1
00:00:03,000 --> 00:00:04,920
That's a great idea, Theresa.

2
00:00:04,920 --> 00:00:07,600
Get that to me
by the end of play today

3
00:00:07,600 --> 00:00:10,520
and action it ASAP.

4
00:00:10,520 --> 00:00:15,760
Hello again. Now, let's take a look
at the history of the department

5
00:00:15,760 --> 00:00:17,440
at Reynholm Industries,

6
00:00:17,440 --> 00:00:21,040
from our humble beginnings
when everyone hated us,

7
00:00:21,040 --> 00:00:24,280
to our recent abrupt
and unconvincing rise to power.

8
00:00:24,280 --> 00:00:26,840
It's a story for the ages.

9
00:00:26,840 --> 00:00:28,840
Let's look at it now.

10
00:00:49,880 --> 00:00:54,880
The IT Crowd first booted up
and onto our screens in 2006

11
00:00:54,880 --> 00:00:58,280
and since then, there have been
four series and most recently,
a one-hour special.

12
00:00:58,280 --> 00:01:03,000
Probably my favourite sitcom,
I would say, actually. Yes.

13
00:01:03,000 --> 00:01:05,040
Let's get started, shall we? What?

14
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The show centres on the adventures

15
00:01:06,680 --> 00:01:08,880
of four magnificently silly
characters,

16
00:01:08,880 --> 00:01:11,600
three hapless employees
of Reynholm Industries.

17
00:01:11,600 --> 00:01:14,840
Roy... What did I tell you?!
..Moss... I am a giddy goat.

18
00:01:14,840 --> 00:01:16,640
Jen...

19
00:01:16,640 --> 00:01:21,400
and their boss, Douglas...
Goddamn these electric sex pants.

20
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No-one really knows what
Reynholm Industries does.

21
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But whatever it is, they need
an efficient and responsive

22
00:01:26,840 --> 00:01:28,520
IT department.

23
00:01:28,520 --> 00:01:31,680
Get out of the lift.
Get out of the lift.

24
00:01:31,680 --> 00:01:35,760
We were like these kind of
fictitional creatures,

25
00:01:35,760 --> 00:01:40,680
abandoned to a nether region
of cobwebs and second toilets.

26
00:01:40,680 --> 00:01:42,920
Oh, my God.

27
00:01:42,920 --> 00:01:45,440
Like all good sitcoms,
it's a bunch of outsiders

28
00:01:45,440 --> 00:01:47,920
against the world,
which I think is appealing.

29
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Creator and writer Graham Linehan
brought to life a classic sitcom

30
00:01:51,880 --> 00:01:54,280
about a corporate world
where nothing works,

31
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least of all the IT department,

32
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and which celebrated
the heroic misadventures of what

33
00:01:59,680 --> 00:02:01,960
the show called "standard nerds".

34
00:02:01,960 --> 00:02:04,280
Often they're incredibly
intelligent people

35
00:02:04,280 --> 00:02:10,160
who have to do these really boring
jobs that are just beneath them

36
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and I thought that that was
a nice way of starting.

37
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Graham, you know, is a very warm,
great, comic writer.

38
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He came up with the idea,
injected the warmth.

39
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It's big because of him.

40
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The sparkling scripts were brought
to life by some of Britain's

41
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most brilliant and inventive
comic actors.

42
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Richard Ayoade, Katherine Parkinson,

43
00:02:30,640 --> 00:02:32,000
Chris O'Dowd,

44
00:02:32,000 --> 00:02:33,680
Matt Berry, Noel Fielding

45
00:02:33,680 --> 00:02:35,320
and Chris Morris.

46
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The writer of Father Ted and
Chris Morris was going to be in it,

47
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so, you know, I was really excited.
It was a real gift.

48
00:02:41,880 --> 00:02:45,160
This multi award-winning comedy
has won fans around the world.

49
00:02:45,160 --> 00:02:47,840
The geeks really have
inherited the earth.

50
00:02:47,840 --> 00:02:49,280
Excuse me. Yes, miss.

51
00:02:52,960 --> 00:02:56,760
The elements of slapstick
and broad, physical humour

52
00:02:56,760 --> 00:03:01,040
and visual gags and references, all
these things make it very accessible.

53
00:03:06,800 --> 00:03:09,800
At the heart of the IT Crowd
is Maurice Moss

54
00:03:09,800 --> 00:03:12,560
who is supposedly the brains
of the IT department.

55
00:03:12,560 --> 00:03:15,560
I guess Moss is very, um...

56
00:03:15,560 --> 00:03:20,240
childlike and very positive,
I would say.

57
00:03:22,560 --> 00:03:26,840
Well, I think that Moss
is a classic square.

58
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He's a nerd, a timeless nerd.

59
00:03:29,880 --> 00:03:32,720
HE CHUCKLES
Oh, dear me!

60
00:03:32,720 --> 00:03:36,360
What you laughing at, eh?
This flipping circuit board, Jen.

61
00:03:37,520 --> 00:03:42,640
Some chump has run the data lines
right through the power supply.

62
00:03:42,640 --> 00:03:44,760
Amateur hour.

63
00:03:44,760 --> 00:03:47,000
I've got tears in my eyes.

64
00:03:47,000 --> 00:03:50,120
It's a very broad character.

65
00:03:50,120 --> 00:03:53,480
He's got his hairstyles,
he's got his clothes...

66
00:03:53,480 --> 00:03:55,040
I just had a eureka moment.

67
00:03:55,040 --> 00:03:59,800
..and yet there's something
very authentic about his betrayal.

68
00:03:59,800 --> 00:04:02,360
Why do I keep my phone
in my trouser pocket?

69
00:04:02,360 --> 00:04:06,000
It's too far. But look at this,
top pocket.

70
00:04:07,160 --> 00:04:08,640
Yeah?

71
00:04:08,640 --> 00:04:10,480
Yeah?

72
00:04:10,480 --> 00:04:13,640
See how smooth that is? Ooh, mama!

73
00:04:13,640 --> 00:04:18,080
The thing about Moss
he was just a big amalgam of

74
00:04:18,080 --> 00:04:21,640
various different,
I guess, stereotypes

75
00:04:21,640 --> 00:04:25,400
and also little bits of uniqueness
that were brought to it

76
00:04:25,400 --> 00:04:29,520
by me and Richard and they all
just kind of morphed together.

77
00:04:29,520 --> 00:04:32,960
Your name is Maurice Moss,
is it not?

78
00:04:35,080 --> 00:04:36,600
Bit nervous. Sorry.

79
00:04:40,120 --> 00:04:43,000
It's fizzy. It's very fizzy.
It's fizzy. It's gone fizzy.

80
00:04:43,000 --> 00:04:45,360
Ow! Come on.

81
00:04:45,360 --> 00:04:47,680
That's electric.
There's electric in there.

82
00:04:49,000 --> 00:04:50,600
Got a shock.

83
00:04:50,600 --> 00:04:55,440
Richard is, despite appearances,
a very bright guy

84
00:04:55,440 --> 00:05:00,400
and very precise
and incredibly funny,

85
00:05:00,400 --> 00:05:03,240
like, just so dry

86
00:05:03,240 --> 00:05:05,960
and the fact that he plays
such an uncool character

87
00:05:05,960 --> 00:05:08,280
is one of my favourite
things in the world

88
00:05:08,280 --> 00:05:10,400
cos he's one of
the coolest people I know.

89
00:05:10,400 --> 00:05:14,560
The character was occasionally able
to adopt a more confident persona,

90
00:05:14,560 --> 00:05:18,800
like a child imitating
a cowboy or something,

91
00:05:18,800 --> 00:05:23,720
but then would just drop it and
it wouldn't particularly continue.

92
00:05:23,720 --> 00:05:25,480
Roy, can I have a natter with you?

93
00:05:25,480 --> 00:05:27,120
It's about private man's business.

94
00:05:27,120 --> 00:05:29,120
I'm sure you boys will understand.

95
00:05:29,120 --> 00:05:30,600
Yeah.

96
00:05:30,600 --> 00:05:31,920
Excuse me, please.

97
00:05:33,320 --> 00:05:38,040
Richard loves playing overconfident
people and it was nice to be able

98
00:05:38,040 --> 00:05:42,000
to give him a chance to do that
every now and again.

99
00:05:42,000 --> 00:05:44,360
Will I see you tonight?

100
00:05:44,360 --> 00:05:45,720
Not now, Ivana.

101
00:05:50,840 --> 00:05:53,600
Did you have sex with that lady?

102
00:05:53,600 --> 00:05:58,080
If you call that mindless,
animalistic rutting sex, then yes.

103
00:05:58,080 --> 00:05:59,200
I suppose we did.

104
00:05:59,200 --> 00:06:01,440
He's like one of my best friends,
actually,

105
00:06:01,440 --> 00:06:04,360
so I love watching him perform.

106
00:06:04,360 --> 00:06:07,080
IN A NASAL VOICE: Just got that weird
voice, hasn't he? It's amazing.

107
00:06:07,080 --> 00:06:08,600
All right, Noel.

108
00:06:08,600 --> 00:06:10,920
His sort of voice
sounds like Graham Coxon's, really.

109
00:06:10,920 --> 00:06:14,040
Oh, no, I've forgot,
I can't tie my shoelaces up.

110
00:06:14,040 --> 00:06:17,320
Apparently, he remembers me doing
this, but I don't remember doing it.

111
00:06:17,320 --> 00:06:21,840
I said, "Yeah, I just see a really,
really nerdy guy just very, very

112
00:06:21,840 --> 00:06:23,920
"kind of geeky and nerdy, you know,

113
00:06:23,920 --> 00:06:26,640
"and focused on things that
aren't important and stuff",

114
00:06:26,640 --> 00:06:29,440
and he said, "Oh, yeah, what kind
of voice should I put on?",

115
00:06:29,440 --> 00:06:31,520
and I said, "Oh, no,
just your normal voice,"

116
00:06:31,520 --> 00:06:35,720
so you know... But I think, really,
what I meant when I said that was,

117
00:06:35,720 --> 00:06:38,040
I just wanted Richard.

118
00:06:38,040 --> 00:06:40,800
He was a bit of a grower for me,
actually, in the IT Crowd

119
00:06:40,800 --> 00:06:45,920
and, you know, I wish he'd do
a bit more performing, actually.

120
00:06:45,920 --> 00:06:48,240
What are you saying, newbie?

121
00:06:48,240 --> 00:06:51,720
I came here to drink milk
and kick ass...

122
00:06:52,920 --> 00:06:54,920
..and I've just finished my milk.

123
00:06:56,080 --> 00:06:59,800
Moss' friend and colleague in the
IT department is Roy Trenneman,

124
00:06:59,800 --> 00:07:02,680
Reynholm Industries' resident
shambles of a man.

125
00:07:02,680 --> 00:07:05,600
He was slightly more capable
of talking to people

126
00:07:05,600 --> 00:07:09,040
from the outside world than Moss was,

127
00:07:09,040 --> 00:07:11,840
but essentially, he was
that man-child

128
00:07:11,840 --> 00:07:14,400
that's slightly kind
of socially inept.

129
00:07:14,400 --> 00:07:17,160
There's a lack of self-awareness,
maybe, in Roy in that he thinks

130
00:07:17,160 --> 00:07:18,600
he's cooler than that, he thinks

131
00:07:18,600 --> 00:07:20,760
he's on the cool edge of nerdiness,
I think.

132
00:07:20,760 --> 00:07:23,800
The, the first thing I thought
was very important was that

133
00:07:23,800 --> 00:07:27,160
Roy shouldn't be played by an Irish
person and then Chris came in

134
00:07:27,160 --> 00:07:31,240
and he was just amazing and,
and, you know, and I thought,

135
00:07:31,240 --> 00:07:35,000
"Well, I'll actually be brought up
against the race relations board

136
00:07:35,000 --> 00:07:39,040
"if I don't hire Chris because he's
obviously the best man for the job."

137
00:07:39,040 --> 00:07:43,320
I remember in the first series
really enjoying Roy in Messy Joe's

138
00:07:43,320 --> 00:07:48,520
and he was just trying so hard
to be a bastard,

139
00:07:48,520 --> 00:07:52,120
cos that's what he thought
that women wanted to go out with.

140
00:07:53,400 --> 00:07:56,920
This seems an unusual place for
someone like you to want to meet.

141
00:07:59,400 --> 00:08:05,640
Yeah, well, everyone needs
a place to come to be alone.

142
00:08:08,040 --> 00:08:13,720
His absolute snark and,
and misanthropy

143
00:08:13,720 --> 00:08:17,800
is really bang on
for a certain tribe of nerds.

144
00:08:17,800 --> 00:08:21,960
He is YouTube commenter number three
who says, "No, it's just shit."

145
00:08:21,960 --> 00:08:23,720
No, no, no, Jen, it's infected.

146
00:08:23,720 --> 00:08:26,720
If this was a human being,
I'd shoot it in the face.

147
00:08:26,720 --> 00:08:28,600
I like the fire in the Sea Parks.

148
00:08:28,600 --> 00:08:31,800
I think that's one of my favourite
storylines for him.

149
00:08:31,800 --> 00:08:34,080
Her parents died in a fire.

150
00:08:34,080 --> 00:08:36,120
Oh, God, I'm sorry, that's horrible.

151
00:08:36,120 --> 00:08:39,480
Yeah, yeah... Yeah, it was a fire...

152
00:08:39,480 --> 00:08:40,840
..at Sea Parks.

153
00:08:46,040 --> 00:08:48,520
Sea Parks? Yeah.

154
00:08:48,520 --> 00:08:51,480
It just seems like a weird place
to go on fire.

155
00:08:51,480 --> 00:08:54,680
It's a very weird place
to go on fire!

156
00:08:54,680 --> 00:08:57,000
A fire at a Sea Parks!?

157
00:08:57,000 --> 00:08:59,400
It's the weirdest thing
I've ever heard!

158
00:08:59,400 --> 00:09:02,760
That's probably one of the ones
I get quoted most is...

159
00:09:02,760 --> 00:09:06,800
"A fire...in a Sea Parks?!"

160
00:09:06,800 --> 00:09:11,320
That was actually one of the most fun
things to do on the day, I remember.

161
00:09:11,320 --> 00:09:14,840
HE CHUCKLES

162
00:09:14,840 --> 00:09:16,880
Just the incredibleness of it.

163
00:09:16,880 --> 00:09:19,680
He cannot rest,
he literally cannot sleep

164
00:09:19,680 --> 00:09:22,160
until he's worked out how a fire

165
00:09:22,160 --> 00:09:24,280
could have happened at Sea Parks.

166
00:09:24,280 --> 00:09:27,040
There are 12 exits.

167
00:09:27,040 --> 00:09:28,200
What are you doing?

168
00:09:28,200 --> 00:09:30,080
Golly.

169
00:09:30,080 --> 00:09:31,000
What?

170
00:09:31,000 --> 00:09:32,920
What are you doing on the computer?

171
00:09:34,360 --> 00:09:35,640
Masturbating.

172
00:09:42,360 --> 00:09:48,960
And he works it out and his emotions
at that moment are pure satisfaction

173
00:09:48,960 --> 00:09:51,360
that he has solved a problem.

174
00:09:51,360 --> 00:09:53,080
I see.

175
00:09:53,080 --> 00:09:55,960
So if the fire started here
and they were there,

176
00:09:55,960 --> 00:09:58,120
then there's no way
they could have escaped.

177
00:09:58,120 --> 00:10:00,040
So they must have been there.

178
00:10:00,040 --> 00:10:03,480
Ah, ah!

179
00:10:03,480 --> 00:10:05,640
Will you just...stop it?

180
00:10:07,680 --> 00:10:11,760
Chris is a very good actor so
he's able to actually imbue things

181
00:10:11,760 --> 00:10:15,800
with emotion rather than just
choose what level of nasal to do.

182
00:10:24,480 --> 00:10:26,600
Oh.

183
00:10:26,600 --> 00:10:27,920
Aah.

184
00:10:27,920 --> 00:10:29,200
KNOCKING ON DOOR

185
00:10:29,200 --> 00:10:31,920
Hello, hello,
are you all right in there?

186
00:10:31,920 --> 00:10:33,400
Um...

187
00:10:33,400 --> 00:10:34,800
Do you need help?

188
00:10:36,120 --> 00:10:37,600
I'm disabled.

189
00:10:37,600 --> 00:10:42,960
I do love people though who,
instead of just accepting that

190
00:10:42,960 --> 00:10:46,680
maybe I better stop this because
this might get a bit embarrassing,

191
00:10:46,680 --> 00:10:49,840
will actually go the full way
and lie down on the toilet floor

192
00:10:49,840 --> 00:10:51,680
and pretend to be disabled.

193
00:10:51,680 --> 00:10:53,440
Oh, my God, what happened?

194
00:10:53,440 --> 00:10:56,160
I fell off the toilet.

195
00:10:56,160 --> 00:10:58,960
For me, that's a certain
kind of bravery.

196
00:10:58,960 --> 00:11:02,760
There's a certain kind of bravery in
that, that, that I kind of admire.

197
00:11:02,760 --> 00:11:04,000
How are you disabled?

198
00:11:05,680 --> 00:11:07,000
Leg disabled.

199
00:11:07,000 --> 00:11:10,880
Well, I'm being,
do you have a wheelchair?

200
00:11:10,880 --> 00:11:12,040
Yes.

201
00:11:12,040 --> 00:11:13,360
Where?

202
00:11:15,640 --> 00:11:16,920
Stolen.

203
00:11:18,440 --> 00:11:21,280
What comes across very
obviously at the sort of core

204
00:11:21,280 --> 00:11:25,200
and that warm core is,
is Chris' sort of natural warmth.

205
00:11:25,200 --> 00:11:28,640
Chris O'Dowd is just,
he's just got funny bones.

206
00:11:28,640 --> 00:11:30,680
Oh, thanks again, man, this really

207
00:11:30,680 --> 00:11:32,960
does feel so much better.

208
00:11:32,960 --> 00:11:34,920
Ah.

209
00:11:34,920 --> 00:11:36,560
Oh, yeah.

210
00:11:36,560 --> 00:11:38,200
Oh, yeah, all finished.

211
00:11:38,200 --> 00:11:39,360
Mwah.

212
00:11:50,200 --> 00:11:52,760
Roy and Moss have a very
special relationship.

213
00:11:52,760 --> 00:11:56,080
Despite their occasional ups and
downs, they make the perfect couple.

214
00:11:56,080 --> 00:12:00,960
I think that what's really
developed over the series

215
00:12:00,960 --> 00:12:03,120
is the relationship between
Roy and Moss.

216
00:12:03,120 --> 00:12:05,360
They're sort of like the couple.

217
00:12:05,360 --> 00:12:07,760
It's such a lovely day.
Shall we go to the park?

218
00:12:07,760 --> 00:12:10,440
Yeah. Let's have a lovely
lunch in the park.

219
00:12:14,360 --> 00:12:16,760
I always thought that they met
each other at college

220
00:12:16,760 --> 00:12:20,200
on the first day
and then never met anybody else

221
00:12:20,200 --> 00:12:22,680
and that was it.

222
00:12:22,680 --> 00:12:26,440
They maybe lived together
and would stay up playing games

223
00:12:26,440 --> 00:12:30,360
and they just never got laid.

224
00:12:30,360 --> 00:12:32,240
Go, go, go.

225
00:12:32,240 --> 00:12:35,120
Ooh! What have we here?

226
00:12:35,120 --> 00:12:36,600
Hello.

227
00:12:36,600 --> 00:12:41,200
So tell me, who wears the trousers
in this relationship?

228
00:12:41,200 --> 00:12:43,000
What?

229
00:12:43,000 --> 00:12:47,480
Oh. No, we're not homosexuals.
We're just very good friends.

230
00:12:47,480 --> 00:12:49,920
So you've never had a look? At what?

231
00:12:49,920 --> 00:12:52,000
His bum!

232
00:12:52,000 --> 00:12:55,800
I've seen it when he crosses
in front of my desk

233
00:12:55,800 --> 00:12:59,680
or should he bend over
to pick something up.

234
00:12:59,680 --> 00:13:02,160
I'd love to work in THAT office.

235
00:13:02,160 --> 00:13:06,560
They are basically, you know,
like two 14-year-olds

236
00:13:06,560 --> 00:13:10,040
who've suddenly discovered a best
friend in the other person.

237
00:13:10,040 --> 00:13:12,920
But, you know, you want people
who seem like friends.

238
00:13:12,920 --> 00:13:15,720
If they didn't, you wouldn't want
to spend time with them.

239
00:13:15,720 --> 00:13:18,000
Let's glare. What?

240
00:13:18,000 --> 00:13:20,640
Let's glare at people,
like a couple of tough nuts.

241
00:13:20,640 --> 00:13:22,800
Oh! OK.

242
00:13:23,880 --> 00:13:27,120
Let's glare at this sucker
on his way to work.

243
00:13:27,120 --> 00:13:29,640
Feeding the corporate machine.

244
00:13:29,640 --> 00:13:31,440
And, er...

245
00:13:31,440 --> 00:13:35,000
He's coming up. He's getting
on the bus! Oh, don't, don't.

246
00:13:35,000 --> 00:13:38,720
Why did you suggest him?
You could have suggested anybody.

247
00:13:38,720 --> 00:13:40,240
FOOTSTEPS APPROACH

248
00:13:40,240 --> 00:13:44,280
What are you doing there? We weren't.
We thought you were someone else.

249
00:13:44,280 --> 00:13:46,560
What's it to you?

250
00:13:46,560 --> 00:13:49,120
It's OK.
We're bunking off and he's excited.

251
00:13:49,120 --> 00:13:50,920
We're bunking off!

252
00:13:52,120 --> 00:13:57,400
It reminds me
a little bit of Steptoe And Son
because one drags the other down

253
00:13:57,400 --> 00:13:59,640
and Chris always seems like
a sort of...

254
00:13:59,640 --> 00:14:03,240
He's frustrated, wants to break out
of this sort of dynamic

255
00:14:03,240 --> 00:14:07,360
but can't and ultimately is as
dependent on Moss as Moss is on him.

256
00:14:07,360 --> 00:14:10,280
Jen should never have ended up
in the basement.

257
00:14:10,280 --> 00:14:12,280
She knows nothing about COMPuters

258
00:14:12,280 --> 00:14:15,560
and has no interest in learning
because she's better than IT.

259
00:14:15,560 --> 00:14:17,160
She's going places.

260
00:14:17,160 --> 00:14:20,000
I think Katherine Parkinson
is amazing in her role

261
00:14:20,000 --> 00:14:24,360
because Graham has created a woman
that I recognise in real life.

262
00:14:24,360 --> 00:14:26,000
One of the first things
we auditioned

263
00:14:26,000 --> 00:14:29,000
was the interview about what
she knows about computers.

264
00:14:29,000 --> 00:14:32,760
She was doing all that mouse, mices,
all that stuff beautifully.

265
00:14:32,760 --> 00:14:35,320
So, you know, she was really funny.

266
00:14:35,320 --> 00:14:39,320
I'll put you in IT
because you said on your CV you have
a lot of experience with computers.

267
00:14:41,640 --> 00:14:44,520
I did say that on my CV, yes.

268
00:14:44,520 --> 00:14:49,080
I have a lot of experience with
the whole...computer...thing.

269
00:14:49,080 --> 00:14:52,080
You know, emails, sending emails,

270
00:14:52,080 --> 00:14:54,800
er, receiving emails
and deleting emails.

271
00:14:54,800 --> 00:14:59,880
The ordinary person up against
this sort of leviathan

272
00:14:59,880 --> 00:15:02,160
of 20th Century technology...

273
00:15:02,160 --> 00:15:06,720
Clicking, double clicking...
The computer screen of course.

274
00:15:06,720 --> 00:15:13,600
..which goes back to Chaplin's
Modern Times and Jacques Tati's
Mon Oncle.

275
00:15:13,600 --> 00:15:17,200
I don't know whether it's necessarily
that she's a likeable character.

276
00:15:17,200 --> 00:15:22,640
I think it's more that there is
that shallow, vain, egotistic aspect
to all of us.

277
00:15:22,640 --> 00:15:25,560
Is this a new desk? Yeah. I thought
I needed some new furniture

278
00:15:25,560 --> 00:15:28,040
so I got some stuff from upstairs.
Sit down, please.

279
00:15:35,280 --> 00:15:39,240
I think as the series went on, Jen
became more of a part of the trio

280
00:15:39,240 --> 00:15:44,520
rather than being
an adversary kind of figure.

281
00:15:44,520 --> 00:15:49,600
And she became more and more
socially inept.

282
00:15:49,600 --> 00:15:54,560
The best thing about the job was
meeting Katherine for the first time

283
00:15:54,560 --> 00:15:58,560
and working with Katherine because
I hadn't worked with her before,

284
00:15:58,560 --> 00:16:00,560
and, you know,
I thought she was great.

285
00:16:00,560 --> 00:16:04,040
I'd always want to do stuff
with her again.

286
00:16:04,040 --> 00:16:09,600
# I love him, I love him,
I love him so! #

287
00:16:09,600 --> 00:16:14,640
Goodness me. What, what, what would
you term what just happened there?

288
00:16:15,720 --> 00:16:19,400
Norman says my voice
is extraordinary.

289
00:16:19,400 --> 00:16:22,080
He's right.

290
00:16:22,080 --> 00:16:23,160
SHE HARMONISES

291
00:16:23,160 --> 00:16:24,480
HE GROANS

292
00:16:24,480 --> 00:16:27,600
SHE SINGS

293
00:16:27,600 --> 00:16:29,920
Oh, this is a long song.

294
00:16:31,920 --> 00:16:38,320
In her love life she's as disastrous
as the rest of womankind,

295
00:16:38,320 --> 00:16:39,880
it seems to me.

296
00:16:39,880 --> 00:16:41,600
Let me guess.

297
00:16:41,600 --> 00:16:45,080
You're a...red wine person.

298
00:16:45,080 --> 00:16:46,720
Yes, yes, I am.

299
00:16:46,720 --> 00:16:50,040
Oh, I would be too, if we could
get SOME SERVICE ROUND HERE!

300
00:16:50,040 --> 00:16:54,520
Yeah, you, Hucknall.
When you're Simply Red-y!

301
00:16:56,280 --> 00:16:59,720
The brilliant episode with Adam
Buxton where he thinks she's died

302
00:16:59,720 --> 00:17:02,600
and then goes round telling
everyone in the office

303
00:17:02,600 --> 00:17:04,800
that he was the last person
she'd had sex with.

304
00:17:04,800 --> 00:17:08,800
I'm a bit stressed
and it's all...just fun and games.

305
00:17:11,440 --> 00:17:14,480
HE SHRIEKS

306
00:17:14,480 --> 00:17:19,640
I think the moment of her in the
rain, you know, at the window,

307
00:17:19,640 --> 00:17:23,360
that's exactly what
I wanted it to be, you know.

308
00:17:23,360 --> 00:17:25,360
The Haunting Of Bill Crouse,

309
00:17:25,360 --> 00:17:28,080
that's exactly how I saw it
fit that shape, you know.

310
00:17:28,080 --> 00:17:30,680
Stop telling people
I slept with you.

311
00:17:30,680 --> 00:17:33,160
I will, I will! I'm sorry.

312
00:17:33,160 --> 00:17:34,760
You bastard.

313
00:17:34,760 --> 00:17:36,120
HE WAILS

314
00:17:36,120 --> 00:17:38,320
Complete bastard!

315
00:17:38,320 --> 00:17:40,280
I know, I'm sorry.

316
00:17:40,280 --> 00:17:42,840
You bastard!

317
00:17:44,640 --> 00:17:46,440
Despite being technically superior

318
00:17:46,440 --> 00:17:48,440
to everyone else
at Reynholm Industries

319
00:17:48,440 --> 00:17:51,040
and ensuring that the computers
keep ticking along,

320
00:17:51,040 --> 00:17:55,120
Moss, Roy and Jen are always
treated as the social underclass.

321
00:17:55,120 --> 00:17:57,160
The brilliant thing
he did was create a world,

322
00:17:57,160 --> 00:18:00,480
an enclosed world, a bubble really,
for these characters to function in

323
00:18:00,480 --> 00:18:02,280
where insane things could happen.

324
00:18:02,280 --> 00:18:04,800
I know that the place
looks like a bit of a mess

325
00:18:04,800 --> 00:18:09,320
but it's actually a very delicate
ecosystem. Ecosystem.

326
00:18:10,960 --> 00:18:13,160
Everything is connected. Connected.

327
00:18:15,480 --> 00:18:19,000
It's like the rainforest.
Much like the rainforest.

328
00:18:19,000 --> 00:18:23,440
You change one thing,
even the tiniest bit,

329
00:18:23,440 --> 00:18:26,880
and the whole rainforest dies.

330
00:18:28,680 --> 00:18:32,400
I had a brother who was working
in IT, still works in IT,

331
00:18:32,400 --> 00:18:34,880
so I kind of knew that world
a little bit

332
00:18:34,880 --> 00:18:37,560
and how socially inept
he and his friends were.

333
00:18:37,560 --> 00:18:39,640
And just the grumpiness
of that situation.

334
00:18:39,640 --> 00:18:43,800
The things that Roy
is being asked to do are so
beneath his capabilities

335
00:18:43,800 --> 00:18:47,080
that he's become...
He's started to hate people.

336
00:18:47,080 --> 00:18:48,840
PHONE RINGS

337
00:18:50,080 --> 00:18:53,080
And it's not them.
It's definitely me phoning them up.

338
00:18:53,080 --> 00:18:55,720
I'm the annoying one that can't do
the simple thing.

339
00:18:55,720 --> 00:19:00,440
You can totally see
why they would be, you know,
a little bit angry sometimes.

340
00:19:00,440 --> 00:19:02,760
Hello. IT.

341
00:19:02,760 --> 00:19:05,600
Have you tried turning it
off and on again?

342
00:19:05,600 --> 00:19:07,360
Have you tried turning it
off and on again?

343
00:19:07,360 --> 00:19:09,120
Turn it off and on again.

344
00:19:09,120 --> 00:19:12,080
Have you tried turning it off...
You know what?
I'm sick of saying that.

345
00:19:12,080 --> 00:19:18,840
Its kind of lasting legacy for me
will be its technical advice

346
00:19:18,840 --> 00:19:22,760
which is basically
turn it off, turn it on again.

347
00:19:22,760 --> 00:19:24,920
That's the legacy
of the IT Crowd for me.

348
00:19:24,920 --> 00:19:26,800
Er, the BUTTON turns it on.

349
00:19:29,520 --> 00:19:32,480
Yeah. Yeah...

350
00:19:32,480 --> 00:19:34,880
You do know how a button works,
don't you?

351
00:19:34,880 --> 00:19:39,040
"The button? No, the button.
No, not my shirt button."

352
00:19:39,040 --> 00:19:42,120
No, there you go! No, there you go.
I just heard it come on.

353
00:19:42,120 --> 00:19:44,560
No, no, that's the music you hear
when it comes on.

354
00:19:44,560 --> 00:19:46,560
No, that's the music
you hear when it...

355
00:19:46,560 --> 00:19:49,000
I'm sorry, are you from the past?

356
00:19:49,000 --> 00:19:50,720
"Are you from the past?"

357
00:19:50,720 --> 00:19:54,320
I mean, it is so absolutely
wonderful, it really is.

358
00:19:54,320 --> 00:19:56,160
I want it on a sampler over my bed.

359
00:19:56,160 --> 00:19:57,760
Up on the boss level,

360
00:19:57,760 --> 00:20:01,680
Reynholm Industries has been
tormented by two different bosses.

361
00:20:01,680 --> 00:20:04,480
Firstly by the demented
and deranged Denholm.

362
00:20:04,480 --> 00:20:07,360
I am declaring war.

363
00:20:10,040 --> 00:20:12,400
I can see that got your attention.

364
00:20:14,480 --> 00:20:17,720
The casting of Chris Morris,
absolute genius

365
00:20:17,720 --> 00:20:22,160
because it was so just incredibly
exciting to see Chris Morris
entering into the spirit

366
00:20:22,160 --> 00:20:25,520
of this completely extraordinarily
over-the-top character.

367
00:20:25,520 --> 00:20:27,280
Come on! OK!

368
00:20:30,120 --> 00:20:32,680
He brings this slightly
terrifying edge.

369
00:20:32,680 --> 00:20:35,200
Very strict. You don't
want to get on his wrong side.

370
00:20:35,200 --> 00:20:37,040
You fucked up.
BLEEP

371
00:20:37,040 --> 00:20:41,640
A slightly sociopathic
sort of performance.

372
00:20:41,640 --> 00:20:43,080
See this balloon, Jen?

373
00:20:43,080 --> 00:20:46,280
I'm going to burst it but I'm not
going to tell you when.

374
00:20:48,040 --> 00:20:50,160
Do you feel stressed, Jen? Jen! Jen!

375
00:20:50,160 --> 00:20:51,800
Look at that.

376
00:20:51,800 --> 00:20:54,160
That's your peace of mind

377
00:20:54,160 --> 00:20:56,800
and it's going to go bang.

378
00:20:56,800 --> 00:21:00,120
I'd never met him and was terrified.
I was a big fan, like everybody.

379
00:21:00,120 --> 00:21:03,320
He just couldn't have been more
welcoming and fun.

380
00:21:03,320 --> 00:21:04,960
I had a great time with him.

381
00:21:04,960 --> 00:21:07,880
I was mostly reacting to mad stuff
he was doing

382
00:21:07,880 --> 00:21:11,480
because his character was kind of
like that, which I was happy about,

383
00:21:11,480 --> 00:21:16,120
because I wouldn't have been
comfortable trying
to make him laugh.

384
00:21:16,120 --> 00:21:19,640
Chris really had that authority
that I was looking for,

385
00:21:19,640 --> 00:21:24,680
which I loved so much in his
Day Today and Brass Eye persona.

386
00:21:24,680 --> 00:21:29,520
He set the tone brilliantly
in the first series because...

387
00:21:29,520 --> 00:21:33,760
There's a way of doing Graham's
material that isn't...

388
00:21:33,760 --> 00:21:39,080
You can't just be realistic with it.
That's not really what's required.

389
00:21:39,080 --> 00:21:42,200
Sorry to interrupt,
but there are some policemen here.

390
00:21:42,200 --> 00:21:47,280
They say they need to speak to you
about irregularities
in the pension fund.

391
00:21:47,280 --> 00:21:49,920
I see. Could you make them
a cup of tea please, Stephanie?

392
00:21:49,920 --> 00:21:55,560
KATHERINE: His suicide is,
for me, one of the best moments
in all the series.

393
00:22:01,720 --> 00:22:03,880
Following his abrupt resignation,

394
00:22:03,880 --> 00:22:06,520
Douglas, his even more bonkers son

395
00:22:06,520 --> 00:22:09,960
arrives with an even bigger ego
and a rampant libido.

396
00:22:15,680 --> 00:22:20,040
FATHER!

397
00:22:21,120 --> 00:22:25,400
I think Douglas had possibly
the best introduction

398
00:22:25,400 --> 00:22:28,680
to a comedy character
I have ever seen.

399
00:22:34,240 --> 00:22:39,960
Unhand me, Priest. Where is
your God? Where is your God now?

400
00:22:39,960 --> 00:22:44,880
Here lies a great man, a great man.

401
00:22:44,880 --> 00:22:47,640
FATHER!

402
00:22:47,640 --> 00:22:51,800
Matt Berry sort of took it on
a notch, I think, really,
from Chris Morris.

403
00:22:51,800 --> 00:22:55,600
He really nailed it, you know,
with his daft voice.

404
00:22:55,600 --> 00:22:59,400
It's a tall order, you know,
filling his boots,

405
00:22:59,400 --> 00:23:04,760
so I was pretty keen just to go in,
you know, and do my own thing

406
00:23:04,760 --> 00:23:06,200
and if it worked, it did,

407
00:23:06,200 --> 00:23:10,160
and if it didn't, you know,
they'd let me know pretty quick!

408
00:23:11,200 --> 00:23:14,520
I think Douglas is a complete tool.

409
00:23:14,520 --> 00:23:16,800
What department is this?

410
00:23:16,800 --> 00:23:21,840
Sorry? Well, if it's work related,
then obviously you'll know
what department this is.

411
00:23:21,840 --> 00:23:23,200
What department is this?

412
00:23:24,760 --> 00:23:28,480
Some sort of homosexual department?

413
00:23:28,480 --> 00:23:31,920
He had to be so confident
and so sort of privileged

414
00:23:31,920 --> 00:23:36,040
that he didn't care whether things,
you know, would come out wrong,

415
00:23:36,040 --> 00:23:39,720
whether they'd cause,
you know, offence

416
00:23:39,720 --> 00:23:41,920
or, you know, make him
look like a fool

417
00:23:41,920 --> 00:23:44,960
because that would be, you know,
impossible for him.

418
00:23:44,960 --> 00:23:47,720
It's all the worst
qualities you can give a man.

419
00:23:47,720 --> 00:23:49,760
Sex mad. Well, that's not too bad,
I suppose.

420
00:23:49,760 --> 00:23:54,160
Misogynist, mean, vain and bullying.

421
00:23:54,160 --> 00:23:59,960
The episode where he does end up
dating the journalist who comes to
interview him is astonishing.

422
00:23:59,960 --> 00:24:02,960
Favourite popular figure? Churchill.

423
00:24:02,960 --> 00:24:04,760
What is it you like about him?

424
00:24:04,760 --> 00:24:07,640
I love the way he says...

425
00:24:07,640 --> 00:24:11,160
AS THE CHURCHILL DOG: Oh, yes.
Oh, yes.

426
00:24:11,160 --> 00:24:14,720
The story is that this woman
ends up being a person who's...

427
00:24:14,720 --> 00:24:16,200
A man who's had a sex change.

428
00:24:16,200 --> 00:24:18,400
April, I love you.

429
00:24:18,400 --> 00:24:20,040
What!

430
00:24:20,040 --> 00:24:23,880
That's right. I totally love
the bloody arse off you.

431
00:24:23,880 --> 00:24:27,600
And the best thing is
before he makes this realisation,

432
00:24:27,600 --> 00:24:29,240
it's the perfect relationship

433
00:24:29,240 --> 00:24:31,880
because they're watching the darts
in bed,

434
00:24:31,880 --> 00:24:35,720
they're eating takeaway,
they're having competitions to see
who can down the fastest pint

435
00:24:35,720 --> 00:24:37,840
and then going home and shagging
each other.

436
00:24:37,840 --> 00:24:39,720
It is the perfect
relationship for Douglas

437
00:24:39,720 --> 00:24:42,120
until of course he realises
exactly what's going on.

438
00:24:42,120 --> 00:24:48,160
Oh, poppet. To think when we met,
you were so worried
that you came from Iran.

439
00:24:52,480 --> 00:24:55,120
Almost the joy of it is
it's so ridiculous

440
00:24:55,120 --> 00:24:57,400
that he misheard that
in such a pathetic way.

441
00:24:57,400 --> 00:25:00,200
A man! I said I used to be a man.

442
00:25:01,520 --> 00:25:03,200
You used to be a man?

443
00:25:05,200 --> 00:25:07,200
Yes.

444
00:25:08,640 --> 00:25:10,720
Oh, God!

445
00:25:20,500 --> 00:25:23,580
Roy, Moss and Jen aren't
alone in the basement.

446
00:25:23,580 --> 00:25:26,700
Behind the mysterious red
door lives Richmond.

447
00:25:26,700 --> 00:25:29,460
It just shows how brilliant
Graham's writing is,

448
00:25:29,460 --> 00:25:32,300
to get a character who's, you can
have a kind of Edward Scissorhands

449
00:25:32,300 --> 00:25:37,060
weirdo in the middle of an IT
department and it works completely.

450
00:25:37,060 --> 00:25:40,140
The first thing I ever did was,
she opened the door and I was there,

451
00:25:40,140 --> 00:25:42,780
and it was sort of like, it was a
great thing, it was a great reveal.

452
00:25:44,620 --> 00:25:47,540
SHE SCREAMS

453
00:25:47,540 --> 00:25:51,540
He's just in his own happy world,
hiding in his server room,

454
00:25:51,540 --> 00:25:53,700
I assume that's what it's
supposed to be

455
00:25:53,700 --> 00:25:55,980
and he doesn't know
what the blinking lights do.

456
00:25:55,980 --> 00:26:00,060
I mean, I don't know what
any of this stuff even does.

457
00:26:00,060 --> 00:26:01,500
What's going on there?

458
00:26:03,100 --> 00:26:04,900
I don't know.

459
00:26:04,900 --> 00:26:06,620
Is it good that it's doing that?

460
00:26:08,340 --> 00:26:11,900
Occasionally, it doesn't do that,
and I think I should tell them,

461
00:26:11,900 --> 00:26:13,340
but often I just look away.

462
00:26:15,020 --> 00:26:19,340
Jen and Katherine have soft
spots for Richmond.

463
00:26:19,340 --> 00:26:20,820
Richmond.

464
00:26:20,820 --> 00:26:22,820
He's so sweet and vulnerable.

465
00:26:22,820 --> 00:26:24,460
Why is he out of his room?

466
00:26:24,460 --> 00:26:29,060
Well, he's going to come
out and play with us for a while.

467
00:26:29,060 --> 00:26:31,180
I think she was supposed to find me
a bit horrendous,

468
00:26:31,180 --> 00:26:34,540
but she always found me quite,
she was always quite motherly to me.

469
00:26:34,540 --> 00:26:36,260
I always sort of quite liked
Richmond.

470
00:26:36,260 --> 00:26:40,180
They had a bit of chemistry, which
they wasn't supposed to have at all.

471
00:26:40,180 --> 00:26:42,820
To me, he seems like a sort
of damaged bird

472
00:26:42,820 --> 00:26:44,740
that needs to be looked after

473
00:26:44,740 --> 00:26:48,260
and he's sort of too vulnerable
for this world, really.

474
00:26:48,260 --> 00:26:50,780
Noel isn't like that,
but Richmond is.

475
00:26:50,780 --> 00:26:55,100
Noel would come in in, like,
a pink cowboy hat, and like,

476
00:26:55,100 --> 00:26:59,140
studded boots, and make us
feel like we were at a rock concert.

477
00:27:00,460 --> 00:27:03,700
Walking around before he got
into costume, or whatever.

478
00:27:03,700 --> 00:27:06,860
He made, like, the offices
out downstairs feel like

479
00:27:06,860 --> 00:27:08,500
we were backstage at the O2...

480
00:27:09,740 --> 00:27:11,780
..with The Darkness.

481
00:27:11,780 --> 00:27:14,940
Richmond!
Huh.

482
00:27:14,940 --> 00:27:16,540
Get back to your room.

483
00:27:16,540 --> 00:27:20,540
Oh, I'd watch Noel play darts.
I think he's just fantastic.

484
00:27:20,540 --> 00:27:23,500
Noel's character, you know,
his voice is fantastic.

485
00:27:23,500 --> 00:27:25,980
I think it's the funniest voice
I've ever heard Noel do.

486
00:27:25,980 --> 00:27:27,780
I wish he'd
talk like that the whole time.

487
00:27:27,780 --> 00:27:30,420
I'd had an idea, cos I'd watched
the Pink Floyd documentary

488
00:27:30,420 --> 00:27:34,100
and I was fascinated by how posh
they were, and I just sort of,

489
00:27:34,100 --> 00:27:36,660
I sort of had that kind of voice
and it's quite soft

490
00:27:36,660 --> 00:27:40,500
and sort of thought it was quite
funny for a Goth to be quite

491
00:27:40,500 --> 00:27:42,300
sort of posh, cos they never
really...

492
00:27:42,300 --> 00:27:44,660
they're not Cockneys,
are they ever, Goths,

493
00:27:44,660 --> 00:27:47,300
they're always
quite softly spoken and English,

494
00:27:47,300 --> 00:27:51,300
almost sort of ghostly characters,
like you could blow away in the wind.

495
00:27:53,060 --> 00:27:58,380
You know, when you laugh,
I can see the outline of your skull.

496
00:27:58,380 --> 00:27:59,980
You have a beautiful skull.

497
00:27:59,980 --> 00:28:05,220
For someone who's so...
always looks like Ronnie Wood,

498
00:28:05,220 --> 00:28:10,980
he is very brilliant at doing lots
of different characters and voices.

499
00:28:10,980 --> 00:28:16,540
I keep getting typecast, actually,
as vampires, Goths, vampires,

500
00:28:16,540 --> 00:28:19,140
Goths, ghosts, ghouls, monsters.

501
00:28:20,420 --> 00:28:21,940
I've cornered that market.

502
00:28:23,380 --> 00:28:26,460
Yeah, like a sort of sub-standard
Johnny Depp.

503
00:28:28,740 --> 00:28:31,580
Oh, Richmond.
What?

504
00:28:31,580 --> 00:28:34,380
Oh, Richmond, not you too.

505
00:28:34,380 --> 00:28:36,740
I'm sorry, Richmond,
I'll just get a bin bag...

506
00:28:49,740 --> 00:28:52,980
There's one more unique element
of the show we haven't mentioned.

507
00:28:52,980 --> 00:28:56,580
The studio set is
a character all of its own.

508
00:28:56,580 --> 00:28:57,860
I'll always love this set

509
00:28:57,860 --> 00:29:01,420
because it's so, you know, it,

510
00:29:01,420 --> 00:29:04,620
it really ended up looking,
well, not ended up,

511
00:29:04,620 --> 00:29:07,060
a very fine production design team

512
00:29:07,060 --> 00:29:09,820
made it look like I wanted it to,
you know.

513
00:29:09,820 --> 00:29:11,660
It looks like the inside of my head.

514
00:29:11,660 --> 00:29:14,060
It looks like the inside of my
office as well, a little bit.

515
00:29:14,060 --> 00:29:17,260
It's the same kind of cheerful mess.

516
00:29:17,260 --> 00:29:19,900
How can you two live like this?

517
00:29:19,900 --> 00:29:21,460
How can you two...

518
00:29:21,460 --> 00:29:23,020
Don't Google the question, Moss.

519
00:29:24,660 --> 00:29:27,220
Cos a lot of the things
on the walls, not all of them,

520
00:29:27,220 --> 00:29:30,260
but many of the things on the walls
were sent in by people.

521
00:29:30,260 --> 00:29:34,700
This is a fanzine that,
that I liked, that the guy sent in.

522
00:29:34,700 --> 00:29:36,820
He was delighted when we ended up
using it

523
00:29:36,820 --> 00:29:38,420
for a sort of publicity shot.

524
00:29:38,420 --> 00:29:42,660
A lot of the stuff up here is just
stuff that I'm a fan of.

525
00:29:42,660 --> 00:29:45,940
There's some things here
that I didn't ask for,

526
00:29:45,940 --> 00:29:48,260
I didn't plan,
and they just kind of,

527
00:29:48,260 --> 00:29:51,180
they just kind of came,
like this wonderful collection

528
00:29:51,180 --> 00:29:56,020
here of old Atari games, which is
just a lovely little touch.

529
00:29:57,220 --> 00:29:59,060
In the drawer here is the...

530
00:29:59,060 --> 00:30:02,060
is Douglas's electric sex pants...

531
00:30:02,060 --> 00:30:03,500
ELECTRIC BUZZ

532
00:30:05,580 --> 00:30:08,100
WINDOWS START-UP MUSIC PLAYS

533
00:30:11,300 --> 00:30:14,020
And now for your bonus.
I could get to like these.

534
00:30:14,020 --> 00:30:15,660
Just the job, good work.

535
00:30:15,660 --> 00:30:20,980
We always associated Roy more
with music and, you know,

536
00:30:20,980 --> 00:30:24,340
this kind of underground art,
and over on Moss's side

537
00:30:24,340 --> 00:30:29,020
we associated him
with the hardware, you know.

538
00:30:29,020 --> 00:30:30,580
All the stuff that was donated to us

539
00:30:30,580 --> 00:30:34,260
by the Centre for Computer History
in Cambridge, and this is

540
00:30:34,260 --> 00:30:37,180
the kind of thing that, whenever
I would share a photograph online,

541
00:30:37,180 --> 00:30:41,020
people would say, "They've got
a pet, they've got a pet or

542
00:30:41,020 --> 00:30:43,820
"they've got... What else have
they got, they've got an Altair."

543
00:30:43,820 --> 00:30:47,940
This drives nerds mental.
They get very excited about this.

544
00:30:47,940 --> 00:30:51,740
I think this is pretty good too,
an Orec, and there's the one I had,

545
00:30:51,740 --> 00:30:54,940
when I was a kid, a Spectrum,
a ZX Spectrum.

546
00:30:56,380 --> 00:30:57,700
Oh, yeah, board games.

547
00:30:57,700 --> 00:31:00,220
Now, this is something that,
because of the last episode,

548
00:31:00,220 --> 00:31:03,900
people might think that I was
slagging off board gamers,

549
00:31:03,900 --> 00:31:06,620
but I'm actually a huge
board games fan,

550
00:31:06,620 --> 00:31:09,940
and it was all done from a position
of affection.

551
00:31:09,940 --> 00:31:13,380
I've been looking at the expansion
to textile merchant.

552
00:31:13,380 --> 00:31:14,580
Textile merchant.

553
00:31:14,580 --> 00:31:15,740
Norfolk edition.

554
00:31:17,540 --> 00:31:20,300
Two games by Raina Kinitsky,
hold on to your hat.

555
00:31:20,300 --> 00:31:21,380
It's going to be a bumpy...

556
00:31:23,260 --> 00:31:24,900
That was a request by Richard.

557
00:31:24,900 --> 00:31:27,420
Richard's a big fan of the band
Pivot. I like them too,

558
00:31:27,420 --> 00:31:32,020
but I hadn't thought of getting them
in the show until he said it.

559
00:31:32,020 --> 00:31:34,540
Oh, yeah, over here we have some
classic

560
00:31:34,540 --> 00:31:36,980
Dungeons and Dragons-style figures.

561
00:31:36,980 --> 00:31:39,620
These are the actual metal ones,
these are the hand-painted

562
00:31:39,620 --> 00:31:42,060
lead figures that I used to play
with when I was a kid.

563
00:31:42,060 --> 00:31:44,420
The thing about role-playing games
is that, you know,

564
00:31:44,420 --> 00:31:47,380
they're about story-telling
so, you know, it was just,

565
00:31:47,380 --> 00:31:51,140
when I was a kid, it was just one
more way to tell stories.

566
00:31:51,140 --> 00:31:52,220
Yes!

567
00:31:52,220 --> 00:31:53,580
Oh!

568
00:31:53,580 --> 00:31:54,620
Direct hit.

569
00:31:54,620 --> 00:31:56,420
The knife cleaves his head in twain

570
00:31:56,420 --> 00:31:59,460
and some of his brains runneth
down John 2's invisibility cloak.

571
00:31:59,460 --> 00:32:00,860
Eiffel Tower.

572
00:32:00,860 --> 00:32:01,820
Oh.

573
00:32:02,900 --> 00:32:05,620
And into Jen's office.

574
00:32:05,620 --> 00:32:09,140
This is, of course, the internet
from...

575
00:32:09,140 --> 00:32:10,820
from the Speech episode.

576
00:32:10,820 --> 00:32:12,660
What is it?

577
00:32:12,660 --> 00:32:16,060
This, Jen, is the internet.

578
00:32:20,420 --> 00:32:22,740
To be honest with you,
it's a joke I wish I'd done more,

579
00:32:22,740 --> 00:32:25,180
which is Jen's misunderstanding

580
00:32:25,180 --> 00:32:29,100
or lack of interest or confusion
when it comes to the internet,

581
00:32:29,100 --> 00:32:32,980
meeting the boys' kind of sense of,
you know, devilment.

582
00:32:32,980 --> 00:32:34,740
Oh, no, no, no, Jen, no, this,

583
00:32:34,740 --> 00:32:38,380
this needs to go straight
back to Big Ben.

584
00:32:38,380 --> 00:32:39,500
Big Ben?

585
00:32:39,500 --> 00:32:41,220
Yeah. It goes on top of Big Ben,

586
00:32:41,220 --> 00:32:43,540
that's where you get the best
reception.

587
00:32:43,540 --> 00:32:46,260
Well, I promise,
I won't let anything happen to it.

588
00:32:46,260 --> 00:32:47,500
No, Jen, I'm sorry,

589
00:32:47,500 --> 00:32:51,300
but the elders of the internet
would never stand for it.

590
00:32:51,300 --> 00:32:54,540
It was a really nice little,
little episode, I'm really glad,

591
00:32:54,540 --> 00:32:56,500
and really it's one of the ones
I'm proudest of.

592
00:32:56,500 --> 00:32:58,420
So, can I have it?

593
00:32:58,420 --> 00:32:59,420
You can.

594
00:33:09,100 --> 00:33:11,060
Oh, don't forget your speech.
Oh, thank you.

595
00:33:11,060 --> 00:33:12,220
Sh. Sh.

596
00:33:14,980 --> 00:33:18,940
Definitely ended up being the kind
of place that not only would I,

597
00:33:18,940 --> 00:33:21,380
you know, did I like seeing it on
screen,

598
00:33:21,380 --> 00:33:23,820
I would actually like to work here,
you know.

599
00:33:28,060 --> 00:33:29,820
Oh, right, it's not real, sorry.

600
00:33:31,260 --> 00:33:34,700
It was on this set that the studio
audience watched our heroes

601
00:33:34,700 --> 00:33:38,340
and their disasters unfold
during each weekly live recording.

602
00:33:38,340 --> 00:33:42,100
Every week we were rehearsing
and then we'd put it in front
of an audience on Friday night,

603
00:33:42,100 --> 00:33:44,500
and the actors, they can't help it,
they see the audience

604
00:33:44,500 --> 00:33:47,820
as a theatre audience, and it's going
to be a show that they can do once

605
00:33:47,820 --> 00:33:51,660
for this audience, so it's very,
very, it's very nerve-racking.

606
00:33:51,660 --> 00:33:55,380
It's one of the reasons I like it,
because it makes us all work harder.

607
00:33:55,380 --> 00:33:58,940
There's a rigour
in a studio audience record.

608
00:33:58,940 --> 00:34:01,100
It really focuses your mind,
you know,

609
00:34:01,100 --> 00:34:04,180
you come up with better jokes,
the beats are clearer

610
00:34:04,180 --> 00:34:07,060
because everybody is
worried about that Friday night.

611
00:34:07,060 --> 00:34:12,780
'It's incredibly jangly on the
nerves. The day is very long.'

612
00:34:12,780 --> 00:34:14,900
It starts at about seven
in the morning,

613
00:34:14,900 --> 00:34:17,540
but you're not recording
until about 8pm,

614
00:34:17,540 --> 00:34:20,020
and then it doesn't finish
until about 11.

615
00:34:20,020 --> 00:34:22,460
So, by the end you're really
deranged,

616
00:34:22,460 --> 00:34:25,180
and I keep wondering whether

617
00:34:25,180 --> 00:34:30,700
it would be a completely different
show if everyone wasn't so tired.

618
00:34:30,700 --> 00:34:34,740
I think people's extreme exhaustion
is the house style.

619
00:34:34,740 --> 00:34:37,580
Stuff that isn't shot in front of an
audience

620
00:34:37,580 --> 00:34:39,740
is just a case of a very quiet room

621
00:34:39,740 --> 00:34:43,740
and someone saying "go", then you go,
then they say "stop"

622
00:34:43,740 --> 00:34:47,380
and you stop and that's it, you know,
and then you spend the rest

623
00:34:47,380 --> 00:34:49,180
of the day listening to another actor
go,

624
00:34:49,180 --> 00:34:51,460
"I don't know whether I was any good
there, you know,

625
00:34:51,460 --> 00:34:53,580
"I don't know what I..."
You know what I mean?

626
00:34:53,580 --> 00:34:56,500
Whereas this, you know straight away,
cos they let you know.

627
00:34:56,500 --> 00:35:00,260
In the past, I have found it
a bit, I've felt a bit threatened

628
00:35:00,260 --> 00:35:03,180
by it and sort of got a bit nervous
about the studio audience,

629
00:35:03,180 --> 00:35:06,140
but over the series
I've really begun to embrace it

630
00:35:06,140 --> 00:35:07,420
and really enjoy it.

631
00:35:07,420 --> 00:35:09,180
That was all getting a little bit...

632
00:35:09,180 --> 00:35:10,660
PENS CLATTER OFF DESK

633
00:35:10,660 --> 00:35:11,980
STUDIO AUDIENCE LAUGH

634
00:35:11,980 --> 00:35:14,380
APPLAUSE

635
00:35:20,540 --> 00:35:23,180
Just keep rolling, yeah?

636
00:35:23,180 --> 00:35:28,260
It's a great experience in timing
and, you know,

637
00:35:28,260 --> 00:35:32,900
kind of various things.
I mean, I really like it.

638
00:35:32,900 --> 00:35:34,580
I think it's just a real buzz.

639
00:35:34,580 --> 00:35:37,780
It's quite scary, and I think that
makes everyone better,

640
00:35:37,780 --> 00:35:39,780
sort of forces you into a position

641
00:35:39,780 --> 00:35:41,860
where you've got to be good
and tight.

642
00:35:41,860 --> 00:35:44,380
It works very well in that
environment and maybe

643
00:35:44,380 --> 00:35:48,340
because they probably are all very
comfortable with each other

644
00:35:48,340 --> 00:35:50,900
and know that they're going to work
well with each other,

645
00:35:50,900 --> 00:35:54,940
then that does help if you're
recording in front of an audience.

646
00:35:54,940 --> 00:35:58,340
A bonus for the audience was
the regular cameo appearances

647
00:35:58,340 --> 00:36:01,060
by well-known British comedy faces.

648
00:36:01,060 --> 00:36:02,180
Hello.

649
00:36:02,180 --> 00:36:03,220
Hello.

650
00:36:03,220 --> 00:36:05,980
'Kevin's character's based on me'

651
00:36:05,980 --> 00:36:10,860
dealing with the help desk from my
PC, which was, they'd always be

652
00:36:10,860 --> 00:36:15,220
French and they'd have an incredibly
thick accent, so I'd be lying on

653
00:36:15,220 --> 00:36:18,940
the floor looking at the completely
indecipherable mess of wires,

654
00:36:18,940 --> 00:36:21,980
with the guy going,
"Av you busen ford?"

655
00:36:21,980 --> 00:36:24,580
and I'd be like,
"Have I what? Sorry."

656
00:36:24,580 --> 00:36:27,460
"Av you bussed the verd?"
"Have I bust the ford?"

657
00:36:27,460 --> 00:36:29,860
Can I buy you uv-estis-use?

658
00:36:29,860 --> 00:36:34,140
'So we started going through
the scene and we did a take'

659
00:36:34,140 --> 00:36:37,500
and he was just pressing
through from the control booth

660
00:36:37,500 --> 00:36:40,620
and he said, "More French,
more silly", and I said,

661
00:36:40,620 --> 00:36:44,300
"Look, you know, Graham,
I've spent months

662
00:36:44,300 --> 00:36:49,580
"perfecting a lower middle class
Dijon accent." And he said,

663
00:36:49,580 --> 00:36:52,780
"Well, that was a waste of time, now
do it more French and more silly."

664
00:36:52,780 --> 00:36:54,620
I've got one of your laptops.

665
00:36:54,620 --> 00:36:56,780
It won't get past the loading
screen.

666
00:36:56,780 --> 00:36:59,300
FRENCH ACCENT: Have you tried turning
it off and on again?

667
00:36:59,300 --> 00:37:02,140
Yes. Look, is there someone else
I can talk to?

668
00:37:02,140 --> 00:37:03,700
There is no-one else available.

669
00:37:03,700 --> 00:37:06,420
In the end I was getting really
upset, I was saying, you know,

670
00:37:06,420 --> 00:37:09,140
I said, "Graham, you know,
you're asking me

671
00:37:09,140 --> 00:37:13,740
"to compromise artistic truth
and reality for a cheap joke."

672
00:37:13,740 --> 00:37:15,660
And his answer to that was,

673
00:37:15,660 --> 00:37:18,420
IN FRENCH ACCENT: "Oh,
you're asking me to compromise..."

674
00:37:18,420 --> 00:37:20,380
It's a Zubion, I think.

675
00:37:20,380 --> 00:37:24,300
Oh, Zubion, you say you've been
having problems with the Zubion...

676
00:37:24,300 --> 00:37:26,500
INDISTINCT FRENCH ACCENT

677
00:37:26,500 --> 00:37:28,220
I didn't get that.

678
00:37:28,220 --> 00:37:32,900
And in the end, he seemed satisfied.

679
00:37:32,900 --> 00:37:37,780
It took nine hours
and I left the studio a broken man,

680
00:37:37,780 --> 00:37:42,060
'but I've looked back at it
since then and I've realised that

681
00:37:42,060 --> 00:37:43,980
'Graham was exactly right,'

682
00:37:43,980 --> 00:37:46,580
and my only criticism would be
that it

683
00:37:46,580 --> 00:37:50,300
should have actually been more
French and more silly.

684
00:37:50,300 --> 00:37:51,820
'Hello?'

685
00:38:00,500 --> 00:38:02,820
The IT Crowd won numerous awards

686
00:38:02,820 --> 00:38:05,300
and the stars of the show
have gone global.

687
00:38:05,300 --> 00:38:08,420
But they all came back to the
basement one last time

688
00:38:08,420 --> 00:38:12,820
to make the brilliant and apparently
final special episode.

689
00:38:12,820 --> 00:38:16,460
Big films, directing,
theatrical, all these...

690
00:38:16,460 --> 00:38:19,260
all these major
kind of milestones in their careers

691
00:38:19,260 --> 00:38:22,380
and they come back to Reynholm,
to Reynholm Industries.

692
00:38:22,380 --> 00:38:24,020
Come on, who are we? Who are we?

693
00:38:24,020 --> 00:38:26,100
I want to hear you say it.

694
00:38:26,100 --> 00:38:29,060
ALL, LISTLESSLY: We're the
IT Department, Reynholm Industries.

695
00:38:29,060 --> 00:38:30,660
You're goddamn right we are.

696
00:38:31,740 --> 00:38:34,060
It's a testament to the show,
isn't it, that,

697
00:38:34,060 --> 00:38:36,260
that everyone came back for it?

698
00:38:36,260 --> 00:38:39,060
For one last job. Just
when they thought they were out,

699
00:38:39,060 --> 00:38:40,540
Graham pulled them right back in.

700
00:38:40,540 --> 00:38:43,820
I had the script ready and we kept
looking for this window to do

701
00:38:43,820 --> 00:38:47,260
it in and suddenly I was told
we have a two week window to do it.

702
00:38:47,260 --> 00:38:52,020
It felt good. I was delighted we
got the chance to do one last one.

703
00:38:52,020 --> 00:38:59,500
And it was a great way to show how
brutal the ageing process is

704
00:38:59,500 --> 00:39:01,820
and has been to all of us

705
00:39:01,820 --> 00:39:06,740
and that even people on TV can't
escape Mother Nature.

706
00:39:06,740 --> 00:39:10,420
It feels odd because you suddenly
get back in the room together

707
00:39:10,420 --> 00:39:13,060
and it is like no time has
passed whatsoever,

708
00:39:13,060 --> 00:39:15,180
but there's something very
nice about that.

709
00:39:15,180 --> 00:39:17,620
I realised it was happening and
I think just Twittered in

710
00:39:17,620 --> 00:39:20,260
and said, "I'm around cos I'm
writing, so if you do want me

711
00:39:20,260 --> 00:39:23,940
"to do anything, like a little cameo
or something," and he phoned me.

712
00:39:23,940 --> 00:39:26,420
I was like, "Yeah,
that'll be great!" I was like, "OK".

713
00:39:26,420 --> 00:39:28,780
It was good,
I mean, you know, it's just,

714
00:39:28,780 --> 00:39:32,580
you just put on, you know,
a three piece suit and, you know,

715
00:39:32,580 --> 00:39:39,460
be a huge dick and that's all it is,
it's as simple as that.

716
00:39:41,060 --> 00:39:43,620
Well, with the special, one
of the things he wanted to do with

717
00:39:43,620 --> 00:39:47,420
the writing was to give everyone
their own story, which they had.

718
00:39:47,420 --> 00:39:50,140
You just sold a brother some slacks.

719
00:39:50,140 --> 00:39:51,860
And also to try and hark back

720
00:39:51,860 --> 00:39:55,300
and just have a few pointers
reminding people of the series.

721
00:39:55,300 --> 00:39:58,460
I'm such an idiot.
I've got a robot hand.

722
00:40:00,260 --> 00:40:03,660
It felt like Graham was taking
the opportunity to

723
00:40:03,660 --> 00:40:07,380
say some things about the current
situation with social media,

724
00:40:07,380 --> 00:40:10,460
with Twitter, with, you know,
YouTube and all of that

725
00:40:10,460 --> 00:40:13,740
and the kind of hysteria that
surrounds people

726
00:40:13,740 --> 00:40:16,260
saying or doing "the wrong
thing" in heavy quotes.

727
00:40:16,260 --> 00:40:18,700
It's been called the viral
video of the year.

728
00:40:18,700 --> 00:40:20,980
A woman throws her
coffee onto a tramp

729
00:40:20,980 --> 00:40:24,260
and then a man has an argument
with a small barista.

730
00:40:24,260 --> 00:40:26,260
You're just too small.

731
00:40:26,260 --> 00:40:30,380
The barista goes to cross the road
and is hit by a van with breasts.

732
00:40:31,980 --> 00:40:35,780
That kind of, that mob mentality
of the internet where, where...

733
00:40:35,780 --> 00:40:39,580
where people see something
and judge immediately on that

734
00:40:39,580 --> 00:40:42,820
and there's huge pitchforks or
twitchforks

735
00:40:42,820 --> 00:40:47,260
or chitchforks, as I suppose it would
be in Graham's world, being raised

736
00:40:47,260 --> 00:40:51,980
and poor Jen and Roy having to sit
there and wade through it all.

737
00:40:51,980 --> 00:40:55,300
We thought, how can we best
show that this has gone viral
rather than just saying it?

738
00:40:55,300 --> 00:40:59,540
So Graham had the great idea of
just sort of asking fans or anyone

739
00:40:59,540 --> 00:41:03,300
out there if they'd want to take
a photo of themselves in front

740
00:41:03,300 --> 00:41:07,460
of a monument that was recognisable,
looking horror-struck at having

741
00:41:07,460 --> 00:41:12,100
seen the video of Jen throwing
coffee over the poor homeless woman.

742
00:41:12,100 --> 00:41:14,940
As the identities of
Coffee-toss Tramp Bitch

743
00:41:14,940 --> 00:41:18,220
and Small Person Racist
are finally revealed,

744
00:41:18,220 --> 00:41:21,820
we at Channel 4 News ask, what the
hell is wrong with people?

745
00:41:21,820 --> 00:41:24,580
I like the fans being involved
in that way, especially when,

746
00:41:24,580 --> 00:41:29,900
especially when it makes sense in,
in a...in a kind of story way.

747
00:41:29,900 --> 00:41:33,100
We had, oh, 200-300 of these
photos came in

748
00:41:33,100 --> 00:41:36,620
and it was terrific, so you'll
see on there everything from,

749
00:41:36,620 --> 00:41:39,420
there are two Daily
Telegraph journalists outside

750
00:41:39,420 --> 00:41:42,380
the real Number 10, a lady
in Tiananmen Square,

751
00:41:42,380 --> 00:41:44,180
there were also
a couple who

752
00:41:44,180 --> 00:41:48,540
must have hopped over the hedge into
the grounds of Craggy Island House,

753
00:41:48,540 --> 00:41:52,380
where Father Ted was set. So for
those who want to, you know,

754
00:41:52,380 --> 00:41:53,900
stop-frame it and have a look,

755
00:41:53,900 --> 00:41:56,020
you'll find some very special
photos there.

756
00:41:56,020 --> 00:42:00,020
I loved the special. I thought
it was a brilliant balance of
call-backs

757
00:42:00,020 --> 00:42:03,020
and fantastic new material.

758
00:42:03,020 --> 00:42:04,100
Let's hide it.

759
00:42:07,220 --> 00:42:08,860
What?

760
00:42:08,860 --> 00:42:10,300
The internet.

761
00:42:11,500 --> 00:42:13,180
Oh!

762
00:42:14,700 --> 00:42:17,900
Because we told you that that
was the internet.

763
00:42:17,900 --> 00:42:21,300
I think my favourite bit
in the whole special, actually,

764
00:42:21,300 --> 00:42:26,140
was Moss getting in the phone box
and taking his trousers off.

765
00:42:31,780 --> 00:42:34,980
I'd like to know how many
men around the UK

766
00:42:34,980 --> 00:42:38,580
slipped on a pair of women's slacks,
just to test confidence theory.

767
00:42:38,580 --> 00:42:39,940
Thank you.

768
00:42:41,460 --> 00:42:43,340
What was quite nice was
when we came back

769
00:42:43,340 --> 00:42:47,060
and I put the costume on from the
original, from the first series.

770
00:42:47,060 --> 00:42:50,460
I was quite glad I fitted into it,
actually.

771
00:42:50,460 --> 00:42:53,900
A little fatter but I could
just about squeeze into it.

772
00:42:53,900 --> 00:42:55,460
We hit upon the different
thing of him

773
00:42:55,460 --> 00:42:58,660
just appearing behind Jen's
shoulder in her office

774
00:42:58,660 --> 00:43:01,900
and that was really funny and then,
we got him to help her.

775
00:43:01,900 --> 00:43:05,060
We wanted just him to glide
out of it

776
00:43:05,060 --> 00:43:07,780
and we thought of all sorts
of things and in the end I said,

777
00:43:07,780 --> 00:43:10,620
"Why don't we just put him on a
little skate," which is just a board

778
00:43:10,620 --> 00:43:13,300
with some wheels on it, the simplest,
old-fashioned way of doing it.

779
00:43:13,300 --> 00:43:14,540
Don't lurk!

780
00:43:16,980 --> 00:43:19,900
Where did he go?
Where did who go?

781
00:43:19,900 --> 00:43:22,340
It was quite nice, actually,
doing that

782
00:43:22,340 --> 00:43:24,540
and nice doing
it in front of an audience again.

783
00:43:24,540 --> 00:43:27,500
Yeah, it was quite nice. That night
was really nice, actually.

784
00:43:27,500 --> 00:43:29,180
I was so glad to be involved.

785
00:43:29,180 --> 00:43:31,420
I think last episodes
of great shows that have huge

786
00:43:31,420 --> 00:43:33,740
followings, there's a certain amount
of pressure

787
00:43:33,740 --> 00:43:37,060
cos you want...the fans want to feel
that it's a cap, that it's a

788
00:43:37,060 --> 00:43:40,260
final kind of comment on the whole
history of the show in a way.

789
00:43:40,260 --> 00:43:42,300
They want a certain
amount of resolution,

790
00:43:42,300 --> 00:43:44,860
they want to feel that it feels like
a final episode and this one did.

791
00:43:44,860 --> 00:43:47,140
Is what's happening good, now?

792
00:43:47,140 --> 00:43:51,260
Is this good?
Yes, it's a very good outcome.

793
00:43:51,260 --> 00:43:53,740
Oh, my God, I think we've come
out on top. I can't believe it.

794
00:43:53,740 --> 00:43:56,060
We've come out on top.

795
00:43:56,060 --> 00:43:58,740
Because Richard was the person who
I'd built the show around,

796
00:43:58,740 --> 00:44:01,100
so it made sense that he
should be the person who

797
00:44:01,100 --> 00:44:02,300
turns out the light, you know.

798
00:44:04,060 --> 00:44:09,460
In a way I'm delighted that they
made it out of the basement.

799
00:44:09,460 --> 00:44:12,780
In another way, when Moss turned out
the basement light

800
00:44:12,780 --> 00:44:16,780
for the final time,
I felt my heart fracture.

801
00:44:16,780 --> 00:44:19,340
There aren't many episodes
of the IT Crowd that are trying

802
00:44:19,340 --> 00:44:21,980
to be moving in any way and I think
it would be awful if they did.

803
00:44:21,980 --> 00:44:25,420
But this one just had the right
amount of sentimentality

804
00:44:25,420 --> 00:44:27,620
and sweetness at the end.
Yeah, brilliant.

805
00:44:27,620 --> 00:44:31,060
In some ways it's
just a normal IT Crowd episode

806
00:44:31,060 --> 00:44:34,460
but it's nice to take them for
one last spin.

807
00:44:34,460 --> 00:44:36,540
Weirdly, it felt like things
had come around

808
00:44:36,540 --> 00:44:40,220
and actually this show would work
perfectly if it were to start now

809
00:44:40,220 --> 00:44:42,660
because all of that stuff is so huge.

810
00:44:42,660 --> 00:44:46,420
Loads of Twitter and Facebook stuff.

811
00:44:46,420 --> 00:44:50,140
And actually the world has come
around to fit perfectly

812
00:44:50,140 --> 00:44:53,900
into Graham's vision of the
show in the first place, I think.

813
00:44:53,900 --> 00:44:58,500
I feel that what was most
beguiling about the IT Crowd

814
00:44:58,500 --> 00:45:03,300
was that at its core is a real
warmth between the characters.

815
00:45:03,300 --> 00:45:06,500
They are actually quite
supportive of each other

816
00:45:06,500 --> 00:45:10,420
and I think that's what
sort of makes it stand out, really.

817
00:45:10,420 --> 00:45:14,460
I think it's a real shame that
they're not doing any more.

818
00:45:14,460 --> 00:45:16,660
What are they up to now,
the characters?

819
00:45:16,660 --> 00:45:18,020
What are they up to now?

820
00:45:18,020 --> 00:45:20,700
I think they'll
be down in that basement.

821
00:45:20,700 --> 00:45:23,540
They will have made such
a hash of running anything.

822
00:45:23,540 --> 00:45:26,460
Douglas will have suddenly found,
you know, the top price lawyer

823
00:45:26,460 --> 00:45:29,780
to get him out of any problem,
he'll have a new suit and he'll be

824
00:45:29,780 --> 00:45:33,180
back at his place and you can bet
your life, they'll still be there.

825
00:45:33,180 --> 00:45:38,660
I imagine he'll do the exact same
thing for a long time

826
00:45:38,660 --> 00:45:43,300
and would be very happy doing that.

827
00:45:43,300 --> 00:45:45,020
She needs to grow up.

828
00:45:45,020 --> 00:45:49,460
She needs to pack in Reynholm
Industries, she's not suited to it.

829
00:45:49,460 --> 00:45:52,340
Stop wearing the suits
and the heels.

830
00:45:52,340 --> 00:45:55,420
She can't even walk in heels,
she looks like a prat in heels.

831
00:45:55,420 --> 00:45:59,700
He'll be dead.
He'll be dead in a light aircraft.

832
00:45:59,700 --> 00:46:02,780
It'll be like whatshisface,
John Denver.

833
00:46:02,780 --> 00:46:06,420
He'll go that way, he'll
go in his own aircraft that he'll be

834
00:46:06,420 --> 00:46:08,780
arrogant enough to think
he doesn't need anyone else to

835
00:46:08,780 --> 00:46:12,060
pilot it with him and he'll go
straight into a canyon.

836
00:46:13,220 --> 00:46:14,660
I hope.

837
00:46:14,660 --> 00:46:16,860
HE LAUGHS

838
00:46:16,860 --> 00:46:20,340
I like the idea of going back and
doing the show in ten years' time,

839
00:46:20,340 --> 00:46:23,540
and Jen and I will be married
and divorced

840
00:46:23,540 --> 00:46:28,740
and Moss and I will be living above
Matt Berry's house in the Hamptons.

841
00:46:28,740 --> 00:46:31,940
All of us just happy, finally.

842
00:46:37,140 --> 00:46:40,100
Subtitles by Red Bee Media Ltd