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( theme music playing )
WOULD YOU BELIEVE IT POSSIBLE THAT THE PLOT HAS NOW THICKENED?
HERR FLICK THINKS THAT THE GENERAL AND THE COLONEL
ARE PLANNING TO BLOW UP HITLER.
HERR FLICK CAN DO NOTHING ABOUT THIS
BECAUSE HE HAS BEEN IMPRISONED IN THE DUNGEON OF THE CHATEAU
DISGUISED AS A WOMAN.
IF MY HANDS ARE SHAKING,
IT IS BECAUSE MICHELLE OF THE RESISTANCE,
IN A PLAN TO BLOW UP THE GENERAL,
PLACED A BOMB IN THE WHEELCHAIR OF MY WIFE'S MOTHER.
UNFORTUNATELY, THE ATTEMPT MISFIRED,
AND MY WIFE'S MOTHER SURVIVED.
SHE WAS LAST SEEN DISAPPEARING AT VERY HIGH SPEED
WITH A CLOUD OF SMOKE COMING FROM THE BOTTOM--
OF HER WHEELCHAIR.
OH HECK, HERE COMES LIEUTENANT GRUBER.
THIS IS THE ONE THAT FANCIES ME.
GOOD MORNING, RENE.
AH, GOOD MORNING, LIEUTENANT. YOUR USUAL?
LATER, THANK YOU, RENE.
RENE, I HAVE A PROBLEM
REGARDING MY SLEEPING ARRANGEMENTS.
OH YES?
THE COLONEL HAS ORDERED CAPTAIN BERTORELLI
TO SLEEP WITH ME.
WELL, THE ITALIANS WANTED TO JOIN THE WAR,
THEY MUST ACCEPT THE CONSEQUENCES.
THE MAN IS A PEASANT, RENE.
THE MOMENT HIS HEAD TOUCHES THE PILLOW HE IS ASLEEP.
HOW INSENSITIVE.
THEN HIS SNORING KEEPS ME AWAKE ALL NIGHT.
HAVE YOU A SPARE ROOM HERE?
YOU WOULD NOT WANT TO SLEEP HERE, NO.
MY WIFE SNORES; I SNORE; THE GIRLS SNORE;
MONSIEUR LECLERC MAKES TERRIBLE NOISES;
FROM MIDNIGHT THE WHOLE PLACE SOUNDS LIKE A SAWMILL.
NO, NOT FOR ME.
I MEANT A ROOM FOR CAPTAIN BERTORELLI.
OH, I SEE.
GOOD MORNING, LIEUTENANT GRUBER.
EDITH, THE LIEUTENANT WANTS
THE CAPTAIN TO COME AND SLEEP HERE.
THE HANDSOME ITALIAN CAPTAIN?
YES. WE HAVE NO ROOM, HAVE WE?
WELL, OF COURSE WE HAVE.
HE CAN SLEEP BETWEEN MIMI AND YVETTE.
YOU FRENCH, WILL I NEVER UNDERSTAND YOU?
NO, SHE MEANS THE SPARE ROOM
BETWEEN MIMI AND YVETTE.
OH, GOOD.
I WILL PAY FOR HIS ROOM.
WILL YOU BE VISITING HIM OFTEN?
THE LIEUTENANT IS PAYING FOR THE ROOM
BECAUSE HE CANNOT STAND THE CAPTAIN'S SNORING.
I BLOW IN RENE'S EAR WHEN I WANT HIM TO STOP.
OH?
I WILL REMEMBER THAT.
THAT IS SETTLED THEN.
1000 FRANCS A NIGHT, EH?
THE WOMAN PRISONER VON KINKENROTTEN IS IN HERE.
YOU HAVE FIVE MINUTES.
10.
BUT THAT IS THE LIMIT.
HERR FLICK.
OH, IT IS TERRIBLE TO FIND YOU
IN SUCH AN UNUSUAL POSITION.
IT IS VERY PAINFUL.
I AM TAKING NOTES.
IS THERE ANYTHING I CAN DO TO RELIEVE YOUR SITUATION?
I CANNOT ENDURE THE PAIN IN MY LEGS.
DO YOU HAVE ANY SCISSORS?
YES, BUT THEY WILL NOT CUT CHAINS.
THEY WILL CUT MY TIGHT KNICKER ELASTIC.
THESE FINGER TRAPPERS ARE KILLING ME.
HOW COULD GENERAL VON KLINKERHOFFEN
DO THIS TO AN OFFICER OF THE GESTAPO?
SINCE I AM IN DISGUISE AS A WOMAN OF THE OPPOSITE SEX
AND HAVE NO PAPERS,
HE IS PRETENDING HE DOES NOT RECOGNIZE ME.
BE OF GOOD CHEER, HERR FLICK.
YOUR ASSISTANT, VON SMALLHAUSEN, HAS A PLAN.
THIS DOES NOT MAKE ME OF GOOD CHEER.
HE IS A BARBARIAN TWIT.
HE IS OUR ONLY HOPE.
HERR FLICK,
MAY I KISS YOU?
WHAT? KISS ME?
CHAINED TO THE WALL, AND DRESSED IN THE UNDERWEAR OF A WOMAN?
OF COURSE.
( singing off-key ) ♪ WHEN SKIES ARE GRAY ♪
♪ AND YOU SAY YOU ARE BLUE ♪
♪ I'LL SEND THE SUN SHINING THROUGH ♪
♪ I WANT TO BE HAPPY ♪
♪ BUT I CAN'T BE HAPPY ♪
♪ TILL I MAKE YOU HAPPY, TOO! ♪
( glasses shatter )
MIMI,
WHEN MADAME EDITH SINGS,
ALWAYS HAVE READY A DUSTPAN AND BRUSH.
RENE, PSST! YOU ARE WANTED IN THE BACK ROOM.
- WHO WANTS ME? - I DO.
( growls )
OH, RENE,
MY WHOLE BODY ACHES FOR YOU.
MY LIPS ACHE FOR YOU,
MY ARMS ACHE FOR YOU,
MY BOSOMS ACHE FOR YOU,
MY LEGS GROAN FOR YOU.
HOW IS YOUR BACK?
( moans )
YOU MUST TRY TO RELAX MORE, YVETTE.
IT IS THE TENSION FROM BEING SO MADLY IN LOVE WITH ME.
OH, RENE.
DO YOU NOT ACHE FOR ME JUST A LITTLE BIT?
FROM TIME TO TIME I DO GET A LITTLE BIT STIFF,
BUT I PUT IT DOWN TO AGE.
( knocking )
OH.
IT IS URGENT I SPEAK WITH YOU ALL.
I WILL GET THE OTHERS.
MONSIEUR ALPHONSE, WHAT ARE YOU DOING HERE?
I BROUGHT THIS INTREPID LADY HERE
IN THE BACK OF MY SMALL HEARSE WITH THE SMALL HORSE.
MONSIEUR, IF SHE IS DISCOVERED YOU COULD BE SHOT.
I KNOW,
BUT IT IS WORTH IT.
HE DOES THIS FOR FRANCE.
AND 300 FRANCS A MILE PLUS WAITING TIME.
THE FLAG IS NOW DOWN, MADEMOISELLE.
( bell rings )
GATHER ROUND.
NOW LISTEN VERY CAREFULLY,
I SHALL SAY THIS ONLY ONCE.
JUST A MINUTE--
WHO IS LOOKING AFTER THE BAR?
MONSIEUR LECLERC.
I HAVE THE KEY TO THE TILL.
- LISTEN VERY CAREFULLY-- - ( door opens )
I'M SORRY I AM LATE, I WAS SERVING THE CUSTOMER.
LISTEN VERY CAREFULLY,
I SHALL SAY THIS ONLY ONCE.
( door opens )
HERE.
HOW AM I SUPPOSED TO GIVE CHANGE
IF I DO NOT HAVE THE KEY TO THE TILL?
GIVE IT TO HIM.
AND BRING IT BACK!
AH! BRING IT BACK, BRING IT BACK...
NOW, YOU WERE SAYING, MICHELLE?
LISTEN VERY CAREFULLY,
I SHALL SAY THIS ONLY ONCE--
- ( bell rings ) - YOU ARE NOW ON DOUBLE TIME.
IF THESE INTERRUPTIONS CONTINUE,
I SHALL NOT SAY IT AT ALL!
ALL RIGHT, ALL RIGHT, WE ARE READY.
NOW LISTEN VERY CAREFULLY,
- I SHALL SAY-- - ( door opens )
HERE IS THE KEY.
NOW, IF I GET ANOTHER BIG NOTE,
I SHALL REQUIRE IT AGAIN.
RIGHT, THAT IS IT. I AM GOING.
- ( bell rings ) - 125 FRANCS.
NO, NO, MICHELLE, COME BACK.
WHAT IS IT YOU ARE GOING TO TELL US?
ONLY ONCE?
WE HAVE THE CAMERA WITH WHICH WE ARE GOING TO PHOTOGRAPH THE SAFE IN THE CHATEAU
WHICH CONTAINS PLANS FOR THE INVASION OF ENGLAND.
WE WILL SHOW THIS PHOTOGRAPH TO MONSIEUR LECLERC,
THE FORGER AND SAFEBREAKER,
SO THAT HE MAY IDENTIFY IT
AND MAKE PLANS TO OPEN THE SAFE.
WHEN HE IS CONFIDENT,
WE WILL TAKE HIM INTO THE CHATEAU
AND HE WILL OPEN IT,
AND WE WILL PHOTOGRAPH THE PLANS.
THESE PHOTOGRAPHS
WILL BE MADE INTO MICRO-PHOTOGRAPHS,
WHICH WILL BE TIED TO THE LEG OF A PIGEON
SUPPLIED BY THE R.A.F.
SO THAT THE PHOTOGRAPH OF THE PLANS
MAY BE STUDIED IN LONDON.
ALL THAT SEEMS PERFECTLY STRAIGHTFORWARD.
WAS THERE ANYTHING ELSE?
- ( bell rings ) - 225 FRANCS.
WE HAVE A PROBLEM.
THERE IS NO FILM FOR THE CAMERA.
THAT WOULD BE A PROBLEM, YES.
WHERE ARE WE TO GET THE FILM?
ALL FILM HAS BEEN CONFISCATED BY THE GERMANS.
THE COLONEL HAS A CAMERA.
WE MUST THINK OF A WAY TO STEAL FROM IT THE FILM.
I COULD POSE FOR HIM, IN MY SCANTY UNDERWEAR.
MADAME EDITH, I CANNOT ALLOW THE WOMAN I LOVE
TO EXPOSE HERSELF IN THIS MANNER.
OH, DEAR MONSIEUR ALPHONSE,
ALWAYS HE HAS RESPECT FOR MY FEELINGS.
AND THE COLONEL'S.
ALWAYS HE IS ASKING TO PHOTOGRAPH ME
WEARING THE FLYING HELMET AND BRANDISHING THE WET CELERY.
WHY WOULD THE COLONEL WANT SUCH A PICTURE?
CELERY IS IN VERY SHORT SUPPLY IN GERMANY.
WHILE YOU ARE DISTRACTING HIM,
I WILL STEAL THE FILM FROM THE CAMERA.
IT IS A GOOD PLAN.
YES, AND AS USUAL, WE HAVE TO DO IT.
DO YOU WANT MY JOB?
- ( bell rings ) - 500 FRANCS, PLUS WAITING TIME AND SERVICE.
I COULD NOT AFFORD THE TAXI.
GENERAL VON KLINKERHOFFEN.
I WISH TO SPEAK TO THE COLONEL.
- ANNOUNCE ME. - YES, GENERAL.
GENERAL ERICH VON KLINKERHOFFEN!
AH, GENERAL.
HEIL HITLER.
OH YES, OF COURSE. HEIL HITLER.
MY CONTACTS IN BERLIN
INFORM ME THAT THE GESTAPO HEADQUARTERS
ARE AWARE OF THE DISAPPEARANCE OF HERR FLICK,
AND CONSEQUENTLY A BIG STINK IS ABOUT TO DESCEND ON US.
WE PLACED HIM IN THE DUNGEON OF THE CHATEAU
ON YOUR ORDERS, GENERAL.
HMM, HERE ARE MY FURTHER ORDERS.
ALL DOCUMENTS CONCERNING THE ARREST
ARE TO BE DESTROYED.
YOU WILL DISGUISE YOURSELVES AS MEMBERS OF THE RESISTANCE,
AND WILL ASSIST HERR FLICK TO ESCAPE.
YOU WILL TAKE HIM TO A PREARRANGED SPOT
WHERE YOU WILL BE AMBUSHED BY MY MEN
AND HERR FLICK WILL DIE IN A HAIL OF BULLETS.
THEY WILL, OF COURSE, HAVE ORDERS NOT TO SHOOT YOU.
IS THAT CLEAR?
HOW WILL THEY KNOW SO AS NOT TO SHOOT US?
YOU WILL EACH WEAR A SMALL CORNFLOWER IN YOUR HAT.
BUT GENERAL, HOW CAN WE BREAK INTO THE DUNGEON?
STEAL YOUR OWN TANK,
PUT GRAPPLING IRONS ON THE BARS OF THE CELL,
AND RIP THEM OUT.
USE YOUR IMAGINATION.
YES, HERR GENERAL.
THAT IS ALL. SEE TO IT.
- HEIL HITLER. - HEIL HITLER.
WHAT DO YOU THINK, GRUBER?
I THINK THAT SUNFLOWERS IN OUR HATS
WOULD HAVE GIVEN US A BETTER CHANCE.
I HAVE GRAVE MISGIVINGS ABOUT THE WHOLE PLAN.
( car horn honks )
( bicycle bell rings )
♪ KISS ME, BELLA... ♪
( car horn honks )
♪ ...TONIGHT, TONIGHT ♪
♪ TOMORROW WILL BE TOO LATE ♪
♪ COME HOLD ME TIGHT-- ♪
GOOD MOANING.
YOU CANNOT PICK YOUR METER-CAR OUTSIDE THIS COFFEE.
YOU NO TALK THIS WAY TO ME.
ME, I AM CAPTAIN BERTORELLI
FROM CONQUERING ITALIAN ARMY OF MUSSOLINI.
MISSOLOONI DOES NOT CUT ANY ICE ROUND HERE.
( car door closes )
YOU MUST MAUVE ALONG AS QUIRKLY AS PISSABLE.
YOU,
TAKE-A MY CASES IN-A THE CAFE.
CARRY YOUR OWN BOGS.
YOU SHUT-A YOUR FACE
OR I SHOOT-A YOUR FEET.
HAH!
IMITOOTION CROCODILL.
CAPTAIN ALBERTO,
WHAT A PLEASURE TO ENTERTAIN YOU
IN OUR HUMBLE ESTABLISHMENT.
LET ME SHOW YOU TO YOUR BEDROOM.
DEAR LADY,
FIRST, I MUST INSPECT THE TROOPS.
THEN I INSPECT THE ROOM,
THEN I INSPECT YOU.
OH, CAPTAIN.
THEN I INSPECT THE BOOKS.
THIS PLACE, IT COULD MAKE BIG MONEY.
WHAT YOU NEED BEHIND YOU
IS THE RIGHT MAN.
OH, CAPTAIN ALBERTO, WHAT ARE YOU SAYING?
I THINK YOU GET THE MESSAGE, EH?
GOOD MOANING.
THESE CUSSES BELONG TO THE WOP CAPTAIN.
MIMI, TAKE THEM UPSTAIRS TO THE SPARE ROOM.
NOW, YOU WERE GOING TO SAY?
I HAVE COME TO COLLECT MY BURCYCLE.
WHAT BURCYCLE?
THE BURCYCLE WHICH PRODUCES THE ELECTROCITY FOR THE ROODIO
WHEN YOU PIDDLE IN YOUR WIFE'S MOTHER'S BEDROOM.
LOOK, YOU CANNOT HAVE YOUR BURCYCLE
UNTIL WE GET NEW BATTERIES.
OH, RENE.
'SCUSE ME.
- WHAT? - WE MUST STAND BY THE RADIO.
LONDON WILL BE CALLING IN TWO MINUTES.
YES, WE HAVE TO ASK LONDON TO SEND US A PIGEON.
LOOK, I HAVE A BUSINESS TO RUN.
- YVETTE, YOU GO AND SEND THE MESSAGE. - BUT WHAT DO I SAY?
'ALLO, 'ALLO THIS IS NIGHTHAWK'S SERVING GIRL.
PLEASE SEND ONE CARRIER PIGEON.
YVETTE!
MAKE IT SIX. WE CAN PUT
THE OTHER FIVE ON THE MENU.
( knocking; door opens )
AH, FANNY, MY LOVE!
AH, ROGER,
THE BIG ROMANCE
FROM MY FOOLISH PAST.
WHAT DO YOU WANT?
I HAVE COME TO GET THE RADIO GOING.
IT IS NICE TO KNOW
THAT YOU CAN GET SOMETHING GOING.
( creaking sound )
ROGER, YOUR KNEES,
THEY SOUND TERRIBLE.
I THINK THE BALLRACE HAS GONE.
THAT AS WELL?
WHAT IS HAPPENING?
I AM TRYING TO MAKE ENOUGH JUICE
TO OPERATE THE RADIO.
BUT THE BEDKNOBS ARE ONLY FLICKERING.
WE NEED MORE POWER.
YOU MUST PEDAL FASTER.
I KNOW WHAT TO DO.
HEH, HEH!
Mamma: AH!
WHAT HAS HAPPENED?
THERE WAS A FLASH AND A BANG
AND EVERYTHING HAS GONE DEAD.
IT WAS EVER SO.
PSST! RENE!
WHAT IS THE MATTER?
SIT HERE. I DON'T WISH TO BE OVERHEARD.
I DO NOT WISH TO BE SEEN IN THE SQUARE FRATERNIZING.
HOW WOULD YOU LIKE TO BE SEEN DEAD?
I WILL FRATERNIZE.
I HAVE SEEN HERR FLICK.
HE IS CLOSE TO CRACKING.
SO?
HE MAY REVEAL THAT LIEUTENANT GRUBER
HAS BEEN MAKING THE FORGERIES
OF THE FALLEN MADONNA WITH THE BIG BOOBIES BY VAN CLOMP.
IF GRUBER IS ARRESTED,
THEY HAVE BUT TO TICKLE HIM WITH A FEATHER
AND HE WILL IMPLICATE US ALL.
AND THE TRAIL WILL LEAD TO YOU
AND YOU WILL BE SHOT.
THANK YOU FOR WARNING ME.
I WILL LEAVE AT ONCE FOR THE SPANISH BORDER
UPON THE BICYCLE WHICH IS IN THE BEDROOM OF MY WIFE'S MOTHER.
YOU WILL NOT GET 10 YARDS.
WHY NOT?
BECAUSE I CAN SHOOT 10 YARDS.
VON SMALLHAUSEN HAS A PLAN WHICH CAN SAVE ALL OUR SKINS.
HOW DOES THIS AFFECT ME?
WHO ELSE CAN MASQUERADE AS HEINRICH HIMMLER,
HEAD OF THE GESTAPO?
ME?
LOOK, I AM SMALLER THAN HIMMLER,
I AM FATTER THAN HIMMLER, I AM YOUNGER THAN HIMMLER,
I AM BALDER THAN HIMMLER
AND I CANNOT SPEAK GERMAN.
DO NOT NITPICK.
( kicks metal can )
- HELLO! - HELLO!
DINNER.
I THINK THAT'S FRENCH FOR DINNER.
THANKS VERY MUCH, OLD BEAN.
- TOODLE-OO. - EH?
THAT'S FRENCH FOR GOODBYE.
I SAY, FAIRFAX,
HOW MUCH LONGER DO YOU THINK WE'RE GONNA
HAVE TO HIDE OUT HERE IN THESE DUSTBINS?
THEY EMPTY THEM EVERY THURSDAY.
IF WE HAVEN'T GONE BY THEN, WE'LL BE ON THE TIP.
AT LEAST WE MIGHT GET A CHANGE OF CLOTHES.
SEE YOU AFTER DINNER.
BANG ON!
WHERE IS HE?
HE IS JUST TRIMMING HIS MOUSTACHE.
DEAR RENE, HE IS ALWAYS SO PARTICULAR ABOUT HIS APPEARANCE.
TELL HIM TO COME QUICKLY.
THE SQUARE IS CLEAR.
( quietly ) RENE!
THOSE ARE THE GLASSES OF MY MOTHER!
SHE WANTED ME TO HAVE THE EAR TRUMPET!
YOU LOOK EXACTLY LIKE HIM.
IF THE RESISTANCE SEE YOU, THEY WILL SHOOT YOU,
SO KEEP YOUR HEAD DOWN.
GET IN THE BACK.
I WILL DRIVE.
WHAT DO I DO IF ANYONE SPEAKS TO ME?
HIT THEM WITH YOUR WHIP.
DO YOU WISH ME TO SIT ON THE LEFT OR THE RIGHT?
GRUBER! GRUBER!
GOOD, YOU LOOK VERY SINISTER.
THANK YOU.
COLONEL, SHOULD WE NOT HAVE PAPERS?
JUST WRITE GESTAPO OVER YOUR DRIVING LICENSE.
IN AN EMERGENCY, FLASH IT.
I HAVE TO CONFESS
THAT DESPITE THE ADVANTAGE OF OUR DISGUISES,
AND THE BOLD DARING OF THIS INGENIOUS PLAN OF YOURS,
I DO HAVE PANGS OF DOUBT,
AND CRAWLING EARWIGS IN MY TUMMY.
WOULD YOU PREFER TO BE WALKING THROUGH THE WOODS
WITH A CORNFLOWER IN YOUR HAT,
HOPING NOT TO BE SHOT?
JUST TO BE ON THE SAFE SIDE?
HERE, TAKE YOUR GUN.
WHAT WILL THE GENERAL SAY
WHEN HE FINDS OUT HERR FLICK HAS NOT BEEN SHOT?
WE WILL TELL HIM THAT THE BERLIN GESTAPO
RESCUED HIM BEFORE WE ARRIVED.
IT ALL SOUNDS SO SIMPLE HERE IN YOUR NICE WARM OFFICE.
PULL DOWN YOUR HAT AND FOLLOW ME.
GRUBER, I'M DOING THE LIMP.
HALT!
WHO GOES THERE?
DO YOU NOT RECOGNIZE HEINRICH HIMMLER,
HEAD OF THE GESTAPO?
I WILL PHONE AND TELL THEM YOU ARE HERE.
( laughs nervously )
MIND YOUR OWN BUSINESS.
WE WANT IT TO BE A SURPRISE.
IT IS A PLEASURE TO BE OF ASSISTANCE TO HERR HIMMLER.
THANK YOU, HERR HIMMLER.
DO YOU THINK IT WISE TO GO IN MY LITTLE TANK?
DO YOU EXPECT ME TO WALK ALL THE WAY TO THE CHATEAU
WITH A BAD LEG?
WHAT DO YOU WANT?
HERR HEINRICH HIMMLER FROM BERLIN
WISHES TO INSPECT YOUR PRISONER,
FRAU KINKENROTTEN.
DO YOU HAVE ANY PAPERS?
IT IS MY DUTY TO ASK FOR PROOF OF IDENTITY.
WELCOME, HERR HIMMLER.
WE WILL REQUIRE YOUR KEYS.
NOW GO AWAY!
HELGA, VON SMALLHAUSEN,
WHAT ARE YOU DOING HERE?
I HAVE A PLAN FOR YOUR RESCUE, HERR FLICK.
WHAT KEPT YOU?
AND WHY IS THAT FRENCH CAFE OWNER DRESSED IN THAT MANNER?
HE IS IMPERSONATING HIMMLER.
HE LOOKS NOTHING LIKE HIM.
WHAT DID I SAY?
QUICK, WE MUST BE LEAVING.
VON SMALLHAUSEN,
GIVE ME YOUR GUN.
YES, HERR FLICK.
TAKE OFF YOUR CLOTHES.
I BEG YOUR PARDON?
TAKE OFF YOUR CLOTHES!
I USUALLY FIND THAT WHEN HE IS IN THIS MOOD,
IT IS BEST TO STRIP OFF AND ASK QUESTIONS LATER.
THIS WOULD APPEAR TO BE A MODIFICATION OF MY PLAN.
WHEN THE GUARD LOOKS THROUGH THE PEEPHOLE,
HE WILL STILL SEE FRAU KINKENROTTEN
CHAINED TO THE WALL.
HELGA, AVERT YOUR EYES.
AND THAT GOES FOR YOU, TOO.
HALT, WHO GOES THERE?
MAKE WAY FOR THE GESTAPO.
EXCUSE ME.
IS IT ALL RIGHT IF WE GO INTO THE DUNGEON?
I AM NOT COMING OUT UNLESS YOU PROMISE NOT TO HIT ME.
COME ON, GRUBER.
WHAT DO YOU WANT?
MAKE WAY FOR THE GESTAPO.
WE HAVE JUST HAD IN HERE YOUR BIG CHEESE, HIMMLER.
HIMMLER?
COME ON, GRUBER.
HE HAS JUST LEFT.
DID HE TAKE WITH HIM THE WOMAN PRISONER?
NO, SHE IS STILL IN HERE.
THANK YOU.
RENE,
WHAT ARE YOU DOING CHAINED TO THE WALL?
YOU ARE THE LAST PERSON WE EXPECTED TO SEE,
ESPECIALLY DRESSED LIKE THAT.
NOT THAT IT DOESN'T SUIT YOU.
I HAVE BEEN DOUBLE CROSSED.
AND YOUR STOCKINGS ARE WRINKLED.
PLEASE, GET ME OUT OF HERE.
GRUBER, GET THE KEYS TO THE WRIST IRONS.
GUARD!
DO YOU HAVE THE KEYS TO THE WRIST IRONS?
I GAVE THEM TO HERR HIMMLER.
HE MUST HAVE TAKEN THEM WITH HIM.
Gruber: THIS IS TERRIBLE.
HERR HIMMLER HAS TAKEN THEM.
IT WAS HERR FLICK DRESSED AS HIMMLER.
THAT WAS BECAUSE I WAS DRESSED AS HIMMLER.
YOU ARE FULL OF SURPRISES, RENE.
YOU ALWAYS TOLD ME YOU WENT TO BED AT MIDNIGHT.
THE KEYS ARE IN HELGA'S HANDBAG.
DON'T WORRY, RENE.
WE WILL GET THEM.
WOULD YOU LIKE ME TO STAY WITH YOU, RENE?
NO, LIEUTENANT, YOU ARE VERY KIND.
YOU GO WITH THE COLONEL.
I WILL WAIT HERE, WITH THE GUARD.
ON YOUR WAY OUT, SHUT THE DOOR.
THESE DUNGEONS ARE VERY DRAFTY.
I DO NOT KNOW WHERE THE WIND IS COMING FROM.
I KNOW WHERE IT IS GOING TO.
( theme music playing )