1 00:00:04,604 --> 00:00:06,579 I'm a Londoner, born and bred. 2 00:00:06,604 --> 00:00:08,449 Three generations of my family 3 00:00:08,474 --> 00:00:11,010 have lived and worked alongside the Thames. 4 00:00:13,635 --> 00:00:15,810 And I want to show you how today, 5 00:00:15,835 --> 00:00:19,369 it's even busier and a bigger part of our lives than ever. 6 00:00:20,635 --> 00:00:21,890 Don't move. 7 00:00:23,715 --> 00:00:26,660 It's very difficult to interview you while I'm counting. 8 00:00:26,685 --> 00:00:28,890 How many have you got in there now? God knows. 9 00:00:28,915 --> 00:00:31,690 My journey will take me to its furthest reaches, 10 00:00:31,715 --> 00:00:33,730 from the Cotswolds in the west... 11 00:00:33,755 --> 00:00:35,910 Some size quarry, isn't it? 12 00:00:37,624 --> 00:00:40,170 ...to where the river meets the sea in the east. 13 00:00:40,195 --> 00:00:43,010 They're all laughing over that side. Keep a straight face. 14 00:00:43,035 --> 00:00:44,249 I'm doing my best. 15 00:00:44,274 --> 00:00:47,449 I'll meet people whose working lives depend on the Thames 16 00:00:47,474 --> 00:00:50,940 and who feel as passionately about it as I do. 17 00:00:54,325 --> 00:00:57,690 Best job in the world, Tone. Well, apart from yours obviously! 18 00:00:57,715 --> 00:01:01,940 I'll go behind the scenes of its most iconic landmarks... 19 00:01:01,965 --> 00:01:03,990 Oh, wow. Bang! 20 00:01:04,015 --> 00:01:06,160 ...and discover its hidden gems. 21 00:01:06,185 --> 00:01:08,530 They do look sci-fi, don't they? 22 00:01:08,555 --> 00:01:12,090 This is the River Thames as you've never seen it before. 23 00:01:12,115 --> 00:01:16,660 Hectic, hardworking, breathtaking, awe-inspiring. 24 00:01:16,685 --> 00:01:18,579 I can't wait. 25 00:01:32,775 --> 00:01:35,080 When it comes to famous landmarks, 26 00:01:35,105 --> 00:01:38,940 the Thames is like going to a party full of Hollywood A-listers. 27 00:01:38,965 --> 00:01:41,860 You've got the Ml6 building just there, 28 00:01:41,885 --> 00:01:44,690 Tower Bridge back there, the London Eye, 29 00:01:44,715 --> 00:01:47,420 the Houses of Parliament. 30 00:01:47,445 --> 00:01:51,420 But it's no accident these legendary buildings are here and nowhere else. 31 00:01:53,555 --> 00:01:57,690 Because whether it's for prestige, practical or political reasons... 32 00:01:59,245 --> 00:02:01,010 ...they need the Thames. 33 00:02:02,524 --> 00:02:05,090 And my journey starts with a personal favourite. 34 00:02:06,675 --> 00:02:08,369 When I was a lad, 35 00:02:08,394 --> 00:02:12,170 my dad worked on that side of the river round the bend 36 00:02:12,195 --> 00:02:16,690 and there was one building that really overawed me down there. 37 00:02:18,755 --> 00:02:21,060 And that was Battersea Power Station. 38 00:02:22,995 --> 00:02:25,530 This four chimneyed, red-bricked beast 39 00:02:25,555 --> 00:02:29,940 has towered over the river bank in South West London for over 8O years. 40 00:02:29,965 --> 00:02:31,810 And I loved it. 41 00:02:33,035 --> 00:02:34,579 As a kid, 42 00:02:34,604 --> 00:02:38,140 I had no idea what Battersea Power Station was or what it did. 43 00:02:38,165 --> 00:02:43,420 All I knew was it was big and squat and powerful and really unusual. 44 00:02:43,445 --> 00:02:46,449 And that image has stayed with me all my life. 45 00:02:49,715 --> 00:02:53,610 Battersea was built in 1929 to generate electricity 46 00:02:53,635 --> 00:02:57,970 for London's ballooning population and was powered by coal. 47 00:02:57,995 --> 00:03:00,900 And the reason it was here and nowhere else? 48 00:03:00,925 --> 00:03:02,900 Because of the Thames. 49 00:03:04,404 --> 00:03:09,980 A million tonnes of coal used to be landed here ever year in barges, 50 00:03:10,005 --> 00:03:13,740 Thames water was used for its cooling processes 51 00:03:13,765 --> 00:03:17,660 and, of course, Battersea is adjacent to the heart of London. 52 00:03:17,685 --> 00:03:21,540 So it's the perfect place to generate London's power. 53 00:03:23,095 --> 00:03:26,479 By the 1980s, coal was falling out of favour. 54 00:03:27,734 --> 00:03:30,430 Gas, oil and nuclear were taking over. 55 00:03:30,455 --> 00:03:34,790 Battersea became obsolete and closed in 1983. 56 00:03:34,815 --> 00:03:38,709 Over the years, various dreams and schemes for the building, 57 00:03:38,734 --> 00:03:41,820 including becoming Chelsea's new football ground, 58 00:03:41,845 --> 00:03:44,980 came to nothing and it's lain dormant ever since. 59 00:03:46,404 --> 00:03:47,870 Until now. 60 00:03:47,895 --> 00:03:51,100 Music to my ears, it's going to be the centrepiece 61 00:03:51,125 --> 00:03:54,740 of an incredibly ambitious £9 billion development project. 62 00:03:56,325 --> 00:03:58,660 And for the very first time in my life, 63 00:03:58,685 --> 00:04:00,900 I'm going to be allowed inside it. 64 00:04:00,925 --> 00:04:05,379 Not just inside, but I'm going to go into the hallowed Control Room A, 65 00:04:05,404 --> 00:04:09,230 which was once the beating heart of this monster. 66 00:04:10,404 --> 00:04:12,379 I'm a little bit excited. 67 00:04:13,685 --> 00:04:16,660 A giant reminder of Britain's industrial past, 68 00:04:16,685 --> 00:04:19,729 this is one of London's most legendary buildings. 69 00:04:21,065 --> 00:04:23,709 Work in Control Room A has only just started 70 00:04:23,734 --> 00:04:27,459 so, apart from the scaffolding, it's pretty much unchanged. 71 00:04:29,404 --> 00:04:32,459 Oh, wow. It's real old school electrics, isn't it? 72 00:04:33,685 --> 00:04:35,740 It looks a bit like Chernobyl. 73 00:04:35,765 --> 00:04:40,940 I guess these dials are where the power went to. 74 00:04:40,965 --> 00:04:45,459 Horseferry Road, Peckham, Deptford, Verney Road. Cor! 75 00:04:50,614 --> 00:04:52,940 At its peak in the '50s, 76 00:04:52,965 --> 00:04:55,980 Battersea supplied a fifth of London's electricity. 77 00:04:57,175 --> 00:04:58,940 It just goes on and on. 78 00:04:58,965 --> 00:05:01,350 There are 181 of these boards. 79 00:05:01,375 --> 00:05:07,540 91 E panels for east and 90 W panels for, you guessed it, west. 80 00:05:08,845 --> 00:05:10,259 Wimbledon. 81 00:05:10,284 --> 00:05:12,100 Alpha Place. 82 00:05:12,125 --> 00:05:14,070 They've been gathering dust 83 00:05:14,095 --> 00:05:17,279 since Battersea was shut down over 35 years ago. 84 00:05:17,304 --> 00:05:20,870 Now, builder Danny Christodoulou has been drafted in 85 00:05:20,895 --> 00:05:23,300 to give this room a new serge of life. 86 00:05:24,895 --> 00:05:26,620 Danny. Hello, Tony. 87 00:05:26,645 --> 00:05:30,230 How many people would have been operating this control room 88 00:05:30,255 --> 00:05:31,430 in its heyday? 89 00:05:31,455 --> 00:05:33,230 I would say three, to a maximum of five. 90 00:05:33,255 --> 00:05:35,300 Oh, you're kidding. Why so few? 91 00:05:35,325 --> 00:05:38,379 It's just a monitoring service. That's all it was up here. 92 00:05:38,404 --> 00:05:40,820 The main controller sat behind his desk. 93 00:05:40,845 --> 00:05:44,320 He could check all his dials all around to see how power was flowing, 94 00:05:44,345 --> 00:05:47,170 if there was a serge, maybe it needed reducing, 95 00:05:47,195 --> 00:05:49,980 if someone was lacking a bit, they were drawing too much, 96 00:05:50,005 --> 00:05:52,180 they'd give them a little bit more. 97 00:05:52,205 --> 00:05:54,540 What are you going to do with this control room? 98 00:05:54,565 --> 00:05:57,150 My job is to give a sympathetic refurbishment, 99 00:05:57,175 --> 00:06:00,379 restoration of the area to make it a function area 100 00:06:00,404 --> 00:06:04,180 that will house parties, fashion shows, exhibitions, 101 00:06:04,205 --> 00:06:05,980 that sort of thing. 102 00:06:06,005 --> 00:06:08,351 So, it'll be well used. 103 00:06:10,670 --> 00:06:13,885 I'm not sure how I feel about my beloved Battersea 104 00:06:13,910 --> 00:06:16,725 becoming a cocktails and canapes kind of place. 105 00:06:18,000 --> 00:06:20,645 But, fortunately, it's got protected status, 106 00:06:20,670 --> 00:06:23,885 so any restoration has got to be sympathetic with its history. 107 00:06:26,519 --> 00:06:29,925 This is one of our samples that we've produced for English Heritage. 108 00:06:29,950 --> 00:06:32,925 So, this is waiting for the English Heritage inspector to come. 109 00:06:32,950 --> 00:06:34,975 This has been inspected and approved. 110 00:06:35,000 --> 00:06:37,885 That has set the standard now for us to work our way through 111 00:06:37,910 --> 00:06:39,885 and do all the panels to look this way. 112 00:06:39,910 --> 00:06:42,364 Shall we unwrap? Oh, yeah, if you don't mind. 113 00:06:42,389 --> 00:06:46,135 Now, if you want to have a go at that. Oh, it looks fantastic. 114 00:06:46,160 --> 00:06:49,335 As you can see, the colour comparison is pretty good. 115 00:06:49,360 --> 00:06:51,775 That's great. I love that salmon pink paintwork. 116 00:06:51,800 --> 00:06:53,564 It's come up a real treat. 117 00:06:53,589 --> 00:06:55,444 And that's got a plate on it there because... 118 00:06:55,469 --> 00:06:57,645 Because there used to be a dial in there... 119 00:06:57,670 --> 00:06:59,875 It's lost or broken or whatever. It's gone. 120 00:06:59,900 --> 00:07:02,665 All these light fittings will eventually be illuminated 121 00:07:02,690 --> 00:07:05,435 because there'll be LED strip lights behind to shine through 122 00:07:05,460 --> 00:07:06,665 the actual dials. 123 00:07:06,690 --> 00:07:10,105 It'll look fantastic, won't it? It's going to look brilliant. 124 00:07:10,130 --> 00:07:12,464 I can hear blokes up there. What's going there? 125 00:07:12,489 --> 00:07:15,825 We're repairing the lay lights. Can I have a look? Absolutely. 126 00:07:18,409 --> 00:07:21,435 We're going up into what looks like a metal matrix, 127 00:07:21,460 --> 00:07:23,235 but it's the control room ceiling, 128 00:07:23,260 --> 00:07:25,464 which has been given a temporary floor 129 00:07:25,489 --> 00:07:27,905 to allow Danny and his team to spruce it up. 130 00:07:29,690 --> 00:07:32,235 As you can see, our painter here is busy having a go. 131 00:07:32,260 --> 00:07:35,264 Would you like to have a go yourself? Yes, I certainly would. 132 00:07:35,289 --> 00:07:38,514 Just one bloke for this whole room seems a bit unfair, doesn't it? 133 00:07:38,539 --> 00:07:40,355 A bit of paper here for you. 134 00:07:40,380 --> 00:07:42,875 I was never going to pass on the chance to work on Battersea. 135 00:07:42,900 --> 00:07:44,714 It's like a childhood dream. 136 00:07:44,739 --> 00:07:46,384 So, what is this grid? 137 00:07:46,409 --> 00:07:48,625 It's designed to accommodate etched glass. 138 00:07:48,650 --> 00:07:51,945 So, originally it would have looked like this with natural light. 139 00:07:51,970 --> 00:07:55,025 When the war came along, they blacked out all the glass above. 140 00:07:55,050 --> 00:07:57,384 So, the Germans wouldn't bomb it? Absolutely. 141 00:07:57,409 --> 00:08:00,714 And now we're tasked with bringing it back to its original finish. 142 00:08:00,739 --> 00:08:02,905 That's your job, isn't it? Absolutely. 143 00:08:02,930 --> 00:08:06,995 So I'm working under what will be a huge glass ceiling. 144 00:08:07,020 --> 00:08:10,514 And to make sure everything hits the mark for English Heritage, 145 00:08:10,539 --> 00:08:12,905 it's highly specialised work. 146 00:08:12,930 --> 00:08:15,355 Too intricate to be done by machine, 147 00:08:15,380 --> 00:08:19,584 every piece of steel in this massive space is being prepped by hand. 148 00:08:20,900 --> 00:08:23,355 Endless amounts of samples have been researched 149 00:08:23,380 --> 00:08:26,075 to source the right paints. 150 00:08:26,100 --> 00:08:27,945 What colour's this metal going to be? 151 00:08:27,970 --> 00:08:31,514 It's going back in a gold, in a satin finish. Satin gold. Oh, wow. 152 00:08:31,539 --> 00:08:34,564 I've got a little piece of glass here, if you'd like to pop it in? 153 00:08:34,589 --> 00:08:37,464 And each new four-millimetre toughened glass pane 154 00:08:37,489 --> 00:08:40,055 will be individually cut. 155 00:08:40,080 --> 00:08:43,205 There's a bit of new four mil toughed opaque, like so. 156 00:08:43,230 --> 00:08:46,415 Everyone working here, metal workers, painters, glaziers, 157 00:08:46,440 --> 00:08:49,285 are all experienced tradespeople. 158 00:08:49,310 --> 00:08:52,205 Ooh, you needed someone a bit taller! 159 00:08:52,230 --> 00:08:54,085 Unlike me. 160 00:08:54,110 --> 00:08:56,925 Keep going. Keep going. We have touchdown. There we are. 161 00:08:56,950 --> 00:08:59,085 I thought it was going to bust for a minute. 162 00:08:59,110 --> 00:09:00,645 I've done one. 163 00:09:00,670 --> 00:09:02,135 Just 164 00:09:02,160 --> 00:09:04,805 But eventually, over 9,000 glass panes 165 00:09:04,830 --> 00:09:07,775 will be placed into this never-ending grid. 166 00:09:07,800 --> 00:09:09,805 That does look great, doesn't it? 167 00:09:09,830 --> 00:09:15,135 Imagine what it's going to look like when this whole room is covered in glass. Yeah, it'll lookfantastic. 168 00:09:15,160 --> 00:09:17,444 You're a Londoner, aren't you? Born and bred. 169 00:09:17,469 --> 00:09:19,925 Do you remember the first time you saw this place? 170 00:09:19,950 --> 00:09:23,085 Yeah, you're in awe of it because it's looks so big and massive. 171 00:09:23,110 --> 00:09:25,364 And it is... That's exactly how I felt. 172 00:09:25,389 --> 00:09:29,005 That's exactly how I felt. The word 'awe' is right, isn't it? 173 00:09:29,030 --> 00:09:30,494 It is. 174 00:09:30,519 --> 00:09:34,165 It's just great and what drives me on now is to see it finished. 175 00:09:34,190 --> 00:09:37,775 To stand back and say, yes, we have created this wonderful space 176 00:09:37,800 --> 00:09:39,975 and brought it back to life again. 177 00:09:40,000 --> 00:09:42,975 It's lucky it's so well-prepped, isn't it? Absolutely. 178 00:09:43,000 --> 00:09:44,975 Goes without saying. 179 00:09:45,000 --> 00:09:47,005 Later, I'll be feeling the heat... 180 00:09:47,030 --> 00:09:48,494 Oh, my God. 181 00:09:48,519 --> 00:09:51,055 ...when I head out of London to see how the red bricks 182 00:09:51,080 --> 00:09:53,244 for Battersea's makeover are being made. 183 00:09:53,269 --> 00:09:55,444 That is a very scary thing, isn't it? 184 00:09:56,589 --> 00:10:00,135 And I join a very unique floating fire station on the river. 185 00:10:00,160 --> 00:10:02,694 Man overboard! Man overboard! 186 00:10:02,719 --> 00:10:04,694 Man overboard! 187 00:10:17,200 --> 00:10:20,535 While industry has left its iconic mark on this river, 188 00:10:20,560 --> 00:10:24,015 there are some buildings on the Thames that have been built to, 189 00:10:24,040 --> 00:10:26,425 well, quite frankly, show off. 190 00:10:27,760 --> 00:10:31,374 And that takes me 30 miles upstream to leafy Berkshire 191 00:10:31,399 --> 00:10:33,535 to Cliveden House. 192 00:10:37,290 --> 00:10:39,855 Stood majestically overlooking the river, 193 00:10:39,880 --> 00:10:41,855 it may look all grand and innocent, 194 00:10:41,880 --> 00:10:44,704 but it was home to the Profumo affair 195 00:10:44,729 --> 00:10:48,295 and has a history steeped in sex, scandal and politics. 196 00:10:50,040 --> 00:10:53,855 The manor was built over 300 years ago by the second Duke of Buckingham 197 00:10:53,880 --> 00:10:56,374 to impress his mates and his mistress. 198 00:10:57,599 --> 00:11:00,935 Well, if you were a duke with money and an ego then, of course, 199 00:11:00,960 --> 00:11:04,624 you'd put your play palace on a prime spot overlooking the Thames. 200 00:11:06,090 --> 00:11:08,855 And Cliveden's been a notorious party house 201 00:11:08,880 --> 00:11:11,494 for the royal, rich and famous ever since. 202 00:11:12,840 --> 00:11:15,215 Anyone who was anyone stayed here. 203 00:11:15,240 --> 00:11:18,454 Queen Vic, Charlie Chaplin, Churchill, Gandhi 204 00:11:18,479 --> 00:11:22,704 and more recently, on the night before her wedding, Meghan Markle. 205 00:11:24,200 --> 00:11:26,574 The house is now a hotel, 206 00:11:26,599 --> 00:11:28,125 which is so luxurious, 207 00:11:28,150 --> 00:11:30,404 it's only really accessible to the very wealthy. 208 00:11:30,429 --> 00:11:35,355 But the woodlands and the garden and the land leading down to the Thames 209 00:11:35,380 --> 00:11:38,075 are available to the likes of you and me. 210 00:11:41,890 --> 00:11:45,384 It's been owned by the National Trust since 1942 211 00:11:45,409 --> 00:11:48,535 and 500,000 people visit this estate with its 212 00:11:48,560 --> 00:11:50,745 manicured gardens every year. 213 00:11:52,170 --> 00:11:53,865 Hello, Mark. Hello, Tony. 214 00:11:53,890 --> 00:11:57,484 Mark Lamb is part of Cliveden's 100-acre gardening squad. 215 00:11:58,870 --> 00:12:01,745 This is a classic piece of stately home gardening, isn't it? 216 00:12:01,770 --> 00:12:03,075 Oh, well, it is, isn't it? 217 00:12:03,100 --> 00:12:04,915 And that is a real spirit level? 218 00:12:04,940 --> 00:12:06,555 We just do it to get the, you know, 219 00:12:06,580 --> 00:12:09,785 not exact level, but you want it looking as good as you can, really. 220 00:12:09,810 --> 00:12:12,745 Do you change every year what sort of animal 221 00:12:12,770 --> 00:12:14,185 or pattern you're going do? 222 00:12:14,210 --> 00:12:17,105 Oh, no. No, these have been peacocks since 1900. 223 00:12:17,130 --> 00:12:19,185 I thought it was a bee! 224 00:12:19,210 --> 00:12:22,025 Do you know, people have said they think it's Mickey Mouse, 225 00:12:22,050 --> 00:12:23,584 but, yeah, they're peacocks. 226 00:12:23,609 --> 00:12:27,225 Peacocks made of hedges? Well, you don't get more Cliveden than that. 227 00:12:27,250 --> 00:12:30,075 And, of course, they're going to be trimmed by hand. 228 00:12:31,300 --> 00:12:33,785 Can I have a little go? Course you can. 229 00:12:33,810 --> 00:12:35,105 I don't want to do too much. 230 00:12:35,130 --> 00:12:37,275 No. The idea of wrecking your topiaries... 231 00:12:37,300 --> 00:12:39,105 No, you can't wreck it. 232 00:12:39,130 --> 00:12:41,714 The thing is as well, the public love you doing this. 233 00:12:41,739 --> 00:12:43,865 They chat to you, they think you're an artist. 234 00:12:43,890 --> 00:12:45,584 And of course, you're not really, 235 00:12:45,609 --> 00:12:48,075 you're just taking off the year's growth. 236 00:12:48,100 --> 00:12:51,275 I'm trimming a posh bush. I'm quite good at it, too. 237 00:12:51,300 --> 00:12:54,355 Normally I'm rubbish at these things but I'm steaming round. 238 00:12:54,380 --> 00:12:57,555 There's one bit I've got to do. Can you move back slightly, Wil? 239 00:12:57,580 --> 00:13:00,584 This bit is just doing my head in. Take it off. Right, ready? 240 00:13:02,100 --> 00:13:04,105 That's going to be hard with that. 241 00:13:04,130 --> 00:13:07,355 You need... Yay! Well done. Oh, I feel better for that. 242 00:13:07,380 --> 00:13:10,355 Thank you. Thank you very much. Well done. Well done. Cheers. 243 00:13:11,659 --> 00:13:15,225 Cliveden House has been home to countless counts and ladies, 244 00:13:15,250 --> 00:13:19,175 but none are as famous or infamous as the last lady of the house. 245 00:13:19,200 --> 00:13:23,464 She really knew how to milk its prime position on the Thames. 246 00:13:26,409 --> 00:13:29,504 Nancy Astor, who was Lady Astor, 247 00:13:29,529 --> 00:13:31,865 was one of the really big personalities in the history 248 00:13:31,890 --> 00:13:36,555 of this place, and she used to invite the rich and famous here 249 00:13:36,580 --> 00:13:39,555 at weekends to mess about on the Thames in boats. 250 00:13:39,580 --> 00:13:44,785 And in order to facilitate this, she had the boathouse done up. 251 00:13:44,810 --> 00:13:47,175 It is pretty wonderful, isn't it? 252 00:13:48,609 --> 00:13:52,105 Nancy Astor and her husband, Waldorf, who were both Americans, 253 00:13:52,130 --> 00:13:54,305 were the last owners of the estate. 254 00:13:54,330 --> 00:13:56,665 Nancy got involved in British politics 255 00:13:56,690 --> 00:13:58,584 and became the first woman MP 256 00:13:58,609 --> 00:14:01,384 to ever take a seat in the House of Commons. 257 00:14:01,409 --> 00:14:04,464 Oh, this is lovely. This isn't yours, is it? 258 00:14:06,330 --> 00:14:10,865 And away from Westminster, this was the other seat Nancy liked to take. 259 00:14:10,890 --> 00:14:13,555 Collections and House Manager Sophie Clarke 260 00:14:13,580 --> 00:14:16,305 knows all about the Liddesdale canoe. 261 00:14:23,050 --> 00:14:25,745 From the motor company? So, is it electric power? 262 00:14:27,970 --> 00:14:31,995 I knew boating on the Thames was a Victorian and Edwardian craze, 263 00:14:32,020 --> 00:14:35,555 but I'd always thought it involved lots of oars and hard work. 264 00:14:35,580 --> 00:14:38,555 So, she looks really elegant and old-fashioned 265 00:14:38,580 --> 00:14:41,464 but was actually the height of modernity at the same time. 266 00:14:41,489 --> 00:14:43,785 So, has it always been here just rotting away? 267 00:15:04,659 --> 00:15:07,464 I can't take her out though? 268 00:15:08,609 --> 00:15:13,195 The National Trust raised 25,000 quid to restore Liddesdale. 269 00:15:13,220 --> 00:15:16,745 Its elegance certainly represents the lady in Astor, 270 00:15:16,770 --> 00:15:19,425 but maybe not so much the politician. 271 00:15:19,450 --> 00:15:23,425 Nancy Astor was undoubtedly very glamorous, 272 00:15:23,450 --> 00:15:27,225 but she was also a very strange person in many ways. 273 00:15:27,250 --> 00:15:31,195 She was, on one hand, Britain's first woman MP 274 00:15:31,220 --> 00:15:33,815 and she supported all sorts of causes 275 00:15:33,840 --> 00:15:37,195 which now we'd think of as being progressive, 276 00:15:37,220 --> 00:15:39,225 like votes for younger women. 277 00:15:39,250 --> 00:15:40,714 But on the other hand, 278 00:15:40,739 --> 00:15:45,355 her attitude towards Catholics and Jews was frankly ghastly, 279 00:15:45,380 --> 00:15:50,275 and she flirted with the Nazi party prior to the Second World War. 280 00:15:50,300 --> 00:15:53,454 So, you know, she was no high society angel. 281 00:15:56,020 --> 00:15:59,065 But that didn't seem to matter to the high society hangers-on 282 00:15:59,090 --> 00:16:00,995 at her posh boat parties. 283 00:16:01,020 --> 00:16:05,025 I'm not allowed to take Nancy's beautifully restored canoe out, 284 00:16:05,050 --> 00:16:09,025 but Cliveden does have river craft you can hire from Sam Harris. 285 00:16:09,050 --> 00:16:10,915 And they're electric. 286 00:16:11,940 --> 00:16:13,745 Hello, Sam. Hi, Tony. 287 00:16:13,770 --> 00:16:16,105 It's not quite as glamorous as Lady Astor's boat, 288 00:16:16,130 --> 00:16:17,785 but it's pretty sleek, isn't it? 289 00:16:17,810 --> 00:16:20,195 These are very nice modern boats, we think, yes. 290 00:16:20,220 --> 00:16:23,225 I think it's the lack of noisiness that I'm so impressed by. 291 00:16:23,250 --> 00:16:25,425 I mean, you can hear nothing today, 292 00:16:25,450 --> 00:16:28,425 whereas other rivers it's just grrrrr all the time, isn't it? 293 00:16:28,450 --> 00:16:31,065 Exactly. Can I get in? Please do. Step aboard. Ta. 294 00:16:34,890 --> 00:16:37,945 Cliveden Reach is a two mile stretch of the Thames 295 00:16:37,970 --> 00:16:40,555 from Cookham Lock to Boulters Lock. 296 00:16:40,580 --> 00:16:42,834 Ooh, there's a nice little breeze. 297 00:16:42,859 --> 00:16:46,025 Cruising along in an electric boat isn't just in keeping 298 00:16:46,050 --> 00:16:49,945 with its history, but it's kinder on the environment, too. 299 00:16:49,970 --> 00:16:53,355 Where do you get these boats from? They're actually built in Poland. 300 00:16:53,380 --> 00:16:55,065 Are they built to be electric? 301 00:16:55,090 --> 00:16:58,275 No, these are built to take an outboard engine and as it happens, 302 00:16:58,300 --> 00:17:01,704 we have very reliable electric outboards that will last 303 00:17:01,729 --> 00:17:04,145 effectively all day, and then, we charge them overnight, 304 00:17:04,170 --> 00:17:05,915 ready to go again the next day. 305 00:17:05,940 --> 00:17:07,305 Your family on the river? 306 00:17:07,330 --> 00:17:10,584 I'm the third generation of the family working on the Thames now. 307 00:17:10,609 --> 00:17:12,945 Did you go on to the river straight from school? 308 00:17:12,970 --> 00:17:16,355 No, I went to university first, got what you might call a proper job, 309 00:17:16,380 --> 00:17:19,384 but after 18 months in an office decided the river was for me. 310 00:17:19,409 --> 00:17:21,555 I think you probably made the right choice. 311 00:17:21,580 --> 00:17:23,105 On a day like today, definitely. 312 00:17:25,529 --> 00:17:28,785 This is Spring Cottage, so this was the site of the Profumo Affair. 313 00:17:28,810 --> 00:17:30,995 Oh, this is the one that, uh, 314 00:17:31,020 --> 00:17:34,145 Lord Astor lent to Stephen Ward for all his shenanigans. 315 00:17:34,170 --> 00:17:36,045 Some stories to be told there. 316 00:17:36,070 --> 00:17:38,765 So, that's presumably where Christine Keeler stayed? 317 00:17:38,790 --> 00:17:39,854 It would have been. 318 00:17:39,879 --> 00:17:43,165 It was a scandal that rocked the government. 319 00:17:43,190 --> 00:17:46,115 Tories supposed to be running the country from one house 320 00:17:46,140 --> 00:17:49,965 on the Thames, but instead, they're caught romping upriver in another. 321 00:17:49,990 --> 00:17:51,724 It's not bad here, is it? 322 00:17:51,749 --> 00:17:55,165 This is Boulters Lock, renowned in the 1920s as a very popular 323 00:17:55,190 --> 00:17:58,365 spot on the Sunday of Ascot where people would flock from 324 00:17:58,390 --> 00:18:01,165 far and wide and watch the rich and famous on their way home. 325 00:18:01,190 --> 00:18:02,935 Gawping at the stars. Yeah. 326 00:18:05,390 --> 00:18:08,325 Sadly, it's time to turn round and head back, 327 00:18:08,350 --> 00:18:11,245 but I think Sam may have saved the best until last. 328 00:18:12,960 --> 00:18:15,685 So, if you look around now, Tony, you'll see the best view 329 00:18:15,710 --> 00:18:17,295 of Cliveden House on the river. 330 00:18:17,320 --> 00:18:19,215 That is astonishing, isn't it? 331 00:18:19,240 --> 00:18:22,524 From here you can see exactly why they built it in the spot they did. 332 00:18:22,549 --> 00:18:24,724 Yeah. Absolutely strategic, isn't it? 333 00:18:27,629 --> 00:18:31,165 Money, power, confidence, class. 334 00:18:31,190 --> 00:18:33,604 We own this land, it says. 335 00:18:40,749 --> 00:18:44,085 This messing about in boats for fun is all well and good, 336 00:18:44,110 --> 00:18:47,245 but now I'm ready for some serious action. 337 00:18:47,270 --> 00:18:50,724 And to find it, I've gone back downstream to South London. 338 00:18:53,749 --> 00:18:55,935 Red Watch, Red Watch on, answer your names. 339 00:18:55,960 --> 00:18:59,724 Firefighter Hulse? Sir. Firefighter Gordon? Firefighter Kelly? Sir. 340 00:18:59,749 --> 00:19:01,365 Firefighter Kilminster? 341 00:19:01,390 --> 00:19:05,325 Today, I'm going to be joining Lambeth River Fire Station, 342 00:19:05,350 --> 00:19:08,965 which is the UK's only water-based fire station. 343 00:19:08,990 --> 00:19:11,325 And I'm so looking forward to it. 344 00:19:11,350 --> 00:19:15,215 High water today at Chelsea Bridge is 10:52, 345 00:19:15,240 --> 00:19:18,724 low water 17:23 and we are bang on a neap tide. 346 00:19:18,749 --> 00:19:21,805 Red watch, Red Watch. For your duties, fall out. 347 00:19:22,960 --> 00:19:25,935 Blimey, it's like being in the army. Hope I can keep up. 348 00:19:25,960 --> 00:19:28,045 So, you're going to be the boss today? 349 00:19:29,520 --> 00:19:32,404 Lee Phillips is in charge of today's watch 350 00:19:32,429 --> 00:19:35,654 and it turns out fires are the least of his worries. 351 00:19:35,679 --> 00:19:38,854 Most of our calls on the river station are to people in the water, 352 00:19:38,879 --> 00:19:41,654 eitherjumping off the bridges or falling in off boats. 353 00:19:41,679 --> 00:19:44,724 It's quite slack tide now but the tide can move up to six knots, 354 00:19:44,749 --> 00:19:47,935 so we've seen people jumping off the bridges, they've gone under 355 00:19:47,960 --> 00:19:50,654 and they've not come up, because the current has got them 356 00:19:50,679 --> 00:19:53,365 underneath the water, or they're entangled in something. 357 00:19:53,390 --> 00:19:55,295 So, yeah, it is really dangerous. 358 00:19:55,320 --> 00:19:58,654 The brigade responds to over 250 call-outs a year 359 00:19:58,679 --> 00:20:01,135 along 48km of the river. 360 00:20:01,160 --> 00:20:03,755 And when they're not dealing with an emergency, 361 00:20:03,780 --> 00:20:07,005 they're doing drills to make sure they're primed and ready 362 00:20:07,030 --> 00:20:08,685 for the next one. 363 00:20:08,710 --> 00:20:10,295 Man overboard! Man overboard! 364 00:20:10,320 --> 00:20:12,755 Man overboard! 365 00:20:12,780 --> 00:20:15,495 It might only be a poor old dummy in the water, 366 00:20:15,520 --> 00:20:18,404 but if you can't save that you certainly won't be any good 367 00:20:18,429 --> 00:20:22,854 when it comes to the real thing, so even in a drill every second counts. 368 00:20:22,879 --> 00:20:25,654 So, I want you to work with Glen. You're going to be a spotter. 369 00:20:25,679 --> 00:20:26,885 What does that mean? 370 00:20:26,910 --> 00:20:29,654 You're going to use that boat hook to line it up with the casualty, 371 00:20:29,679 --> 00:20:31,805 and direct Nathan, the coxswain, in. 372 00:20:31,830 --> 00:20:33,755 No pressure then! 373 00:20:33,780 --> 00:20:37,295 Nath, got it? Luckily, we're coming straight in, so it won't be too bad 374 00:20:37,320 --> 00:20:41,115 and as it gets closer, we'll give him an idea of how far away we are. 375 00:20:41,140 --> 00:20:43,325 I'm rubbish at metres. ls that five metres? 376 00:20:43,350 --> 00:20:46,005 Yeah, it's at five metres, Nath. Five metres, Nathan. 377 00:20:46,030 --> 00:20:47,524 Four. 378 00:20:47,549 --> 00:20:49,045 Three. 379 00:20:49,070 --> 00:20:50,495 Two. 380 00:20:50,520 --> 00:20:52,495 Oh, no. Missed him. 381 00:20:52,520 --> 00:20:53,965 Sorry. 382 00:20:53,990 --> 00:20:56,755 He's gone. He's gone. Go around, Nath. Go around. 383 00:20:59,830 --> 00:21:03,165 Damn! It was my responsibility and I blew it. 384 00:21:03,190 --> 00:21:05,135 My stress levels are rocketing. 385 00:21:05,160 --> 00:21:07,085 About 25 metres away. 386 00:21:07,110 --> 00:21:09,575 I don't want to mess it up again. 387 00:21:16,174 --> 00:21:17,429 OK. 388 00:21:22,613 --> 00:21:24,479 Right, coming up lovely. 389 00:21:25,764 --> 00:21:26,919 Four. 390 00:21:26,944 --> 00:21:28,099 Three. 391 00:21:29,533 --> 00:21:30,708 Two. 392 00:21:30,733 --> 00:21:31,919 Yep. 393 00:21:34,533 --> 00:21:36,739 Contact! Contact. We've got him. 394 00:21:38,174 --> 00:21:40,378 Try and guide him into the Jason's cradle now. 395 00:21:42,014 --> 00:21:44,199 Don't worry sunshine, you're nearly safe. 396 00:21:44,224 --> 00:21:46,309 Give us a hand on this now, Tony. That's it. 397 00:21:48,504 --> 00:21:50,149 Man back onboard. 398 00:21:52,694 --> 00:21:54,479 I let you down, mate, didn't I? 399 00:21:56,584 --> 00:22:00,279 What struck me though was the speed that the Thames flows. 400 00:22:00,304 --> 00:22:03,349 Cos it looked as though it was just sort of bobbing up and down 401 00:22:03,374 --> 00:22:06,279 in still water. But as soon as we came up to it, 402 00:22:06,304 --> 00:22:08,479 it was like it was going by at the speed of train. 403 00:22:29,224 --> 00:22:32,588 Over 100 London firefighters have asked to transfer 404 00:22:32,613 --> 00:22:35,199 to the river squadron and I can see why. 405 00:22:35,224 --> 00:22:39,708 But there's no time to bask in the glory of a job fairly well done, 406 00:22:39,733 --> 00:22:42,119 it's straight on to the next drill. 407 00:22:42,144 --> 00:22:45,588 We've got the casualty just across the river there trapped in the mud. 408 00:22:45,613 --> 00:22:47,149 Just under that bridge? Yeah. 409 00:22:47,174 --> 00:22:50,069 I think it's the same guy we rescued earlier from the river. 410 00:22:50,094 --> 00:22:51,949 He won't learn, will he?! 411 00:22:51,974 --> 00:22:55,869 The Thames has a huge tidal range and its water level can rise 412 00:22:55,894 --> 00:22:58,479 and fall by as much as seven metres. 413 00:22:58,504 --> 00:23:00,789 So getting stuck in the mud at low tide 414 00:23:00,814 --> 00:23:04,149 would land you in big trouble when the tide rises. 415 00:23:04,174 --> 00:23:06,559 People think it's a good idea to go swimming, 416 00:23:06,584 --> 00:23:08,739 especially when the weather's like this. 417 00:23:08,764 --> 00:23:11,919 And then they try to get back to shore and they might become trapped 418 00:23:11,944 --> 00:23:13,309 in the mud for that reason. 419 00:23:13,334 --> 00:23:15,919 Or sometimes they've just had a few too many to drink 420 00:23:15,944 --> 00:23:18,378 and they decide it's a good idea to go into the mud. 421 00:23:18,403 --> 00:23:22,149 The raw sewage sometimes found in the Thames' mud banks 422 00:23:22,174 --> 00:23:24,789 means Red Watch need to wear protective gear 423 00:23:24,814 --> 00:23:27,269 when they're doing these types of rescue. 424 00:23:27,294 --> 00:23:29,739 Well, I did say I was happy mucking in. 425 00:23:29,764 --> 00:23:31,508 It's a really hot day, isn't it? 426 00:23:31,533 --> 00:23:33,989 What do you reckon, 29 degrees, something like that? 427 00:23:34,014 --> 00:23:35,588 Not really the right day for it. 428 00:23:35,613 --> 00:23:38,789 Probably the worst day you want to be putting one on, to be honest. 429 00:23:40,533 --> 00:23:42,479 There we go, that's the one. 430 00:23:42,504 --> 00:23:44,378 Ooh, like a flower blossoming! 431 00:23:45,863 --> 00:23:48,349 Gear on, drill two gets under way 432 00:23:48,374 --> 00:23:52,229 and at low tide, there's only so far the boat can go. 433 00:23:52,254 --> 00:23:55,508 Right, you stay on board. Yep. They're now going to pepper pot. 434 00:23:55,533 --> 00:23:59,559 Use those mats, it's what we call pepper potting, up to the casualty. 435 00:23:59,584 --> 00:24:03,949 Tossing a couple of mats across the Thames' mud bed may sound easy, 436 00:24:03,974 --> 00:24:08,949 but from where I'm stood it's taking a heck of a lot of effort. 437 00:24:08,974 --> 00:24:11,628 What are you thinking, when you're heaving that mat out of the mud? 438 00:24:11,653 --> 00:24:13,588 It's hard work, it's just energy-sapping. 439 00:24:13,613 --> 00:24:16,708 The mud's got a suction to it with the mat on top, so it's difficult. 440 00:24:16,733 --> 00:24:19,309 And then, when you get to the casualty, you've then got the extra 441 00:24:19,334 --> 00:24:22,628 weight of the casualty on the mats, which you've got to bring back. 442 00:24:22,653 --> 00:24:27,019 And if it's someone who's injured or frightened, that's doubly difficult. 443 00:24:27,044 --> 00:24:28,588 Yeah, exactly. 444 00:24:28,613 --> 00:24:30,708 Within minutes, though, they're across. 445 00:24:32,014 --> 00:24:35,479 That's incredibly fast, given the problems that they had 446 00:24:35,504 --> 00:24:36,838 getting through that mud. 447 00:24:36,863 --> 00:24:39,378 Yeah, they've done well to get there. That's very impressive. 448 00:24:39,403 --> 00:24:42,559 Now they've got the even more difficult job of getting back... 449 00:24:42,584 --> 00:24:45,429 We're pretty much aground here, lads. 450 00:24:45,454 --> 00:24:46,838 ...which is where I come in. 451 00:24:46,863 --> 00:24:50,269 OK, if you want to step down onto that mat now, Tony. Yeah. 452 00:24:50,294 --> 00:24:51,309 Okey doke. 453 00:24:51,334 --> 00:24:52,989 One big lift... 454 00:24:54,504 --> 00:24:56,269 Two, three! 455 00:24:56,294 --> 00:24:59,628 ...and my hero duties for the day are done. 456 00:24:59,653 --> 00:25:00,869 HE CHUCKLES 457 00:25:03,454 --> 00:25:07,659 The drills that we've been doing today have been really fun. 458 00:25:07,684 --> 00:25:10,758 We've had quite a laugh actually, haven't we? It has, it's been good. 459 00:25:10,783 --> 00:25:13,399 But they also have a very important point. 460 00:25:13,424 --> 00:25:17,269 At some time, this will be a life-and-death moment for somebody. 461 00:25:17,294 --> 00:25:22,119 And when that moment happens, it's crucial that these guys' skills 462 00:25:22,144 --> 00:25:23,909 are really finely-honed. 463 00:25:25,144 --> 00:25:27,838 Can you, er, have a go on the other side? Thank you. 464 00:25:33,783 --> 00:25:37,269 Later, I'll be getting my hands dirty for the Thames again... 465 00:25:37,294 --> 00:25:38,789 Right, let's go! 466 00:25:38,814 --> 00:25:42,039 ...making a brick for Battersea Power Station against the clock. 467 00:25:42,064 --> 00:25:43,838 Rah! Oh, God, it's broken. 468 00:25:43,863 --> 00:25:44,949 It's splitting in half! 469 00:25:55,813 --> 00:26:00,029 On the Thames South Bank, I've been invited to see restoration work 470 00:26:00,054 --> 00:26:03,229 being done on the magnificent power station at Battersea. 471 00:26:07,054 --> 00:26:10,509 And what made this temple of power stand out wasn't just 472 00:26:10,534 --> 00:26:16,589 its towering chimneys, but its solid, bold, red brick exterior. 473 00:26:16,614 --> 00:26:20,349 Battersea Power Station is one of the biggest brick buildings 474 00:26:20,374 --> 00:26:21,839 ever created. 475 00:26:21,864 --> 00:26:24,559 It was the brainchild of Gilbert Scott, who was one of the 476 00:26:24,584 --> 00:26:26,949 most famous architects of his time. 477 00:26:26,974 --> 00:26:30,668 He also created what's now Tate Modern, 478 00:26:30,693 --> 00:26:35,069 and he invented London's red telephone boxes. 479 00:26:35,094 --> 00:26:38,668 It's funny, cos he didn't think this was one of his great works - 480 00:26:38,693 --> 00:26:41,029 although now everybody loves it. 481 00:26:41,054 --> 00:26:45,949 Pink Floyd even floated a giant inflatable pig over the top of it 482 00:26:45,974 --> 00:26:47,947 for one of their album covers. 483 00:26:47,972 --> 00:26:50,697 And you don't get more famous than that. 484 00:26:50,722 --> 00:26:54,108 But it's Battersea's celebrated brickwork that's been one of 485 00:26:54,133 --> 00:26:57,747 the biggest headaches for the developers doing it up. 486 00:26:57,772 --> 00:27:01,028 They needed over a million bricks, and they all had to be the right 487 00:27:01,053 --> 00:27:06,588 size and shape, and colour so they would fit seamlessly in - 488 00:27:06,613 --> 00:27:11,178 turning the whole place into one humongous brick jigsaw puzzle. 489 00:27:11,203 --> 00:27:14,408 They searched to see whether the original brick makers, 490 00:27:14,433 --> 00:27:18,208 called Northwick, still existed, but nothing came up. 491 00:27:18,233 --> 00:27:22,078 But a chance phone call revealed the brickyard was still operating, 492 00:27:22,103 --> 00:27:23,568 but under a new name. 493 00:27:23,593 --> 00:27:25,847 Kerching! They struck gold. 494 00:27:25,872 --> 00:27:30,048 Away from Battersea and upstream from London is Northcot Bricks, 495 00:27:30,073 --> 00:27:31,847 around 30 miles from the source 496 00:27:31,872 --> 00:27:33,128 of the River Thames. 497 00:27:34,513 --> 00:27:38,078 And amazingly, to make their bricks, they're using clay from 498 00:27:38,103 --> 00:27:40,608 the very same quarry as they did 90 years ago. 499 00:27:43,742 --> 00:27:46,488 Dale Moss is the manager here. 500 00:27:46,513 --> 00:27:50,488 This quarry is where Battersea Power Station first emerged from. 501 00:27:50,513 --> 00:27:52,647 Cor, some size quarry, isn't it? 502 00:27:52,672 --> 00:27:54,128 What's the story of the site? 503 00:27:54,153 --> 00:27:57,178 1925, the local landowner, Spencer Churchill... 504 00:27:57,203 --> 00:27:59,048 Churchill, as in Winston Churchill? 505 00:27:59,073 --> 00:28:00,408 Cousin of Winston, yes. Yeah. 506 00:28:00,433 --> 00:28:03,608 Decided he'd find work for local people and, er, 507 00:28:03,633 --> 00:28:06,048 he was going to start a basket factory. 508 00:28:06,073 --> 00:28:09,208 But they found this lovely blue clay here, and decided to turn it 509 00:28:09,233 --> 00:28:10,288 into a brickworks. 510 00:28:10,313 --> 00:28:14,717 Why did they choose Churchill's quarry to supply 511 00:28:14,742 --> 00:28:16,288 the bricks for Battersea? 512 00:28:16,313 --> 00:28:20,288 I do believe he was a personal friend of the architect. 513 00:28:20,313 --> 00:28:22,488 Do you know, I thought that might be the case. 514 00:28:22,513 --> 00:28:23,488 THEY LAUGH 515 00:28:24,672 --> 00:28:27,078 Over the last century, this quarry has produced 516 00:28:27,103 --> 00:28:29,208 a third of a billion bricks. 517 00:28:32,383 --> 00:28:35,178 Right, Tony, we're at a face of the quarry. 518 00:28:35,203 --> 00:28:36,967 Do we know how old this clay is? 519 00:28:36,992 --> 00:28:39,647 They say two million years, Jurassic. 520 00:28:39,672 --> 00:28:42,967 They say Jurassic, because we do get fossil bands within the clay. 521 00:28:42,992 --> 00:28:45,928 We found two dinosaurs out the quarry. 522 00:28:45,953 --> 00:28:49,248 They were sea dinosaurs, about 15 metres. 523 00:28:49,273 --> 00:28:51,767 Oh, so it was really big skeleton? Yes. 524 00:28:51,792 --> 00:28:55,048 What puzzles me is that this clay is so very grey, 525 00:28:55,073 --> 00:28:57,248 and yet Battersea is so very red. 526 00:28:57,273 --> 00:28:59,818 On chemical analysis, this clay, although it's grey, 527 00:28:59,843 --> 00:29:01,358 is very iron-rich. Mm-hm. 528 00:29:01,383 --> 00:29:04,328 Of course, when iron's fired, it turns red, bright orange. 529 00:29:04,353 --> 00:29:07,048 So, that's what gives it the depth and warmth of the colour 530 00:29:07,073 --> 00:29:08,178 such as Battersea. 531 00:29:09,742 --> 00:29:14,328 At one time, the clay would've been excavated by men with quarry picks. 532 00:29:14,353 --> 00:29:17,538 Now, it's the job of one man and his digger. 533 00:29:17,563 --> 00:29:21,288 But from that point on, each and every brick of the 534 00:29:21,313 --> 00:29:25,288 1.3 million commissioned by Battersea is made using 535 00:29:25,313 --> 00:29:28,288 traditional tools and techniques. 536 00:29:28,313 --> 00:29:32,717 A Victorian Wheaton Roller grinds the clay to a fine texture. 537 00:29:32,742 --> 00:29:34,328 It's mixed with water... 538 00:29:35,633 --> 00:29:38,568 ...then it's off to a master brick-maker to be thrown by hand. 539 00:29:40,742 --> 00:29:43,048 So, this is where the magic happens? 540 00:29:43,073 --> 00:29:44,767 This is where it all happens, yes. 541 00:29:44,792 --> 00:29:47,097 It's a curious thing, a brick, isn't it? 542 00:29:47,122 --> 00:29:48,328 But it's also beautiful. 543 00:29:49,593 --> 00:29:51,358 Why do you make them by hand? 544 00:29:51,383 --> 00:29:54,097 They match a lot of old buildings. 545 00:29:54,122 --> 00:29:57,248 They get a better, more pleasing product to the eye. 546 00:29:57,273 --> 00:30:00,128 And what's this stuff that Thomas is wrapping round them? 547 00:30:00,153 --> 00:30:01,967 That's just a sand. 548 00:30:01,992 --> 00:30:04,767 We do various sands, different granule sizes to get 549 00:30:04,792 --> 00:30:06,928 a different appearance of a brick. 550 00:30:06,953 --> 00:30:08,688 How many can you make a day, Thomas? 551 00:30:08,713 --> 00:30:11,458 Thousand...thousand every day, yes. Five days. 552 00:30:11,483 --> 00:30:13,488 Do you feel it much on your muscles? 553 00:30:13,513 --> 00:30:16,097 It's a heavy job, you know? Yeah, yeah, it is a heavy job. 554 00:30:16,122 --> 00:30:19,128 Yes, yes, yes. So, are we ready? Yeah, we're ready. 555 00:30:19,153 --> 00:30:22,358 To show you how quick Thomas is, I'm having a go. 556 00:30:22,383 --> 00:30:25,818 But first, the master needs to show me how it's done. 557 00:30:25,843 --> 00:30:29,097 Right, you start forming it front and back, side and side. 558 00:30:29,122 --> 00:30:30,568 Oh, yeah, and I'll wham it in. 559 00:30:30,593 --> 00:30:31,568 That's it. 560 00:30:32,792 --> 00:30:36,408 Cut it along, you get your two boards, tip the brick out, 561 00:30:36,433 --> 00:30:40,608 roll it over, take the bottom off, take the mould off. 562 00:30:40,633 --> 00:30:41,847 How long was that? 563 00:30:41,872 --> 00:30:43,967 15 seconds. 15 seconds! 564 00:30:45,203 --> 00:30:46,967 Now, it's my turn. 565 00:30:46,992 --> 00:30:48,288 Right, let's go! 566 00:30:50,792 --> 00:30:52,328 Now I have to get the sand on it. 567 00:30:52,353 --> 00:30:53,358 HE STRAINS 568 00:30:53,383 --> 00:30:54,717 Oh, God, it's broken. 569 00:30:54,742 --> 00:30:57,248 Oh...it's splitting in half! 570 00:30:57,273 --> 00:30:58,967 I don't know how I'm doing for time. 571 00:31:00,073 --> 00:31:02,248 HE STRAINS Bash! 572 00:31:02,273 --> 00:31:05,568 But I'm pretty sure I've passed Thomas' 15-second mark. 573 00:31:05,593 --> 00:31:06,998 Maybe a little more? 574 00:31:07,023 --> 00:31:08,358 Oh, yeah. Oh, God... 575 00:31:08,383 --> 00:31:10,208 You're not meant to tell him, Thomas. 576 00:31:10,233 --> 00:31:11,278 THEY LAUGH 577 00:31:11,303 --> 00:31:14,568 In total, Battersea needs 18 individual brick types 578 00:31:14,593 --> 00:31:19,278 in unique sizes to achieve its seamless repairs. 579 00:31:19,303 --> 00:31:21,928 And it's really hard, heavy work. 580 00:31:24,992 --> 00:31:26,568 Ahh! That's it. 581 00:31:26,593 --> 00:31:29,358 You took just over two minutes to do one brick. 582 00:31:29,383 --> 00:31:30,767 Absolute rubbish. 583 00:31:32,073 --> 00:31:34,208 I've got a nasty feeling my beautiful brick 584 00:31:34,233 --> 00:31:35,928 will end up in the reject pile. 585 00:31:37,792 --> 00:31:41,458 But, once the bricks are made properly, they're taken to the drier 586 00:31:41,483 --> 00:31:44,637 and stored at 8O degrees Celsius for six days. 587 00:31:46,303 --> 00:31:49,717 Then it's off to a big underground oven to be fired, 588 00:31:49,742 --> 00:31:53,248 which gives it that brilliant Battersea-red colour. 589 00:31:53,273 --> 00:31:57,608 I can really feel the heat coming up off the ground. 590 00:31:57,633 --> 00:32:00,128 The actual kilns are under your feet at the moment, 591 00:32:00,153 --> 00:32:02,847 at currently 940 degrees. 592 00:32:02,872 --> 00:32:05,248 Cor, and I can see it down there! 593 00:32:05,273 --> 00:32:09,928 It's this gas-and-coal firing which transforms the relatively weak, 594 00:32:09,953 --> 00:32:12,458 dried clay into strong, durable bricks. 595 00:32:13,742 --> 00:32:15,528 That is a very scary thing, isn't it? 596 00:32:15,553 --> 00:32:17,328 It's like a flame thrower. 597 00:32:17,353 --> 00:32:20,148 I'm trying to do a gentle interested interview, 598 00:32:20,173 --> 00:32:22,148 and there's a dragon behind me. 599 00:32:22,173 --> 00:32:23,178 THEY LAUGH 600 00:32:23,203 --> 00:32:24,637 Tom? Yes? 601 00:32:24,662 --> 00:32:26,488 Are you going to show me what you do? Yep. 602 00:32:26,513 --> 00:32:28,847 You can just see the edge of the brick there, the first one. 603 00:32:28,872 --> 00:32:30,608 That's where we take our measure from. 604 00:32:30,633 --> 00:32:32,847 So, we stack the bricks 22-high in a chamber, and then, 605 00:32:32,872 --> 00:32:35,738 when they've shrunk three inches, we know we've got the vitrification 606 00:32:35,763 --> 00:32:37,918 point which is when the bricks have gone hard enough. 607 00:32:37,943 --> 00:32:39,918 Why do they shrink? What's in them that... 608 00:32:39,943 --> 00:32:42,168 It's just moisture. It's amazing, isn't it? 609 00:32:42,193 --> 00:32:44,358 It's such an old-fashioned way of doing it. 610 00:32:44,383 --> 00:32:47,408 When the 22 have been reduced by three inches... 611 00:32:47,433 --> 00:32:50,097 That's it. That's right? Yeah, it's when we're happy. 612 00:32:50,122 --> 00:32:51,168 THEY CHUCKLE 613 00:32:51,193 --> 00:32:53,568 It does look like the fire from hell, doesn't it? 614 00:32:53,593 --> 00:32:54,887 Oh, my God! 615 00:32:54,912 --> 00:32:55,887 Jeezg 616 00:32:58,153 --> 00:33:02,358 The kiln is manned 24 hours a day for three days. 617 00:33:02,383 --> 00:33:06,128 Five clays after firing's finished, the bricks can be removed. 618 00:33:07,912 --> 00:33:11,488 This kiln is being emptied, and the bricks are still hot. 619 00:33:11,513 --> 00:33:13,328 How do you do it, mate? Oh, you just stick... 620 00:33:13,353 --> 00:33:14,918 We've got a good saying here, Tony. 621 00:33:14,943 --> 00:33:17,248 Yeah? "If the bricks start to burn your hands, 622 00:33:17,273 --> 00:33:19,818 "you're holding on to 'em too long." TONY LAUGHS 623 00:33:19,843 --> 00:33:24,168 It's so stifling in here, even Dale's fittest lads can only 624 00:33:24,193 --> 00:33:29,168 stack 30-40 bricks a time before needing a break. 625 00:33:29,193 --> 00:33:31,738 I feel like I need suntan oil on my head, it's just going, 626 00:33:31,763 --> 00:33:33,887 "Boom, boom, boom". 627 00:33:33,912 --> 00:33:35,818 It's a nice job in the winter. 628 00:33:35,843 --> 00:33:38,378 I bet it is, yeah. THEY LAUGH 629 00:33:38,403 --> 00:33:41,818 Next, the bricks are plunged into a pool to cool, 630 00:33:41,843 --> 00:33:44,628 sorted by colour, and packed ready for transport. 631 00:33:45,863 --> 00:33:48,847 They don't look like new bricks, even though they are - 632 00:33:48,872 --> 00:33:52,358 which is why they should sit alongside their 1930s and '40s 633 00:33:52,383 --> 00:33:54,818 brick buddies at Battersea no problem. 634 00:33:57,023 --> 00:34:00,918 To find out, I can't resist coming back to have a look. 635 00:34:00,943 --> 00:34:05,738 And, of course, getting my hands on my beloved Battersea one final time. 636 00:34:05,763 --> 00:34:07,608 Oh, it looks fantastic! 637 00:34:07,633 --> 00:34:10,278 Austin, I've never laid a brick before in my life. 638 00:34:10,303 --> 00:34:12,887 So, here we are, I get the cement on here, yes? 639 00:34:14,792 --> 00:34:16,998 This is the way idiots do it, isn't it? 640 00:34:17,023 --> 00:34:18,097 THEY LAUGH 641 00:34:18,122 --> 00:34:20,048 ls that enough? Yeah? 642 00:34:20,073 --> 00:34:21,998 Being left-handed, I've got to turn it around. 643 00:34:22,023 --> 00:34:25,048 Yeah,yeah. Squeezeitin. 644 00:34:26,872 --> 00:34:28,278 Tap, tap, taP- 645 00:34:30,583 --> 00:34:33,847 I have put a brick into the new Battersea Power Station. 646 00:34:33,872 --> 00:34:35,637 If you ever see one tumbling off the side - 647 00:34:35,662 --> 00:34:36,808 you won't, of course - 648 00:34:36,833 --> 00:34:39,048 but if you did, it would probably be this one. 649 00:34:39,073 --> 00:34:40,887 Cheers, mate. Thanks. 650 00:34:40,912 --> 00:34:43,608 Give us a shout if you need any more done. 651 00:34:45,193 --> 00:34:49,168 Even with my dodgy handy work, my favourite building on the Thames 652 00:34:49,193 --> 00:34:52,488 is well on its way to getting its legendary red look back. 653 00:34:53,912 --> 00:34:56,767 And when it's done, it's going to come alive again 654 00:34:56,792 --> 00:34:59,767 with homes, restaurants, shops, offices. 655 00:34:59,792 --> 00:35:02,808 It's even getting its own tube station. 656 00:35:02,833 --> 00:35:06,048 In there is a brick that I laid. 657 00:35:06,073 --> 00:35:09,708 And ridiculously, that does give me quite a buzz. 658 00:35:09,733 --> 00:35:12,097 And, when it's all finished, and it's flash and new, 659 00:35:12,122 --> 00:35:15,738 and they've got rid of all this ghastly plastic stuff, 660 00:35:15,763 --> 00:35:19,528 I think it's going to look even better than it did the first time 661 00:35:19,553 --> 00:35:21,688 I ever saw it when I was a lad. 662 00:35:26,912 --> 00:35:30,278 But Battersea isn't the only Thames treasure getting a makeover... 663 00:35:30,303 --> 00:35:31,528 We'll get you kitted up. 664 00:35:31,553 --> 00:35:34,328 ...as I delve into the river's oldest bridge. 665 00:35:34,353 --> 00:35:36,967 I never thought anything like this existed. 666 00:35:45,713 --> 00:35:48,538 I couldn't end my look at the brilliant structures along 667 00:35:48,563 --> 00:35:51,378 the Thames without paying homage to its bridges, 668 00:35:51,403 --> 00:35:54,147 which have been popping up since Roman times. 669 00:35:54,172 --> 00:35:56,258 Currently, there are 35 of them. 670 00:35:58,633 --> 00:36:03,017 From the historic London Bridge to the beautiful Tower Bridge, 671 00:36:03,042 --> 00:36:05,458 to the relatively new Millennium Bridge, 672 00:36:05,483 --> 00:36:09,378 all these bridges have one common function - 673 00:36:09,403 --> 00:36:12,897 to get people from one side of the river to the other. 674 00:36:15,283 --> 00:36:18,097 But they've got something else in common, too - 675 00:36:18,122 --> 00:36:21,328 they're all part of an ambitious £45 million 676 00:36:21,353 --> 00:36:24,967 light installation project which is going to light up London's bridges 677 00:36:24,992 --> 00:36:26,788 for the next ten years. 678 00:36:26,813 --> 00:36:28,298 Hiya. Hi! 679 00:36:28,323 --> 00:36:29,738 How are you? Good, thank you. 680 00:36:29,763 --> 00:36:32,788 Sarah Gaventa is directing the project. 681 00:36:32,813 --> 00:36:35,458 This is London Bridge. 682 00:36:35,483 --> 00:36:37,897 Now, it's very unloved actually, I mean, a lot of people think 683 00:36:37,922 --> 00:36:39,428 it's really ugly. 684 00:36:39,453 --> 00:36:41,967 Yeah, I think I do, yeah, yeah. SHE LAUGHS 685 00:36:41,992 --> 00:36:44,858 London Bridge was one of the first bridges that we illuminated. 686 00:36:44,883 --> 00:36:48,738 It's a bit of a challenge cos it is so, kind of...concrete-y, isn't it? 687 00:36:48,763 --> 00:36:51,248 It is, but it's also a wonderful canvas. 688 00:36:51,273 --> 00:36:55,048 And so, there's a lovely coloured wash that moves across and changes, 689 00:36:55,073 --> 00:36:56,608 and it's quite impressionistic. 690 00:36:56,633 --> 00:36:59,328 So, every one will be different? Totally. 691 00:36:59,353 --> 00:37:02,048 We know on some, it's about working on the surface, some it's about 692 00:37:02,073 --> 00:37:04,688 revealing the rivets - all of them have a little bit of movement. 693 00:37:04,713 --> 00:37:07,578 Not too much because we're not doing disco lights, it's not, you know - 694 00:37:07,603 --> 00:37:09,967 this is something that has to last ten years, so we don't want 695 00:37:09,992 --> 00:37:11,428 people to get bored with it. 696 00:37:11,453 --> 00:37:14,788 What would you like people to think about it in ten years' time? 697 00:37:14,813 --> 00:37:18,458 I would hope that they all have a particular bridge that they feel 698 00:37:18,483 --> 00:37:21,248 more attached to, a particular point. Yeah. 699 00:37:21,273 --> 00:37:24,938 That they've had a moment out of their busy, frantic lives 700 00:37:24,963 --> 00:37:26,897 to just have a bit of calm. 701 00:37:26,922 --> 00:37:29,938 I think if it reconnects people and gives them a moment ofjoy, 702 00:37:29,963 --> 00:37:31,538 then I think it will be a success. 703 00:37:33,172 --> 00:37:34,858 You probably don't realise this, 704 00:37:34,883 --> 00:37:38,298 but if you've crossed the Thames over the last 18 months, 705 00:37:38,323 --> 00:37:42,608 lights could've been going in right under your nose. 706 00:37:42,633 --> 00:37:46,608 I must've crossed Westminster Bridge about 500 times in my life. 707 00:37:46,633 --> 00:37:51,178 And normally, if I come to a safety barrier and there's a load of blokes 708 00:37:51,203 --> 00:37:55,097 in orange glowing suits, I don't think much about it. 709 00:37:55,122 --> 00:37:57,818 But this is actually extraordinary. 710 00:37:57,843 --> 00:38:00,688 I never knew you could disappear into a bridge. 711 00:38:00,713 --> 00:38:04,738 Today, Adam Barnes is letting me join his light installation team. 712 00:38:04,763 --> 00:38:09,298 We're going to be installing 450 lights, er, on the bridge, 713 00:38:09,323 --> 00:38:11,967 eventually illuminating the underside of the bridge 714 00:38:11,992 --> 00:38:13,017 and the facades. 715 00:38:13,042 --> 00:38:14,378 We'll get you kitted up. OK. 716 00:38:16,603 --> 00:38:18,818 When he says "kitted up", he means it. 717 00:38:20,042 --> 00:38:23,237 It's like a huge nappy without the absorbent bits - 718 00:38:23,262 --> 00:38:26,068 which wouldn't be much use, really, would it? 719 00:38:26,093 --> 00:38:29,268 I thought this abseiling gear was a bit overkill at first, 720 00:38:29,293 --> 00:38:31,478 but now, I see why I need it. 721 00:38:31,503 --> 00:38:34,198 Yikes, I hadn't realised that I'd actually be able to see 722 00:38:34,223 --> 00:38:36,157 the river as I was coming down here. 723 00:38:38,583 --> 00:38:40,318 It is a privilege... 724 00:38:41,903 --> 00:38:44,237 ...to be underneath Westminster Bridge. 725 00:38:44,262 --> 00:38:47,958 I never thought anything like this existed. 726 00:38:47,983 --> 00:38:51,838 It was built in 1862 to replace the original stone one 727 00:38:51,863 --> 00:38:54,117 that went up a century earlier. 728 00:38:54,142 --> 00:38:56,478 It's now London's oldest bridge, 729 00:38:56,503 --> 00:38:59,708 and another of the Thames' Grade ll-listed structures. 730 00:39:01,623 --> 00:39:03,808 How do you fix the lights onto the bridge? 731 00:39:03,833 --> 00:39:07,237 As you can imagine, the age of the bridge, the finish of the bridge, 732 00:39:07,262 --> 00:39:10,958 the finish of the lighting itself - it's all about aesthetics. Yeah. 733 00:39:10,983 --> 00:39:13,268 The attention to detail is the most important thing. 734 00:39:17,012 --> 00:39:18,838 Yep. 735 00:39:18,863 --> 00:39:21,598 Ooh, whoa! It's a bit tight around the whatsit. 736 00:39:21,623 --> 00:39:25,318 Yeah. But the bracketry themselves - actually quite simple. 737 00:39:25,343 --> 00:39:28,348 Yeah, there you go. 738 00:39:28,373 --> 00:39:30,838 Crocodile clamps on the top, a few bolts through - 739 00:39:30,863 --> 00:39:32,678 there you have it, one hanging light. 740 00:39:36,583 --> 00:39:38,878 I will, yeah. Are you the only abseiler here? 741 00:39:41,733 --> 00:39:43,678 Night shifts? 742 00:39:45,343 --> 00:39:48,237 I'm not sure I'd fancy abseiling in the dark, 743 00:39:48,262 --> 00:39:51,117 but Will's been professionally dangling from buildings 744 00:39:51,142 --> 00:39:52,958 for six years now. 745 00:39:52,983 --> 00:39:56,117 So, tell me some of the London buildings that you've worked on. 746 00:40:00,473 --> 00:40:01,958 Was that scary? 747 00:40:09,223 --> 00:40:11,088 So, it's still a bit of a buzz. 748 00:40:15,903 --> 00:40:18,088 It's amazing, isn't it, when a boat goes by? 749 00:40:18,113 --> 00:40:21,448 They've got no idea that we're here or what we're doing. 750 00:40:22,932 --> 00:40:25,117 That's one more light in place. 751 00:40:25,142 --> 00:40:28,448 But the installation here will take another five months to finish. 752 00:40:30,653 --> 00:40:34,448 Four bridges have been completed, though, and as darkness falls 753 00:40:34,473 --> 00:40:37,478 and London's streets light up, 754 00:40:37,503 --> 00:40:41,878 I've gone back onto the Thames to see how this art is taking shape. 755 00:40:43,903 --> 00:40:47,348 There's Westminster Bridge, where I was earlier on, 756 00:40:47,373 --> 00:40:50,088 totally upstaged by the London Eye now. 757 00:40:50,113 --> 00:40:52,598 I can't wait to see that bridge lit up. 758 00:40:55,142 --> 00:40:57,678 That's Blackfriars, which they haven't done yet. 759 00:40:57,703 --> 00:41:00,318 See how lost in the landscape it is without any lights. 760 00:41:03,783 --> 00:41:08,157 But go west, and the world on the water begins to illuminate. 761 00:41:08,182 --> 00:41:10,398 It's brilliant just what a difference 762 00:41:10,423 --> 00:41:13,117 these installations can make. 763 00:41:13,142 --> 00:41:15,878 I always find London Bridge a bit, kind of, brutal. 764 00:41:15,903 --> 00:41:18,398 But the lighting has really softened it, hasn't it? 765 00:41:22,653 --> 00:41:26,117 The girders of Southwark Bridge catch the light beautifully. 766 00:41:29,573 --> 00:41:32,678 Cannon Street, the railway commuters bridge. 767 00:41:32,703 --> 00:41:35,198 Quite subtle, this lighting, isn't it? 768 00:41:35,223 --> 00:41:38,548 But the more bridges you can see, 769 00:41:38,573 --> 00:41:42,907 the more you get the sense of the Thames as a whole riverscape. 770 00:41:45,983 --> 00:41:50,237 The last of the four finished is the Millennium Bridge. 771 00:41:50,262 --> 00:41:53,548 Do you see the way the lights flash underneath them? 772 00:41:53,573 --> 00:41:54,958 That is so clever. 773 00:41:56,903 --> 00:42:00,598 This is just a taste of what's hopefully to come. 774 00:42:00,623 --> 00:42:04,628 There are ambitious plans to light up 14 bridges in total, 775 00:42:04,653 --> 00:42:08,907 which will make the Thames home to the longest artwork in the world. 776 00:42:08,932 --> 00:42:11,678 When I was a kid, you wouldn't want to look at the Thames. 777 00:42:11,703 --> 00:42:13,987 It was just dirty and stinky. 778 00:42:14,012 --> 00:42:17,958 You'd be far more interested in what was going on over there. 779 00:42:17,983 --> 00:42:20,037 But now, all that has changed. 780 00:42:20,062 --> 00:42:22,758 Look at the iridescence of the water. 781 00:42:22,783 --> 00:42:25,958 Who wouldn't want to feast their eyes on that? 782 00:42:25,983 --> 00:42:30,728 Once again, the Thames is becoming the centrepiece of London, 783 00:42:30,753 --> 00:42:35,157 and the men and women who built these extraordinary bridges 784 00:42:35,182 --> 00:42:38,237 are being celebrated in light. 785 00:42:38,262 --> 00:42:40,628 And I reckon that's a pretty good thing. 786 00:42:47,503 --> 00:42:49,188 Next time... 787 00:42:49,213 --> 00:42:52,958 This place isn't just big, it's ginormous! 788 00:42:52,983 --> 00:42:55,878 ...carte blanche access to the Thames' biggest port... 789 00:42:55,903 --> 00:42:58,157 How many have you got in there now? God knows. 790 00:42:58,182 --> 00:42:59,958 ...behind the scenes at St Paul's... 791 00:43:01,142 --> 00:43:02,728 Oh, wow. 792 00:43:02,753 --> 00:43:03,987 Bang! 793 00:43:04,012 --> 00:43:05,838 ...and I try my hand at brewing. 794 00:43:05,863 --> 00:43:07,478 How many pints would that make? 795 00:43:07,503 --> 00:43:11,454 92,000 pints. 92,000 pints! 796 00:43:11,479 --> 00:43:13,737 It's all in a day's work for the Thames. 797 00:43:13,762 --> 00:43:15,417 Good on you, Thames. 798 00:43:37,522 --> 00:43:40,457 Subtitles by Red Bee Media