1 00:00:06,320 --> 00:00:08,320 [sweeping orchestral music playing] 2 00:00:23,480 --> 00:00:26,440 [Attenborough] The natural world is full of colours. 3 00:00:32,880 --> 00:00:35,400 Colours that attract attention. 4 00:00:41,080 --> 00:00:44,080 Colours that blend beautifully with their background. 5 00:00:47,760 --> 00:00:51,320 And colours that create extraordinary displays. 6 00:00:57,320 --> 00:01:00,080 There are few animals more brilliantly coloured 7 00:01:00,160 --> 00:01:02,320 than these scarlet macaws. 8 00:01:03,360 --> 00:01:07,000 Animals can use colour for all kinds of different reasons, 9 00:01:07,080 --> 00:01:11,440 and some have colours that we ourselves can't even see. 10 00:01:14,200 --> 00:01:15,560 But with new cameras, 11 00:01:15,640 --> 00:01:18,440 some developed especially for this series, 12 00:01:18,520 --> 00:01:22,880 we can reveal a world that has long been hidden from our eyes. 13 00:01:24,680 --> 00:01:28,080 A world of colours that only some animals can see. 14 00:01:29,760 --> 00:01:34,120 Secret communication channels for the most private of messages. 15 00:01:34,960 --> 00:01:39,760 And colours so bold and brilliant, they dazzle our senses. 16 00:01:42,040 --> 00:01:43,840 Whether to win a mate… 17 00:01:45,840 --> 00:01:47,080 or beat a rival, 18 00:01:49,040 --> 00:01:50,600 to warn off an enemy 19 00:01:51,840 --> 00:01:53,600 or to hide from one. 20 00:01:58,880 --> 00:02:03,560 We will reveal extraordinary stories about Life in Colour. 21 00:02:09,200 --> 00:02:12,760 [calling] 22 00:02:17,800 --> 00:02:21,320 [mysterious orchestral music playing] 23 00:02:29,800 --> 00:02:32,520 The rocky hills of Southern India. 24 00:02:40,840 --> 00:02:43,560 The stage is set for a performance 25 00:02:43,640 --> 00:02:47,880 of one of the most spectacular dances in the natural world. 26 00:02:48,640 --> 00:02:51,960 [peacocks calling] 27 00:02:52,800 --> 00:02:54,600 Peacocks are gathering. 28 00:03:00,200 --> 00:03:02,400 [jaunty orchestral music playing] 29 00:03:09,000 --> 00:03:10,360 This, surely, 30 00:03:10,440 --> 00:03:14,160 is one of the most glamorous of all sights in nature. 31 00:03:22,120 --> 00:03:25,680 A hundred and fifty shimmering eyespots, 32 00:03:25,760 --> 00:03:29,200 carried on tail feathers that are six feet long. 33 00:03:39,960 --> 00:03:43,000 So how did such glories evolve? 34 00:03:47,000 --> 00:03:49,880 It seems it's all down to the female. 35 00:03:53,720 --> 00:03:55,720 [calling] 36 00:03:58,040 --> 00:04:00,200 The brighter a male's colours 37 00:04:00,280 --> 00:04:03,400 and the greater the number of his feathery eyespots, 38 00:04:03,480 --> 00:04:06,320 the more attractive she will find him. 39 00:04:19,080 --> 00:04:22,960 But colours and plumes like these come at a cost. 40 00:04:30,800 --> 00:04:33,640 The immense tail makes flying difficult. 41 00:04:34,280 --> 00:04:37,680 The males are literally weighed down by their feathers. 42 00:04:41,840 --> 00:04:45,840 Yet the colours they carry are clearly very important to them. 43 00:04:48,040 --> 00:04:51,960 So why and how has colour taken on such value? 44 00:04:55,360 --> 00:04:57,360 [tranquil orchestral music playing] 45 00:04:59,360 --> 00:05:00,840 To understand that, 46 00:05:00,920 --> 00:05:04,360 we have to think back to when it all began. 47 00:05:08,560 --> 00:05:10,880 Seven hundred million years ago, 48 00:05:10,960 --> 00:05:13,560 our planet was far less colourful. 49 00:05:15,040 --> 00:05:17,160 But the first animals, it seems, 50 00:05:17,240 --> 00:05:21,720 had eyes that were unable to distinguish colours anyway. 51 00:05:23,840 --> 00:05:26,520 Gradually, however, this changed. 52 00:05:32,960 --> 00:05:34,640 I am in Costa Rica… 53 00:05:37,200 --> 00:05:40,520 a good place to see how valuable colour can be. 54 00:05:44,360 --> 00:05:46,920 This toucan likes fruit, 55 00:05:47,480 --> 00:05:53,040 and its ability to choose ripe fruit from unripe depends on colour, 56 00:05:53,560 --> 00:05:55,600 because the ripe ones are black. 57 00:05:57,400 --> 00:06:01,280 And this capacity of choosing between different colours 58 00:06:01,360 --> 00:06:06,000 was a very important stage in the evolution of colour vision. 59 00:06:07,280 --> 00:06:09,760 [optimistic classical music playing] 60 00:06:12,160 --> 00:06:13,000 Birds, 61 00:06:13,080 --> 00:06:15,160 close relatives of dinosaurs, 62 00:06:15,240 --> 00:06:17,440 appeared before mammals. 63 00:06:21,920 --> 00:06:24,360 The first mammals, as far as we can tell, 64 00:06:24,440 --> 00:06:26,080 were mostly nocturnal. 65 00:06:27,400 --> 00:06:30,360 Colours are not easily distinguishable at night, 66 00:06:30,440 --> 00:06:33,120 so why evolve the ability to detect them? 67 00:06:36,560 --> 00:06:39,760 So it seems that the first mammals themselves 68 00:06:39,840 --> 00:06:41,680 were not very colourful. 69 00:06:42,600 --> 00:06:45,160 And this is still largely true today. 70 00:06:49,440 --> 00:06:52,240 Most are shades of black and white. 71 00:06:53,680 --> 00:06:54,600 Or brown. 72 00:06:58,600 --> 00:07:00,480 But there are exceptions. 73 00:07:01,360 --> 00:07:03,040 And one of the most dramatic 74 00:07:03,120 --> 00:07:06,280 lives in the forests of Gabon in West Africa. 75 00:07:06,360 --> 00:07:08,360 [mysterious orchestral music playing] 76 00:07:09,320 --> 00:07:10,600 [bird calling] 77 00:07:21,480 --> 00:07:24,080 These monkeys are mandrills, 78 00:07:24,160 --> 00:07:25,480 a kind of baboon. 79 00:07:26,320 --> 00:07:28,320 They live in large troops. 80 00:07:29,400 --> 00:07:31,800 Most are females and youngsters, 81 00:07:31,880 --> 00:07:34,120 both of which are brown. 82 00:07:38,000 --> 00:07:40,160 But the males are different. 83 00:07:43,680 --> 00:07:45,360 They, when they're young, 84 00:07:45,440 --> 00:07:48,720 have very plain faces with naked muzzles. 85 00:07:53,240 --> 00:07:56,600 As they grow, their faces begin to change. 86 00:07:59,080 --> 00:08:02,480 Testosterone begins to flow through their veins. 87 00:08:08,400 --> 00:08:10,440 When they're about six years old, 88 00:08:10,520 --> 00:08:14,080 they leave the troop and start to fend for themselves. 89 00:08:15,240 --> 00:08:17,320 As they become sexually mature, 90 00:08:17,400 --> 00:08:20,040 colour appears in their faces. 91 00:08:21,680 --> 00:08:23,600 And what colour! 92 00:08:23,680 --> 00:08:26,280 [tense orchestral music playing] 93 00:08:32,960 --> 00:08:36,560 Mandrill males are the biggest of all monkeys, 94 00:08:38,320 --> 00:08:40,200 weighing over 30 kilos. 95 00:08:40,760 --> 00:08:43,320 Enormously, frighteningly powerful. 96 00:08:43,960 --> 00:08:45,440 And their colours say so. 97 00:08:48,080 --> 00:08:50,280 [mandrills shrieking] 98 00:08:51,280 --> 00:08:52,480 [mandrill shrieking] 99 00:08:54,240 --> 00:08:56,880 It is not only his face which is coloured. 100 00:08:59,400 --> 00:09:00,920 So is his rump. 101 00:09:02,120 --> 00:09:04,560 Both are fearless declarations 102 00:09:04,640 --> 00:09:06,840 of his health and strength. 103 00:09:10,480 --> 00:09:15,080 And this male is more than happy to prove just how strong he is 104 00:09:15,160 --> 00:09:17,840 should any male dare to challenge him. 105 00:09:22,240 --> 00:09:23,480 Not surprisingly, 106 00:09:23,560 --> 00:09:26,600 mandrill eyes are particularly sensitive to colour. 107 00:09:30,720 --> 00:09:34,600 And it's the brightness of their colours which signals their status. 108 00:09:36,840 --> 00:09:39,560 [tense orchestral music building] 109 00:09:39,640 --> 00:09:41,480 [mandrill shrieking] 110 00:09:44,920 --> 00:09:47,000 There are four males in this troop, 111 00:09:47,080 --> 00:09:49,240 and they're constantly flexing their muscles 112 00:09:49,320 --> 00:09:53,800 and displaying their colours to establish who is the strongest. 113 00:09:57,200 --> 00:10:00,520 And not all disputes are settled peacefully. 114 00:10:06,640 --> 00:10:09,640 They emphasise their ferocity by gestures, 115 00:10:09,720 --> 00:10:11,600 such as grinding their teeth. 116 00:10:19,040 --> 00:10:20,320 If that doesn't work, 117 00:10:20,400 --> 00:10:23,000 the highest-ranking male will fight… 118 00:10:23,080 --> 00:10:24,720 [mandrill grunting aggressively] 119 00:10:25,840 --> 00:10:27,280 and the others know it. 120 00:10:31,400 --> 00:10:34,160 It's better to let colour do the talking. 121 00:10:36,640 --> 00:10:37,480 [grunting] 122 00:10:42,480 --> 00:10:45,600 Mandrills see the world much as we do 123 00:10:45,680 --> 00:10:48,960 and have three kinds of colour-sensitive cells. 124 00:10:49,680 --> 00:10:51,920 [serene orchestral music playing] 125 00:10:52,000 --> 00:10:56,400 But another group of animals has colour vision that's far superior 126 00:10:56,480 --> 00:10:57,880 to that of any mammal. 127 00:10:59,080 --> 00:11:00,000 Birds. 128 00:11:00,800 --> 00:11:03,720 [birds calling] 129 00:11:06,880 --> 00:11:10,080 Their ability varies from group to group, 130 00:11:10,160 --> 00:11:12,200 but you can judge how good they are 131 00:11:12,280 --> 00:11:15,440 from the colours they use to signal to one another. 132 00:11:17,240 --> 00:11:20,680 [whispering] Hummingbirds have excellent colour vision, 133 00:11:21,880 --> 00:11:26,280 because that enables them to spot brightly coloured flowers, 134 00:11:27,120 --> 00:11:29,800 which contains the nectar on which they feed. 135 00:11:38,480 --> 00:11:42,560 So this artificial feeder is a big success. 136 00:11:42,640 --> 00:11:44,200 Brightly coloured down here 137 00:11:44,880 --> 00:11:48,960 and containing sugar solution, artificial nectar, up there. 138 00:11:54,600 --> 00:11:59,600 But hummingbirds also use their ability to see colour in a different way, 139 00:12:00,440 --> 00:12:01,960 to attract a mate. 140 00:12:04,200 --> 00:12:06,840 Most species live in South America, 141 00:12:06,920 --> 00:12:10,520 where there are flowers of some sort all year round. 142 00:12:10,600 --> 00:12:12,200 [birds chirping, calling] 143 00:12:14,080 --> 00:12:16,400 A few, however, have spread northwards 144 00:12:16,480 --> 00:12:19,320 into the deserts of the American Southwest. 145 00:12:19,400 --> 00:12:21,400 [tranquil orchestral music playing] 146 00:12:23,360 --> 00:12:24,880 In this vastness, 147 00:12:25,880 --> 00:12:27,760 it's hard to get noticed, 148 00:12:29,800 --> 00:12:34,120 especially if you're a small hummingbird looking for a mate. 149 00:12:46,720 --> 00:12:53,480 But this male Costa's hummingbird uses his colours to send a secret message. 150 00:12:56,440 --> 00:12:57,600 Out in the open, 151 00:12:57,680 --> 00:13:00,560 flashy colours can attract unwanted attention, 152 00:13:01,160 --> 00:13:04,320 so he keeps them hidden most of the time. 153 00:13:06,120 --> 00:13:07,960 A slight turn of the head, however, 154 00:13:08,040 --> 00:13:11,640 provides a tantalising glimpse of what he has to offer. 155 00:13:16,680 --> 00:13:18,120 He's spotted a female. 156 00:13:18,960 --> 00:13:19,880 She's feeding. 157 00:13:26,720 --> 00:13:30,560 Hummingbirds live fast lives and need plenty of fuel. 158 00:13:31,200 --> 00:13:36,000 So if he is to attract her attention, he needs something eye-catching. 159 00:13:42,080 --> 00:13:45,040 Time to reveal his colours. 160 00:13:48,560 --> 00:13:51,320 Erecting the iridescent feathers on his neck, 161 00:13:51,400 --> 00:13:54,560 he positions himself to catch the sunlight. 162 00:14:01,680 --> 00:14:05,280 Seen at just the right angle, his colours are dazzling. 163 00:14:25,040 --> 00:14:27,560 Aerobatics like these take a lot of energy, 164 00:14:28,240 --> 00:14:32,480 so his performance can give her clues about his health and fitness. 165 00:14:37,240 --> 00:14:42,480 Every second she takes to decide burns up his energy reserves. 166 00:14:47,960 --> 00:14:50,040 So he can only hover for so long. 167 00:15:08,680 --> 00:15:09,640 At last, 168 00:15:10,200 --> 00:15:12,320 his colours have persuaded her. 169 00:15:22,040 --> 00:15:25,000 Displaying your colours is easy out in the open. 170 00:15:25,080 --> 00:15:27,400 [mysterious orchestral music playing] 171 00:15:29,960 --> 00:15:32,600 Birds which live in dark forests, however, 172 00:15:32,680 --> 00:15:35,120 have to work harder to get noticed. 173 00:15:40,920 --> 00:15:43,120 The rainforests of New Guinea. 174 00:15:44,000 --> 00:15:46,640 Here, the trees stand 100 feet tall 175 00:15:46,720 --> 00:15:50,280 with their crowns forming a near-continuous canopy. 176 00:15:52,880 --> 00:15:54,080 But here and there, 177 00:15:54,160 --> 00:15:57,120 there's a small gap through which a shaft of light 178 00:15:57,200 --> 00:15:59,640 illuminates a patch on the forest floor. 179 00:16:02,720 --> 00:16:07,280 A stage for one of the most versatile dancers in the natural world. 180 00:16:11,040 --> 00:16:12,840 A bird of paradise. 181 00:16:14,480 --> 00:16:16,680 There are over 30 different species. 182 00:16:16,760 --> 00:16:18,440 This one, understandably, 183 00:16:18,520 --> 00:16:22,360 is called the magnificent bird of paradise. 184 00:16:23,440 --> 00:16:24,280 A male. 185 00:16:28,120 --> 00:16:29,600 Before starting his show, 186 00:16:29,680 --> 00:16:31,720 he clears his stage. 187 00:16:33,720 --> 00:16:37,360 The bare brown earth will make his colours stand out better. 188 00:16:52,400 --> 00:16:56,360 He takes particular care to remove anything green. 189 00:16:57,120 --> 00:17:00,760 That colour will be the main feature of his display, 190 00:17:00,840 --> 00:17:02,760 and he doesn't want any competition. 191 00:17:06,520 --> 00:17:08,280 Satisfied at last. 192 00:17:09,920 --> 00:17:14,000 A sapling in the centre will serve as his dancing pole. 193 00:17:19,280 --> 00:17:21,560 His costume must be immaculate. 194 00:17:23,160 --> 00:17:25,600 Plumes like these need careful attention. 195 00:17:38,560 --> 00:17:40,760 Time to summon the audience. 196 00:17:42,040 --> 00:17:44,160 [calling] 197 00:17:49,640 --> 00:17:51,640 [calling continues] 198 00:18:01,840 --> 00:18:05,200 The first to appear are all young males. 199 00:18:07,280 --> 00:18:10,760 They won't develop their colours until they're seven years old. 200 00:18:11,280 --> 00:18:14,240 They have come to watch and to learn. 201 00:18:15,520 --> 00:18:17,440 [calling] 202 00:18:19,520 --> 00:18:21,880 At last, a female. 203 00:18:22,600 --> 00:18:25,680 She looks much like a young male to our eyes, 204 00:18:27,480 --> 00:18:29,880 but he can clearly tell the difference. 205 00:18:29,960 --> 00:18:31,960 [whimsical orchestral music playing] 206 00:18:34,520 --> 00:18:39,040 She will judge him by his performance and the brightness of his feathers. 207 00:18:41,560 --> 00:18:44,520 She does that from directly above him. 208 00:18:58,640 --> 00:19:03,440 He puffs up his feathers and swings round to show her his colours. 209 00:19:09,600 --> 00:19:10,440 For years, 210 00:19:10,520 --> 00:19:13,960 naturalists only watched this performance from ground level. 211 00:19:20,080 --> 00:19:22,880 But the female does so from above. 212 00:19:27,720 --> 00:19:28,840 And from there, 213 00:19:28,920 --> 00:19:31,840 his brilliant green colours stand out vividly 214 00:19:31,920 --> 00:19:33,960 against the brown of the ground. 215 00:19:38,160 --> 00:19:42,880 A pair of bare quivering quills sprouting from his tail 216 00:19:42,960 --> 00:19:44,560 add to the excitement. 217 00:19:49,240 --> 00:19:53,320 This is one of the most complex of all courtship dances, 218 00:19:53,400 --> 00:19:58,000 and we're still unaware of the details that she may regard as critical. 219 00:20:08,840 --> 00:20:12,200 The prize-giving, however, is unmistakable. 220 00:20:25,320 --> 00:20:27,920 The colour vision of birds is mostly excellent… 221 00:20:30,480 --> 00:20:33,520 but that of many insects is almost as good. 222 00:20:36,680 --> 00:20:40,000 [serene orchestral music playing] 223 00:20:40,600 --> 00:20:41,640 Butterflies. 224 00:20:48,120 --> 00:20:51,280 They, too, have evolved an astonishing variety 225 00:20:51,360 --> 00:20:53,240 of colours and patterns. 226 00:21:05,920 --> 00:21:10,600 The wings are covered by tiny scales, like tiles on a roof, 227 00:21:10,680 --> 00:21:13,480 and it's they that produce some of the colours. 228 00:21:17,920 --> 00:21:19,680 Some have pigments. 229 00:21:20,960 --> 00:21:25,400 Others reflect light to produce a shimmering iridescence 230 00:21:26,080 --> 00:21:28,800 with colours that change according to the angle 231 00:21:28,880 --> 00:21:30,440 from which they're viewed. 232 00:21:43,000 --> 00:21:45,200 But some butterflies use colours 233 00:21:45,280 --> 00:21:48,280 that are invisible to our eyes. 234 00:21:57,000 --> 00:22:01,160 The glorious colours of an English meadow in bloom 235 00:22:01,240 --> 00:22:04,280 is a delight to the eyes of many of us. 236 00:22:05,200 --> 00:22:08,120 But their purpose is not to appeal to us. 237 00:22:08,960 --> 00:22:13,960 It's to attract insects such as butterflies and bees. 238 00:22:15,800 --> 00:22:20,440 Most of these plants depend on insects to pollinate them, 239 00:22:21,560 --> 00:22:25,360 and they use their bright colours in order to attract insects. 240 00:22:26,200 --> 00:22:29,720 But to understand what an insect sees, 241 00:22:30,360 --> 00:22:33,120 we have to be able to see it through their eyes 242 00:22:33,200 --> 00:22:34,640 and from their perspective. 243 00:22:35,160 --> 00:22:39,560 And, happily, we've got a camera that enables us to do just that. 244 00:22:44,000 --> 00:22:48,680 This camera setup lets us look at that flower in two different ways. 245 00:22:49,720 --> 00:22:52,520 This camera is an ultraviolet camera 246 00:22:52,600 --> 00:22:57,200 because it has a filter there that only lets through ultraviolet light. 247 00:22:57,920 --> 00:23:02,400 But, at the same time, this filter also reflects normal light, 248 00:23:02,480 --> 00:23:06,360 and that comes into this camera, and that shows what we can see. 249 00:23:06,440 --> 00:23:09,960 So I can compare the two very easily. 250 00:23:10,040 --> 00:23:11,720 That's what we can see… 251 00:23:15,320 --> 00:23:17,200 and that's what the insect sees. 252 00:23:17,720 --> 00:23:19,840 [enchanting orchestral music playing] 253 00:23:19,920 --> 00:23:23,080 Flowers have evolved these ultraviolet markings 254 00:23:23,160 --> 00:23:26,720 for the benefit of insects such as butterflies. 255 00:23:35,960 --> 00:23:40,000 This particular one lives in the rainforests of Eastern Australia. 256 00:23:41,040 --> 00:23:43,480 It's a blue moon butterfly. 257 00:23:43,560 --> 00:23:44,560 A male. 258 00:23:49,760 --> 00:23:52,120 You might not think that it's the most colourful 259 00:23:52,200 --> 00:23:53,240 you've ever seen, 260 00:23:54,160 --> 00:23:56,280 but with our ultraviolet camera, 261 00:23:56,840 --> 00:23:59,560 his wings take on a magical look. 262 00:24:05,480 --> 00:24:07,040 The brighter his patches, 263 00:24:07,120 --> 00:24:09,680 the more attractive he is to females. 264 00:24:14,280 --> 00:24:16,880 But ultraviolet markings like these 265 00:24:16,960 --> 00:24:20,640 can also be seen by the blue moon's main predators. 266 00:24:23,320 --> 00:24:25,960 Birds can see them just as clearly. 267 00:24:29,720 --> 00:24:33,880 So flying around with a bright signal like that on your wings 268 00:24:33,960 --> 00:24:35,080 could be dangerous. 269 00:24:41,680 --> 00:24:45,160 For a male, however, it's worth living dangerously. 270 00:24:45,880 --> 00:24:49,480 If he can mate with one or two females in his short lifetime, 271 00:24:49,560 --> 00:24:52,080 his colours will have been a success. 272 00:24:59,960 --> 00:25:01,960 But he has competition. 273 00:25:03,680 --> 00:25:07,680 He will have to defend his territory if he's to secure a mate. 274 00:25:11,160 --> 00:25:15,440 Butterfly wings are fragile, so physical combat is to be avoided. 275 00:25:18,280 --> 00:25:22,720 Disputes, instead, are settled with aerial displays. 276 00:25:32,000 --> 00:25:35,320 A female has been watching from the sidelines. 277 00:25:39,920 --> 00:25:42,360 Time to show her his colours. 278 00:26:01,040 --> 00:26:04,360 In her eyes, he's simply dazzling. 279 00:26:19,960 --> 00:26:22,680 Ultraviolet colours are part of the spectrum 280 00:26:22,760 --> 00:26:26,520 that insects can see and we cannot. 281 00:26:28,960 --> 00:26:31,040 Recent discoveries have revealed 282 00:26:31,120 --> 00:26:34,760 that some animals can also see a characteristic of light 283 00:26:34,840 --> 00:26:36,560 that we cannot detect. 284 00:26:38,520 --> 00:26:43,640 Sunlight contains rays that vibrate in many different planes. 285 00:26:44,760 --> 00:26:48,320 In polarised light, they vibrate in only one. 286 00:26:50,200 --> 00:26:52,680 Light may become polarised 287 00:26:52,760 --> 00:26:56,120 when reflected off a shiny surface such as water. 288 00:26:57,520 --> 00:27:01,920 Unlike us, some animals can see polarised light, 289 00:27:02,440 --> 00:27:05,160 and they can exploit it in many ways. 290 00:27:10,000 --> 00:27:11,840 One creature that does so 291 00:27:11,920 --> 00:27:16,120 lives on these vast mudflats in Northern Australia. 292 00:27:17,320 --> 00:27:19,320 [whimsical orchestral music playing] 293 00:27:21,080 --> 00:27:26,480 These eyes, on stalks, belong to a male fiddler crab. 294 00:27:29,000 --> 00:27:32,120 And they can see in a way that we cannot. 295 00:27:40,120 --> 00:27:41,800 As the tide goes out, 296 00:27:41,880 --> 00:27:44,560 the crabs emerge from their burrows. 297 00:27:52,000 --> 00:27:56,840 His giant claw is too large to be used in feeding. 298 00:27:59,520 --> 00:28:03,680 Instead, he uses it to attract the attention of females 299 00:28:03,760 --> 00:28:06,040 by waving it with vigour. 300 00:28:08,960 --> 00:28:13,040 The crabs can see objects that are close to them reasonably well… 301 00:28:15,960 --> 00:28:19,440 but their long-distance eyesight is not so good. 302 00:28:24,400 --> 00:28:27,560 Polarised light can help solve the problem. 303 00:28:32,280 --> 00:28:34,600 Viewed with a new specialist camera, 304 00:28:34,680 --> 00:28:37,960 the mudflats, which reflect polarised light, 305 00:28:38,040 --> 00:28:39,120 are bright… 306 00:28:41,920 --> 00:28:46,800 while the unpolarised crabs appear darker against their background. 307 00:28:48,400 --> 00:28:53,040 This striking contrast also makes the large claw more obvious. 308 00:28:55,720 --> 00:29:00,280 The big claw is also used by the male to defend his burrow. 309 00:29:05,000 --> 00:29:07,000 Not everyone heeds the warning. 310 00:29:07,520 --> 00:29:10,280 [playfully tense orchestral music playing] 311 00:29:21,840 --> 00:29:22,920 Battle over. 312 00:29:26,040 --> 00:29:29,240 But there are more dangerous enemies to face. 313 00:29:29,320 --> 00:29:30,840 Aerial predators. 314 00:29:31,800 --> 00:29:34,360 The quicker they can spot them the better. 315 00:29:34,440 --> 00:29:35,520 [birds screeching] 316 00:29:35,600 --> 00:29:39,680 And, once again, polarised light helps them to do so. 317 00:29:50,720 --> 00:29:52,960 [whimsical orchestral music playing] 318 00:29:53,040 --> 00:29:54,320 With the coast clear, 319 00:29:54,960 --> 00:29:57,640 a male reemerges from his burrow. 320 00:30:01,120 --> 00:30:03,080 At last, a female. 321 00:30:09,880 --> 00:30:11,600 With the tide on the turn, 322 00:30:11,680 --> 00:30:14,240 he must work fast to win her over. 323 00:30:21,000 --> 00:30:21,920 And close up, 324 00:30:22,000 --> 00:30:24,120 his colours come into play. 325 00:30:25,360 --> 00:30:29,480 The brightness of his blue back could be the deciding factor. 326 00:30:38,840 --> 00:30:40,520 She may not look willing, 327 00:30:40,600 --> 00:30:44,680 but the pushing and shoving are all part of the mating ritual. 328 00:30:49,080 --> 00:30:50,640 One last shove 329 00:30:51,400 --> 00:30:52,520 and she's in. 330 00:30:55,720 --> 00:30:56,840 Just in time. 331 00:31:11,120 --> 00:31:15,920 On land, colour is used in a multitude of different ways. 332 00:31:16,520 --> 00:31:18,440 The same is true in the sea, 333 00:31:19,040 --> 00:31:22,480 but there, colour works in a very different way. 334 00:31:24,040 --> 00:31:26,840 [enchanting orchestral music playing] 335 00:31:32,200 --> 00:31:35,200 This is Australia's Great Barrier Reef, 336 00:31:35,720 --> 00:31:39,360 and its shallow waters are full of vivid colour. 337 00:31:45,520 --> 00:31:48,880 The inhabitants of the reef exploit it to the full 338 00:31:49,400 --> 00:31:52,320 with unparalleled and dazzling effect. 339 00:32:08,720 --> 00:32:12,600 The orange-red stripes of the harlequin tuskfish 340 00:32:12,680 --> 00:32:14,400 make it very conspicuous. 341 00:32:18,160 --> 00:32:20,440 But as light filters down through the water, 342 00:32:20,520 --> 00:32:23,840 more and more of its wavelengths are absorbed, 343 00:32:24,880 --> 00:32:27,680 and red is the first to disappear. 344 00:32:29,920 --> 00:32:33,120 So as the harlequin swims downwards, 345 00:32:33,200 --> 00:32:37,040 his brilliantly coloured red body looks duller and duller. 346 00:32:48,440 --> 00:32:52,520 Different colours are absorbed at different rates in the sea, 347 00:32:53,280 --> 00:32:56,560 but some can still be seen at greater depths. 348 00:33:00,120 --> 00:33:02,400 Yellow and blue travel farthest, 349 00:33:02,480 --> 00:33:07,240 so it's these that many fish down here use to signal their identity. 350 00:33:13,320 --> 00:33:16,240 Most fish near the surface have good colour vision, 351 00:33:16,880 --> 00:33:21,440 but some of the smaller species can also see ultraviolet colours. 352 00:33:25,200 --> 00:33:29,160 To us, these yellow damselfish all look very similar. 353 00:33:34,640 --> 00:33:36,960 But using our ultraviolet camera, 354 00:33:37,480 --> 00:33:40,680 we can see that many fish have different patterns 355 00:33:40,760 --> 00:33:44,120 that are normally invisible to our eyes. 356 00:33:48,320 --> 00:33:49,320 And suddenly, 357 00:33:49,400 --> 00:33:51,960 it becomes clear that these two individuals 358 00:33:52,040 --> 00:33:54,720 are, in fact, different species. 359 00:33:58,640 --> 00:34:03,720 This lemon damselfish has distinctive spots on its gill covers. 360 00:34:06,400 --> 00:34:09,400 And this, an Ambon damsel, 361 00:34:09,480 --> 00:34:14,360 has bright reflecting ultraviolet patches all across the body. 362 00:34:17,120 --> 00:34:19,400 It's a code invisible to us 363 00:34:19,480 --> 00:34:22,360 that allows these fish to recognise each other… 364 00:34:24,680 --> 00:34:27,760 without attracting the attention of large predators, 365 00:34:27,840 --> 00:34:31,000 which can't see in the ultraviolet range. 366 00:34:38,840 --> 00:34:40,440 And it's on the seabed 367 00:34:40,520 --> 00:34:44,520 that you can find one of the most colourful sea creatures of all. 368 00:34:50,840 --> 00:34:53,400 The peacock mantis shrimp. 369 00:34:54,080 --> 00:34:56,440 [jaunty orchestral music playing] 370 00:34:59,400 --> 00:35:02,080 This strange-looking creature's ancestry 371 00:35:02,160 --> 00:35:05,520 can be traced back 400 million years, 372 00:35:07,480 --> 00:35:10,440 and it has one of the most versatile kinds of eyes 373 00:35:10,520 --> 00:35:12,680 in the whole of the animal kingdom. 374 00:35:17,920 --> 00:35:22,920 It can rotate its two huge eyes independently of each other 375 00:35:23,000 --> 00:35:24,920 and in almost any direction. 376 00:35:27,280 --> 00:35:30,040 We have three kinds of colour receptors, 377 00:35:30,120 --> 00:35:32,280 but the mantis shrimp has 12, 378 00:35:32,360 --> 00:35:35,080 each with a direct link to the brain, 379 00:35:35,160 --> 00:35:39,200 so it can perceive colour faster than any other animal. 380 00:35:41,080 --> 00:35:46,440 And it can also detect the difference between polarised and unpolarised light. 381 00:35:50,520 --> 00:35:52,320 But unlike fiddler crabs, 382 00:35:52,400 --> 00:35:55,920 part of its body, like these paddle-shaped scales, 383 00:35:56,000 --> 00:35:58,440 reflect polarised light 384 00:35:59,160 --> 00:36:02,680 and may be used to signal to potential mates. 385 00:36:09,360 --> 00:36:13,760 The tail is also highly polarised and used to plug its burrow 386 00:36:13,840 --> 00:36:17,360 and send a message to warn off potential rivals. 387 00:36:23,160 --> 00:36:26,600 And by combining all its visual abilities, 388 00:36:26,680 --> 00:36:31,760 the mantis shrimp has become one of the most skilful of all predators. 389 00:36:36,640 --> 00:36:40,840 [tense orchestral music playing] 390 00:36:43,760 --> 00:36:48,480 It also packs a powerful punch from club-like mouthparts… 391 00:36:52,160 --> 00:36:54,640 which it uses with great accuracy. 392 00:36:59,840 --> 00:37:04,040 These clubs deliver the fastest punch in the animal kingdom, 393 00:37:05,200 --> 00:37:08,400 and it's guided by its extraordinary vision. 394 00:37:18,760 --> 00:37:21,640 Whether underwater or on land, 395 00:37:21,720 --> 00:37:24,440 colour can be extremely useful. 396 00:37:28,880 --> 00:37:31,520 And the colours an animal develops 397 00:37:31,600 --> 00:37:36,720 can sometimes be influenced by where it lives and what it eats. 398 00:37:36,800 --> 00:37:38,800 [sweeping orchestral music playing] 399 00:37:45,520 --> 00:37:48,560 The Atacama Desert in South America. 400 00:37:52,800 --> 00:37:55,160 [bird calling] 401 00:38:00,040 --> 00:38:03,520 There are six different species of flamingos in the world, 402 00:38:04,280 --> 00:38:09,040 and they all prefer to breed in those most hostile of environments, 403 00:38:09,600 --> 00:38:12,080 salt flats and soda lakes. 404 00:38:17,280 --> 00:38:21,120 We think of flamingos as being characteristically pink, 405 00:38:21,200 --> 00:38:23,600 but their feathers, when they first appear, 406 00:38:23,680 --> 00:38:25,200 are, in fact, white. 407 00:38:29,600 --> 00:38:32,320 Their colour comes from their food. 408 00:38:35,640 --> 00:38:40,160 The salty waters in which they feed are rich in algae and shrimps, 409 00:38:40,240 --> 00:38:44,600 both of which contain red pigments called carotenoids. 410 00:38:47,320 --> 00:38:48,440 These, over time, 411 00:38:48,520 --> 00:38:52,120 accumulate in their feathers and give them their bright colour. 412 00:38:56,400 --> 00:38:59,160 [tranquil orchestral music playing] 413 00:39:08,960 --> 00:39:11,160 These youngsters were born last year. 414 00:39:12,160 --> 00:39:15,160 They still have their first greyish-white plumage. 415 00:39:21,720 --> 00:39:24,800 It takes time before the pigments become visible. 416 00:39:30,440 --> 00:39:32,720 Five years will pass 417 00:39:32,800 --> 00:39:35,880 before they become as pink as their parents. 418 00:39:44,440 --> 00:39:47,280 But it's not only the juveniles which are white. 419 00:39:53,200 --> 00:39:56,720 This adult female raised a chick last year, 420 00:39:56,800 --> 00:40:00,840 and the effort of doing so has drained her of colour. 421 00:40:03,480 --> 00:40:06,120 She put all her surplus food and energy 422 00:40:06,200 --> 00:40:09,960 into producing an egg and then feeding her chick. 423 00:40:11,840 --> 00:40:15,400 So she will need time to build up the body reserves needed 424 00:40:15,480 --> 00:40:18,680 to regrow pink feathers and breed. 425 00:40:26,760 --> 00:40:29,600 For those that are old enough and physically fit, 426 00:40:29,680 --> 00:40:31,800 it's time to find a mate. 427 00:40:35,680 --> 00:40:39,280 Only the pink birds take part in these courtship dances. 428 00:40:43,440 --> 00:40:47,400 Their colour is an indication that they're fit and strong. 429 00:40:48,840 --> 00:40:50,840 [sweeping orchestral music playing] 430 00:41:07,240 --> 00:41:08,960 As they march through the water, 431 00:41:09,040 --> 00:41:12,200 each bird tries to stand out from the crowd, 432 00:41:13,160 --> 00:41:17,120 and the brightest will be the first to secure a partner. 433 00:41:24,200 --> 00:41:28,680 The white female can play no part in this year's display. 434 00:41:35,400 --> 00:41:40,160 She will need to eat as much as she can if she is to restore her colour. 435 00:41:43,400 --> 00:41:48,200 Maybe next year she will be able to rejoin the dance. 436 00:41:59,760 --> 00:42:04,800 Flamingos depend on their pink colour to attract a partner and breed. 437 00:42:07,840 --> 00:42:11,920 But there is one tiny animal in the Central American rainforests 438 00:42:12,000 --> 00:42:15,240 that uses colour not only to attract, 439 00:42:15,320 --> 00:42:16,600 but to repel. 440 00:42:26,960 --> 00:42:30,480 This little frog uses colour as a warning. 441 00:42:31,320 --> 00:42:35,800 Its skin is full of glands which produce a deadly poison. 442 00:42:36,400 --> 00:42:38,680 So its colour is a very clear message. 443 00:42:39,240 --> 00:42:41,560 "Eat me and you'll regret it." 444 00:42:45,320 --> 00:42:47,960 You need a vivid message like this 445 00:42:48,040 --> 00:42:52,800 if you are a small, soft-skinned, bite-sized mouthful 446 00:42:52,880 --> 00:42:55,520 living in a dark, dense forest. 447 00:42:55,600 --> 00:42:57,600 [menacing orchestral music playing] 448 00:43:08,160 --> 00:43:11,440 The rainforest can be a scary place. 449 00:43:16,040 --> 00:43:18,560 There are hungry animals everywhere. 450 00:43:33,560 --> 00:43:37,240 For many, it's best to keep a low profile. 451 00:43:41,840 --> 00:43:44,200 But this little frog doesn't. 452 00:43:45,760 --> 00:43:48,800 It's a strawberry poison dart frog, 453 00:43:48,880 --> 00:43:51,640 and it's not much bigger than your fingernail. 454 00:43:52,520 --> 00:43:55,520 And yet he is one of the deadliest creatures here. 455 00:43:58,600 --> 00:44:01,480 His bright skin secretes a toxin. 456 00:44:03,400 --> 00:44:05,320 In the mouth of a predator, 457 00:44:05,400 --> 00:44:10,120 it can cause respiratory failure, convulsions, and death. 458 00:44:13,520 --> 00:44:18,440 Predators recognise his colour as a sign of danger and avoid him. 459 00:44:24,920 --> 00:44:29,200 Such frogs also live on a group of islands just off Panama 460 00:44:29,280 --> 00:44:31,560 called Bocas del Toro. 461 00:44:33,720 --> 00:44:35,320 Living in isolation, 462 00:44:35,400 --> 00:44:39,560 frogs on each island evolved their own distinctive colours. 463 00:44:42,440 --> 00:44:45,120 There is a different one on each island. 464 00:44:48,800 --> 00:44:51,440 And yet they're all the same species. 465 00:44:57,440 --> 00:45:00,680 They're different because the diet on some islands 466 00:45:00,760 --> 00:45:03,840 makes some more poisonous than others. 467 00:45:03,920 --> 00:45:06,080 And the more poison a frog has, 468 00:45:06,160 --> 00:45:08,440 the more brightly coloured it is. 469 00:45:17,280 --> 00:45:18,920 On Solarte Island, 470 00:45:19,000 --> 00:45:21,720 a red male is busy calling. 471 00:45:21,800 --> 00:45:23,760 [calling rapidly] 472 00:45:31,080 --> 00:45:35,280 This is his patch, and he's looking for a female. 473 00:45:38,520 --> 00:45:39,880 He should be popular. 474 00:45:39,960 --> 00:45:42,800 Females prefer bright, shiny skin, 475 00:45:42,880 --> 00:45:44,760 which is a sign of fitness. 476 00:45:49,120 --> 00:45:53,640 His colour is also an indication to other males of his strength. 477 00:45:54,520 --> 00:45:56,560 [tense orchestral music playing] 478 00:46:02,720 --> 00:46:04,120 He spots an intruder. 479 00:46:05,280 --> 00:46:09,080 He's about the same size, but he's a paler colour. 480 00:46:18,600 --> 00:46:21,800 And he doesn't challenge the brighter frog. 481 00:46:28,080 --> 00:46:30,760 But this one is a different matter. 482 00:46:32,120 --> 00:46:33,640 [Western-style guitar playing] 483 00:46:33,720 --> 00:46:35,760 He is a contender. 484 00:46:46,760 --> 00:46:49,680 Nothing for it but to fight it out. 485 00:46:50,720 --> 00:46:53,320 [jaunty orchestral music playing] 486 00:47:28,200 --> 00:47:29,640 [frog calling] 487 00:47:31,280 --> 00:47:32,160 That did it. 488 00:47:33,400 --> 00:47:35,200 He won't be back for a while. 489 00:47:39,480 --> 00:47:41,480 [tranquil orchestral music playing] 490 00:47:43,080 --> 00:47:44,240 And the reward, 491 00:47:45,040 --> 00:47:46,160 a new mate. 492 00:47:52,720 --> 00:47:54,520 For these tiny frogs, 493 00:47:54,600 --> 00:47:58,200 colour is central to all aspects of their lives. 494 00:47:58,880 --> 00:47:59,960 For protection, 495 00:48:00,040 --> 00:48:03,760 to dominate rivals, and to find a partner. 496 00:48:04,800 --> 00:48:08,120 For them, life is colour. 497 00:48:10,400 --> 00:48:15,200 In the next episode, the story of Life in Colour continues, 498 00:48:15,280 --> 00:48:17,200 where the stakes are even higher, 499 00:48:17,720 --> 00:48:20,480 and colour is the key to survival. 500 00:48:21,880 --> 00:48:26,440 We discover how animals use colour to hide from predators 501 00:48:26,960 --> 00:48:28,760 and from their prey. 502 00:48:28,840 --> 00:48:30,280 [monkeys calling] 503 00:48:31,680 --> 00:48:32,840 [snorts] 504 00:48:32,920 --> 00:48:34,880 [sweeping orchestral music playing]