1
00:00:01,717 --> 00:00:03,708
(music on radio)

2
00:00:06,357 --> 00:00:07,756
(turns off radio)

3
00:00:07,837 --> 00:00:09,828
(thud)

4
00:00:10,277 --> 00:00:12,268
Jesus Christ.

5
00:00:15,437 --> 00:00:17,826
Oh, shit, shit! Sorry, sorry, sorry!

6
00:00:17,917 --> 00:00:21,148
Jesus! Are you OK?
Are you OK? Are you OK?

7
00:00:21,237 --> 00:00:22,829
Are you all right?

8
00:00:22,917 --> 00:00:27,229
Speak to me. Can you hear me?
l can't help you if you don't talk to me.

9
00:00:27,317 --> 00:00:29,308
Oh, right.

10
00:00:35,477 --> 00:00:37,627
- Parlez-vous francais?
- Oui.

11
00:00:37,717 --> 00:00:40,106
- Ah. Ca va?
- Ca va.

12
00:00:47,277 --> 00:00:49,268
# Big Train

13
00:01:08,117 --> 00:01:09,914
# Big Train

14
00:01:10,837 --> 00:01:12,907
- So it's the big day, Martin.
- Yeah.

15
00:01:12,997 --> 00:01:15,716
How do you feel now
about meeting your birth mother?

16
00:01:15,797 --> 00:01:18,948
All sorts of things.
l feel great, you know.

17
00:01:19,037 --> 00:01:24,236
lt would have felt very wrong to have met her
while my adoptive parents were alive,

18
00:01:24,317 --> 00:01:26,308
but now they've gone...

19
00:01:27,837 --> 00:01:29,953
So you're ready to meet your mum.

20
00:01:31,397 --> 00:01:36,391
- OK. Julie, can you bring Diane in, please?
- Yeah, sure.

21
00:01:36,477 --> 00:01:38,468
Come in, Diane.

22
00:01:40,277 --> 00:01:42,837
(deep gurgling noises)

23
00:01:47,237 --> 00:01:50,035
Meet your mum, Diane.

24
00:02:08,157 --> 00:02:09,556
- A lot of emotions.
- Oh!

25
00:02:09,637 --> 00:02:11,355
l know, l know.

26
00:02:22,637 --> 00:02:24,229
Oh...

27
00:02:24,317 --> 00:02:26,308
Oh, it's so lovely.

28
00:02:33,997 --> 00:02:35,988
Oh!

29
00:02:36,997 --> 00:02:39,591
- My mummy!
- (belching noise)

30
00:02:40,277 --> 00:02:42,268
lt makes it all worthwhile.

31
00:02:43,597 --> 00:02:46,475
Judith, you might want
to come and look at this.

32
00:02:55,957 --> 00:03:00,314
- How do you turn the sound up on this?
- Oh, yeah. l had it down a little bit.

33
00:03:00,397 --> 00:03:03,514
(Smurf-like singing with ''boing'' noises)

34
00:03:08,917 --> 00:03:13,069
So, in conclusion, these cakes
really are selling extremely quickly.

35
00:03:13,157 --> 00:03:17,309
They're selling like nobody's business.
They're flying off the shelves.

36
00:03:17,397 --> 00:03:20,036
Maybe it's because we warm them up first,

37
00:03:20,117 --> 00:03:22,995
but they are being bought
at a tremendous rate.

38
00:03:23,077 --> 00:03:28,151
ln fact, l've never seen anything sell with
such speed as these warmed-through cakes.

39
00:03:28,237 --> 00:03:34,312
People are literally snapping up these cakes
like, well, like they're going out of fashion.

40
00:03:34,957 --> 00:03:38,745
Um, sorry. You could say
they were selling like hot cakes.

41
00:03:43,597 --> 00:03:47,749
That's as good a place as any to end
the meeting, so thank you very much, Steve,

42
00:03:47,837 --> 00:03:49,907
and thank you, everybody.

43
00:03:52,957 --> 00:03:55,346
Peter, can l have a quick word?

44
00:04:00,757 --> 00:04:04,750
Peter, l'm afraid
l'm going to have to let you go.

45
00:04:05,717 --> 00:04:08,106
You're... you're firing me?

46
00:04:09,277 --> 00:04:13,873
- But why?
- Because you're a smart aleck, Peter.

47
00:04:13,957 --> 00:04:16,676
You can't help making
glib remarks about cakes.

48
00:04:16,757 --> 00:04:21,672
l'm afraid up here what counts is how you
make cakes, not what you say about them.

49
00:04:21,757 --> 00:04:25,352
Don't... Don't fire me, please.

50
00:04:25,437 --> 00:04:27,428
l'm committed to cakes.

51
00:04:29,317 --> 00:04:33,708
OK, it's clearly not working out
for you in this division, so...

52
00:04:33,797 --> 00:04:37,392
l'm prepared to give you another chance.
l'm gonna move you to another section.

53
00:04:37,477 --> 00:04:40,913
But l want you to cut out the smart remarks.

54
00:04:40,997 --> 00:04:43,795
- OK? lt's down to you, Peter.
- OK.

55
00:04:47,917 --> 00:04:51,512
And so, to recap,
this represents the vat of broth,

56
00:04:51,637 --> 00:04:55,630
and these figures represent
the broth makers, or cooks, if you will.

57
00:04:55,717 --> 00:04:57,309
There's a lot of them.

58
00:04:57,397 --> 00:05:02,425
And it's this surfeit of cooks that's
having such a negative impact on the broth.

59
00:05:02,517 --> 00:05:06,396
There's too many cooking staff,
and it's ruining the product.

60
00:05:06,477 --> 00:05:10,436
You'd think, wouldn't you, that
having so many cooks would make it better,

61
00:05:10,517 --> 00:05:12,747
but no, it's making it worse.

62
00:05:13,277 --> 00:05:19,671
So, to put it in simple terms, the ratio of
chefs to the amount of food being prepared

63
00:05:19,757 --> 00:05:22,510
is proving detrimental to the broth.

64
00:05:23,317 --> 00:05:24,716
Um...

65
00:05:26,717 --> 00:05:29,151
You could say...

66
00:05:30,397 --> 00:05:32,786
that you've bollocksed it up.

67
00:05:41,077 --> 00:05:43,068
(siren)

68
00:05:52,077 --> 00:05:53,874
(tunes up)

69
00:06:00,917 --> 00:06:02,509
(# flamenco)

70
00:06:08,037 --> 00:06:09,755
(tempo slows)

71
00:06:09,837 --> 00:06:11,828
(tempo picks up)

72
00:06:20,437 --> 00:06:22,667
(tempo slows)

73
00:06:37,357 --> 00:06:38,949
- Good work, son.
- Thank you.

74
00:06:39,037 --> 00:06:41,028
Very good.

75
00:06:41,997 --> 00:06:43,589
(squawking)

76
00:06:44,637 --> 00:06:46,628
(man blows bird call)

77
00:06:47,997 --> 00:06:50,113
- ls that a teal?
- There's a flock of them.

78
00:06:50,197 --> 00:06:54,156
- There, just over by that fallen tree.
- Oh, yeah.

79
00:06:54,237 --> 00:06:56,910
- There's six of them, isn't there?
- Yeah, hang on.

80
00:06:56,997 --> 00:06:59,636
- l'm gonna get that.
- (rapid camera clicks)

81
00:06:59,717 --> 00:07:02,709
Oi! What's going on here?!

82
00:07:02,797 --> 00:07:04,788
What is going on here?

83
00:07:04,877 --> 00:07:06,071
Come on, out!

84
00:07:06,157 --> 00:07:09,832
l've told you before, haven't l?
How many times have l told you before, eh?

85
00:07:09,917 --> 00:07:13,546
How many times have l told you before?

86
00:07:13,637 --> 00:07:17,391
This is a private sanctuary for ducks.

87
00:07:17,477 --> 00:07:19,035
- Are you a duck?
- No.

88
00:07:19,117 --> 00:07:20,755
- Are you a duck?!
- No.

89
00:07:20,837 --> 00:07:24,750
Well, fuck off then!
Come on, out! Come on, out!

90
00:07:24,837 --> 00:07:27,909
Move yourself. Go on. Go on.

91
00:07:27,997 --> 00:07:29,988
- Careful with the...
- Go on, out!

92
00:07:30,077 --> 00:07:32,068
- That's expensive.
- Out!

93
00:07:32,157 --> 00:07:36,628
- Don't push.
- Out! Out! Out! Go on.

94
00:07:36,717 --> 00:07:38,992
- (blows bird call)
- Don't you quack at me!

95
00:07:39,077 --> 00:07:41,432
Take that bloody thing with you as well.

96
00:07:41,517 --> 00:07:44,668
Next time it won't be me.
lt'll be the swans, right?

97
00:07:50,997 --> 00:07:53,386
(softly) Watch it, watch it.

98
00:08:01,317 --> 00:08:04,070
(men chuckling)

99
00:08:07,197 --> 00:08:09,836
- (blows bird call)
- (laughter)

100
00:08:09,917 --> 00:08:14,786
- l don't think he heard you!
- l don't think he heard anything!

101
00:08:19,157 --> 00:08:23,230
- Hi. l'd like to buy a ball, please.
- Sorry, sir. We don't sell balls.

102
00:08:29,077 --> 00:08:30,874
Right.

103
00:08:42,477 --> 00:08:44,866
Oh, hey, hang on...

104
00:08:47,197 --> 00:08:49,392
We've got loads of balls.

105
00:08:51,437 --> 00:08:53,826
(man) You may leave us, guard.

106
00:08:55,157 --> 00:08:59,355
- How is the prisoner?
- l am a man accustomed to injustice.

107
00:08:59,437 --> 00:09:01,428
Have you thought more of our scheme?

108
00:09:01,517 --> 00:09:06,386
lt is a plan not without danger,
but this evil emperor must be overthrown.

109
00:09:06,477 --> 00:09:10,152
We have an army
of 20,000 men awaiting you.

110
00:09:10,237 --> 00:09:12,193
l have certain demands.

111
00:09:12,277 --> 00:09:15,633
Well, we will do everything in our power
to see they're met.

112
00:09:15,717 --> 00:09:18,515
l'll need fresh horses,
food for several days.

113
00:09:18,597 --> 00:09:20,588
lt shall be arranged.

114
00:09:20,677 --> 00:09:23,714
Also, l have made a friend here.

115
00:09:24,557 --> 00:09:27,435
Keith Emerson,
from Emerson, Lake and Palmer.

116
00:09:28,637 --> 00:09:31,629
He was sentenced for his part
in the Thracian insurrection.

117
00:09:31,717 --> 00:09:33,708
l wish to grant him his freedom.

118
00:09:33,797 --> 00:09:36,834
What happened to Lake and Palmer?

119
00:09:36,917 --> 00:09:39,431
Palmer was drowned in a lake.

120
00:09:39,517 --> 00:09:41,872
Lake is a slave in Parma.

121
00:09:41,957 --> 00:09:43,913
What a sorry fellow.

122
00:09:43,997 --> 00:09:47,512
(prisoner) He says little.
He communicates mainly through music.

123
00:09:47,597 --> 00:09:50,987
- ls he a fighter?
- The finest in all of Rome.

124
00:09:53,397 --> 00:09:54,591
(growls)

125
00:09:54,677 --> 00:09:56,747
(plays experimental rock)

126
00:10:08,117 --> 00:10:12,156
As you can see, Keith's fascination
with the more elaborate end of prog rock

127
00:10:12,237 --> 00:10:14,705
has lumbered him with
a vast array of keyboards.

128
00:10:14,797 --> 00:10:19,154
- l need 200 mules for the journey.
- 200 mules? lmpossible!

129
00:10:19,237 --> 00:10:21,751
- Keith Emerson.
- Yeah?

130
00:10:23,277 --> 00:10:27,350
Do you agree to leave this place
without your complete keyboard collection?

131
00:10:27,437 --> 00:10:31,589
Perhaps you could take a single Yamaha DX7?
Or the Moog synthesizer?

132
00:10:31,677 --> 00:10:33,076
No.

133
00:10:33,717 --> 00:10:36,470
Keith will not travel
without his entire collection.

134
00:10:36,557 --> 00:10:39,071
Such a journey is not possible
without roadies.

135
00:10:39,157 --> 00:10:43,275
The ELP roadies were sold
into slavery in Crete.

136
00:10:43,357 --> 00:10:45,791
- l need 200 mules.
- Maximus, listen...

137
00:10:45,877 --> 00:10:50,553
No! l will not leave without Keith
and his entire keyboard collection.

138
00:10:50,637 --> 00:10:54,516
- Maximus, l urge you to see reason.
- Those are my conditions.

139
00:10:54,597 --> 00:10:58,476
And, as usual, the usual terms and conditions
apply to these conditions.

140
00:10:58,557 --> 00:11:03,426
Very well. l cannot promise 200 mules,
but l'll see what l can do.

141
00:11:04,237 --> 00:11:06,626
(# prog rock)

142
00:11:15,517 --> 00:11:18,475
Emerson, be quiet. l'm trying to think.

143
00:11:19,037 --> 00:11:21,267
Did Markham contact you, James?

144
00:11:21,357 --> 00:11:23,154
- Who?
- Andrew Markham?

145
00:11:23,237 --> 00:11:27,594
He wanted to show you a new film script, so l
gave him your number. Hope you don't mind.

146
00:11:27,957 --> 00:11:32,553
He's with Benton Hanratty at the moment,
so he's feeling a bit frustrated.

147
00:11:32,637 --> 00:11:35,231
- He did that great ad for oven chips.
- Mm.

148
00:11:35,317 --> 00:11:37,877
- Where they're dressed like Pan's People?
- Yeah.

149
00:11:37,957 --> 00:11:40,471
- Brilliant.
- Oh, l read his treatment.

150
00:11:40,557 --> 00:11:42,593
l kept thinking Lenny Henry.

151
00:11:42,677 --> 00:11:46,670
Hm, l know what you mean,
but l thought Neil Pearson.

152
00:11:46,757 --> 00:11:51,785
Hm. He went in to see Big Pictures.
You know, Biff Henderson's new company?

153
00:11:51,877 --> 00:11:55,233
They offered him a deal,
but l don't think he was very interested.

154
00:11:55,317 --> 00:11:57,353
- Did he contact you?
- Yes, he did.

155
00:11:57,437 --> 00:11:59,393
What did you say to him?

156
00:11:59,477 --> 00:12:04,471
l said the difference between Big Pictures
and us is that we actually make films.

157
00:12:06,797 --> 00:12:09,391
- He's terrible!
- Yeah, l know.

158
00:12:11,357 --> 00:12:13,746
(they carry on chattering)

159
00:12:24,557 --> 00:12:27,674
(woman) Max, Max, look what l've found.

160
00:12:29,277 --> 00:12:32,110
- ls something wrong, Max?
- Take those clothes off at once!

161
00:12:32,197 --> 00:12:34,995
But why? What have l done?

162
00:12:35,077 --> 00:12:38,433
You must know my first wife
was a Mexican bandido!

163
00:12:39,637 --> 00:12:42,276
l... l...

164
00:12:43,237 --> 00:12:45,353
Oh! Max!

165
00:12:50,957 --> 00:12:53,517
Please... Please leave me.

166
00:12:58,317 --> 00:13:00,194
Damn you!

167
00:13:00,277 --> 00:13:04,589
You're still laughing now,
even from the grave.

168
00:13:04,677 --> 00:13:06,668
Aren't you, Pedro?

169
00:13:10,157 --> 00:13:12,148
(chatter continues)

170
00:13:22,797 --> 00:13:24,913
Hello. This is a friend from work. Jim.

171
00:13:24,997 --> 00:13:27,227
- Hello, Jim.
- Nick, a good friend of mine.

172
00:13:27,317 --> 00:13:29,512
- We just saw Guy Ritchie outside.
- Oh, yeah?

173
00:13:29,597 --> 00:13:32,748
- He had two bodyguards with him.
- ls that what they were?

174
00:13:32,837 --> 00:13:37,115
- l saw Ralph Fiennes there the other week.
- Well, they get their suits made round here.

175
00:13:37,197 --> 00:13:39,313
- Shall l go t'bar?
- Oh, yeah...

176
00:13:39,397 --> 00:13:41,547
- l'll have a pint of best, please.
- Best.

177
00:13:41,637 --> 00:13:44,276
- Half for me, please.
- Half for you.

178
00:13:44,357 --> 00:13:47,474
- Great. So you work with Lenny?
- Yeah, yeah.

179
00:13:47,557 --> 00:13:52,153
- That thing you said about bodyguards.
- Yeah?

180
00:13:52,237 --> 00:13:56,150
Was that some sort of reference
to me not being married?

181
00:13:57,517 --> 00:13:58,711
Sorry?

182
00:13:58,797 --> 00:14:02,585
Was that some kind of comment
about me not being married?

183
00:14:04,197 --> 00:14:05,630
No!

184
00:14:05,717 --> 00:14:08,515
Cos if you say anything about me
not being married again,

185
00:14:08,597 --> 00:14:11,430
l'll put your fucking head through the wall!

186
00:14:13,637 --> 00:14:16,913
- There we go. Little one for you.
- Thank you.

187
00:14:16,997 --> 00:14:21,195
Tell Nick about the...
We were on a train at the weekend.

188
00:14:21,277 --> 00:14:23,837
Well, you tell him. lt's a good story.

189
00:14:23,917 --> 00:14:25,714
- Um...
- You were on the train.

190
00:14:25,797 --> 00:14:29,836
Yeah. Yeah, we were on the train. Um...

191
00:14:29,917 --> 00:14:36,072
Yeah, we were in the carriage and there were
a couple of kids kicking a can of Coke about...

192
00:14:36,157 --> 00:14:40,548
Yeah, yeah, yeah, yeah.
Yeah, l know how this story ends.

193
00:14:40,637 --> 00:14:44,755
- Yeah?
- Ends with me not being married, doesn't it?

194
00:14:44,837 --> 00:14:47,351
- What?
- You think l don't know what you're saying?

195
00:14:47,437 --> 00:14:52,113
Coke cans. Not Tango, Coke cans. You're
talking about me not being married again.

196
00:14:52,197 --> 00:14:53,391
No, l'm not! l'm...

197
00:14:53,477 --> 00:14:58,073
Oh, is it just some sort of coincidence then
that the kids are kicking a Coke can?

198
00:14:58,157 --> 00:15:01,274
Not throwing, kicking.
Marriage, Coke can, me not being married.

199
00:15:01,357 --> 00:15:04,394
You won't let go of it will you?
Are you mental?

200
00:15:06,477 --> 00:15:09,230
No. No, l'm not having a go or...

201
00:15:09,317 --> 00:15:11,228
l'm not afraid of you.

202
00:15:16,037 --> 00:15:18,949
# l'm getting married in the morning

203
00:15:19,037 --> 00:15:23,235
# Ding-dong,
the bells are going to chime

204
00:15:23,317 --> 00:15:25,911
(Lenny) That took long enough, didn't it?

205
00:15:26,837 --> 00:15:29,431
l reckon Henman has a good chance
in the French Open.

206
00:15:29,517 --> 00:15:31,314
- l'm gonna go.
- You what?

207
00:15:31,397 --> 00:15:36,152
- l wanna go, l wanna go.
- All right. All right, mate. l'll come with you.

208
00:15:41,557 --> 00:15:44,549
(speaking in French)

209
00:15:57,157 --> 00:16:01,036
Ah-ha, here we go. There's the spine.

210
00:16:01,117 --> 00:16:04,314
- (heartbeat)
- You can make out all the vertebrae.

211
00:16:04,397 --> 00:16:09,152
l'm just going up to the head.
Can you see the head just there?

212
00:16:09,237 --> 00:16:11,353
- Um...
- Yeah?

213
00:16:11,877 --> 00:16:13,868
Van Morrison.

214
00:16:16,037 --> 00:16:18,028
lt's got Van Morrison's face.

215
00:16:18,757 --> 00:16:20,793
Can you turn it up a bit?

216
00:16:20,877 --> 00:16:25,234
(Van Morrison) Jazz or R&B, but music.
l'm about music.

217
00:16:25,837 --> 00:16:29,227
l'm very, very sorry.

218
00:16:31,477 --> 00:16:35,231
Well, that was, as ever, spectacular.

219
00:16:37,157 --> 00:16:40,229
- So, how long is she away?
- l don't know.

220
00:16:40,317 --> 00:16:43,992
- She's your wife, James.
- lt just depends how long the shoot is.

221
00:16:44,077 --> 00:16:48,070
Voycek'll keep them in that godforsaken
jungle for six months if he has to.

222
00:16:48,157 --> 00:16:51,513
- You're a bastard, James.
- (chuckles knowingly)

223
00:16:52,517 --> 00:16:55,634
You're no Sue Barker yourself, are you?

224
00:16:55,717 --> 00:16:59,790
- So, where does Alex think you are today?
- At home.

225
00:16:59,877 --> 00:17:02,311
He's got an appointment
with the accountant.

226
00:17:02,397 --> 00:17:04,831
lt looks like he might lose
the Savile Row shop.

227
00:17:04,917 --> 00:17:07,556
l always thought Alex
was all mouth and trousers.

228
00:17:07,637 --> 00:17:11,915
Now it would seem he's all mouth,
without even the trousers.

229
00:17:40,757 --> 00:17:42,748
Thank you. Thank you.

230
00:17:46,517 --> 00:17:50,226
Now, there's a quote in your book
from Naomi Woolf.

231
00:17:50,317 --> 00:17:52,706
lt's not actually a quote from Naomi Woolf.

232
00:17:52,797 --> 00:17:56,551
lt's something a friend said was like
something Naomi Woolf might have said.

233
00:17:56,637 --> 00:17:59,390
Right. So do you agree with the quote,
or suggested quote,

234
00:17:59,477 --> 00:18:01,991
to the effect that there's
a gender bias in the media

235
00:18:02,077 --> 00:18:06,355
which could be equated with discrimination
against Afro-Americans in the 1 960s?

236
00:18:06,437 --> 00:18:10,225
No. What l would say is that
women are still not being listened to.

237
00:18:10,317 --> 00:18:12,626
- Yes, but that's...
- lf l may finish.

238
00:18:12,717 --> 00:18:17,233
Yes, of course we have a platform
in the media - l myself am a writer -

239
00:18:17,317 --> 00:18:21,026
but as opinion-formers,
we still have a very long way to go.

240
00:18:21,117 --> 00:18:25,429
So do you think your opinions are valuable,
as a woman?

241
00:18:25,837 --> 00:18:29,386
- They're very important.
- Think they're more emotional than logical?

242
00:18:29,477 --> 00:18:33,152
- No, of course l don't. That's a silly remark.
- Well, that's something...

243
00:18:33,237 --> 00:18:36,354
- lt's an obvious observation.
- Yeah, but could l just ask...

244
00:18:36,437 --> 00:18:40,476
To me that's the kind of observation
that was being made in the '80s...

245
00:18:40,557 --> 00:18:43,151
- lf l could just ask...
- (# piano intro)

246
00:18:43,237 --> 00:18:47,071
# Why is a woman so illogical?

247
00:18:48,077 --> 00:18:51,626
# While a man is rational and clear

248
00:18:53,277 --> 00:18:59,466
# The feminine emotional response
can be completely baffling, l fear

249
00:19:01,477 --> 00:19:05,914
# You see, a man will solve a problem
with a minimum of fuss

250
00:19:05,997 --> 00:19:09,148
# A woman, on the other hand,
is quite different from us

251
00:19:09,237 --> 00:19:13,230
# She'll scream and shout and stamp her foot
in quite an alarming fashion

252
00:19:13,317 --> 00:19:16,593
# While men address a problem
with a minimum of passion

253
00:19:16,677 --> 00:19:19,874
- # Oh, why are they so infuriating?
- We're not.

254
00:19:19,957 --> 00:19:23,108
- # So utterly irrational?
- But we're not.

255
00:19:23,197 --> 00:19:26,473
- # So damnably emotional?
- l refute that.

256
00:19:26,557 --> 00:19:29,867
# So frustratingly impossible?
So thoroughly unpredictable?

257
00:19:29,957 --> 00:19:33,472
# So consistently maddening?
So deliriously hysterical?

258
00:19:33,557 --> 00:19:38,472
# Oh, why can't they just be more...

259
00:19:38,557 --> 00:19:41,151
# Well, like a man?

260
00:19:43,757 --> 00:19:46,749
lf that's the level of debate
you're expecting to have,

261
00:19:46,837 --> 00:19:51,513
then l really have nothing further to add.
lt's quite ridiculous.

262
00:19:52,717 --> 00:19:54,708
l rest my case.

263
00:19:56,517 --> 00:19:58,030
Ah! Ah!

264
00:19:58,117 --> 00:20:01,154
You like that? How about this? Oh!

265
00:20:01,237 --> 00:20:03,910
l'll give you more later.
l'll break you in gently.

266
00:20:03,997 --> 00:20:05,908
Oh, my God! Ah!

267
00:20:05,997 --> 00:20:08,113
- l think l'm gonna come.
- Miaow.

268
00:20:08,197 --> 00:20:09,835
- There we go.
- Oh!

269
00:20:09,917 --> 00:20:12,795
God, you are so good.

270
00:20:12,877 --> 00:20:15,516
Well, l've never had any complaints.

271
00:20:17,837 --> 00:20:21,068
- l'm exhausted.
- Yeah, you would be.

272
00:20:21,157 --> 00:20:23,955
- How long's your wife away?
- l told you, l don't know.

273
00:20:24,037 --> 00:20:25,834
- You didn't tell me.
- Didn't l?

274
00:20:25,917 --> 00:20:28,306
- No.
- Well, l don't know.

275
00:20:29,357 --> 00:20:31,632
l saw Alex and Jane this week.

276
00:20:31,717 --> 00:20:35,551
She said that Alex was gonna
have to shut the shop in Savile Row.

277
00:20:35,637 --> 00:20:37,946
l thought Alex was all mouth and trousers.

278
00:20:38,037 --> 00:20:42,269
Now it would seem he's mouth
without even the trousers.

279
00:20:45,957 --> 00:20:49,711
- That is so funny.
- Yeah, l just thought of it now.

280
00:20:51,557 --> 00:20:55,914
You said we could get away this weekend.
Patrick will be in Zurich all week.

281
00:20:55,997 --> 00:20:58,909
Well, l can't. l've got to go to LA
to meet John Travolta.

282
00:20:58,997 --> 00:21:02,034
l want him to be in the film.
He loves Patrick's screenplay.

283
00:21:02,117 --> 00:21:05,268
John Travolta? Wow.

284
00:21:05,357 --> 00:21:10,112
Well, ''He's the one that l want
Ooh, ooh, ooh, honey.''

285
00:21:38,557 --> 00:21:40,548
Thanks.

286
00:21:48,717 --> 00:21:50,708
(phone rings)

287
00:21:52,357 --> 00:21:54,075
Ruth Jenson.

288
00:21:54,157 --> 00:21:56,591
Oh, hello, Mr Robinson.
Thanks for calling back.

289
00:21:56,677 --> 00:22:00,226
l work at the Venus De Milo
Health and Beauty Centre.

290
00:22:00,317 --> 00:22:02,308
Your wife was in earlier today

291
00:22:02,397 --> 00:22:07,835
and we think she might have spent longer
than we'd usually recommend on our sun bed.

292
00:22:07,917 --> 00:22:11,432
Well, she looks all right
with a bit of blusher.

293
00:22:18,357 --> 00:22:21,713
(in French)

294
00:26:53,397 --> 00:26:55,069
- ls it locked?
- Yes.

295
00:26:55,157 --> 00:26:58,229
- lt's on you tonight.
- All right.

296
00:27:55,997 --> 00:27:57,988
(chatter/giggling)

297
00:28:04,317 --> 00:28:07,070
- Straight to bed, l think, Mrs Jones.
- l think so.

298
00:28:07,157 --> 00:28:09,910
Don't need that, don't need that.
Let's get in there.

299
00:28:09,997 --> 00:28:11,988
- Oh.
- What?

300
00:28:12,677 --> 00:28:14,668
- Darling...
- Shh!

301
00:28:26,717 --> 00:28:28,594
Ah!

302
00:28:31,277 --> 00:28:34,110
- lt's safe to talk now, l think.
- l think so.

303
00:29:01,277 --> 00:29:03,393
Visiontext Subtitles:
Natasha Cohn