1 00:00:04,560 --> 00:00:09,600 For Edwardian Britons, a Bradshaw's was an indispensable guide 2 00:00:09,600 --> 00:00:11,600 to a railway network at its peak. 3 00:00:13,880 --> 00:00:17,960 I'm using an early 20th-century edition to navigate 4 00:00:17,960 --> 00:00:21,320 a vibrant and optimistic Britain at the height of its power 5 00:00:21,320 --> 00:00:23,000 and influence in the world. 6 00:00:25,440 --> 00:00:27,160 But a nation wrestling with 7 00:00:27,160 --> 00:00:30,920 political, social and industrial unrest at home. 8 00:00:54,600 --> 00:00:58,160 Trains have brought me from the northern coast of Norfolk 9 00:00:58,160 --> 00:01:01,000 to the Home Counties that border London. 10 00:01:01,000 --> 00:01:06,480 Here, idealists planned modern towns far from the urban sprawl. 11 00:01:06,480 --> 00:01:10,200 Meanwhile, in the metropolis, engineers tunnelled 12 00:01:10,200 --> 00:01:12,360 while, in the streets above, 13 00:01:12,360 --> 00:01:15,840 the proletariat sped along on their bicycles. 14 00:01:15,840 --> 00:01:20,160 The King pursued his fast life at the Ritz Hotel, 15 00:01:20,160 --> 00:01:22,280 and there I will hurry after him. 16 00:01:27,840 --> 00:01:31,280 My journey began in the coastal resort of Cromer, 17 00:01:31,280 --> 00:01:35,720 pointed south via Norwich to the university city of Cambridge. 18 00:01:35,720 --> 00:01:38,360 And now I'm heading for the capital. 19 00:01:38,360 --> 00:01:40,800 I'll wend my way along the South Coast 20 00:01:40,800 --> 00:01:44,640 and cross the Solent to explore Edward VII's childhood 21 00:01:44,640 --> 00:01:46,120 on the Isle of Wight. 22 00:01:46,120 --> 00:01:47,880 Returning to the mainland, 23 00:01:47,880 --> 00:01:50,880 I'll experience a turn-of-the-century seaside resort 24 00:01:50,880 --> 00:01:53,600 and end on Brownsea Island near Poole. 25 00:01:56,120 --> 00:01:59,320 This leg of my trip starts around 30 miles outside London, 26 00:01:59,320 --> 00:02:01,800 in Letchworth Garden City. 27 00:02:01,800 --> 00:02:04,560 I'll be exploring Edwardian London on the Underground, 28 00:02:04,560 --> 00:02:06,120 beginning at Green Park, 29 00:02:06,120 --> 00:02:09,040 stopping at a ground-breaking transport project 30 00:02:09,040 --> 00:02:13,480 and finishing at the home of British track cycling near Brixton. 31 00:02:16,520 --> 00:02:21,960 Along the way, I'll dig deep into the future of the Tube... 32 00:02:21,960 --> 00:02:27,760 Every 45 minutes, we can get another 1.5 metres completed. 33 00:02:27,760 --> 00:02:31,560 ..tip the scales at an historic wine merchant... 34 00:02:31,560 --> 00:02:34,440 I've obviously misjudged you, Michael, because I can see that, 35 00:02:34,440 --> 00:02:37,920 actually, you're a lot lighter than I thought you were, and I apologise. 36 00:02:37,920 --> 00:02:40,880 ..and follow the old political advice to get on my bike, 37 00:02:40,880 --> 00:02:42,440 clad in Lycra. 38 00:02:42,440 --> 00:02:44,240 That was great. 39 00:02:44,240 --> 00:02:45,480 Whoa! 40 00:02:55,960 --> 00:02:59,600 I have here the programme for the official opening 41 00:02:59,600 --> 00:03:04,480 of the Cheap Cottages Exhibition at the Garden City, Letchworth, 42 00:03:04,480 --> 00:03:09,600 opened by the Duke of Devonshire in July 1905, 43 00:03:09,600 --> 00:03:14,680 and sooty city-dwellers could travel from King's Cross, 44 00:03:14,680 --> 00:03:17,920 have their third-class rail fare, their lunch and their conveyance, 45 00:03:17,920 --> 00:03:21,240 their tea and their admission to the exhibition 46 00:03:21,240 --> 00:03:23,800 for seven shillings and sixpence. 47 00:03:23,800 --> 00:03:28,480 All aboard for rural - or at least suburban - utopia. 48 00:03:39,640 --> 00:03:45,000 Arriving in Letchworth, I find an Arts and Crafts-inspired station, 49 00:03:45,000 --> 00:03:49,040 fully in keeping with the ideals of the world's first garden city. 50 00:03:58,320 --> 00:04:02,400 These tranquil streets were part of a radical vision for the future. 51 00:04:04,920 --> 00:04:07,240 I'm meeting town historian, Josh Tidy. 52 00:04:09,800 --> 00:04:12,400 Hello, Josh. I'm Michael. Pleasure to meet you. 53 00:04:12,400 --> 00:04:14,400 I'm very happy to be in Letchworth. 54 00:04:14,400 --> 00:04:17,640 Josh, how does the idea of Letchworth start? 55 00:04:17,640 --> 00:04:21,120 So, Letchworth started with one man, Ebenezer Howard, 56 00:04:21,120 --> 00:04:24,760 and he was a social reformer who sought to solve the problems of the 57 00:04:24,760 --> 00:04:27,760 late Victorian era, chiefly that people were living in 58 00:04:27,760 --> 00:04:29,640 overcrowded towns and squalid conditions, 59 00:04:29,640 --> 00:04:31,000 paying extortionate rents. 60 00:04:31,000 --> 00:04:32,920 How did he sell his idea? 61 00:04:32,920 --> 00:04:35,120 So, he puts all his ideas together in a book, 62 00:04:35,120 --> 00:04:37,760 which was published in 1898, and in it he sets out what 63 00:04:37,760 --> 00:04:40,560 a garden city should be, so it's a combination of the best parts 64 00:04:40,560 --> 00:04:44,360 of town and country, so fresh air and the beauty of nature, 65 00:04:44,360 --> 00:04:48,520 jobs and social opportunities, but without any smoke and smog. 66 00:04:48,520 --> 00:04:52,160 Construction began in Letchworth just five years after 67 00:04:52,160 --> 00:04:53,160 the book's publication. 68 00:04:56,000 --> 00:04:58,640 The new town was to be self-sufficient, 69 00:04:58,640 --> 00:05:02,600 a community within which inhabitants would both live and work. 70 00:05:03,560 --> 00:05:07,160 Two architects were responsible for the look of this utopia - 71 00:05:07,160 --> 00:05:09,920 Raymond Unwin and Barry Parker. 72 00:05:13,040 --> 00:05:16,320 This museum was once the architect's drawing office. 73 00:05:20,600 --> 00:05:24,280 Josh, I'm very struck by the furnishings. 74 00:05:24,280 --> 00:05:26,400 This would be Arts and Crafts, would it? 75 00:05:26,400 --> 00:05:29,360 That's right, so this is Barry Parker's private office 76 00:05:29,360 --> 00:05:32,080 and it's done up, really, to give a prospective client an idea 77 00:05:32,080 --> 00:05:34,680 of the sort of house they might expect if they commissioned him. 78 00:05:34,680 --> 00:05:36,840 And this, then, is the town plan. 79 00:05:36,840 --> 00:05:40,000 That's right, this is one of the development plans that were 80 00:05:40,000 --> 00:05:42,320 published sporadically as the town grew. 81 00:05:42,320 --> 00:05:44,080 This is from 1912. 82 00:05:44,080 --> 00:05:47,400 And what it shows is the current level of development at that point, 83 00:05:47,400 --> 00:05:49,480 set against the original masterplan, 84 00:05:49,480 --> 00:05:52,600 so you can see what's been developed so far is here in orange 85 00:05:52,600 --> 00:05:56,720 and then in white, not built, but still very much part of the plan. 86 00:05:58,200 --> 00:06:01,800 At the heart of the town was the railway station 87 00:06:01,800 --> 00:06:03,440 and, next to that, the town's hub. 88 00:06:05,480 --> 00:06:09,560 Zones for housing and for industry radiated from the centre 89 00:06:09,560 --> 00:06:12,480 and green space was planned throughout. 90 00:06:16,840 --> 00:06:21,760 Does any of this have lessons for us a century later? I think so. 91 00:06:21,760 --> 00:06:25,200 Lots of things that were radical and revolutionary here 92 00:06:25,200 --> 00:06:27,840 have been adopted as standard practice since. 93 00:06:27,840 --> 00:06:30,080 So, this Ebenezer Howard perhaps should be 94 00:06:30,080 --> 00:06:32,600 better remembered than he is? Absolutely. 95 00:06:35,120 --> 00:06:39,240 Howard's garden city ideas have spread around the world 96 00:06:39,240 --> 00:06:42,280 and are still cherished in Letchworth, 97 00:06:42,280 --> 00:06:46,120 especially his belief in the benefits of shared outdoor space, 98 00:06:46,120 --> 00:06:49,360 which is apparently wholeheartedly embraced. 99 00:06:49,360 --> 00:06:51,320 Hello, gardeners. Hello! 100 00:06:51,320 --> 00:06:54,440 Good morning, Michael! Do not despair, help is at hand. 101 00:06:54,440 --> 00:06:59,120 Please come and join us. What are we planting? Red cabbage. Red cabbage? 102 00:06:59,120 --> 00:07:03,120 We have quite a mixture of crops which are rotated around the beds. 103 00:07:03,120 --> 00:07:06,000 We have quite a big group of volunteers that 104 00:07:06,000 --> 00:07:09,640 come on a rota basis and do watering and weeding. 105 00:07:09,640 --> 00:07:12,280 So, I expect Letchworth to be quite a community-minded place. 106 00:07:12,280 --> 00:07:13,920 Is it, in fact? 107 00:07:13,920 --> 00:07:15,640 Very much so, yes. 108 00:07:15,640 --> 00:07:19,680 For me, it encompasses the best of the town and country. 109 00:07:19,680 --> 00:07:22,480 Denise, does your family go back a long way in Letchworth? 110 00:07:22,480 --> 00:07:24,760 Indeed, in fact, my great-grandfather came down 111 00:07:24,760 --> 00:07:27,560 from Hull and he was a great friend of Ebenezer Howard 112 00:07:27,560 --> 00:07:29,200 and Ebenezer Howard would go and stay, 113 00:07:29,200 --> 00:07:32,000 so they used to have great discussions about the garden city. 114 00:07:32,000 --> 00:07:34,280 Now, Jani, you're of a different generation. 115 00:07:34,280 --> 00:07:36,480 30 minutes away by train are the bright lights 116 00:07:36,480 --> 00:07:37,800 of the West End of London. 117 00:07:37,800 --> 00:07:40,280 Are you not tempted to go and live there? 118 00:07:40,280 --> 00:07:44,840 Hmm... It may seem nice, but it's a lot different to Letchworth, 119 00:07:44,840 --> 00:07:49,080 a lot busier, more pollution, and I prefer it here, actually. 120 00:07:49,080 --> 00:07:53,840 You all seem very keen and loyal citizens, would that be right? 121 00:07:53,840 --> 00:07:55,920 Absolutely. 122 00:07:55,920 --> 00:08:00,280 We do actually have the feeling as though we all own Letchworth, 123 00:08:00,280 --> 00:08:03,920 that was really Ebenezer Howard's idea, was that the people 124 00:08:03,920 --> 00:08:06,720 should feel that it was their city. And you do feel that? 125 00:08:06,720 --> 00:08:08,600 And I do feel that, definitely, yes. 126 00:08:08,600 --> 00:08:12,240 My dear Letchworthians, my job is done here. Thank you so much. 127 00:08:12,240 --> 00:08:14,200 Bye-bye now. Thank you. Bye-bye. Safe journey. 128 00:08:32,560 --> 00:08:37,240 Welcome aboard this service to London King's Cross. 129 00:08:49,200 --> 00:08:51,240 In Irving Berlin's song, 130 00:08:51,240 --> 00:08:54,680 "putting on the ritz" meant getting on your gladrags, 131 00:08:54,680 --> 00:08:57,360 getting all togged up. 132 00:08:57,360 --> 00:09:00,000 A gossip column from 1907 tells me that 133 00:09:00,000 --> 00:09:04,040 "a married women's ball is the latest to social sensation. 134 00:09:04,040 --> 00:09:08,120 "Lady Colebrooke and Mrs George Keppel, the twin hostesses, 135 00:09:08,120 --> 00:09:13,040 "chose the Ritz Hotel as their scene of operations. 136 00:09:13,040 --> 00:09:17,680 "It would be interesting to know whether bachelors were excluded." 137 00:09:17,680 --> 00:09:19,760 Or, indeed, a married monarch. 138 00:09:42,640 --> 00:09:45,480 The next station is London King's Cross. 139 00:10:05,120 --> 00:10:06,960 I'm heading underground. 140 00:10:50,080 --> 00:10:53,880 Originally known as Dover Street, Green Park station 141 00:10:53,880 --> 00:10:59,280 opened in 1906, in the same year as one of London's best-known hotels. 142 00:11:05,920 --> 00:11:07,920 Very good to see you. Thank you very much. 143 00:11:29,080 --> 00:11:33,600 Hello. A very warm welcome back to The Ritz London, Mr Portillo. 144 00:11:33,600 --> 00:11:36,720 That's so kind of you. Michael, how long have you been here? 145 00:11:36,720 --> 00:11:43,400 Almost 44 years. Started here as a pageboy on the 30th of July 1973. 146 00:11:43,400 --> 00:11:45,920 What celebrities that you're allowed to mention can you 147 00:11:45,920 --> 00:11:49,400 tell me about? I've met you many, many times, Mr Portillo. 148 00:11:49,400 --> 00:11:54,160 You know, in the Ritz, we are very discreet. We have to be. 149 00:11:54,160 --> 00:11:57,440 With the lips of the concierge firmly sealed... 150 00:11:57,440 --> 00:12:00,000 David. Hello, Michael, how great to see you. 151 00:12:00,000 --> 00:12:01,560 ..I'm hoping to find out more 152 00:12:01,560 --> 00:12:05,040 from architectural historian David Watkin. 153 00:12:05,040 --> 00:12:08,160 David, here we are, meeting in the splendour of the Ritz. 154 00:12:08,160 --> 00:12:12,760 Why is it that we feel it to be so grand and so welcoming? 155 00:12:12,760 --> 00:12:16,800 Well, it is grand, partly because of the height of it, which is 156 00:12:16,800 --> 00:12:19,640 quite imposing and unusual. 157 00:12:19,640 --> 00:12:22,520 And then it's full of the most beautiful details 158 00:12:22,520 --> 00:12:26,360 of French 17th and 18th-century grandeur. 159 00:12:26,360 --> 00:12:28,800 The whole thing is so exciting architecturally, 160 00:12:28,800 --> 00:12:33,160 to have a promenade like this, so long and so high, 161 00:12:33,160 --> 00:12:37,000 and going from one end to the other of an enormous building. 162 00:12:40,080 --> 00:12:44,640 Swiss hotelier Cesar Ritz is credited with creating 163 00:12:44,640 --> 00:12:47,080 the concept of the modern luxury hotel. 164 00:12:49,520 --> 00:12:53,160 He pioneered ensuite bathrooms throughout and the kind 165 00:12:53,160 --> 00:12:56,960 of perfectionism that we now associate with top establishments. 166 00:13:00,280 --> 00:13:02,720 So what is it that makes this room so French, David? 167 00:13:02,720 --> 00:13:05,360 We have these great mirrored walls, 168 00:13:05,360 --> 00:13:08,600 which come from the Galerie des Glaces at Versailles 169 00:13:08,600 --> 00:13:12,280 and the sculpture behind us, again, could be found 170 00:13:12,280 --> 00:13:16,040 anywhere in the grounds of Versailles cos of Louis XIV. 171 00:13:16,040 --> 00:13:18,560 Had London had hotels like this before? 172 00:13:18,560 --> 00:13:21,560 It had nothing on this scale or quality. 173 00:13:21,560 --> 00:13:24,480 They were beginning to come in in the 1890s, 174 00:13:24,480 --> 00:13:27,640 but it was pretty rare to have anything like this. 175 00:13:29,320 --> 00:13:32,000 When the hotel opened in 1906, 176 00:13:32,000 --> 00:13:35,840 it became an instant favourite of the King. 177 00:13:35,840 --> 00:13:39,520 He came here to pursue his passions for food and wine, 178 00:13:39,520 --> 00:13:41,840 and to enjoy the company of women, 179 00:13:41,840 --> 00:13:44,720 in particular of his mistress, Alice Keppel. 180 00:13:46,520 --> 00:13:49,400 Do you think that part of Edward VII's relationship with 181 00:13:49,400 --> 00:13:52,800 Mrs Keppel was played out here in public, lunch, dinner? 182 00:13:52,800 --> 00:13:55,960 I think they did, yes, which was pretty unusual. 183 00:13:55,960 --> 00:13:59,200 That's one of the reasons why hotels hadn't, I think, 184 00:13:59,200 --> 00:14:02,880 been very successful before in England, because it was 185 00:14:02,880 --> 00:14:07,240 thought very bad to see women, certainly alone, in a restaurant. 186 00:14:07,240 --> 00:14:08,400 Was The Ritz, then, 187 00:14:08,400 --> 00:14:12,720 a bit of a pioneer in allowing women to come on their own? 188 00:14:12,720 --> 00:14:17,000 Yes, I think because it was a pioneering hotel. Splendid. 189 00:14:28,640 --> 00:14:31,680 Sadly, I won't be staying at The Ritz tonight, but will take 190 00:14:31,680 --> 00:14:35,680 advantage of being in my home city and sleep in my own bed. 191 00:14:38,320 --> 00:14:41,040 But before I leave the St James's area, 192 00:14:41,040 --> 00:14:44,040 I'm curious to visit another historic establishment. 193 00:14:47,080 --> 00:14:49,680 Welcome to Berry Bros & Rudd. Ronnie. 194 00:14:49,680 --> 00:14:52,800 with the sloping floor and the wood panelling, 195 00:14:52,800 --> 00:14:54,480 it's a wonderful old institution. 196 00:14:54,480 --> 00:14:55,960 How far back does it go? 197 00:14:55,960 --> 00:15:00,360 It started in 1698 by somebody called the Widow Bourne, 198 00:15:00,360 --> 00:15:04,400 and it became a retail store for coffee and spices. 199 00:15:04,400 --> 00:15:07,040 It's still a retail store, but instead of coffee, 200 00:15:07,040 --> 00:15:09,680 we now sell wines. And spirits, of course. 201 00:15:09,680 --> 00:15:11,920 And, Ronnie, I notice you've got a contraption here 202 00:15:11,920 --> 00:15:14,360 for weighing people. Is that because you're afraid that 203 00:15:14,360 --> 00:15:16,280 they'll go through your old floorboards? 204 00:15:16,280 --> 00:15:17,800 LAUGHTER 205 00:15:17,800 --> 00:15:20,280 This originated as the coffee scales. 206 00:15:20,280 --> 00:15:24,040 Up until about 1760, that was, because in about 1760, 207 00:15:24,040 --> 00:15:26,120 people became much more health-conscious and they 208 00:15:26,120 --> 00:15:29,880 wanted to be weighed, so we started weighing our customers as part of 209 00:15:29,880 --> 00:15:33,440 the service that we would offer when they purchased a bottle of wine. 210 00:15:33,440 --> 00:15:36,560 So, if you like, you can actually experience this, 211 00:15:36,560 --> 00:15:42,040 and be very careful because it does move and swing as any balance would. 212 00:15:42,040 --> 00:15:44,920 Now, I've obviously misjudged you, Michael, because I can see 213 00:15:44,920 --> 00:15:47,440 that, actually, you're a lot lighter than I thought you were 214 00:15:47,440 --> 00:15:48,880 and I apologise. 215 00:15:48,880 --> 00:15:52,120 So I'm going to remove one of these weights in the hopes that 216 00:15:52,120 --> 00:15:57,280 that balances you out, which I think it does. 217 00:15:57,280 --> 00:15:59,360 Yes! 218 00:15:59,360 --> 00:16:03,440 In its 300-year history, this company has served many a VIP. 219 00:16:05,560 --> 00:16:08,720 It gained its first Royal Warrant in 1903 220 00:16:08,720 --> 00:16:11,880 when it created a unique tipple for King Edward. 221 00:16:13,960 --> 00:16:17,320 Ronnie, I think the clue must be in the name - The King's Ginger. 222 00:16:17,320 --> 00:16:20,120 This product was invented for King Edward VII. 223 00:16:20,120 --> 00:16:22,960 He had a passion for cars. 224 00:16:22,960 --> 00:16:24,840 He was the first European monarch 225 00:16:24,840 --> 00:16:27,240 ever to drive the horseless carriage. 226 00:16:27,240 --> 00:16:28,680 Usually the early motor cars, 227 00:16:28,680 --> 00:16:31,400 they had no canopy on the top and the wind-chill factor was 228 00:16:31,400 --> 00:16:34,360 affecting him to such a degree that his physician came to us 229 00:16:34,360 --> 00:16:38,200 and said, "We need something to revivify His Royal Highness. 230 00:16:38,200 --> 00:16:40,040 "Have you got something?" 231 00:16:40,040 --> 00:16:42,680 So this is the result - The King's Ginger liqueur. 232 00:16:42,680 --> 00:16:45,120 It's a very edifying drink. 233 00:16:45,120 --> 00:16:49,200 Soft on the palate, uplifting at the same time and very warming. 234 00:16:49,200 --> 00:16:50,600 So, your health. 235 00:16:54,280 --> 00:16:55,600 Ooh! 236 00:16:55,600 --> 00:16:57,560 I don't know about revivified, 237 00:16:57,560 --> 00:16:59,760 I think I shall sleep pretty well after that! 238 00:16:59,760 --> 00:17:00,800 LAUGHTER 239 00:17:00,800 --> 00:17:03,200 I'm sure you will, Michael. I hope you will. 240 00:17:16,400 --> 00:17:19,040 This morning, I'm returning to the Underground. 241 00:17:22,920 --> 00:17:27,800 My next stop is Vauxhall station, south of the River Thames. 242 00:17:27,800 --> 00:17:30,920 To my surprise, my Bradshaw's 1907 243 00:17:30,920 --> 00:17:33,560 lists the City and South London Railway 244 00:17:33,560 --> 00:17:36,520 running from Angel through Bank to Clapham. 245 00:17:36,520 --> 00:17:39,760 Londoners will recognise that as the Northern Line, 246 00:17:39,760 --> 00:17:41,400 so, since Edwardian times, 247 00:17:41,400 --> 00:17:45,600 there have been electrified railways running deep underground in 248 00:17:45,600 --> 00:17:47,120 round tunnels, and since then 249 00:17:47,120 --> 00:17:49,480 they've been threaded throughout the capital 250 00:17:49,480 --> 00:17:52,720 and I don't think the process of construction has finished yet. 251 00:17:56,920 --> 00:18:03,160 1.37 billion journeys are made on London's Underground every year. 252 00:18:03,160 --> 00:18:08,200 Today, it has 250 miles of track and 270 stations. 253 00:18:10,360 --> 00:18:14,280 And as the rapid development of London continues above ground, 254 00:18:14,280 --> 00:18:16,520 the network below is responding. 255 00:18:19,000 --> 00:18:24,080 The Northern Line is London's oldest deep-level tube line, which today 256 00:18:24,080 --> 00:18:30,240 is being extended and I'm meeting Sam Mullins of Transport For London. 257 00:18:30,240 --> 00:18:32,600 Sam. What a sight. 258 00:18:32,600 --> 00:18:36,160 We're standing in front of the hive of activity that's creating 259 00:18:36,160 --> 00:18:40,080 a new station box for the Northern Line extension to 260 00:18:40,080 --> 00:18:41,560 Battersea Power Station. 261 00:18:41,560 --> 00:18:45,600 With 20,000 homes in this area, the new American Embassy 262 00:18:45,600 --> 00:18:47,720 and everything else that goes with it, 263 00:18:47,720 --> 00:18:51,080 a new quarter for London enabled and shaped by the railway. 264 00:18:51,080 --> 00:18:54,320 In the 1860s, London built cut and cover railways 265 00:18:54,320 --> 00:18:57,960 quite close to the surface - the Metropolitan Line for example. 266 00:18:57,960 --> 00:19:01,640 When do we first get the deep-bored ones in the little round tunnels? 267 00:19:01,640 --> 00:19:04,480 Well, the building of the cut and cover railways 268 00:19:04,480 --> 00:19:06,920 in the 1860s was incredibly disruptive, 269 00:19:06,920 --> 00:19:09,960 but by later in the 19th century, there are new technologies 270 00:19:09,960 --> 00:19:13,200 available, which enable tube railways to happen. 271 00:19:13,200 --> 00:19:15,960 You've got lifts, you've got electric traction 272 00:19:15,960 --> 00:19:19,320 and safe tunnelling technology, which enabled you to take 273 00:19:19,320 --> 00:19:21,120 the railway deep beneath the streets. 274 00:19:21,120 --> 00:19:24,320 A massive expansion of the railway capacity of London 275 00:19:24,320 --> 00:19:26,600 in quite a short period of time. 276 00:19:26,600 --> 00:19:28,880 What impact does it have on Edwardian Britain? 277 00:19:28,880 --> 00:19:31,360 I think it's remarkable that Edwardian London 278 00:19:31,360 --> 00:19:33,760 kind of acquires all the characteristics of what 279 00:19:33,760 --> 00:19:36,800 we would think of as a modern metro, a network of tube lines, 280 00:19:36,800 --> 00:19:39,040 all common ownership, common ticketing, 281 00:19:39,040 --> 00:19:41,240 there's a map that helps you get around it, 282 00:19:41,240 --> 00:19:44,280 predictable timetables, before the First World War, 283 00:19:44,280 --> 00:19:46,200 which always strikes me as a generation 284 00:19:46,200 --> 00:19:47,960 earlier than you would expect. 285 00:19:47,960 --> 00:19:50,440 And that, really, is the making of our metropolis, 286 00:19:50,440 --> 00:19:53,480 and the metropolis is so influential in the making of Britain. 287 00:19:53,480 --> 00:19:56,240 Well, it shapes London. We go on, of course, 288 00:19:56,240 --> 00:20:00,000 in the '20s and the '30s to see the extension of the Northern Line, 289 00:20:00,000 --> 00:20:01,760 extension of the Piccadilly Line, 290 00:20:01,760 --> 00:20:05,000 to create huge suburbs well outside the old bounds of London. 291 00:20:07,720 --> 00:20:11,560 The ambition to connect new areas for Londoners is the same 292 00:20:11,560 --> 00:20:15,800 today as it was a century ago and modern technology offers 293 00:20:15,800 --> 00:20:18,200 engineers some powerful tools for the job. 294 00:20:27,360 --> 00:20:29,400 I'm meeting Jonathan Cooper, 295 00:20:29,400 --> 00:20:33,000 project manager for this multi-million pound undertaking. 296 00:20:34,280 --> 00:20:36,800 Jonathan, with all the noise just shortly ahead of us here, 297 00:20:36,800 --> 00:20:39,360 it looks like we've reached the business end of your tunnel. 298 00:20:39,360 --> 00:20:42,000 What's going on ahead of us? So, what you can see here is the 299 00:20:42,000 --> 00:20:44,840 back end of the tunnel-boring machine, so the total length 300 00:20:44,840 --> 00:20:48,320 is 100 metres in all, so 100 metres from what you see here is 301 00:20:48,320 --> 00:20:51,360 where you have the cutterhead pushing into the London clay. 302 00:20:52,600 --> 00:20:56,520 Now, as your machine goes along, it's placing these 303 00:20:56,520 --> 00:20:59,480 pieces of concrete against the tunnel wall, is that right? 304 00:20:59,480 --> 00:21:02,920 Yeah, that's correct, so we excavate a 6m diameter hole 305 00:21:02,920 --> 00:21:05,640 and then we build a slightly smaller tunnel within that 306 00:21:05,640 --> 00:21:08,080 and the ground is immediately supported by a shield 307 00:21:08,080 --> 00:21:11,560 and that prevents the ground above settling, so we've obviously got a 308 00:21:11,560 --> 00:21:13,240 lot of buildings above us 309 00:21:13,240 --> 00:21:15,120 and we want to make sure they don't get damaged. 310 00:21:15,120 --> 00:21:17,520 How fast will you progress when you're running at your fastest? 311 00:21:17,520 --> 00:21:20,800 It takes about 20 to 25 minutes to actually excavate the ground 312 00:21:20,800 --> 00:21:23,640 and then 10 to 15 minutes to actually build the ring, 313 00:21:23,640 --> 00:21:26,480 and then we can start up again, so every 45 minutes, 314 00:21:26,480 --> 00:21:29,440 we can get another 1.5 metres completed. 315 00:21:29,440 --> 00:21:31,760 Tremendous rate of progress. 316 00:21:31,760 --> 00:21:33,080 You seem very enthusiastic 317 00:21:33,080 --> 00:21:35,200 and rather young to be a project manager. 318 00:21:35,200 --> 00:21:37,400 What made you interested in tunnelling? 319 00:21:37,400 --> 00:21:40,600 My parents took me to the Channel Tunnel Rail Exhibition 320 00:21:40,600 --> 00:21:43,560 when I was a small boy and it was there which I first saw 321 00:21:43,560 --> 00:21:46,600 a tunnel-boring machine and that really got me inspired to 322 00:21:46,600 --> 00:21:50,200 go into engineering and I'm really fortunate today to be involved 323 00:21:50,200 --> 00:21:53,280 in a sort of once-in-a-generation project to benefit Londoners. 324 00:21:53,280 --> 00:21:54,280 Hear, hear! 325 00:22:04,080 --> 00:22:05,960 For the final leg of today's journey, 326 00:22:05,960 --> 00:22:09,080 I'm taking the Victoria Line further south to Brixton. 327 00:22:13,400 --> 00:22:17,960 I'm hoping to get the wind in my hair on a hugely popular mode 328 00:22:17,960 --> 00:22:22,440 of transport that took hold at the turn of the 20th century. 329 00:22:25,160 --> 00:22:29,960 The Standard newspaper, dated April the 22nd 1905, 330 00:22:29,960 --> 00:22:33,120 tells me that the Southern Counties Cycling Union 331 00:22:33,120 --> 00:22:36,160 held its annual race meeting yesterday, 332 00:22:36,160 --> 00:22:40,080 which was Good Friday, in the presence of 7,000 spectators 333 00:22:40,080 --> 00:22:42,400 at the London County Grounds, Herne Hill. 334 00:22:43,920 --> 00:22:46,920 7,000 is a very large crowd, 335 00:22:46,920 --> 00:22:50,920 particularly given that the bike was quite a recent invention. 336 00:22:50,920 --> 00:22:55,680 I had no idea that the sport was that popular century ago. 337 00:22:55,680 --> 00:22:58,120 But then again, these things are cyclical. 338 00:23:05,000 --> 00:23:08,880 The Herne Hill Velodrome is considered the honorary home 339 00:23:08,880 --> 00:23:11,480 of track cycling in the United Kingdom. 340 00:23:13,120 --> 00:23:16,560 It's one of the oldest and arguably the best hidden, 341 00:23:16,560 --> 00:23:19,400 reached from a quiet, leafy street in South London. 342 00:23:24,280 --> 00:23:26,920 I'm meeting expert cyclist Peter Cattermole. 343 00:23:28,640 --> 00:23:31,720 Peter, I had no idea about Herne Hill Velodrome and here it is, 344 00:23:31,720 --> 00:23:33,600 hidden amongst suburban housing. 345 00:23:33,600 --> 00:23:35,080 How long has it been here? 346 00:23:35,080 --> 00:23:39,240 It's been here since 1891, so 125 years or so, 347 00:23:39,240 --> 00:23:42,800 but it was here before the housing so it was basically farmland. 348 00:23:42,800 --> 00:23:45,600 Did it have this impressive - and I must say, rather intimidating - 349 00:23:45,600 --> 00:23:46,960 banking from the beginning? 350 00:23:46,960 --> 00:23:49,720 The banking was a bit shallower, maybe half of what it is now, 351 00:23:49,720 --> 00:23:51,680 but then the surface was made of wood back then. 352 00:23:51,680 --> 00:23:54,080 I was reading a press cutting from 1905. 353 00:23:54,080 --> 00:23:56,360 It talks about 7,000 spectators. 354 00:23:56,360 --> 00:23:58,440 Where would you have put them? 355 00:23:58,440 --> 00:24:01,880 It's 500 metres round, so if you imagine the crowd 356 00:24:01,880 --> 00:24:04,520 two, three, four deep, that would be about right. 357 00:24:04,520 --> 00:24:08,360 I think the highest crowd they've had in here is 15,000 in the 1950s. 358 00:24:08,360 --> 00:24:12,200 The cutting from 1905 talks about a meeting on Good Friday. 359 00:24:12,200 --> 00:24:14,520 Was that a custom? Yes, and it still runs today. 360 00:24:14,520 --> 00:24:17,320 Why do you think there was such passion in the Edwardian era, 361 00:24:17,320 --> 00:24:19,320 both amongst cyclists and spectators? 362 00:24:19,320 --> 00:24:22,520 I think it was human endeavour, so someone under their own power, 363 00:24:22,520 --> 00:24:24,480 under human power, being able to go fast. 364 00:24:25,960 --> 00:24:28,880 As the 19th turned into the 20th century, 365 00:24:28,880 --> 00:24:33,880 a boom in cycling saw velodromes opening across the city. 366 00:24:33,880 --> 00:24:36,520 By the First World War, most of them had shut 367 00:24:36,520 --> 00:24:38,440 and today there are just two. 368 00:24:38,440 --> 00:24:42,480 The 2012 Olympic Velodrome and this one at Herne Hill. 369 00:24:43,880 --> 00:24:48,200 How can people who train here on this old-fashioned track 370 00:24:48,200 --> 00:24:50,480 hope to compete with others who are training 371 00:24:50,480 --> 00:24:52,640 on more modern, high-performance tracks? 372 00:24:52,640 --> 00:24:55,480 One of the methods is, in fact, we've almost gone back to the past. 373 00:24:55,480 --> 00:24:56,920 Where they used to be paced by tandems, 374 00:24:56,920 --> 00:24:59,760 we now use a small motorbike called a derny to paste them. 375 00:24:59,760 --> 00:25:01,200 And what do the cyclists do? 376 00:25:01,200 --> 00:25:04,640 They sit behind in the slipstream and so it enables them 377 00:25:04,640 --> 00:25:07,440 to ride faster than they would if they were pushing the wind 378 00:25:07,440 --> 00:25:10,080 themselves and they can do 40, 50, 60mph 379 00:25:10,080 --> 00:25:11,320 behind one of these bikes. 380 00:25:13,560 --> 00:25:17,840 Cycling superstars such as Bradley Wiggins, Chris Hoy 381 00:25:17,840 --> 00:25:21,720 and Laura Trott have all cycled here. 382 00:25:21,720 --> 00:25:25,120 Now to add my name to that illustrious list. 383 00:25:25,120 --> 00:25:28,800 I'm getting some tips from coach Joseph Alberti. 384 00:25:28,800 --> 00:25:31,920 Hello, Joseph. Welcome to Herne Hill. It's a great privilege. 385 00:25:31,920 --> 00:25:33,120 This is your bike. Uh-huh. 386 00:25:33,120 --> 00:25:35,320 The best way to climb on the bike would be to hold it 387 00:25:35,320 --> 00:25:38,560 with your left and have your right hand over here so you can climb 388 00:25:38,560 --> 00:25:41,960 easily over the saddle, then I'll help you strap in. Thank you. 389 00:25:41,960 --> 00:25:44,640 You have probably noticed there are no brakes. Ah! 390 00:25:44,640 --> 00:25:47,600 Fixed-gear bicycle, so no brakes, no gears. 391 00:25:47,600 --> 00:25:50,120 All we're doing is controlling our bike with our legs, 392 00:25:50,120 --> 00:25:51,960 that's why we need to be strapped in. 393 00:25:51,960 --> 00:25:55,840 You need to use your legs to go fast and you use your legs to go slow, 394 00:25:55,840 --> 00:25:57,840 so to start, you will need the right hand 395 00:25:57,840 --> 00:25:59,600 to give yourself a little momentum. 396 00:25:59,600 --> 00:26:02,040 You need your gaze to go and look forward 397 00:26:02,040 --> 00:26:04,000 so the bike will ride in a straight line. 398 00:26:04,000 --> 00:26:06,560 When you want to stop, using your legs to slow down, 399 00:26:06,560 --> 00:26:08,200 you've got a whole fence here 400 00:26:08,200 --> 00:26:11,280 and when you're walking, basically just grab it with your right hand. 401 00:26:11,280 --> 00:26:13,720 That is your first stage of the Olympic dream. 402 00:26:13,720 --> 00:26:16,880 OK, no gears, no brakes, no experience. What could go wrong? 403 00:26:16,880 --> 00:26:18,240 Well, we'll soon find out! 404 00:26:56,120 --> 00:26:59,000 Very good. Ahh... 405 00:26:59,000 --> 00:27:02,600 Well, I enjoyed that. Very good. Congratulations. Well done. 406 00:27:02,600 --> 00:27:04,680 That was great. 407 00:27:04,680 --> 00:27:05,640 Whoa! 408 00:27:07,160 --> 00:27:08,480 LAUGHTER 409 00:27:14,440 --> 00:27:19,520 The social reformer Ebenezer Howard conceived garden cities outside the 410 00:27:19,520 --> 00:27:25,040 metropolis where people could escape from overcrowding and foul air. 411 00:27:25,040 --> 00:27:28,240 But improvements during the Edwardian era gave us 412 00:27:28,240 --> 00:27:31,480 some of the distinctive features of London today - 413 00:27:31,480 --> 00:27:34,760 a network of underground electric railways 414 00:27:34,760 --> 00:27:38,960 and hotels so stylish that they were fit for a king. 415 00:27:38,960 --> 00:27:41,240 Pollution is still a problem today, 416 00:27:41,240 --> 00:27:45,480 but I'm more likely to do my bit by riding the new Northern Line 417 00:27:45,480 --> 00:27:47,320 than by jumping on my bike. 418 00:27:52,200 --> 00:27:55,360 Next time, I spruce up some rolling stock... 419 00:27:55,360 --> 00:27:59,120 We're going to clean this Class 700, are we? We are indeed. Very good. 420 00:27:59,120 --> 00:28:01,760 What are your tips? Try and stay dry. 421 00:28:01,760 --> 00:28:05,200 ..encounter a progressive group whose private lives would have 422 00:28:05,200 --> 00:28:06,560 scandalised Edwardians... 423 00:28:06,560 --> 00:28:09,280 They were living in still very restrictive times and they couldn't 424 00:28:09,280 --> 00:28:12,440 be publicly open about their sexuality or their relationships. 425 00:28:12,440 --> 00:28:15,360 ..and go up-tiddly-up in my flying machine. 426 00:28:16,760 --> 00:28:18,040 We are away!