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Welcome to the Repair Shop,
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where cherished family heirlooms
are brought back to life.
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This is the workshop of dreams.
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Home to furniture restorer
Jay Blades.
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Nowadays everybody
spends a fortune on stuff
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that once it's broken
they just bin it.
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But everybody has something that
means too much to be thrown away.
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And that's where we come in.
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Working alongside Jay
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will be some of the country's
leading craftspeople.
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Every piece has its own story.
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It's amazing to think that
some of my work becomes part
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of that story.
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I've always played with things.
I've always repaired things.
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And I just love it.
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There is a real pleasure in bringing
people's pieces back to life again.
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Each with their own
unique set of skills.
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I can't wait to get started.
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They will resurrect...
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..revive...
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..and rejuvenate...
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..treasured possessions
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and irreplaceable pieces
of family history.
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Wow!
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Bringing both the objects...
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She's fantastic! That's just
taken me back 50 years.
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..and the memories that they hold...
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SHE GASPS
Oh, yes!
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..back to life.
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Oh, my God!
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In the Repair Shop today,
an unlikely visitor
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in the shape of a Roman deity.
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So it takes two of you
to fix Hercules?
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Cor blimey. I thought you guys were
stronger than this guy.
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What's going on? This is
a really, really, really clever fix.
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And the upholstery gods
are smiling on Susie and Sonnaz.
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Ooh, look at that!
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That was lucky.
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End of the bobbin.
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First through the doors
of the Repair Shop
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is Jane Maddy from Lincolnshire
with an unusual package.
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Hi there. Please come over.
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She's hoping
furniture restorer Will Kirk
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will cast his expert eye
over its contents.
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What's in the box?
It's a smoker's stand.
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A smoker's stand.
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I don't think we've actually
ever had a smoker's stand in before.
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So what can you tell me about this?
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It's always been around.
It belonged to my grandparents.
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My grandfather's,
he always smoked a pipe.
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I've got memories of it with
pipes all the way along there
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right from being little.
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It seems to be in pretty good
condition apart from
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obviously the missing leg, which
you say is in here. It's there.
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What are these pieces here?
Just bits that fit in the top.
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I presume that's for...
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I presume it's where
they tap their tobacco.
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Gosh. It's very fancy.
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Are you a pipe smoker yourself?
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Not recently! No, I can't say
I have ever smoked a pipe.
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And I think that one was for
matches. Matches, probably, yeah.
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And then that's
your little striking plate.
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How clever. To strike matches on.
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I actually smoked a pipe
for a year when I was at art school.
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Did you? I thought it was trendy.
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It probably wasn't very trendy.
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But yeah, I definitely
didn't have anything like this.
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So you inherited this from your
grandfather. He died many years ago.
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I was brought up by my grandparents.
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He was a cobbler.
I've got great memories
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of being in the shop
from very young
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and just stood watching my grandad.
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Well, it seemed like hours
at the time, just mending the shoes.
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Was he smoking a pipe whilst
mending them?
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I think he did do, yes, yes.
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It's probably one
of the only reminders I've got
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of my grandparents.
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I know it's
only a little thing, but to me
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it absolutely means the world,
so I'd like it really fixed
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so that I can have it
on display in my house again.
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I will do everything I can.
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That would be wonderful.
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Well, I'll let you know
how we get on. Brilliant.
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It's really nice to meet you.
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Thank you very much.
Thank you for coming in.
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I'm quite nervous about leaving my
grandfather's smoking stand behind.
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The stand has a lot of nice memories
for me.
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Memories of my grandad sat there,
puffing on his pipe.
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And the smell of tobacco
brings that back as well.
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And my grandma busily probably
Hoovering round it and polishing it,
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and telling him off
for smoking too much.
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How are we doing, Will?
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This is Jane's smoking stand, eh?
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If I had a pipe right now,
I'd be resting my pipe
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upon the top. Well, not literally,
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but in these holes here.
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So it's missing a leg.
Oh, you've got the leg.
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I have the leg here.
So the leg's broken off.
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Well, the wood's broken off
underneath,
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and then the leg's popped out.
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So I need to patch that wood
back in and glue that back in.
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So what about these bits here?
They're missing as well.
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I didn't even notice that.
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Are they...? That's brass.
That could actually be brass.
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Is it? Do you think so?
Yeah, I think so. Maybe.
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Oh, this is loose as well. Right.
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Well, that's another thing
on my list. Sorry.
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And then a general clean and a wax.
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Yeah. But not going to clean out
that, are we? No.
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Cos that's her grandfather's
tobacco.
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Yeah. No, we've got that in there.
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So once you've done this, what you
should do is just take it over
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to Steve, see if he can make those.
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I'm sure he's going
to help you out with that.
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Have a good one. Cheers, Jay.
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Next to arrive at the workshop -
Carl Sebastian and his dad Jeff.
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They've brought with them a piece
of classic '60s furniture
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for the attention
of master saddle maker
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and leather expert Suzie Fletcher.
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Hi, I'm Suzie. I'm Jeff.
Nice to meet you, Jeff.
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Carl. Nice to meet you.
Carl, nice to meet you too.
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My word, what is this?
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It's a leaf chair.
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I've never seen anything like it,
it's just from my nan's house.
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So this belongs to your nan?
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Yeah, it used to. We call her Nonna.
Nonna? Yeah, she's Italian.
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When my grandad passed away,
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she was downsizing and she didn't
have enough room to put it
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in her new house,
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so she called me straightaway,
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since I know how much she loved
the chair, and she gave it to me.
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So this belonged to your nan. Yeah.
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So, was Nonna into
the swinging '60s? I'd say so.
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Yeah, she's pretty cool.
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This was set up
by the record player.
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Right.
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So Tony, Carl's grandad,
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used to lie in here
and listen to the music.
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Every time I went to my nan's house,
yeah, from a baby,
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I'd always...everyone would race
to sit in the chair. Oh, really?
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Could more than one of you
sit in it?
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Yeah, yeah, we could.
We used to pretend it's a boat.
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So what does it feel like to sit in?
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Lovely. Amazing, yeah.
It is? You'd fall asleep in it.
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Oh, really?
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So how exactly did it
end up in this state?
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Well, basically, Carl,
his sisters and his cousins,
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they all used to sit
in the chair.
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And then it got to a stage
where this is getting tighter
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and tighter and brittle
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and Carl's cousin sat on it one day,
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and it just split,
it just gave way.
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That's after all the kids
had been sitting on it. Wow.
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Well, we'll have to see
what I can do here.
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But looking at this grain here,
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I believe this is buffalo hide.
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OK. Very, very strong
and it has a very prominent grain.
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So my plan is to use as close
to the original leather
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as possible.
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Thank you so much, Carl,
for bringing it in
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and putting your trust in me.
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Thank you. And I can't wait to get
started. So we'll be in touch.
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We'll leave it with you.
Looking forward to it. Thank you.
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Thank you. Bye. Bye.
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Yeah, it would mean a lot
to have it repaired.
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Thinking back,
the way it used to be,
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seeing the kids playing
on the chair.
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It's always been, like, a feature
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in the sitting room. You know,
it'd be good to,
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once it's repaired,
to be able to use it
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and, yeah,
make the most of it again
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and probably bring back the memories
I had as a child in the chair.
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Based on the shape of a leaf,
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the chair's design dates back
to 1967 and was originally available
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in other fabrics as well as leather.
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Hanging chairs reached the peak
of their popularity
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in the swinging '60s,
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but this leaf chair
is still highly collectible.
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So now I've got a chance to look
at this leaf chair that Carl left
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with me, and...
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..I am scratching my head
a little bit.
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I'm concerned because it has
many angles to it...
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..which create this overall shape
that literally just cradles
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the body when it's lying in there,
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and...
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..I've never done anything
like this before. So, uh,
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perhaps, Sonnaz,
if you're available,
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could I ask you to come and have
a look at this for me, please? Sure.
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Sonnaz Nooranvary is an expert
in furniture restoration,
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both traditional and modern. So you
can see how badly damaged this is.
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Wow. And... It's had a lot of use,
hasn't it?
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My quandary is making a pattern...
Yep. ..for this that...
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..it creates this bowl shape.
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I think that we need to make
a pattern somehow.
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It might be a good idea...
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..to maybe use calico?
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Calico is just a really...
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..cheap fabric, like a cotton.
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So, we make three patterns. Yeah.
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Stick them together. Yeah.
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Offer them up to the frame
to see where we're at. Yep.
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Perfect. OK, sounds like a plan.
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So I just need to take this
leather off, then.
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Do you need any help with that
or...? Yeah, that'd be great. OK.
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Over in the carpentry corner,
Will is getting to grips
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with the legless smoker's stand.
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Before patching the base
with a new piece of wood,
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he's first cutting away
any damaged timber.
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Sometimes when working on a piece
like this, it can be really hard
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to know how much wood to remove.
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There's always the risk of going
too far, taking out more wood
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than you need to.
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It has to be structurally sound,
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so I think I've gone
to the right level here.
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It's not a bad fit, actually.
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It doesn't look flush with the
surface now, but once that's dried,
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then I can chisel and plane it down
nice and smooth.
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That's nice and flush now.
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I'm now going to drill out a new
hole for the leg to go back in.
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So I'm just trying to work out
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the direction of the leg.
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I'll make sure I drill it out
the first time...
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..spot on.
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That feels like a tight fit.
Even without the glue,
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I am that certain that's going
to be strong enough to hold it,
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I'm actually going to turn it round
now.
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Perfect!
I'm really pleased with that.
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Now the smoker's stand stands again.
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Back on three legs,
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it's time for Will to call in
a favour from clockmaker Steve.
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Steve... What on earth is that?
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That, my friend, is a pipe stand.
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A pipe stand? Yeah.
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How many pipes could you get
in that? Ten pipes.
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For the pipe enthusiast. Right, OK.
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There's some brass rings on the top,
here.
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And I seem to be missing
one, two, three of them.
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Is there any way that
you can make up three more?
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Does that come off?
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I don't think...
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Well, now!
WILL LAUGHS
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Well done. That was easy. Yeah.
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I think it would be a nice touch
244
00:12:55,760 --> 00:12:57,600
because Jane won't be expecting
that.
245
00:12:57,600 --> 00:13:00,440
It'll be like a nice sort of...
Oh, right, OK. ..finishing touch.
246
00:13:00,440 --> 00:13:02,080
Yeah. So I'll leave you with that.
247
00:13:02,080 --> 00:13:04,680
I'll get on to polishing this.
And let me know when you're ready.
248
00:13:04,680 --> 00:13:06,400
Thanks, Steve.
249
00:13:12,080 --> 00:13:15,240
Many of the items that arrive
at the Repair Shop are treasured
250
00:13:15,240 --> 00:13:19,600
family pieces passed on
from one generation to the next.
251
00:13:19,600 --> 00:13:22,560
But others have meaning
to a wider community.
252
00:13:22,560 --> 00:13:25,480
Liz Argent from
the Westbury Heritage Society
253
00:13:25,480 --> 00:13:26,880
in Wiltshire
254
00:13:26,880 --> 00:13:29,920
has a heavenly body in need
of some emergency surgery.
255
00:13:31,400 --> 00:13:32,800
Hello, I'm Steve.
256
00:13:32,800 --> 00:13:35,160
Hello, I'm Liz. Hello.
Hi, Liz, I'm Matthew.
257
00:13:35,160 --> 00:13:36,800
Hello, nice to meet you.
258
00:13:36,800 --> 00:13:40,320
Liz has brought in a 30-kilo
cast-iron statue
259
00:13:40,320 --> 00:13:42,320
of the Roman god Hercules
260
00:13:42,320 --> 00:13:47,400
to test the strength of Steve and
metal conservator Matt Boultwood.
261
00:13:47,400 --> 00:13:50,480
What a wonderful statue this is.
Thank you.
262
00:13:50,480 --> 00:13:52,160
Thank you. Tell me about it.
263
00:13:52,160 --> 00:13:54,760
He's about 160 years old.
264
00:13:54,760 --> 00:13:58,640
And he was in one of the mills
in our town.
265
00:13:58,640 --> 00:14:01,120
Westbury's got a tradition
of cloth-making
266
00:14:01,120 --> 00:14:04,640
going back, oh, 500 years or so.
267
00:14:04,640 --> 00:14:07,200
So it's an important industry
in the town.
268
00:14:07,200 --> 00:14:08,720
Why Hercules?
269
00:14:08,720 --> 00:14:10,720
Well, he's a symbol of strength
270
00:14:10,720 --> 00:14:12,360
and he was on a beam engine,
271
00:14:12,360 --> 00:14:14,800
which is a very powerful machine.
272
00:14:14,800 --> 00:14:16,840
It powered the whole mill.
273
00:14:16,840 --> 00:14:19,920
He was standing on the front
of this huge cylinder,
274
00:14:19,920 --> 00:14:22,320
but it was quite
an interesting setting.
275
00:14:22,320 --> 00:14:25,120
It looked like a classical Greek
or Roman temple because there were
276
00:14:25,120 --> 00:14:27,760
pillars on either side
and a pediment above it all.
277
00:14:27,760 --> 00:14:31,080
But when the mill converted
to mains electricity,
278
00:14:31,080 --> 00:14:33,840
Hercules lost his place
of honour in the factory.
279
00:14:33,840 --> 00:14:38,360
He was destined for the scrap yard
until, in 1969, he was rescued
280
00:14:38,360 --> 00:14:40,960
by factory worker Jack Ingram.
281
00:14:40,960 --> 00:14:44,280
Eventually, he made his way
through various owners in the town.
282
00:14:44,280 --> 00:14:46,960
He came to
the Westbury Heritage Society
283
00:14:46,960 --> 00:14:48,480
in the end, about 25 years ago.
284
00:14:48,480 --> 00:14:51,240
And he had an accident,
and he lost his club.
285
00:14:51,240 --> 00:14:53,360
Oh, right, that's what
he's supposed to be holding.
286
00:14:53,360 --> 00:14:55,080
That's what's missing,
yes, yeah, yes.
287
00:14:55,080 --> 00:14:57,360
Shall I have a look at the...?
288
00:14:57,360 --> 00:14:58,880
So what actually happened?
289
00:14:58,880 --> 00:15:01,080
Somebody was trying to move him,
290
00:15:01,080 --> 00:15:04,440
and it toppled over,
and his club came off.
291
00:15:04,440 --> 00:15:07,560
So he's actually fractured
at that join, here. Yes, yeah.
292
00:15:07,560 --> 00:15:08,720
Is that easy to repair?
293
00:15:08,720 --> 00:15:12,560
Um, cast iron is notoriously
difficult to weld.
294
00:15:12,560 --> 00:15:16,200
But I can see here there's actually
like a mechanical fixing,
295
00:15:16,200 --> 00:15:19,040
which we can take a look at,
296
00:15:19,040 --> 00:15:21,240
to separate and see
how best to repair it.
297
00:15:21,240 --> 00:15:22,720
I mean, you can weld it,
298
00:15:22,720 --> 00:15:25,480
but you will disturb the finish,
the patina. Yes.
299
00:15:25,480 --> 00:15:28,440
Which is something we'd have to be
quite careful of.
300
00:15:28,440 --> 00:15:33,040
When Matt has worked his magic
on this statue,
301
00:15:33,040 --> 00:15:34,120
what is the plan?
302
00:15:34,120 --> 00:15:36,880
Oh, we'll put him back on display
in the Heritage Centre.
303
00:15:36,880 --> 00:15:40,360
He's got a plinth that he normally
stands on, but he's one of our main
304
00:15:40,360 --> 00:15:44,520
exhibits because he represents
the industrial heritage of the town.
305
00:15:44,520 --> 00:15:47,240
Right, OK. So I guess
it's over to you, Matt.
306
00:15:47,240 --> 00:15:49,480
Yeah, we'll see what we can do. OK.
307
00:15:49,480 --> 00:15:52,040
Thank you, Liz, for bringing him in.
Leave it with us.
308
00:15:52,040 --> 00:15:54,040
Thank you very much.
OK. Thank you very much.
309
00:15:54,040 --> 00:15:56,840
Thank you. Nice to meet you.
Bye now. Bye-bye.
310
00:16:00,360 --> 00:16:03,560
I'm really hopeful that Hercules
will soon be repaired
311
00:16:03,560 --> 00:16:05,280
and back in Westbury.
312
00:16:05,280 --> 00:16:10,280
He's been broken for ten years now,
and it's also the 25th anniversary
313
00:16:10,280 --> 00:16:12,920
of the founding of
the Westbury Heritage Society,
314
00:16:12,920 --> 00:16:14,760
so to have Hercules
315
00:16:14,760 --> 00:16:17,640
put back together again
would be a great achievement
316
00:16:17,640 --> 00:16:18,680
this year.
317
00:16:21,040 --> 00:16:22,520
So,
318
00:16:22,520 --> 00:16:24,080
how are you going to fix this?
319
00:16:24,080 --> 00:16:25,520
Are you going to weld this up?
320
00:16:25,520 --> 00:16:28,920
I think, as it's got such a lovely
patina to it,
321
00:16:28,920 --> 00:16:30,960
I'm probably going to try
322
00:16:30,960 --> 00:16:35,320
and avoid using any hot welding
or anything that would disturb this.
323
00:16:35,320 --> 00:16:37,240
There's so much weight
in the piece of club,
324
00:16:37,240 --> 00:16:39,400
glue is just not going to
be able to hold it.
325
00:16:39,400 --> 00:16:42,640
But if we put another pin and
then use that as a Roman joint
326
00:16:42,640 --> 00:16:45,600
to hold it together,
we should be able to make
327
00:16:45,600 --> 00:16:47,440
a nice, almost invisible repair.
328
00:16:47,440 --> 00:16:48,880
A Roman joint?
329
00:16:48,880 --> 00:16:51,120
Roman joints were used a lot
on bronze sculptures,
330
00:16:51,120 --> 00:16:53,160
where you wanted to join two parts
331
00:16:53,160 --> 00:16:55,400
or two separate castings together.
332
00:16:55,400 --> 00:16:58,320
It brings them together and
clamps the pieces. Oh, excellent.
333
00:16:58,320 --> 00:17:00,520
Yeah. Love that. That's fantastic.
334
00:17:00,520 --> 00:17:03,680
Let's get it all over to your bench,
and you can get cracking.
335
00:17:03,680 --> 00:17:06,440
Do you want to pick that up
and give me a hand with this?
336
00:17:06,440 --> 00:17:08,920
Give you a hand. Yeah. It's quite
heavy. Cor, it is, isn't it?
337
00:17:08,920 --> 00:17:10,520
It really is heavy.
338
00:17:11,760 --> 00:17:13,600
There we go.
339
00:17:13,600 --> 00:17:15,000
Here we go.
340
00:17:20,600 --> 00:17:23,720
Suzie and Sonnaz have joined
forces to repair and restore
341
00:17:23,720 --> 00:17:25,480
the classic 1960s leaf chair.
342
00:17:28,720 --> 00:17:32,920
Their biggest challenge is
to recreate the fitted leather seat.
343
00:17:32,920 --> 00:17:36,480
First, they've created
a template from calico.
344
00:17:36,480 --> 00:17:41,400
Now, Suzie is going to see if it
will fit the frame of the chair.
345
00:17:41,400 --> 00:17:42,600
How you doing, Suzie? Hello.
346
00:17:42,600 --> 00:17:45,840
You look a bit stuck there, girl.
You all right? Yeah, well.. Yes.
347
00:17:45,840 --> 00:17:48,160
It's a little bit of a challenge
because I'm trying
348
00:17:48,160 --> 00:17:50,880
to suspend my calico pattern
349
00:17:50,880 --> 00:17:52,080
for the leaf chair...
350
00:17:52,080 --> 00:17:56,520
OK. ..on to the frame, and I started
off with the tape on the calico,
351
00:17:56,520 --> 00:17:57,840
and it keeps sticking to me.
352
00:17:57,840 --> 00:18:01,320
So I've put all the little pieces
all the way around, ready to...
353
00:18:01,320 --> 00:18:05,080
Oh, so this tape is to be stuck
on there. Yes, yes. OK.
354
00:18:05,080 --> 00:18:08,040
And this one needs to...
If you could... Stick on there?
355
00:18:08,040 --> 00:18:11,320
What, go round? Yeah, just
down a little bit. Just down.
356
00:18:11,320 --> 00:18:13,200
There we go, super. Yep.
357
00:18:13,200 --> 00:18:18,160
And now I'm just going to go
around the curve here and here.
358
00:18:18,160 --> 00:18:20,600
So if you'd like to maybe
do that side. OK.
359
00:18:22,520 --> 00:18:24,880
So this is to see
whether the pattern fits, then,
360
00:18:24,880 --> 00:18:26,120
that you've created. Yeah.
361
00:18:26,120 --> 00:18:30,120
Now, this seams...
It doesn't want to be tight.
362
00:18:30,120 --> 00:18:32,800
So you want that like that,
stuck on there? Brilliant.
363
00:18:32,800 --> 00:18:33,920
Yes.
364
00:18:33,920 --> 00:18:35,600
You've done a good job there.
365
00:18:35,600 --> 00:18:36,960
It's working out.
366
00:18:36,960 --> 00:18:40,880
My famous last words!
The kiss of death there, huh?
367
00:18:40,880 --> 00:18:42,920
So, Sonnaz, have we got this right,
then?
368
00:18:42,920 --> 00:18:44,760
Have you seen this?
369
00:18:44,760 --> 00:18:46,560
Oh, she's going to come over.
Oh, yes.
370
00:18:46,560 --> 00:18:48,160
She's going to inspect our work.
371
00:18:48,160 --> 00:18:50,640
Stand by your bunks. It's awesome.
372
00:18:50,640 --> 00:18:53,280
Is that cool? Yeah, really cool.
I'm liking this. Remember?
373
00:18:53,280 --> 00:18:56,520
We were worried
about how this was going to lay.
374
00:18:56,520 --> 00:18:58,680
Yeah, no, that looks great,
doesn't it? Yeah.
375
00:18:58,680 --> 00:19:00,840
I'm really relieved.
I'm pleasantly surprised.
376
00:19:00,840 --> 00:19:04,760
That seam is perfect,
cos that's where your lowest
377
00:19:04,760 --> 00:19:07,480
point of weight is going to sit,
cos your bum's going to be there.
378
00:19:07,480 --> 00:19:10,320
Yep, yep, yep. Yeah. Yeah, fabulous.
So there's going to be eyelets
379
00:19:10,320 --> 00:19:12,680
all the way up here? Yeah.
How's it going to be attached?
380
00:19:12,680 --> 00:19:15,840
We're not using tape, are we?
We're going to go a little bit
hi-tech, aren't we?
381
00:19:15,840 --> 00:19:17,560
Well, we're thinking
maybe it might be...
382
00:19:17,560 --> 00:19:19,880
Might be string? Elastic bands?
383
00:19:19,880 --> 00:19:23,240
Yeah. So it'll be leather belting
going all the way around. OK.
384
00:19:23,240 --> 00:19:25,440
Which is Suzie's department. Cool.
385
00:19:25,440 --> 00:19:27,240
I like the sound of that. Yeah.
386
00:19:27,240 --> 00:19:30,440
But, no, that looks awesome.
Yeah. I'm really happy with it.
387
00:19:35,320 --> 00:19:39,040
Confident the calico test sample
has been a success,
388
00:19:39,040 --> 00:19:43,920
Suzie can now go hell for leather
with the real thing.
389
00:19:43,920 --> 00:19:45,480
This is a full-grain hide,
390
00:19:45,480 --> 00:19:48,200
which means
this is the strongest part,
391
00:19:48,200 --> 00:19:50,040
the top layer of the hide.
392
00:19:50,040 --> 00:19:52,000
And I want to make sure
393
00:19:52,000 --> 00:19:55,360
any area or any seam
that's going to take a great deal
394
00:19:55,360 --> 00:19:57,480
of stress, we maximise
395
00:19:57,480 --> 00:19:59,840
those tougher areas of the hide.
396
00:19:59,840 --> 00:20:04,880
I'm really very confident that
this is going to look quite lovely
397
00:20:04,880 --> 00:20:06,200
when I'm finished.
398
00:20:20,000 --> 00:20:21,800
Will has recruited Steve to help
399
00:20:21,800 --> 00:20:24,160
with the brass work
on the smoker's stand.
400
00:20:24,160 --> 00:20:27,240
Before replacing the missing
pipe rings,
401
00:20:27,240 --> 00:20:28,560
he's giving the old ones
402
00:20:28,560 --> 00:20:29,880
a bit of a polish.
403
00:20:29,880 --> 00:20:33,080
I think it was obviously
very, very well used
404
00:20:33,080 --> 00:20:34,440
once upon a time.
405
00:20:34,440 --> 00:20:37,440
Someone very proud
of their pipe smoking, I think.
406
00:20:37,440 --> 00:20:42,000
The smell of old smoke
when I'm doing this is incredible.
407
00:20:42,000 --> 00:20:43,760
Just put the final touches on.
408
00:20:45,280 --> 00:20:49,200
For the new rings to fit perfectly
and to match the old ones,
409
00:20:49,200 --> 00:20:52,040
Steve has no room for error.
410
00:20:52,040 --> 00:20:55,200
13. I think that'll be all right.
I'll give that a whirl.
411
00:20:59,360 --> 00:21:01,800
So I'm going to turn this out
of the solid bar.
412
00:21:01,800 --> 00:21:06,200
It does seem a very large piece
of brass to be...
413
00:21:06,200 --> 00:21:09,360
..turning just for
those three pieces,
414
00:21:09,360 --> 00:21:11,760
but it's the only way I can do it.
415
00:21:18,800 --> 00:21:20,200
I'm almost there.
416
00:21:24,680 --> 00:21:28,040
Right, that should be deep enough
for...
417
00:21:28,040 --> 00:21:30,600
..three of those units.
418
00:21:30,600 --> 00:21:33,640
But all Steve's efforts
will be wasted
419
00:21:33,640 --> 00:21:37,120
if Will doesn't get the woodwork
finished on time.
420
00:21:37,120 --> 00:21:40,920
So I've actually taken this back off
of Steve's bench, glued it back on.
421
00:21:40,920 --> 00:21:43,480
So I've just finished polishing
everything else. I'm just now
422
00:21:43,480 --> 00:21:45,760
going to polish
this last piece here.
423
00:21:45,760 --> 00:21:50,240
And hopefully, then Steve be ready
with the brass hoops, but this
424
00:21:50,240 --> 00:21:52,320
is going out the door very soon,
425
00:21:52,320 --> 00:21:54,600
and I'm starting to get
quite worried about the time.
426
00:22:07,360 --> 00:22:11,840
I keep checking - the last thing
I want to do is turn it too small.
427
00:22:11,840 --> 00:22:14,280
It's very frustrating
when you do that.
428
00:22:18,280 --> 00:22:22,760
So now that the polish is dried,
I don't want this to look blingy,
429
00:22:22,760 --> 00:22:26,440
so I'm just using
the soft wire wool to take that...
430
00:22:26,440 --> 00:22:28,920
..the edge off that shine.
431
00:22:28,920 --> 00:22:33,000
I don't want it to like
it's been dipped in honey.
432
00:22:33,000 --> 00:22:34,320
HE CHUCKLES
433
00:22:39,040 --> 00:22:43,320
The next process is I've got
to shape the front of this
434
00:22:43,320 --> 00:22:46,200
and make it rounded,
like the original inserts.
435
00:22:59,240 --> 00:23:02,600
Good, that's done. So...
436
00:23:02,600 --> 00:23:05,800
That's how they came off
the lathe. That's how they
437
00:23:05,800 --> 00:23:09,400
turned up. And hopefully,
they'll slip in nicely.
438
00:23:20,720 --> 00:23:22,720
On the other side of the workshop,
439
00:23:22,720 --> 00:23:25,560
the statue of Hercules
is testing the mettle
440
00:23:25,560 --> 00:23:27,560
of conservator Matt.
441
00:23:31,160 --> 00:23:34,360
This is quite nerve-racking
cos I do only get one go to get
442
00:23:34,360 --> 00:23:36,520
this hole in the right place.
443
00:23:36,520 --> 00:23:39,840
His plan to reattach
Hercules' broken club
444
00:23:39,840 --> 00:23:44,640
relies entirely on Matt drilling
through the 160-year-old iron
445
00:23:44,640 --> 00:23:46,640
in exactly the right place.
446
00:23:46,640 --> 00:23:48,800
Nice clean hole through there.
447
00:23:52,320 --> 00:23:55,640
Now, the trick with this kind
of joint is that we actually want
448
00:23:55,640 --> 00:23:59,200
the hole in the structure inside
to be slightly out of line,
449
00:23:59,200 --> 00:24:02,440
so that when you hammer a pin
through it, it clamps the two pieces
450
00:24:02,440 --> 00:24:05,160
together. I just need to drill
through here slightly lower,
451
00:24:05,160 --> 00:24:09,080
so that when the pin goes through,
it gives it a nice firm fit.
452
00:24:10,600 --> 00:24:14,240
This offset fixing is known
in the trade as a Roman joint.
453
00:24:14,240 --> 00:24:17,840
The technique is believed
to have first been used
454
00:24:17,840 --> 00:24:19,520
by ancient Roman craftsmen.
455
00:24:26,640 --> 00:24:28,600
Just biting on that last bit.
456
00:24:31,520 --> 00:24:33,360
And we're through.
457
00:24:33,360 --> 00:24:35,000
Moment of truth.
458
00:24:37,360 --> 00:24:39,680
And that is almost perfect.
459
00:24:39,680 --> 00:24:42,520
You can just see half of the edge
of the hole inside,
460
00:24:42,520 --> 00:24:45,320
so when the pin goes through, that
should clamp that up quite nicely.
461
00:24:46,600 --> 00:24:48,160
Right, Matt, how are you getting on?
462
00:24:48,160 --> 00:24:49,560
Not too bad.
463
00:24:49,560 --> 00:24:51,920
Just cutting the pin off
464
00:24:51,920 --> 00:24:54,040
that will make the final joint
for the club.
465
00:24:54,040 --> 00:24:55,840
This is the Roman joint, is it?
466
00:24:55,840 --> 00:24:57,160
This is the Roman joint.
467
00:24:57,160 --> 00:24:59,000
I love learning about things
like that.
468
00:24:59,000 --> 00:25:01,520
I'm going to use that in things
that I make as well.
469
00:25:01,520 --> 00:25:03,360
That's fantastic.
470
00:25:03,360 --> 00:25:05,480
So it takes two of you to fix
Hercules, yeah?
471
00:25:05,480 --> 00:25:07,160
THEY LAUGH
472
00:25:07,160 --> 00:25:10,200
Cor, blimey. I thought you guys were
stronger than this guy. No, no.
473
00:25:10,200 --> 00:25:12,720
This is a really, really,
really clever fix.
474
00:25:12,720 --> 00:25:14,440
So there's nothing
I could do to this?
475
00:25:14,440 --> 00:25:16,800
You could put the pin in
if you want. I could do the honours?
476
00:25:16,800 --> 00:25:19,040
You could.
Can I just ask a question?
477
00:25:19,040 --> 00:25:22,520
Is there any danger in it
splitting the cast iron?
478
00:25:22,520 --> 00:25:24,880
Because if you're pulling it in,
479
00:25:24,880 --> 00:25:27,040
if the holes are out of line
too much,
480
00:25:27,040 --> 00:25:30,240
it would then crack it, wouldn't it?
That is a possibility.
481
00:25:30,240 --> 00:25:32,280
So we've just got to hope
that we've...
482
00:25:32,280 --> 00:25:34,720
..got the right preparation.
Now you tell me!
483
00:25:34,720 --> 00:25:37,400
Just put a little bit of pressure
on me, haven't you?
484
00:25:37,400 --> 00:25:40,640
I'm just saying that this
isn't plain sailing, this is
485
00:25:40,640 --> 00:25:44,400
a very skilful job. If it really
doesn't go, stop. OK.
486
00:25:44,400 --> 00:25:46,920
Cos then we could pull it back out.
Yeah.
487
00:25:53,200 --> 00:25:55,400
Careful. Yeah, yeah, I am watching.
488
00:25:55,400 --> 00:25:57,720
Can I just...? Can I just...?
489
00:26:01,920 --> 00:26:04,880
Is that all right? I'm actually
seeing. I'm just checking.
490
00:26:07,400 --> 00:26:10,760
It is a little bit...
Off? Off, yeah.
491
00:26:10,760 --> 00:26:14,080
So what we could do
is knock it back out, yeah?
492
00:26:14,080 --> 00:26:17,040
One of them. OK.
493
00:26:17,040 --> 00:26:19,760
There we are. Thanks, Steve.
494
00:26:19,760 --> 00:26:22,160
A quick job with a file
should sort that out.
495
00:26:25,960 --> 00:26:28,160
Have you got the pin? Course I have.
496
00:26:32,320 --> 00:26:33,360
Yep.
497
00:26:35,320 --> 00:26:36,880
It's going.
498
00:26:36,880 --> 00:26:38,440
It's come through. There we are.
499
00:26:38,440 --> 00:26:41,240
And you can see it coming out
at, like, an angle.
500
00:26:41,240 --> 00:26:43,840
We've actually sort of used the pin
as a spring almost
501
00:26:43,840 --> 00:26:46,160
to pull the two bits together.
Pull them together.
502
00:26:46,160 --> 00:26:48,440
That's incredible. What are you
trying to do, break it?
503
00:26:48,440 --> 00:26:49,600
No, no. It's not coming off.
504
00:26:49,600 --> 00:26:51,800
What you're going to do is
chop off the ends. Yeah,
505
00:26:51,800 --> 00:26:53,840
we'll cut those down
and then darken them up.
506
00:26:53,840 --> 00:26:56,000
OK. Oh, well done.
So you don't see it. Yeah.
507
00:26:56,000 --> 00:26:58,800
I look forward to seeing that.
No, well done. It's nice.
508
00:26:58,800 --> 00:27:00,240
Thank you.
509
00:27:09,440 --> 00:27:11,640
With Jane due back any moment,
510
00:27:11,640 --> 00:27:14,600
Will is finishing the repairs
to the smoker's stand.
511
00:27:14,600 --> 00:27:17,480
He's just waiting for Steve
to give him a ring. Or three.
512
00:27:17,480 --> 00:27:19,040
Hopefully,
513
00:27:19,040 --> 00:27:20,480
by the time I've buffed this up,
514
00:27:20,480 --> 00:27:22,640
if Steve has finished
the brass rings,
515
00:27:22,640 --> 00:27:25,840
he'll be putting those finishing
touches, the cherry on the top,
516
00:27:25,840 --> 00:27:27,520
and we can hand it back to Jane.
517
00:27:31,840 --> 00:27:34,640
Here they are. Yes!
I'll push those in.
518
00:27:34,640 --> 00:27:37,320
They look absolutely amazing, Steve.
519
00:27:37,320 --> 00:27:39,120
Would you like to tuck them in?
520
00:27:39,120 --> 00:27:40,800
Go on, Steve.
521
00:27:42,600 --> 00:27:45,720
I'll hold it to make sure it
doesn't move. Ready? Yeah.
522
00:27:47,160 --> 00:27:48,400
Oh.
523
00:27:53,640 --> 00:27:55,320
Ow. OK...
524
00:27:56,320 --> 00:27:57,520
This is broken.
525
00:27:58,640 --> 00:28:00,200
How did you manage to do that?
526
00:28:00,200 --> 00:28:01,680
WILL LAUGHS
527
00:28:03,360 --> 00:28:04,760
Don't start, Steve, please.
528
00:28:04,760 --> 00:28:06,840
Take that out, I'll turn it off
529
00:28:06,840 --> 00:28:09,520
while you glue it. There you go.
530
00:28:10,760 --> 00:28:12,080
It's really annoying.
531
00:28:12,080 --> 00:28:13,600
HE LAUGHS
532
00:28:13,600 --> 00:28:15,600
I didn't take into account
533
00:28:15,600 --> 00:28:19,120
the fact that the grain of the wood
is running this way.
534
00:28:19,120 --> 00:28:22,680
So this is actually going to be
quite a weak point here.
535
00:28:22,680 --> 00:28:25,520
So we've been tapping it too hard,
536
00:28:25,520 --> 00:28:27,760
and it's broken.
537
00:28:27,760 --> 00:28:29,480
Steve's gone back over to his bench.
538
00:28:29,480 --> 00:28:31,800
He's making the brass hoops
slightly narrower
539
00:28:31,800 --> 00:28:34,160
so they'll fit a lot better.
540
00:28:34,160 --> 00:28:36,240
And in the meantime,
I've got to find some glue.
541
00:28:43,280 --> 00:28:45,240
They'll probably be too loose now.
542
00:29:05,800 --> 00:29:08,960
Hopefully,
that's the right size now.
543
00:29:10,040 --> 00:29:13,160
So I'm using a really speedy glue.
544
00:29:13,160 --> 00:29:15,560
Are you having to hold it?
Yeah, I'm having to hold it,
545
00:29:15,560 --> 00:29:17,520
clamp it with my hands.
Can I put the one in here?
546
00:29:17,520 --> 00:29:20,800
I'll put this one in, Steve, cos I
don't trust you to touch anything.
547
00:29:20,800 --> 00:29:23,400
Not on this... OK! I know.
STEVE LAUGHS
548
00:29:23,400 --> 00:29:25,640
There you go. Good.
549
00:29:25,640 --> 00:29:28,640
If you want something done right
the first time...
550
00:29:28,640 --> 00:29:31,000
Stop it. ..don't ask Steve.
551
00:29:31,000 --> 00:29:32,520
THEY LAUGH
No, I'm joking.
552
00:29:33,880 --> 00:29:35,240
With the family heirloom
553
00:29:35,240 --> 00:29:37,320
finally back in one piece,
554
00:29:37,320 --> 00:29:40,480
it's almost time to hand it
back to owner Jane.
555
00:29:40,480 --> 00:29:44,280
Really, the smoker's stand,
in essence, it's just wood.
556
00:29:44,280 --> 00:29:47,320
But to me,
it's a lot more than just wood.
557
00:29:48,360 --> 00:29:50,080
It was always there.
558
00:29:50,080 --> 00:29:53,800
It was something that your
grandparents had actually touched
559
00:29:53,800 --> 00:29:55,920
and used.
560
00:29:55,920 --> 00:29:58,080
So to me,
it's not just piece of wood,
561
00:29:58,080 --> 00:29:59,840
it's a piece of my childhood.
562
00:30:04,200 --> 00:30:06,440
Hello. Hello.
Nice to see you again.
563
00:30:06,440 --> 00:30:07,960
And you, yes.
564
00:30:07,960 --> 00:30:09,880
So...
HE CHUCKLES
565
00:30:09,880 --> 00:30:13,160
It's a bit of a giveaway, the fact
that it's standing upright.
566
00:30:13,160 --> 00:30:15,600
Yes. Shall we take a look?
567
00:30:15,600 --> 00:30:17,440
Yes, please.
568
00:30:20,480 --> 00:30:21,840
Oh, wow.
569
00:30:23,400 --> 00:30:25,200
That is fantastic.
570
00:30:25,200 --> 00:30:27,920
It looks absolutely wonderful.
571
00:30:27,920 --> 00:30:29,960
Thank you so much.
572
00:30:29,960 --> 00:30:32,360
It's beautiful.
573
00:30:32,360 --> 00:30:35,640
I'm speechless. Thank you so much.
574
00:30:35,640 --> 00:30:37,440
I don't think it's ever looked good.
575
00:30:37,440 --> 00:30:38,960
Never.
576
00:30:38,960 --> 00:30:40,120
So if I show you the top,
577
00:30:40,120 --> 00:30:42,480
turned out that you're actually
missing three
578
00:30:42,480 --> 00:30:44,320
of the brass hoops here.
579
00:30:44,320 --> 00:30:48,240
Oh, right! And our in-house wizard,
Steve,
580
00:30:48,240 --> 00:30:50,920
was able to make some new ones.
581
00:30:52,120 --> 00:30:54,680
And the leg, look at the bottom.
Yep.
582
00:30:54,680 --> 00:30:57,560
You can't even see where it was,
cos there was a big hole
583
00:30:57,560 --> 00:31:00,600
and a gap there. Yeah.
You're a genius.
584
00:31:00,600 --> 00:31:03,600
It brings back some lovely,
lovely memories.
585
00:31:03,600 --> 00:31:05,680
It really does.
586
00:31:05,680 --> 00:31:08,400
And over the last week, when I've
been thinking about them,
587
00:31:08,400 --> 00:31:10,800
those memories have been rolling
down my face a little bit.
588
00:31:10,800 --> 00:31:12,920
Really? Yeah, yeah.
589
00:31:12,920 --> 00:31:16,360
So how do you think your grandfather
would feel if he could see it
590
00:31:16,360 --> 00:31:19,720
on its three legs now? He would be
amazed, absolutely amazed.
591
00:31:19,720 --> 00:31:22,200
And he'd probably have it filled
with pipes already.
592
00:31:22,200 --> 00:31:23,880
THEY LAUGH
593
00:31:23,880 --> 00:31:27,320
It's over to you to treasure
for many more years to come.
594
00:31:27,320 --> 00:31:29,440
And I will do. Thank you so much.
595
00:31:29,440 --> 00:31:31,080
Thanks for coming down. Thank you.
596
00:31:31,080 --> 00:31:32,400
Thanks, bye-bye. Bye-bye.
597
00:31:36,880 --> 00:31:41,120
During the last week, I've been
thinking about the smoker's stand.
598
00:31:41,120 --> 00:31:46,320
And it made me quite emotional
and quite tearful at times.
599
00:31:46,320 --> 00:31:49,120
I can't believe
how beautiful it looks.
600
00:31:49,120 --> 00:31:52,800
And I think both my grandma
and grandad would be really proud
601
00:31:52,800 --> 00:31:56,960
that it looks like it does now
and that it's been mended.
602
00:32:06,120 --> 00:32:08,680
Suzie is making headway
with the leather-work
603
00:32:08,680 --> 00:32:10,440
for the leaf chair.
604
00:32:10,440 --> 00:32:14,400
The seams are sewn, the excess
leather has been trimmed.
605
00:32:14,400 --> 00:32:17,920
Now she's calling on the upholstery
skills of Sonnaz
606
00:32:17,920 --> 00:32:20,520
to help piece together
the three separate sections.
607
00:32:20,520 --> 00:32:23,240
So... This is the exciting bit. Yes.
608
00:32:23,240 --> 00:32:26,120
I'm actually going to start sewing
from here because this section
609
00:32:26,120 --> 00:32:29,960
is far too thick... Right.
..for this machine to go through.
610
00:32:29,960 --> 00:32:32,360
OK. So I'll finish it off by hand.
OK.
611
00:32:32,360 --> 00:32:34,760
This width of the foot here
612
00:32:34,760 --> 00:32:38,560
is what I'm going to line up
to the turn. Yep.
613
00:32:38,560 --> 00:32:41,120
So as I'm going along,
I'm just going to keep pulling it.
614
00:32:41,120 --> 00:32:44,720
OK. And if you feel like
I'm pulling too much,
615
00:32:44,720 --> 00:32:48,280
just tell me, "Stop." OK.
Safe word - stop. OK.
616
00:32:48,280 --> 00:32:50,760
Cool. LAUGHS: OK.
617
00:32:50,760 --> 00:32:53,640
So this is the face stitch,
which is -
618
00:32:53,640 --> 00:32:55,800
just before you start -
619
00:32:55,800 --> 00:32:57,280
the most crucial stitch.
620
00:32:57,280 --> 00:32:59,440
It's going to help form the spine.
621
00:32:59,440 --> 00:33:01,760
Yeah. But also it's very visible.
622
00:33:01,760 --> 00:33:05,240
So the goal is to...
623
00:33:06,800 --> 00:33:09,040
..to make sure it looks
really beautiful,
624
00:33:09,040 --> 00:33:11,360
and I'm going to go
really, really slow. OK.
625
00:33:12,720 --> 00:33:15,080
Every stitch counts, doesn't it?
626
00:33:15,080 --> 00:33:19,400
Yeah, I think we'll just go
in incremental stages, and then...
627
00:33:19,400 --> 00:33:21,840
..reposition... Every now and then.
628
00:33:26,080 --> 00:33:28,640
That line looks amazing.
Does it? Yeah.
629
00:33:28,640 --> 00:33:31,240
Cos you can see it, I can't.
No, you keep going.
630
00:33:31,240 --> 00:33:32,960
It looks great.
631
00:33:32,960 --> 00:33:35,040
That's why I need your eyes. Yeah.
632
00:33:35,040 --> 00:33:37,560
Great! Yes! All right.
633
00:33:37,560 --> 00:33:39,920
Shall I pull it?
Let's pull this puppy up. Yep.
634
00:33:39,920 --> 00:33:41,760
Oh, look at that! Oh!
635
00:33:43,120 --> 00:33:44,400
That was lucky.
636
00:33:44,400 --> 00:33:46,280
End of the bobbin.
637
00:33:46,280 --> 00:33:49,040
I could have swore... How lucky
was that? That was a full bobbin
638
00:33:49,040 --> 00:33:51,480
that I had on. That's so lucky.
639
00:33:51,480 --> 00:33:54,200
Could you imagine if that was
somewhere in the middle?
640
00:33:54,200 --> 00:33:57,720
Tears. No, I would have been
quite upset. Absolutely.
641
00:33:57,720 --> 00:34:01,520
That's upholstery gods watching.
Thank God. Yeah.
642
00:34:11,080 --> 00:34:15,320
Now Hercules has been reunited
with his broken club,
643
00:34:15,320 --> 00:34:18,920
Matt is striving to make the join
as seamless as possible.
644
00:34:20,800 --> 00:34:23,200
So we've cut the pins off
645
00:34:23,200 --> 00:34:26,800
flat with the surface,
so that they're a nice snug fit.
646
00:34:26,800 --> 00:34:30,920
So I've just got to file back
the last of the raised surface
647
00:34:30,920 --> 00:34:34,560
so it's really nice and flush
with the original,
648
00:34:34,560 --> 00:34:36,320
and then I have a
649
00:34:36,320 --> 00:34:40,120
patinating solution that will darken
the surface and hopefully make
650
00:34:40,120 --> 00:34:42,560
those heads invisible.
651
00:34:42,560 --> 00:34:47,120
Patinating solution is a mix of
phosphoric and tannic acids
652
00:34:47,120 --> 00:34:51,360
which act on shiny new metal
to give it an aged appearance.
653
00:34:52,680 --> 00:34:56,120
It starts off white,
but it dries purply black.
654
00:34:56,120 --> 00:34:59,880
Should match in
with the rest of Hercules.
655
00:34:59,880 --> 00:35:02,600
It's changing colour already.
It works really quickly.
656
00:35:02,600 --> 00:35:04,880
And once we've got some wax
over that,
657
00:35:04,880 --> 00:35:07,000
it should be a really nice repair.
658
00:35:07,000 --> 00:35:09,680
I mean, you've still got some
of the evidence of the damage,
659
00:35:09,680 --> 00:35:11,600
but that's part
of the object's history.
660
00:35:11,600 --> 00:35:13,760
Should be good
for another 150 years now.
661
00:35:16,840 --> 00:35:18,760
Looking good.
Are you finished?
662
00:35:18,760 --> 00:35:20,360
Yeah, done.
663
00:35:21,680 --> 00:35:23,280
Cracking job.
664
00:35:24,320 --> 00:35:27,320
The break was so perfect,
it just got back together.
665
00:35:27,320 --> 00:35:28,920
Brilliant.
666
00:35:28,920 --> 00:35:30,840
Buffed to perfection,
667
00:35:30,840 --> 00:35:34,800
all that remains is to return
Hercules to the Wiltshire community,
668
00:35:34,800 --> 00:35:40,400
where Heritage Society secretary Liz
is awaiting the finished result.
669
00:35:40,400 --> 00:35:44,600
Oh, we wanted to get Hercules
restored because he's the only thing
670
00:35:44,600 --> 00:35:47,880
left of the beam engine
from Bitham Mill.
671
00:35:47,880 --> 00:35:53,400
It will be a reminder for the people
of Westbury of the legacy
672
00:35:53,400 --> 00:35:55,680
of the cloth mills in the town.
673
00:35:55,680 --> 00:35:58,320
I'm really looking forward to
seeing what he looks like.
674
00:35:58,320 --> 00:36:01,320
Hello. Are you all right?
Good morning.
675
00:36:01,320 --> 00:36:04,800
Word has spread about
the strong man's restoration,
676
00:36:04,800 --> 00:36:08,240
and a crowd is gathering
to witness his return.
677
00:36:08,240 --> 00:36:11,320
Among them is Sue Robinson,
the daughter of former factory
678
00:36:11,320 --> 00:36:12,880
employee Jack Ingram.
679
00:36:15,120 --> 00:36:18,240
My father started working
at the mill in 1936.
680
00:36:18,240 --> 00:36:20,400
He was the maintenance engineer.
681
00:36:20,400 --> 00:36:23,440
After Laverton's closed down
in 1969,
682
00:36:23,440 --> 00:36:27,040
he rescued Hercules because I
think he was going to go for scrap.
683
00:36:27,040 --> 00:36:28,520
He'd be thrilled to bits that,
684
00:36:28,520 --> 00:36:31,000
you know, that he was being
properly looked after.
685
00:36:31,000 --> 00:36:34,280
Right, let's see what he looks like.
686
00:36:34,280 --> 00:36:37,080
Oh, there he is. Oh, wow!
687
00:36:39,200 --> 00:36:41,520
You can't see where it was
broken, can you? No.
688
00:36:41,520 --> 00:36:43,440
You can't see a join at all.
689
00:36:43,440 --> 00:36:45,440
Oh, fantastic job.
690
00:36:45,440 --> 00:36:47,600
Good as new. Back to one piece now.
691
00:36:47,600 --> 00:36:49,880
Isn't that...? That is really good.
692
00:36:49,880 --> 00:36:51,440
Well done.
693
00:36:51,440 --> 00:36:54,120
Great!
694
00:36:54,120 --> 00:36:55,800
What do you think, Sue?
695
00:36:55,800 --> 00:36:59,640
I think he's brilliant.
He's absolutely amazing. Yeah.
696
00:36:59,640 --> 00:37:02,960
I think we were a little bit
concerned how the repair
697
00:37:02,960 --> 00:37:04,560
would actually look.
698
00:37:04,560 --> 00:37:08,360
But he's as good as new,
and we're really pleased about that.
699
00:37:16,360 --> 00:37:18,480
He looks absolutely brilliant.
700
00:37:18,480 --> 00:37:20,920
I'm really, really pleased.
701
00:37:20,920 --> 00:37:22,720
I can come look at him at any time,
702
00:37:22,720 --> 00:37:25,800
and be reminded
of my dad.
703
00:37:25,800 --> 00:37:29,600
Well, to have Hercules back,
repaired, is really wonderful.
704
00:37:29,600 --> 00:37:31,640
It gives us a lovely...
705
00:37:31,640 --> 00:37:34,840
..piece of art to display
in the Heritage Centre.
706
00:37:34,840 --> 00:37:38,480
And now that he's back,
707
00:37:38,480 --> 00:37:41,920
we're going to have to look after
him very carefully. Absolutely.
708
00:37:51,120 --> 00:37:52,800
Back at the workshop,
709
00:37:52,800 --> 00:37:56,600
Suzie and Sonnaz have carefully cut
out the challenging leather pattern
710
00:37:56,600 --> 00:37:58,320
for the leaf chair
711
00:37:58,320 --> 00:38:00,600
and are moulding it into shape.
712
00:38:00,600 --> 00:38:03,440
Now Suzie needs to punch
holes into the leather
713
00:38:03,440 --> 00:38:06,040
so it can be attached
to the metal frame.
714
00:38:06,040 --> 00:38:12,320
I've turned the leather over
and marked the spots where I need
715
00:38:12,320 --> 00:38:16,680
to punch holes for the lacing that's
actually going to hold the leather
716
00:38:16,680 --> 00:38:18,920
on to the frame of the chair.
717
00:38:18,920 --> 00:38:22,240
It is at a point like this,
as with any item
718
00:38:22,240 --> 00:38:27,840
that we're working on, that you've
put so much into checking,
719
00:38:27,840 --> 00:38:32,520
triple checking, quadruple checking
that everything's right,
720
00:38:32,520 --> 00:38:34,920
that if you slip up
at this stage of the game,
721
00:38:34,920 --> 00:38:36,680
that would be a disaster.
722
00:38:36,680 --> 00:38:39,400
So here goes.
723
00:38:44,160 --> 00:38:45,880
And there's the hole.
724
00:38:45,880 --> 00:38:50,200
So now I'm going to put
some of the eyelets in.
725
00:38:50,200 --> 00:38:52,560
And what I have is this cylinder,
726
00:38:52,560 --> 00:38:56,240
and this sits into this little
channel here,
727
00:38:56,240 --> 00:39:00,400
and then we push down
the leather around that eyelet
728
00:39:00,400 --> 00:39:05,560
so that the tip of this tool
goes down, in there.
729
00:39:05,560 --> 00:39:09,520
As I hit it, it's going
to flange the male part
730
00:39:09,520 --> 00:39:13,040
of that eyelet around that disc
that I just put on there.
731
00:39:16,360 --> 00:39:18,280
And there we have the eyelet.
732
00:39:19,360 --> 00:39:21,720
I think that looks rather beautiful,
and that's
733
00:39:21,720 --> 00:39:23,800
going to be all the way around.
734
00:39:23,800 --> 00:39:26,160
It's just really going to
735
00:39:26,160 --> 00:39:30,000
highlight the whole style
of this chair.
736
00:39:42,760 --> 00:39:48,080
That's three done.
I've got about 97 more to do.
737
00:39:48,080 --> 00:39:51,200
So I'd better get on with it.
738
00:39:57,120 --> 00:40:01,360
Dozens of holes and many metres
of leather lacing later,
739
00:40:01,360 --> 00:40:03,760
the end is finally in sight.
740
00:40:03,760 --> 00:40:05,680
Just tidy off the ends and...
741
00:40:06,880 --> 00:40:09,120
..I think we're finished.
742
00:40:09,120 --> 00:40:13,120
This tattered and torn 50-year-old
chair had been idle and empty
743
00:40:13,120 --> 00:40:14,600
for the last decade.
744
00:40:16,880 --> 00:40:22,520
Today, its original owner Matilda,
Nonna as she's known to her family,
745
00:40:22,520 --> 00:40:27,160
has come to the Repair Shop with
son-in-law Jeff and grandson Carl
746
00:40:27,160 --> 00:40:29,680
to collect their treasured
design classic.
747
00:40:29,680 --> 00:40:32,440
Hello. Oh, my...
748
00:40:32,440 --> 00:40:35,800
Come on in. It's lovely to see you.
Come in, Come in.
749
00:40:35,800 --> 00:40:39,520
So, it's been a little while since
you've been without your chair.
750
00:40:39,520 --> 00:40:41,440
JEFF: Yeah, it has. Yes.
751
00:40:41,440 --> 00:40:46,960
And, Nonna, you were
the original owner of the chair.
752
00:40:46,960 --> 00:40:48,240
Yeah, I was.
753
00:40:48,240 --> 00:40:50,400
What attracted you to the chair?
754
00:40:50,400 --> 00:40:53,080
Well, it was unusual,
something we'd never seen.
755
00:40:53,080 --> 00:40:55,880
We used to go to Wales
nearly every week,
756
00:40:55,880 --> 00:40:58,480
and we saw it and we thought,
"Oh, we'll have that."
757
00:40:58,480 --> 00:41:00,840
But then our house was full
of unusual things.
758
00:41:00,840 --> 00:41:02,360
Was it? Oh, really? Oh, yeah.
759
00:41:02,360 --> 00:41:06,720
And so, Carl, how much have you
missed this chair? Quite a bit.
760
00:41:06,720 --> 00:41:10,320
I haven't been able to use it
for the last ten years,
761
00:41:10,320 --> 00:41:12,480
so I'm looking forward
to seeing how it looks.
762
00:41:12,480 --> 00:41:15,080
Yeah, I'm excited to see what it
looks like,
763
00:41:15,080 --> 00:41:16,960
if it looks like it was before.
764
00:41:16,960 --> 00:41:19,440
OK. We ready? Yeah.
765
00:41:22,040 --> 00:41:23,640
Oh, wow.
766
00:41:23,640 --> 00:41:26,360
Oh, it's gorgeous. Look at that.
767
00:41:26,360 --> 00:41:28,840
Oh, it's beautiful, it's lovely.
What do you think, Nonna?
768
00:41:28,840 --> 00:41:30,760
It's absolutely beautiful.
769
00:41:30,760 --> 00:41:32,680
It's so nice.
770
00:41:32,680 --> 00:41:36,520
Oh, love the leather. It's
really nice. It's really nice.
771
00:41:36,520 --> 00:41:38,440
I'm sorry I can't have it
in my house!
772
00:41:38,440 --> 00:41:40,120
THEY LAUGH
773
00:41:40,120 --> 00:41:43,680
I'm pleased that you have it
and you enjoy it. Thanks, Nonna.
774
00:41:43,680 --> 00:41:46,560
Yeah, that's really nice.
Yeah, it's beautiful.
775
00:41:46,560 --> 00:41:48,560
Do you want to sit in it, Nonna?
776
00:41:48,560 --> 00:41:51,560
Oh, yeah. I don't know
whether I can get there.
777
00:41:51,560 --> 00:41:54,480
There you are. It's like the
old days. Oh, it's wonderful.
778
00:41:54,480 --> 00:41:56,960
Yeah. It's lovely, really nice.
779
00:41:56,960 --> 00:41:59,280
Is it comfy? Yeah. Oh, yeah.
780
00:41:59,280 --> 00:42:02,120
It's very comfy.
I can stay here now!
781
00:42:02,120 --> 00:42:05,080
Does it remind you of sitting in it
all those...? Oh, yeah, yeah.
782
00:42:05,080 --> 00:42:07,840
In fact, it looks nicer
than I thought it would.
783
00:42:07,840 --> 00:42:11,360
Oh, well done! Great news!
784
00:42:11,360 --> 00:42:13,080
I didn't know, I
was a bit apprehensive.
785
00:42:13,080 --> 00:42:15,120
I thought it can't look
as nice as it was before.
786
00:42:15,120 --> 00:42:17,080
Yeah, of course. But it's very nice.
787
00:42:17,080 --> 00:42:18,560
You've done really a good job.
788
00:42:18,560 --> 00:42:20,920
I'm really very impressed.
Thank you very much.
789
00:42:25,880 --> 00:42:29,160
It's beautiful.
I hope you enjoy it. I will.
790
00:42:29,160 --> 00:42:30,840
I know we did.
791
00:42:30,840 --> 00:42:32,360
Well, it was...
792
00:42:32,360 --> 00:42:36,640
..it was a wonderful, wonderful
chair to work on.
793
00:42:36,640 --> 00:42:39,080
It's in my heart forever now.
794
00:42:39,080 --> 00:42:42,600
I'm glad you enjoyed making it
as well. I did.
795
00:42:42,600 --> 00:42:44,200
I really, really did.
796
00:42:44,200 --> 00:42:45,720
Yeah, I learned a lot.
797
00:42:45,720 --> 00:42:48,000
It's really lovely.
Thank you, Nonna.
798
00:42:51,080 --> 00:42:53,760
Yeah, I'm really, really pleased
with the way it looks.
799
00:42:53,760 --> 00:42:56,080
Can't wait to get in it.
800
00:42:56,080 --> 00:42:58,320
A lot better than I expected
as well.
801
00:42:59,360 --> 00:43:01,480
Well, I don't know.
I didn't expect anything,
802
00:43:01,480 --> 00:43:04,200
I just wait and see what it looks
like, but it's beautiful.
803
00:43:04,200 --> 00:43:07,800
Beautifully done,
and I'm glad it's like that.
804
00:43:07,800 --> 00:43:10,880
I hope it will serve you.
A good thing for many years!
805
00:43:10,880 --> 00:43:12,080
Yeah, yeah, definitely.
806
00:43:12,080 --> 00:43:13,840
Take care of it! I will. Yeah.
807
00:43:19,200 --> 00:43:21,720
Join us next time
in the Repair Shop
808
00:43:21,720 --> 00:43:24,680
as the doors open
to more cherished items...
809
00:43:24,680 --> 00:43:26,360
Gosh, that's just amazing.
810
00:43:26,360 --> 00:43:29,560
..for the team to rescue
and bring back to life.