, 272 00:18:25,480 --> 00:18:27,280 meaning a bit strange or a bit odd. 273 00:18:27,280 --> 00:18:30,520 And then, beneath that, we have two lines in Greek, 274 00:18:30,520 --> 00:18:32,200 so that's appealing to the intellectual, 275 00:18:32,200 --> 00:18:34,160 and it means something along the lines of, 276 00:18:34,160 --> 00:18:37,680 "It's not what things are that men fear, it's his opinions of them." 277 00:18:37,680 --> 00:18:39,360 How was it received at the time? 278 00:18:39,360 --> 00:18:42,160 It was a huge success, but it was also quite controversial, 279 00:18:42,160 --> 00:18:44,440 because the book, although funny and bawdy, 280 00:18:44,440 --> 00:18:46,880 when it was discovered it was written by a clergyman, 281 00:18:46,880 --> 00:18:49,560 that altered its reception to some degree. 282 00:18:49,560 --> 00:18:51,720 How was he regarded in Victorian times? 283 00:18:51,720 --> 00:18:54,800 In Victorian times, they chopped off the first five chapters 284 00:18:54,800 --> 00:18:57,720 in some editions, to make sure that this didn't offend. 285 00:18:57,720 --> 00:19:01,040 If a vicar in a parish today brought out a slim volume of erotic verse, 286 00:19:01,040 --> 00:19:02,760 how would it go down with the parish? 287 00:19:02,760 --> 00:19:06,320 It had that sort of effect? Yeah, certainly. 288 00:19:06,320 --> 00:19:10,680 Sterne both provoked and influenced his readers. 289 00:19:10,680 --> 00:19:13,200 One of his best-known characters, Uncle Toby, 290 00:19:13,200 --> 00:19:15,560 made an impact on Victorian society. 291 00:19:16,960 --> 00:19:19,120 This painting here shows two characters from 292 00:19:19,120 --> 00:19:20,920 The Life And Opinions Of Tristram Shandy - 293 00:19:20,920 --> 00:19:23,320 Uncle Toby and the Widow Wadman. 294 00:19:23,320 --> 00:19:25,640 Uncle Toby is a kind and genial man. 295 00:19:25,640 --> 00:19:30,000 In volume two of Tristram Shandy, if I can show you here, on page 79, 296 00:19:30,000 --> 00:19:33,080 there's an account as to why we should look at this man because 297 00:19:33,080 --> 00:19:37,040 Tristram thinks that he owes 50% of his understanding of philanthropy 298 00:19:37,040 --> 00:19:41,120 because of this action, "where my Uncle Toby had scarce a heart 299 00:19:41,120 --> 00:19:44,440 "to retaliate upon a fly which had buzzed about his nose 300 00:19:44,440 --> 00:19:47,320 "and tormented him cruelly all dinner time. 301 00:19:47,320 --> 00:19:50,440 "Get thee gone, why should I hurt thee? 302 00:19:50,440 --> 00:19:54,760 "This world surely is big enough to hold both thee and me." 303 00:19:54,760 --> 00:19:57,360 And this must have been very unfashionable at the time. 304 00:19:57,360 --> 00:20:00,680 People didn't care about animals. It's an unusual perspective. 305 00:20:00,680 --> 00:20:03,640 Tristram is affected by this, and so they were in Victorian times 306 00:20:03,640 --> 00:20:06,440 as well, because the Newcastle Weekly Chronicle decided that 307 00:20:06,440 --> 00:20:10,360 there should be a society organised for the young child 308 00:20:10,360 --> 00:20:14,400 to try to encourage the idea of not killing sparrows and birds. 309 00:20:14,400 --> 00:20:17,680 The editor used the pen name Uncle Toby to promote 310 00:20:17,680 --> 00:20:22,840 the Dickey Bird Society. Within ten years, 100,000 people had pledged 311 00:20:22,840 --> 00:20:27,040 fealty to feathered friends, and parades were held in Newcastle 312 00:20:27,040 --> 00:20:28,880 in celebration. 313 00:20:28,880 --> 00:20:31,480 Dear Uncle Toby, we owe you such a lot. 314 00:20:31,480 --> 00:20:32,840 Indeed. 315 00:20:37,200 --> 00:20:41,720 Uncle Toby and the Victorians sowed the seeds for the nation of 316 00:20:41,720 --> 00:20:44,760 animal lovers that the British have become. 317 00:20:44,760 --> 00:20:46,680 On the outskirts of Thirsk, 318 00:20:46,680 --> 00:20:51,680 Krista Langley has a wildlife centre funded entirely by donations. 319 00:20:51,680 --> 00:20:54,000 Since its opening in 2008, 320 00:20:54,000 --> 00:20:58,200 the centre has taken care of over 5,000 animals. 321 00:20:59,760 --> 00:21:02,080 Wow, cages all around. 322 00:21:02,080 --> 00:21:04,600 So, which animals are in residence at the moment? 323 00:21:04,600 --> 00:21:07,000 We've got a little owl. We get quite a few in. 324 00:21:07,000 --> 00:21:08,920 Ooh! Looking very bright. 325 00:21:08,920 --> 00:21:12,320 Hello, little owl. What a lovely bird. 326 00:21:12,320 --> 00:21:15,000 They're full of character, little owls. 327 00:21:15,000 --> 00:21:16,440 Looking me directly in the eye. 328 00:21:17,400 --> 00:21:21,680 This little owl was brought to the centre after being found concussed 329 00:21:21,680 --> 00:21:26,040 on the roadside. It couldn't feed itself, but is recovering, 330 00:21:26,040 --> 00:21:28,840 and will soon resume its life in the wild. 331 00:21:32,720 --> 00:21:37,400 Cygnets, rabbits and other animals have found shelter and care, 332 00:21:37,400 --> 00:21:39,840 including this hedgehog, Charles. 333 00:21:39,840 --> 00:21:43,280 At only 142 grams, he's in need of a feed. 334 00:21:45,480 --> 00:21:48,520 Nice soft blanket for him. 335 00:21:48,520 --> 00:21:50,400 Hello, Charles. 336 00:21:50,400 --> 00:21:52,480 Come on, Charles. Come on, Charles. 337 00:21:56,160 --> 00:21:59,480 Charles is certainly not lacking in energy or strength, is he? 338 00:21:59,480 --> 00:22:00,880 He's quite a character. 339 00:22:02,640 --> 00:22:04,400 Charles. 340 00:22:04,400 --> 00:22:06,000 That's better. Here we go. 341 00:22:06,000 --> 00:22:08,320 You're doing really well, because he's quite difficult. 342 00:22:08,320 --> 00:22:10,480 He's always had a habit of pulling on the teat. 343 00:22:10,480 --> 00:22:11,920 Yeah, he does pull a lot. 344 00:22:11,920 --> 00:22:15,040 Although he's started to eat solids, he still enjoys his milk. 345 00:22:16,400 --> 00:22:18,400 How's that, Charles? Is that nice? 346 00:22:26,520 --> 00:22:28,200 My next stop will be Stockton. 347 00:22:28,200 --> 00:22:31,440 Bradshaw's tells me it's a market town in the county of Durham, 348 00:22:31,440 --> 00:22:36,200 employed in the coal and shipping trade, situated on the River Tees, 349 00:22:36,200 --> 00:22:39,800 and celebrated for the manufacture of rope. 350 00:22:39,800 --> 00:22:45,240 The first bar of the railway line to Darlington was laid here in 1825. 351 00:22:45,240 --> 00:22:50,160 It's also the birthplace of the man who gave us heat and light 352 00:22:50,160 --> 00:22:51,600 at our fingertips. 353 00:22:57,720 --> 00:23:01,560 Stockton has a special place in the heart of all train lovers. 354 00:23:01,560 --> 00:23:06,480 Here ran the world's first public railway to use steam locomotives. 355 00:23:06,480 --> 00:23:11,360 Today, the town proudly commemorates the famed Locomotion No 1 356 00:23:11,360 --> 00:23:14,200 with a modern sculpture that moves on the hour. 357 00:23:15,480 --> 00:23:18,960 The 19th-century town residents were true pioneers, 358 00:23:18,960 --> 00:23:23,400 and when it came to inventions, the railways were about to be matched. 359 00:23:25,760 --> 00:23:29,520 This enormous work of art celebrates the achievement of a 360 00:23:29,520 --> 00:23:32,080 Stockton-on-Tees chemist. 361 00:23:32,080 --> 00:23:34,360 Just a little invention, 362 00:23:34,360 --> 00:23:36,600 but one that simplified our lives, 363 00:23:36,600 --> 00:23:39,920 and helped to fuel the Industrial Revolution. 364 00:23:43,120 --> 00:23:48,200 To find out about that discovery, I need to step back in time to 1895, 365 00:23:48,200 --> 00:23:52,360 in the Victorian street of the Preston Park Museum, 366 00:23:52,360 --> 00:23:56,600 just in time for my appointment with the local chemist. 367 00:23:56,600 --> 00:23:59,600 John Walker was a 45-year-old pharmacist 368 00:23:59,600 --> 00:24:03,000 when he invented the striking match. 369 00:24:03,000 --> 00:24:07,640 His shop stocked products ranging from cosmetics to leeches. 370 00:24:07,640 --> 00:24:11,960 Historical interpreter John Sadler has stepped into Walker's shoes. 371 00:24:13,200 --> 00:24:14,880 Mr John Walker. 372 00:24:14,880 --> 00:24:18,360 Good afternoon. Inventor of the striking match, I believe. 373 00:24:18,360 --> 00:24:23,160 Well, I must confess that I was not intending to create the match. 374 00:24:23,160 --> 00:24:26,680 I was inspired by The Reverend Alexander Forsyth, 375 00:24:26,680 --> 00:24:32,240 and he had invented a new firing mechanism called the percussion cap, 376 00:24:32,240 --> 00:24:35,040 which was an improvement on the flint mechanism, 377 00:24:35,040 --> 00:24:38,200 and all one has to do now is literally pull the trigger. 378 00:24:38,200 --> 00:24:42,040 So that's at half cock, go to full cock... 379 00:24:42,040 --> 00:24:43,800 I feel a bit like Dick Turpin. 380 00:24:45,120 --> 00:24:47,520 Ha! Take that, you blaggard. 381 00:24:47,520 --> 00:24:51,520 So, why was it that that led you to the match? 382 00:24:51,520 --> 00:24:55,000 I was working with a particular compound, which was sulphur-based, 383 00:24:55,000 --> 00:24:58,840 and I had coated the solution onto a stick and then, purely by mischance, 384 00:24:58,840 --> 00:25:02,560 I struck it against the fireplace, and it ignited. 385 00:25:04,200 --> 00:25:06,960 John Walker promptly sold his matches, 386 00:25:06,960 --> 00:25:10,640 and their success spread like wildfire. 387 00:25:10,640 --> 00:25:15,080 Scientist Dr Joe McGuinness and artist Sarah Pickering 388 00:25:15,080 --> 00:25:17,760 are keeping Walker's flame burning. 389 00:25:17,760 --> 00:25:19,760 Sarah, hello, I'm Michael. 390 00:25:19,760 --> 00:25:23,160 Hi, Michael. Now, you have done an art piece, 391 00:25:23,160 --> 00:25:26,120 an artwork around the invention of the match. 392 00:25:26,120 --> 00:25:29,480 That's correct. It's a 38-metre photograph, 393 00:25:29,480 --> 00:25:33,320 a massive enlargement of a John Walker replica match. 394 00:25:33,320 --> 00:25:36,400 The commission that I had was to celebrate something 395 00:25:36,400 --> 00:25:40,560 about the Stockton area. John Walker's invention in 1827 396 00:25:40,560 --> 00:25:43,040 seemed really perfect subject matter for me. 397 00:25:43,040 --> 00:25:46,240 And how did you, as it were, generate a Walker match? 398 00:25:46,240 --> 00:25:49,480 Well, I came to the museum here and did some research. 399 00:25:49,480 --> 00:25:52,480 They provided me with an original recipe, and this is where 400 00:25:52,480 --> 00:25:54,960 Dr Joe McGuinness came in and helped me out. 401 00:25:54,960 --> 00:25:56,320 Joe. Michael. 402 00:25:56,320 --> 00:25:57,520 Very good to see you. 403 00:25:57,520 --> 00:26:00,040 So, a difficult task to remake a Walker match? 404 00:26:00,040 --> 00:26:04,200 Not really. The compounds involved are relatively common. 405 00:26:04,200 --> 00:26:07,920 You need an oxidising agent, which is potassium chlorate. 406 00:26:07,920 --> 00:26:11,440 You can think of that as a bit like concentrated oxygen. 407 00:26:11,440 --> 00:26:16,480 OK. We need a fuel, which is antimony sulphide, 408 00:26:16,480 --> 00:26:19,680 which is not the nicest compound, 409 00:26:19,680 --> 00:26:23,600 but, you know, don't drink it, you'll be OK. 410 00:26:24,720 --> 00:26:27,680 And then we need some plant gum. 411 00:26:27,680 --> 00:26:31,960 That's just gum arabic and that is required to get the match head 412 00:26:31,960 --> 00:26:34,080 to stick together and adhere. 413 00:26:34,080 --> 00:26:36,280 How do we do it, then? The first thing to do is to put a pair 414 00:26:36,280 --> 00:26:38,160 of safety glasses and a lab coat on. 415 00:26:38,160 --> 00:26:40,520 I've got a face shield, if you prefer, 416 00:26:40,520 --> 00:26:43,840 and a pair of gloves will be advisable too. 417 00:26:45,400 --> 00:26:48,360 This is clearly going to be more dangerous than I thought. 418 00:26:48,360 --> 00:26:52,720 The mixture obviously is shock sensitive, so you can't do it in 419 00:26:52,720 --> 00:26:55,120 a mortar and pestle and grind them all up together, 420 00:26:55,120 --> 00:26:56,560 because it might go bang. 421 00:26:57,640 --> 00:27:00,760 Despite hiring people to help him make matches, 422 00:27:00,760 --> 00:27:04,760 John Walker never allowed anyone to do the last part of the process. 423 00:27:04,760 --> 00:27:10,120 Some suspect that it had a special ingredient that he kept secret. 424 00:27:10,120 --> 00:27:11,520 That's fine. 425 00:27:11,520 --> 00:27:15,880 One thing is certain - its result was akin to a miracle. 426 00:27:18,240 --> 00:27:19,960 Let there be light. 427 00:27:28,920 --> 00:27:32,240 The steam engine is the icon of the 19th century, 428 00:27:32,240 --> 00:27:36,440 but other inventions of the period also loom large in our history. 429 00:27:36,440 --> 00:27:40,480 Vulcanised rubber, and the striking match, invented here on the banks of 430 00:27:40,480 --> 00:27:46,160 the Tees, bringing illumination to our homes and fire to our hearts. 431 00:27:46,160 --> 00:27:49,400 But humanity is not just about technology. 432 00:27:49,400 --> 00:27:53,640 Laurence Sterne's character, Uncle Toby, suggested that a concern 433 00:27:53,640 --> 00:27:58,760 for animal life was also a badge of a civilised society. 434 00:28:01,080 --> 00:28:04,560 'Next time, I step through the looking glass...' 435 00:28:04,560 --> 00:28:07,160 Michael, are you all right? 436 00:28:07,160 --> 00:28:09,160 I've gone mad. 437 00:28:09,160 --> 00:28:11,520 '..prove there's no smoke without fire 438 00:28:11,520 --> 00:28:14,280 'when it comes to Northumbrian delicacies...' 439 00:28:14,280 --> 00:28:16,680 Right, quite enough of that, I think. 440 00:28:17,680 --> 00:28:19,200 Bye-bye, kippers. 441 00:28:20,480 --> 00:28:23,640 '..and rock the boat on Scottish waters.' 442 00:28:23,640 --> 00:28:25,080 My thoughts on the coracle - 443 00:28:25,080 --> 00:28:27,920 possibly the most impractical thing I've ever set eyes on. 444 00:28:27,920 --> 00:28:29,360 Whoa!