1 00:00:02,640 --> 00:00:06,560 This programme contains very strong language and adult humour. 2 00:00:06,560 --> 00:00:08,320 I just read, er, in a magazine 3 00:00:08,320 --> 00:00:10,960 the most incredible thing, 4 00:00:10,960 --> 00:00:15,000 that apparently, er, marmalade, in large doses - 5 00:00:15,000 --> 00:00:19,160 and when I say large doses, I mean, you know, small doses - 6 00:00:19,160 --> 00:00:25,000 can be fatal, cos they, er, seize up the, er, cardiac system 7 00:00:25,000 --> 00:00:28,640 and give influctions. 8 00:00:28,640 --> 00:00:31,280 Yeah, well, there's a lot of truth in that 9 00:00:31,280 --> 00:00:35,520 cos too much vitamin C can diminish your sexual potency 10 00:00:35,520 --> 00:00:39,520 and I read that in the National Star. 11 00:00:39,520 --> 00:00:46,680 And what I think the professor was making the point of was that, um... 12 00:00:54,080 --> 00:00:57,760 Are you saying that food is dangerous? 13 00:00:57,760 --> 00:01:01,120 Well, let's put it this way. Not all food is dangerous 14 00:01:01,120 --> 00:01:05,400 but there are certain kinds of food that are dangerous. 15 00:01:05,400 --> 00:01:07,640 Sugar, for example. 16 00:01:07,640 --> 00:01:09,920 Especially combined with salt. 17 00:01:09,920 --> 00:01:13,400 If you have a cup of sugar and salt, I mean, 18 00:01:13,400 --> 00:01:16,640 you might as well kiss goodbye to tomorrow cos, um... 19 00:01:16,640 --> 00:01:20,280 But the point that Dr Slazenger says is that... 20 00:01:25,160 --> 00:01:28,440 Because anything you eat is deadly 21 00:01:28,440 --> 00:01:30,560 and the best thing to eat is nothing. 22 00:01:30,560 --> 00:01:33,840 And I think you have to reach a slight compromise. 23 00:01:38,440 --> 00:01:40,400 I mean, that makes sense, doesn't it? 24 00:01:48,160 --> 00:01:51,040 Peter Cook is widely regarded as the greatest figure 25 00:01:51,040 --> 00:01:52,840 in modern British comedy. 26 00:01:52,840 --> 00:01:55,760 Writer, performer, proprietor of Private Eye magazine 27 00:01:55,760 --> 00:01:58,840 and The Establishment Club, he dominated British comedy for decades 28 00:01:58,840 --> 00:02:01,480 on television, radio, theatre, print and film. 29 00:02:01,480 --> 00:02:04,280 Few have had a glimpse at Peter Cook's private world 30 00:02:04,280 --> 00:02:07,520 because, after his untimely death - he was just 57 - 31 00:02:07,520 --> 00:02:11,400 Peter's grief-stricken wife, Lin, closed up his Hampstead house, 32 00:02:11,400 --> 00:02:14,800 leaving it like a time capsule, full of comedic treasure. 33 00:02:18,080 --> 00:02:21,960 This front door has remained firmly locked for two decades. 34 00:02:21,960 --> 00:02:26,720 Lin has resisted all offers to allow the cameras in, until now. 35 00:02:26,720 --> 00:02:29,840 And so it is that we go through the keyhole. 36 00:02:32,040 --> 00:02:36,000 Past the wall with Peter's Derek and Clive graffiti on it. 37 00:02:36,000 --> 00:02:38,880 Past the EL Wisty-inspired hat stand. 38 00:02:38,880 --> 00:02:40,360 Through the dining room, 39 00:02:40,360 --> 00:02:42,600 where Peter and Dudley recorded their improvisations 40 00:02:42,600 --> 00:02:45,160 or stared blankly at the garden for inspiration. 41 00:02:47,720 --> 00:02:51,440 Up the precarious stairs - well, occasionally precarious for Peter. 42 00:02:53,040 --> 00:02:55,040 To his study and his bookshelves, 43 00:02:55,040 --> 00:02:57,200 which reveal a very eclectic mind indeed. 44 00:03:00,800 --> 00:03:04,000 And scattered around the study, as they have been since he died, 45 00:03:04,000 --> 00:03:11,600 are such gems as home videos, diaries, family snapshots, letters, 46 00:03:11,600 --> 00:03:14,720 rehearsal tapes and much, much more. 47 00:03:14,720 --> 00:03:17,400 What follows isn't a biography of Peter Cook. 48 00:03:17,400 --> 00:03:19,240 We've all seen plenty of those before. 49 00:03:19,240 --> 00:03:22,200 Instead, we're offering a glimpse of Peter's private world 50 00:03:22,200 --> 00:03:24,520 and clips from programmes that have not been broadcast 51 00:03:24,520 --> 00:03:27,200 since their original transmission. 52 00:03:27,200 --> 00:03:30,560 Many of our best and funniest finds were domestic audio recordings 53 00:03:30,560 --> 00:03:32,400 made by Peter alone, or with Dudley 54 00:03:32,400 --> 00:03:35,120 and, as you've already seen, we've animated some of these. 55 00:03:35,120 --> 00:03:37,760 There's no stopping the man! He's doing ME now! This is... 56 00:03:47,920 --> 00:03:50,600 The first thing that we almost literally stumbled on 57 00:03:50,600 --> 00:03:52,880 was this suitcase which contains memories 58 00:03:52,880 --> 00:03:55,120 of Peter's childhood and adolescence. 59 00:03:55,120 --> 00:04:00,200 And most interesting is this ancient 16mm home movie, shot in the 1930s. 60 00:04:04,120 --> 00:04:07,120 Peter was born on 17th November, 1937, 61 00:04:07,120 --> 00:04:09,440 into a middle-class civil service family. 62 00:04:09,440 --> 00:04:12,240 He never made any secret of his comfortable background, 63 00:04:12,240 --> 00:04:15,720 but these never before broadcast pictures show that his origins were 64 00:04:15,720 --> 00:04:17,880 very much at the upper end of the middle class. 65 00:04:17,880 --> 00:04:20,560 I come from an upper middle class background 66 00:04:20,560 --> 00:04:22,760 and I'm not ashamed of it. 67 00:04:22,760 --> 00:04:26,440 A better start in life. I had a better start in life. 68 00:04:29,320 --> 00:04:32,960 He was brought up in a big house with gardeners, nannies... 69 00:04:34,760 --> 00:04:36,440 ..and social functions 70 00:04:36,440 --> 00:04:39,120 that would have impressed even Lord Peter Wimsey. 71 00:04:47,120 --> 00:04:49,800 Peter was educated at public school, Radley College, 72 00:04:49,800 --> 00:04:52,080 and in this rare interview with his mother, 73 00:04:52,080 --> 00:04:54,440 we discover that the schoolboy Peter was a million miles 74 00:04:54,440 --> 00:04:56,520 from the man who created Derek and Clive. 75 00:04:56,520 --> 00:04:58,840 Mrs Cook, Mrs Peter Cook. Yes. 76 00:04:58,840 --> 00:05:02,800 As a little boy, you say your Peter was interested 77 00:05:02,800 --> 00:05:05,000 in snakes and reptiles. Yes, very much. 78 00:05:05,000 --> 00:05:07,280 And you don't know whether he's still interested or not. 79 00:05:07,280 --> 00:05:09,800 Does that mean you don't see him at all? Yes, of course I do, 80 00:05:09,800 --> 00:05:12,680 but I think he's still fond of them but more distantly. 81 00:05:12,680 --> 00:05:16,920 We have a picture of him coming up there. He looks very innocent there. 82 00:05:16,920 --> 00:05:19,840 He doesn't look like the little lad who later learnt to shock... 83 00:05:19,840 --> 00:05:22,440 I mean, he shocks a lot of people, your Pete, doesn't he? I know. 84 00:05:22,440 --> 00:05:24,680 He was rather shy and retiring when he was young. 85 00:05:24,680 --> 00:05:28,840 When did all this change and why? I don't know. I don't know at all. 86 00:05:28,840 --> 00:05:31,520 You didn't drop, did you, or something like that? 87 00:05:31,520 --> 00:05:34,280 Of course not! Where did he live as a child? 88 00:05:34,280 --> 00:05:37,600 Well, in Torquay and we were in West Africa half the time. 89 00:05:37,600 --> 00:05:40,640 What were you doing there? My husband was propping up the Empire. 90 00:05:40,640 --> 00:05:42,400 LAUGHTER 91 00:05:42,400 --> 00:05:46,400 The bit that was left before it...? Yes. Did it fall over when he left? 92 00:05:46,400 --> 00:05:48,360 No! Nearly, not quite. 93 00:05:48,360 --> 00:05:51,600 No, he was a district officer there and we had to be away rather a lot. 94 00:05:51,600 --> 00:05:53,920 Yes. So he was with grannies. Right. 95 00:05:56,160 --> 00:05:59,320 Inside the same suitcase are school photos, 96 00:05:59,320 --> 00:06:01,960 a school yearbook that reveals Peter the academic, 97 00:06:01,960 --> 00:06:04,280 having won three scholarships in a single year, 98 00:06:04,280 --> 00:06:06,800 even though he later claimed to have done no work at all. 99 00:06:06,800 --> 00:06:09,080 I mean, my last year at Radley was incredible 100 00:06:09,080 --> 00:06:11,120 cos I passed my exams to Cambridge. 101 00:06:11,120 --> 00:06:13,840 I was just staying on there because there was nothing better to do. 102 00:06:13,840 --> 00:06:17,760 I used to have breakfast in bed, brought to me, shoes polished, 103 00:06:17,760 --> 00:06:20,280 study cleaned, everything like that. 104 00:06:20,280 --> 00:06:23,040 And you were allowed certain privileges. 105 00:06:23,040 --> 00:06:25,200 I used to go to the pictures a lot in Oxford. 106 00:06:25,200 --> 00:06:27,120 There was nothing for me to do academically. 107 00:06:27,120 --> 00:06:28,960 He then spent a year on the Continent, 108 00:06:28,960 --> 00:06:32,200 books about Germany and France reflecting the time he spent abroad, 109 00:06:32,200 --> 00:06:35,080 studying languages in preparation for Cambridge University. 110 00:06:36,680 --> 00:06:40,120 We also found this rather dapper monogrammed grooming case, 111 00:06:40,120 --> 00:06:43,760 revealing traces of Brylcreem stuck to letters to and from the BBC, 112 00:06:43,760 --> 00:06:47,640 like this one, where Peter attempts to get work on BBC television. 113 00:06:47,640 --> 00:06:50,920 "Dear Mr Titheradge, I wanted to know if it's possible 114 00:06:50,920 --> 00:06:53,800 "for a spare-time scriptwriter to write occasional sketches 115 00:06:53,800 --> 00:06:55,480 "for television comedy programmes. 116 00:06:55,480 --> 00:06:58,280 "I enclose a short sketch about shirts and this time, 117 00:06:58,280 --> 00:07:01,880 "I've carefully avoided writing with any particular comedian in mind." 118 00:07:04,000 --> 00:07:08,120 Also in the case is a hit of 1957, a record of Peggy Sue, 119 00:07:08,120 --> 00:07:10,640 a song Peter loved so much that some years later, 120 00:07:10,640 --> 00:07:12,800 he recorded his own version. 121 00:07:12,800 --> 00:07:16,720 We found two tapes of this - one with his vocal only... 122 00:07:16,720 --> 00:07:20,680 # Ba, ba, ba, ba, ba. # That's a bit loud. 123 00:07:20,680 --> 00:07:22,200 # If you... 124 00:07:22,200 --> 00:07:25,040 # If you knew Peggy Sue 125 00:07:25,040 --> 00:07:28,680 # Then you'd know why I feel blue about... # 126 00:07:28,680 --> 00:07:31,280 And the other one with backtrack, 127 00:07:31,280 --> 00:07:34,320 painstakingly restored here together for the first time. 128 00:07:34,320 --> 00:07:37,520 # If you knew Peggy Sue 129 00:07:37,520 --> 00:07:39,920 # Then you'd know why I feel blue 130 00:07:39,920 --> 00:07:42,360 # About Peggy 131 00:07:42,360 --> 00:07:45,360 # My Peggy Sue 132 00:07:46,840 --> 00:07:48,400 # Well, I love you, girl 133 00:07:48,400 --> 00:07:51,000 # Yes, I love you, Peggy Sue.. # 134 00:07:51,000 --> 00:07:52,960 Frankly, we wondered why we bothered. 135 00:07:52,960 --> 00:07:55,680 Ow, ooh, I'm out of breath. Christ! 136 00:07:55,680 --> 00:07:57,360 PETER CLEARS HIS THROAT 137 00:07:59,360 --> 00:08:02,360 Peter and particularly Dudley railed against the BBC 138 00:08:02,360 --> 00:08:05,840 for having lost most of the episodes of Not Only... But Also. 139 00:08:05,840 --> 00:08:08,480 There's a whole lot of people who haven't seen those programmes. 140 00:08:08,480 --> 00:08:11,640 I think this is one thing Peter and I both feel badly about, 141 00:08:11,640 --> 00:08:14,640 that I think the BBC erased all of our tapes. 142 00:08:14,640 --> 00:08:16,880 Thank you and goodnight! LAUGHTER 143 00:08:16,880 --> 00:08:19,680 Have they really? Yeah, I think they erased the whole bloody lot. 144 00:08:19,680 --> 00:08:21,920 I can't imagine... I mean, some idiot... 145 00:08:21,920 --> 00:08:24,520 But we tracked down the audio from an obsessive fan 146 00:08:24,520 --> 00:08:26,160 who hotwired his TV set, 147 00:08:26,160 --> 00:08:28,240 electrocuting himself in the process, 148 00:08:28,240 --> 00:08:30,480 and recorded them as they aired in the 1960s. 149 00:08:30,480 --> 00:08:33,880 And we also tracked down some silent films from various sources, 150 00:08:33,880 --> 00:08:37,160 including old film cans from the trails department 151 00:08:37,160 --> 00:08:41,080 at ABC TV in Australia and we joined the bits together. 152 00:08:41,080 --> 00:08:44,720 Now, is this the sort of suit one can smoke marijuana in? 153 00:08:44,720 --> 00:08:46,560 You're planning to get... 154 00:08:46,560 --> 00:08:49,080 You're planning to be stoned out your mind, are you, sir? 155 00:08:49,080 --> 00:08:53,280 Well, Basil told me it was going to be a rave and I want something... 156 00:08:53,280 --> 00:08:56,160 LAUGHTER DROWNS OUT SPEECH 157 00:08:56,160 --> 00:08:58,560 Er, I wish you wouldn't do that. 158 00:08:58,560 --> 00:09:00,600 LAUGHTER 159 00:09:00,600 --> 00:09:03,120 Er, I think that's rather nice, sir. I like it. 160 00:09:03,120 --> 00:09:07,440 Er, the only thing that strikes me is that it is a trifle effeminate. 161 00:09:07,440 --> 00:09:09,640 Effeminate? I wouldn't say it was effeminate. 162 00:09:09,640 --> 00:09:12,880 I would say it was effeminate, yes. I wouldn't say it was effeminate. 163 00:09:12,880 --> 00:09:15,800 I just said it IS effeminate. LAUGHTER 164 00:09:15,800 --> 00:09:17,200 It is effeminate. 165 00:09:17,200 --> 00:09:19,960 Well, you know, sir, we had Max Schmeling, the boxer, in here 166 00:09:19,960 --> 00:09:23,160 the other day, sir, and he went away with a replica of this very suit 167 00:09:23,160 --> 00:09:25,360 and I wouldn't call HIM effeminate, would you, sir? 168 00:09:25,360 --> 00:09:27,480 Max Schmeling. No, I wouldn't call him effeminate. 169 00:09:27,480 --> 00:09:29,120 I wouldn't call Max Schmeling effeminate. 170 00:09:29,120 --> 00:09:30,640 I wouldn't call him effeminate, no. 171 00:09:30,640 --> 00:09:33,400 He's not effeminate. He's never been near a woman in his life. 172 00:09:33,400 --> 00:09:35,840 LAUGHTER 173 00:09:35,840 --> 00:09:37,600 He wouldn't touch one, you know. 174 00:09:37,600 --> 00:09:40,120 It really worries me, this effeminate thing, 175 00:09:40,120 --> 00:09:42,960 because my wife is extremely effeminate, you know. 176 00:09:42,960 --> 00:09:46,160 A ghastly business. I don't know where she picks it up. 177 00:09:46,160 --> 00:09:50,680 She sort of goes flim-flamming about the place. It's most frustrating. 178 00:09:50,680 --> 00:09:53,120 Yes, well, we don't want people having difficulty 179 00:09:53,120 --> 00:09:56,200 trying to distinguish between the pair of you, do we? Certainly not. 180 00:09:56,200 --> 00:09:58,840 Would you like one bent at the back, sir? If you have one, yes. 181 00:09:58,840 --> 00:10:00,960 LAUGHTER 182 00:10:00,960 --> 00:10:03,080 Do you fancy the thin one? Yeah. 183 00:10:03,080 --> 00:10:05,720 Well, she can be yours in a matter of moments, Dud. Yeah? 184 00:10:05,720 --> 00:10:07,920 If you just play your cards right. The thin one? 185 00:10:07,920 --> 00:10:09,920 All you have to do is go up to her, 186 00:10:09,920 --> 00:10:13,720 say something ironic to establish your amazing masculinity, you see. 187 00:10:13,720 --> 00:10:16,400 Yeah? Go up. She's fairly thin, isn't she? Yeah. 188 00:10:16,400 --> 00:10:19,560 Well, say something ironic, like, "Hello, fatty." 189 00:10:19,560 --> 00:10:22,680 Being an ironic comment on the fact she's thin. Yeah. 190 00:10:22,680 --> 00:10:26,840 Then say to her in a rough, brutal way, like James Cagney used to do, 191 00:10:26,840 --> 00:10:31,280 go up to her and say, "How about a bit of passionate love with me?" 192 00:10:31,280 --> 00:10:33,080 Do you think that will work? 193 00:10:33,080 --> 00:10:37,080 Well, I should think so, yeah. Just be very masculine, aggressively so. 194 00:10:37,080 --> 00:10:39,440 I'll try, shall I? Go on. 195 00:10:42,680 --> 00:10:46,040 Hello, fat face! How about... What? 196 00:10:46,040 --> 00:10:47,960 A bit of passionate love with me. 197 00:10:47,960 --> 00:10:50,000 LAUGHTER 198 00:10:50,000 --> 00:10:52,840 How about a bit of passionate love with me then? 199 00:10:54,720 --> 00:10:56,760 LAUGHTER 200 00:10:58,880 --> 00:11:01,880 What happened, Dud? She slapped my face, Pete. 201 00:11:01,880 --> 00:11:04,280 Well, you're away, aren't you? Am I? 202 00:11:04,280 --> 00:11:07,440 Physical contact after such a brief meeting, yes. 203 00:11:07,440 --> 00:11:09,320 That's the way to do it, Dud. 204 00:11:09,320 --> 00:11:12,280 Now you've got to play it extremely cool. 205 00:11:12,280 --> 00:11:15,720 Why don't we go upstairs and ignore them for about ten stops? 206 00:11:15,720 --> 00:11:18,200 Play it cool? Play it cool. That's the only way to do it, Dud. 207 00:11:18,200 --> 00:11:19,520 All right then. 208 00:11:21,680 --> 00:11:24,080 APPLAUSE 209 00:11:25,840 --> 00:11:29,280 Do you find in any way that you've been affected adversely 210 00:11:29,280 --> 00:11:31,000 by the credit squeeze? 211 00:11:31,000 --> 00:11:33,320 I know that businessmen up and down the country 212 00:11:33,320 --> 00:11:35,800 are being forced to take drastic slashes. 213 00:11:35,800 --> 00:11:38,280 LAUGHTER 214 00:11:40,280 --> 00:11:43,040 We also tracked down parts of this episode, 215 00:11:43,040 --> 00:11:46,400 featuring Peter Sellers, not seen since 1965, 216 00:11:46,400 --> 00:11:48,600 and was considered lost for 40 years, 217 00:11:48,600 --> 00:11:50,240 until being rediscovered in the USA 218 00:11:50,240 --> 00:11:52,320 in the Library of Congress's film stores 219 00:11:52,320 --> 00:11:54,200 and then returned to the BBC. 220 00:11:54,200 --> 00:11:56,800 It's never been rebroadcast on television. 221 00:11:56,800 --> 00:11:58,240 Good evening. 222 00:11:58,240 --> 00:12:00,880 Here in the studio tonight, we have Mr Danny Gough, 223 00:12:00,880 --> 00:12:03,120 the boxer who has turned portrait painter, 224 00:12:03,120 --> 00:12:06,640 and who is having his first show in London in Regent Street. 225 00:12:06,640 --> 00:12:08,680 Mr Gough... Mr Gough... 226 00:12:08,680 --> 00:12:12,920 Mr Gough, could I tear you away for a moment from your... 227 00:12:12,920 --> 00:12:15,640 Would you like to sit down for a while? 228 00:12:15,640 --> 00:12:17,520 Robert. Thank you very much. 229 00:12:17,520 --> 00:12:18,920 Good. 230 00:12:21,000 --> 00:12:22,720 Thank you. 231 00:12:22,720 --> 00:12:24,600 LAUGHTER 232 00:12:24,600 --> 00:12:28,480 Er, Mr Gough, I am particularly interested to know 233 00:12:28,480 --> 00:12:30,560 what led you to leave the ring 234 00:12:30,560 --> 00:12:33,760 and enter the highly competitive world of portrait painting. 235 00:12:35,200 --> 00:12:38,320 Well, it was about two years ago, 236 00:12:38,320 --> 00:12:41,600 I was, er, fighting Killer Cain 237 00:12:41,600 --> 00:12:45,160 and I'm afraid I wasn't altogether in trim, you see. 238 00:12:45,160 --> 00:12:51,640 Oh, I had a few pints before the night, didn't I? 239 00:12:51,640 --> 00:12:55,160 And he got in with a left in the third round. 240 00:12:55,160 --> 00:12:58,720 Right on the button he got me, so I went down. 241 00:12:58,720 --> 00:13:01,800 As I was sort of lying there, wasn't I? 242 00:13:01,800 --> 00:13:04,560 He was lying there. Yeah. LAUGHTER 243 00:13:04,560 --> 00:13:07,520 I was lying there and I saw this, 244 00:13:07,520 --> 00:13:11,480 this thin trickle of blood coming out of my left nostril 245 00:13:11,480 --> 00:13:16,720 onto the canvas and suddenly I become aware of what I had in me. 246 00:13:16,720 --> 00:13:20,640 LAUGHTER Er, blood, that is. 247 00:13:20,640 --> 00:13:25,600 No, I mean, no, no... No, not that. 248 00:13:25,600 --> 00:13:28,240 No, it opened up a window in my mind. 249 00:13:28,240 --> 00:13:31,640 My vistas was enlarged. I see. LAUGHTER 250 00:13:31,640 --> 00:13:34,720 I didn't know that. Yes, very painful too. 251 00:13:34,720 --> 00:13:36,320 LAUGHTER 252 00:13:36,320 --> 00:13:40,120 And I saw a whole new world of creativity in front of me 253 00:13:40,120 --> 00:13:43,680 and I've been on the canvas ever since, ain't I? I see. 254 00:13:43,680 --> 00:13:46,160 Mr Gough, this is your first show here in London, 255 00:13:46,160 --> 00:13:48,960 but I think I'm right in saying that you have had an exhibition 256 00:13:48,960 --> 00:13:51,520 in the provinces before this. Oh, yeah, yeah. 257 00:13:51,520 --> 00:13:54,880 You had an exhibition in the provinces? Yeah, I have, yeah. 258 00:13:54,880 --> 00:13:56,600 I suppose you could say, you see, 259 00:13:56,600 --> 00:14:01,560 that this show is in the nature of a sort of comeback for me. I see. 260 00:14:01,560 --> 00:14:04,640 You don't agree, then, with critics of this kind of work, 261 00:14:04,640 --> 00:14:07,320 who say that your kind of painting can damage the brain? 262 00:14:07,320 --> 00:14:10,160 LAUGHTER 263 00:14:11,880 --> 00:14:14,000 No, I don't, I don't. 264 00:14:14,000 --> 00:14:17,280 No, I definitely don't say that. You wouldn't agree with that. 265 00:14:17,280 --> 00:14:20,320 I notice you're wearing these rather thick pebble glasses. 266 00:14:20,320 --> 00:14:23,000 Is that in any way connected with your painting? 267 00:14:23,000 --> 00:14:26,040 Well, that's because I've got myoprics of the eyes. 268 00:14:26,040 --> 00:14:27,760 LAUGHTER 269 00:14:27,760 --> 00:14:31,000 I've got myoprics in the eyes here 270 00:14:31,000 --> 00:14:33,600 and they also help to... 271 00:14:33,600 --> 00:14:39,240 They also help, you see, to stop the paint coming in the eye. 272 00:14:39,240 --> 00:14:42,960 Of course, I believe a lot of painters have, in fact, suffered 273 00:14:42,960 --> 00:14:45,680 from this similar disease, have they not? 274 00:14:45,680 --> 00:14:48,400 Tintoretto, wasn't it? LAUGHTER 275 00:14:48,400 --> 00:14:51,760 I believe Tintoretto was astigmatic. Ah. 276 00:14:51,760 --> 00:14:54,000 LAUGHTER 277 00:14:54,000 --> 00:14:55,840 Well, we're going to look very shortly 278 00:14:55,840 --> 00:14:58,200 at one of Mr Gough's latest paintings. 279 00:14:58,200 --> 00:15:01,040 By the way, who is this person here you're painting? 280 00:15:01,040 --> 00:15:04,280 What are you talking about, "Who is it?" Who is this person? 281 00:15:04,280 --> 00:15:07,080 The Archbishop of Canterbury! "Who is it?" 282 00:15:07,080 --> 00:15:09,080 It's the Archbishop of Canterbury. 283 00:15:09,080 --> 00:15:11,360 It's the Archbishop of Canterbury, is it? Yes. 284 00:15:11,360 --> 00:15:15,480 Of course it's the Archbishop of Canterbury. Yes, of course it is. 285 00:15:15,480 --> 00:15:20,360 And this Late Night Line-Up from June, 1967, 286 00:15:20,360 --> 00:15:23,600 where Peter discovered that the then controller of BBC2, 287 00:15:23,600 --> 00:15:26,040 David Attenborough, was in the audience, 288 00:15:26,040 --> 00:15:28,040 and Peter acted accordingly. 289 00:15:28,040 --> 00:15:29,960 They must be out of their minds. 290 00:15:29,960 --> 00:15:33,920 But we must proffer our heartfelt congratulations 291 00:15:33,920 --> 00:15:38,040 to Mr David Attenborough here... Bless his heart. Bless his heart. 292 00:15:38,040 --> 00:15:40,560 APPLAUSE Bless his cotton socks. 293 00:15:40,560 --> 00:15:43,080 ..who moved on from the heady world 294 00:15:43,080 --> 00:15:45,960 of making wonderful documentary films 295 00:15:45,960 --> 00:15:49,720 about the mating habits of Armand and Michaela Denis... 296 00:15:49,720 --> 00:15:52,440 LAUGHTER 297 00:15:52,440 --> 00:15:55,720 And moving over here, we see David Attenborough. 298 00:15:55,720 --> 00:16:01,240 Now, David, I feel kind of bashful being confronted 299 00:16:01,240 --> 00:16:05,880 by a person who's surrounded by red tablecloths, like you are. 300 00:16:05,880 --> 00:16:10,320 But one thing I'd like to ask you, because I'm on a sort of percentage, 301 00:16:10,320 --> 00:16:12,960 is why you smoke Silk Cut Benson & Hedges cigarettes. 302 00:16:12,960 --> 00:16:15,000 LAUGHTER 303 00:16:15,000 --> 00:16:16,800 They're the only ones I could steal. 304 00:16:16,800 --> 00:16:18,560 They're the only ones he could steal. 305 00:16:18,560 --> 00:16:21,600 And that's a fact, ladies and gentlemen, and you can't deny it. 306 00:16:21,600 --> 00:16:24,880 BIRDSONG 307 00:16:29,560 --> 00:16:32,440 We always hoped to find some forgotten fragments 308 00:16:32,440 --> 00:16:34,880 of Peter's comedy during our visit to the house, 309 00:16:34,880 --> 00:16:38,120 but what we unearthed exceeded all expectations. 310 00:16:38,120 --> 00:16:42,600 Once we'd reassembled the tapes in these boxes, dated New York, 1964, 311 00:16:42,600 --> 00:16:47,480 and had painstakingly stuck the edited pieces back together again, 312 00:16:47,480 --> 00:16:49,600 we realised that we'd struck gold. 313 00:16:49,600 --> 00:16:53,040 This is an entire unknown album by Peter and Dudley, 314 00:16:53,040 --> 00:16:56,840 the Dead Sea Tapes, recorded in New York in late 1963 315 00:16:56,840 --> 00:17:01,880 and edited for release early in 1964, but long thought to be lost. 316 00:17:01,880 --> 00:17:04,520 The recordings were mentioned in the American press 317 00:17:04,520 --> 00:17:06,200 but Peter and Dudley were worried 318 00:17:06,200 --> 00:17:08,400 that they might be prosecuted for blasphemy, 319 00:17:08,400 --> 00:17:11,760 which was a serious criminal offence in those pre-Life Of Brian days. 320 00:17:11,760 --> 00:17:14,600 So, they decided not to release the tapes. 321 00:17:14,600 --> 00:17:18,040 Peter Cook later recalled them in this never before aired interview. 322 00:17:18,040 --> 00:17:22,360 We once, in 1963, when we were in New York with Beyond The Fringe, 323 00:17:22,360 --> 00:17:24,960 we went into Capitol Studios 324 00:17:24,960 --> 00:17:28,320 and, on the very same basis as the Derek and Clive records, 325 00:17:28,320 --> 00:17:33,600 we did an adlib session which - I suppose about five hours of it - 326 00:17:33,600 --> 00:17:36,200 which I called the Dead Sea Tapes. 327 00:17:36,200 --> 00:17:38,680 The Dead Sea Scrolls had just been discovered 328 00:17:38,680 --> 00:17:42,160 and they are adlibbed things by people who knew Jesus. 329 00:17:42,160 --> 00:17:45,080 TAPE: As doctors, we think... 330 00:17:45,080 --> 00:17:48,440 Yes, yes. We think the whole thing... 331 00:17:48,440 --> 00:17:50,080 Yes, yes. Was... 332 00:17:50,080 --> 00:17:52,080 PETER COUGHS Excuse me. 333 00:17:52,080 --> 00:17:55,800 PETER COUGHS ..was a little unfair... Yes, yes. 334 00:17:55,800 --> 00:17:59,080 ..on the general practitioner. Yes, yes. 335 00:17:59,080 --> 00:18:02,880 To say the least, it was a little unorthodox. Yes, yes, yes. 336 00:18:02,880 --> 00:18:05,560 PETER COUGHS Blast! I'm sorry. 337 00:18:05,560 --> 00:18:08,240 We were made to look absolute idiots. 338 00:18:08,240 --> 00:18:11,600 I mean, it's all very well, these gratuitous miracles, 339 00:18:11,600 --> 00:18:14,760 but it's all very well for the people who were cured, you see. 340 00:18:14,760 --> 00:18:17,080 Yes, yes. But it left the doctors 341 00:18:17,080 --> 00:18:20,440 with a considerable amount of scrambled eggs on their faces. 342 00:18:20,440 --> 00:18:23,160 Yes, yes, yes. You see, I went round, for instance, 343 00:18:23,160 --> 00:18:25,920 to see Lazarus's mother... Yes, yes. 344 00:18:25,920 --> 00:18:28,440 ..and I explained to her, I said, 345 00:18:28,440 --> 00:18:31,880 "Your son, madam, is absolutely incurable." Yes, yes. 346 00:18:31,880 --> 00:18:34,560 And the next moment, this fellow was round, 347 00:18:34,560 --> 00:18:38,800 cured the boy in a flash and left me looking absolutely ridiculous. 348 00:18:38,800 --> 00:18:42,760 Yes, yes. I mean, I couldn't get another call for weeks, you see. 349 00:18:42,760 --> 00:18:44,880 Yes, yes. And very soon after that, 350 00:18:44,880 --> 00:18:48,040 I went down with an attack of the creeping habdabs, 351 00:18:48,040 --> 00:18:50,040 through getting nothing to eat... 352 00:18:50,040 --> 00:18:53,960 PETER COUGHS ..and, er, I... 353 00:18:53,960 --> 00:18:56,320 I tried to get hold of this fellow 354 00:18:56,320 --> 00:19:00,720 and see if he could work one of his blasted miracles on me. Yes, yes. 355 00:19:00,720 --> 00:19:03,720 And, er, you know what he said to me? Yes, yes. 356 00:19:03,720 --> 00:19:09,480 He said, "Physician, heal thyself." Yes, yes, yes, yes, yes. 357 00:19:09,480 --> 00:19:13,560 I do wish you wouldn't keep on saying, "Yes, yes, yes, yes, yes." 358 00:19:13,560 --> 00:19:18,720 I'm sorry, it's an incurable disease I have. 359 00:19:18,720 --> 00:19:20,800 Oh, I see. I'm sorry. 360 00:19:20,800 --> 00:19:24,920 Yes. Yes. Yes. Yes. Yes. Yes. Yes. 361 00:19:24,920 --> 00:19:26,560 PETER SNEEZES Blast! 362 00:19:28,080 --> 00:19:31,600 For an agnostic and a sceptic, if not downright atheist, 363 00:19:31,600 --> 00:19:34,120 Peter's bookshelves are surprisingly peppered 364 00:19:34,120 --> 00:19:36,360 with volumes on spirituality and religion, 365 00:19:36,360 --> 00:19:38,960 a subject which perplexed him throughout his life. 366 00:19:38,960 --> 00:19:43,200 Religion is at the very core of his most successful film, Bedazzled, 367 00:19:43,200 --> 00:19:46,000 in which he plays an incarnation of the devil. 368 00:19:46,000 --> 00:19:49,880 What a dreary thing to do. I hope you're proud of yourself. 369 00:19:49,880 --> 00:19:52,120 It was pride that got me into this. 370 00:19:52,120 --> 00:19:54,000 I used to be an angel, you know, 371 00:19:54,000 --> 00:19:55,600 up in heaven. Oh, yeah. 372 00:19:55,600 --> 00:19:58,120 You used to be God's favourite, didn't you? That's right. 373 00:19:58,120 --> 00:20:00,600 "I love Lucifer", it was, in those days. 374 00:20:00,600 --> 00:20:05,080 With me in the studio is the devil himself, alias Peter Cook. 375 00:20:05,080 --> 00:20:09,480 Evening, fans. What sort of religious views do you have, if any? 376 00:20:09,480 --> 00:20:13,240 I have very muddled religious views. I was brought up Church of England, 377 00:20:13,240 --> 00:20:17,440 I went to a school where I went to a daily service in a surplice, 378 00:20:17,440 --> 00:20:21,120 and so I was fairly inundated with religion early on. 379 00:20:21,120 --> 00:20:23,440 And I'm very confused about it all. 380 00:20:23,440 --> 00:20:28,960 Um, how is it that on every count, in the 20th century, 381 00:20:28,960 --> 00:20:31,120 the devil is winning hands down? 382 00:20:31,120 --> 00:20:33,160 Is this just the weakness of the human race? 383 00:20:33,160 --> 00:20:35,360 And why are we created so ill-equipped 384 00:20:35,360 --> 00:20:38,440 to deal with the situation we're thrust into without being asked? 385 00:20:38,440 --> 00:20:42,880 And if there IS a God which I believe in or will believe in, 386 00:20:42,880 --> 00:20:45,760 he's a forgiving and understanding God 387 00:20:45,760 --> 00:20:49,800 and I shall be able to get away with what I do in this world. 388 00:20:54,160 --> 00:20:57,960 Bedazzled in an hilarious retelling of the Faust myth, 389 00:20:57,960 --> 00:21:00,480 with the devilish Peter trying to tempt Dudley 390 00:21:00,480 --> 00:21:03,680 into selling his soul, while simultaneously playing 391 00:21:03,680 --> 00:21:05,880 pathetic and malicious pranks on humanity. 392 00:21:07,560 --> 00:21:09,320 THEY BOTH LAUGH 393 00:21:09,320 --> 00:21:11,160 Here, that's terrible. 394 00:21:11,160 --> 00:21:15,840 But, I mean, apart from the way he moves, what's God really like? 395 00:21:15,840 --> 00:21:19,120 I mean, what colour is he? He's all colours of the rainbow, many-hued. 396 00:21:19,120 --> 00:21:21,720 But he IS English, isn't he? Oh, yes, very upper-class. 397 00:21:24,760 --> 00:21:26,640 Course his son had a lot of problems, 398 00:21:26,640 --> 00:21:28,240 having such a famous father. 399 00:21:28,240 --> 00:21:30,680 Yeah, I always feel sorry for Jesus having his birthday 400 00:21:30,680 --> 00:21:33,360 on Christmas Day, you know, just one lot of presents. 401 00:21:37,840 --> 00:21:40,480 This interview, recorded on the set of Bedazzled, 402 00:21:40,480 --> 00:21:42,760 was only ever broadcast once, half a century ago, 403 00:21:42,760 --> 00:21:44,440 and only in the London area, 404 00:21:44,440 --> 00:21:46,880 so chances are you've never seen it before. 405 00:21:46,880 --> 00:21:48,360 For the filmmaker, 406 00:21:48,360 --> 00:21:51,360 heaven comes in all sorts of different shapes and sizes. 407 00:21:51,360 --> 00:21:53,600 For producer-director Stanley Donen, 408 00:21:53,600 --> 00:21:56,480 who is currently making his latest comedy, Bedazzled, 409 00:21:56,480 --> 00:21:58,200 in various parts of London, 410 00:21:58,200 --> 00:22:03,360 this is his idea of heaven - the gardens of Syon Park in Middlesex. 411 00:22:03,360 --> 00:22:07,360 As I said, these are the gardens and somewhere back there, 412 00:22:07,360 --> 00:22:10,120 for the purposes of the story, is God. 413 00:22:10,120 --> 00:22:13,080 Well, now today, I've come to Stanley Donen's heaven 414 00:22:13,080 --> 00:22:16,040 to meet what must surely be the most unlikely visitor 415 00:22:16,040 --> 00:22:19,040 ever to come here and that is the devil himself. 416 00:22:22,640 --> 00:22:26,120 Peter Cook, we've seen you playing the devil many times before 417 00:22:26,120 --> 00:22:28,320 on television and the cinema, but this, surely, 418 00:22:28,320 --> 00:22:30,960 is the first time you've ever PLAYED the devil, isn't it? 419 00:22:30,960 --> 00:22:32,720 Yes, I've been longing for the opportunity. 420 00:22:32,720 --> 00:22:34,800 My wife has always said that I AM the devil. 421 00:22:34,800 --> 00:22:36,480 She thinks I'm an emissary of the devil. 422 00:22:36,480 --> 00:22:39,400 At last I've got the opportunity to play myself. Very nice, too. 423 00:22:39,400 --> 00:22:42,560 What's the devil doing in heaven? Well, he always was in heaven. 424 00:22:42,560 --> 00:22:45,240 Lucifer was God's favourite angel in the old days, 425 00:22:45,240 --> 00:22:46,720 sat around, adoring God. 426 00:22:46,720 --> 00:22:49,560 But after a while, he got fed up with it and wanted to be like God 427 00:22:49,560 --> 00:22:52,600 and was cast out, I thought rather harshly, for the sin of pride, 428 00:22:52,600 --> 00:22:55,160 which we all have, to a great extent - certainly I do. 429 00:22:55,160 --> 00:22:58,200 And now, after thousands and thousands of years of tempting, 430 00:22:58,200 --> 00:23:00,200 doing his job, making the world miserable, 431 00:23:00,200 --> 00:23:02,800 he's fed up with it and he wants to go back to heaven again 432 00:23:02,800 --> 00:23:06,200 and sit in the garden, have a nice time and praise the Lord again. 433 00:23:06,200 --> 00:23:09,200 Who, specifically, do you tempt in this film? 434 00:23:09,200 --> 00:23:11,440 Oh, in this film, my main tempting activities 435 00:23:11,440 --> 00:23:13,160 are centred round Dudley Moore, 436 00:23:13,160 --> 00:23:16,240 who is not a difficult figure to tempt, as you can well imagine. 437 00:23:16,240 --> 00:23:18,520 Having already succumbed to every temptation 438 00:23:18,520 --> 00:23:23,440 in the history of mankind, he's well at home doing this. 439 00:23:23,440 --> 00:23:26,080 This sounds, to me, very much like the Faust theme. 440 00:23:26,080 --> 00:23:27,520 I'd have thought that by now, 441 00:23:27,520 --> 00:23:31,120 we'd had every conceivable variation on that particular theme. 442 00:23:31,120 --> 00:23:34,720 It's your 20th-century Faust we're doing. Well, I don't know. 443 00:23:34,720 --> 00:23:37,880 I think it's a fascinating theme. That's why it's been done so often. 444 00:23:37,880 --> 00:23:40,400 Um, I've never seen it done funnily. 445 00:23:40,400 --> 00:23:43,160 They're all sort of rather serious things about scholars, 446 00:23:43,160 --> 00:23:45,400 you know, wishing to find the secret of life and so on. 447 00:23:45,400 --> 00:23:47,560 This is very much a comedy version. 448 00:23:47,560 --> 00:23:49,520 I don't think we've had a Faust theme 449 00:23:49,520 --> 00:23:51,840 with Raquel Welch in it before, playing Lust. 450 00:23:51,840 --> 00:23:54,000 I don't think we've had a Faust theme 451 00:23:54,000 --> 00:23:56,080 with a cast of a thousand nuns. 452 00:23:56,080 --> 00:23:58,920 And, in many ways, I think it's very different from any other. 453 00:23:58,920 --> 00:24:01,360 Yes. I certainly hope so. I'd like to ask you about this 454 00:24:01,360 --> 00:24:04,360 because, in many of your TV sketches, heaven and, in fact, nuns, 455 00:24:04,360 --> 00:24:06,600 seem to feature pretty prominently. 456 00:24:06,600 --> 00:24:08,960 What is it about these two things that, you know, 457 00:24:08,960 --> 00:24:10,960 to you, make them good comedy material? 458 00:24:10,960 --> 00:24:13,880 Well, I'm hoping to get to heaven and find out as much about it. 459 00:24:13,880 --> 00:24:17,200 I think, um, religion is, 460 00:24:17,200 --> 00:24:21,920 for me, one of the most fascinating subjects. I explore it in... 461 00:24:21,920 --> 00:24:26,880 I'm not a very religious person but I'm very interested in it 462 00:24:26,880 --> 00:24:30,840 and I don't think it's ever been treated in a really funny way - 463 00:24:30,840 --> 00:24:33,520 not a disrespectful way, but just exploring the funny things 464 00:24:33,520 --> 00:24:35,600 that happen to people in a religious context... 465 00:24:35,600 --> 00:24:37,880 PLANE FLIES OVERHEAD ..such as this bleeding plane 466 00:24:37,880 --> 00:24:39,960 going over now. Yes. Is that sent by the devil 467 00:24:39,960 --> 00:24:43,160 or is it part of God's plan to drown out the interview? Nobody knows. 468 00:24:46,160 --> 00:24:50,160 Um, I think this sort of voice would be good, do you? Yes. 469 00:24:50,160 --> 00:24:53,760 God bless him. What the bloody hell do we say at this point? 470 00:24:53,760 --> 00:24:56,240 Um, improvise. Improvise. 471 00:24:56,240 --> 00:24:59,200 Improvise only is what you do. Improvise. 472 00:24:59,200 --> 00:25:01,960 Hello, this the Queen of England speaking. 473 00:25:01,960 --> 00:25:04,720 I'd like you all to go and see the new film Bedazzled, 474 00:25:04,720 --> 00:25:06,960 produced and directed by Stanley Donen, 475 00:25:06,960 --> 00:25:10,560 starring Peter Cook, Dudley Moore and Raquel Welch as Lust. 476 00:25:10,560 --> 00:25:13,880 Pete, that didn't sound very much like the Queen of England, you know. 477 00:25:13,880 --> 00:25:16,280 I thought it was a very good imitation. No, very poor. 478 00:25:16,280 --> 00:25:18,400 Go and see Bedazzled, there's good subjects. 479 00:25:18,400 --> 00:25:21,160 Peter Cook and Dudley Moore can be blamed for everything else. 480 00:25:21,160 --> 00:25:23,320 Including this commercial. Oh, whoops. 481 00:25:24,800 --> 00:25:29,120 PETER BLOWS HIS NOSE Don't blow your nose on air. 482 00:25:29,120 --> 00:25:32,840 But Peter's projects didn't always meet with universal success, 483 00:25:32,840 --> 00:25:36,560 as this next tape we discovered in his desk drawer reminds us. 484 00:25:36,560 --> 00:25:39,840 APPLAUSE Thank you. 485 00:25:41,280 --> 00:25:43,120 Thank you. 486 00:25:43,120 --> 00:25:46,720 In February, 1971, Peter briefly hosted a chat show 487 00:25:46,720 --> 00:25:49,440 for BBC television, entitled Where Do I Sit? 488 00:25:49,440 --> 00:25:52,600 It was anarchic and unpredictable and, while some viewers loved it, 489 00:25:52,600 --> 00:25:56,080 others hated it and BBC management soon became very nervous. 490 00:25:56,080 --> 00:25:57,840 APPLAUSE 491 00:25:57,840 --> 00:26:00,080 Thank you, ladies and gentlemen, 492 00:26:00,080 --> 00:26:03,920 and welcome to the most relaxed show on British television. 493 00:26:03,920 --> 00:26:06,280 After three editions, the show was axed 494 00:26:06,280 --> 00:26:08,560 and no tapes were thought to have survived, 495 00:26:08,560 --> 00:26:10,800 but we tracked down Peter's audio cassettes 496 00:26:10,800 --> 00:26:12,640 of some of the short-lived series. 497 00:26:12,640 --> 00:26:14,480 Here is the opening of the second show, 498 00:26:14,480 --> 00:26:17,480 with Peter happily reading out some of the no-nonsense abuse 499 00:26:17,480 --> 00:26:19,480 he'd received after the first show. 500 00:26:19,480 --> 00:26:22,240 Last week, we did the first show and we had 501 00:26:22,240 --> 00:26:25,600 a record number of enquiries, as you could politely call it, 502 00:26:25,600 --> 00:26:28,560 to the duty officer of the BBC, including my own enquiry. 503 00:26:28,560 --> 00:26:31,160 I'd like to read a few of them. 504 00:26:31,160 --> 00:26:35,120 "I like his programmes, but not him. He is hopeless." 505 00:26:35,120 --> 00:26:36,840 LAUGHTER 506 00:26:36,840 --> 00:26:40,000 "This is the biggest load of organised crap I have ever seen. 507 00:26:40,000 --> 00:26:42,240 "Never mind my name." 508 00:26:42,240 --> 00:26:43,880 LAUGHTER 509 00:26:43,880 --> 00:26:45,680 Be in touch, never mind my name, 510 00:26:45,680 --> 00:26:48,320 because I never knew the crap was organised! 511 00:26:48,320 --> 00:26:52,080 And this is an especially good one. "I would love to get at him..." 512 00:26:52,080 --> 00:26:56,000 Wahey! "I would love to get at him. LAUGHTER 513 00:26:56,000 --> 00:26:58,320 "It is so easy to mock and pick on people." 514 00:26:58,320 --> 00:27:00,920 We also found this from the first show - 515 00:27:00,920 --> 00:27:03,960 Peter's rendition of the Elvis Presley classic... 516 00:27:03,960 --> 00:27:07,800 # Well, bless my soul, what's wrong with me? # ..All Shook Up. 517 00:27:07,800 --> 00:27:10,280 # I'm itching like a man on a fuzzy tree 518 00:27:10,280 --> 00:27:13,320 # My friends say I'm actin' wild as a bug 519 00:27:13,320 --> 00:27:15,800 # I'm in love, I'm all shook up 520 00:27:15,800 --> 00:27:17,720 # Mm-hmm-hmm 521 00:27:17,720 --> 00:27:19,520 # Mmm 522 00:27:19,520 --> 00:27:21,560 # Yeah, yeah, yeah... # 523 00:27:21,560 --> 00:27:25,720 You hosted a chat show once, many moons ago. Yes, I did, yes. 524 00:27:25,720 --> 00:27:29,600 I was wondering if you got any public reaction to it at all. 525 00:27:29,600 --> 00:27:32,760 Yes, the public reaction was that I should desist... 526 00:27:32,760 --> 00:27:35,160 LAUGHTER 527 00:27:35,160 --> 00:27:37,520 ..from hosting a chat show. 528 00:27:37,520 --> 00:27:41,960 Um, one of the main problems I found, as an interviewer, 529 00:27:41,960 --> 00:27:46,000 was an inability to hear what the other person was saying. 530 00:27:46,000 --> 00:27:50,280 And if I did, no interest in it whatsoever either. 531 00:27:50,280 --> 00:27:52,240 This extract of him phoning a viewer live, 532 00:27:52,240 --> 00:27:54,160 who had complained about the show, 533 00:27:54,160 --> 00:27:56,680 suggests that it was simply years ahead of its time, 534 00:27:56,680 --> 00:27:59,800 with Peter's anarchic approach being far too dangerous and edgy 535 00:27:59,800 --> 00:28:02,200 for the BBC in the early 1970s. 536 00:28:02,200 --> 00:28:05,200 You were watching last week, weren't you? 'Yes.' 537 00:28:05,200 --> 00:28:07,160 And you disliked it very much. 538 00:28:07,160 --> 00:28:09,520 'Yeah, I thought you were a colossal bore.' 539 00:28:09,520 --> 00:28:11,480 Yeah? LAUGHTER 540 00:28:11,480 --> 00:28:15,600 'It's all right. I probably am myself.' You probably are yourself? 541 00:28:15,600 --> 00:28:17,760 'Yeah, oh, definitely.' It's nice to talk to you. 542 00:28:17,760 --> 00:28:20,520 Somebody, in a letter to me the other week, said I was pissed. 543 00:28:20,520 --> 00:28:22,480 You sound a bit gone yourself. 'Yeah.' 544 00:28:22,480 --> 00:28:24,520 All right. 'You're right, I do.' 545 00:28:24,520 --> 00:28:27,800 OK, bye-bye. Nice to talk to you. 'Yeah, nice to talk to you.' 546 00:28:27,800 --> 00:28:30,920 What a hypocrite! LAUGHTER 547 00:28:30,920 --> 00:28:33,800 Nice to talk to me?! Why does he say it's nice to talk to me? 548 00:28:33,800 --> 00:28:35,800 He hates me! LAUGHTER 549 00:28:35,800 --> 00:28:37,760 Two weeks after it began, 550 00:28:37,760 --> 00:28:41,280 Peter's ground-breaking and anarchic show was unceremoniously axed 551 00:28:41,280 --> 00:28:44,080 and was replaced in the schedules by... 552 00:28:44,080 --> 00:28:46,600 MUSIC: Theme to Parkinson 553 00:28:46,600 --> 00:28:50,040 Some say that Peter Cook's greatest creation is EL Wistey. 554 00:28:50,040 --> 00:28:52,160 Some say it was Pete and Dud. 555 00:28:52,160 --> 00:28:54,920 But for a generation of comedy writers and performers, 556 00:28:54,920 --> 00:28:57,520 Derek and Clive was the equivalent of punk rock - 557 00:28:57,520 --> 00:29:01,640 iconoclastic, deliberately offensive and very funny. 558 00:29:03,280 --> 00:29:06,040 For those of you who are offended by very, very bad language, 559 00:29:06,040 --> 00:29:08,120 you may wish to press the mute button 560 00:29:08,120 --> 00:29:10,560 or leave the house for the next couple of minutes 561 00:29:10,560 --> 00:29:12,480 or sing aloud an improving hymn. 562 00:29:12,480 --> 00:29:15,600 I wrote to whatever the fucking name is of the head of the fucking BBC. 563 00:29:15,600 --> 00:29:18,040 "Dear Cunt." Yeah, that's right. That's it, yeah. 564 00:29:18,040 --> 00:29:20,160 I put, "Cunt, London" - I knew that would find him. 565 00:29:20,160 --> 00:29:21,760 "Cunt, London. TV Centre." 566 00:29:21,760 --> 00:29:24,320 Not even "TV Centre". I don't have to put TV... 567 00:29:24,320 --> 00:29:27,160 "Cunt, London" and it reaches the Director General of the BBC, 568 00:29:27,160 --> 00:29:30,440 you can be certain of that. Yeah. So, I said to him, "Dear Cunt..." 569 00:29:30,440 --> 00:29:34,280 Yeah. "Your fucking crew came round my fucking place last night 570 00:29:34,280 --> 00:29:36,400 "and tried to film me fucking masturbating 571 00:29:36,400 --> 00:29:38,600 "and I did it perfectly well the first take 572 00:29:38,600 --> 00:29:41,120 "and they said they'd got a fucking hair in the gate 573 00:29:41,120 --> 00:29:42,920 "and I'm paying 25 quid a fucking year 574 00:29:42,920 --> 00:29:44,880 "to have a fucking colour licence 575 00:29:44,880 --> 00:29:46,720 "and this is the fucking service I get?" 576 00:29:46,720 --> 00:29:49,280 And I said, "If we have any more Joyce Grenfell repeats, 577 00:29:49,280 --> 00:29:51,120 "I'll come round to the TV Centre..." 578 00:29:51,120 --> 00:29:53,960 "Beat you to death with a horn!" "Beat you to death with my horn!" 579 00:29:53,960 --> 00:29:55,440 I'll get my fucking horn out 580 00:29:55,440 --> 00:29:57,480 and beat the whole fucking TV Centre down. 581 00:29:57,480 --> 00:30:00,720 I'll fucking raze it with my knob. And what reply did I get? 582 00:30:04,760 --> 00:30:06,840 Cunts. Oh! 583 00:30:14,520 --> 00:30:18,200 See? So, I sent round, "Bear it in mind" - get the sarcasm of that. 584 00:30:18,200 --> 00:30:21,000 Yeah, what cunts. The subtle sarcasm of it. "Bear it in mind." 585 00:30:21,000 --> 00:30:23,080 Bear it up your arse, mate. 586 00:30:23,080 --> 00:30:24,680 One of the boxes we discovered 587 00:30:24,680 --> 00:30:27,520 contained another cassette of a home recording made by Peter, 588 00:30:27,520 --> 00:30:29,320 seemingly post Pete and Dud, 589 00:30:29,320 --> 00:30:31,800 and more like a prototype version of Derek and Clive, 590 00:30:31,800 --> 00:30:34,440 cranking up the bad language and markedly far beyond 591 00:30:34,440 --> 00:30:37,960 what was acceptable by British broadcasters in the early '70s. 592 00:30:37,960 --> 00:30:40,320 And even today, it's still pretty close to the bone. 593 00:30:40,320 --> 00:30:43,160 Well, anyway, have you got anything in the pipeline 594 00:30:43,160 --> 00:30:45,160 as regards a job at all? 595 00:30:45,160 --> 00:30:47,400 Well, as I said, I've been down the labour exchange. 596 00:30:47,400 --> 00:30:49,960 There's nothing much good going. I've had one offer. 597 00:30:49,960 --> 00:30:53,440 Yeah, what's that? One fucking offer. Eating shit. 598 00:30:55,280 --> 00:30:57,160 How does that appeal to you? 599 00:30:57,160 --> 00:31:01,640 Well, you know, I think, at a pinch, I'll take it. Yeah? 600 00:31:01,640 --> 00:31:04,880 At least it's regular. Yeah, yeah, you're right there. 601 00:31:04,880 --> 00:31:07,480 CHUCKLING 602 00:31:07,480 --> 00:31:11,320 After years of Pete and Dud being acceptable family entertainment, 603 00:31:11,320 --> 00:31:13,480 they finally broke free of those restrictions, 604 00:31:13,480 --> 00:31:16,080 revelling in their own transgressions. 605 00:31:16,080 --> 00:31:20,760 Here is a never released extract from Derek and Clive. 606 00:31:20,760 --> 00:31:23,400 Oh, I had a terrible time during the war, you know. 607 00:31:23,400 --> 00:31:25,000 Hold on. Ah! 608 00:31:25,000 --> 00:31:26,400 You all right there? 609 00:31:26,400 --> 00:31:28,880 HE CHUCKLES 610 00:31:30,280 --> 00:31:35,120 Oh, yeah. I had a dreadful time during the war, you know. 611 00:31:36,440 --> 00:31:40,200 Yeah? Yeah, I was in, I was in espionage. 612 00:31:40,200 --> 00:31:42,480 Espininage? No, espionage. 613 00:31:42,480 --> 00:31:46,840 Oh, espionage. I was an undercover agent 614 00:31:46,840 --> 00:31:50,280 for the British government. DUDLEY BELCHES: Oh, yeah. 615 00:31:50,280 --> 00:31:55,040 And I had to infiltrate behind the German lines 616 00:31:55,040 --> 00:31:58,560 and get into Hitler's household. DUDLEY CLEARS HIS THROAT 617 00:31:58,560 --> 00:32:01,400 Yeah, oh, yeah. I had to get into his arsehole - that was worse! 618 00:32:01,400 --> 00:32:03,440 No, did...? Yeah. 619 00:32:03,440 --> 00:32:06,720 No, cos that is amazing I never met you, 620 00:32:06,720 --> 00:32:11,240 cos my job was to pose as his toothbrush, you see. Oh, really? 621 00:32:11,240 --> 00:32:14,640 I was Hitler's toothbrush. You were Hitler's toothbrush? 622 00:32:14,640 --> 00:32:17,840 Yes, throughout the war, you know, every morning, every night, 623 00:32:17,840 --> 00:32:22,200 I used to be put inside his mouth and I sort of spied... 624 00:32:22,200 --> 00:32:24,920 After these were filmed and the records released, 625 00:32:24,920 --> 00:32:27,080 the Home Secretary himself received calls 626 00:32:27,080 --> 00:32:29,480 for the pair to be prosecuted for obscenity. 627 00:32:29,480 --> 00:32:32,120 The mighty combination of the West Yorkshire and Wolverhampton 628 00:32:32,120 --> 00:32:34,200 obscene publication police squads 629 00:32:34,200 --> 00:32:36,480 called for Peter and Dudley to be arrested. 630 00:32:36,480 --> 00:32:38,160 Oh, and the BBC banned it too. 631 00:32:38,160 --> 00:32:41,800 Oh, and so did Mary Whitehouse, in her own sweet way. 632 00:32:41,800 --> 00:32:45,200 Not too long after the dust had settled over Derek and Clive, 633 00:32:45,200 --> 00:32:48,720 Peter met the woman who would be his wife for the rest of his life. 634 00:32:48,720 --> 00:32:51,520 Lin told us about her own background before she met Peter. 635 00:32:52,840 --> 00:32:57,640 My dad was a professional gambler. Is that a good start? 636 00:32:57,640 --> 00:32:59,560 It's a good start. Wonderful! 637 00:32:59,560 --> 00:33:01,960 Better than most interviews! 638 00:33:01,960 --> 00:33:03,920 I've never heard of one of them. 639 00:33:03,920 --> 00:33:06,160 LAUGHTER 640 00:33:07,400 --> 00:33:09,520 I'd love to tell the story of how I met. 641 00:33:09,520 --> 00:33:14,400 I happened to be a guest one weekend at a country house, Stocks in Tring. 642 00:33:14,400 --> 00:33:17,600 At Stocks, there's a games room and late one evening, 643 00:33:17,600 --> 00:33:20,680 I was playing backgammon with one of the other guests, 644 00:33:20,680 --> 00:33:22,600 when Peter stumbled in... 645 00:33:24,280 --> 00:33:29,680 ..very drunk and came straight to where I was playing backgammon, 646 00:33:29,680 --> 00:33:31,960 moved the pieces about, 647 00:33:31,960 --> 00:33:34,600 asking at the same time, "Who's winning?" 648 00:33:38,120 --> 00:33:40,720 I bought my first home in Hampstead in the '70s, 649 00:33:40,720 --> 00:33:43,160 about four years before I met Peter. 650 00:33:43,160 --> 00:33:45,280 I'm quite proud to say that that was my home, 651 00:33:45,280 --> 00:33:48,000 that nobody can think that I was after Peter for his money. 652 00:33:48,000 --> 00:33:52,040 And Peter was walking right past the entrance with an armful of books. 653 00:33:53,880 --> 00:33:57,640 This time he talked to me as though I was an old friend, 654 00:33:57,640 --> 00:34:01,800 invited me to see his house, which was close to mine, 655 00:34:01,800 --> 00:34:04,440 and when I went in, I had such a shock. 656 00:34:07,560 --> 00:34:09,760 I have never seen a house like his. 657 00:34:11,280 --> 00:34:15,120 It was...unbelievable. 658 00:34:15,120 --> 00:34:18,720 I went, "Oh, a terrible mess," 659 00:34:18,720 --> 00:34:20,720 Er... 660 00:34:20,720 --> 00:34:27,600 And, er, I had such a shock because the kitchen sink was full, 661 00:34:27,600 --> 00:34:31,080 the sideboards were all covered with things, 662 00:34:31,080 --> 00:34:34,760 you could not get into the utility room 663 00:34:34,760 --> 00:34:37,640 and upstairs, there were plates on the floor, 664 00:34:37,640 --> 00:34:41,160 the books were all this way and that way 665 00:34:41,160 --> 00:34:46,280 and when he showed me the upstairs, the cupboard doors were open, 666 00:34:46,280 --> 00:34:49,760 the drawers were pulled out, there were clothes on the floor... 667 00:34:52,200 --> 00:34:55,680 And I just said to him, "If a burglar broke in, 668 00:34:55,680 --> 00:34:58,080 "he would think your house has already been done." 669 00:34:58,080 --> 00:35:00,200 INTERVIEWER CHUCKLES 670 00:35:00,200 --> 00:35:02,040 So... 671 00:35:02,040 --> 00:35:06,080 If he wanted a snack, he would just open a can of baked beans 672 00:35:06,080 --> 00:35:09,080 with mash that he made - instant mash. 673 00:35:09,080 --> 00:35:13,040 They tasted good. I'm eating that now. My daughter loves it too. 674 00:35:13,040 --> 00:35:17,440 Our friendship gradually developed into a relationship 675 00:35:17,440 --> 00:35:21,240 and, some years later, led to us getting married. 676 00:35:21,240 --> 00:35:24,000 I never asked him to divorce his wife, 677 00:35:24,000 --> 00:35:26,400 although I left him several times. 678 00:35:26,400 --> 00:35:30,280 It was his choice when he decided that he loved me enough 679 00:35:30,280 --> 00:35:32,800 and cared for me enough to want to be married. 680 00:35:34,400 --> 00:35:36,680 We always kept our own houses. 681 00:35:36,680 --> 00:35:39,600 Sometimes we lived at Peter's house, sometimes in mine 682 00:35:39,600 --> 00:35:41,160 and that seemed to work for us, 683 00:35:41,160 --> 00:35:43,360 because we were friends for a year and a half 684 00:35:43,360 --> 00:35:45,200 before we were a relationship. 685 00:35:52,360 --> 00:35:55,080 Previous biographies of Peter have characterised him 686 00:35:55,080 --> 00:35:56,720 as a tortured genius 687 00:35:56,720 --> 00:35:59,000 and the latter part of his life as a massive decline. 688 00:35:59,000 --> 00:36:01,720 It's a cliche we all like to hear about comedians, 689 00:36:01,720 --> 00:36:04,520 but the reality is, of course, more nuanced. 690 00:36:04,520 --> 00:36:08,160 True, Peter was sometimes a distant and selfish drunk. 691 00:36:08,160 --> 00:36:11,840 And out of the blue, I asked him, "Why do you drink so much?" 692 00:36:13,280 --> 00:36:16,840 And his answer was the last thing I expected. 693 00:36:16,840 --> 00:36:19,160 He just said, "Despair, really." 694 00:36:19,160 --> 00:36:22,560 But what's not known is that he had long periods off the booze, 695 00:36:22,560 --> 00:36:27,240 once up to seven months, and he attended the local AA in Hampstead. 696 00:36:27,240 --> 00:36:29,080 During these bouts of sobriety, 697 00:36:29,080 --> 00:36:31,840 he showed Lin his tender and romantic side, 698 00:36:31,840 --> 00:36:34,800 as clearly demonstrated by these hand-written notes, 699 00:36:34,800 --> 00:36:36,600 which he regularly left for her. 700 00:36:39,640 --> 00:36:41,960 He was very romantic and tender, 701 00:36:41,960 --> 00:36:45,000 different from the cynical and shocking person. 702 00:36:45,000 --> 00:36:49,520 He used to leave notes for me all around the house, like these ones. 703 00:36:52,480 --> 00:36:57,600 He drew a picture with a bubble, "I love you." 704 00:36:57,600 --> 00:37:01,320 And below it, "Still courting you after all these years. 705 00:37:01,320 --> 00:37:05,080 "Husband who feels so much better when you are home." 706 00:37:07,280 --> 00:37:09,920 "Your loving husband." And then lots of crosses. 707 00:37:11,840 --> 00:37:15,680 "Darling, I love you so much, sorry I'm so miserable." 708 00:37:17,040 --> 00:37:21,040 And the other one which also means a lot to me was... 709 00:37:22,520 --> 00:37:25,560 "When you smile, my heart leaps. Please don't ever leave me. 710 00:37:25,560 --> 00:37:27,000 "I couldn't bear it." 711 00:37:27,000 --> 00:37:31,480 And now he's left me, I'm finding it hard to bear as well. 712 00:37:31,480 --> 00:37:34,480 And for a seemingly cynical man, 713 00:37:34,480 --> 00:37:37,600 he was capable of making grand romantic gestures. 714 00:37:37,600 --> 00:37:40,880 I was woken up by a call from Peter, 715 00:37:40,880 --> 00:37:43,400 asking me to look out of the hotel room. 716 00:37:43,400 --> 00:37:48,520 And, to my amazement, when I opened the window and looked out, 717 00:37:48,520 --> 00:37:50,280 he had scribbled... 718 00:37:51,760 --> 00:37:55,640 .."PC loves LC" in huge letters on the sand, 719 00:37:55,640 --> 00:37:59,440 huge letters on the sand. I couldn't believe my eyes. 720 00:37:59,440 --> 00:38:02,640 Unimaginable that Peter could do such a thing. 721 00:38:02,640 --> 00:38:05,880 And of course, the rest of the day, all I had were comments 722 00:38:05,880 --> 00:38:10,320 from the wives about how romantic Peter was and... 723 00:38:11,960 --> 00:38:14,120 Nearly all the women were saying 724 00:38:14,120 --> 00:38:16,520 they wished their husband was like that, 725 00:38:16,520 --> 00:38:20,680 boldly expressing love for the wife in large letters on the sand. 726 00:38:23,920 --> 00:38:28,280 John Cleese was one of Peter's closest friends. Probably... 727 00:38:28,280 --> 00:38:31,560 John was probably the friend who loved Peter the most 728 00:38:31,560 --> 00:38:34,400 out of all of Peter's friends, including Dudley. 729 00:38:35,600 --> 00:38:41,760 And one year, John invited a group of people to his house... 730 00:38:43,680 --> 00:38:46,040 ..and surprised everybody by saying 731 00:38:46,040 --> 00:38:49,960 that he was inviting 40 friends to join him on a trip down the Nile. 732 00:38:53,720 --> 00:38:57,200 BACKGROUND HUBBUB AND CHATTER 733 00:38:57,200 --> 00:38:59,240 This trip was called, by John Cleese, 734 00:38:59,240 --> 00:39:01,640 the Fish Called Wanda royalties party cruise, 735 00:39:01,640 --> 00:39:04,640 a 15-day journey down the Nile on the Royal Rhapsody, 736 00:39:04,640 --> 00:39:07,760 given, amazingly generously, all expenses paid, 737 00:39:07,760 --> 00:39:09,920 by Cleese to 40 of his closest friends, 738 00:39:09,920 --> 00:39:13,480 many from the world of comedy, including, as seen here, 739 00:39:13,480 --> 00:39:16,920 a 32-year-old Stephen Fry who, somewhat typically, 740 00:39:16,920 --> 00:39:20,720 chose Billy Bunter On The Nile, which he read in daily instalments. 741 00:39:20,720 --> 00:39:22,800 "Billy Bunter turned his big spectacles 742 00:39:22,800 --> 00:39:25,880 "on the gesticulating Moustafa with an alarmed blink." 743 00:39:25,880 --> 00:39:29,600 Interspersed with a Nile-inspired fashion show... 744 00:39:29,600 --> 00:39:32,000 Peter Cook. LAUGHTER 745 00:39:32,000 --> 00:39:35,640 This is Peter as the Invisible Sphinx... 746 00:39:36,800 --> 00:39:39,040 ..followed by a mock BBC interview 747 00:39:39,040 --> 00:39:42,280 that could never have made it to PM. 748 00:39:42,280 --> 00:39:45,120 Excuse me, could I just have a few words for the benefit...? 749 00:39:45,120 --> 00:39:48,160 We're from the BBC and we just wondered if you would... 750 00:39:48,160 --> 00:39:49,400 LAUGHTER 751 00:39:52,400 --> 00:39:55,480 Could you just outline the events leading up to the present situation? 752 00:39:58,240 --> 00:40:00,440 LAUGHTER 753 00:40:00,440 --> 00:40:02,680 Further Billy Bunter readings by Stephen Fry... 754 00:40:02,680 --> 00:40:07,440 "Goading, mocking thief, I beat with a stick, yes..." 755 00:40:07,440 --> 00:40:10,880 Some no-nonsense belly dancing, or in this case beer-belly dancing. 756 00:40:10,880 --> 00:40:12,520 During the trip, 757 00:40:12,520 --> 00:40:16,880 Peter invented a new ball game, which he took very seriously. 758 00:40:16,880 --> 00:40:19,840 CHEERING No! 1 point. 759 00:40:19,840 --> 00:40:23,600 The game is a game of skill, strength, 760 00:40:23,600 --> 00:40:26,680 cunning and not, not decisions. 761 00:40:26,680 --> 00:40:31,400 It's a question of making the balls - las balones or los bollocos - 762 00:40:31,400 --> 00:40:35,760 los bollocos have to go flying between the aluminium hoops. 763 00:40:35,760 --> 00:40:38,560 Should they traverse the aluminium hoops successfully, 764 00:40:38,560 --> 00:40:40,840 without touching said hoops, 3 points the score. 765 00:40:40,840 --> 00:40:42,640 Are you playing, John? 766 00:40:42,640 --> 00:40:47,080 This is known as a strike, this is known as a nothing. 767 00:40:47,080 --> 00:40:49,080 I am also known as a nothing, hence... 768 00:40:49,080 --> 00:40:51,160 IN AMERICAN ACCENT: NBC sportscaster. 769 00:40:51,160 --> 00:40:53,160 This broadcast has been brought to you 770 00:40:53,160 --> 00:40:55,840 by the Pepsidon Pepsi Cola company, 771 00:40:55,840 --> 00:40:59,400 in association with the Dallas Memorial Fund. 772 00:41:00,640 --> 00:41:02,720 And a championship between the waiting staff 773 00:41:02,720 --> 00:41:04,280 and the celebrity guests. 774 00:41:05,920 --> 00:41:08,080 Yes, yes, yes, yes! No! 775 00:41:08,080 --> 00:41:10,840 More Billy Bunter readings by Stephen Fry... 776 00:41:10,840 --> 00:41:12,240 "Hassan gave a cough." 777 00:41:12,240 --> 00:41:14,360 HE CLEARS THROAT 778 00:41:14,360 --> 00:41:17,120 Later, Peter found time to have some fun and games 779 00:41:17,120 --> 00:41:20,080 with a loaded gun belonging to a security guard. 780 00:41:20,080 --> 00:41:22,240 This, of course, was back in the day 781 00:41:22,240 --> 00:41:24,520 when you could still joke about such things. 782 00:41:24,520 --> 00:41:27,560 Is it loaded? Yes, it IS loaded. 783 00:41:34,360 --> 00:41:37,920 And, for a bribe, Peter persuaded the security guard to attempt 784 00:41:37,920 --> 00:41:40,840 a half-hearted arrest on an unruffled John Cleese. 785 00:41:45,360 --> 00:41:47,400 Earlier, we heard an interview 786 00:41:47,400 --> 00:41:50,160 acclaiming that Peter had an obsession with nuns. 787 00:41:50,160 --> 00:41:53,480 In many of your TV sketches, heaven and, in fact, nuns 788 00:41:53,480 --> 00:41:55,720 seem to feature pretty prominently. 789 00:41:55,720 --> 00:41:58,080 We were unsure if that were true, 790 00:41:58,080 --> 00:42:00,760 but swayed when we explored the house. 791 00:42:00,760 --> 00:42:04,200 From the garden can be seen the quasi-ecclesiastical windows 792 00:42:04,200 --> 00:42:06,240 and when we went up to the rooftop, 793 00:42:06,240 --> 00:42:09,520 we discovered that his house directly overlooks a convent. 794 00:42:13,320 --> 00:42:14,800 Looking through the archive, 795 00:42:14,800 --> 00:42:17,120 it's clear that Peter missed no opportunity 796 00:42:17,120 --> 00:42:20,760 to stick Dudley into a wimple and a habit, and himself, come to that. 797 00:42:25,160 --> 00:42:27,520 LAUGHTER 798 00:42:30,680 --> 00:42:33,480 LAUGHTER 799 00:42:34,520 --> 00:42:38,360 Well, it all began in the 14th or 15th century. 800 00:42:38,360 --> 00:42:41,280 It had its origins there, you know, when St Beryl, 801 00:42:41,280 --> 00:42:44,280 who was the daughter of St Vitus, the well-known dancer... 802 00:42:44,280 --> 00:42:46,080 LAUGHTER 803 00:42:46,080 --> 00:42:48,320 I'm not aware that he's obsessed with nuns. 804 00:42:48,320 --> 00:42:51,640 How can you ask me that question? Only in a comedic way. I don't know. 805 00:42:51,640 --> 00:42:53,600 LAUGHTER # Leap, leap, leap, leap, 806 00:42:53,600 --> 00:42:55,360 # Leap, leap 807 00:42:55,360 --> 00:42:59,280 # Leap in the morning... # LAUGHTER 808 00:42:59,280 --> 00:43:02,800 It could be that they inspired him, I don't know, 809 00:43:02,800 --> 00:43:04,160 but it's not me to say. 810 00:43:04,160 --> 00:43:06,160 Do you leap at all yourself, madam? 811 00:43:06,160 --> 00:43:08,520 Well, I love to leap, as indeed who doesn't? 812 00:43:08,520 --> 00:43:10,120 LAUGHTER 813 00:43:10,120 --> 00:43:12,440 When was that sketch done? 814 00:43:12,440 --> 00:43:14,840 He moved here in about 1970. 815 00:43:16,320 --> 00:43:18,200 So that was before he moved here. 816 00:43:18,200 --> 00:43:21,560 Yeah, but he may have moved here because he was obsessed by nuns. 817 00:43:21,560 --> 00:43:24,920 LAUGHTER 818 00:43:29,200 --> 00:43:32,200 Peter was obsessed by sport throughout his life. 819 00:43:32,200 --> 00:43:36,280 He later codified the rules for that Nile trip ball game he invented, 820 00:43:36,280 --> 00:43:40,560 which he called los bollocos, into a very formal detailed document 821 00:43:40,560 --> 00:43:43,720 and on days when he didn't feel like walking to the golf course, 822 00:43:43,720 --> 00:43:45,480 he invented his own version, 823 00:43:45,480 --> 00:43:47,800 which he played outside his own front door, 824 00:43:47,800 --> 00:43:50,800 roping in bemused neighbours, friends and passers-by, 825 00:43:50,800 --> 00:43:55,120 and making use of any items in the street that came to hand. 826 00:43:55,120 --> 00:43:58,600 Once again, our mystery camera operator - possibly a neighbour - 827 00:43:58,600 --> 00:44:00,800 seemingly suffering from Meniere's disease, 828 00:44:00,800 --> 00:44:03,240 was instructed to capture the vital moments 829 00:44:03,240 --> 00:44:04,880 of this impromptu tournament. 830 00:44:04,880 --> 00:44:07,120 There's the par 3, 831 00:44:07,120 --> 00:44:09,400 18 Perrins Walk. 832 00:44:11,040 --> 00:44:13,240 Winds left to right and right to left. 833 00:44:13,240 --> 00:44:14,960 CAMERA OPERATOR LAUGHS 834 00:44:23,480 --> 00:44:25,280 I told you a 2-putter. 835 00:44:27,760 --> 00:44:29,400 He's mad! 836 00:44:31,080 --> 00:44:34,240 CAMERA OPERATOR LAUGHS 837 00:44:34,240 --> 00:44:36,480 Did it go in? Ooh... Wow! 838 00:44:43,720 --> 00:44:46,320 Peter's early brilliance and youthful good looks 839 00:44:46,320 --> 00:44:48,960 entranced even the most famous woman in the world 840 00:44:48,960 --> 00:44:51,040 in that fateful year of 1963. 841 00:44:51,040 --> 00:44:54,720 A note from Jackie Kennedy to Adlai Stevenson has been discovered, 842 00:44:54,720 --> 00:44:57,520 thanking him for her Beyond The Fringe tickets. 843 00:44:57,520 --> 00:45:01,040 In it, she praises the show, saying that it "ran the gamut - comedy, 844 00:45:01,040 --> 00:45:03,400 "drama and, for me, abandoned delight. 845 00:45:03,400 --> 00:45:06,240 "The gayest, happiest evening imaginable." 846 00:45:06,240 --> 00:45:08,480 The story wasn't known at the time, 847 00:45:08,480 --> 00:45:11,480 but Jackie Kennedy allegedly joined a long list of Peter's lovers 848 00:45:11,480 --> 00:45:13,360 during his twenties. 849 00:45:13,360 --> 00:45:17,120 When we weren't filming Lin, but running an audio recording, 850 00:45:17,120 --> 00:45:20,880 we asked her if she could confirm if Peter had had the rumoured affair. 851 00:45:20,880 --> 00:45:24,320 Our question reduced Lin to an uncharacteristic whisper. 852 00:45:28,000 --> 00:45:31,880 I know they met when Peter was performing in New York with Dudley. 853 00:45:31,880 --> 00:45:35,760 At one time when I went to listen to Alan Bennett at the Southbank, 854 00:45:35,760 --> 00:45:39,880 I was amazed, as probably was the rest of the audience, 855 00:45:39,880 --> 00:45:42,800 when Alan said he was sure there was something 856 00:45:42,800 --> 00:45:45,040 between Jackie Kennedy and Peter 857 00:45:45,040 --> 00:45:48,480 because he saw Jackie tenderly stroking Peter's hand 858 00:45:48,480 --> 00:45:51,320 at some event or other. 859 00:45:51,320 --> 00:45:53,760 And I remember being told that... 860 00:45:55,200 --> 00:45:59,280 ..President had wanted them to go to the White House to perform, 861 00:45:59,280 --> 00:46:02,760 but the agent and the other three were very excited and happy 862 00:46:02,760 --> 00:46:04,360 and went and told Peter that 863 00:46:04,360 --> 00:46:07,000 "President wants us to go to the White House." 864 00:46:09,200 --> 00:46:14,320 To their dismay, what Peter said was, "I'm not an effing cabaret," 865 00:46:14,320 --> 00:46:16,680 and he refused to go. 866 00:46:16,680 --> 00:46:19,080 So the President had to go to the theatre 867 00:46:19,080 --> 00:46:21,360 to see the show like everybody else. 868 00:46:23,600 --> 00:46:26,760 Apart from that, Mrs President, how did you enjoy the show? 869 00:46:31,560 --> 00:46:34,640 Throughout the decades, Peter's house was a regular drop-in 870 00:46:34,640 --> 00:46:37,200 for a wide range of celebrities, 871 00:46:37,200 --> 00:46:40,080 including the occasional Rolling Stone. 872 00:46:40,080 --> 00:46:43,120 I know he was close to the Stones, I mean, 873 00:46:43,120 --> 00:46:47,200 particularly Ronnie Wood and Keith Richards 874 00:46:47,200 --> 00:46:50,240 and I think they were very fond of him too, 875 00:46:50,240 --> 00:46:52,640 because I remember Keith telling me 876 00:46:52,640 --> 00:46:56,040 that when they were fed up or unhappy on tour, 877 00:46:56,040 --> 00:46:58,600 they would always play Derek and Clive. 878 00:46:58,600 --> 00:47:01,600 We're doing reactions now, very close. 879 00:47:01,600 --> 00:47:04,400 Lovely map of Nigeria. Isn't that good? 880 00:47:04,400 --> 00:47:07,680 Some of it's very accurate, actually. I never knew that river. 881 00:47:07,680 --> 00:47:10,080 Bizarrely, the Stones were particularly interested 882 00:47:10,080 --> 00:47:13,320 in cartography, in particular Peter's map of Nigeria, 883 00:47:13,320 --> 00:47:15,440 that's still on the wall to this day. 884 00:47:20,240 --> 00:47:23,640 Use of my freeze-frame button even reveals Ian Dury, 885 00:47:23,640 --> 00:47:25,600 who was a huge Peter Cook fan. 886 00:47:32,120 --> 00:47:34,680 Send in the next auditioner, would you? 887 00:47:34,680 --> 00:47:37,320 As this programme is called The Undiscovered Peter Cook, 888 00:47:37,320 --> 00:47:39,760 we were reluctant to show Peter's most famous sketch, 889 00:47:39,760 --> 00:47:42,680 written when he was still a student, about a one-legged man 890 00:47:42,680 --> 00:47:44,680 auditioning for Tarzan, but here it is, 891 00:47:44,680 --> 00:47:46,440 though as you've never seen it before. 892 00:47:46,440 --> 00:47:49,640 HE SPEAKS IN HUNGARIAN 893 00:47:56,880 --> 00:47:59,200 HE SPEAKS IN HUNGARIAN 894 00:47:59,200 --> 00:48:01,520 LAUGHTER 895 00:48:01,520 --> 00:48:03,760 As you can see from this tape sent to Peter 896 00:48:03,760 --> 00:48:05,800 by a producer from Hungarian television 897 00:48:05,800 --> 00:48:09,360 the actor wearing the wooden leg, seemingly taken from a table, 898 00:48:09,360 --> 00:48:11,520 has missed the entire point of the sketch. 899 00:48:11,520 --> 00:48:14,760 So, sadly, the famous line, "I've nothing against your right leg. 900 00:48:14,760 --> 00:48:18,000 "Unfortunately, neither have you," makes no sense whatsoever. 901 00:48:18,000 --> 00:48:19,840 But with typical generosity, 902 00:48:19,840 --> 00:48:21,960 Peter encouraged his Hungarian proteges 903 00:48:21,960 --> 00:48:24,400 and was personally presented with a video of the show, 904 00:48:24,400 --> 00:48:26,320 autographed by the entire cast, 905 00:48:26,320 --> 00:48:29,160 and he even took the producer out for lunch in London. 906 00:48:34,120 --> 00:48:38,520 The comedian and satirist Peter Cook has died in hospital. He was 57. 907 00:48:45,200 --> 00:48:49,760 Peter died early in the morning and when I left the hospital... 908 00:48:51,000 --> 00:48:53,080 ..the whole world seemed very strange. 909 00:48:54,160 --> 00:48:56,400 I got a cab and I came home... 910 00:48:59,000 --> 00:49:06,000 ..pulled all the blinds down at his house and went back to my own home. 911 00:49:07,760 --> 00:49:12,480 I was in such a state of shock. I probably was like a zombie. 912 00:49:14,880 --> 00:49:19,160 You know, after Peter died, I just did not know what to do, 913 00:49:19,160 --> 00:49:25,240 how to arrange a funeral or memorial services or anything. 914 00:49:26,840 --> 00:49:28,480 A few months after his death, 915 00:49:28,480 --> 00:49:30,960 Lin Cook arranged a memorial service for Peter 916 00:49:30,960 --> 00:49:32,840 at his local church in Hampstead. 917 00:49:32,840 --> 00:49:35,560 The BBC suggested a somewhat grander venue. 918 00:49:35,560 --> 00:49:38,480 I did speak to the person - I forget his name - at the BBC, 919 00:49:38,480 --> 00:49:42,720 who told me Peter could have the memorial service 920 00:49:42,720 --> 00:49:46,000 at Westminster Abbey, and I said, "No, no, no," 921 00:49:46,000 --> 00:49:48,520 because that wouldn't be Peter, 922 00:49:48,520 --> 00:49:53,040 because Hampstead was like his beloved territory. 923 00:49:54,240 --> 00:49:56,880 So it was, that on May 1, 1995, 924 00:49:56,880 --> 00:49:59,560 mostly everyone involved in British comedy at the time 925 00:49:59,560 --> 00:50:01,800 turned up to show their respects. 926 00:50:01,800 --> 00:50:04,000 And seemingly, everyone from British sport too. 927 00:50:04,000 --> 00:50:05,840 Oh, and Dave Allen. 928 00:50:08,040 --> 00:50:11,920 Lin insisted that only her stills photographer could cover the events 929 00:50:11,920 --> 00:50:14,480 from inside the church but, thankfully for us, 930 00:50:14,480 --> 00:50:18,640 the photographer failed to follow orders and so it is that we have 931 00:50:18,640 --> 00:50:22,000 a somewhat nervously shot video of the memorial. 932 00:50:22,000 --> 00:50:24,120 To my dismay and annoyance, 933 00:50:24,120 --> 00:50:28,800 they later told me that they had also made a video of the guests, 934 00:50:28,800 --> 00:50:33,760 so for years, I've kept both the recording and the video 935 00:50:33,760 --> 00:50:38,800 put away somewhere in the house and this video has never been seen ever. 936 00:50:38,800 --> 00:50:41,120 I don't think I've ever seen it myself too. 937 00:50:41,120 --> 00:50:43,920 There were moving tributes from Eleanor Bron, 938 00:50:43,920 --> 00:50:47,560 Richard Ingrams, John Cleese and, of course, Dudley. 939 00:50:48,960 --> 00:50:50,920 Dudley was, of course, a central figure 940 00:50:50,920 --> 00:50:53,480 and he told some very funny stories about Peter. 941 00:50:53,480 --> 00:50:55,960 "I met my wife during the war. 942 00:50:57,480 --> 00:51:01,360 "She blew in through the window on a piece of shrapnel and became..." 943 00:51:01,360 --> 00:51:04,280 LAUGHTER 944 00:51:08,600 --> 00:51:10,960 "..became buried in the sofa." 945 00:51:10,960 --> 00:51:13,720 LAUGHTER 946 00:51:13,720 --> 00:51:16,520 "One thing led to my mother..." 947 00:51:16,520 --> 00:51:19,520 LAUGHTER 948 00:51:20,720 --> 00:51:23,440 "..and we were married within the hour." 949 00:51:23,440 --> 00:51:26,640 LAUGHTER 950 00:51:26,640 --> 00:51:30,400 I laughed for a week when he spontaneously came out with that. 951 00:51:30,400 --> 00:51:33,680 Peter Cook was tone deaf. 952 00:51:33,680 --> 00:51:36,240 LAUGHTER 953 00:51:36,240 --> 00:51:40,440 He didn't display an overt sympathy for things musical, 954 00:51:40,440 --> 00:51:42,240 except for Elvis Presley... 955 00:51:43,960 --> 00:51:48,120 ..he might have mentioned, whom he would imitate at the drop of a hat. 956 00:51:49,560 --> 00:51:52,120 I, therefore, agonised over what to play 957 00:51:52,120 --> 00:51:55,080 until the mists were cleared by one of my confreres 958 00:51:55,080 --> 00:51:58,680 who, during a phone call, mentioned the fact that I had to call it. 959 00:51:58,680 --> 00:52:00,760 It seems as appropriate as anything, 960 00:52:00,760 --> 00:52:04,040 since the title comes from one of Peter's concepts - 961 00:52:04,040 --> 00:52:08,760 that of a blind man reading on the TV from Braille. 962 00:52:08,760 --> 00:52:11,520 LAUGHTER 963 00:52:13,360 --> 00:52:17,600 "Good evening" - one of his favourite utterances - 964 00:52:17,600 --> 00:52:20,000 "I am blond." 965 00:52:20,000 --> 00:52:22,680 LAUGHTER 966 00:52:24,880 --> 00:52:28,040 "And I'm reading to you through the miracle of broil." 967 00:52:28,040 --> 00:52:31,040 LAUGHTER 968 00:52:33,720 --> 00:52:35,960 "I'm sorry, I'll feel that again." 969 00:52:35,960 --> 00:52:38,600 LAUGHTER 970 00:52:39,840 --> 00:52:41,600 Three Blond Mice. 971 00:52:41,600 --> 00:52:44,320 Dudley didn't yet know it, but he was already in the early stages 972 00:52:44,320 --> 00:52:46,520 of the progressive supranuclear palsy 973 00:52:46,520 --> 00:52:48,360 that would eventually kill him. 974 00:52:48,360 --> 00:52:51,600 DUDLEY PLAYS PIANO 975 00:53:08,920 --> 00:53:11,640 I think this might be the last photograph 976 00:53:11,640 --> 00:53:14,560 that was ever taken of Peter and Dudley together. 977 00:53:16,840 --> 00:53:22,600 I took it. So much that's in the press is wrong. 978 00:53:22,600 --> 00:53:26,000 People make assumptions about Peter, about me, 979 00:53:26,000 --> 00:53:31,000 and Dudley too, of course, but they do not know us at all. 980 00:53:31,000 --> 00:53:35,160 And it's totally untrue that Peter didn't get on. 981 00:53:35,160 --> 00:53:37,080 They were good friends. 982 00:53:37,080 --> 00:53:39,320 They always had a special friendship, 983 00:53:39,320 --> 00:53:42,440 so they were close towards the end and they often met up. 984 00:53:42,440 --> 00:53:44,800 He was always in touch with Peter. 985 00:53:49,840 --> 00:53:54,120 Even Peter's memorial service was not free from religious controversy, 986 00:53:54,120 --> 00:53:56,120 Lin wanted a choir from Radley 987 00:53:56,120 --> 00:53:59,440 to sing Peter's favourite Elvis Presley hit, Love Me Tender, 988 00:53:59,440 --> 00:54:01,840 but the vicar was having none of it. 989 00:54:01,840 --> 00:54:03,960 I went to see the local vicar. 990 00:54:03,960 --> 00:54:07,400 After I'd found out about how a memorial service should be 991 00:54:07,400 --> 00:54:10,640 and what's what, and seen a couple of order of service, 992 00:54:10,640 --> 00:54:12,680 I then had some idea. 993 00:54:12,680 --> 00:54:16,200 So, off I went to the vicar and said, 994 00:54:16,200 --> 00:54:18,440 "I would like the Radley boys choir 995 00:54:18,440 --> 00:54:21,400 "to sing at Peter's memorial service 996 00:54:21,400 --> 00:54:24,840 "and it's an Elvis song, Love Me tender." 997 00:54:24,840 --> 00:54:28,680 Vicar said, "No, no, no, couldn't have that, 998 00:54:28,680 --> 00:54:31,480 "and it has to be the church choir." 999 00:54:31,480 --> 00:54:34,840 To which I promptly said, "Well, if I can't have that, 1000 00:54:34,840 --> 00:54:37,760 "I'll have to hold the memorial service elsewhere, 1001 00:54:37,760 --> 00:54:39,960 "because I've set my heart on that." 1002 00:54:39,960 --> 00:54:43,520 And the result? Lin Cook 1, the Church of England 0. 1003 00:54:45,640 --> 00:54:48,400 So, he then agreed. 1004 00:54:48,400 --> 00:54:52,440 # ..Belong, and we'll never... 1005 00:54:52,440 --> 00:54:55,640 And the boys sang it so beautifully. 1006 00:54:55,640 --> 00:54:58,200 # Love me tender 1007 00:54:58,200 --> 00:55:01,160 # Love me true 1008 00:55:01,160 --> 00:55:06,720 # All my dreams fulfilled...# 1009 00:55:08,680 --> 00:55:12,000 CHURCH ORGAN MUSIC 1010 00:55:15,160 --> 00:55:17,960 After the service, one of Peter's oldest friends, David Frost, 1011 00:55:17,960 --> 00:55:21,120 explained how important Lin had been to Peter's life 1012 00:55:21,120 --> 00:55:23,560 and further confirmed that there was never any enmity 1013 00:55:23,560 --> 00:55:25,120 between the two men. 1014 00:55:25,120 --> 00:55:29,560 Who are we talking for? This is for Lin. This is for Lin? Yeah. 1015 00:55:31,480 --> 00:55:35,520 Lin, that was a wonderful service you organised. 1016 00:55:37,160 --> 00:55:40,120 You were so wonderful for Peter 1017 00:55:40,120 --> 00:55:44,280 and we were celebrating today, weren't we, as well as grieving? 1018 00:55:44,280 --> 00:55:47,960 Celebrating... People talk about "His life's work" about people 1019 00:55:47,960 --> 00:55:51,920 and in Peter's case, it was his life's work and his life's play too, 1020 00:55:51,920 --> 00:55:54,440 cos of that laughter he brought to us all and... 1021 00:55:55,800 --> 00:55:57,600 He was the first time in my life 1022 00:55:57,600 --> 00:56:00,480 that I was conscious of meeting a genius. That was up at Cambridge. 1023 00:56:00,480 --> 00:56:02,360 And he stayed that way - of course he did. 1024 00:56:02,360 --> 00:56:05,880 Once you're a genius, always a genius. So original. 1025 00:56:05,880 --> 00:56:07,920 We'll miss his originality and... 1026 00:56:09,040 --> 00:56:12,000 ..you'll miss so much more, of course, 1027 00:56:12,000 --> 00:56:15,720 but join us in the celebrations as well, if you can, 1028 00:56:15,720 --> 00:56:20,240 because all the people here today love him 1029 00:56:20,240 --> 00:56:23,840 and they love you and they love what you did for him. 1030 00:56:27,320 --> 00:56:31,360 One other thing, David. A last word to Peter, you know. 1031 00:56:33,640 --> 00:56:35,680 A last thing you would say to Peter. 1032 00:56:37,280 --> 00:56:41,600 That's looking at me. What would be my last words to Peter? 1033 00:56:41,600 --> 00:56:45,680 Well, I guess, thank you for saving me from drowning. 1034 00:56:47,040 --> 00:56:50,120 Why do you say that? It's... 1035 00:56:50,120 --> 00:56:53,600 Well, it was part of the service today and it really did happen. 1036 00:56:53,600 --> 00:56:56,240 And, of course, you're grateful. 1037 00:56:56,240 --> 00:56:58,480 Grateful to him for a lot else too. 1038 00:56:58,480 --> 00:57:01,160 And Dame Edna turned up in drag. 1039 00:57:02,840 --> 00:57:06,480 Er, I've got lots of memories of Peter. 1040 00:57:06,480 --> 00:57:09,000 He was such a help to me in my early days 1041 00:57:09,000 --> 00:57:14,720 and though I saw little of him in the last years, 1042 00:57:14,720 --> 00:57:17,800 we always met as old friends. 1043 00:57:17,800 --> 00:57:21,400 And, um, his... 1044 00:57:21,400 --> 00:57:24,640 It's quite impossible for me to think of him as dead 1045 00:57:24,640 --> 00:57:27,880 because he's a perpetual spirit. 1046 00:57:34,520 --> 00:57:36,360 # Now's the time to say goodbye 1047 00:57:40,680 --> 00:57:43,080 # Now's the time to yield a sigh 1048 00:57:45,120 --> 00:57:47,960 # Now's the time to wend our wa-a-a-y 1049 00:57:49,360 --> 00:57:51,320 # Until we meet again 1050 00:57:53,640 --> 00:57:56,080 # Some sunny day 1051 00:58:00,480 --> 00:58:03,120 # Goodbye, goodbye... # 1052 00:58:03,120 --> 00:58:05,520 I do not think anyone can understand 1053 00:58:05,520 --> 00:58:08,480 what made Peter the comedy genius that he was. 1054 00:58:09,720 --> 00:58:13,520 For me, he was someone special, who I got to understand and love. 1055 00:58:13,520 --> 00:58:17,000 He turned my life upside down when he came into it... 1056 00:58:19,160 --> 00:58:20,960 ..shattered it when he left. 1057 00:58:23,920 --> 00:58:28,400 I still miss his energy, his warmth, his company and his love. 1058 00:58:28,400 --> 00:58:30,760 # We're leaving you with goodbye 1059 00:58:30,760 --> 00:58:33,200 # Goodbye 1060 00:58:33,200 --> 00:58:38,400 # We wish you all goodbye. #