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Welcome to The Repair Shop,
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where cherished family heirlooms
are brought back to life.
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This is the workshop of dreams.
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Home to furniture restorer
Jay Blades.
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Nowadays, everybody spends a fortune
on stuff that, once it's broken,
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they just bin it. But everybody has
something that means too much to be
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thrown away, and that's where
we come in.
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Working alongside Jay will be some
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of the country's leading
craftspeople.
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Every piece has its own story,
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it's amazing to think that some of
my work becomes part of that story.
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I've always played with things,
I've always repaired things,
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and I just love it. There is a real
pleasure in bringing people's pieces
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back to life again.
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Each with their own unique
set of skills.
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I can't wait to get started.
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They will resurrect...
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..revive... Come on, man!
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..and rejuvenate...
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..treasured possessions
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and irreplaceable pieces
of family history.
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Wow!
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Bringing both the objects...
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She's fantastic!
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That's just taken me back 50 years.
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..and the memories that they hold...
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Oh, yes!
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..back to life.
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Oh, my God!
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BELL RINGS
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In the Repair Shop today,
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Sonnaz and Will
get their hands dirty
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with a very old piece of furniture.
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While silversmith Brenton
tackles a tricky fix -
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two metal ladies destroyed
in a World War II air raid.
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They're made of spelter.
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It is very fragile, and they're
certainly not built to be bombed,
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I'm afraid.
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First into the Repair Shop are
Hilary and Mike Elphinstone.
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With them, a much-loved member
of the family.
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Hello! Hi, welcome.
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They're hoping that soft-toy experts
Amanda and Julie
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can help bring him
back to life.
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OK, what have you got in there?
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Oh, wow.
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Hello, you! That's Fred Bear.
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Hello, Fred Bear.
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Fred Bear! He's lovely.
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Tell us a little bit about him.
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He's 50 year old, he was bought
for Maria, our eldest daughter,
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for her first Christmas, and he was
about the same size as her, I think.
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Maria then had two more sisters
and a brother,
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hence the very battered look,
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because he was carried around
by his ear a lot.
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Yeah. Yes, I know, I see that's
gone, you haven't got that.
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Oh, dear.
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But Maria's...
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..emigrated to Australia.
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OK, and she didn't take him?
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She couldn't take him because
he's full of straw.
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So customs won't allow Fred in.
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Won't allow Fred in.
He might be contaminated.
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To prevent the introduction
of pests and diseases,
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Australian Customs has strict rules
about importing plant materials,
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which includes Maria's bear Fred
and his wood-fibre stuffing.
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Since then, one of her daughters,
Lauren, has had a little boy,
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Elijah Jay. Congratulations!
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And I would really love him
to belong to Elijah now,
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cos he's part of our lives.
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Part of the family. It sounds a bit
corny, doesn't it?
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No, no, it doesn't. Not at all.
It doesn't. So it's getting him out
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there. It's getting him out to
Australia.
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OK, so where did you buy Fred, or
where did you get him originally?
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We bought him from the Co-op
in Chesterfield,
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and I think I paid a ridiculous
amount, like £5,
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which was an awful lot of money
in those days.
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He is a good quality bear,
he's a German bear.
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Oh, is he? Yes, he is, by a company
known as Schuco.
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The Schuco company, better known
for making miniatures and things
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like that, so it's quite nice to see
one of these bigger bears.
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He does growl.
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Does he still? Well...
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You've got to have the knack.
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TEDDY PURRS SOFTLY
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He does! She's got the knack!
Clearly I have!
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What would you like him to look
like? Like to see him furry.
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Furry? Please, yeah.
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What I'm concerned about at this
time is we're going to be giving you
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a new Fred Bear back -
not Fred Bear.
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Perhaps we could just do the tummy,
the body, keep his original head,
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legs and arms.
So, he's got a little bit...
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We could age down some fabric so
he's got a little bit of fur coming
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through, so it's in keeping
with the rest of him.
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And what about a new ear?
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Is that possible? Absolutely.
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We will do that for you.
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We know he's a bit of a challenge.
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We like a challenge.
We like a challenge.
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But he'll be safe here.
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And we'll let you know as soon as
he's ready to come and collect.
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Lovely. Thank you very much!
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I'm really glad that they're
actually not going to make him look
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like a really modern bear,
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that he's still going to
look like Fred, isn't he?
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And that is the main thing.
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Can't wait to tell my daughter,
can't wait to show her.
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When Fred Bear goes to Australia...
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..it's going to be a mixture of
emotions, definitely, because...
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..he just reminds me
of the children so much.
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Amanda and Julie's mission is to
get Fred fit to pass Australia's
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strict custom controls.
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We've basically got to get
the stuffing out.
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Now, this is wood shavings.
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Normal circumstances, we would
always replace like-for-like,
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to keep him authentic,
so it's really unusual,
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but we are going to replace it,
aren't we, with...
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..polyester? Yes.
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At the end of the day, Fred Bear
belongs to Hilary,
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and she wants to get him to her
grandson,
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and we want to do our utmost to make
sure that happens,
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so, whatever it takes, really,
to get him there.
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Oh, poor Fred!
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But it's all for the good.
Absolutely.
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There we go.
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So I'm going to take the arms off.
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His limbs are held on
with a pin and washer,
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and Fred's not parting with them
without a struggle.
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This is proving more difficult
than I anticipated,
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this one is really rusty.
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Oh, come on, Fred.
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Give me your arm.
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Yay! Yay!
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There it is, that's what's given me
all that trouble.
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I've got another four of those
joints to wrestle with,
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and Julie can carry on unstuffing
them and getting them all ready
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to be cleaned.
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Many items that arrive at the
workshop have been passed down
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through generations
of the same family...
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..and the next is no exception.
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Hi. How are you? I'm Sonnaz.
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Sarah Allen from Staffordshire is
hoping furniture restorer Will Kirk
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and upholsterer Sonnaz Nooranvary
can rescue her family piano stool.
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So, this belongs to you.
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It does. What's the story behind it?
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Cos it looks very well-used.
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It is, it's about 112 years old.
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Ah.
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It's been in my family since 1905,
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you can sort of see the date
on the plaque,
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although it's a little bit dirty.
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Oh, gosh. It was awarded to my
great-grandfather,
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William Henry Tappenden,
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who was a mason, and he lived
in Margate in Kent,
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and they wanted to build a new
lodge, a new masonic lodge,
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so, he became the secretary of -
it does actually say an there -
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the Debenture Association.
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It was for his esteemed duties that
he carried out really well,
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as being the secretary of that,
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from the masons, so it was awarded
to him. He was presented with this.
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And obviously it's been
in the family
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ever since then.
It survived two world wars.
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Gosh. Amazing.
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And, then, when my grandad died,
it went to my mum,
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so, then, they gave it to me, so,
I've had it for at least 20 years.
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Wow. Is it used today at home?
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Occasionally.
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OK. But, unfortunately,
I don't play so...
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Are there any budding pianists?
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My son does, he'd play the piano,
my sister used to play as well,
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so, she's played it. OK, and they
used this stool?
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Yes, yeah. Oh, lovely.
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It does look as though it has had...
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It has! ..a really hard life.
I mean,
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have you ever had it reupholstered
or restored before,
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or is this exactly
how you have had it?
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And this is how you remember it?
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Yes. It looks as though there was
some carving...
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Yes. Hmm, carving.
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This would be Will's department.
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Yes, you're missing some carving
there, aren't you? Broken there.
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And is that missing underneath there
as well?
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So, was this broken when this came
into your...?
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I don't remember having the carving
on there.
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Would you like to see it...
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..in the same fabric again,
as you know it?
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I did speak to my mum, she's 84,
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and I said to her about changing
the upholstery -
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she did say it would be nice to see
it just as it was, really.
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Yeah, as it should be.
Yeah, and for me to see the plaque,
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cleaned up so you can actually
read what's on it.
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That is lovely, isn't it? Yeah.
I think we've got our work cut out.
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Yeah. Lovely. Thanks a lot
for coming down.
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Thank you. Thank you very much.
Bye-bye.
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I feel quite responsible for it,
it's been in the family 112 years,
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quite emotional to see somebody else
walk away with it,
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to leave it here and go home
without it.
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My mum's really quite excited
about getting it repaired,
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then she'll know as well,
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that it will be able to carry on
down the family for however long,
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another 112 years.
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Lots of work to be done.
Lots of work to be done.
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Somehow, I feel like I've got
the most work.
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I agree. Do you?
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OK, fine! Yes, but I have got no
idea how to take his seat base out.
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It looks like it's dropped in,
but it's a bit tight,
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so whether there's a hidden screw up
underneath it or not, I don't know.
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Shall I take it over to your bench?
Yes, please. OK!
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First job - prising out a seat pad
which has lain undisturbed
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for several decades.
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I think it might be glued in there.
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What's this?! This sharp stick
you're waving around!
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Sorry, it's my regulator.
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Your regulator. I've used it to sort
of pry this up a bit.
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OK. If you go that end...
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Shall I use it like that?
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Yeah. Yeah, yeah, yeah,
and I'll go this end.
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WILL SPLUTTERS
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Look at that. That is a...
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Oh!
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Eugh.
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Look at that! Wow, look at that!
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Those must be the original green
colour there. Hm, yeah.
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That is really nice.
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So are you going to try
to replace that...
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Yeah. ..back to that original green,
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as opposed to the bleached-out,
yellowy green?
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Yeah, definitely. I'll let you get
on with...
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Stripping this back.
Stripping that back. OK.
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I'll be careful
not to breathe it in.
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Yeah, don't breathe
it in, whatever you do.
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Oh!
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There's another clean-up operation
over at Amanda and Julie's bench.
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Fred Bear is getting a deep clean -
his first bath in 50 years.
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As you can see, it's proving quite
effective.
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I will continue to do this,
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changing the water and adding new
soap until the water runs clear.
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That's lovely, that is such a good
feeling,
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all those years of dirt, and
I'm sure I haven't finished yet.
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I'll fill it up again and see how
much we can get out
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with a second wash.
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While Julie carries on
with Fred's shampoo,
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Amanda sets about restoring
the other careworn parts.
243
00:12:41,440 --> 00:12:44,960
So, here is my lovely piece of
mohair.
244
00:12:44,960 --> 00:12:48,720
We're going to use this piece to
make Fred Bear's tummy.
245
00:12:48,720 --> 00:12:50,160
It's not the right colour,
246
00:12:50,160 --> 00:12:54,880
so we're going to have to age it
down and colour it and make it look
247
00:12:54,880 --> 00:12:56,680
like it's part of Fred Bear.
248
00:12:56,680 --> 00:13:02,080
So, the first part of the process
will be to get some colour into it.
249
00:13:02,080 --> 00:13:04,800
I'm making myself a nice, strong
brew of tea here,
250
00:13:04,800 --> 00:13:07,160
I'm going to put four tea bags
in initially...
251
00:13:08,280 --> 00:13:10,600
..and just let them brew
in this boiling water.
252
00:13:12,440 --> 00:13:16,120
If my tea doesn't get me quite
the right tone,
253
00:13:16,120 --> 00:13:17,600
my next step will be coffee,
254
00:13:17,600 --> 00:13:20,440
because that tends to be a slightly
different tone, slightly darker,
255
00:13:20,440 --> 00:13:23,040
but I think for Fred,
tea is going to be the one.
256
00:13:23,040 --> 00:13:26,640
Mohair is an extremely
expensive fabric.
257
00:13:26,640 --> 00:13:30,040
This stuff comes in at about
£120 a metre,
258
00:13:30,040 --> 00:13:32,720
and I'm just about to plop it
in tea.
259
00:13:32,720 --> 00:13:33,760
Wish me luck.
260
00:13:40,720 --> 00:13:45,960
Mohair is a woven fabric,
but it's woven from goat hair,
261
00:13:45,960 --> 00:13:48,000
it's the fleece of a goat.
262
00:13:48,000 --> 00:13:53,440
It's been popular with teddy bears
right since the very first ones
263
00:13:53,440 --> 00:13:54,760
in 1902.
264
00:13:54,760 --> 00:13:58,120
Traditional bears were always made
out of this mohair fabric.
265
00:14:00,600 --> 00:14:03,160
I lift it up and sort of squeeze.
266
00:14:03,160 --> 00:14:07,280
You can see already we're
getting that really lovely, aged,
267
00:14:07,280 --> 00:14:12,000
sort of golden, faded mohair
look that I'm wanting.
268
00:14:13,640 --> 00:14:15,960
Right, so I'm going to leave that
now to have a soak,
269
00:14:15,960 --> 00:14:17,360
and I'll check it now and then
270
00:14:17,360 --> 00:14:19,680
to make sure I've got the right
depth of colour.
271
00:14:19,680 --> 00:14:22,720
And then we'll take it out
and have a look, see what we've got.
272
00:14:30,920 --> 00:14:33,160
I'm feeling quite pleased with that,
actually,
273
00:14:33,160 --> 00:14:34,520
it's looking really good.
274
00:14:34,520 --> 00:14:37,040
I will check before I go to the next
stage, but, yeah,
275
00:14:37,040 --> 00:14:39,040
I think we got it first time.
Brilliant.
276
00:14:46,400 --> 00:14:48,440
The fur's now the right colour,
277
00:14:48,440 --> 00:14:51,720
but Amanda still has some work to do
to make it match the rest of his
278
00:14:51,720 --> 00:14:53,280
well-loved body.
279
00:14:53,280 --> 00:14:56,680
One of the things that Hilary
specifically wanted was to be
280
00:14:56,680 --> 00:14:58,960
able to stroke and feel some fur,
281
00:14:58,960 --> 00:15:02,960
so we've got to get it spot-on so
that she's got enough fur that she
282
00:15:02,960 --> 00:15:05,600
feels he's got that
nice, soft tummy.
283
00:15:06,880 --> 00:15:10,800
But it's also got to be in keeping
with the rest of him.
284
00:15:10,800 --> 00:15:12,960
The first thing I will do is
285
00:15:12,960 --> 00:15:15,280
shave that bit of his tummy.
286
00:15:15,280 --> 00:15:17,320
RAZOR BUZZES LOUDLY
287
00:15:20,560 --> 00:15:21,640
It's quite nice.
288
00:15:33,040 --> 00:15:35,400
It is quite sad,
289
00:15:35,400 --> 00:15:39,880
to see such a beautiful piece of
mohair being treated like this.
290
00:15:39,880 --> 00:15:43,000
But he needs to look good.
291
00:15:43,000 --> 00:15:44,720
I feel it is quite artistic,
actually,
292
00:15:44,720 --> 00:15:47,080
getting the right balance
and getting it right,
293
00:15:47,080 --> 00:15:49,720
and it's literally doing it by eye,
just looking,
294
00:15:49,720 --> 00:15:53,840
but you can see already I've started
to thin out some areas there.
295
00:15:53,840 --> 00:15:56,720
Chest hair suitably trimmed
and ruffled,
296
00:15:56,720 --> 00:15:59,120
Fred can now be
pieced back together.
297
00:15:59,120 --> 00:16:02,080
We can see that he's starting
to take shape now,
298
00:16:02,080 --> 00:16:04,640
and we can kind of see where we're
going with him, so, yeah,
299
00:16:04,640 --> 00:16:06,320
I'm really pleased
with the progress.
300
00:16:06,320 --> 00:16:09,440
Hm. And have...
You've already done his ears?
301
00:16:09,440 --> 00:16:10,800
Yeah, yeah, I was...
302
00:16:12,080 --> 00:16:14,760
He only had one ear when he came in,
303
00:16:14,760 --> 00:16:16,440
so I split that ear
304
00:16:16,440 --> 00:16:20,080
and used a bit
of the tummy that he no longer needs
305
00:16:20,080 --> 00:16:21,880
to make backs for the ears.
306
00:16:21,880 --> 00:16:25,080
Fantastic, so we've used original
fabric.
307
00:16:25,080 --> 00:16:27,760
Yes, yeah. A bit of a sort of
skin transplant.
308
00:16:27,760 --> 00:16:31,760
Absolutely, moved it from one area
to another! Perfect!
309
00:16:33,400 --> 00:16:37,880
Now the most important job -
to get Fred through customs,
310
00:16:37,880 --> 00:16:42,480
gone is the wood-fibre filling, and
in goes the man-made polyester.
311
00:16:42,480 --> 00:16:46,160
Doing this by hand
is more unusual nowadays,
312
00:16:46,160 --> 00:16:49,600
but the good thing about packing it
in tightly is that it's not going to
313
00:16:49,600 --> 00:16:52,920
move. If we fill him properly,
314
00:16:52,920 --> 00:16:56,680
there's nowhere for that stuffing
to move to.
315
00:16:56,680 --> 00:16:59,360
So it's worth putting that bit of
extra effort in now.
316
00:17:00,480 --> 00:17:04,120
And we'll have all his limbs ready
to go onto his body,
317
00:17:04,120 --> 00:17:07,640
which is quite exciting, cos he'll
start to look like Fred Bear again.
318
00:17:20,120 --> 00:17:22,320
Next to call into the Repair Shop,
319
00:17:22,320 --> 00:17:25,120
Jeremy Harrison from
south-east London,
320
00:17:25,120 --> 00:17:28,000
to meet metalworker and silversmith
Brenton West.
321
00:17:28,000 --> 00:17:30,600
Hello there, I'm Brenton.
I'm Jeremy, nice to meet you.
322
00:17:30,600 --> 00:17:34,480
Hi, Jeremy.
So I believe these are yours.
323
00:17:34,480 --> 00:17:38,640
Jeremy has a pair of very precious
but very damaged statuettes.
324
00:17:38,640 --> 00:17:40,440
Well, they were my parents',
325
00:17:40,440 --> 00:17:43,760
and they were given to them as a
wedding gift when they got married
326
00:17:43,760 --> 00:17:47,200
on 17th August, 1940 so...
327
00:17:47,200 --> 00:17:48,360
So, who gave them to your...?
328
00:17:48,360 --> 00:17:50,480
We don't know, we don't know
who gave them to them,
329
00:17:50,480 --> 00:17:54,480
but my mum was from a very large
Irish family in Bermondsey.
330
00:17:54,480 --> 00:17:58,360
OK. And my dad came from
a middle-class family in Essex,
331
00:17:58,360 --> 00:18:02,520
so we think these are probably from
the Essex side of the family.
332
00:18:02,520 --> 00:18:06,560
But, three weeks later, my parents'
house was completely destroyed
333
00:18:06,560 --> 00:18:08,160
in the Blitz. Oh, no.
334
00:18:08,160 --> 00:18:12,440
And when they went to the rubble,
this is all they could pull out.
335
00:18:12,440 --> 00:18:14,840
Everything was destroyed,
my mum's wedding dress,
336
00:18:14,840 --> 00:18:17,520
so, they lost all their wedding
photographs practically.
337
00:18:17,520 --> 00:18:19,000
So sad, isn't it?
338
00:18:19,000 --> 00:18:22,600
It was just a pile of bricks,
and this sticking out.
339
00:18:22,600 --> 00:18:25,880
So, were your parents in
the air raid shelter at the time?
340
00:18:25,880 --> 00:18:29,240
Yes, yes, but it didn't seem to faze
them, they just said, well, look,
341
00:18:29,240 --> 00:18:30,800
it was what happened in those days.
342
00:18:30,800 --> 00:18:33,920
It is what happened, isn't it?
Yeah. Imagine that now.
343
00:18:33,920 --> 00:18:37,920
So, this is the one link we've got
to 17th August, 1940.
344
00:18:37,920 --> 00:18:39,520
Really, really important.
345
00:18:39,520 --> 00:18:41,120
We didn't know about them,
346
00:18:41,120 --> 00:18:46,000
my parents boxed them up and kept
them in the loft until 1979.
347
00:18:46,000 --> 00:18:49,880
Right. And, then, when we moved,
these materialised.
348
00:18:49,880 --> 00:18:52,960
But she kept them because
she wanted them fixed.
349
00:18:52,960 --> 00:18:57,520
And my dad died in '97,
and Mum died in 2010.
350
00:18:57,520 --> 00:18:59,920
And we never got them fixed for
them, cos we didn't know how.
351
00:18:59,920 --> 00:19:03,360
I mean, they've gone through
the wars - literally - but
352
00:19:03,360 --> 00:19:06,360
there's a snapped piece there.
353
00:19:06,360 --> 00:19:08,880
Oh, someone's had a go at glueing
this, haven't they?
354
00:19:08,880 --> 00:19:14,200
Cos that bit of stone is broken
and then is back on again there.
355
00:19:14,200 --> 00:19:17,120
Oh, right. So someone has stuck that
bit of stone back on.
356
00:19:17,120 --> 00:19:20,120
Probably me dad. And then he
probably lost heart with it all,
357
00:19:20,120 --> 00:19:22,680
didn't he, thought,
"I can't do this!"
358
00:19:22,680 --> 00:19:26,280
"This is too much," he said. "I'll
stick that in a box in the loft."
359
00:19:26,280 --> 00:19:29,960
So, getting these fixed -
what would that mean?
360
00:19:29,960 --> 00:19:31,600
It would mean a very great deal,
361
00:19:31,600 --> 00:19:33,840
it would be like a memorial
to my parents,
362
00:19:33,840 --> 00:19:36,600
cos they went through such a lot
during the war.
363
00:19:36,600 --> 00:19:38,760
They're looking down, saying,
"Go on, do it, come on."
364
00:19:38,760 --> 00:19:41,280
"Get it done." They were
very proud of them,
365
00:19:41,280 --> 00:19:43,480
we want to see them
in their true glory.
366
00:19:43,480 --> 00:19:45,040
No pressure on me, then!
367
00:19:45,040 --> 00:19:47,400
Yeah, there is lots of pressure!
368
00:19:49,160 --> 00:19:52,120
Well, they're really nice items,
and I will do my best for you.
369
00:19:52,120 --> 00:19:53,720
I know you will,
I've got every faith.
370
00:19:53,720 --> 00:19:55,960
Thank you! Thank you very much
and good luck.
371
00:19:55,960 --> 00:19:57,200
OK. Bye!
372
00:20:00,880 --> 00:20:03,280
I'm feeling surprisingly anxious,
373
00:20:03,280 --> 00:20:05,960
now the statuettes
have been kept here.
374
00:20:05,960 --> 00:20:08,360
They've not left the house
since 1979,
375
00:20:08,360 --> 00:20:10,680
so I feel like I've lost a talisman,
376
00:20:10,680 --> 00:20:13,240
and I'm hoping that when
they come back,
377
00:20:13,240 --> 00:20:15,120
they'll bring good fortune
to the house.
378
00:20:15,120 --> 00:20:18,880
Seeing them mended would be
absolutely fantastic.
379
00:20:18,880 --> 00:20:20,680
I can't actually imagine it,
380
00:20:20,680 --> 00:20:22,920
because I keep thinking that they
look a bit drunk,
381
00:20:22,920 --> 00:20:25,920
the way they are on the floor, and,
well, let's hope they've sobered up
382
00:20:25,920 --> 00:20:27,640
by the time you bring them back.
383
00:20:30,360 --> 00:20:35,280
I've got Jeremy's statues here,
which were damaged in the Blitz
384
00:20:35,280 --> 00:20:40,360
in 1940, and they've had
a good old bashing.
385
00:20:40,360 --> 00:20:44,360
They're made of spelter,
which is a zinc alloy.
386
00:20:44,360 --> 00:20:47,400
It is an economical casting metal,
387
00:20:47,400 --> 00:20:49,120
similar to bronze,
388
00:20:49,120 --> 00:20:51,440
but it melts at a lower temperature,
389
00:20:51,440 --> 00:20:52,960
and it is very fragile,
390
00:20:52,960 --> 00:20:57,080
and they're certainly not built
to be bombed, I'm afraid.
391
00:20:57,080 --> 00:21:00,840
The metal the statuettes are made
from makes this repair a minefield
392
00:21:00,840 --> 00:21:02,520
for Brenton.
393
00:21:02,520 --> 00:21:06,440
Spelter is very difficult to solder
and easy to damage if you get it
394
00:21:06,440 --> 00:21:10,000
too hot, so, on this occasion,
I know how precious these are,
395
00:21:10,000 --> 00:21:12,560
I'm going to be glueing them
together.
396
00:21:12,560 --> 00:21:18,000
So, the first thing I've got to do
is to repair this part of the base.
397
00:21:18,000 --> 00:21:20,720
There's a crack there, I've got to
put some glue in that,
398
00:21:20,720 --> 00:21:24,600
and then I've got to clamp it closed
so that the glue makes a good
399
00:21:24,600 --> 00:21:27,880
contact and have that piece
repaired first.
400
00:21:27,880 --> 00:21:31,280
I'm mixing epoxy glue,
which is a two-part glue.
401
00:21:32,320 --> 00:21:35,520
So mixing the two parts makes
a chemical reaction
402
00:21:35,520 --> 00:21:37,680
that makes the glue start to set.
403
00:21:40,320 --> 00:21:42,680
I'll put some more glue in there.
404
00:21:42,680 --> 00:21:46,640
Because the more glue, the merrier,
as far as I'm concerned.
405
00:21:58,360 --> 00:21:59,560
Back in the barn,
406
00:21:59,560 --> 00:22:03,320
Sonnaz and Will have divided
the renovation of the 112-year-old
407
00:22:03,320 --> 00:22:06,840
piano stool into the upholstery
and the woodwork.
408
00:22:07,840 --> 00:22:12,000
Jay's checking in on how
the young duo are doing.
409
00:22:12,000 --> 00:22:13,520
What do you need the timber for?
410
00:22:13,520 --> 00:22:16,040
That's a bit loose,
that's a bit loose.
411
00:22:17,960 --> 00:22:20,720
So, you're going to replace them?
Yeah. Going to carve them out
412
00:22:20,720 --> 00:22:23,200
with that? I am. All right. I'm
actually really excited.
413
00:22:23,200 --> 00:22:25,440
If you're going to carve all of
that, it's got to look
414
00:22:25,440 --> 00:22:28,320
very similar to that. Very similar.
So those are the only bits
415
00:22:28,320 --> 00:22:29,760
that need doing on this, then?
416
00:22:29,760 --> 00:22:31,480
They are the main bits.
417
00:22:31,480 --> 00:22:33,320
It just needs, like,
a good old clean.
418
00:22:33,320 --> 00:22:35,840
Yeah, it is quite dirty, isn't it?
A clean and a polish up.
419
00:22:35,840 --> 00:22:37,440
OK. Get carving!
420
00:22:37,440 --> 00:22:39,760
Get carving, thanks, Jay.
All right.
421
00:22:42,920 --> 00:22:44,840
Next, over to Sonnaz,
422
00:22:44,840 --> 00:22:48,080
and a chance for two upholstery
experts to put their heads together.
423
00:22:48,080 --> 00:22:51,000
How are you getting on with that
piano stool? Very well, thank you.
424
00:22:51,000 --> 00:22:53,200
You're here just at the right
moment, actually.
425
00:22:53,200 --> 00:22:56,120
Am I? A few more tacks to take off,
426
00:22:56,120 --> 00:22:59,880
and then we can see, kind of,
what's going on underneath.
427
00:22:59,880 --> 00:23:02,240
It's a bit dusty.
Yeah, it will be dusty.
428
00:23:02,240 --> 00:23:05,560
Can I do the glory run
of tack lifting?
429
00:23:07,600 --> 00:23:09,880
Yeah, this is loads of dust, innit?
430
00:23:09,880 --> 00:23:11,640
I know, it's just years and years -
431
00:23:11,640 --> 00:23:14,040
I don't think it's ever been
reupholstered,
432
00:23:14,040 --> 00:23:17,200
and I think that means that this
is the original velvet.
433
00:23:17,200 --> 00:23:19,760
And look at the difference
in colour.
434
00:23:19,760 --> 00:23:21,320
Ooh, cor.
435
00:23:21,320 --> 00:23:24,680
But that's just the sun doing that,
isn't it? Exactly, yeah. Yeah.
436
00:23:24,680 --> 00:23:28,680
Wow. It's pretty...dusty.
437
00:23:28,680 --> 00:23:32,240
Yeah. Even though there's nothing
wrong with the actual upholstery
438
00:23:32,240 --> 00:23:34,960
itself, it's just nice to replace
this with new,
439
00:23:34,960 --> 00:23:38,000
because it will be holding
a lot of dust.
440
00:23:38,000 --> 00:23:40,920
Not only that - this isn't up to
fire regs, is it?
441
00:23:40,920 --> 00:23:42,640
Because that... That is a very good
point.
442
00:23:42,640 --> 00:23:45,080
This is very flammable, this stuff.
Yeah, it is.
443
00:23:45,080 --> 00:23:47,480
So, yeah, replacing it
with new stuff.
444
00:23:47,480 --> 00:23:51,240
You've got it covered, then.
I've got it covered! See, eh?!
445
00:23:51,240 --> 00:23:54,160
Jay! I'm going to leave you to it,
I'm going to leave you to it.
446
00:23:54,160 --> 00:23:55,280
OK. All right.
447
00:23:59,600 --> 00:24:05,480
So, right now, I am mapping out the
drawing for the replacement carving.
448
00:24:05,480 --> 00:24:08,640
I can actually see down the bottom
here there's a really faint outline
449
00:24:08,640 --> 00:24:12,640
of where the old carving used to be,
and, looking at that,
450
00:24:12,640 --> 00:24:17,760
it seems to be almost a reverse of
the carving that is on the top.
451
00:24:17,760 --> 00:24:19,080
So using that,
452
00:24:19,080 --> 00:24:22,640
I can actually work out what needs
to go where and what the detail's
453
00:24:22,640 --> 00:24:25,440
going to be like because I've got
a great example here.
454
00:24:27,440 --> 00:24:29,120
Now he's got a plan,
455
00:24:29,120 --> 00:24:32,600
Will trims a piece of wood down
to size with the band saw,
456
00:24:32,600 --> 00:24:35,080
before clamping it to the desk,
ready to carve.
457
00:24:41,080 --> 00:24:44,360
It really helps when you've got
a really sharp chisel.
458
00:24:44,360 --> 00:24:47,720
It's almost like cutting with, like,
a hot knife through butter.
459
00:24:47,720 --> 00:24:49,360
If your chisel isn't sharp,
460
00:24:49,360 --> 00:24:53,080
then you see that the wood begins
to splinter off and crack.
461
00:24:56,480 --> 00:24:58,160
On the neighbouring workbench,
462
00:24:58,160 --> 00:25:00,840
Sonnaz is beginning to build
the seat pad.
463
00:25:00,840 --> 00:25:05,400
The first thing is really to get
some black wadding on this base.
464
00:25:05,400 --> 00:25:08,320
I need two layers. I think I'm
going to use that as my...
465
00:25:09,800 --> 00:25:11,360
..biggest bit.
466
00:25:12,440 --> 00:25:13,480
This lays on here.
467
00:25:15,000 --> 00:25:18,320
So, what I'm going to do,
I'm going to pull this edge -
468
00:25:18,320 --> 00:25:20,520
or, in upholstery,
it's called teasing,
469
00:25:20,520 --> 00:25:23,880
I'm going to tease this edge.
That just gives it a really...
470
00:25:23,880 --> 00:25:25,000
..a much softer...
471
00:25:26,600 --> 00:25:29,680
..softer edge, and I can feel
the difference in that already.
472
00:25:35,240 --> 00:25:39,280
I'm constantly having to check
the detail on the piano stool,
473
00:25:39,280 --> 00:25:42,760
just to make sure that what I am
doing is exactly what I need.
474
00:25:42,760 --> 00:25:46,120
It's quite easy to get carried away
with the chisels, because they're so
475
00:25:46,120 --> 00:25:49,160
sharp, it's really easy to take off
more than you actually need.
476
00:25:53,840 --> 00:25:55,640
I don't want to rush it,
cos when you rush it,
477
00:25:55,640 --> 00:25:57,960
that's when you have problems
and breakages.
478
00:26:00,360 --> 00:26:04,240
Next, Sonnaz is ready to cover
the seat pad.
479
00:26:04,240 --> 00:26:09,760
Now, this is really the moment of
truth as to whether I've chosen
480
00:26:09,760 --> 00:26:12,920
the right colour for Sarah,
481
00:26:12,920 --> 00:26:16,200
cos not only did she want it to not
look different in terms of
482
00:26:16,200 --> 00:26:20,040
the padding, she didn't want the
colour to be very different either.
483
00:26:20,040 --> 00:26:21,360
And I'm hoping...
484
00:26:23,760 --> 00:26:28,280
..that this velvet I've chosen
is as close as possible.
485
00:26:30,640 --> 00:26:33,800
I'm pretty happy with that, and I
think it's going to work well.
486
00:26:39,360 --> 00:26:41,440
Good. Really happy with that.
487
00:26:41,440 --> 00:26:45,440
It's actually really nice to see it
in new velvet as well,
488
00:26:45,440 --> 00:26:48,560
cos it's the start of you kind of
giving it this new lease of life.
489
00:26:59,880 --> 00:27:01,920
Snip into this.
490
00:27:01,920 --> 00:27:05,680
So, really, the objective with
corners is to secure it
491
00:27:05,680 --> 00:27:10,480
so that you've got as little bulk
as possible in the way.
492
00:27:12,520 --> 00:27:14,520
I'll pop a staple in there.
493
00:27:19,520 --> 00:27:20,760
Job done.
494
00:27:21,760 --> 00:27:23,840
The rail is going to sit
into that lovely.
495
00:27:28,480 --> 00:27:31,960
So, I have finished all the carving.
496
00:27:31,960 --> 00:27:35,120
I've glued the new pieces back
onto the front of the piano stool,
497
00:27:35,120 --> 00:27:38,480
and I've just filled
and touched in some other cracks
498
00:27:38,480 --> 00:27:40,000
and loose bits of wood.
499
00:27:41,520 --> 00:27:43,960
It's all on there, it's solid,
it's good to go.
500
00:27:43,960 --> 00:27:46,160
I just need to get into
the colour matching now.
501
00:27:46,160 --> 00:27:49,160
So, usually with colour matching,
I do lots of different samples,
502
00:27:49,160 --> 00:27:52,320
make sure I'm confident with
the colour that I'm going on with.
503
00:27:52,320 --> 00:27:53,480
But with this...
504
00:27:54,560 --> 00:27:57,480
..I've got a good feeling that the
colour I'm matching is sort of
505
00:27:57,480 --> 00:28:01,520
a general brown, umber colour,
so that is what I'm using here,
506
00:28:01,520 --> 00:28:03,600
and with quite a thin wash...
507
00:28:05,120 --> 00:28:07,200
..it's beginning to blend in
quite well.
508
00:28:14,280 --> 00:28:18,960
Amanda and Julie are coming to the
end of their makeover of Fred Bear.
509
00:28:18,960 --> 00:28:22,880
He's almost ready for his trip to
meet his family down under.
510
00:28:22,880 --> 00:28:25,280
Happy? Yeah, really happy, you?
511
00:28:25,280 --> 00:28:27,840
I am too, yeah. He's going to last
longer, isn't he?
512
00:28:27,840 --> 00:28:30,080
And he just looks like Fred Bear.
513
00:28:30,080 --> 00:28:31,280
Yeah.
514
00:28:32,680 --> 00:28:35,040
Fred's owners, Hilary and Mike,
515
00:28:35,040 --> 00:28:39,160
are back at the Repair Shop to see
if their beloved bear is finally
516
00:28:39,160 --> 00:28:40,680
ready to fly the nest.
517
00:28:42,440 --> 00:28:44,760
Hello! Hello, welcome back.
518
00:28:44,760 --> 00:28:46,160
Thank you. How are you?
519
00:28:46,160 --> 00:28:48,040
We're fine, how are you?
Lovely to see you.
520
00:28:48,040 --> 00:28:50,880
How are you feeling? Mmm!
521
00:28:50,880 --> 00:28:52,320
A little bit...
522
00:28:52,320 --> 00:28:55,200
Yeah, a little bit nervous,
aren't we, yeah?
523
00:28:55,200 --> 00:28:57,480
Do you want us to put you out of
your misery, then?
524
00:28:57,480 --> 00:29:00,440
Mm, yes, yes, please.
Are you ready? Are you sure?
525
00:29:00,440 --> 00:29:02,400
No, you can't cover your eyes!
526
00:29:02,400 --> 00:29:03,920
No!
527
00:29:03,920 --> 00:29:05,360
Are you ready? We're ready.
528
00:29:07,720 --> 00:29:08,880
Oh, look at him!
529
00:29:10,560 --> 00:29:12,080
Oh!
530
00:29:12,080 --> 00:29:13,240
How did you do that?
531
00:29:15,280 --> 00:29:16,520
Give him a cuddle.
532
00:29:18,600 --> 00:29:20,800
Oh, he's solid.
533
00:29:20,800 --> 00:29:23,120
Isn't he? Oh, he's gorgeous.
534
00:29:23,120 --> 00:29:25,040
He is, isn't it?
Oh, he feels lovely.
535
00:29:25,040 --> 00:29:28,680
I was expecting him to be
a lot softer.
536
00:29:28,680 --> 00:29:30,160
TEDDY PURRS
537
00:29:30,160 --> 00:29:32,600
Oh, still got his flatulence!
I didn't think...
538
00:29:34,960 --> 00:29:36,400
I didn't think I would be
539
00:29:36,400 --> 00:29:39,360
like this when I saw...
Well, look at you!
540
00:29:39,360 --> 00:29:40,920
You've filled up as well!
541
00:29:40,920 --> 00:29:43,280
We're just two softies, aren't we?
542
00:29:43,280 --> 00:29:46,200
Oh, he's lovely. Sorry.
543
00:29:46,200 --> 00:29:50,480
Oh, bless you.
Thank you so, so much.
544
00:29:52,240 --> 00:29:55,320
That's fantastic.
Thank you, thank you.
545
00:29:55,320 --> 00:29:56,360
So much.
546
00:29:57,840 --> 00:30:01,480
Look at him! Oh, look,
all his fur on the back!
547
00:30:01,480 --> 00:30:04,760
We did that specifically because I
know you said you wanted to be able
548
00:30:04,760 --> 00:30:07,200
to feel the fur,
549
00:30:07,200 --> 00:30:11,360
so we aged and sort of distressed
it to make it look realistic.
550
00:30:11,360 --> 00:30:14,480
Yeah, that's right.
It just looks like Fred Bear!
551
00:30:14,480 --> 00:30:16,080
Good. But he's lovely!
552
00:30:16,080 --> 00:30:17,200
That's our job done.
553
00:30:17,200 --> 00:30:19,560
Yeah, if you can say that,
that's what makes us happy,
554
00:30:19,560 --> 00:30:20,960
to hear you say that.
555
00:30:20,960 --> 00:30:24,520
So, tell me, what's the next part of
his journey?
556
00:30:25,800 --> 00:30:28,320
We're seeing Maria
for a big family do...
557
00:30:30,120 --> 00:30:34,240
..and then I'm going to
give her Fred.
558
00:30:34,240 --> 00:30:36,520
He's all yours. So, behave yourself!
559
00:30:36,520 --> 00:30:38,760
Say bye-bye to the ladies.
Bye, Fred!
560
00:30:40,760 --> 00:30:42,520
Thank you, bye! Bye!
561
00:30:49,400 --> 00:30:50,440
OK.
562
00:30:53,320 --> 00:30:55,880
Absolutely amazed.
563
00:30:55,880 --> 00:30:58,240
And delighted, we can't believe it.
564
00:31:00,640 --> 00:31:04,560
I became overwhelmed,
because Fred looked like Fred...
565
00:31:06,040 --> 00:31:08,640
..and it was everything
that I wanted.
566
00:31:08,640 --> 00:31:10,680
I just know how my daughter
will feel,
567
00:31:10,680 --> 00:31:12,440
she will feel exactly the same.
568
00:31:12,440 --> 00:31:14,160
She won't look at Fred and think,
569
00:31:14,160 --> 00:31:16,360
"What's my mother
done to that bear?"
570
00:31:19,040 --> 00:31:22,160
A few weeks later,
Fred was reunited with Maria
571
00:31:22,160 --> 00:31:24,240
and completed his epic journey
572
00:31:24,240 --> 00:31:27,360
to Australia,
where he met his newest owner,
573
00:31:27,360 --> 00:31:30,400
Hilary and Mike's
great-grandson Elijah.
574
00:31:40,520 --> 00:31:42,240
Out in the metal workshop,
575
00:31:42,240 --> 00:31:47,280
Brenton is getting to grips with
a pair of war-torn statuettes.
576
00:31:47,280 --> 00:31:50,280
One needs her feet reattached
to the pedestal,
577
00:31:50,280 --> 00:31:52,840
the other has lost her basket.
578
00:31:52,840 --> 00:31:55,320
This lady here has got less damage.
579
00:31:55,320 --> 00:31:59,560
We've got her basket of fruit and
flowers that's become detached.
580
00:31:59,560 --> 00:32:03,120
Just to glue that on there,
it wouldn't be strong enough,
581
00:32:03,120 --> 00:32:07,040
so what I'm going to do is I'm going
to put a couple of wire pegs coming
582
00:32:07,040 --> 00:32:12,800
out of her arms and make
corresponding holes in the basket
583
00:32:12,800 --> 00:32:17,200
so that should sit there by itself
without glue, and then when I put
584
00:32:17,200 --> 00:32:19,960
the glue on, that'll be
an extra sort of strength.
585
00:32:22,680 --> 00:32:26,240
The spelter figurines
were made by Limousin,
586
00:32:26,240 --> 00:32:30,240
a prolific French manufacturer
of Art Deco ornaments.
587
00:32:30,240 --> 00:32:34,960
What we need to do now is make
corresponding holes in those.
588
00:32:34,960 --> 00:32:39,720
The company stopped production in
1940, during the Second World War,
589
00:32:39,720 --> 00:32:43,360
around the same time that this
resilient pair were caught up
590
00:32:43,360 --> 00:32:45,080
in the London Blitz.
591
00:32:55,160 --> 00:32:56,880
That goes in that hole now,
592
00:32:56,880 --> 00:33:00,120
and that actually stays
on there with just one pin,
593
00:33:00,120 --> 00:33:02,880
so, when I've got the other pin in,
that will be nice and strong,
594
00:33:02,880 --> 00:33:05,520
and then that little bit
of glue in there
595
00:33:05,520 --> 00:33:07,560
will make it good as new again.
596
00:33:11,040 --> 00:33:13,360
Now the statuettes are prepped,
597
00:33:13,360 --> 00:33:18,280
Brenton is giving them a final clean
before fixing them back together,
598
00:33:18,280 --> 00:33:19,960
and Jay is lending a hand.
599
00:33:21,680 --> 00:33:23,840
So, you've worked with
spelter before?
600
00:33:23,840 --> 00:33:26,480
I have, yeah. How do you know
to identify that as spelter?
601
00:33:26,480 --> 00:33:31,440
When you scratch it,
which I've done behind there,
602
00:33:31,440 --> 00:33:34,440
in a bit you can't see,
it goes silver coloured.
603
00:33:34,440 --> 00:33:37,600
So if I just give that
a bit of a scratch...
604
00:33:37,600 --> 00:33:39,480
Oh, yeah. That's silver coloured.
605
00:33:39,480 --> 00:33:42,000
If that was bronze...
Yeah. ..that would be gold coloured.
606
00:33:43,080 --> 00:33:44,360
Oh...
607
00:33:44,360 --> 00:33:50,000
Yeah, they're nice things, and
they deserve to be repaired nicely,
608
00:33:50,000 --> 00:33:53,240
looked after. So, in here
is just soapy water, yeah?
609
00:33:53,240 --> 00:33:55,080
Just really, really mild detergent.
610
00:33:56,040 --> 00:33:57,960
I don't need any chemicals.
611
00:33:57,960 --> 00:34:02,240
The worry of putting chemicals on,
this has got a patina on it,
612
00:34:02,240 --> 00:34:04,240
and if I get any sort of
violent chemical on,
613
00:34:04,240 --> 00:34:07,120
that is going to fetch that off
and they're going to go silver.
614
00:34:07,120 --> 00:34:10,120
Yeah, don't want that.
And I don't want that.
615
00:34:10,120 --> 00:34:13,200
So we'll be really gentle with them.
616
00:34:13,200 --> 00:34:14,720
It's quite therapeutic out here.
617
00:34:14,720 --> 00:34:18,560
Yeah, it's good. Doing a bit of
cleaning. Yeah, nice and quiet.
618
00:34:18,560 --> 00:34:19,640
Away from the barn.
619
00:34:25,400 --> 00:34:27,840
With the statuettes spick and span,
620
00:34:27,840 --> 00:34:30,400
Brenton users the strong
epoxy adhesive
621
00:34:30,400 --> 00:34:32,200
to secure the broken basket.
622
00:34:39,040 --> 00:34:41,920
So, that is in the right place,
623
00:34:41,920 --> 00:34:44,320
so, I've just got to let that set.
624
00:34:44,320 --> 00:34:45,600
Now the difficult one.
625
00:34:46,800 --> 00:34:47,840
So...
626
00:34:48,840 --> 00:34:49,960
..glue round the foot.
627
00:34:51,360 --> 00:34:54,160
And that's going to be
screwed up through the stone,
628
00:34:54,160 --> 00:34:55,360
up through the base...
629
00:34:57,200 --> 00:35:00,520
..into the feet, and that's
going to hold that in position
630
00:35:00,520 --> 00:35:02,040
while I glue that.
631
00:35:20,720 --> 00:35:22,600
That's actually quite happy
down like that,
632
00:35:22,600 --> 00:35:24,680
so I'm going to leave that like
that, I think, to dry,
633
00:35:24,680 --> 00:35:27,640
and a big sign saying, "Don't
touch", and come back and we can
634
00:35:27,640 --> 00:35:29,040
polish them up.
635
00:35:34,920 --> 00:35:38,000
It's been a team effort
in the Repair Shop today.
636
00:35:38,000 --> 00:35:41,200
Sonnaz and Will have been working
their magic on a century-old
637
00:35:41,200 --> 00:35:42,720
piano stool.
638
00:35:42,720 --> 00:35:46,480
Now they're ready to reunite
their parts of the project.
639
00:35:46,480 --> 00:35:48,840
Finished the top! Lovely.
640
00:35:48,840 --> 00:35:50,200
Look at that! Yeah.
641
00:35:50,200 --> 00:35:53,840
Beautiful! Looks great, doesn't it,
that green against your wood?
642
00:35:53,840 --> 00:35:55,600
Look at your carving!
643
00:35:55,600 --> 00:35:58,400
Oh, please. Incredible!
644
00:35:58,400 --> 00:36:00,760
Well done. It's actually come up
really well,
645
00:36:00,760 --> 00:36:02,440
and look at the brass plaque
as well,
646
00:36:02,440 --> 00:36:05,360
you can actually see all the writing
now. That's incredible.
647
00:36:05,360 --> 00:36:08,560
Can you guess which bits
I've replaced as well?
648
00:36:08,560 --> 00:36:12,120
I really can't, actually, I can't
guess which ones you've replaced.
649
00:36:12,120 --> 00:36:14,400
Have you moved them
around or something?
650
00:36:14,400 --> 00:36:17,160
Have you? No, I haven't.
Well, let's get that on,
651
00:36:17,160 --> 00:36:19,760
cos I need to get this
over to Sarah. Yep, great.
652
00:36:24,200 --> 00:36:26,720
I think it's a great joint effort.
653
00:36:26,720 --> 00:36:29,120
Really lovely.
She's going to love it.
654
00:36:29,120 --> 00:36:30,280
She is going to love it.
655
00:36:32,600 --> 00:36:35,320
When Sarah brought her
great-grandfather's stool to
656
00:36:35,320 --> 00:36:39,400
the Repair Shop, it was looking
all of its 112 years -
657
00:36:39,400 --> 00:36:41,440
threadbare upholstery,
658
00:36:41,440 --> 00:36:45,480
missing carving,
wood and brass lacking lustre.
659
00:36:45,480 --> 00:36:48,000
Really looking forward to picking up
the piano stool,
660
00:36:48,000 --> 00:36:49,560
really looking forward to seeing it.
661
00:36:49,560 --> 00:36:51,920
Obviously, a little bit nervous.
662
00:36:51,920 --> 00:36:54,880
Obviously, in my lifetime, it's only
ever looked how it did, really,
663
00:36:54,880 --> 00:36:56,320
when I dropped it off,
664
00:36:56,320 --> 00:37:00,760
so, really looking forward
to seeing it again and excited.
665
00:37:02,920 --> 00:37:06,080
Hello. Hello. Nice to see you again.
666
00:37:06,080 --> 00:37:07,720
And you, lovely to see you again.
667
00:37:09,200 --> 00:37:11,040
Gosh!
668
00:37:11,040 --> 00:37:13,320
So, here it is. Yes.
669
00:37:13,320 --> 00:37:15,840
As you can see,
it's on four legs so...
670
00:37:15,840 --> 00:37:17,760
Yeah! So, that's a positive sign.
671
00:37:17,760 --> 00:37:19,680
Yeah, it's looking good!
672
00:37:19,680 --> 00:37:21,760
Are you ready? I think so!
673
00:37:21,760 --> 00:37:22,800
OK!
674
00:37:24,000 --> 00:37:25,600
Here we go.
675
00:37:25,600 --> 00:37:26,880
Oh, wow.
676
00:37:26,880 --> 00:37:28,120
Oh!
677
00:37:28,120 --> 00:37:30,600
Oh, gosh! Oh, it's lovely.
678
00:37:32,240 --> 00:37:33,840
Oh, I can't believe it, look!
679
00:37:35,040 --> 00:37:36,160
Golly.
680
00:37:37,960 --> 00:37:39,720
A bit speechless, really,
to be honest.
681
00:37:39,720 --> 00:37:42,480
It looks really lovely,
it's just so shiny.
682
00:37:42,480 --> 00:37:43,840
Thank you so much.
683
00:37:43,840 --> 00:37:46,520
Brilliant job.
Yeah, are you pleased?
684
00:37:46,520 --> 00:37:48,360
Really, really pleased.
685
00:37:48,360 --> 00:37:51,040
Sonnaz has done a great job
with the upholstery.
686
00:37:52,760 --> 00:37:55,760
We've tried to keep the same green
colour that was originally there.
687
00:37:55,760 --> 00:38:01,600
Yeah, it looks really vibrant again,
really full of life, yeah, it does,
688
00:38:01,600 --> 00:38:04,840
it's amazing. Finally, the carving.
689
00:38:04,840 --> 00:38:06,480
Yes. The replacement carving.
690
00:38:06,480 --> 00:38:08,560
Yes, it's all back in place,
691
00:38:08,560 --> 00:38:11,160
cos obviously there was some
actually missing, wasn't there?
692
00:38:11,160 --> 00:38:15,240
Yeah, yeah. Was it, I think, that
piece actually wasn't there at all?
693
00:38:15,240 --> 00:38:19,640
And to get it to exactly
the same pattern is...
694
00:38:19,640 --> 00:38:21,280
Stop it!
695
00:38:21,280 --> 00:38:23,880
My mum will be really pleased
to see it as well,
696
00:38:23,880 --> 00:38:25,600
she was very keen to keep it green.
697
00:38:25,600 --> 00:38:30,160
To me, to get it back like this sort
of feels like I'm starting the next
698
00:38:30,160 --> 00:38:33,440
era with it, and I know that
then it will be in a really good
699
00:38:33,440 --> 00:38:35,800
condition. Yeah.
700
00:38:35,800 --> 00:38:37,480
It was a pleasure to work on,
701
00:38:37,480 --> 00:38:41,520
and it was also quite nice for me to
work with Sonnaz on such a lovely
702
00:38:41,520 --> 00:38:43,760
item as well.
So, thank you very much.
703
00:38:47,560 --> 00:38:50,920
Seeing the piano stool,
it's absolutely beautiful.
704
00:38:50,920 --> 00:38:53,840
It just makes you think of all
the people, really.
705
00:38:53,840 --> 00:38:57,320
It's my great-grandfather's
it was given to originally,
706
00:38:57,320 --> 00:39:00,160
and all the things it's survived,
two world wars,
707
00:39:00,160 --> 00:39:03,360
come all the way through,
always been in the family,
708
00:39:03,360 --> 00:39:06,960
and hopefully giving the piano stool
this new boost will keep it going
709
00:39:06,960 --> 00:39:08,560
for another 100-odd years.
710
00:39:21,120 --> 00:39:24,520
Outside, Brenton has secured
the broken pieces
711
00:39:24,520 --> 00:39:26,600
of the war-torn statuettes.
712
00:39:26,600 --> 00:39:30,640
Now he's painting the glued joints
to match the patina of the spelter
713
00:39:30,640 --> 00:39:34,000
before applying
the final finishing touch.
714
00:39:34,000 --> 00:39:37,680
So, I've got a specialist wax polish
which will just brighten them up
715
00:39:37,680 --> 00:39:39,480
a bit and give them
a bit of a shine,
716
00:39:39,480 --> 00:39:42,080
and they just need a tiny,
little bit just to give them
717
00:39:42,080 --> 00:39:43,480
a bit of lustre.
718
00:39:45,080 --> 00:39:47,560
All those years
of being in the loft.
719
00:39:47,560 --> 00:39:50,720
We took lots and lots of dirt off
them when we cleaned them,
720
00:39:50,720 --> 00:39:52,680
they were filthy.
721
00:39:52,680 --> 00:39:55,400
So, this will just protect them,
722
00:39:55,400 --> 00:39:57,760
and that's actually coming up
really nicely,
723
00:39:57,760 --> 00:39:59,800
lovely and shiny on the leg there.
724
00:40:03,280 --> 00:40:05,840
So, I think
that's just about ready,
725
00:40:05,840 --> 00:40:08,520
and it's going to be party time
at Jeremy's.
726
00:40:13,800 --> 00:40:18,040
Carefully wrapped, the statuettes
are sent home to Lewisham,
727
00:40:18,040 --> 00:40:21,760
where Jeremy and his sister Liz
are reminiscing about the original
728
00:40:21,760 --> 00:40:27,080
owners of the Art Deco figurines -
their parents, Kitty and Jack.
729
00:40:27,080 --> 00:40:30,560
Oh, look, there's Mum and Dad on
their 50th wedding anniversary.
730
00:40:30,560 --> 00:40:31,920
That's right.
731
00:40:31,920 --> 00:40:33,280
That's their first dance.
732
00:40:33,280 --> 00:40:34,760
And our dad hated dancing.
733
00:40:34,760 --> 00:40:36,800
Hated dancing. He hated dancing.
734
00:40:36,800 --> 00:40:39,280
But he had to do the first dance.
735
00:40:39,280 --> 00:40:40,480
His face!
736
00:40:42,320 --> 00:40:44,000
It seems like yesterday.
737
00:40:44,000 --> 00:40:46,440
Oh, we were all very close
to our parents.
738
00:40:46,440 --> 00:40:49,520
My mum and dad were the hub.
739
00:40:49,520 --> 00:40:53,080
The statuettes were broken during
an air raid. Even though they were
740
00:40:53,080 --> 00:40:55,480
broken and smashed up,
she still treasured them.
741
00:40:55,480 --> 00:40:57,120
It's a link to the past.
742
00:40:59,560 --> 00:41:01,920
Oh! Oh, they're here! It's arrived.
743
00:41:01,920 --> 00:41:05,000
Let's have a look. Are you excited?
I really am! Oh, my goodness.
744
00:41:05,000 --> 00:41:07,160
Oh, my goodness, look!
745
00:41:09,400 --> 00:41:11,720
Oh... Oh, wow.
746
00:41:11,720 --> 00:41:12,920
It's like Christmas.
747
00:41:14,240 --> 00:41:15,360
Exciting.
748
00:41:20,160 --> 00:41:21,280
Wow.
749
00:41:30,560 --> 00:41:32,800
Aren't they gorgeous?
They're lovely.
750
00:41:32,800 --> 00:41:35,040
That's fantastic, look at that!
751
00:41:35,040 --> 00:41:36,520
It's like two little Oscars.
752
00:41:37,640 --> 00:41:42,000
They have not looked this good
since 1940.
753
00:41:42,000 --> 00:41:43,720
They look fantastic!
754
00:41:43,720 --> 00:41:47,320
It doesn't look as if they've ever
been broken at all.
755
00:41:47,320 --> 00:41:50,200
Everything's fixed. Mum and Dad
would have liked to have seen these.
756
00:41:50,200 --> 00:41:52,880
God, they'd have loved this,
Absolutely loved this.
757
00:41:54,080 --> 00:41:57,360
The repairs on the two statuettes
are unbelievable,
758
00:41:57,360 --> 00:42:00,760
there's no trace of any
repair on them.
759
00:42:00,760 --> 00:42:04,520
It looks like how they would have
looked 80, 90 years ago.
760
00:42:04,520 --> 00:42:07,320
Shall we put them up on
the cocktail cabinet?
761
00:42:08,440 --> 00:42:10,280
Yeah.
762
00:42:10,280 --> 00:42:11,960
Let's...
763
00:42:11,960 --> 00:42:13,880
Right, ladies,
764
00:42:13,880 --> 00:42:15,360
it's the end of your journey.
765
00:42:18,920 --> 00:42:20,520
Oh, look at that.
766
00:42:20,520 --> 00:42:23,560
Now, that looks...
Does that look good? Wicked.
767
00:42:25,080 --> 00:42:27,600
I could sit here and just look at
them, couldn't you?
768
00:42:27,600 --> 00:42:30,280
You just want to stare at them.
They're made for there, aren't they?
769
00:42:30,280 --> 00:42:33,320
They're made for there, they really
are. They are made for there.
770
00:42:33,320 --> 00:42:34,960
I love them.
771
00:42:38,720 --> 00:42:44,000
Having these statues repaired is our
family's tribute to our parents,
772
00:42:44,000 --> 00:42:47,560
and it's a memorial to both of them,
to my mum and my dad.
773
00:42:49,880 --> 00:42:54,400
They're seamless, you wouldn't know
the damage that was on them.
774
00:42:54,400 --> 00:42:56,360
I'm really happy.
775
00:42:56,360 --> 00:42:59,120
I'm happy they're complete again,
cos they look stunning.
776
00:43:00,640 --> 00:43:03,560
I'm looking forward to every day
getting the Pledge out,
777
00:43:03,560 --> 00:43:06,120
giving them a polish every morning
778
00:43:06,120 --> 00:43:09,440
and then just thinking about Mum
and Dad while I'm polishing them.
779
00:43:15,800 --> 00:43:19,720
Join us next time as more family
treasures are rescued...
780
00:43:19,720 --> 00:43:21,760
You're a clever bunny, ain't you?
781
00:43:21,760 --> 00:43:24,000
..and their cherished memories
restored...
782
00:43:24,000 --> 00:43:26,040
Oh, amazing. Oh, I love it.
783
00:43:26,040 --> 00:43:27,360
..in the Repair Shop.