1 00:00:31,000 --> 00:00:32,399 Charles, of course. 2 00:00:32,480 --> 00:00:34,869 What about him? Would know what to make of this. 3 00:00:34,960 --> 00:00:36,473 Charles isn't here, Martin. 4 00:00:36,560 --> 00:00:38,118 You may have noticed. Hm. 5 00:00:38,200 --> 00:00:40,000 It's no longer dark in the daytime. 6 00:00:40,000 --> 00:00:43,151 The wolf bitch has ceased to whelp in the streets, and so on. 7 00:00:43,240 --> 00:00:44,753 What are you talking about? 8 00:00:44,840 --> 00:00:47,354 Charles isn't out of chokey for another month. 9 00:00:47,440 --> 00:00:48,953 So it's your call. 10 00:00:50,920 --> 00:00:53,354 I just don't grasp what it's supposed to be. 11 00:00:53,440 --> 00:00:55,158 Well, it is what it is. 12 00:00:55,240 --> 00:00:57,629 Well, I know. A bottle of sperm. 13 00:00:57,720 --> 00:00:59,278 Yes, I realise that Catherine. 14 00:00:59,360 --> 00:01:03,239 I don't get what it is supposed to represent for the artist. 15 00:01:03,320 --> 00:01:04,840 Struggle? 16 00:01:04,840 --> 00:01:09,436 Well, there is rather a lot of it. Is there? 17 00:01:09,520 --> 00:01:13,160 Is that your usual other-worldliness, Ali, or are you trying to frighten us? 18 00:01:13,160 --> 00:01:15,196 What? 19 00:01:20,520 --> 00:01:23,560 The question I am asking is, is it art? 20 00:01:23,560 --> 00:01:24,600 Yes. Why? 21 00:01:24,600 --> 00:01:25,999 Because the right people say it is. 22 00:01:26,080 --> 00:01:28,674 Dean Wheelwright may be a copious wanker, 23 00:01:28,760 --> 00:01:31,194 but Cork Street says he's the next Damien Hirst. 24 00:01:31,280 --> 00:01:35,080 The Sun, of course, say he's both. And that's how you get the Turner Prize. 25 00:01:35,080 --> 00:01:37,680 But this bloke, Wheelwright, 26 00:01:37,680 --> 00:01:39,720 won't permit his work to be entered for the Turner, 27 00:01:39,720 --> 00:01:40,709 because everybody thinks 28 00:01:40,800 --> 00:01:43,520 he'll win hands down but he doesn't want to. 29 00:01:43,520 --> 00:01:46,159 Is that right? Yup. That's because he's an artist. 30 00:01:46,240 --> 00:01:48,515 Oh God, this is making my head hurt. 31 00:01:48,600 --> 00:01:50,477 I think you have to meet him, Martin. 32 00:01:50,560 --> 00:01:53,836 Was he frightened by a piece of silverware when he was younger? 33 00:01:53,920 --> 00:01:56,434 He has the makings of a major player. 34 00:01:56,520 --> 00:02:00,229 Oh hell, all right. Just don't expect me to shake hands with him. 35 00:02:02,360 --> 00:02:05,796 Jamie has very kindly brought up the subject of Charles's absence. 36 00:02:05,880 --> 00:02:09,960 And I was wondering whether the conversation we had yesterday 37 00:02:09,960 --> 00:02:12,952 has stimulated any, um, thoughts. 38 00:02:20,840 --> 00:02:22,831 It is a ticklish business, Martin. 39 00:02:22,920 --> 00:02:25,115 It is a bit of a curly one. 40 00:02:25,200 --> 00:02:29,193 But we have to accept the integrity of the company has been compromised. 41 00:02:29,280 --> 00:02:31,350 Then, of course, there's this. 42 00:02:56,640 --> 00:02:58,517 CHARLES: Left a bit, I think. 43 00:02:58,600 --> 00:03:01,194 Better? 44 00:03:01,280 --> 00:03:03,874 Charles! Well spotted! 45 00:03:03,960 --> 00:03:06,155 Am I better? Undoubtedly. 46 00:03:06,240 --> 00:03:08,196 But I thought... 47 00:03:08,280 --> 00:03:09,713 You gave us to understand... 48 00:03:09,800 --> 00:03:12,394 Yes, I did, rather didn't I? I thought it best. 49 00:03:12,480 --> 00:03:16,189 You know how disagreeable I find overt displays of sentiment. 50 00:03:16,280 --> 00:03:21,400 Balloons, banners shrieking, "Welcome Home Charles", that sort of thing. 51 00:03:21,480 --> 00:03:23,360 Yes, of course. 52 00:03:23,360 --> 00:03:27,069 On the other hand, in the privacy of this office, you could say it quietly. 53 00:03:27,160 --> 00:03:29,276 I wouldn't mind that. 54 00:03:29,360 --> 00:03:31,590 God, this is pleasant. 55 00:03:31,680 --> 00:03:33,120 The ceiling? 56 00:03:33,120 --> 00:03:34,633 No, not the ceiling. The absence of Charles. 57 00:03:34,720 --> 00:03:37,359 Oh, right. Life's altogether less... 58 00:03:37,440 --> 00:03:39,560 Frightening. Hectic. 59 00:03:39,560 --> 00:03:41,040 Martin's slow. 60 00:03:41,040 --> 00:03:44,237 Martin needs his nipples gently tweaking, from time to time. 61 00:03:44,320 --> 00:03:46,231 Does he? Yes, it's in my contract. 62 00:03:46,320 --> 00:03:48,117 But he's more alert than he lets on. 63 00:03:48,200 --> 00:03:52,318 The vagueness is mainly there just to lull the clients while he rooks them. 64 00:03:52,400 --> 00:03:54,197 I'm just so astonished. 65 00:03:54,280 --> 00:03:57,520 Also, of course, the unanticipated arrival gives one the chance 66 00:03:57,520 --> 00:04:00,353 to check out the true lie of the land. 67 00:04:00,440 --> 00:04:02,635 The true lie? 68 00:04:02,720 --> 00:04:05,680 Which orchards have been properly maintained, 69 00:04:05,680 --> 00:04:08,592 which fences fallen into disrepair, which bridges... 70 00:04:08,680 --> 00:04:09,874 burned. 71 00:04:09,960 --> 00:04:14,988 Oh, well. I think on the whole you'll find most things pretty tickety-boo. 72 00:04:15,080 --> 00:04:18,516 This key of mine, for instance. 73 00:04:18,600 --> 00:04:20,397 Ah, now, that is interesting. 74 00:04:20,480 --> 00:04:22,710 That is part of a wider, um... 75 00:04:22,800 --> 00:04:25,268 It has one function in its life. 76 00:04:25,360 --> 00:04:26,873 Er, while you were away... 77 00:04:26,960 --> 00:04:30,953 Just one. And that's to unlock the door of my office. 78 00:04:31,040 --> 00:04:33,270 We had a bit of a chat about the use of space. 79 00:04:33,360 --> 00:04:35,157 And yet it no longer does so. 80 00:04:35,240 --> 00:04:39,119 And from now on you and I are going to share this room, Charles. 81 00:04:39,200 --> 00:04:40,918 That side of the desk will be yours. 82 00:04:41,000 --> 00:04:44,993 We thought it would be a more, um, constructive arrangement. 83 00:04:45,080 --> 00:04:46,798 "We", Martin? 84 00:04:46,880 --> 00:04:49,120 Has democracy broken out in my absence, 85 00:04:49,120 --> 00:04:51,793 or are you no longer willing to take responsibility 86 00:04:51,880 --> 00:04:56,670 for your decision, because it's emblematic of distrust? 87 00:04:56,760 --> 00:05:00,150 No, Charles I trust you, I trust you. Of course I trust you. 88 00:05:00,240 --> 00:05:03,869 It's just that we must be very, very careful from now on. 89 00:05:03,960 --> 00:05:05,837 For the good of the company. 90 00:05:12,760 --> 00:05:14,557 Fine. 91 00:05:14,640 --> 00:05:16,073 What? 92 00:05:17,680 --> 00:05:19,352 You're putting me on probation. 93 00:05:19,440 --> 00:05:21,431 Oh no, my dear chap. 94 00:05:21,520 --> 00:05:23,397 I wouldn't go as far as to say that. 95 00:05:23,480 --> 00:05:25,596 It's a sensible precaution. 96 00:05:25,680 --> 00:05:29,639 I give you my word I shan't betray your faith in me. 97 00:05:29,720 --> 00:05:33,269 Charles. You haven't done an Aitken on me, have you? 98 00:05:33,360 --> 00:05:36,909 Have I come to know the grace of our Lord? 99 00:05:37,000 --> 00:05:41,278 No. Have I seen the error of my ways? 100 00:05:41,360 --> 00:05:43,794 Yes. Come. 101 00:05:43,880 --> 00:05:45,677 Let's say boo to the troops. 102 00:05:51,320 --> 00:05:54,949 And so liberating to be able to float an original idea, without 103 00:05:55,040 --> 00:05:58,635 that sarcastic bastard slashing it to bloody little ribbons. 104 00:05:58,720 --> 00:06:00,278 Dictatorial shit. 105 00:06:00,360 --> 00:06:03,796 He's behind me, isn't he? 106 00:06:03,880 --> 00:06:05,632 Charles, thank God you're back. 107 00:06:05,720 --> 00:06:07,960 It's been a bloody nightmare, total shambles. 108 00:06:07,960 --> 00:06:10,952 I mean, bless him, but Martin couldn't conduct a bus. 109 00:06:11,040 --> 00:06:13,474 We've been seriously worried about the firm... 110 00:06:13,560 --> 00:06:15,160 Jamie. 111 00:06:15,160 --> 00:06:17,037 Yes, absolutely, I'm already ahead of you, shut up. 112 00:06:19,000 --> 00:06:20,520 What's that? 113 00:06:20,520 --> 00:06:22,078 A bottle of spunk. 114 00:06:22,160 --> 00:06:24,720 We used to make do with coffee. 115 00:06:24,800 --> 00:06:27,189 Otherwise, I see nothing else has changed. 116 00:06:27,280 --> 00:06:29,032 It's a client. 117 00:06:29,120 --> 00:06:30,633 Now that HAS changed. 118 00:06:30,720 --> 00:06:33,029 Or, I should say, it's the work of a client. 119 00:06:33,120 --> 00:06:36,078 He hopes to win the Turner Prize. Or rather he doesn't. 120 00:06:36,160 --> 00:06:38,390 I see. Complicated one, is it? 121 00:06:38,480 --> 00:06:41,995 We're on top of it. Of course you are. 122 00:06:42,080 --> 00:06:44,040 Tell me all about it anyway, 123 00:06:44,040 --> 00:06:47,749 you never know I might have some small insight which might be of assistance. 124 00:06:47,840 --> 00:06:49,558 If that's all right with the team? 125 00:06:49,640 --> 00:06:50,680 Of course. Absolutely. 126 00:06:50,680 --> 00:06:51,999 Great. Brilliant. 127 00:06:53,120 --> 00:06:55,634 Splendid. 128 00:06:55,720 --> 00:06:58,518 OK. Damage limitation. I almost peed. 129 00:06:58,600 --> 00:07:01,080 There's a mock-up of his face on Mark Thatcher's body... 130 00:07:01,080 --> 00:07:02,069 He laughed. 131 00:07:02,160 --> 00:07:05,311 Laughed? Fuck. We're dead. What about the screen saver? 132 00:07:05,400 --> 00:07:06,469 He saw it. 133 00:07:06,560 --> 00:07:11,076 OK, but it's not absolutely clear what the judge is doing to Charles. 134 00:07:11,160 --> 00:07:13,469 It's not ideal that he saw that. We're dead. 135 00:07:13,560 --> 00:07:17,872 Right. Martin and I are off to Hoxton for an audience with Mr Wheelwright. 136 00:07:17,960 --> 00:07:20,200 A propos of none of which, 137 00:07:20,200 --> 00:07:24,398 who was it who did the mock-up of me being buggered by a judge? 138 00:07:24,480 --> 00:07:26,357 BOTH: Nick. 139 00:07:31,480 --> 00:07:34,836 Dean uses the annex as a studio. 140 00:07:34,920 --> 00:07:36,990 He's just finishing off a new piece. 141 00:07:37,080 --> 00:07:40,675 He and I have talked seriously about metrication. 142 00:07:40,760 --> 00:07:42,955 Litres rather than pints. Oh yes? 143 00:07:43,040 --> 00:07:46,200 Well, Dean's concerned that imperial measures 144 00:07:46,200 --> 00:07:49,317 have an unwelcome resonance of Imperial rule. 145 00:07:49,400 --> 00:07:52,073 How long does it take him to produce a pint? 146 00:07:52,160 --> 00:07:54,116 It's difficult to say. 147 00:07:54,200 --> 00:07:58,193 As an artist and dealer we enjoy an unusually close relationship, 148 00:07:58,280 --> 00:08:01,511 but he generally prefers me not to watch him while he's working. 149 00:08:01,600 --> 00:08:03,560 Understandable. 150 00:08:03,560 --> 00:08:05,915 But I'd say, ooh, about quarter of an hour. 151 00:08:08,680 --> 00:08:12,116 Would you be interested to observe the creative process? 152 00:08:17,800 --> 00:08:21,509 We find Mr Wheelwright between sessions. 153 00:08:21,600 --> 00:08:26,799 No, he is engaged in the act itself. Is he? 154 00:08:26,880 --> 00:08:28,359 He's remarkably discreet. 155 00:08:28,440 --> 00:08:30,880 I think Martin was expecting to intrude upon a scene 156 00:08:30,880 --> 00:08:32,632 of vigorous masturbation. 157 00:08:32,720 --> 00:08:35,598 Sperm, last movement. 158 00:08:35,680 --> 00:08:38,877 This movement... blood. 159 00:08:38,960 --> 00:08:40,837 I like the cut of your metaphor. 160 00:08:40,920 --> 00:08:44,680 The artist bled dry by the rapacious acquisitiveness 161 00:08:44,680 --> 00:08:48,116 of this philistine cultural establishment. 162 00:08:48,200 --> 00:08:49,838 What I do, ok? 163 00:08:49,920 --> 00:08:51,512 It's about suffering. 164 00:08:51,600 --> 00:08:55,593 Talk me through it, Dean, this whole cerebral horizon deal. 165 00:08:55,680 --> 00:09:00,356 Synthesis. The unexpected collision of ideas from the full intellectual spectrum. 166 00:09:00,440 --> 00:09:03,910 The big questions, yeah? Yeah. 167 00:09:04,000 --> 00:09:07,151 The force can have strong influence on the weak-minded. 168 00:09:07,240 --> 00:09:09,196 Ah. That much is indisputable. 169 00:09:09,280 --> 00:09:10,998 Hesse, surely? 170 00:09:11,080 --> 00:09:14,520 Those, Martin, are the actual words of Ben Obi-Wan Kenobi. 171 00:09:14,520 --> 00:09:15,560 Ah. 172 00:09:15,560 --> 00:09:18,836 Sorry, not too hot on the early church. Charles is your man, really. 173 00:09:18,920 --> 00:09:22,993 I think Dean here and I speak the same language. 174 00:09:23,080 --> 00:09:25,389 Well, that's handy. 175 00:09:25,480 --> 00:09:28,950 Come and blood. 176 00:09:29,040 --> 00:09:34,956 As far as Cork Street's concerned, it just doesn't get tastier than that. 177 00:09:35,040 --> 00:09:38,032 Does my cynicism shock you? 178 00:09:38,120 --> 00:09:40,640 Not at all. On the contrary. 179 00:09:40,640 --> 00:09:43,677 Charles Saatchi's crying out for a bottle of ejaculate. 180 00:09:43,760 --> 00:09:45,910 But Dean won't let me sell him one. 181 00:09:46,000 --> 00:09:48,680 He doesn't want fame, you see, he doesn't want money. 182 00:09:48,680 --> 00:09:50,591 Which is a crying shame. 183 00:09:50,680 --> 00:09:54,639 Because, frankly, there is a packet of money to be made. 184 00:09:54,720 --> 00:09:56,358 Go on. 185 00:09:56,440 --> 00:09:59,880 If Dean would accept his invitation to enter for the Turner, 186 00:09:59,880 --> 00:10:02,155 he would sweep the board. 187 00:10:02,240 --> 00:10:06,472 I'd stake my life on it. And the value of his work would rocket. 188 00:10:06,560 --> 00:10:08,640 It's just such a waste. 189 00:10:08,640 --> 00:10:10,040 Well... 190 00:10:10,040 --> 00:10:12,429 ...we can't have that. 191 00:10:16,360 --> 00:10:19,079 Everybody shut up and listen to me. 192 00:10:19,160 --> 00:10:20,600 OK. Especially you. 193 00:10:20,600 --> 00:10:21,999 Here's what's going to happen. 194 00:10:22,080 --> 00:10:25,280 Wheelwright here is going to take up his entry for the Turner Prize, 195 00:10:25,280 --> 00:10:27,236 and what's more he is going to win. 196 00:10:27,320 --> 00:10:32,440 Whether he likes it or not. So cheer up, you ludicrous drug-addled ninny. 197 00:10:32,520 --> 00:10:34,875 You're going to make everybody rich. 198 00:10:34,960 --> 00:10:39,000 Which you think you don't want, but that's just a symptom of your condition. 199 00:10:39,000 --> 00:10:40,149 What's his condition? 200 00:10:40,240 --> 00:10:42,151 He's a twit. "Rich", meaning? 201 00:10:42,240 --> 00:10:45,869 In the first instance, Dean gets £2,500. 202 00:10:45,960 --> 00:10:47,520 I thought the Turner was 25? 203 00:10:47,520 --> 00:10:49,397 Two and a half grand, isn't bad, you know 204 00:10:49,480 --> 00:10:52,600 for a poor boy from Chertsey who regards his own teeth 205 00:10:52,600 --> 00:10:54,795 as imperialist aggressors and refuses to clean them. 206 00:10:54,880 --> 00:10:56,680 Eurgh. And how does he win? 207 00:10:56,680 --> 00:11:00,036 By parting with a great deal more of his blood than he originally intended. 208 00:11:00,120 --> 00:11:02,315 Almost all of it, in fact. 209 00:11:02,400 --> 00:11:08,640 Cat, who's that peculiarly pustular idiot you know at BBC Four? Producer. 210 00:11:08,640 --> 00:11:10,160 You mean my brother. 211 00:11:10,160 --> 00:11:13,197 He can have the rights for coverage of Wheelwright's work in progress 212 00:11:13,280 --> 00:11:15,430 for half the sum agreed with Channel Four. 213 00:11:15,520 --> 00:11:17,400 Which was what? 214 00:11:17,400 --> 00:11:19,868 Half whatever we decide to give suede head here. Nick. 215 00:11:19,960 --> 00:11:23,396 Arts programmes. Are there any left? Newsnight Review. 216 00:11:23,480 --> 00:11:25,835 Don't put him on that. The Irishman will punch him. 217 00:11:25,920 --> 00:11:27,831 NICK: There's radio. Front Row. 218 00:11:27,920 --> 00:11:30,388 Better. Or do we want him punched? 219 00:11:30,480 --> 00:11:33,552 Charles, may I just say what a pleasure it is to have you back. 220 00:11:33,640 --> 00:11:37,235 I warned you I had seen the error of my ways, and I was telling the truth. 221 00:11:37,320 --> 00:11:40,960 I've had time to reflect on my professional behaviour, 222 00:11:40,960 --> 00:11:43,872 and have decided accordingly. 223 00:11:43,960 --> 00:11:46,030 From now on in my career, 224 00:11:46,120 --> 00:11:48,554 no more Mr nice guy. 225 00:11:58,160 --> 00:12:04,793 So, what I'm commending to you, Dean, is a declaration of war on the art-object. 226 00:12:04,880 --> 00:12:06,359 Right. 227 00:12:06,440 --> 00:12:12,151 And your first assault will be a masterpiece of Trojan horsemanship. 228 00:12:12,240 --> 00:12:16,358 You are going to blow the art world apart. 229 00:12:16,440 --> 00:12:18,112 From the inside. 230 00:12:20,600 --> 00:12:26,948 You, Dean, are going to bleed yourself to death. 231 00:12:28,800 --> 00:12:33,954 Right. Right, now that's the bit I don't entirely, erm... 232 00:12:34,040 --> 00:12:36,474 How does that work? 233 00:12:36,560 --> 00:12:39,028 Over to you, Martin. 234 00:12:39,120 --> 00:12:41,315 Dean, this is your team. 235 00:12:41,400 --> 00:12:44,233 Jamie will be co-ordinating your public appearances. 236 00:12:44,320 --> 00:12:46,320 I don't appear in public. 237 00:12:46,320 --> 00:12:48,709 In that case his job will be gratifyingly straightforward. 238 00:12:48,800 --> 00:12:50,631 DEAN: Fuck is that? 239 00:12:50,720 --> 00:12:52,153 Erm, that's Alison. 240 00:12:52,240 --> 00:12:53,840 Hello! NICK: This? 241 00:12:53,840 --> 00:12:56,149 It's a mock-up of the device Charles has described to you. 242 00:12:56,240 --> 00:13:00,028 90% of it, of course, is just decoration. Cool. 243 00:13:00,120 --> 00:13:03,749 The original sketch was quite plain, but Charles said to goth it up a bit. 244 00:13:03,840 --> 00:13:05,592 "Goth it up"? Just a bit. 245 00:13:05,680 --> 00:13:07,318 CHARLES: Nick. Explain the plumbing. 246 00:13:07,400 --> 00:13:09,789 OK, this is the 10% that's practical. 247 00:13:09,880 --> 00:13:13,270 Your blood is drained here, in exactly the way you've established. 248 00:13:13,360 --> 00:13:16,318 And it emerges here to fill the bottles. 249 00:13:16,400 --> 00:13:17,480 It isn't his blood. No. 250 00:13:17,480 --> 00:13:18,515 It's pigs' blood. 251 00:13:18,600 --> 00:13:22,878 Correct. This bit here, this is the reservoir. The piggy blood bank. 252 00:13:22,960 --> 00:13:27,320 Dean's blood is genuinely taken from him, and seen to be taken from him, 253 00:13:27,320 --> 00:13:29,550 but it is secretly returned here. 254 00:13:29,640 --> 00:13:32,996 Everything that comes out the end is porcine. 255 00:13:33,080 --> 00:13:37,119 Dean Wheelwright's last minute Turner Prize entry is a kinetic sculpture 256 00:13:37,200 --> 00:13:41,352 that is the self-destructing body of the artist himself. 257 00:13:41,440 --> 00:13:46,753 Wheelwright will bleed himself dry, pint by pint, live on digital, 258 00:13:46,840 --> 00:13:49,718 online, to the brink of expiration. 259 00:13:49,800 --> 00:13:51,920 Then you go to the podium 260 00:13:51,920 --> 00:13:55,310 and you reveal that the whole thing has been a gigantic fraud. 261 00:13:55,400 --> 00:13:59,280 You say, "Tonight's victory is a deliberate sabotage 262 00:13:59,280 --> 00:14:02,795 "of the corrupt and grasping art establishment." 263 00:14:02,880 --> 00:14:04,836 I'd say I shafted them up the jacksie. 264 00:14:04,920 --> 00:14:08,117 Well, that has the virtue of concision. 265 00:14:08,200 --> 00:14:09,633 So, what do you say, Dean? 266 00:14:09,720 --> 00:14:12,080 Give it a go? 267 00:14:12,080 --> 00:14:15,152 See, if these pipes, here, 268 00:14:15,240 --> 00:14:18,630 they get unplugged, I get up to have a slash. 269 00:14:18,720 --> 00:14:20,995 Bottle that as well. Whatever. 270 00:14:21,080 --> 00:14:23,548 The pipes get mixed up, 271 00:14:23,640 --> 00:14:25,676 I get pumped full of pigs' blood? 272 00:14:25,760 --> 00:14:27,760 CHARLES: Could not happen. 273 00:14:27,760 --> 00:14:30,399 It's a binary choice. One pipe goes out, the other comes in. 274 00:14:30,480 --> 00:14:32,600 Perhaps I should remain on site 275 00:14:32,600 --> 00:14:34,670 to supervise the running of the installation. 276 00:14:34,760 --> 00:14:37,360 No, no, all part of the service, from soup to nuts. 277 00:14:37,360 --> 00:14:38,960 We'll take care of it. 278 00:14:38,960 --> 00:14:41,679 Really, if the village idiot were left 279 00:14:41,760 --> 00:14:46,629 in charge of hooking up the apparatus, they would get it right every time. 280 00:14:46,720 --> 00:14:48,153 Every time. 281 00:14:49,800 --> 00:14:51,552 OK. 282 00:15:16,920 --> 00:15:19,753 Right then, nursey. Plug up. 283 00:15:41,620 --> 00:15:44,976 Yeah, yeah. That's very interesting. 284 00:15:51,300 --> 00:15:53,370 Can you see the money, Martin? 285 00:15:53,460 --> 00:15:55,291 The first of a limited edition. 286 00:15:55,380 --> 00:16:00,738 Nick put out feelers and he's heard 10 to 20 thousand... 287 00:16:00,820 --> 00:16:02,651 ...guineas. Good Lord. 288 00:16:02,740 --> 00:16:05,620 And the sheer, seamless beauty of it is, 289 00:16:05,620 --> 00:16:08,453 each bottle is more valuable than the last. 290 00:16:08,540 --> 00:16:11,896 The more effort it costs Dean, as he floats towards oblivion 291 00:16:11,980 --> 00:16:14,620 to dredge up a pint, the more remaining life 292 00:16:14,620 --> 00:16:16,338 that pint contains. 293 00:16:16,420 --> 00:16:18,570 The more precious it is. 294 00:16:18,660 --> 00:16:20,173 Except, it isn't. 295 00:16:20,260 --> 00:16:21,693 The whole thing's a hoax. 296 00:16:21,780 --> 00:16:22,900 WE know that. 297 00:16:22,900 --> 00:16:24,299 He's just having a bit of a lie down. 298 00:16:24,380 --> 00:16:26,689 Nobody else knows that. No. 299 00:16:26,780 --> 00:16:30,659 We cannot promote the selling of a man's blood knowing it is pigs' blood. 300 00:16:30,740 --> 00:16:34,096 That is insider trading and it is precisely the thing... 301 00:16:34,180 --> 00:16:38,935 Of course you know, what he really needs to do is actually die. 302 00:16:39,020 --> 00:16:42,296 Imagine the price of that final bottle. 303 00:16:43,700 --> 00:16:45,611 Just a pleasant thought. 304 00:16:45,700 --> 00:16:49,488 (NEWS JINGLE PLAYS ON TV) 305 00:16:49,580 --> 00:16:52,458 Dean Wheelwright's bid to win this year's Turner Prize, 306 00:16:52,540 --> 00:16:55,740 an award given to the person who has made the greatest contribution 307 00:16:55,740 --> 00:16:57,810 to art in Britain over the past year, 308 00:16:57,900 --> 00:17:01,176 continues to be the subject of much media speculation. 309 00:17:01,260 --> 00:17:04,377 But his work called, The Last Best Thing I Ever Did, 310 00:17:04,460 --> 00:17:08,738 has inspired some contrasting reactions from members of the public. 311 00:17:08,820 --> 00:17:13,689 WOMAN: He's well fit, not like that tosser in a box. 312 00:17:13,780 --> 00:17:17,819 And I mean he's got a right to do it, yeah? What's he doing? 313 00:17:19,700 --> 00:17:22,851 La jeunesse dore getting up to speed. 314 00:17:22,940 --> 00:17:27,252 That's good, all good. Right, well, I'm off to Buck's to get pissed. 315 00:17:32,420 --> 00:17:36,698 William Hill is apparently offering four to one on Dean winning the Turner. 316 00:17:36,780 --> 00:17:39,055 But I think we can do better. 317 00:17:39,140 --> 00:17:44,100 Let's see, webcam, digital, a small deciduous forest 318 00:17:44,100 --> 00:17:45,772 of negative newspaper coverage. 319 00:17:45,860 --> 00:17:47,339 What are we missing, Martin? 320 00:17:47,420 --> 00:17:51,572 A talking head? Not Dean's. Somebody who talks intelligible English. 321 00:17:51,660 --> 00:17:55,096 Agreed. Whose? Yours. 322 00:17:55,180 --> 00:17:59,458 Newsnight. Open the lion's chops and stick your bonce right in. 323 00:17:59,540 --> 00:18:04,220 Good thinking. Small change, you do it. 324 00:18:04,220 --> 00:18:05,820 Oh, come off it, Charles. 325 00:18:05,820 --> 00:18:08,459 Writers, royalty and thesps, yes, with pleasure. 326 00:18:08,540 --> 00:18:13,375 Politicians - I grin and bear it, but artists? Really, Charles. 327 00:18:13,460 --> 00:18:16,540 Francis Bacon squeezed your dong in The Colony Room once, Martin. 328 00:18:16,540 --> 00:18:18,531 He did it to everyone. 329 00:18:18,620 --> 00:18:22,090 It's nothing to do with the Bacon dong-squeezing, it's arty people. 330 00:18:22,180 --> 00:18:24,057 They make me scream with boredom. 331 00:18:25,660 --> 00:18:27,730 It's your name on the sign. 332 00:18:29,380 --> 00:18:31,340 What sign? 333 00:18:31,340 --> 00:18:33,456 The one you kicked under the filing cabinet. 334 00:18:33,540 --> 00:18:37,692 The one with your name on it, and not mine. 335 00:18:52,700 --> 00:18:54,975 All well? 336 00:18:56,980 --> 00:18:59,289 No problem. Everything's fine. 337 00:19:01,140 --> 00:19:02,892 The apparatus has been checked? 338 00:19:02,980 --> 00:19:05,414 Just a few moments ago. 339 00:19:07,780 --> 00:19:10,897 (MUMBLING) Been a while since anyone checked your apparatus. 340 00:19:13,020 --> 00:19:15,700 So this hose with the pluses all over it 341 00:19:15,700 --> 00:19:18,339 is supposed to be connected with the minusy one? 342 00:19:18,420 --> 00:19:22,493 Yes, absolutely. Is there anything else I can help you with? 343 00:19:34,220 --> 00:19:35,699 Shit. 344 00:19:36,180 --> 00:19:39,217 Our final subject tonight is the Turner Prize short-listed 345 00:19:39,300 --> 00:19:42,020 The Last Best Thing I Ever Did, 346 00:19:42,020 --> 00:19:44,932 the so-called kinetic installation piece by Dean Wheelwright. 347 00:19:45,020 --> 00:19:48,020 With me in the studio, Wheelwright's spokesman Martin McCabe, 348 00:19:48,020 --> 00:19:50,454 and Newsnight Review regular Paul Morley. 349 00:19:50,540 --> 00:19:55,091 Paul, 19, or 20 pints of blood, what is the artist asking of us here? 350 00:19:55,180 --> 00:19:58,220 Well, the artist is asking of us to abandon all reason 351 00:19:58,220 --> 00:20:00,654 and actually treat this sick bilge as if it's 352 00:20:00,740 --> 00:20:04,130 saying something important, as if it's an important statement. 353 00:20:04,220 --> 00:20:05,940 You don't think it's art? 354 00:20:05,940 --> 00:20:07,578 I wouldn't put the name Dean Wheelwright 355 00:20:07,660 --> 00:20:10,572 and "art" in the same universe, let alone the same sentence. 356 00:20:10,660 --> 00:20:12,412 Bring in Martin McCabe. 357 00:20:12,500 --> 00:20:14,058 Do you want to come back on that? 358 00:20:14,140 --> 00:20:19,658 Oh, well, I think Paul states the case for the Daily Mail art lover very adroitly. 359 00:20:19,740 --> 00:20:22,732 You're saying most people are too stupid to understand it? 360 00:20:22,820 --> 00:20:28,611 I'm saying that people who love art, and who are comfortable with the Daily Mail, 361 00:20:28,700 --> 00:20:31,009 will get a very succinct, 362 00:20:31,100 --> 00:20:35,457 a very emotionally honest assessment of the piece from critics like... 363 00:20:35,540 --> 00:20:38,300 Paul Morley. You southern snob. 364 00:20:38,300 --> 00:20:42,091 But those who are accustomed to seek a little further, to probe 365 00:20:42,280 --> 00:20:44,460 a little deeper into their experience of art, 366 00:20:44,660 --> 00:20:49,580 may find what Dean is trying to achieve here, rather remarkable. 367 00:20:49,580 --> 00:20:51,740 Is he going to win the Turner Prize? 368 00:20:51,740 --> 00:20:53,378 Well, Mark, who knows? 369 00:20:53,460 --> 00:20:55,610 I don't think it matters to him. 370 00:20:55,700 --> 00:20:59,218 But those of us who have worked closely with Dean on the project just feel... 371 00:21:59,300 --> 00:21:01,929 ...privileged by the experience. 372 00:21:06,220 --> 00:21:08,017 Ladies. 373 00:21:14,580 --> 00:21:17,856 (PHONE RINGS) 374 00:21:17,940 --> 00:21:20,135 Charles. Ten minutes to the presentation. 375 00:21:20,220 --> 00:21:23,895 Make sure Wheelwright's awake, sitting up, speech in his hand. 376 00:21:23,980 --> 00:21:26,050 Oh, and tell him not to agitate his scalp. 377 00:21:26,140 --> 00:21:29,974 We know he's got nits, the country can be spared the information. 378 00:21:41,140 --> 00:21:43,940 (PHONE RINGS) 379 00:21:43,940 --> 00:21:47,250 Young Jamie. Martin. Just a thought. 380 00:21:47,340 --> 00:21:50,810 Arrghh! 381 00:21:50,900 --> 00:21:52,538 Have you got a moment? 382 00:21:52,620 --> 00:21:56,852 And it gives me very great pleasure to announce the winner of this year's 383 00:21:56,940 --> 00:22:01,456 JMW Turner Prize is The Last Best Thing I Ever Did by Dean Wheelwright. 384 00:22:05,260 --> 00:22:10,050 Sadly, Dean is too frail to be with us tonight, but here to accept 385 00:22:10,140 --> 00:22:15,700 his award on his behalf is his associate, Charles Prentiss. 386 00:22:15,700 --> 00:22:18,860 (PHONE RINGS) 387 00:22:18,860 --> 00:22:22,819 You should be here, Martin, sharing in our moment of glory. 388 00:22:22,900 --> 00:22:24,731 MARTIN: I'm with Wheelwright. 389 00:22:26,100 --> 00:22:28,056 Oh. So you are. 390 00:22:28,140 --> 00:22:31,177 MARTIN: He's dead, Charles. 391 00:22:31,260 --> 00:22:32,932 In what sense? 392 00:22:33,020 --> 00:22:37,172 MARTIN: In the sense that he's no longer alive. 393 00:22:37,260 --> 00:22:40,491 What are we going to do? MARTIN: Carry on as planned. 394 00:22:40,580 --> 00:22:42,340 I see. 395 00:22:42,340 --> 00:22:45,332 MARTIN: Fingers in the dyke, Charles. This is what you get the extra for. 396 00:22:45,420 --> 00:22:47,980 Martin, you are an unconscionable shit. 397 00:22:48,060 --> 00:22:50,130 MARTIN: Of course, if you don't feel up to it... 398 00:22:56,540 --> 00:22:58,178 Ladies and gentlemen. 399 00:22:58,260 --> 00:23:00,490 It must seem... 400 00:23:00,580 --> 00:23:06,212 offensively cavalier to make a telephone conversation while you're applauding. 401 00:23:06,300 --> 00:23:11,499 But the fact is I have just been speaking to the nurses monitoring this project. 402 00:23:13,500 --> 00:23:19,689 In the past few minutes, even as Sir Peter was announcing the result, 403 00:23:19,780 --> 00:23:22,658 Dean Wheelwright died. 404 00:23:22,740 --> 00:23:24,617 (MURMURING) 405 00:23:24,700 --> 00:23:27,897 In pursuit of his last 406 00:23:27,980 --> 00:23:31,859 and greatest work of art. 407 00:23:31,940 --> 00:23:35,376 We were advised by medical experts 408 00:23:35,460 --> 00:23:42,730 that the human body could not sustain the expulsion of 20 pints of blood 409 00:23:42,820 --> 00:23:50,613 in 48 hours. But that is the target that Dean was determined to achieve. 410 00:23:50,700 --> 00:23:53,260 Though God knows we did our best to dis... 411 00:23:59,100 --> 00:24:00,533 I'm sorry. 412 00:24:04,860 --> 00:24:08,819 I think Dean foresaw this. 413 00:24:08,900 --> 00:24:14,770 When I last spoke to him, not half an hour ago, 414 00:24:14,860 --> 00:24:19,092 he pressed a small piece of paper into my hand. 415 00:24:19,180 --> 00:24:21,455 A statement, 416 00:24:21,540 --> 00:24:24,771 that he charged me to make on his behalf. 417 00:24:27,060 --> 00:24:32,851 The object of living is not to arrive safely at the grave. 418 00:24:32,940 --> 00:24:38,060 It is to hurl oneself at death with contempt, 419 00:24:38,140 --> 00:24:42,816 with a body that can take no more. 420 00:24:42,900 --> 00:24:46,529 This prize, this... 421 00:24:46,620 --> 00:24:48,656 This is what 422 00:24:48,740 --> 00:24:52,335 Dean Wheelwright most desired in his life. 423 00:24:52,420 --> 00:24:54,536 But money, 424 00:24:54,620 --> 00:24:57,054 he never cared for. 425 00:24:57,140 --> 00:25:00,098 And so again, at his instruction, 426 00:25:00,180 --> 00:25:06,415 I am returning this cheque for £25,000 to the sponsors of the event 427 00:25:06,500 --> 00:25:12,052 and I beg that they will distribute it amongst the urban poor 428 00:25:12,140 --> 00:25:13,653 of Chertsey. 429 00:25:13,740 --> 00:25:15,059 (APPLAUSE) 430 00:25:34,260 --> 00:25:35,249 Pax? 431 00:25:35,340 --> 00:25:38,412 Vobiscum. 432 00:25:38,500 --> 00:25:40,456 I think we must be about equal now. 433 00:25:42,220 --> 00:25:43,812 Nightcap? 434 00:25:43,900 --> 00:25:46,653 Well, if you're sure you can spare it. 435 00:25:49,420 --> 00:25:52,651 Oh, THAT. That isn't wine. 436 00:25:52,740 --> 00:25:54,970 Oh. 437 00:25:55,060 --> 00:25:57,528 Oh, well. You can't beat a green drink. 438 00:25:57,620 --> 00:25:59,576 No, that's blood. 439 00:25:59,660 --> 00:26:01,093 You're not serious? 440 00:26:01,180 --> 00:26:03,250 Humour, where would we be without it? 441 00:26:03,340 --> 00:26:06,616 In Germany, probably. 442 00:26:06,700 --> 00:26:11,057 Don't drop it. You couldn't possibly afford to replace it. 443 00:26:11,140 --> 00:26:13,859 The urban poor of Chertsey. 444 00:26:13,940 --> 00:26:16,932 The poor. How could one cope without them? 445 00:26:17,020 --> 00:26:20,695 Well, happily we are now in a position to be magnanimous. 446 00:26:20,780 --> 00:26:26,013 As for the dead artist, I understand that the felicitously named Miss Pink 447 00:26:26,100 --> 00:26:29,012 has accepted full-ish responsibility? 448 00:26:29,100 --> 00:26:32,012 Oh, full. Jamie had a hand in that. 449 00:26:32,100 --> 00:26:34,489 Figuratively, one trusts. 450 00:26:36,100 --> 00:26:40,218 Oh God, we've done some slutty stuff in our time. 451 00:26:40,300 --> 00:26:43,053 Do you want a working definition of "whoredom"? 452 00:26:43,140 --> 00:26:46,735 Intercourse with people you despise. 453 00:26:46,820 --> 00:26:50,096 When have you ever doubted that that is what we do for a living? 454 00:26:50,180 --> 00:26:56,130 Whores, Martin. And we're the best in the business, because we kiss. 455 00:27:10,380 --> 00:27:11,733 Better? 456 00:27:15,260 --> 00:27:17,615 We pulled it off. 457 00:27:17,700 --> 00:27:19,133 And this is just the start. 458 00:27:19,220 --> 00:27:21,973 I am going to make you king of Cork Street. 459 00:27:22,060 --> 00:27:25,980 You shall sit with your balls in a bowlful of milk and honey, 460 00:27:25,980 --> 00:27:28,175 watching me count your money for you. 461 00:27:28,260 --> 00:27:30,216 Won't that be nice? 462 00:27:30,300 --> 00:27:31,892 Eat up. 463 00:27:46,500 --> 00:27:49,651 Where have you been? We've got work to do. 464 00:27:52,460 --> 00:27:54,974 What is this, Dean? Talk to me. 465 00:27:55,060 --> 00:27:56,857 I'm afraid he's not allowed to. 466 00:27:56,940 --> 00:28:00,140 Now why don't you run along and programme the satellite navigation 467 00:28:00,140 --> 00:28:02,210 to do some more hilarious swearing? 468 00:28:07,820 --> 00:28:12,020 I haven't the slightest interest in how it was achieved, of course. 469 00:28:12,020 --> 00:28:13,294 He's mine. 470 00:28:13,380 --> 00:28:15,820 Ah, well, now you see, when you're excited, 471 00:28:15,820 --> 00:28:18,493 you muddle your tenses, don't you? He WAS yours. 472 00:28:18,580 --> 00:28:20,218 He IS mine. 473 00:28:20,300 --> 00:28:23,178 He and I have an understanding. 474 00:28:23,260 --> 00:28:24,898 You have an understanding. 475 00:28:24,980 --> 00:28:28,575 I have a contract. Since when? 476 00:28:28,660 --> 00:28:30,900 Since I discovered where he lived in Hammersmith, 477 00:28:30,900 --> 00:28:33,698 sent a Mercedes round to collect him and show him 478 00:28:33,780 --> 00:28:38,060 the flat that I'm buying him, stood him a four-course dinner at Claridge's 479 00:28:38,060 --> 00:28:40,290 and watched him sign. 480 00:28:40,380 --> 00:28:43,975 My word, he does eat a lot, doesn't he? 481 00:28:44,060 --> 00:28:47,132 You delivered us a brand, Ashley. 482 00:28:47,220 --> 00:28:51,372 And nursing brands to fiscal greatness is precisely what I do. 483 00:28:51,460 --> 00:28:54,179 It's not what you do. 484 00:28:54,260 --> 00:28:56,774 He wasn't your only client, was he? 485 00:28:56,860 --> 00:28:59,374 You utter bastard. 486 00:28:59,460 --> 00:29:01,291 On the contrary, Ashley. 487 00:29:01,380 --> 00:29:05,259 At Prentiss McCabe, we care deeply about the little people. 488 00:29:05,340 --> 00:29:07,570 Unless they get in our way, 489 00:29:07,660 --> 00:29:09,651 and then we hurt them. 490 00:29:09,740 --> 00:29:13,289 Still, no harm done, no hard feelings, as they say. 491 00:29:13,380 --> 00:29:14,893 All's fair. 492 00:29:14,980 --> 00:29:20,134 A decent cliché is such a comfort in times of trial, don't you think?