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For Edwardian Britons,

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a Bradshaw's was
an indispensable guide

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to a railway network at its peak.

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I'm using an early 20th-century
edition to navigate

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a vibrant and optimistic Britain

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at the height of its power
and influence in the world...

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..but a nation wrestling with
political, social and industrial

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unrest at home.

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My journey through south-west
England will continue

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the length of the peninsula
that links Bristol with Land's End.

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On this part of the journey,

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I'll rake over the art and craft
of gardening,

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find out how folk danced and sang

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while barons of commerce
built castles,

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and discover for whom
the bells tolled in Exeter

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after Queen Victoria had died.

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I began in Wales,

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where I took in the cities
of Swansea and Cardiff,

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en route to the Severn Estuary
and the English border.

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I admired Edwardian ingenuity
in Bristol.

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And now, as I head deeper
into the West Country,

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I shall cross pastures and gardens

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on my way to England's
south-westerly tip.

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Today's journey starts in
the Somerset town of Taunton,

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and heads to Exeter in Devon.

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From there, I'll skirt the coast,
before finishing in Newton Abbot,

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destined for Dartmoor,

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where my journey's end
is rewarded with a regal feast.

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On this trip, I discover how
Edwardian gardens came into bloom.

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They're old-fashioned roses.

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Their scent is really powerful.

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Yes, wonderful fragrance.

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Learn how new bells pealed
to herald the incoming monarch.

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Isn't that lovely?

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And I'm led a merry dance
in the name of fertility.

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BELLS JINGLE

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From about 1880,

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Britain and North America were
gripped by an aesthetic movement.

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Reacting against urbanisation
and industrialisation,

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Arts and Crafts
architects and designers

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were inspired by nature
and by traditional craftsmanship

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and by the simplicities
of yesteryear.

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Their impact was felt
not only within buildings,

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but extended to their gardens too.

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My first stop is Taunton Station,
which opened in July 1842

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as the terminus of the
Bristol and Exeter Railway.

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I ventured three miles north,

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destined for the Grade I listed
estate of Hestercombe.

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From this balcony,
beyond this balustrade,

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is the Edwardian garden, which has
been done with a touch of genius.

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This much celebrated
early 20th-century garden

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is managed by head gardener
Claire Greenslade.

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Hi, there. Claire, hello.

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This is heavenly.

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Who created this Edwardian garden?

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So, Gertrude Jekyll is responsible
for the planting plan.

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All the hard landscaping
is by architect Edwin Lutyens.

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Were they exact contemporaries,
Lutyens and Jekyll?

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No. She's quite a lot older
than him.

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He was young and new into the scene,
if you like.

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She was quite established, so it
was quite an unusual partnership.

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Now, she in particular, I think,
was supposedly much influenced

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by the Arts and Craft movement.

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How do we see it in her work?

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She was primarily an artist.

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As she got older, her eyesight
began to degenerate.

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She basically needed
a bigger canvas.

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And that's where the gardening
comes into it.

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When you look at her planting, it's
almost in painterly brush strokes.

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It's almost like watercolour,
the colours bleed into one another.

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It was the Portman family
who called on the expertise

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of the architect Sir Edwin Lutyens,

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and horticulturalist
Gertrude Jekyll,

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to create new gardens here in 1904.

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The family had made its fortune

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through land and estates
in central London.

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Planted over four years,

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the gardens that they commissioned
created horticultural fashion.

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Pre all of this, Victorian bedding
schemes were the thing,

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so it's all exotics and annuals and
very geometric and very laid out.

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This was very loose and informal,
and much softer.

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It would have been radical.

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We all garden like this now,

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but it would have been really
strange to put shrubs, roses,

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grasses, annuals, herbaceous
all together.

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What did the young Edwin Lutyens
bring to the party?

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I think his sense of geometry
and placing and space

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so, whereas his part of this garden
is very formal,

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hers softens it and flows over it.

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I always describe it like she's
thrown a blanket of flowers

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over his landscaping.

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The influential double-act
collaborated on over 300 gardens,

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and first met
when Jekyll employed Lutyens

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to design her own Surrey home.

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Their 26-year age difference was no
barrier to the long and successful

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working relationship that developed.

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Featuring a sunken parterre,
a water garden,

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and a large pergola,

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Hestercombe is considered to be
one of their finest projects,

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embodying a style that has come to
define the English country garden.

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Claire, apart from
the swishes of colour,

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it's also the fragrances,
and the sounds of birdsong,

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and the many fountains, all part
of the design, I suppose?

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Yeah, I think so.

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I think having a sunken garden,
as well, helps trap scent,

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helps trap sound as well,
so it's quite an overall...

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All your senses are evoked.

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And were the gardens always in this
lovely state of preservation?

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No, they have been restored
over time.

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We were lucky enough to find
Jekyll's original planting plans

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in a potting shed.

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So, as far as possible,

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everything that you see here
is what was on her planting plan.

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Set within 50 acres,

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the grounds at Hestercombe contain
gardens from three different eras,

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including Georgian
and Victorian designs,

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sitting alongside the masterpiece
by Jekyll and Lutyens.

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They all need care and attention.

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I've got some roses to deadhead.

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The idea is, the more you deadhead,

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the more the rose
will keep re-flowering.

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What you don't want with a plant
is for it to go to seed.

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So, when you're looking
to deadhead,

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you need to be following
the stem down,

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and looking for the next leaf,
or to the next bud.

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So with this one, there's nothing
much going on until here.

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And then that goes in the bucket.

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These roses, are they special?
Are they a Jekyll signature as well?

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Yes. All the roses that we use in
here are ones that she's suggested,

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thank you, and has in her plans.

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So this one is called
Caroline Testout.

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And they're old-fashioned roses,

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so they don't have the
modern disease resistance

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in their rootstock, so they're
prone to lots of blackspot.

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We have to look after them
quite a lot.

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But on the other hand,
they have the scent.

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The scent's really powerful in the
old roses. Yes, wonderful fragrance.

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Claire, what is it that's special
about Hestercombe, do you think?

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I think having three eras
of garden design in one place,

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and the fact that this
Edwardian garden,

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we have planted it as it was
planted, as the plans said.

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So it is really like
stepping back in time.

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And an extraordinary example
of Lutyens and Jekyll together?

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Yeah, definitely.
Claire, thank you so much. Pleasure.

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Leaving behind
the fragrant landscaping,

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I'm making my way seven miles east

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to rejoin the railway
at Bishops Lydeard.

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This station lies on the longest
heritage line in England,

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the West Somerset Railway.

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I'm headed for the magnificently
named Stogumber,

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which, at the time
of my Bradshaw's guide,

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was part of the national network.

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In fact, it represented
the last piece of work

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by Isambard Kingdom Brunel in the
Great Western region before he died.

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Is that cup of tea a necessary
part of your preparation

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for driving the loco?
We wouldn't go without it.

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Or I wouldn't! What is it about you
people that draws you so much

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to steam? It's entertaining.

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I mean, yesterday she wouldn't go.

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I had her yesterday.
I don't know why.

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Today she went like a rocket.

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Yeah. And you can't tell.

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Enjoy your cuppa. I will.
Thank you for that. Bye-bye. Cheers.

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This is the longest heritage line
in England.

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Is it attractive too?
Oh, yes, very.

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What are the highlights?
The scenery. Really beautiful.

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Are you fans of steam trains?

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Oh, yeah. Absolutely.

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And have you been to heritage lines
all over the country?

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We go as many as we can.

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And how do you rate this one?
Oh, it's very good.

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It's a nice long line, it's good.
It is long, isn't it?

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I'm travelling just two stops,

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revelling in around eight miles
of scenic Somerset landscape.

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As part of the Edwardian
rejection of the modern world,

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some sought to conserve the past.

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A music teacher called Cecil Sharp

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collected and preserved the lyrics
and melodies of folk music,

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meaning that, today,
I'll be able to hear singing.

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Sharp began his mission
here in Somerset,

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travelling the countryside
by steam train and bicycle.

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The picturesque station
of Stogumber

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seems barely to have
changed since his day.

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Afternoon. Good afternoon!

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Nearby in the Quantock Hills
is Halsway Manor,

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home to the National Centre
for the Folk Arts.

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Michael, welcome to Halsway Manor.

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It's such a beautiful place.

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Come through. Thank you.

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Singer and folk historian
Yvette Staelens

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is passionate about keeping
Cecil Sharp's legacy alive.

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The hall is lovely, isn't it?
It is. It's beautiful.

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How important is the achievement
of Cecil Sharp, do you think?

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I think it's fundamental
to folk in England.

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And the material he collected
is still used today.

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Schools still sing it. It was very
much part of the folk revival.

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These are songs that we still
find interesting today.

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00:12:05,620 --> 00:12:08,140
Were these songs
in danger of being lost?

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00:12:08,140 --> 00:12:12,100
Very much so, actually. It's not
about composed, written songs.

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It's about songs passed
from person to person

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through what we call
the oral tradition.

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And Sharp came to Somerset, and
on the 22nd of August, 1903,

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there was an iconic moment
in folk history

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where he heard the gardener
at the vicarage, John England,

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singing The Seeds of Love.

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# I sowed the seeds of love

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# And I sowed them
in the spring... #

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So, a really gorgeous song, and
apposite for a gardener to sing.

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That was the first song
Cecil Sharp collected.

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00:12:42,540 --> 00:12:46,420
Wait a minute, you're not telling me
the gardener was called John
England?! Isn't it terrific?

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00:12:46,420 --> 00:12:50,300
Yes, absolutely! You couldn't
write it any better, could you?

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Cecil Sharp collected nearly 5,000
tunes in England and North America

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00:12:57,820 --> 00:13:01,860
and took photographs of the many
singers and dancers that he met

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00:13:01,860 --> 00:13:03,380
on his travels.

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00:13:03,380 --> 00:13:07,500
These portraits provide a valuable
record of the rural working classes

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00:13:07,500 --> 00:13:08,980
of the time.

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I think it says a lot about Sharp

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that he was able to get
the confidence of people

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so they would give him these songs.

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But he could not publish
what he heard,

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because, clearly, Edwardian
sensibilities would not allow this.

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Some of this material was,
frankly, edgy, let's say.

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So they had to soften the words.

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What's the song we're going to
hear from the choir this afternoon?

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We're going to sing a version
of Blow Away The Morning Dew,

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which was collected
across the South of England.

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It's really about a battle
of the sexes.

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Wow, I can't wait! And the
choir's ready? They are.

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CHOIR HUMS

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# There was a shepherd's boy

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# Keeping sheep upon the hill

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# He laid his bow and arrow down

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# For war to take its fill

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# And sing blow away the morning dew

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# The dew and the view

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00:14:08,500 --> 00:14:11,620
# Sing blow away the morning dew

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00:14:11,620 --> 00:14:16,820
# Sing blow, blow, blow. #

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Bravo, bravo, bravo!

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00:14:23,220 --> 00:14:26,580
After his initial interest
in collecting folk songs,

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00:14:26,580 --> 00:14:30,300
Cecil Sharp turned his attention
to traditional dances.

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00:14:30,300 --> 00:14:33,060
MORRIS DANCE MUSIC PLAYS

242
00:14:33,060 --> 00:14:35,700
BELLS JINGLE

243
00:14:39,380 --> 00:14:44,220
Brian Heaton is a member of the
West Somerset Morris Men.

244
00:14:46,020 --> 00:14:47,900
Bravo, bravo, bravo!

245
00:14:47,900 --> 00:14:51,060
So, how far back does
Morris dancing go, Brian?

246
00:14:51,060 --> 00:14:53,580
Well, nobody really knows, Michael.

247
00:14:53,580 --> 00:14:56,460
It's lost in the mists of time.

248
00:14:56,460 --> 00:14:57,900
What's it all about, then?

249
00:14:57,900 --> 00:15:01,060
Well, it's fertility rites, and
things of that kind, you see?

250
00:15:01,060 --> 00:15:02,700
No?! Absolutely, yes.

251
00:15:02,700 --> 00:15:05,140
Now... I'll give it a go!

252
00:15:06,180 --> 00:15:08,140
Hello, do you mind if I step in?

253
00:15:08,140 --> 00:15:11,260
So, what are the basics here?

254
00:15:11,260 --> 00:15:13,980
Basic step is a single step
in front.

255
00:15:17,980 --> 00:15:21,220
Yes. And you dance that to
the beat of the music.

256
00:15:21,220 --> 00:15:24,500
That's the tricky bit.
That's all the step is.

257
00:15:24,500 --> 00:15:27,220
Right, OK. But what about
this swordplay, then?

258
00:15:27,220 --> 00:15:30,340
The swordplay!
The chorus, as we call it!

259
00:15:30,340 --> 00:15:33,540
It's like a sword or sabre.

260
00:15:33,540 --> 00:15:37,060
We swipe at the top, carry through,

261
00:15:37,060 --> 00:15:39,020
round the bottom...

262
00:16:16,020 --> 00:16:17,060
Thank you!

263
00:16:18,820 --> 00:16:20,100
Thank you.

264
00:16:36,740 --> 00:16:38,380
As evening draws in,

265
00:16:38,380 --> 00:16:42,060
this train is taking me towards
the historic city of Exeter.

266
00:16:42,060 --> 00:16:45,500
Its diocese dates back
to the 11th century,

267
00:16:45,500 --> 00:16:49,340
and the Cathedral Church
of Saint Peter to the 12th.

268
00:16:49,340 --> 00:16:52,140
I'll have to leave my visit there
till the morning,

269
00:16:52,140 --> 00:16:54,420
but nothing buttresses
my good humour

270
00:16:54,420 --> 00:16:56,620
like a good English cathedral.

271
00:17:14,740 --> 00:17:17,420
This building,
at the time of my guidebook,

272
00:17:17,420 --> 00:17:20,420
was the newly opened eye infirmary
in Exeter.

273
00:17:20,420 --> 00:17:22,860
Look at the size of it.

274
00:17:22,860 --> 00:17:25,980
It was second in importance
only to Moorfields.

275
00:17:25,980 --> 00:17:29,780
It's now a hotel, somewhere for me
to get 40 winks.

276
00:17:47,100 --> 00:17:51,340
I'm beginning my day at a spot
visited by Her Majesty the Queen

277
00:17:51,340 --> 00:17:55,940
on her Golden Jubilee tour
of the country in 2002.

278
00:17:55,940 --> 00:17:58,260
She was greeted by crowds of
well-wishers

279
00:17:58,260 --> 00:18:00,060
outside Exeter Cathedral.

280
00:18:01,300 --> 00:18:05,540
I'm here to find out how the city
prepared for another royal occasion

281
00:18:05,540 --> 00:18:07,540
exactly a century earlier.

282
00:18:11,140 --> 00:18:13,460
Whose mug is this?

283
00:18:13,460 --> 00:18:18,740
It is Edward VII's, and it was made
for his coronation in 1902.

284
00:18:19,180 --> 00:18:22,380
Most people had known no monarch
other than Victoria,

285
00:18:22,380 --> 00:18:25,060
who had reigned for 64 years,

286
00:18:25,060 --> 00:18:27,500
and she was much mourned.

287
00:18:27,500 --> 00:18:29,900
But, then again,
it was a new century.

288
00:18:29,900 --> 00:18:34,500
There were motorcars and telephones,
and soon there would be aeroplanes,

289
00:18:34,500 --> 00:18:38,300
the possibilities of the future
were untold.

290
00:18:38,300 --> 00:18:41,500
It was time to ring in the new.

291
00:18:41,500 --> 00:18:42,500
BELLS PEAL

292
00:18:45,980 --> 00:18:50,980
Exeter Cathedral's history stretches
back almost 1,000 years.

293
00:18:51,060 --> 00:18:56,100
145 feet tall and 383 feet long,

294
00:18:56,340 --> 00:18:59,620
it's a shining example
of Gothic architecture.

295
00:19:03,660 --> 00:19:06,900
What you see when you enter
this cathedral is a sight

296
00:19:06,900 --> 00:19:10,060
that you'll have
in no other medieval structure.

297
00:19:10,060 --> 00:19:12,980
And it is the length,
almost the infinity,

298
00:19:12,980 --> 00:19:16,060
of this beautiful, vaulted ceiling.

299
00:19:16,060 --> 00:19:20,340
And what is so miraculous is
the lightness of the whole thing.

300
00:19:20,340 --> 00:19:24,980
Those stone struts that hold
the roof aloft,

301
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they're almost like fingers
in prayer

302
00:19:27,620 --> 00:19:31,060
that have separated
and been locked in place.

303
00:19:37,620 --> 00:19:39,180
Hello, Ian.

304
00:19:39,180 --> 00:19:42,860
I'm meeting long-serving
ringing master Ian Campbell

305
00:19:42,860 --> 00:19:45,900
to find out how this ancient
building was updated

306
00:19:45,900 --> 00:19:48,300
to usher in the Edwardian era.

307
00:19:49,780 --> 00:19:52,260
Gosh, Ian, how many steps are there?

308
00:19:52,260 --> 00:19:54,260
There's a lot, but if you take them
two at a time,

309
00:19:54,260 --> 00:19:55,820
there's only half as many.

310
00:19:55,820 --> 00:19:57,660
Ah, good point.

311
00:20:01,300 --> 00:20:04,580
We're ascending the South Tower,
up to the belfry.

312
00:20:06,580 --> 00:20:08,900
Ian, what a very impressive space.

313
00:20:08,900 --> 00:20:10,060
What bells do you have here?

314
00:20:10,060 --> 00:20:13,300
How many? There are 14 bells.

315
00:20:13,300 --> 00:20:17,980
And the biggest bell, Grandisson,
the tenor, is 72 hundredweight,

316
00:20:17,980 --> 00:20:21,700
that makes it the second-heaviest
bell in the world

317
00:20:21,700 --> 00:20:26,420
that will ring in a full circle.
And that's about four tonnes?

318
00:20:26,420 --> 00:20:27,980
Just about four tonnes, yes.

319
00:20:27,980 --> 00:20:29,780
What was it that happened here

320
00:20:29,780 --> 00:20:31,980
around the time of the coronation
of Edward VII?

321
00:20:31,980 --> 00:20:33,620
Grandisson was not a very good bell,

322
00:20:33,620 --> 00:20:38,100
so it was recast, and at the same
time, Fox, the seventh, was cracked,

323
00:20:38,100 --> 00:20:39,940
so that was recast, as well.

324
00:20:39,940 --> 00:20:43,500
And when they recast it they put
an Edwardian penny in the mould,

325
00:20:43,500 --> 00:20:46,340
and you can see it on the side of
the bell now as part of the casting.

326
00:20:46,340 --> 00:20:49,260
And can we hear the bells today
in their glory?

327
00:20:49,260 --> 00:20:51,740
If you're feeling very brave,
we'll have a go.

328
00:20:51,740 --> 00:20:53,100
Brave? Hmm!

329
00:20:54,940 --> 00:20:58,660
I've heard that it usually takes
four people to ring Grandisson.

330
00:20:59,940 --> 00:21:02,700
Right. I suggest you climb up
on the box.

331
00:21:02,700 --> 00:21:06,340
But I'm taking on this beast
of nearly four tonnes

332
00:21:06,340 --> 00:21:08,940
with just a little
assistance from Ian.

333
00:21:10,820 --> 00:21:15,020
Stretch up high and pull it very
gently down and let it go up again.

334
00:21:15,020 --> 00:21:16,500
But you'll feel it's quite heavy.

335
00:21:16,500 --> 00:21:20,580
So, let it go up as far as it wants
to go and then pull it down.

336
00:21:20,580 --> 00:21:22,940
And then in a minute you'll be off
the bottom of the sally,

337
00:21:22,940 --> 00:21:24,740
which is the furry bit.

338
00:21:24,740 --> 00:21:26,020
BELL CHIMES

339
00:21:28,380 --> 00:21:30,260
Right, so it's chiming.

340
00:21:30,260 --> 00:21:31,300
Isn't that lovely?

341
00:21:32,460 --> 00:21:35,100
What a great, deep sound.

342
00:21:40,020 --> 00:21:42,700
I've made Grandisson chime.

343
00:21:42,700 --> 00:21:46,260
But really to ring
an English church bell,

344
00:21:46,260 --> 00:21:49,380
you need to swing it
through 360 degrees.

345
00:21:50,740 --> 00:21:52,660
Shall we give it a go?
We'll give it a shot.

346
00:21:52,660 --> 00:21:56,340
Perhaps I'll have more luck
with its smaller sibling, Fox.

347
00:21:56,340 --> 00:21:57,300
BELL RINGS

348
00:22:09,100 --> 00:22:12,620
With bells ringing in my ears,
there's just time

349
00:22:12,620 --> 00:22:15,580
to pick up a newspaper
before continuing my journey.

350
00:22:22,820 --> 00:22:25,340
I'm leaving Exeter
and heading south.

351
00:22:29,380 --> 00:22:32,220
WH Smith was a man who realised

352
00:22:32,220 --> 00:22:37,140
that the railways transformed the
national distribution of newspapers

353
00:22:37,140 --> 00:22:42,300
and he established a near monopoly
of bookstalls on railway stations.

354
00:22:42,820 --> 00:22:45,140
Those who had traditional money

355
00:22:45,140 --> 00:22:48,500
regarded people who made
their fortunes in commerce

356
00:22:48,500 --> 00:22:52,340
as the new rich, the nouveau riche -

357
00:22:52,340 --> 00:22:55,620
people who had to buy
their own furniture.

358
00:22:55,620 --> 00:23:00,540
Nonetheless, that new wealth
cascaded down the generations.

359
00:23:13,900 --> 00:23:18,580
Well-heeled Edwardians used
this stunning route to reach

360
00:23:18,580 --> 00:23:21,780
the fashionable Devon seaside
resorts of the English Riviera.

361
00:23:37,260 --> 00:23:40,980
But I shall alight at the
inland stop of Newton Abbot,

362
00:23:40,980 --> 00:23:42,900
bound for Dartmoor National Park.

363
00:23:45,980 --> 00:23:49,420
My destination is the imposing
Bovey Castle.

364
00:23:53,940 --> 00:23:57,740
Author David Parker has studied
its Edwardian roots.

365
00:24:00,420 --> 00:24:03,340
Hello, David. Hello, Michael,
nice to speak to you.

366
00:24:03,340 --> 00:24:06,700
David, Bovey Castle is certainly
quite a pile, isn't it?

367
00:24:06,700 --> 00:24:08,540
It is, indeed. Who built it?

368
00:24:08,540 --> 00:24:11,820
It was built by a man who went
under the name of Freddy Smith

369
00:24:11,820 --> 00:24:15,380
to his friends, but his father
was William Henry Smith,

370
00:24:15,380 --> 00:24:18,980
of WH Smith & Sons,
the celebrated stationers,

371
00:24:18,980 --> 00:24:23,660
so he inherited in 1891
all his father's wealth.

372
00:24:23,660 --> 00:24:26,420
A considerable fortune?
A considerable fortune -

373
00:24:26,420 --> 00:24:29,220
many, many hundreds of millions
in today's money.

374
00:24:29,220 --> 00:24:31,700
Freddy built this in 1907,

375
00:24:31,700 --> 00:24:36,940
as Bovey Manor, at the height of the
Edwardian prosperity of his company.

376
00:24:37,380 --> 00:24:41,860
What was it that the Smith family
aimed to do with such a house?

377
00:24:41,860 --> 00:24:45,300
He built this purely
as a shooting lodge,

378
00:24:45,300 --> 00:24:48,900
where he could bring all of his
friends, show off his wealth,

379
00:24:48,900 --> 00:24:51,540
and show off the countryside,
and entertain them,

380
00:24:51,540 --> 00:24:53,020
hunting, shooting and fishing.

381
00:24:53,020 --> 00:24:57,700
It was the height of the period of
Edwardian conspicuous consumption.

382
00:24:57,700 --> 00:25:01,260
Did the Smith family face snobbery
from aristocrats?

383
00:25:01,260 --> 00:25:05,020
The celebrated WH Smith had been on
the receiving end

384
00:25:05,020 --> 00:25:08,660
of a lot of snobbery at the time.
Freddy, his son,

385
00:25:08,660 --> 00:25:12,540
did not seem to have so much
snobbishness attached to him.

386
00:25:12,540 --> 00:25:16,140
He had the advantage of going
to Eton and Oxford.

387
00:25:16,140 --> 00:25:18,420
So, with a couple of generations
they were there,

388
00:25:18,420 --> 00:25:21,660
firmly into the aristocracy? They
were firmly into the aristocracy.

389
00:25:21,660 --> 00:25:26,700
The Edwardian years of pleasure and
indulgence were cut short in 1914

390
00:25:26,860 --> 00:25:30,620
by the First World War. As an
officer in the Devon Yeomanry,

391
00:25:30,620 --> 00:25:33,980
Freddy Smith fought at Gallipoli
and in the Middle East.

392
00:25:35,020 --> 00:25:36,700
He died in 1928,

393
00:25:36,700 --> 00:25:39,940
and the manor was sold to the Great
Western Railway

394
00:25:39,940 --> 00:25:42,500
to pay off a million pounds' worth
of death duties.

395
00:25:44,380 --> 00:25:46,220
What did the GWR do with it?

396
00:25:46,220 --> 00:25:48,060
They turned it into a hotel.

397
00:25:48,060 --> 00:25:49,580
Nobody else wanted it.

398
00:25:49,580 --> 00:25:54,500
It was just a huge aristocratic pile
that nobody wanted.

399
00:25:57,620 --> 00:26:01,660
Bovey Castle is no longer owned by
the GWR,

400
00:26:01,660 --> 00:26:03,860
but it remains in use as a hotel.

401
00:26:08,780 --> 00:26:10,620
Thank you.

402
00:26:10,620 --> 00:26:14,220
Head chef Mark Bard has been busy
preparing a feast

403
00:26:14,220 --> 00:26:18,700
fit for the lavish tastes of the
nouveau riche and, indeed, the King.

404
00:26:20,060 --> 00:26:24,620
His pot roast white chicken stuffed
with truffles and poached

405
00:26:24,620 --> 00:26:29,100
in Sauternes wine is a modern
variation of Poularde Edouard VII,

406
00:26:29,100 --> 00:26:32,100
served at King Edward's coronation
gala dinner.

407
00:26:33,580 --> 00:26:35,820
Please enjoy.
Thank you very much indeed.

408
00:26:35,820 --> 00:26:37,620
My pleasure. Looks delicious.

409
00:26:39,980 --> 00:26:44,100
So, truffles lurking here
under the skin.

410
00:26:47,940 --> 00:26:48,940
Mmm!

411
00:26:50,180 --> 00:26:52,820
Chicken is very, very flavoursome.

412
00:26:52,820 --> 00:26:54,380
It's very, very rich.

413
00:26:54,380 --> 00:26:58,420
It is, um,
it is a great Edwardian dish.

414
00:26:58,420 --> 00:27:01,580
This was the time of ostentation.

415
00:27:01,580 --> 00:27:02,780
I'm going to enjoy this.

416
00:27:12,980 --> 00:27:17,700
Exeter Cathedral's new bells rang
out to mark the arrival

417
00:27:17,700 --> 00:27:19,700
of the Edwardian age.

418
00:27:19,700 --> 00:27:24,580
In gardening, Gertrude Jekyll
abandoned Victorian formality

419
00:27:24,580 --> 00:27:28,420
in favour of looser splashes
of colour.

420
00:27:28,420 --> 00:27:31,820
After railways and factories
had transformed this country,

421
00:27:31,820 --> 00:27:34,900
Cecil Sharp toured the villages

422
00:27:34,900 --> 00:27:38,580
in search of traditional songs
and dances.

423
00:27:38,580 --> 00:27:42,940
But in truth Britain was no longer
a rural society.

424
00:27:42,940 --> 00:27:46,300
To the horror of the Edwardian
landed classes,

425
00:27:46,300 --> 00:27:50,980
this Bovey estate was built up
on the proceeds of trade.

426
00:27:50,980 --> 00:27:52,300
How vulgar!

427
00:27:58,500 --> 00:28:00,500
Next time -

428
00:28:00,500 --> 00:28:03,660
I rediscover a stylish Edwardian
author...

429
00:28:03,660 --> 00:28:05,940
A little bit racy, I would have
thought, wouldn't you?

430
00:28:05,940 --> 00:28:08,060
..have a bash at creating

431
00:28:08,060 --> 00:28:10,620
turn-of-the-century
Cornish collectables...

432
00:28:10,620 --> 00:28:11,700
And there we are.

433
00:28:11,700 --> 00:28:14,100
There's our image starting to
come through on the front.

434
00:28:14,100 --> 00:28:17,740
..and boldly go where no railway
traveller has gone before.

435
00:28:17,740 --> 00:28:19,820
Even Bradshaw never
went to the moon.

436
00:28:19,820 --> 00:28:22,420
RECORDED MESSAGE: Even Bradshaw
never went to the moon.

437
00:28:22,420 --> 00:28:26,060
That is fantastic! My voice has gone
to the moon and back.