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WWW.MY-SUBS.CO

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<i>( theme music playing )</i>

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YOU ARE PROBABLY WONDERING
WHAT I AM DOING

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IN THE LARDER OF MY CAFE,
SITTING NEXT TO THE BRIE.

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WELL, I WILL TELL YOU.

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I AM VERY FOND OF BRIE.

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ALSO MY WIFE EDITH
IS A VERY JEALOUS WOMAN.

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AND THIS IS THE ONLY PLACE
I CAN MEET MARIA.

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NOW, MARIA... WELL,
MARIA IS IN LOVE WITH ME.

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SO WHENEVER I CAN,
I MEET HER HERE

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FOR A SHORT CUDDLE

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AND A LITTLE NIBBLE
AT THE BRIE.

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AH!  MARIA,
MY LITTLE CABBAGE.

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OH, RENE,
MY SPRING ONION.

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HAVE YOU BROUGHT
THE MILKING STOOL?

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HERE.

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THEN STAND ON IT.

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OHH!

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RENE...

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YOU HAVE STARTED
WITHOUT ME.

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HOW DO YOU KNOW?

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BECAUSE THERE'S BRIE
ON YOUR MOUSTACHE.

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OH.

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- RENE?
- HMM?

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WILL WE GET MARRIED
WHEN THE WAR IS OVER?

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WHILE THE BELLS
OF VICTORY

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ARE STILL
SOUNDING.

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OH, RENE,
YOU ARE SO ROMANTIC.

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I KNOW, I KNOW.

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ARE YOU SURE NOBODY
KNOWS WE ARE HERE?

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NOBODY!

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- PSST!  RENE.
- OH!

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DO NOT WORRY,

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IT IS MICHELLE
OF THE RESISTANCE.

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SHE WILL
REPEAT NOTHING.

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LISTEN VERY
CAREFULLY,

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I SHALL SAY
THIS ONLY ONCE.

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YOUR NEW RADIO
TRANSMITTER

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IS BEING DELIVERED
TO THE CAFE TODAY.

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IT WILL BE CARRIED
BY MONSIEUR LECLERC,

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DISGUISED
AS A CHEESE SALESMAN.

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HE WILL BE THE BEARER
OF A SUITCASE CONTAINING CHEESE.

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HOW WILL HE CARRY
THE RADIO?

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HE HAS A FALSE BOTTOM.

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WHY THEN DOES HE NEED
THE SUITCASE?

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THE FALSE BOTTOM
IS IN THE SUITCASE.

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THE CHEESE IS IN THE TOP.

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THE RADIO TRANSMITTER
IS IN THE SECRET COMPARTMENT.

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WHAT DO I DO WITH IT?

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HIDE IT UNDER THE BED
OF YOUR WIFE'S MOTHER.

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IF I PUT THE CHEESE UNDER
THE BED OF MY WIFE'S MOTHER,

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SHE WILL END UP FIGHTING
THE MICE FOR IT.

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THEN PUT IT IN HERE.

53
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BUT I'VE ALREADY
ORDERED MY CHEESE--

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IT'S FOR THE WEEK!
I WILL BE OVERSTOCKED.

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THEN MAKE CHEESE OMELETS
OR CHEESE SOUFFLES.

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HAVE A FONDUE PARTY.

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IT IS FAR TOO LATE
TO TURN MONSIEUR LECLERC

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INTO A BRUSH SALESMAN.

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- SHE HAS GONE.
- YES.

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THE RESISTANCE,
THEY MAKE THESE PLANS

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BUT THEY DO NOT
THINK THEM THROUGH.

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<i>Edith:
MARIA!</i>

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IT IS MY WIFE.
OUR TIME IS UP.

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CAN YOU COME BACK
TOMORROW?

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OF COURSE.

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OH, DO NOT FORGET
THE MILKING STOOL.

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OF COURSE NOT.

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OH!  THAT GIRL!

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ALWAYS SHE IS MISSING.

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- RENE?
- HMM?

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YOU MUST SPEAK
TO THAT GIRL, MARIA.

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ALWAYS SHE IS
TAKING OFF THE TIME.

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SHE SHOULD NOT HAVE IT OFF
WITHOUT YOUR PERMISSION.

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SHE DOESN'T.

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RENE,

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YOU'RE WANTED
IN THE BACK ROOM.

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EDITH,
WIPE THE BAR DOWN.

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SET AN EXAMPLE
TO THE STAFF, EH?

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'ALLO?

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IS ANYONE HIDING?

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DOES SOMEBODY
WANT ME?

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YES, I DO!

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YVETTE,
MY LITTLE CABBAGE.

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RENE,
MY BIG SPROUT.

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PARSNIP.

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CARROT.

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- BROCCOLI.
- CURLY KALE.

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OOH!
OOH!

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WHEN WE ARE TOO OLD
TO MAKE LOVE,

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WE WILL MAKE
WONDERFUL SOUP.

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RENE, YOU WILL MARRY ME
AFTER THE WAR IS OVER?

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WHILE THE BELLS
OF VICTORY

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ARE STILL
SOUNDING.

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OH, RENE, YOU HAVE
A SMALL PIECE OF BRIE
ON YOUR MOUSTACHE.

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THAT IS BECAUSE
I JUST HAD

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A LITTLE BIT
IN THE LARDER.

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RENE!

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WHAT ARE YOU DOING
WITH YOUR ARMS AROUND YVETTE?

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YOU STUPID WOMAN!

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THERE IS ONLY ONE THING
I POSSIBLY COULD BE DOING

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WITH MY ARMS
AROUND YVETTE.

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I AM TEACHING HER
SELF-DEFENSE.

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THOSE GERMANS
IN THERE,

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THEY GET DRUNK,
AND THEY JUMP
ON THESE GIRLS.

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I WAS-- I WAS TRYING
TO TEACH HER

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HOW TO FIGHT
THEM OFF.

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NOW, YVETTE,
I AM A DRUNKEN GERMAN.

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YOU SHOW MY WIFE
WHAT YOU WOULD DO TO ME.

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ARE YOU SURE?

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YES, GO ON.
GO ON.

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OH-HH!

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THAT IS VERY GOOD!

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SHOW ME AGAIN.

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HYAH--

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LATER, LATER!

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BUT A DRUNKEN GERMAN
MAY ATTACK ME.

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WE WOULD STOP SERVING HIM

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BEFORE HE WAS
THAT FAR GONE.

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OH, DEAR RENE,

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ALWAYS HE HAS ME
IN HIS MIND.

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I KNOW THIS TO BE TRUE.

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THE COLONEL IS
IN THE CAFE.

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HE WISHES TO HAVE
A WORD WITH YOU.

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IN A LITTLE WHILE.

125
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MY HERNIA IS GIVING ME GYP.

126
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I DIDN'T KNOW
YOU HAD AN HERNIA.

127
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UP TILL NOW, I DIDN'T.

128
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THIS NEW CHAP WHO
IS RUNNING THE BAR--

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- RENE'S TWIN BROTHER.
- FROM NANCY.

130
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THEY ARE
ASTONISHINGLY SIMILAR.

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THAT IS TWINS ALL OVER.

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IF ANYTHING, THE NEW ONE
IS EVEN MORE CHARMING

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THAN HIS BROTHER.

134
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THE ONE THAT YOU SHOT.

135
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YES.

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I DON'T THINK HE
BEARS YOU A GRUDGE.

137
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QUITE THE REVERSE!

138
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HE APPEARS TO BE
VERY WARM AND FRIENDLY.

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HE IS EVEN ORDERING FOR ME
MY FAVORITE CIGARS.

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GOOD DAY,
GENTLEMEN, HELGA.

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YOU WISH TO SEE ME,
COLONEL?

142
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UH, YES,
A WORD IN PRIVATE.

143
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LIEUTENANT GRUBER, LEAVE US
ALONE FOR A SHORT WHILE.

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<i>RENE AND I HAVE
A SMALL MATTER TO DISCUSS.</i>

145
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OF COURSE.

146
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SIT DOWN, RENE.

147
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YES, COLONEL.

148
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NOW...

149
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TOMORROW
AT MIDDAY,

150
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HERR FLICK
OF THE GESTAPO

151
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WILL PUT THE PAINTING
OF THE FALLEN MADONNA
WITH THE BIG BOOBIES

152
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ON THE TRAIN
TO BERLIN.

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HERR HITLER
HAS TOLD HIMMLER

154
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TO PICK IT UP
HIMSELF.

155
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HE IS GOING TO GIVE IT
TO EVA FOR HER BIRTHDAY.

156
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I MUST GET THE FORGERY
OUT OF YOUR CELLAR

157
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AND PUT IT
IN ITS PLACE.

158
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BUT I HAVE ONLY
JUST BRICKED IT UP!

159
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OH, WELL, 10 MINUTES
WITH A PICKAX

160
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AND IT IS
YOURS AGAIN.

161
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ALSO,
YOUR NEW UNIFORMS
ARE IN MY WARDROBE.

162
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LEAVE THEM THERE.

163
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THEY WILL COME IN
USEFUL LATER.

164
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NOW, I WILL TELL YOU
WHAT WE DO.

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TONIGHT,
ON MY ORDERS,

166
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YOU WILL
CLOSE YOUR CAFE.

167
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FOR MY PRIVATE PARTY

168
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TO CELEBRATE
THE ANNIVERSARY

169
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OF THE BURNING DOWN
OF THE REICHSTAG.

170
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EVERY YEAR
WE HAVE A BIG BINGE.

171
00:06:51,304 --> 00:06:54,539
I SEE, AND WHAT HAPPENS
AT THIS "BIG BINGE"?

172
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WE DRINK
A LOT OF BEER.

173
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THE GIRLS PUT ON
CLOTHES LIKE...

174
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HITLER YOUTH,
AND THEN WE ALL DO

175
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TRADITIONAL OLD
BAVARIAN DANCING.

176
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THE GIRLS HAVE BARE KNEES.

177
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THIS SOUNDS LIKE
A LOT OF FUN.

178
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IT IS.

179
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HOW DOES IT
HELP US GET BACK

180
00:07:13,727 --> 00:07:15,326
THE PAINTING
OF THE MADONNA
WITH THE--

181
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WHILE HERR FLICK
IS ENJOYING HIMSELF,

182
00:07:17,697 --> 00:07:20,030
THE PAINTINGS
WILL BE...

183
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SWITCHED.

184
00:07:21,067 --> 00:07:22,600
BUT HOW CAN YOU BE
SURE HERR FLICK

185
00:07:22,602 --> 00:07:24,469
WILL ACCEPT
YOUR INVITATION?

186
00:07:24,471 --> 00:07:26,971
THAT IS WHERE BRAINS
COME IN.

187
00:07:26,973 --> 00:07:29,006
<i>THAT IS WHY HE
IS A COLONEL.</i>

188
00:07:29,008 --> 00:07:32,710
HELGA WILL GIVE HIM
INFORMATION ABOUT THE PARTY...

189
00:07:32,712 --> 00:07:34,979
AND TELL HIM
HE'S NOT INVITED.

190
00:07:34,981 --> 00:07:36,848
I ONLY HAVE TO HINT,
AND HE WILL...

191
00:07:36,850 --> 00:07:38,783
<i>DRAG IT OUT OF ME.</i>

192
00:07:38,785 --> 00:07:41,486
<i>Colonel:
THIS WILL AROUSE
HIS SUSPICION.</i>

193
00:07:41,488 --> 00:07:44,188
THIS WILL AROUSE
HIS SUSPICION,

194
00:07:44,190 --> 00:07:46,323
AND HE WILL NOT
BE ABLE TO STAY AWAY.

195
00:07:46,325 --> 00:07:49,761
AH, I HAVE
JUST ONE QUESTION
THEN, COLONEL.

196
00:07:49,763 --> 00:07:52,263
- WHO IS PAYING
FOR THIS PARTY?
- WE ARE.

197
00:07:52,265 --> 00:07:55,500
IT IS COMING OUT
OF THE ARMORED CAR REPAIR FUND.

198
00:07:57,002 --> 00:07:58,803
BUT COLONEL,
FOR BARE KNEES,

199
00:07:58,805 --> 00:08:00,304
MY GIRLS
CHARGE EXTRA.

200
00:08:00,306 --> 00:08:02,339
IT WILL BE WORTH IT.
HEH, HEH!

201
00:08:02,341 --> 00:08:04,008
TO GET BACK
THE PAINTING.

202
00:08:04,010 --> 00:08:06,711
IN THAT CASE,
MY GIRLS WILL COOPERATE

203
00:08:06,713 --> 00:08:09,013
AND YOU SHALL HAVE
MY VERY BEST ATTENTION.

204
00:08:09,015 --> 00:08:11,148
UH, YOU WILL NOT BE HERE.

205
00:08:11,150 --> 00:08:13,350
NO, UNDER COVER
OF THE PARTY,

206
00:08:13,352 --> 00:08:15,252
YOU WILL BE
AT HERR FLICK'S HEADQUARTERS

207
00:08:15,254 --> 00:08:16,821
SWITCHING THE PAINTINGS.

208
00:08:16,823 --> 00:08:19,457
COLONEL, THAT SOUNDS
A LITTLE BIT RISKY--

209
00:08:19,459 --> 00:08:22,693
THE WAY WE WILL ARRANGE IT,
THERE WILL BE NO RISK AT ALL.

210
00:08:22,695 --> 00:08:25,262
THAT BEING THE CASE,
WHY DO YOU NOT DO IT
YOURSELVES?

211
00:08:25,264 --> 00:08:26,864
WE HAVE TO GIVE THE PARTY.

212
00:08:26,866 --> 00:08:28,065
WELL, I COULD
GIVE THE PARTY.

213
00:08:28,067 --> 00:08:29,434
AH, BUT YOU DON'T KNOW

214
00:08:29,436 --> 00:08:31,569
OLD TRADITIONAL
BAVARIAN DANCING.

215
00:08:31,571 --> 00:08:33,270
I COULD LEARN.
I'M VERY QUICK.

216
00:08:33,272 --> 00:08:34,539
YOU THINK SO?

217
00:08:34,541 --> 00:08:36,140
SHOW HIM!

218
00:08:36,142 --> 00:08:37,542
OH.

219
00:08:37,544 --> 00:08:39,009
ONE, TWO, THREE.

220
00:08:53,859 --> 00:08:56,427
WELL, I SUPPOSE
IT COULD TAKE TIME.

221
00:08:57,529 --> 00:08:59,564
HELGA, GO AT ONCE
TO HERR FLICK

222
00:08:59,566 --> 00:09:02,166
AND LET HIM WRRR-RING
THE INFORMATION OUT OF YOU.

223
00:09:02,168 --> 00:09:03,200
YES, COLONEL.

224
00:09:07,606 --> 00:09:09,474
( bell jingling )

225
00:09:09,476 --> 00:09:11,275
CHEEE-SES!

226
00:09:11,277 --> 00:09:12,510
CHEESES.

227
00:09:12,512 --> 00:09:15,379
AH, I SEE A TYPICAL
CHEESE SALESMAN

228
00:09:15,381 --> 00:09:17,748
ENTERING MY CAFE.

229
00:09:17,750 --> 00:09:19,851
EXCUSE ME.

230
00:09:19,853 --> 00:09:20,918
THANK YOU, YES.

231
00:09:20,920 --> 00:09:22,386
BRIE AND CHEESES,
WHO WILL BUY--

232
00:09:22,388 --> 00:09:23,588
- SHUT UP.
- --MY CHEESES?

233
00:09:23,590 --> 00:09:25,556
( shouting )
SHUT UP!

234
00:09:25,558 --> 00:09:29,293
HA HA, THANK YOU,
CHEESE SELLER.

235
00:09:29,295 --> 00:09:32,129
I AM PREPARED TO PURCHASE
ALL YOUR WARES.

236
00:09:34,299 --> 00:09:36,333
HOW VERY FORTUNATE.

237
00:09:36,335 --> 00:09:37,468
YES.

238
00:09:37,470 --> 00:09:40,905
NEVER BEFORE HAVE I HAD
SUCH A GOOD DAY

239
00:09:40,907 --> 00:09:42,373
FOR SELLING
THE CHEESES.

240
00:09:42,375 --> 00:09:43,641
GOOD, GOOD.

241
00:09:43,643 --> 00:09:46,611
THAT MEANS
YOU CAN GO HOME
WITHOUT DELAY.

242
00:09:48,780 --> 00:09:51,081
IT IS I, LECLERC.

243
00:09:51,083 --> 00:09:52,683
WELL, I NEVER.

244
00:09:55,253 --> 00:09:57,922
THE RADIO IS
ALREADY CONNECTED.

245
00:09:57,924 --> 00:10:00,324
AND THE SPARE BATTERY

246
00:10:00,326 --> 00:10:03,160
IS IN THE DUTCH EDAM
WITH THE KNOBS ON.

247
00:10:10,736 --> 00:10:13,871
THE FACE OF THAT CHEESE SELLER
SEEMS STRANGELY FAMILIAR.

248
00:10:13,873 --> 00:10:16,574
AH, YEAH, W--
YEAH, WELL--

249
00:10:16,576 --> 00:10:18,876
IT IS
A VERY SMALL VILLAGE,

250
00:10:18,878 --> 00:10:21,746
AND WE DO A LOT
OF INTERBREEDING.

251
00:10:21,748 --> 00:10:24,248
I BELIEVE YOU HAVE
A LUXURY FOR ME.

252
00:10:24,250 --> 00:10:25,650
HUH?  OH, YES!

253
00:10:25,652 --> 00:10:28,019
A LITTLE PACKET
OF YOUR FAVORITE CIGARS.

254
00:10:28,021 --> 00:10:30,154
YES, I PUT--
EXCUSE ME.

255
00:10:30,156 --> 00:10:33,323
SO MUCH TROUBLE.
IT IS MOST TOUCHING.

256
00:10:33,325 --> 00:10:34,358
THANK YOU.

257
00:10:34,360 --> 00:10:35,593
( radio whistling )

258
00:10:38,463 --> 00:10:40,698
( whistling )

259
00:10:43,334 --> 00:10:46,437
I-- I DO NOT KNOW
THIS TUNE.

260
00:10:46,439 --> 00:10:47,605
( kicks )

261
00:10:47,607 --> 00:10:49,106
( radio noise stops )

262
00:10:49,108 --> 00:10:51,742
I DO NOT KNOW IT
ALL THAT WELL MYSELF.

263
00:10:52,945 --> 00:10:54,645
CHEERS.

264
00:10:54,647 --> 00:10:55,713
<i>( flatulent sound )</i>

265
00:11:01,787 --> 00:11:03,187
I BEG YOUR PARDON.

266
00:11:07,192 --> 00:11:10,527
<i>Radio:
Pierre is enjoying
his new bicycle.</i>

267
00:11:10,529 --> 00:11:11,796
( kicks )

268
00:11:13,465 --> 00:11:15,499
I AM GLAD TO HEAR THIS.

269
00:11:15,501 --> 00:11:18,035
WHO IS PIERRE?

270
00:11:18,037 --> 00:11:21,171
OH, HE'S-- HE'S JUST
A YOUNG LAD IN THE VILLAGE.

271
00:11:21,173 --> 00:11:22,740
DID YOU GIVE HIM
THE BICYCLE?

272
00:11:22,742 --> 00:11:24,174
NO!  NO!

273
00:11:24,176 --> 00:11:26,978
THEN WHY ARE YOU TELLING ME
HE IS ENJOYING IT?

274
00:11:26,980 --> 00:11:30,815
WELL... THERE IS SO LITTLE
TO ENJOY THESE DAYS,

275
00:11:30,817 --> 00:11:33,183
I WAS JUST MAKING
CONVERSATION.

276
00:11:35,621 --> 00:11:39,023
<i>Radio:
Phillip and Jean
are going for a swim.</i>

277
00:11:39,025 --> 00:11:40,024
SHUT UP.

278
00:11:42,193 --> 00:11:43,961
AH, INDEED.

279
00:11:43,963 --> 00:11:46,731
ARE THEY FRIENDS
OF PIERRE?

280
00:11:48,299 --> 00:11:49,900
WELL, I--
I EXPECT SO.

281
00:11:49,902 --> 00:11:51,802
IT'S A VERY
SMALL PLACE,

282
00:11:51,804 --> 00:11:54,505
AND THERE IS
ONLY ONE RIVER.

283
00:11:54,507 --> 00:11:57,207
<i>Radio:
Eloise is
expecting a visit</i>

284
00:11:57,209 --> 00:11:59,143
<i>from the stork.</i>

285
00:12:01,212 --> 00:12:02,647
OH, DEAR.

286
00:12:02,649 --> 00:12:04,649
WHO-- WHO IS RESPONSIBLE?

287
00:12:04,651 --> 00:12:07,584
I EXPECT
IT IS PIERRE.

288
00:12:07,586 --> 00:12:10,420
HE HAS
THE BICYCLE.

289
00:12:12,524 --> 00:12:14,525
<i>Radio:
Listen carefully.</i>

290
00:12:14,527 --> 00:12:17,628
<i>I will meet you
behind the woodshed</i>

291
00:12:17,630 --> 00:12:19,830
<i>at 1:00.</i>

292
00:12:34,212 --> 00:12:35,680
SEE YOU LATER THEN.

293
00:12:42,320 --> 00:12:44,021
YOU SON-OF-A--!

294
00:12:45,290 --> 00:12:47,324
VERY WELL, HERR FLICK,
I WILL TELL YOU.

295
00:12:47,326 --> 00:12:48,726
I CAN HOLD OUT
NO LONGER

296
00:12:48,728 --> 00:12:50,928
UNDER THE GAZE
OF YOUR PENETRATING EYES.

297
00:12:50,930 --> 00:12:53,997
THE COLONEL AND THE CAPTAIN
ARE HOLDING A PARTY

298
00:12:53,999 --> 00:12:56,500
TO CELEBRATE THE BURNING DOWN
OF THE REICHSTAG.

299
00:12:56,502 --> 00:12:58,502
AH, THE BIG BINGE.

300
00:13:00,305 --> 00:13:02,339
WILL THE GIRLS BE DRESSED
AS HITLER YOUTH?

301
00:13:02,341 --> 00:13:03,373
YES, HERR FLICK.

302
00:13:03,375 --> 00:13:04,842
WITH THE BARE KNEES?

303
00:13:04,844 --> 00:13:06,276
YOU ARE CORRECT,

304
00:13:06,278 --> 00:13:07,678
IN EVERY DETAIL.

305
00:13:08,947 --> 00:13:10,748
I WILL ATTEND,
UNINVITED.

306
00:13:10,750 --> 00:13:14,351
THERE IS NOWHERE
THE GESTAPO CANNOT GO.

307
00:13:14,353 --> 00:13:16,821
YOU DON'T HAVE
TO TELL ME THIS, HERR FLICK.

308
00:13:20,158 --> 00:13:21,592
YOU WILL ALSO ATTEND.

309
00:13:21,594 --> 00:13:22,760
YES, HERR FLICK.

310
00:13:22,762 --> 00:13:24,027
WITH THE BARE KNEES?

311
00:13:24,029 --> 00:13:26,630
UNLESS YOU WISH
TO INSULT THE FUHRER.

312
00:13:26,632 --> 00:13:27,865
YES, HERR FLICK.

313
00:13:29,901 --> 00:13:33,504
ALL THE TIME
I AM SEEING YOUR EYES
BEING DRAWN TO THAT PAINTING.

314
00:13:33,506 --> 00:13:35,639
I AM CAPTIVATED BY IT.

315
00:13:35,641 --> 00:13:37,842
EXAMINE IT
MORE CLOSELY.

316
00:13:37,844 --> 00:13:39,677
YES, HERR FLICK.

317
00:13:43,281 --> 00:13:45,883
DO YOU WISH ME TO EXAMINE
ANYTHING IN PARTICULAR?

318
00:13:47,318 --> 00:13:49,687
DOES EVERYTHING LOOK...
GENUINE TO YOU?

319
00:13:49,689 --> 00:13:51,589
VERY.

320
00:13:51,591 --> 00:13:53,190
I WILL LET YOU
INTO A SECRET.

321
00:13:53,192 --> 00:13:55,693
IT IS A FORGERY.

322
00:13:55,695 --> 00:13:57,995
NO, HERR FLICK,
THAT'S THE REAL ONE.

323
00:14:00,499 --> 00:14:02,032
I'M GLAD
YOU'RE DECEIVED.

324
00:14:02,034 --> 00:14:03,801
THE REAL ONE
IS ROLLED UP

325
00:14:03,803 --> 00:14:05,536
IN MY HIGH
GESTAPO BOOTS.

326
00:14:05,538 --> 00:14:07,938
THIS IS A FORGERY
I HAD MADE

327
00:14:07,940 --> 00:14:09,239
SOME WEEKS AGO.

328
00:14:09,241 --> 00:14:10,941
BUT, HERR FLICK, WHY?!

329
00:14:10,943 --> 00:14:12,943
THE FORGERY WILL
GO TO BERLIN.

330
00:14:12,945 --> 00:14:16,246
THE REAL ONE
I WILL SELL AFTER
THE WAR.

331
00:14:16,248 --> 00:14:18,015
WHY ARE YOU
TELLING ME THIS?

332
00:14:21,553 --> 00:14:23,286
BECAUSE YOU
WILL MARRY ME.

333
00:14:23,288 --> 00:14:25,523
HERR FLICK...

334
00:14:25,525 --> 00:14:27,124
I DON'T KNOW WHAT TO SAY.

335
00:14:27,126 --> 00:14:28,458
YOU DO NOT SAY
ANYTHING

336
00:14:28,460 --> 00:14:30,193
UNTIL I
ACTUALLY ASK YOU!

337
00:14:30,195 --> 00:14:32,095
YES, HERR FLICK.

338
00:14:32,097 --> 00:14:34,398
OH, MY GOODNESS,
LOOK AT THE TIME!

339
00:14:34,400 --> 00:14:37,134
<i>I MUST RETURN
TO MY DUTIES.</i>

340
00:14:40,505 --> 00:14:42,439
TODAY IS YOUR HALF DAY.

341
00:14:42,441 --> 00:14:44,441
I AM VERY
CONSCIENTIOUS.

342
00:14:44,443 --> 00:14:46,510
I HAVE MUCH
PAPERWORK TO DO.

343
00:14:46,512 --> 00:14:48,245
YOU WILL DO IT TOMORROW.

344
00:14:48,247 --> 00:14:50,714
<i>TODAY I HAVE OTHER PLANS.</i>

345
00:14:50,716 --> 00:14:54,251
I HAVE ORDERED AN OPEN STAFF CAR
AND TWO MOTORCYCLE ESCORTS.

346
00:14:54,253 --> 00:14:55,986
TOGETHER...

347
00:14:55,988 --> 00:14:57,922
WE WILL DRIVE
AROUND THE COUNTRYSIDE

348
00:14:57,924 --> 00:15:01,258
SCARING THE PANTS
OFF THE FRENCH PEASANTS.

349
00:15:03,194 --> 00:15:04,828
WHAT FUN!

350
00:15:06,898 --> 00:15:08,999
EDITH!

351
00:15:09,001 --> 00:15:11,802
YVETTE, MARIA...

352
00:15:11,804 --> 00:15:15,338
AN OLD WOMAN LIES HERE

353
00:15:15,340 --> 00:15:20,077
GOING WEAK FOR LACK
OF NOURISHMENT.

354
00:15:20,079 --> 00:15:21,979
HOW MUCH LONGER

355
00:15:21,981 --> 00:15:23,847
CAN I LIVE LIKE THIS?

356
00:15:23,849 --> 00:15:26,383
OH, MAMMA,
DO NOT FRET YOURSELF.

357
00:15:26,385 --> 00:15:28,619
WE ARE JUST WARMING UP
YOUR ONION SOUP.

358
00:15:28,621 --> 00:15:30,153
ONION SOUP!

359
00:15:31,155 --> 00:15:33,757
ALSO, WE HAVE FOR YOU,
A VISITOR.

360
00:15:33,759 --> 00:15:37,294
SOON IT WILL BE THE ANGELS

361
00:15:37,296 --> 00:15:40,598
THAT ARE CALLING FOR ME.

362
00:15:44,836 --> 00:15:47,537
OH MY GOD.  I AM WORSE
THAN I THOUGHT.

363
00:15:47,539 --> 00:15:50,641
I MUST CONFESS.

364
00:15:53,211 --> 00:15:55,378
I HAVE CHEATED.
I HAVE LIED.

365
00:15:55,380 --> 00:15:58,882
I HAVE STOLEN,
AND I HAVE HAD MANY LOVERS,

366
00:15:58,884 --> 00:16:01,318
INCLUDING,
IN ALPHABETICAL ORDER--

367
00:16:01,320 --> 00:16:03,386
MAMMA!

368
00:16:03,388 --> 00:16:05,122
THIS IS NOT A NUN.

369
00:16:05,124 --> 00:16:07,691
THIS IS MICHELLE
OF THE RESISTANCE.

370
00:16:07,693 --> 00:16:09,226
OH, OH...

371
00:16:09,228 --> 00:16:11,028
TAKE NO NOTICE OF ME.

372
00:16:11,030 --> 00:16:12,062
I AM...

373
00:16:12,064 --> 00:16:13,797
DELIRIOUS.

374
00:16:15,299 --> 00:16:17,034
WHERE ARE
THE BRITISH AIRMEN?

375
00:16:17,036 --> 00:16:18,602
THEY ARE HIDDEN

376
00:16:18,604 --> 00:16:20,504
WHERE NO ONE
CAN FIND THEM.

377
00:16:22,140 --> 00:16:23,841
Both:
HELLO!

378
00:16:25,276 --> 00:16:28,311
HELLO, CHAPS. NOW,
LISTEN VERY CAREFULLY.

379
00:16:28,313 --> 00:16:31,615
EDITH, WHY IS MY BEDROOM

380
00:16:31,617 --> 00:16:33,216
SO FULL OF MIDGETS?

381
00:16:35,186 --> 00:16:37,821
QUIET, MAMMA.

382
00:16:37,823 --> 00:16:40,791
NOW, LISTEN CHAPS, WE'VE
HAD A CHIN-WAG WITH LONDON

383
00:16:40,793 --> 00:16:42,860
AND THEY'VE OKAYED
A BOAT FOR YOU.

384
00:16:42,862 --> 00:16:44,028
OH, GOOD SHOW!

385
00:16:44,030 --> 00:16:45,395
WHEN DO WE LEAVE?

386
00:16:45,397 --> 00:16:48,598
AS SOON AS THAT BLOKE, LECLERC,
HAS FORGED THE PAPERS.

387
00:16:48,600 --> 00:16:50,134
WHERE IS
THE FORGER?

388
00:16:50,136 --> 00:16:53,170
HE IS AT HAND,
CLOSE IN THE CLOSET.

389
00:16:56,541 --> 00:17:00,343
WHAT IS THE STATE
OF THE FORGED PAPERS
FOR THE BRITISH AIRMEN?

390
00:17:00,345 --> 00:17:02,012
HUH?  AH.

391
00:17:02,014 --> 00:17:03,047
I HAVE FINISHED.

392
00:17:03,049 --> 00:17:05,348
EVERYTHING
IS READY.

393
00:17:05,350 --> 00:17:06,383
GOOD.

394
00:17:06,385 --> 00:17:07,651
IS THERE
ANYTHING ELSE?

395
00:17:07,653 --> 00:17:08,819
NOT AT THE MOMENT.

396
00:17:08,821 --> 00:17:10,054
GOOD.

397
00:17:13,391 --> 00:17:15,225
WE'LL PROBABLY
HAVE YOU AWAY TONIGHT.

398
00:17:15,227 --> 00:17:17,394
- RIGHTY-O, TOODLE-OO.
- SMASHING, TOODLE-OO.

399
00:17:19,898 --> 00:17:24,234
Gruber:
♪ I CAN'T HELP IT ♪

400
00:17:24,236 --> 00:17:27,070
♪ LOVE'S ALWAYS
BEEN MY GAME ♪

401
00:17:27,072 --> 00:17:29,773
♪ PLAY IT HOW I MAY ♪

402
00:17:29,775 --> 00:17:32,108
♪ I WAS MADE THAT WAY ♪

403
00:17:32,110 --> 00:17:34,545
♪ I CAN'T HELP IT ♪

404
00:17:36,147 --> 00:17:38,181
♪ MEN CLUSTER TO ME ♪

405
00:17:38,183 --> 00:17:40,551
♪ LIKE MOTHS
AROUND A FLAME ♪

406
00:17:41,953 --> 00:17:43,754
<i>♪ AND IF THEY BURN ♪</i>

407
00:17:43,756 --> 00:17:47,123
<i>♪ I KNOW I'M NOT TO BLAME ♪</i>

408
00:17:47,125 --> 00:17:49,660
LIEUTENANT GRUBER...

409
00:17:49,662 --> 00:17:50,994
HE IS VERY HANDSOME.

410
00:17:55,633 --> 00:17:57,100
NOT YOU TOO?

411
00:18:00,805 --> 00:18:02,873
I SHALL BE A LOT HAPPIER

412
00:18:02,875 --> 00:18:04,742
WHEN HELGA
AND HERR FLICK ARE HERE.

413
00:18:04,744 --> 00:18:07,277
OTHERWISE, RENE
CAN FIND HIMSELF

414
00:18:07,279 --> 00:18:08,812
IN QUITE A LOT
OF TROUBLE.

415
00:18:08,814 --> 00:18:11,749
NEVER MIND, HANS.
WE HAVE A ALIBI.

416
00:18:11,751 --> 00:18:14,017
WE ARE HERE!

417
00:18:15,887 --> 00:18:18,121
FANNY...

418
00:18:18,123 --> 00:18:20,691
I BROUGHT YOU
ONION SOUP.

419
00:18:20,693 --> 00:18:22,225
OH, NO, NO, NO.

420
00:18:22,227 --> 00:18:23,894
WHAT AR-- YOU--
WAIT--

421
00:18:23,896 --> 00:18:25,362
WHAT ARE YOU DOING?

422
00:18:25,364 --> 00:18:27,798
EDITH AND RENE
ARE AWAY

423
00:18:27,800 --> 00:18:29,400
ON A SECRET MISSION,

424
00:18:29,402 --> 00:18:31,468
AND THEY MAY NEVER RETURN.

425
00:18:31,470 --> 00:18:36,006
I AM OBEYING
MY DAUGHTER'S LAST REQUEST.

426
00:18:36,008 --> 00:18:38,108
OH, WHAT IS IT?

427
00:18:38,110 --> 00:18:40,243
KEEP AN EYE
ON THE TILL.

428
00:18:40,245 --> 00:18:44,347
I COULD KEEP
THE EYE ON THE TILL.

429
00:18:44,349 --> 00:18:48,752
YES, YOU WILL ALSO HAVE
YOUR HAND IN THE TILL.

430
00:18:49,987 --> 00:18:53,189
♪ WHAT AM I TO DO? ♪

431
00:18:53,191 --> 00:18:58,094
♪ I CAN'T HELP IT. ♪

432
00:18:58,096 --> 00:18:59,329
BRAVO!

433
00:18:59,331 --> 00:19:01,164
( applause )

434
00:19:05,002 --> 00:19:07,037
AND NOW, FELLOW OFFICERS

435
00:19:07,039 --> 00:19:09,606
OF THE VICTORIOUS
GERMAN ARMY,

436
00:19:09,608 --> 00:19:13,343
IN ACCORDANCE WITH OUR
ANCIENT BAVARIAN TRADITION,

437
00:19:13,345 --> 00:19:15,979
I GIVE YOU
FOR YOUR ENTERTAINMENT,

438
00:19:15,981 --> 00:19:17,414
GUNILLA...

439
00:19:17,416 --> 00:19:20,250
<i>ERICA... HILDA...</i>

440
00:19:20,252 --> 00:19:23,987
<i>INGA... YVETTE AND MARIA,</i>

441
00:19:23,989 --> 00:19:25,756
THE HITLER YOUTH!

442
00:19:25,758 --> 00:19:27,357
HURRAY!

443
00:19:27,359 --> 00:19:31,294
<i>( piano playing
Deutschland uber Alles )</i>

444
00:20:06,498 --> 00:20:08,532
Officers:
BRAVO!

445
00:20:10,969 --> 00:20:12,002
OH!

446
00:20:13,070 --> 00:20:14,170
HELLO.

447
00:20:16,941 --> 00:20:20,043
OUR GIRLS MAKE
VERY GOOD BOYS,
DO THEY NOT?

448
00:20:20,045 --> 00:20:22,278
YES, INDEED.
ONE COULD EASILY
BE FOOLED.

449
00:20:25,383 --> 00:20:26,483
HEIL HITLER!

450
00:20:26,485 --> 00:20:28,619
<i>- All: HEIL HITLER!
- Hans: KLUP!</i>

451
00:20:31,255 --> 00:20:34,825
DO NOT LET THE FACT THAT I AM
A SENIOR MEMBER OF THE GESTAPO,

452
00:20:34,827 --> 00:20:37,460
AND DID NOT RECEIVE
AN INVITATION TO YOUR GATHERING

453
00:20:37,462 --> 00:20:41,031
STOP YOU FROM HAVING
A JOLLY TIME.

454
00:20:41,033 --> 00:20:43,767
HAVE WE YOUR PERMISSION
TO CARRY ON, HERR FLICK?

455
00:20:43,769 --> 00:20:45,335
OF COURSE.

456
00:20:45,337 --> 00:20:47,704
ALBERT, MUSIC!

457
00:20:47,706 --> 00:20:50,073
( piano playing
"Falling in Love Again" )

458
00:21:01,452 --> 00:21:03,053
WHO IS SERVING
THE DRINKS?

459
00:21:03,055 --> 00:21:06,122
HELP YOURSELF, HERR FLICK.
IT'S ALL FREE.

460
00:21:06,124 --> 00:21:08,058
THIS IS GOOD.

461
00:21:11,863 --> 00:21:14,831
COLONEL,
I HAVE BAD NEWS.

462
00:21:14,833 --> 00:21:16,900
LIKE YOU, HERR FLICK
HAS HAD MADE

463
00:21:16,902 --> 00:21:18,969
A FORGERY OF THE PAINTING
OF THE FALLEN MADONNA

464
00:21:18,971 --> 00:21:20,671
WITH THE BIG BOOBIES
BY VAN CLOMP.

465
00:21:20,673 --> 00:21:22,806
THIS FORGERY HANGS
AT THIS MOMENT

466
00:21:22,808 --> 00:21:25,108
ON THE WALL
OF HIS APARTMENT.

467
00:21:25,110 --> 00:21:27,310
THEN WHERE IS
THE REAL VAN CLOMP?

468
00:21:27,312 --> 00:21:29,980
ROLLED UP IN HERR FLICK'S
HIGH GESTAPO BOOT.

469
00:21:29,982 --> 00:21:33,584
THEN RENE WILL SWITCH
A FORGERY WITH HIS FORGERY.

470
00:21:33,586 --> 00:21:35,552
AND WE WILL BE BACK
WHERE WE STARTED.

471
00:21:35,554 --> 00:21:36,553
WE MUST TELL RENE.

472
00:21:36,555 --> 00:21:37,688
AHH,
IT'S TOO LATE.

473
00:21:37,690 --> 00:21:40,423
HE HAS A DISGUISE
AND A PASS

474
00:21:40,425 --> 00:21:42,559
AND BY NOW
HE'S OUTSIDE
THE VERY GATES

475
00:21:42,561 --> 00:21:44,728
OF HERR FLICK'S
HEADQUARTERS.

476
00:21:52,469 --> 00:21:54,204
<i>Rene:
THERE IS A SENTRY.</i>

477
00:21:54,206 --> 00:21:56,106
<i>Edith:
OF COURSE
THERE IS A SENTRY.</i>

478
00:21:56,108 --> 00:21:58,574
<i>MY KNEES HAVE TURNED
TO VICHY WATER.</i>

479
00:21:58,576 --> 00:22:00,210
<i>Edith:
PULL YOURSELF TOGETHER.</i>

480
00:22:07,851 --> 00:22:11,187
REMEMBER, WE ARE
GERMAN OFFICERS.

481
00:22:11,189 --> 00:22:14,090
IF WE BELIEVE IT,
THEY WILL BELIEVE IT.

482
00:22:17,028 --> 00:22:18,761
I DON'T BELIEVE IT.

483
00:22:18,763 --> 00:22:21,798
LEFT FOOT FIRST.

484
00:22:21,800 --> 00:22:23,499
QUICK MARCH.

485
00:22:27,905 --> 00:22:29,072
HALT.

486
00:22:30,107 --> 00:22:32,976
SENTRY, WHAT IS
THE PASSWORD?

487
00:22:32,978 --> 00:22:35,145
DUSSELDORF,
HERR CAPTAIN.

488
00:22:35,147 --> 00:22:37,314
GOOD.
LET US PASS.

489
00:22:43,387 --> 00:22:44,854
YOU SEE?

490
00:22:44,856 --> 00:22:47,090
ALL YOU NEED
IS CONFIDENCE.

491
00:22:47,092 --> 00:22:48,791
BEGINNER'S LUCK.

492
00:22:51,695 --> 00:22:52,695
HALT!

493
00:22:53,764 --> 00:22:55,031
DUSSELDORF.

494
00:22:55,033 --> 00:22:56,632
BREMERHAVEN.

495
00:22:56,634 --> 00:22:58,601
NO, DUSSELDORF!

496
00:22:58,603 --> 00:23:01,504
THE REPLY IS BREMERHAVEN.

497
00:23:01,506 --> 00:23:04,474
I AM GLAD TO SEE
YOU ARE ON YOUR TOES.

498
00:23:14,218 --> 00:23:15,551
HALT.

499
00:23:17,921 --> 00:23:19,655
WHY HAVE WE HALTED?

500
00:23:19,657 --> 00:23:21,757
I WAS JUST GETTING
INTO THE SWING OF IT.

501
00:23:21,759 --> 00:23:23,559
THE CUSHION WHICH
I AM WEARING UNDER MY JACKET

502
00:23:23,561 --> 00:23:25,462
TO MAKE MY STOMACH
LOOK LIKE THE COLONEL'S

503
00:23:25,464 --> 00:23:27,930
IS SLIPPING DOWN
TOWARDS MY CROTCH.

504
00:23:27,932 --> 00:23:30,066
I WILL HELP YOU
TO ADJUST IT.

505
00:23:34,538 --> 00:23:38,008
STOP, WE WILL AROUSE
THE SUSPICION OF THE SENTRY.

506
00:23:38,010 --> 00:23:39,275
NO, WE WILL NOT.

507
00:23:39,277 --> 00:23:40,910
WE ARE GERMAN OFFICERS.

508
00:23:40,912 --> 00:23:43,179
THEY DO A LOT
OF THIS SORT OF THING.

509
00:23:43,181 --> 00:23:45,882
PLEASE HURRY THEN.

510
00:23:48,685 --> 00:23:50,786
EVERYTHING IS BACK
IN POSITION.

511
00:23:50,788 --> 00:23:54,290
- GOOD.
- READY?

512
00:23:54,292 --> 00:23:55,558
QUICK MARCH.

513
00:24:00,264 --> 00:24:01,498
HALT!

514
00:24:01,500 --> 00:24:03,500
DUSSELDORF
AND BREMERHAVEN.

515
00:24:03,502 --> 00:24:05,502
I AM SUPPOSED
TO SAY BREMERHAVEN.

516
00:24:06,904 --> 00:24:08,471
WE HAVE SAID IT
FOR YOU.

517
00:24:08,473 --> 00:24:10,706
YOU ARE NOT SUPPOSED
TO SAY IT FOR ME.

518
00:24:10,708 --> 00:24:12,208
YOU ARE TAKING AWAY
MY JOB!

519
00:24:13,344 --> 00:24:16,212
DO NOT ARGUE
WITH A SUPERIOR OFFICER,

520
00:24:16,214 --> 00:24:18,781
PIG!  DOG!

521
00:24:19,816 --> 00:24:21,051
HYENA.

522
00:24:21,053 --> 00:24:22,618
HYENA.

523
00:24:29,826 --> 00:24:30,993
WHAT IS GOING ON?

524
00:24:30,995 --> 00:24:33,896
THIS FOOL IS
PREVENTING OUR ENTRY.

525
00:24:33,898 --> 00:24:35,598
WE HAVE A PARCEL
FOR HERR FLICK.

526
00:24:35,600 --> 00:24:36,766
HE'S OUT.

527
00:24:36,768 --> 00:24:38,501
WE WILL PUT IT
IN HIS ROOM.

528
00:24:38,503 --> 00:24:39,936
I WILL PUT IT IN HIS ROOM.

529
00:24:42,373 --> 00:24:43,606
HEIL HITLER.

530
00:24:43,608 --> 00:24:45,875
Both: KLUP.

531
00:24:45,877 --> 00:24:47,710
YOU, FOLLOW ME.

532
00:24:51,782 --> 00:24:53,950
WE HAVE LOST
THE PAINTING.

533
00:24:53,952 --> 00:24:55,552
IT IS ALL YOUR FAULT.

534
00:24:55,554 --> 00:24:58,188
PIG.  DOG.  HYENA.

535
00:24:58,190 --> 00:24:59,989
EDITH!

536
00:25:05,329 --> 00:25:07,797
BRAVO!

537
00:25:12,069 --> 00:25:15,305
AND NOW--
NOW, GENTLEMEN,

538
00:25:15,307 --> 00:25:18,074
IT IS CABARET TIME
AT THE CAFE RENE.

539
00:25:18,076 --> 00:25:20,477
AND TONIGHT WE BRING YOU
THE TOAST OF PARIS,

540
00:25:20,479 --> 00:25:22,646
OH, HO HO!

541
00:25:22,648 --> 00:25:25,415
THE STAR OF
THE FOLIES BERGERES 1919,

542
00:25:25,417 --> 00:25:26,783
THE EXOTIC

543
00:25:26,785 --> 00:25:29,486
MADEMOISELLE FANNY!

544
00:25:42,400 --> 00:25:45,768
♪ I AM CALLED COQUETTE... ♪

545
00:25:45,770 --> 00:25:47,370
OOH!

546
00:25:47,372 --> 00:25:50,640
♪ THE GIRL
THEY CAN'T FORGET ♪

547
00:25:50,642 --> 00:25:55,178
♪ I DRIVE THEM
WILD WITH DESIRE ♪

548
00:25:55,180 --> 00:26:00,116
♪ WHEN I LIFT
MY DRESSES HIGHER ♪

549
00:26:00,118 --> 00:26:03,953
♪ SHOULD I TAKE OFF
MY CHEMISE? ♪

550
00:26:03,955 --> 00:26:08,258
♪ OO-LA-LA-LA! ♪

551
00:26:08,260 --> 00:26:10,727
COLONEL,
I THINK WE HAVE HERE

552
00:26:10,729 --> 00:26:12,962
WHAT IS KNOWN
AS A "PARTY POOPER."

553
00:26:17,034 --> 00:26:18,568
( Edith grunts )

554
00:26:18,570 --> 00:26:20,470
DO NOT MAKE
A NOISE.

555
00:26:21,939 --> 00:26:24,374
MY FEET
ARE KILLING ME.

556
00:26:24,376 --> 00:26:26,042
IT IS ALL
THAT GOOSESTEPPING.

557
00:26:26,044 --> 00:26:28,345
<i>- DON'T MOVE.
- Edith: AAAH!</i>

558
00:26:28,347 --> 00:26:29,613
DO NOT TURN ON
THE LIGHT.

559
00:26:29,615 --> 00:26:32,749
IT IS MICHELLE.
I'VE BEEN WAITING FOR YOU.

560
00:26:32,751 --> 00:26:35,017
NOW LISTEN
VERY CAREFULLY.

561
00:26:35,019 --> 00:26:36,953
I SHALL SAY THIS
ONLY ONCE.

562
00:26:37,955 --> 00:26:40,022
THERE HAS BEEN
A CHANGE OF PLAN.

563
00:26:40,024 --> 00:26:42,392
THE BRITISH AIRMEN MUST LEAVE
FOR THE COAST TONIGHT.

564
00:26:42,394 --> 00:26:44,227
YOU WILL BE THEIR ESCORT.

565
00:26:44,229 --> 00:26:46,663
I HAVE HERE FOR YOU
A GERMAN UNIFORM.

566
00:26:46,665 --> 00:26:49,832
I AM ALREADY WEARING
A GERMAN UNIFORM.

567
00:26:49,834 --> 00:26:51,868
YOU ARE?

568
00:26:51,870 --> 00:26:53,703
TAKE MY WORD
FOR IT.

569
00:26:53,705 --> 00:26:55,639
AND KEEP YOUR HANDS
OFF MY MEDALS!

570
00:26:56,641 --> 00:26:58,308
UH, AHEM...

571
00:26:58,310 --> 00:27:01,110
WHY IS YOUR WIFE
IN UNIFORM?

572
00:27:01,112 --> 00:27:02,479
I ENJOY IT.

573
00:27:04,315 --> 00:27:06,416
HOW WILL THE AIRMEN
BE DISGUISED?

574
00:27:06,418 --> 00:27:08,451
THE SAME AS I AM.

575
00:27:08,453 --> 00:27:09,819
OH.

576
00:27:11,622 --> 00:27:12,722
( together )
HELLO.

577
00:27:12,724 --> 00:27:14,023
<i>SIEG HEIL!</i>

578
00:27:15,125 --> 00:27:16,393
WAS THAT ALL RIGHT?

579
00:27:16,395 --> 00:27:17,394
JOLLY GOOD.

580
00:27:17,396 --> 00:27:18,695
NOW ALL YOU HAVE
TO DO IS

581
00:27:18,697 --> 00:27:20,029
KEEP AS COOL
AS THE OLD CUCUMBER,

582
00:27:20,031 --> 00:27:21,431
AND WE'LL DO
THE TALKING.

583
00:27:21,433 --> 00:27:23,166
IF YOU WANT US
TO SING ANY SONGS,

584
00:27:23,168 --> 00:27:26,936
WE BOTH KNOW
"UNDERNEATH THE SPREADING
CHESTNUT TREE."

585
00:27:26,938 --> 00:27:28,271
WITH ACTIONS.

586
00:27:28,273 --> 00:27:29,272
CHEST,

587
00:27:29,274 --> 00:27:30,273
NUT,

588
00:27:30,275 --> 00:27:31,274
TREE.

589
00:27:31,276 --> 00:27:32,975
NO.  I DON'T THINK
THAT'S ONE

590
00:27:32,977 --> 00:27:34,377
OF HITLER'S FAVORITES.

591
00:27:35,746 --> 00:27:37,747
WE HAVE A MESSAGE
FOR YOU.

592
00:27:37,749 --> 00:27:39,516
THE TRUCK IS ROUND THE BACK.

593
00:27:39,518 --> 00:27:41,584
GOOD.  DID ANYONE
SEE YOU LEAVE?

594
00:27:41,586 --> 00:27:43,620
NO.  WHEN YOUR MOTHER
STARTED TO SING,

595
00:27:43,622 --> 00:27:45,087
EVERYBODY SHUT THEIR EYES

596
00:27:45,089 --> 00:27:47,190
AND PUT THEIR FINGERS
IN THEIR EARS.

597
00:27:47,192 --> 00:27:48,291
GOOD.
WE GO NOW.

598
00:27:48,293 --> 00:27:49,659
JUST A MINUTE.

599
00:27:49,661 --> 00:27:52,161
WE HAVE A BUSINESS
TO RUN HERE, YOU KNOW.

600
00:27:53,197 --> 00:27:54,731
( singing )

601
00:27:54,733 --> 00:27:55,865
NO!

602
00:27:55,867 --> 00:27:58,368
NOT THE DANCE
OF THE MOLTING PEACOCK!

603
00:27:59,370 --> 00:28:00,403
MOTHER!

604
00:28:00,405 --> 00:28:02,772
PUT THEM BACK ON!

605
00:28:02,774 --> 00:28:04,874
OH MY GOD!

606
00:28:04,876 --> 00:28:07,210
COME ON, LET US
GET OUT OF HERE.

607
00:28:07,212 --> 00:28:08,511
GO.

608
00:28:22,993 --> 00:28:24,627
WELL, WHAT HAPPENS NEXT?

609
00:28:24,629 --> 00:28:26,128
WE MARCH
TO THE BEACH.

610
00:28:29,533 --> 00:28:31,234
WHAT HAPPENS NEXT?

611
00:28:31,236 --> 00:28:33,135
WE MARCH TO
THE BEACH, OLD CHAP.

612
00:28:33,137 --> 00:28:34,437
OH, RIGHTY-O.

613
00:28:39,977 --> 00:28:41,244
BY THE LEFT,

614
00:28:41,246 --> 00:28:42,912
QUICK MARCH!

615
00:28:48,185 --> 00:28:50,052
NEARLY THERE,
CARSTAIRS.

616
00:28:50,054 --> 00:28:52,789
DAMNED DRAFTY,
THESE SHORTS.

617
00:28:56,527 --> 00:28:58,495
HALT!

618
00:28:58,497 --> 00:29:00,930
- Edith: DUSSELDORF!
- THAT WAS YESTERDAY.

619
00:29:01,932 --> 00:29:03,666
WHAT IS THE WORD
TODAY?

620
00:29:03,668 --> 00:29:06,870
- MUNICH!
- GOOD!  WELL DONE.

621
00:29:06,872 --> 00:29:08,271
HALT!

622
00:29:08,273 --> 00:29:09,305
WHERE ARE YOU GOING?

623
00:29:09,307 --> 00:29:10,940
WE ARE TAKING
THE HITLER YOUTH

624
00:29:10,942 --> 00:29:12,742
FOR RUNNING
AND JUMPING

625
00:29:12,744 --> 00:29:14,043
AND PLAYING LEAPFROG
ON THE SANDS

626
00:29:14,045 --> 00:29:16,679
<i>UND SWIMMING
IN THE SEA.</i>

627
00:29:16,681 --> 00:29:19,348
THIS WAY WE WILL
HAVE A MASTER RACE.

628
00:29:19,350 --> 00:29:20,717
WITH PNEUMONIA.

629
00:29:20,719 --> 00:29:21,718
CARRY ON!

630
00:29:32,863 --> 00:29:35,264
RIGHT,
HERE IS THE BOAT.

631
00:29:35,266 --> 00:29:37,667
LET'S RUN IT DOWN
TO THE WATER.

632
00:29:38,669 --> 00:29:40,303
UP.

633
00:29:52,015 --> 00:29:54,250
RIGHT, CHAPS.
IN YOU GO.

634
00:29:54,252 --> 00:29:56,619
UM... BEFORE WE
START ROWING,

635
00:29:56,621 --> 00:29:58,087
DON'T YOU THINK
WE OUGHT TO WAIT

636
00:29:58,089 --> 00:30:00,022
FOR A SIGNAL
FROM THE SUBMARINE?

637
00:30:00,024 --> 00:30:01,825
WHAT SUBMARINE?

638
00:30:01,827 --> 00:30:04,661
THE SUBMARINE
THAT'S GOING TO TAKE US
BACK TO ENGLAND.

639
00:30:04,663 --> 00:30:07,229
WHO SAID ANYTHING
ABOUT A SUBMARINE?

640
00:30:07,231 --> 00:30:11,000
WELL, THERE HAS
TO BE A SUBMARINE.

641
00:30:11,002 --> 00:30:14,303
YOU DON'T EXPECT US
TO ROW 20 MILES
IN THAT THING?

642
00:30:14,305 --> 00:30:16,205
NOW LOOK HERE,
YOU FELLOWS,

643
00:30:16,207 --> 00:30:17,907
A JOLLY BRAVE
FRENCH FISHERMAN

644
00:30:17,909 --> 00:30:20,276
RISKED HIS LIFE
TO GET YOU THAT BOAT.

645
00:30:20,278 --> 00:30:22,512
YES, BUT I MEAN,
LOOK AT IT.

646
00:30:22,514 --> 00:30:24,481
IT'S GOT
A DEAD CRAB IN IT!

647
00:30:24,483 --> 00:30:25,815
AND LOOK
AT THOSE WAVES!

648
00:30:25,817 --> 00:30:28,050
YOU COULDN'T DRIVE
THAT THING ON THAT!

649
00:30:28,052 --> 00:30:31,588
I GET SEASICK
ON THE BOATING LAKE
AT REGENTS PARK.

650
00:30:31,590 --> 00:30:34,190
WELL, ARE YOU GOING
OR NOT?

651
00:30:34,192 --> 00:30:35,825
NO.

652
00:30:35,827 --> 00:30:38,361
WELL?  ARE THEY
GOING OR NOT?

653
00:30:38,363 --> 00:30:39,729
NO!

654
00:30:39,731 --> 00:30:40,830
<i>I MEAN NON.</i>

655
00:30:40,832 --> 00:30:43,099
SO WHAT ARE WE
GOING TO DO THEN?

656
00:30:44,134 --> 00:30:46,536
THE SENTRY
IS WATCHING US.

657
00:30:46,538 --> 00:30:49,138
I THINK A QUICK GAME
OF LEAPFROG,

658
00:30:49,140 --> 00:30:51,107
AND THEN BACK
TO THE CAFE.

659
00:30:55,012 --> 00:30:57,213
<i>( theme music playing )</i>