1
00:00:00,241 --> 00:00:03,438
Excuse me.
Have you heard of the Sumatran tiger?

2
00:00:03,521 --> 00:00:06,160
- lt's that, is it?
- Yeah. There's only 500 left.

3
00:00:06,241 --> 00:00:09,756
- lt looks really dangerous.
- They are dangerous.

4
00:00:09,841 --> 00:00:13,516
That's why we're trying to get
rid of them, cos they're so dangerous.

5
00:00:13,601 --> 00:00:17,799
- l assumed you were going to save them.
- God, no. We're going to drown them.

6
00:00:17,881 --> 00:00:20,634
- Really?
- We'll get an abandoned reservoir,

7
00:00:20,721 --> 00:00:23,918
and then we're going
to put them all in the reservoir,

8
00:00:24,001 --> 00:00:27,277
and then fill up the reservoir with water.

9
00:00:27,361 --> 00:00:30,876
- They look quite dangerous.
- They are dangerous.

10
00:00:30,961 --> 00:00:34,795
They shit everywhere, as well.
They're getting on everyone's tits.

11
00:00:34,881 --> 00:00:37,076
- So let's put a stop to it.
- Fair enough.

12
00:00:37,161 --> 00:00:39,391
- Do you want to help?
- Yeah, what do l do?

13
00:00:39,481 --> 00:00:42,314
- Sign the paper, that'd be great.
- Yeah, no problem.

14
00:00:48,721 --> 00:00:50,712
# Big Train

15
00:01:09,681 --> 00:01:11,433
# Big Train

16
00:01:24,321 --> 00:01:26,516
Halt!

17
00:01:32,881 --> 00:01:35,554
No, thank you.

18
00:01:35,641 --> 00:01:37,632
Sod off.

19
00:01:48,761 --> 00:01:50,831
Be on.

20
00:01:50,921 --> 00:01:52,912
(highwayman) You bastards.

21
00:01:55,641 --> 00:01:59,953
Excuse me. Could you keep an eye on
my baby for a second, while l run to the loo?

22
00:02:00,041 --> 00:02:02,032
Thanks ever so much.

23
00:02:07,041 --> 00:02:09,032
Hello, baby.

24
00:02:10,681 --> 00:02:14,310
(voice) What are you
doing here all on your own?

25
00:02:17,561 --> 00:02:19,552
Haven't you got a wife?

26
00:02:25,201 --> 00:02:29,080
Did you say something?
Were you talking to me?

27
00:02:32,921 --> 00:02:36,072
(voice) l'm going to get you.

28
00:02:36,161 --> 00:02:39,198
Thank you so much. That's really kind.

29
00:02:39,281 --> 00:02:41,317
Thanks. Bye.

30
00:02:41,401 --> 00:02:44,473
(voice) l'm going to bite your legs.

31
00:02:48,961 --> 00:02:51,555
Tosser.

32
00:02:58,881 --> 00:03:00,633
- (man) Hello.
- Hello.

33
00:03:00,721 --> 00:03:02,712
l'm Den Davis.

34
00:03:29,521 --> 00:03:34,914
Come on, you (bleep). Zoom in another 20
per cent, l want to see those Victorian waifs.

35
00:03:35,521 --> 00:03:39,639
They're going to be badly out of focus.
l can't zoom in any closer, Den.

36
00:03:39,721 --> 00:03:42,235
Zoom in, (bleep).

37
00:03:42,321 --> 00:03:46,837
- The camera won't take it.
- Another 20 per cent. Come on!

38
00:03:46,921 --> 00:03:49,754
All right, but it won't take it.

39
00:03:56,601 --> 00:04:01,277
- What the (bleep)?
- lt's snapped. lt couldn't take the strain.

40
00:04:01,361 --> 00:04:03,317
You... You...

41
00:04:03,401 --> 00:04:08,270
Den, you're trying 1 00 per cent enlargement.
Nobody's gone beyond 70 before.

42
00:04:08,361 --> 00:04:11,558
Don't (bleep) tell me what
l can do with my (bleep) camera.

43
00:04:11,641 --> 00:04:16,192
Den, you're working too hard.
This is the 56th job today. Look at you.

44
00:04:16,281 --> 00:04:20,274
You're popping pills like there's no tomorrow.

45
00:04:36,241 --> 00:04:38,994
(Dyke) Ladies, leave us.

46
00:04:40,201 --> 00:04:42,192
Now!

47
00:04:45,241 --> 00:04:47,277
You've got to get a grip, Den.

48
00:04:47,361 --> 00:04:52,754
You and Ken Morse were at the top of the
rostrum camera game, everyone knew that.

49
00:04:52,841 --> 00:04:57,073
But you've fallen off the ladder.
lt's not the Sixties any more.

50
00:04:57,161 --> 00:05:01,837
Anybody who doesn't know a rostrum camera
from a Sky Digibox knows who Ken Morse is.

51
00:05:01,921 --> 00:05:07,041
You mention that (bleep) name again, and
l'll put your head through the (bleep) wall.

52
00:05:07,121 --> 00:05:10,636
People say you're losing it, Den.
That you're popping pills.

53
00:05:10,721 --> 00:05:13,440
Drinking too much.
Your marriage is in trouble.

54
00:05:13,521 --> 00:05:17,196
Don't (bleep) bring
Margaret into this, all right?

55
00:05:17,281 --> 00:05:21,240
(Den) l asked you,
where'd you put my (bleep) pills?

56
00:05:21,321 --> 00:05:24,040
- Where'd you put 'em?
- (woman sobbing)

57
00:05:24,121 --> 00:05:26,112
Look what you've made me do.

58
00:05:26,201 --> 00:05:30,353
You've gone from being Den Davis
to Den Dildo. Take a sabbatical.

59
00:05:30,441 --> 00:05:34,036
(bleep) off, Greg. My work's my life.

60
00:05:34,121 --> 00:05:39,434
Do you see me lying on a beach
somewhere getting a (bleep) suntan?

61
00:05:40,441 --> 00:05:42,591
They're saying the same at Channel 4.

62
00:05:42,681 --> 00:05:47,835
- (bleep) -a-doodle-doo. l'll go to lTV.
- You're living in the past, Den.

63
00:05:47,921 --> 00:05:52,790
Those (bleep) haven't made
a documentary since The World At War.

64
00:05:53,801 --> 00:05:58,352
Take a break. Come back in six months,
you'll be a new man.

65
00:05:58,441 --> 00:06:03,799
You (bleep) (bleep), Dyke.
What do you know about documentaries?

66
00:06:03,881 --> 00:06:07,351
- Your background's in sport.
- Now, Den, that's enough.

67
00:06:07,441 --> 00:06:10,160
- And lest we forget...
- Den.

68
00:06:10,241 --> 00:06:12,277
Roland (bleep) Rat.

69
00:06:12,361 --> 00:06:15,717
You (bleep) balding, bearded (bleep).

70
00:06:15,801 --> 00:06:17,792
No, Den. Not the face.

71
00:06:23,681 --> 00:06:29,358
Get out. Get out of my office!
You'll never work with the BBC again. Never!

72
00:06:31,521 --> 00:06:35,070
Security. Security, this is Greg Dyke,
the head of the BBC.

73
00:06:35,161 --> 00:06:37,152
Hurry!

74
00:06:43,441 --> 00:06:47,878
Do you want your photograph taken?
Souvenir of your trip to London?

75
00:06:50,881 --> 00:06:52,519
Uh, yes.

76
00:06:53,521 --> 00:06:55,398
You do? All right.

77
00:06:55,481 --> 00:07:01,078
What you need to do is lie down flat
and keep still under my rostrum camera.

78
00:07:01,161 --> 00:07:03,277
Come on. Come on, lay down.

79
00:07:03,361 --> 00:07:06,159
One at a time, you stupid bitch.
Go on, lie down.

80
00:07:06,241 --> 00:07:09,677
Get down under. That's it, under. That's it.

81
00:07:09,761 --> 00:07:12,719
ln the middle.
How can l do it if you're not in the middle?

82
00:07:12,801 --> 00:07:15,269
Now, let's get this down here... Keep still!

83
00:07:15,361 --> 00:07:17,636
Hang on, let's spin it round.

84
00:07:17,721 --> 00:07:19,837
That on the right... What you doing?

85
00:07:19,921 --> 00:07:21,912
Keep still. l need you to...

86
00:07:22,001 --> 00:07:23,992
What you doing?

87
00:08:21,361 --> 00:08:25,912
- We're going to drown them, actually.
- Good luck. Thank you. Yeah, drown them.

88
00:08:26,001 --> 00:08:29,198
- Same with the Filipino tortoises.
- Did you wipe them out?

89
00:08:29,281 --> 00:08:32,990
- We bombed them. Got a couple of F-1 1 s.
- Well done. You want money?

90
00:08:33,081 --> 00:08:35,959
- lf you've got any change?
- Yeah.

91
00:08:40,201 --> 00:08:43,079
We're hit. Number two engine's on fire, Skip.

92
00:08:43,161 --> 00:08:45,311
- Shut it down, then.
- Shutting down.

93
00:08:45,401 --> 00:08:50,156
She's not responding. We're losing fuel.
We'll never make it home.

94
00:08:50,241 --> 00:08:53,392
Come on, man. We're going to make it.

95
00:08:53,481 --> 00:08:56,439
- ls now a good time, sir?
- Oh, hello, Dobbsy.

96
00:08:56,521 --> 00:08:58,751
- Oh, is this little James?
- Yes, sir.

97
00:08:58,841 --> 00:09:00,877
Just showing him where his dad works.

98
00:09:00,961 --> 00:09:03,077
- Hello, James.
- (explosion)

99
00:09:03,641 --> 00:09:05,916
Have you ever been in a Lancaster before?

100
00:09:06,001 --> 00:09:08,993
- Not one that's on a mission, sir.
- We're gonna die!

101
00:09:09,081 --> 00:09:11,834
We're gonna die, aren't we, Skip? Aren't we?

102
00:09:11,921 --> 00:09:14,958
Put a lid on it, man.
Come on, don't be shy. Have a look.

103
00:09:15,041 --> 00:09:20,069
This might look like a lot of dials, but that's
the fellow we keep our eye on. The altimeter.

104
00:09:20,161 --> 00:09:24,154
- That's the one spinning round and round.
- Oh, yes.

105
00:09:24,241 --> 00:09:27,916
Bumpity-bump. Usually that stays
constant at about 1 0,000 feet.

106
00:09:28,001 --> 00:09:32,677
We're losing her. We're losing her.
l don't want to die.

107
00:09:32,761 --> 00:09:35,150
Come on, man. Pull yourself together.

108
00:09:35,241 --> 00:09:39,712
Now, James. Have you given any thought
to what you might do when you leave school?

109
00:09:39,801 --> 00:09:42,793
- We're going down.
- This is exciting, isn't it, James?

110
00:09:42,881 --> 00:09:44,872
l'll say.

111
00:09:52,801 --> 00:09:56,430
Right. So, skipper and copilot have bought it.

112
00:09:56,521 --> 00:09:59,240
We're on our own in occupied France.

113
00:09:59,321 --> 00:10:01,630
So, who should we try to contact?

114
00:10:01,721 --> 00:10:04,758
- The Resistance?
- That's right, James.

115
00:10:04,841 --> 00:10:07,150
Hande hochl

116
00:10:07,241 --> 00:10:09,596
That means, ''Hands up'', James.

117
00:10:24,881 --> 00:10:27,395
Schnell. Schnelll

118
00:10:27,481 --> 00:10:30,359
That means, ''Get a move on'', James.

119
00:10:32,041 --> 00:10:36,239
- You all right?
- Yeah, l'll just put it under here.

120
00:10:37,721 --> 00:10:39,518
- Looks nasty.
- Yeah.

121
00:10:39,601 --> 00:10:41,956
You know me around blood.

122
00:10:42,041 --> 00:10:47,877
Can you check if they've got
a bandage in that first-aid thing over there?

123
00:10:48,881 --> 00:10:50,951
No, there's nothing there.

124
00:10:51,041 --> 00:10:54,113
l'm going to leave you to it.
lt's making me feel sick.

125
00:10:54,201 --> 00:11:00,197
OK. l'll just dab it with a tissue,
or something like that. That's what it wants.

126
00:11:01,561 --> 00:11:03,358
- Cut your finger?
- Yeah.

127
00:11:03,441 --> 00:11:09,118
- You should put a bandage on that.
- There's no bandages in the thing.

128
00:11:15,081 --> 00:11:17,311
That should be enough. Thank you.

129
00:11:17,401 --> 00:11:20,837
You need some scissors to cut the thing.

130
00:11:21,841 --> 00:11:23,911
There's no more bog roll.

131
00:11:31,001 --> 00:11:33,151
Come on, David. Finish your egg.

132
00:11:33,241 --> 00:11:36,278
But it's too hard. The soldiers won't go in.

133
00:11:36,361 --> 00:11:40,798
- Use your spoon, you silly sausage.
- Who's a silly sausage? Telegram, darling.

134
00:11:40,881 --> 00:11:43,714
- Take your pick with these two.
- What have l done?

135
00:11:43,801 --> 00:11:47,999
You haven't finished
your kipper for a start, young lady.

136
00:11:48,081 --> 00:11:50,914
John? What is it?

137
00:11:51,001 --> 00:11:54,630
- What on earth's happened?
- Nothing. Nothing.

138
00:11:54,721 --> 00:11:56,996
lt's about Billie, isn't it?

139
00:11:57,081 --> 00:11:59,549
Yes. Yes, it is.

140
00:12:07,481 --> 00:12:11,793
''Regret to inform you
Billie no longer in top twenty. Stop.''

141
00:12:11,881 --> 00:12:17,194
''Billie archrival Christina Aguilera
set at number one. Stop.''

142
00:12:17,281 --> 00:12:19,715
lt's from the Billie Piper fan club.

143
00:12:19,801 --> 00:12:22,361
David, take your sister into the garden.

144
00:12:22,441 --> 00:12:25,592
Come along, Debs.
We can play on the swing.

145
00:12:27,401 --> 00:12:32,395
Listen, John. lt still went top ten.
l know you had high hopes for the single...

146
00:12:32,481 --> 00:12:34,278
No.

147
00:12:34,361 --> 00:12:38,479
Darling, l... l know what
you're trying to do, but it's no use.

148
00:12:38,561 --> 00:12:43,191
lt's always the same. They go in at
number seven one week, they're out the next.

149
00:12:43,281 --> 00:12:47,991
lt was the same with Whigfield,
Debbie Gibson. Adam Rickitt.

150
00:12:48,081 --> 00:12:52,552
One could go back
as far as Brother Beyond and Big Fun.

151
00:12:52,641 --> 00:12:55,474
lt won't be long before
the record company drops her.

152
00:12:55,561 --> 00:13:01,079
Don't, darling. Even if it is over for Billie,
she's still married to Chris Evans.

153
00:13:01,161 --> 00:13:03,721
She won't have to make hats like Sonia.

154
00:13:03,801 --> 00:13:06,918
Oh, darling, don't you see?
That's the worst of it.

155
00:13:07,001 --> 00:13:12,394
She'll still be in the limelight,
clinging to his arm at premieres and so on.

156
00:13:12,481 --> 00:13:14,836
Creatively, she'll be finished.

157
00:13:15,841 --> 00:13:20,551
- lt's like Patsy Kensit all over again.
- But even Patsy makes the occasional film.

158
00:13:20,641 --> 00:13:23,360
Does she? Does she really?

159
00:13:23,441 --> 00:13:26,877
Look, darling.
Why don't you go and have a lie down?

160
00:13:26,961 --> 00:13:30,271
l'll call the bank
and tell them you're not feeling too well.

161
00:13:30,361 --> 00:13:33,080
You could always listen
to Billie's first album.

162
00:13:33,161 --> 00:13:34,913
Yes.

163
00:13:35,001 --> 00:13:40,075
Yes, things always seem
much brighter after you've heard...

164
00:13:43,601 --> 00:13:47,116
(''Because We Want To''
by Billie on record player)

165
00:14:30,761 --> 00:14:34,549
l'm so sorry,
l'm afraid l don't speak French.

166
00:14:40,641 --> 00:14:42,632
(dramatic music)

167
00:14:48,001 --> 00:14:50,754
(dramatic music)

168
00:15:23,401 --> 00:15:25,517
- Oh, sorry.
- Excuse me.

169
00:15:25,601 --> 00:15:28,115
Hello. Um, excuse me...

170
00:15:28,201 --> 00:15:31,989
He always ignores me.
Funny, these dos, aren't they?

171
00:15:32,081 --> 00:15:35,835
Yeah, they are a bit funny.
The people are nice, though.

172
00:15:35,921 --> 00:15:38,116
- Specially the ladies.
- That's what...

173
00:15:38,201 --> 00:15:43,150
Jesus, these muppets aren't exactly
on the ball with the drinks, are they?

174
00:15:43,241 --> 00:15:45,630
- Hello, l'm...
- Did you hear that speech?

175
00:15:45,721 --> 00:15:47,712
- He's... He's behind you.
- What?

176
00:15:47,801 --> 00:15:51,350
- He's behind you.
- Don't care if he's behind me. lt was boring.

177
00:15:51,441 --> 00:15:55,434
Yattering on and on. At least
when l make a speech, we get to the point.

178
00:15:55,521 --> 00:15:58,638
Hey, stand up, speak up or shut up, hey?

179
00:15:58,721 --> 00:16:00,393
- Hello.
- Oh, hi.

180
00:16:00,481 --> 00:16:02,551
l wondered if you'd like to join us.

181
00:16:02,641 --> 00:16:06,919
- Thanks. Seem to get busier and busier.
- l don't really know, l'm not...

182
00:16:07,001 --> 00:16:09,959
- Excuse me, what were you saying?
- What was l saying?

183
00:16:10,041 --> 00:16:14,956
We were just talking about an orgy we might
have later. Wonder if you'd fancy joining in?

184
00:16:15,041 --> 00:16:18,397
l didn't know it was going to be
one of those nights. All right.

185
00:16:18,481 --> 00:16:24,716
That'll be good then. We've got the jacuzzi
booked for 8.30, a little bit of sparkling...

186
00:16:29,001 --> 00:16:30,992
(dramatic music)

187
00:16:35,361 --> 00:16:37,352
(dramatic music)

188
00:16:44,361 --> 00:16:46,397
- He's really got you.
- What's it like?

189
00:16:46,481 --> 00:16:49,075
- Looks like you.
- Did you go to art school, Rob?

190
00:16:49,161 --> 00:16:52,949
No. l've always liked drawing,
but, you know.

191
00:16:54,641 --> 00:16:58,236
- Right, it's finished.
- Let's have a look.

192
00:17:01,001 --> 00:17:03,231
- lt's great. Can l keep it?
- Yeah, sure.

193
00:17:03,321 --> 00:17:06,631
- Boss, boss, boss.
- Morning, all.

194
00:17:06,721 --> 00:17:09,394
- Settling in, Rob? Everything all right?
- Yes.

195
00:17:09,481 --> 00:17:11,995
- Could you get me Brian Stafford?
- Yes.

196
00:17:12,081 --> 00:17:14,436
Rob's a cartoonist. He's done one of Jeremy.

197
00:17:14,521 --> 00:17:16,955
(Jeremy) Yeah, look.

198
00:17:17,041 --> 00:17:19,635
You should do one of Paul.

199
00:17:19,721 --> 00:17:22,474
- (Jeremy) Go on. lt won't take long.
- All right.

200
00:17:22,561 --> 00:17:25,473
But don't try
and flatter me just cos l'm boss.

201
00:17:25,561 --> 00:17:27,756
All right.

202
00:17:27,841 --> 00:17:30,401
What's the secret, then, Rob?

203
00:17:30,481 --> 00:17:34,679
Um... well, you've just got to try
and get the essence of the person.

204
00:17:34,761 --> 00:17:37,514
Just as simply as possible.

205
00:17:39,041 --> 00:17:41,874
That's sort of it.

206
00:18:20,281 --> 00:18:22,272
(sobs)

207
00:18:59,641 --> 00:19:01,632
(child crying)

208
00:19:02,801 --> 00:19:06,350
All right, mate? Hey, hey, hey. You OK?

209
00:19:06,441 --> 00:19:09,319
What's up, then? You lost your mum?

210
00:19:12,801 --> 00:19:14,792
Now, now! Hurry!

211
00:19:17,641 --> 00:19:20,633
- Grab his arms.
- Get his legs.

212
00:19:20,721 --> 00:19:22,757
Take him to the caves.

213
00:19:22,841 --> 00:19:25,435
Oh, my Christ, he's heavy.

214
00:19:25,521 --> 00:19:28,274
- Another one to our collection.
- Yeah.

215
00:19:30,721 --> 00:19:32,791
- Oh, where am l?
- You awake?

216
00:19:33,801 --> 00:19:36,395
- l'm Toby, and this is Tasha.
- Hi.

217
00:19:38,241 --> 00:19:40,232
That... that boy. He trapped me.

218
00:19:40,321 --> 00:19:42,835
ln the park?
Yeah, that's how we ended up here.

219
00:19:42,921 --> 00:19:45,151
We've been here two years now.

220
00:19:45,241 --> 00:19:47,516
Two years?

221
00:19:47,601 --> 00:19:51,389
- We've got to get out of here.
- Well, yeah, but how?

222
00:19:51,481 --> 00:19:55,793
They're kids. We grab the one with the key
and knock him about till he gives us it.

223
00:19:55,881 --> 00:19:57,917
- Hit a child?
- Yes.

224
00:19:58,521 --> 00:20:02,594
Christ knows what they've done to my leg.
They've locked you up for years.

225
00:20:02,681 --> 00:20:05,718
- A kicking's in order.
- You obviously haven't got kids.

226
00:20:05,801 --> 00:20:09,237
(Tasha) l could never hit a child.

227
00:20:09,321 --> 00:20:11,676
Sod this.

228
00:20:11,761 --> 00:20:14,275
- Toby, do something.
- Want to see a porn mag?

229
00:20:14,361 --> 00:20:19,196
- Yeah, brilliant. Ow! You're hurting me.
- Gimme that key.

230
00:20:26,721 --> 00:20:28,518
Right. You coming?

231
00:20:28,601 --> 00:20:31,559
We think you're setting an appalling example.

232
00:20:31,641 --> 00:20:35,236
- Oh, really? Well, sod you.
- Where you going?

233
00:20:37,361 --> 00:20:40,398
l see we do not
understand each other after all.

234
00:20:40,481 --> 00:20:46,556
As a reprisal for this man's action, every tenth
one of you will be taken out and shooted.

235
00:20:46,641 --> 00:20:50,031
Actually, Josh, it's ''taken out and shot''.

236
00:20:50,121 --> 00:20:53,397
Don't correct him, Toby. You'll stifle him.

237
00:20:54,921 --> 00:20:56,912
(dramatic music)

238
00:21:34,321 --> 00:21:38,155
(boy) The police cause the riots.
They come here with their lights,

239
00:21:38,241 --> 00:21:40,277
get out the cars and start fighting.

240
00:21:40,361 --> 00:21:43,239
(boy #2) lf they leave us alone,
nothing will happen.

241
00:21:43,321 --> 00:21:47,280
Just cos we, like, might dress
a little bit, you know, brighter,

242
00:21:47,361 --> 00:21:50,637
doesn't mean that
we're different to you, or anyone else.

243
00:21:50,721 --> 00:21:55,476
lf l want to go out and get a pint of milk,
l should be allowed, without getting stopped.

244
00:21:55,561 --> 00:21:58,234
lt is prejudice, because they're different.

245
00:21:58,321 --> 00:22:04,715
People are always going to have a go at them.
lt's a very sad side of human nature.

246
00:22:04,801 --> 00:22:08,760
They do get a lot of hate mail,
and some of it is very unsavoury.

247
00:22:08,841 --> 00:22:12,117
This came through the letterbox on Monday.

248
00:22:12,201 --> 00:22:14,874
And as you can see, it's a postcard.

249
00:22:14,961 --> 00:22:18,715
And originally it just says,
''Come to the Tower of London''.

250
00:22:18,801 --> 00:22:22,476
But somebody, and we think we know who,

251
00:22:22,561 --> 00:22:25,678
who'll remain nameless,
has written ''don't'' underneath.

252
00:22:25,761 --> 00:22:29,640
So that is,
''Don't come to the Tower of London''.

253
00:22:31,401 --> 00:22:33,961
l mean, it's filth.

254
00:22:34,041 --> 00:22:36,111
- Specially as...
- Who would do that?

255
00:22:36,201 --> 00:22:40,433
(vicar) l wouldn't use the S-word,
but don't poo on your own doorstep.

256
00:22:40,521 --> 00:22:46,835
You know, you've already pooed on your own
doorstep, don't go and poo on other people's.

257
00:22:46,921 --> 00:22:49,719
- Death threats...
- ''You'll be impaled on a spike.''

258
00:22:49,801 --> 00:22:51,598
- Yes.
- Horrible.

259
00:22:51,681 --> 00:22:55,754
''Mary, Queen of Scots,
Anne Boleyn, you'll be next.''

260
00:22:55,841 --> 00:23:00,756
That was written on a small
axe and block that came through.

261
00:23:00,841 --> 00:23:04,595
What they thought was a dead raven
came through the letterbox.

262
00:23:04,681 --> 00:23:06,672
lt was actually a crow.

263
00:23:07,961 --> 00:23:11,397
Some raven's muck, or crow's muck.

264
00:23:11,481 --> 00:23:14,598
Some vegetarian burgers.

265
00:23:16,001 --> 00:23:17,992
(dramatic music)

266
00:25:04,401 --> 00:25:07,711
Both fighters have been
showing great form lately.

267
00:25:07,801 --> 00:25:11,430
Obviously, we're delighted
Oliver's come to Britain to fight.

268
00:25:11,521 --> 00:25:12,636
- Dave?
- Yeah.

269
00:25:12,721 --> 00:25:16,794
l'd like to ask Jenny, do you feel
you've been pushed into this fight?

270
00:25:16,881 --> 00:25:22,114
No, not really. l'm looking forward
to the fight. l'm going to bash him up.

271
00:25:22,201 --> 00:25:25,398
Could l add that this
is entirely Jenny's own decision,

272
00:25:25,481 --> 00:25:29,360
and lots of little girls these days
play football, so why not box?

273
00:25:29,441 --> 00:25:35,437
- (Dave) l see. Can l get a nose-to-nose?
- Sure, don't see why not. Come on, Jenny.

274
00:25:37,961 --> 00:25:39,758
You ain't gonna take me down.

275
00:25:52,001 --> 00:25:58,349
(commentator) Martinez really seems to be
feeling this. He's taken several body blows...

276
00:26:06,681 --> 00:26:09,991
Martinez tiring now.
She's really hammering him.

277
00:26:10,081 --> 00:26:12,231
He's on the ropes. Surely this is it.

278
00:26:12,321 --> 00:26:15,552
Martinez is down. Martinez is down.

279
00:26:15,641 --> 00:26:18,713
The winner of tonight's bout is Jenny.

280
00:26:23,841 --> 00:26:25,957
OK, darling. Let's get you bandaged up.

281
00:26:26,041 --> 00:26:29,272
l really like Vegas, Mummy.
When l've won the world title...

282
00:26:29,361 --> 00:26:31,955
Now, listen, Jenny. Pay attention.

283
00:26:32,041 --> 00:26:35,954
Mummy and Daddy don't want you
to try as hard tonight as you normally do.

284
00:26:36,041 --> 00:26:38,874
- But it's a title fight, Mummy.
- l know that, Jenny.

285
00:26:38,961 --> 00:26:43,512
lt's just that... Some men have
offered Mummy and Daddy lots of money.

286
00:26:43,601 --> 00:26:47,435
To buy you presents.
But only if you're a very good girl.

287
00:26:47,521 --> 00:26:51,196
- And take a dive, in the seventh.
- l don't want to.

288
00:26:51,281 --> 00:26:55,479
Don't start with me. lt might work
with your father, but it doesn't with me.

289
00:26:55,561 --> 00:26:58,234
Take a dive, that's an end to it.

290
00:26:58,321 --> 00:27:01,119
- No.
- Just do it, or l'll give you what for.

291
00:27:02,521 --> 00:27:05,354
Just do as your mum says, Jen.

292
00:27:06,521 --> 00:27:10,560
(commentator) Jenny powering in there
with those trademark low blows.

293
00:27:10,641 --> 00:27:12,632
Jenny!

294
00:27:20,641 --> 00:27:24,634
Oh, good gracious, she is down. Unbelievable.

295
00:27:24,721 --> 00:27:27,519
Where did that come from? That's incredible.

296
00:27:29,521 --> 00:27:35,869
And so, ladies and gentlemen, that's the true
story of why l never became world champ.

297
00:27:35,961 --> 00:27:41,957
After all, l didn't want Mummy and Daddy to
be beaten to death with baseball bats, did l?

298
00:27:42,881 --> 00:27:47,955
And now, the moment you've all
been waiting for. The strippers.

299
00:27:48,041 --> 00:27:51,317
- Nice set, Jenny.
- Yeah, yeah. Whatever.

300
00:27:52,921 --> 00:27:57,073
(woman) Oh, come in, come in.
l'm so glad you could make it. Have a seat.

301
00:27:57,161 --> 00:28:01,916
This is Fiona, Chris, Derek, and you know Nick.

302
00:28:02,001 --> 00:28:04,561
(man) We met at Tom's.
l saw you recently.

303
00:28:04,641 --> 00:28:09,192
l hope you weren't trying to avoid me
cos you couldn't remember my name.

304
00:28:09,281 --> 00:28:10,509
(dramatic music)

305
00:28:11,761 --> 00:28:12,989
(dramatic music)

306
00:28:16,441 --> 00:28:21,196
- l'm Colin, by the way.
- Of course, Colin. Yes. Hi again.

307
00:28:43,921 --> 00:28:46,151
Visiontext Subtitles: Paul Burns