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00:00:10,000 --> 00:00:11,680
One, two, three, four!

2
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'In November 1982, a new young team
of comedians called the Comic Strip

3
00:00:16,680 --> 00:00:20,160
'appeared on our television screens
for the first time

4
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'with their film
Five Go Mad In Dorset.

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'The Comic Strip launched the
careers of many now-famous names

6
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'including Ade Edmondson,
Jennifer Saunders,

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'Dawn French, Peter Richardson,

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'Robbie Coltrane, Rik Mayall,
Nigel Planer,

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'Keith Allen and Alexei Sayle.

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'For the next two hours,
the Comic Strip take you through
their award-winning films

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'with unseen footage
from the last 30 years.

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'Films like The Strike,

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'A Fistful Of Travellers' Cheques,
Bad News, The Hunt For Tony Blair,

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'and now their latest film for Gold,
Five Go To Rehab.

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'We start with the group's first
appearance on British television

16
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'with Five Go Mad In Dorset.'

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They must have come out of a secret
entrance in the wall down there.

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I think I found it. Hurrah!

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I say, George. You're pretty spunky
for a girl. Thanks, Dick.

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Oh, blow! It won't open!
Perhaps there's a secret mechanism.

21
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Of course! How silly of us
not to have thought of that.

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I say, Dick. Try bending
that branch three times.

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CREAKING

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Hurrah!

25
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I thought they ruined the genre
for me.

26
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Huge fan of those books.

27
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I thought it was a bit silly.

28
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I don't think they took it
very seriously,
as if it was a bit of a joke.

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'It was the first
of over 40 Comic Strip films and won
the Press Award for Best Comedy.

30
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'It was a controversial send-up
of the much loved Enid Blyton books

31
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'featuring the Famous Five.

32
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'This was followed by...'

33
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The great thing
about the Comic Strip

34
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is that Nigel Planer and Keith
and Rik and Ade

35
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and Dawn and Jenny and Robbie all
came together and did these things.

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And it was a real lesson to all
the comedians like me who came after,

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NEVER to do an ensemble.

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WOMAN LAUGHS

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It's super to be back on hols,
Aunt Fanny!

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Timmy! You're just as licky as ever!

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My word!
Haven't you all grown?

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We got a call at the 11th hour, the
day before we were due to go on air

43
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from the publishers.

44
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There was a build-up for months
that I do remember,

45
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in which the Enid Blyton estate
tried to prevent us making the film.

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There was Enid Blyton's niece,
somebody from the publishers,

47
00:03:05,860 --> 00:03:08,940
there was a barrister
and two solicitors.

48
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I said, "The first night
of Channel 4 and I'm going to get
the sack. That's a good start(!)"

49
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Where's young Toby got to?
He's been kidnapped. Typical!

50
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'As it progressed,
one of the solicitors,'

51
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a youngish woman,
she had her papers

52
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and at one point, I saw she'd lifted
the papers up and I could...

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LAUGHING: They just started shaking!

54
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And when we got to Timmy who was
so licky, she completely lost it.

55
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'So they all started laughing.'

56
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GEORGE: Oh, Timmy! You're so licky!

57
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ANNE: You shouldn't let him do that,
George, it's not hygienic.
But we like it, don't we, Timmy?

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JULIAN: Come on, girls.
Leave Timmy alone. Lights out.

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00:03:53,420 --> 00:03:58,980
'The pride I had
in Five Go Mad In Dorset being on
the first night was this,'

60
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what you guys were doing
was appealing to younger audiences,

61
00:04:03,620 --> 00:04:08,060
audiences whose tastes
had scarcely been catered for.

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If you look at it now,
it seems like,

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to an extent,
classic television satire, but
people didn't do that in those days.

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'There they were, sending up
this backbone of British culture,

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'Enid Blyton,
in the most hilarious way.'

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..heaps of tomatoes, fresh lettuce
and lashings of ginger beer.

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This is the kind of holiday I like.
Not too much adventure.

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Enid Blyton was not Saddam Hussein,

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but all the class assumptions
that were underneath Enid Blyton

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were brought to the fore
in the Comic Strip films.

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Eugh. What a horrid common voice
he's got.

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I said, "Are there any parts?"

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He said, "There's just a really
unattractive randy old gypsy

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"and a woman who runs the local shop
who's obviously been beaten up."

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And I said,
"Well, I can do them both."

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He said, "Yeah, all right, then."
That was the conversation.

77
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I say! Look at this, everybody! Two
more famous scientists kidnapped.

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Yes, there's been a lot of strange
comings and goings in this village.

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Secrets and signs and...

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Threats.

81
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I think I'm a bit frightened
already.

82
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You'll be all right, young missy,
with your short skirt
and your tight sweater.

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Right, off we go!

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I saw it the first night
of Channel 4. I didn't think much
of Channel 4 up until then.

85
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When I saw that, I thought,
"I want to be these people."
Except for, um... Danny.

86
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It's time you scooted off.
You've had a long time with us.

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00:05:43,800 --> 00:05:46,980
I suppose Dick doesn't have
a say in the matter. Look here!

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We're the Famous Five
and that's how it's going to stay.

89
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They made me feel very welcome,
which was part of the whole

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loveliness of the experience.

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Oh!

92
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I was the butt of a number of jokes,
yes.

93
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I suppose someone had to be,
to show up their characters'
slightly right-wing tendencies.

94
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It was a reflection of the times.

95
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You can say, "Taking the mickey
out of a black man with the bags."

96
00:06:14,500 --> 00:06:19,340
The real issue is the reaction
from the five. It's what THEY say.

97
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That man looks foreign.

98
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I expect his name's golliwog!
Or Tarzan!

99
00:06:24,700 --> 00:06:28,140
'The Comic Strip have always had
the credibility to do that,'

100
00:06:28,140 --> 00:06:35,160
in the black community, to take the
mickey out of certain black issues
that were of the time, you know.

101
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Now you can't, because certain people
are uncomfortable with it.

102
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I do love Famous Five.
That is one of my favourites.

103
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It was just so gloriously funny
to do.

104
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We were just sort of let loose
with a film crew.

105
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And, er... We all stayed
at Pete's mum's house.

106
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In bunk beds.

107
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And it was...rather jolly.

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What a gorgeous view!
I'm so glad it's private property.

109
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I expect the welfare state
would like to build a motorway here.

110
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Or a secondary modern school.
BARKING

111
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Timmy hates city folk as well.
Don't forget the gate.

112
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Yes, the country code's very strict
about that.

113
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NEW SPEAKER: 'They all started
on the stage together.

114
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'They probably had no idea
that things would work out as well.

115
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'They all got this shared...'

116
00:07:24,900 --> 00:07:28,800
battle experience,
doing their first films together.

117
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Just give me that guitar, Dick.
# Get your boring clothes off #

118
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Give me that guitar at once!

119
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# Give me that guitar, oh, yeah #

120
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Right, that's it!

121
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Oh, no! What a fascist!

122
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You shouldn't have done that, Ju.
Shut up, you little prick-teaser!

123
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The main engine of the thing
was the kind of group attitude.

124
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Everybody always got the joke.

125
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There was never any question
or any disagreement

126
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'about what the joke was.'

127
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Where am I?

128
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What I always look forward to
is there's normally a bit of strange
casting from Pete that always works.

129
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I think about people like
Sandra Dorne,

130
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'Fiona Richmond, they just work.'

131
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I didn't want to spoil your holiday,
but I'm afraid, children,

132
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your uncle has been kidnapped again.

133
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ALL: Oh, no! Bad show!

134
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'In this room, 30 years ago,

135
00:08:33,700 --> 00:08:37,120
'one of the most popular soap stars
of the time, Ronnie Allen,

136
00:08:37,120 --> 00:08:40,320
'came through this door
dressed as Uncle Quentin.'

137
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There's something very unnatural
going on here, and that's for sure.

138
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I think I can explain everything,
children.

139
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ALL: Uncle Quentin!

140
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'Ronnie Allen was a very big
soap star in soaps like Compact
and, later, Crossroads.

141
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'He was an ageing matinee idol,
adored by loads of women.

142
00:09:01,340 --> 00:09:04,120
'Used to get 20 million people
a night watching him.'

143
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So when he walked in
and told his fans that he was gay,

144
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'it caused quite a stir.'

145
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That was all part of my plan.

146
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For many years now,

147
00:09:14,840 --> 00:09:19,620
your Aunt Fanny and I have not had
a proper marital relationship.

148
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She's an unrelenting nymphomaniac.

149
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And I'm a screaming homosexual.

150
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They must have been in their late
20s, early 30s and they're playing
ten-year-olds?

151
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Why did no-one...? Who casted this?

152
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You're pretty well developed
for a ten-year-old.

153
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I say! I've found a first-rate spot
to pitch our tents for the night.

154
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DAWN: 'My character, George,
is a tomboy

155
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'so I was given a bike
which had a crossbar, for boys.'

156
00:09:51,680 --> 00:09:55,680
And, er, we were told to go down
a very steep hill,

157
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and I realised that my bike
didn't have any brakes.

158
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I said to Pete,
"I can't go down that steep hill,
mate. I can't stop the bike."

159
00:10:04,280 --> 00:10:08,900
He said, "Just do it! Stop fussing!
Just come off the bike at the end."

160
00:10:08,900 --> 00:10:10,880
So that's what I did!

161
00:10:10,880 --> 00:10:14,180
Yeah, we got the naughty stuff,
just like last time!

162
00:10:14,180 --> 00:10:18,840
'This deserted bay in south Devon
was one of the locations we used

163
00:10:18,840 --> 00:10:21,760
'for the end scene
of Five Go Mad On Mescalin.

164
00:10:21,760 --> 00:10:26,020
'One of the most surprising people
in the world spotted the location -

165
00:10:26,020 --> 00:10:28,260
'Keith Richards
of the Rolling Stones.'

166
00:10:28,260 --> 00:10:32,900
I've got his book here, where
he says, "We go to Beesands in Devon

167
00:10:32,900 --> 00:10:37,020
"next to a village called Hallsands,
which had fallen into the sea,

168
00:10:37,020 --> 00:10:40,100
"a ruined village which
was interesting to a young kid.

169
00:10:40,100 --> 00:10:42,220
"It was really
Five Go Mad In Dorset,

170
00:10:42,220 --> 00:10:44,420
'"all those dilapidated houses."

171
00:10:44,420 --> 00:10:46,520
'Not any more.

172
00:10:46,520 --> 00:10:49,280
'Most of the locations we used
have changed completely.'

173
00:10:50,240 --> 00:10:53,180
Oh, what a horrible, run-down
scruffy...

174
00:10:55,880 --> 00:10:59,580
I think that time
is always the best judge.

175
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And, you know, whether people
will be still talking

176
00:11:02,780 --> 00:11:07,460
about The Inbetweeners and things
like that in 30 years' time,

177
00:11:07,460 --> 00:11:09,760
I'm not so sure.

178
00:11:09,760 --> 00:11:13,840
I think The Comic Strip Presents
will always be there to watch

179
00:11:13,840 --> 00:11:17,060
and will always be funny
and always be relevant.

180
00:11:20,060 --> 00:11:24,840
'Coming next, Al Pacino is cast
as Arthur Scargill in The Strike.'

181
00:11:31,000 --> 00:11:36,140
'For their third series,
the Comic Strip presented a series
of one-hour comedies.

182
00:11:36,140 --> 00:11:39,500
'The Strike, which won
several awards, was a satire

183
00:11:39,500 --> 00:11:42,200
'on Hollywood's dictum,
"Never let the truth

184
00:11:42,200 --> 00:11:45,360
"get in the way of a good story."

185
00:11:45,360 --> 00:11:48,560
Golden Pictures would like
to be part of your movie.

186
00:11:48,560 --> 00:11:52,960
However, we'll have to make one
or two tiny changes to the script.

187
00:11:52,960 --> 00:11:54,500
A mining disaster.

188
00:11:54,500 --> 00:11:57,680
The miners' strike is undoubtedly
the sort of film we should be doing.

189
00:11:57,680 --> 00:12:00,380
What about Al Pacino
as Arthur Scargill?

190
00:12:01,420 --> 00:12:06,160
It's great. The point of the story
is that the miners are on strike.

191
00:12:06,160 --> 00:12:08,280
That means that the mine's closed.

192
00:12:08,280 --> 00:12:10,820
This hunky hero head of the miners,

193
00:12:10,820 --> 00:12:16,160
he's too chicken shit scared
to go down the mine
and big out Meryl Streep!

194
00:12:17,880 --> 00:12:19,960
I think The Strike's the best.

195
00:12:19,960 --> 00:12:22,700
If a teenager came to that now,

196
00:12:22,700 --> 00:12:25,480
and didn't know
who all those people were,

197
00:12:25,480 --> 00:12:28,440
didn't know about
the miners' strike,

198
00:12:28,440 --> 00:12:31,060
I think what's great about that is

199
00:12:31,060 --> 00:12:36,280
it's more about a guy who's written
a film about a real event

200
00:12:36,280 --> 00:12:39,620
which has been twisted
and made into something else.

201
00:12:39,620 --> 00:12:45,660
What I'm really trying to say
is, uh, it seems to me this
Arthur Scargill character is, um...

202
00:12:45,660 --> 00:12:48,480
Seems to me to be
some kind of, um...

203
00:12:48,480 --> 00:12:50,720
loser, you know?

204
00:12:50,720 --> 00:12:53,200
Yeah. That's the way it reads to me.

205
00:12:55,120 --> 00:12:58,220
Um, you know, he loses, yeah.

206
00:12:58,220 --> 00:13:03,580
What Al's trying to say,
forgive me, Al... No. Please.

207
00:13:03,580 --> 00:13:07,200
..is that we don't like the end
of the picture.

208
00:13:07,200 --> 00:13:10,380
Strike really worked.
The story within the story worked.

209
00:13:10,380 --> 00:13:14,200
It worked like you went to Hollywood
and they said, "We love the story

210
00:13:14,200 --> 00:13:17,740
"but you got to kill more people."
Or whatever they said.

211
00:13:17,740 --> 00:13:21,560
Tell him he either tears up
his rose bushes or he's fired!

212
00:13:21,560 --> 00:13:25,960
'With something like Strike,
particularly, well all those,

213
00:13:25,960 --> 00:13:31,400
'they're very much about British
culture, but using American culture'

214
00:13:31,400 --> 00:13:35,500
to highlight the absurdity, so
you bring the Hollywood machine in.

215
00:13:35,500 --> 00:13:39,780
You have Al Pacino playing
Arthur Scargill, which is fantastic.

216
00:13:39,780 --> 00:13:44,520
Strike was originally
a one-line gag in Eat The Rich.

217
00:13:44,520 --> 00:13:48,780
We thought, "We can make Strike."
We took the gag out and did Strike.

218
00:13:48,780 --> 00:13:52,360
Strike was a masterly film,
wonderful film.

219
00:13:52,360 --> 00:13:55,940
'I remember there were great shots
like High Noon,

220
00:13:55,940 --> 00:14:00,640
'that looked as if they were taken
high up and down a long stretch.'

221
00:14:00,640 --> 00:14:04,440
You thought, "I'm watching a movie."

222
00:14:04,440 --> 00:14:09,860
'Peter Richardson wanted to find
a street of terraced houses
with a slag heap at the end of it.'

223
00:14:09,860 --> 00:14:13,160
Doesn't say "mining town" to me.
'We actually found one.'

224
00:14:13,160 --> 00:14:17,540
Hi, how d'you do?
This is Paul, the writer.
Love the script.

225
00:14:17,540 --> 00:14:22,020
'One of the houses was like
our production office and stuff.

226
00:14:22,020 --> 00:14:24,240
'And next door decided'

227
00:14:24,240 --> 00:14:27,460
they would join in, they would be
our bar and catering.

228
00:14:27,460 --> 00:14:32,860
So it was like a street party every
day we were filming, with the locals
joining in. They were brilliant.

229
00:14:32,860 --> 00:14:34,440
'Absolutely fantastic.'

230
00:14:34,440 --> 00:14:38,240
Over at that pub,
there was about 20 miners.

231
00:14:38,240 --> 00:14:40,900
And we saw 500 coppers.

232
00:14:40,900 --> 00:14:43,900
Hard-faced bastards with visors
and shields.

233
00:14:43,900 --> 00:14:45,960
They're walking like this.

234
00:14:45,960 --> 00:14:48,780
Old Mrs Griffiths,
she come out to see them...

235
00:14:50,060 --> 00:14:54,620
What do you think?
It's just all this double glazing.

236
00:14:54,620 --> 00:14:57,060
I know. It's completely bad taste.

237
00:14:57,060 --> 00:15:00,760
The film is set in the '80s,
but feels like the '30s.

238
00:15:00,760 --> 00:15:03,340
Yes, exactly. All films do.

239
00:15:03,340 --> 00:15:10,980
'It's a film within a film,
a complex kind of proposition about
how Hollywood falsifies history.'

240
00:15:10,980 --> 00:15:14,860
You know, makes it extremely crude
and about egotism.

241
00:15:14,860 --> 00:15:18,640
It was a wonderful,
a fantastic satire.

242
00:15:18,640 --> 00:15:23,100
What was here before this
video shop? Until five years ago,
Radio Rentals.

243
00:15:23,100 --> 00:15:26,960
Could very easily be re-dressed
as a blacksmith's shop!

244
00:15:26,960 --> 00:15:29,200
WOLF HOWLS

245
00:15:29,200 --> 00:15:32,480
CONVERSATION
AND PIANO PLAYING IN PUB

246
00:15:33,960 --> 00:15:35,900
GRUFFLY: Scargill!

247
00:15:39,160 --> 00:15:42,920
We want to talk to you.

248
00:15:42,920 --> 00:15:47,080
I don't talk to militants.
But we got something to say to you.

249
00:15:47,080 --> 00:15:51,600
Hm! We hear that you've been trying
to negotiate with the Coal Board.

250
00:15:51,600 --> 00:15:56,360
What if I am? We're running things
now. We've taken over your union...

251
00:15:56,360 --> 00:15:58,360
'Those group of people
still feel'

252
00:15:58,360 --> 00:16:02,520
like this is why comedy is
the way it is today.

253
00:16:02,520 --> 00:16:03,880
Um...

254
00:16:03,880 --> 00:16:07,940
You know, very...intelligent people

255
00:16:07,940 --> 00:16:11,820
writing intelligent things,
disguising it as silliness.

256
00:16:11,820 --> 00:16:16,680
The Strike, I've watched 15 times.
I love that one. With the oranges.

257
00:16:16,680 --> 00:16:19,920
You're a school teacher,
a great school teacher,

258
00:16:19,920 --> 00:16:24,000
but you don't know what it's like
to be Arthur Scargill, leader...

259
00:16:24,000 --> 00:16:26,000
What the...that?

260
00:16:26,000 --> 00:16:27,940
It's an orange.

261
00:16:27,940 --> 00:16:31,620
I want to know
what it's doing in my scene.

262
00:16:31,620 --> 00:16:34,240
It feels right for me
to be peeling an orange.

263
00:16:34,240 --> 00:16:37,920
She's peeling an orange, I ought
to be loading a handgun. OK, Al.

264
00:16:37,920 --> 00:16:40,140
A Magnum!

265
00:16:40,140 --> 00:16:43,360
Jennifer was doing a Meryl Streep
with the oranges,

266
00:16:43,360 --> 00:16:46,160
permanently playing with oranges.

267
00:16:48,320 --> 00:16:50,480
I'm sorry, Arthur.

268
00:16:50,480 --> 00:16:53,800
I love the workers
as much as you do, but...

269
00:16:55,080 --> 00:16:57,980
Goddamn it, Arthur.
You're gonna have to choose.

270
00:16:57,980 --> 00:17:00,000
It's me or the union.

271
00:17:00,000 --> 00:17:01,980
Don't say that!

272
00:17:03,900 --> 00:17:07,580
Don't ever say it to me again.
I love the NUM.

273
00:17:07,580 --> 00:17:09,260
It's my job.

274
00:17:10,720 --> 00:17:12,520
Have you got that?

275
00:17:13,400 --> 00:17:15,260
SOBBING

276
00:17:19,740 --> 00:17:22,940
It just was hysterically funny.

277
00:17:22,940 --> 00:17:25,520
I happened to be there at Montreux

278
00:17:25,520 --> 00:17:28,540
when, to everyone's shock
and amazement,

279
00:17:28,540 --> 00:17:30,960
it won the Golden Rose of Montreux.

280
00:17:30,960 --> 00:17:34,680
That is the prized accolade
for comedy.

281
00:17:34,680 --> 00:17:37,320
Golden Rose? Very disappointing.

282
00:17:37,320 --> 00:17:39,380
Made of tin and plastic.

283
00:17:39,380 --> 00:17:43,440
They give you a cheque, and Peter
put the cheque in his pocket.

284
00:17:43,440 --> 00:17:46,960
It was only for five grand,
but it's a blank cheque.

285
00:17:46,960 --> 00:17:53,380
And about three weeks later, when
we came back to England, we went up
and gave it to Arthur Scargill.

286
00:17:53,380 --> 00:17:58,660
So we gave Arthur this cheque for
five grand, and he gave us this
miner's lamp, which I've still got.

287
00:17:58,660 --> 00:18:01,880
I love the idea of Americans playing
Arthur Scargill,

288
00:18:01,880 --> 00:18:07,000
Al playing Arthur Scargill
as a handsome gypsy in a white shirt
and a black waistcoat.

289
00:18:07,000 --> 00:18:09,000
EXPLOSION

290
00:18:14,100 --> 00:18:18,220
'Peter Richardson doing Al Pacino
doing Arthur Scargill

291
00:18:18,220 --> 00:18:20,680
'and the way he tries
to transform him'

292
00:18:20,680 --> 00:18:23,900
into this tragic hero
rescuing his daughter

293
00:18:23,900 --> 00:18:27,260
from a collapsing mine -
it's just so absurd!

294
00:18:28,440 --> 00:18:31,680
Where's Dutch?
This whole thing's gone too far.

295
00:18:35,480 --> 00:18:37,520
C'mon, where is he, Wayne?

296
00:18:37,520 --> 00:18:39,520
ALL COUGH

297
00:18:40,740 --> 00:18:44,300
Him and a thousand militants
broke into the dynamite store!

298
00:18:44,300 --> 00:18:47,600
They took the dynamite
and headed for Sellafield! My God!

299
00:18:47,600 --> 00:18:51,600
They're gonna blow
the nuclear reactor. Slim? Yes, sir.

300
00:18:51,600 --> 00:18:53,600
I need your bike.

301
00:19:00,100 --> 00:19:04,200
Oh, I loved Strike. I'm sure
there are some shit bits in Strike.

302
00:19:04,200 --> 00:19:06,700
I LOVED Strike!
Didn't you love Strike?

303
00:19:06,700 --> 00:19:11,120
I thought Peter Richardson,
who did a lot of stuff
on the motorbike, was really edgy.

304
00:19:11,120 --> 00:19:14,760
In our Hollywood film, Arthur
Scargill turned into Steve McQueen.

305
00:19:22,560 --> 00:19:28,180
Pete and I wrote this line,
"Scargill roars past Buckingham
Palace, into Parliament Square."

306
00:19:28,180 --> 00:19:30,520
He said to Glynn Purcell,
the first assistant,

307
00:19:30,520 --> 00:19:37,220
"What we want to do is fall over on
the bike and run through the gates
of Parliament. What do you think?"

308
00:19:37,220 --> 00:19:40,880
Glynn said, "Two things.
First of all, you'd be shot.

309
00:19:40,880 --> 00:19:43,020
"And second, you'd be shot again."

310
00:19:44,700 --> 00:19:46,160
Which way to London?

311
00:19:46,160 --> 00:19:49,360
I remember them having to shoot him

312
00:19:49,360 --> 00:19:51,920
on the Mall early in the morning...

313
00:19:53,360 --> 00:19:56,140
..on a motorbike
dressed as Al Pacino,

314
00:19:56,140 --> 00:19:59,260
riding down the middle of the Mall
without a helmet on.

315
00:19:59,260 --> 00:20:04,560
They literally, drove to the Mall,
Pete got on the bike, and just did
it with the camera following them.

316
00:20:04,560 --> 00:20:07,140
'We didn't have any permissions.'

317
00:20:07,140 --> 00:20:10,980
I'm riding this dirt bike
around Buckingham Palace.

318
00:20:10,980 --> 00:20:13,540
'The bike doesn't have any MOT
or insurance.

319
00:20:13,540 --> 00:20:16,920
'I've got no helmet or licence.'

320
00:20:16,920 --> 00:20:20,080
I pretend to run out of petrol
on the Mall, dump the bike

321
00:20:20,080 --> 00:20:22,160
and run after the camera car.

322
00:20:22,160 --> 00:20:26,640
I say, "How was that, John?" He
says, "Wouldn't mind going again."

323
00:20:26,640 --> 00:20:28,520
And all hell broke loose.

324
00:20:28,520 --> 00:20:32,420
Nee-nah, nee-nah!
LAUGHING: And the police come.

325
00:20:32,420 --> 00:20:37,980
We decided we didn't know who
he was, this guy running after us
who we were trying to get away from.

326
00:20:37,980 --> 00:20:43,780
Everyone vanishes, and the police
come up and said, "Right, who's in
charge?" I say, "I'm just an actor."

327
00:20:43,780 --> 00:20:47,740
They said, "Look, if you go home
now, we'll be nice to you."

328
00:20:47,740 --> 00:20:51,460
And that was it. We said,
"Fine, thank you very much."

329
00:20:51,460 --> 00:20:56,140
And Peter said, "As soon as they've
gone..." No, Peter! No, Peter!

330
00:20:56,140 --> 00:20:59,280
Permissions?
SPITS

331
00:20:59,280 --> 00:21:00,420
Permissions!

332
00:21:00,420 --> 00:21:04,580
The following day, of course,
we go down to Carnaby Street,

333
00:21:04,580 --> 00:21:08,940
a lone motorbike rider haring down
the middle of Carnaby Street.

334
00:21:10,860 --> 00:21:14,120
A few times we thought,
"We are going to get nabbed."

335
00:21:14,120 --> 00:21:18,200
There's a scene at the end, where
I throw the typewriter in the air.

336
00:21:18,200 --> 00:21:22,720
The guy, one of
the bandido brothers, was underneath
and it was clearly...

337
00:21:22,720 --> 00:21:24,940
It was a big old heavy typewriter.

338
00:21:24,940 --> 00:21:27,140
'It was going to hit him
on the head.'

339
00:21:27,140 --> 00:21:30,180
'We wanted a shot of this
spinning in the air.'

340
00:21:30,180 --> 00:21:34,600
You said, "You throw it." I launched
it up in the air. You said, "Great!"

341
00:21:34,600 --> 00:21:37,280
It came straight down
and landed on his head.

342
00:21:37,280 --> 00:21:39,680
'Did it knock me out?'

343
00:21:39,680 --> 00:21:44,800
It split your head open,
but you didn't have stitches.
No wonder I don't remember it.

344
00:21:44,800 --> 00:21:46,780
ALL SHOUTING

345
00:21:48,560 --> 00:21:50,480
GAVEL BANGS

346
00:21:50,480 --> 00:21:54,780
Well, Mr Scargill,
I think you should go home and...

347
00:21:54,780 --> 00:21:57,160
tell little Tammy that...

348
00:21:57,840 --> 00:22:03,040
..yes, the miners can
go back to work.

349
00:22:03,040 --> 00:22:05,420
Y-yes!

350
00:22:05,860 --> 00:22:09,060
Strike was so weird
cos it's got Rik at the end

351
00:22:09,060 --> 00:22:12,880
playing some sort
of Lincoln-ian type judge.

352
00:22:12,880 --> 00:22:15,600
It's got this wonderful
Passport To Pimlico ending.

353
00:22:15,600 --> 00:22:19,260
'Rik just throws his gavel
in the air and laughs.

354
00:22:19,260 --> 00:22:22,680
'It was a hilariously funny moment.'

355
00:22:22,680 --> 00:22:24,760
CHEERING

356
00:22:24,760 --> 00:22:26,140
Tammy!

357
00:22:31,280 --> 00:22:33,680
Daddy, look! I can walk!

358
00:22:34,840 --> 00:22:37,340
Come on, Tammy. You can do it.

359
00:22:40,460 --> 00:22:43,460
You have a very brave daddy,
Tammy.

360
00:22:43,460 --> 00:22:46,140
I know.
Thank you, Prime Minister.

361
00:22:47,120 --> 00:22:49,060
CHEERING

362
00:22:51,180 --> 00:22:53,900
'After the break,
the Comic Strip go to Spain,

363
00:22:53,900 --> 00:22:56,360
'in search of a fistful
of travellers' cheques.'

364
00:23:03,000 --> 00:23:06,900
'At the end of their second series,
the Comic Strip went to Spain

365
00:23:06,900 --> 00:23:10,760
'and had a wild time making
A Fistful Of Travellers' Cheques.

366
00:23:10,760 --> 00:23:16,680
'Not only has the story
been updated, but it features scenes
that have never been shown before.'

367
00:23:40,700 --> 00:23:42,520
Carlos!

368
00:24:01,220 --> 00:24:03,480
'I hadn't seen Carlos for 30 years.

369
00:24:06,260 --> 00:24:09,000
'He was like a brother to me,
really.

370
00:24:12,640 --> 00:24:15,820
'He said, "Let's go abroad,
do something."

371
00:24:15,820 --> 00:24:20,020
'I said, "I've always wanted
to go to Cuba. Lovely place, Cuba.

372
00:24:20,020 --> 00:24:24,440
'"Beautiful beaches. We could
pretend to join the revolution."

373
00:24:24,440 --> 00:24:28,520
'He said, "Fuck Cuba! We'll go
to Spain. Do the spaghetti thing."'

374
00:24:28,520 --> 00:24:31,160
DONG

375
00:24:33,060 --> 00:24:34,920
You start the row!

376
00:24:42,640 --> 00:24:48,560
Quite a lot of the Sergio Leone
Fistfuls and For A Few Dollars More,

377
00:24:48,560 --> 00:24:52,720
Once Upon A Time In The West,
a lot of that was done around here.

378
00:24:52,720 --> 00:24:54,960
GUNSHOTS

379
00:24:56,840 --> 00:25:00,200
My first ever Comic Strip
was Fistful.

380
00:25:00,200 --> 00:25:02,660
It just blew my mind.

381
00:25:02,660 --> 00:25:06,100
I think the boys really indulged
themselves in that film.

382
00:25:06,100 --> 00:25:10,740
In the best possible way! All boys
like to pretend to be cowboys.

383
00:25:10,740 --> 00:25:14,820
And Comic Strip boys,
comedy boys in particular, LOVE it!

384
00:25:14,820 --> 00:25:17,580
They LOVE a bit of Lee Van Cleef.

385
00:25:17,580 --> 00:25:21,460
You know, they love guns
and their big hats.

386
00:25:24,920 --> 00:25:28,200
Are you taking this train
to El Poranzo?

387
00:25:37,420 --> 00:25:38,680
No.

388
00:25:39,380 --> 00:25:40,720
NO!

389
00:25:40,720 --> 00:25:44,720
We leave the train at San Domingo,
the next stop.

390
00:25:44,720 --> 00:25:47,480
'Jennifer and I
were on the sidelines,'

391
00:25:47,480 --> 00:25:51,400
watching the boys tugging their
todgers in a Spanish cowboy way.

392
00:26:04,220 --> 00:26:07,760
'You and Rik are walking down
the high street.'

393
00:26:07,760 --> 00:26:09,800
We can see the road for miles.

394
00:26:09,800 --> 00:26:15,060
'These lovely people sitting in the
high street, leaning against walls,

395
00:26:15,060 --> 00:26:18,060
'"What's all this stuff?" you know.'

396
00:26:18,060 --> 00:26:21,200
We're coming along,
"Por favori, el movo."

397
00:26:21,200 --> 00:26:25,920
'"Over there-o.
Pay no attention to the camerooni."'

398
00:26:28,700 --> 00:26:32,560
As you pull your wheelies along,
a car comes at Rik,

399
00:26:32,560 --> 00:26:36,740
driven by the art director,
not the stunt driver.

400
00:26:36,740 --> 00:26:39,080
HORN HONKS

401
00:26:41,320 --> 00:26:45,700
You can just see
Mike misses him by...that much.

402
00:26:48,280 --> 00:26:50,340
'My agent phoned up and said,'

403
00:26:50,340 --> 00:26:54,200
"Peter Richardson says can you come
to Spain for a couple of weeks

404
00:26:54,200 --> 00:26:58,040
"and get knocked about by
Keith Allen a bit?" I went, "OK."

405
00:26:58,040 --> 00:27:02,040
# Everybody happy? La la la la la

406
00:27:03,080 --> 00:27:06,640
# Where your mama gone?
Where your mama gone? #

407
00:27:08,420 --> 00:27:14,120
I remember Keith
slamming me against this shutter
that made a violent-y noise.

408
00:27:14,120 --> 00:27:18,600
But no, there was no serious pain.

409
00:27:25,100 --> 00:27:26,780
Thank you.

410
00:27:26,780 --> 00:27:30,200
The thing that killed me
was the fake gun fight.

411
00:27:30,200 --> 00:27:33,560
And the fake argument.
"You start the row!"

412
00:27:34,540 --> 00:27:36,740
I went first last time.

413
00:27:36,740 --> 00:27:38,780
No, you didn't.

414
00:27:38,780 --> 00:27:40,080
Did.

415
00:27:40,700 --> 00:27:41,940
Didn't.

416
00:27:43,760 --> 00:27:45,160
Did.

417
00:27:46,120 --> 00:27:47,720
Didn't.

418
00:27:48,340 --> 00:27:49,640
Did!

419
00:27:50,420 --> 00:27:52,360
Did not!

420
00:27:54,940 --> 00:27:57,300
You calling me a liar?

421
00:27:58,340 --> 00:28:02,500
Sorry. Have we started yet?
Of course we have, you tosser!

422
00:28:02,500 --> 00:28:06,020
I was from Gloucester
and he sounded so West Country.

423
00:28:06,020 --> 00:28:11,740
It was one of the times in my youth
I remember almost suffocating
from laughter watching the TV.

424
00:28:11,740 --> 00:28:13,800
What...? Start again.

425
00:28:15,820 --> 00:28:18,280
You calling me a liar?

426
00:28:21,980 --> 00:28:23,220
Y-yes!

427
00:28:24,840 --> 00:28:27,160
Well, then, you're going to die.

428
00:28:27,160 --> 00:28:29,160
CICADAS SING

429
00:28:36,120 --> 00:28:38,000
'Spain?'

430
00:28:38,000 --> 00:28:41,240
I thought it was Morocco.
Wasn't it Morocco?

431
00:28:44,680 --> 00:28:46,580
'It looked like Morocco.'

432
00:28:48,700 --> 00:28:52,760
I was, you know,
hitchhiking on the road.

433
00:28:52,760 --> 00:28:56,140
'After waiting a few hours,'

434
00:28:56,140 --> 00:29:01,400
the best thing, the only thing
to do, really, is to die.

435
00:29:01,400 --> 00:29:03,980
'To lie down dead in the road.'

436
00:29:05,040 --> 00:29:08,240
Strewth!
Yeah. Kinda guy who gives you crabs!

437
00:29:08,240 --> 00:29:09,880
You OK?

438
00:29:09,880 --> 00:29:11,880
Roadkill, I am.

439
00:29:17,240 --> 00:29:21,240
'Two frigging weeks I've been here.
Still can't find the bastard.'

440
00:29:21,240 --> 00:29:22,520
Carlos!

441
00:29:22,520 --> 00:29:26,260
'Then I had a brainwave -
go back to where it all started,

442
00:29:26,260 --> 00:29:28,080
'El Poranzo station.'

443
00:29:33,340 --> 00:29:35,120
WHISTLE BLOWS

444
00:29:37,620 --> 00:29:39,160
Tickets.

445
00:29:45,160 --> 00:29:47,480
What's this, gringo?

446
00:29:48,340 --> 00:29:51,380
It's a Euro Rover, old man.

447
00:29:53,360 --> 00:29:54,440
Grr!

448
00:30:15,300 --> 00:30:17,360
Who ARE you?

449
00:30:17,360 --> 00:30:20,440
Who do you think it is?
It's me, Michael.

450
00:30:22,600 --> 00:30:25,080
You remember us at college, amigo?

451
00:30:26,360 --> 00:30:29,160
Basingstoke Technical College.

452
00:30:29,160 --> 00:30:30,940
Yeah.

453
00:30:30,940 --> 00:30:33,800
Two-year engineering course.

454
00:30:34,640 --> 00:30:36,800
That's when you became my friend.

455
00:30:38,140 --> 00:30:40,680
I don't have any friends.

456
00:30:40,680 --> 00:30:44,280
Ah, so you're the man
with no friends? That's right.

457
00:30:47,440 --> 00:30:49,960
And you're the man
with no testicles.

458
00:30:49,960 --> 00:30:51,740
Sorry, testicle.

459
00:30:51,740 --> 00:30:54,800
Locals?
Probably thought we were cra...

460
00:30:54,800 --> 00:30:59,300
We just turned up in these
extraordinarily stupid costumes.

461
00:30:59,300 --> 00:31:02,020
Rik and Peter shouting
at each other a lot.

462
00:31:02,020 --> 00:31:05,620
I suppose they thought,
"Here come the English again.

463
00:31:05,620 --> 00:31:08,440
The next train that pulls in
at this station...

464
00:31:09,520 --> 00:31:12,100
..I'm just gonna jump aboard it.

465
00:31:12,100 --> 00:31:17,560
I'm gonna head straight out
across that wide, shimmering,
burning desert,

466
00:31:17,560 --> 00:31:20,140
to make it to El Paso,

467
00:31:20,140 --> 00:31:22,760
just in time for elevenses.

468
00:31:24,440 --> 00:31:27,280
Hi, I'm Shona and this is Jackie.

469
00:31:27,280 --> 00:31:30,000
What do you do for a living,
trouble?

470
00:31:32,380 --> 00:31:34,260
Take your clothes off.

471
00:31:34,260 --> 00:31:38,440
Billy Beaumont,
bull fighter from Clitheroe.

472
00:31:38,440 --> 00:31:40,860
He went to Spain to fight bulls,

473
00:31:40,860 --> 00:31:44,400
but he got gored by a goat.

474
00:31:45,660 --> 00:31:48,560
Give us this day, our daily bread.

475
00:31:48,560 --> 00:31:50,980
Forgive us our trespasses...

476
00:31:50,980 --> 00:31:53,000
You just landed on our grave.

477
00:31:53,000 --> 00:31:55,240
I think he works in Lidl's now.

478
00:31:57,200 --> 00:31:59,720
Say your prayers, amigo.

479
00:31:59,720 --> 00:32:03,000
Which one? I don't know any prayers.

480
00:32:03,000 --> 00:32:07,380
Well, perhaps you should have paid
more attention in divinity class.

481
00:32:07,380 --> 00:32:10,200
You might have lived
five minutes longer.

482
00:32:12,540 --> 00:32:13,900
Wait!

483
00:32:13,900 --> 00:32:16,020
I know where there's a cafe!

484
00:32:16,020 --> 00:32:17,880
Huh?
Prove it.

485
00:32:19,220 --> 00:32:21,160
Just there.

486
00:32:23,940 --> 00:32:27,260
Big Julie?
This was his great moment.

487
00:32:27,260 --> 00:32:29,840
He'd gone travelling in Spain.

488
00:32:32,560 --> 00:32:36,800
I guess a lot of people think,
"What's that crazy American doing

489
00:32:36,800 --> 00:32:40,820
"opening up a cafe-restaurant
50 miles from the nearest house?"

490
00:32:40,820 --> 00:32:42,800
Yeah, well, I say...

491
00:32:43,720 --> 00:32:45,740
"Yeah, I'm crazy.

492
00:32:45,740 --> 00:32:49,660
"But there's a lot of people
who are crazier in LA."

493
00:32:49,660 --> 00:32:52,380
I don't know if you've been
to LA recently,

494
00:32:52,380 --> 00:32:56,460
but what I say is I'd rather be
crazy in, like, a restaurant

495
00:32:56,460 --> 00:33:00,400
in somewhere like Spain
than somewhere else,

496
00:33:00,400 --> 00:33:05,480
where it's crazy to be
that kind of crazy.

497
00:33:06,300 --> 00:33:07,640
Cafe.

498
00:33:07,640 --> 00:33:09,680
Do you think I should extend?

499
00:33:09,680 --> 00:33:14,380
I don't want to spoil the landscape,
but it'd be kinda nice
when trade picks up.

500
00:33:14,380 --> 00:33:18,040
I've only been here two years
and I'm not established,

501
00:33:18,040 --> 00:33:22,660
but the way I figure it,
you gotta get bigger
because people like it big.

502
00:33:22,660 --> 00:33:26,160
And you gotta get bigger
before you get smaller.

503
00:33:28,920 --> 00:33:31,000
I'm not a small guy.

504
00:33:31,000 --> 00:33:33,840
I don't know if you think about me
that much,

505
00:33:33,840 --> 00:33:36,920
you know, at night
or first thing in the morning.

506
00:33:36,920 --> 00:33:39,460
Maybe it's the tablecloths.

507
00:33:39,460 --> 00:33:41,420
They ARE kinda ugly.

508
00:33:41,420 --> 00:33:44,700
Then, you can't see them
unless you come to the door.

509
00:33:44,700 --> 00:33:51,000
People just don't come to the door
and go, "Oh! I'm not going in there.
Did you see those tablecloths?"

510
00:33:51,000 --> 00:33:53,720
People just don't do that, do they?

511
00:33:53,720 --> 00:33:55,720
CHICKEN CLUCKING

512
00:33:57,680 --> 00:34:00,900
Maybe the word's gone round
about the tablecloths.

513
00:34:00,900 --> 00:34:05,980
I had a couple of people in here
for a meal six months ago
and they were really disgusted.

514
00:34:05,980 --> 00:34:07,580
Cafe?

515
00:34:07,580 --> 00:34:11,700
They didn't say anything,
but I could feel it.

516
00:34:12,540 --> 00:34:14,680
I tell you, the world's crazy.

517
00:34:15,820 --> 00:34:17,780
I mean, what do you say?

518
00:34:19,340 --> 00:34:23,320
You think I should change the
wallpaper to attract more people?

519
00:34:28,260 --> 00:34:30,740
Ah! What the fuck!

520
00:34:31,580 --> 00:34:33,640
It's only a restaurant.

521
00:34:38,000 --> 00:34:40,400
Come on! Keep it going!

522
00:34:40,400 --> 00:34:43,900
Keep calm, Julie.
That's a very big bus.

523
00:34:43,900 --> 00:34:46,480
There could be six people in there.

524
00:34:46,480 --> 00:34:50,280
Jesus! If they only buy coffee
it's enough to pay the ground rent.

525
00:34:54,620 --> 00:34:59,720
I remember Keith Allen
being owed a lot of money,
or owing a lot of money for poker.

526
00:34:59,720 --> 00:35:02,700
We had these absolutely mad
poker games.

527
00:35:02,700 --> 00:35:06,600
Keith kept saying,
"Double. Double it. Double it.

528
00:35:06,600 --> 00:35:10,020
"I'll double you. I'll raise you.
I'll double you."

529
00:35:10,020 --> 00:35:11,880
Thousands of pounds!

530
00:35:11,880 --> 00:35:16,900
It wound all the locals up cos we
played for outrageous sums of money.

531
00:35:16,900 --> 00:35:20,520
Ade got rescued from running naked
down the street.

532
00:35:20,520 --> 00:35:22,920
Yeah, that was bonkers, actually,
in Almeria.

533
00:35:23,600 --> 00:35:26,780
'One night, driving along
at 30, 40, 50 miles an hour

534
00:35:26,780 --> 00:35:29,780
'along a straight road
with not a light in sight.

535
00:35:29,780 --> 00:35:33,220
'Keith Allen
decides to play this game.'

536
00:35:33,220 --> 00:35:36,560
"Let's put the lights out
and see who's first to scream."

537
00:35:36,560 --> 00:35:40,540
The Comic Strip felt more like
a raiding party from the real world.

538
00:35:40,540 --> 00:35:43,120
It was like more ordinary people,

539
00:35:43,120 --> 00:35:49,500
that were having this intensely
seismic effect, you know, on comedy

540
00:35:49,500 --> 00:35:51,480
'and on television.'

541
00:35:53,520 --> 00:35:56,120
I don't think I like this place.

542
00:35:56,120 --> 00:35:58,160
I don't think I like YOU.

543
00:35:58,160 --> 00:35:59,480
GUNSHOT

544
00:35:59,480 --> 00:36:02,360
LAUGHTER AND GUNSHOTS

545
00:36:06,960 --> 00:36:08,860
KNOCKING ON DOOR

546
00:36:08,860 --> 00:36:11,540
Hey! You got guns in there?

547
00:36:20,700 --> 00:36:22,680
FLUSHES

548
00:36:24,140 --> 00:36:26,860
Yes? You no fire guns
in the bedroom, huh?

549
00:36:26,860 --> 00:36:29,100
And no flushing the guns
down the lavatory.

550
00:36:29,100 --> 00:36:31,980
How come there's no soft
toilet paper?

551
00:36:31,980 --> 00:36:36,420
This is Hotel Bastardos. Not
Soft Toilet Paper Hotel Bastardos.

552
00:36:36,420 --> 00:36:38,740
SPITS
You want soft toilet paper?

553
00:36:38,740 --> 00:36:41,340
You go to Hotel Gay Boy.

554
00:36:41,340 --> 00:36:43,260
You winging pommies.

555
00:36:43,260 --> 00:36:46,700
And another thing!
You no set fire to the beds, hey?

556
00:36:48,080 --> 00:36:50,040
Good, good, good. OK?

557
00:36:50,040 --> 00:36:52,560
Everybody happy?

558
00:36:52,560 --> 00:36:54,660
La la la la la.
La la.

559
00:36:54,660 --> 00:36:55,960
Good.

560
00:36:55,960 --> 00:36:59,180
I always thought American comedies
did "story".

561
00:36:59,180 --> 00:37:04,320
British comedies just had a load of
gags and jumped up and said, "Hey!"

562
00:37:04,320 --> 00:37:08,760
And what you did
was push story into comedy.

563
00:37:11,960 --> 00:37:14,800
SPANISH VOICES ON RADIO

564
00:37:24,560 --> 00:37:27,000
I feel sexy now.
Yes.

565
00:37:27,000 --> 00:37:29,320
I feel pretty raunchy myself.

566
00:37:29,320 --> 00:37:31,440
Good, yeah? Ha ha.

567
00:37:31,440 --> 00:37:33,800
Everybody happy? Hey?

568
00:37:36,720 --> 00:37:38,520
You got whores?

569
00:37:38,520 --> 00:37:40,180
Whores?

570
00:37:41,160 --> 00:37:43,940
Fetch Henrietta.

571
00:37:43,940 --> 00:37:45,880
BOTH LAUGH

572
00:37:50,360 --> 00:37:52,500
Es Henrietta.

573
00:37:55,980 --> 00:37:59,260
You think I'm going to get
naughty naughty with THAT?

574
00:37:59,260 --> 00:38:02,740
It's yours till six o'clock! Hey?
Ha ha ha!

575
00:38:03,540 --> 00:38:05,620
I don't think I'm that kinky.

576
00:38:07,080 --> 00:38:11,620
And I don't think you're going to
have any breakfast in the morning.

577
00:38:11,620 --> 00:38:14,680
If you know what I'm talking about.
Wait.

578
00:38:14,680 --> 00:38:16,600
We need horses.

579
00:38:20,720 --> 00:38:24,180
How much, amigo?
£2,000. Each.

580
00:38:31,120 --> 00:38:34,360
Wait. Somebody's taken
my travellers' cheques.

581
00:38:37,000 --> 00:38:41,700
We're doing this all wrong, amigo.
Well, we've got no money, no horses.

582
00:38:41,700 --> 00:38:47,580
People are going to think
we're right tossers now. Shit!
Don't get over-excited, Michael.

583
00:38:47,580 --> 00:38:51,640
I've got heaps
of travellers' cheques at the hotel.
I'm going home.

584
00:38:51,640 --> 00:38:56,540
We've come on holiday
to enjoy ourselves
and do the spaghetti thing.

585
00:38:56,540 --> 00:39:00,020
Let's make the best of it. We should
have gone to Cuba, like I said.

586
00:39:00,020 --> 00:39:02,100
Pretend to join the revolution.

587
00:39:02,100 --> 00:39:05,340
You said we've got to go to Spain.
Cheer up, Michael.

588
00:39:05,340 --> 00:39:06,800
Please?

589
00:39:08,180 --> 00:39:09,820
Please?

590
00:39:09,820 --> 00:39:12,460
I think I know
where we can get some horses.

591
00:39:17,820 --> 00:39:22,480
It was nothing like it is today.
San Jose was a tiny fishing village.

592
00:39:22,480 --> 00:39:26,220
It was a beautiful little beach.
I remember it so well.

593
00:39:26,220 --> 00:39:30,100
There was a little bay
and beautiful clean water.

594
00:39:30,100 --> 00:39:33,100
The white buildings
now go right up the hill.

595
00:39:33,100 --> 00:39:35,620
Before, there was a hill
with no buildings.

596
00:39:35,620 --> 00:39:40,660
I had to drive out of town to
the garage to make telephone calls.

597
00:39:40,660 --> 00:39:42,740
It was that kind of isolated.

598
00:39:44,400 --> 00:39:48,680
It was great to be in a different
country. We were in the desert.

599
00:39:48,680 --> 00:39:52,360
We shot it where they shot
the spaghetti westerns.

600
00:39:55,240 --> 00:39:59,920
We had tapas and Spanish wine
and stuff I'd never tasted before.

601
00:39:59,920 --> 00:40:02,000
It was very good.

602
00:40:03,440 --> 00:40:08,180
Don't you remember, amigo?
We came by this way 30 years ago.

603
00:40:08,180 --> 00:40:09,860
Yeah.

604
00:40:09,860 --> 00:40:15,280
Course, in them days, you could buy
a horse, somewhere to live,

605
00:40:15,280 --> 00:40:17,340
maybe even a small car

606
00:40:17,340 --> 00:40:19,940
for three pesos.

607
00:40:19,940 --> 00:40:25,620
Now it costs hundreds of euros
just to stay in a comfortable B&B.

608
00:40:25,620 --> 00:40:27,740
For a single night.

609
00:40:27,740 --> 00:40:31,120
Yeah. They don't really do B&B
out here, do they?

610
00:40:32,440 --> 00:40:34,080
Hi, guys.

611
00:40:34,080 --> 00:40:36,400
Can I make you a cocktail?

612
00:40:36,400 --> 00:40:39,420
Whisky.
And steaks.

613
00:40:39,420 --> 00:40:41,620
I remember being in some fights.

614
00:40:42,800 --> 00:40:43,960
Shame!

615
00:40:47,260 --> 00:40:52,200
I remember speaking
in an Australian accent a bit,
or our bad version of it.

616
00:40:52,200 --> 00:40:55,840
I remember getting nice and brown.
We went to the beach quite a lot.

617
00:40:55,840 --> 00:40:57,840
Mostly, I remember nearly dying.

618
00:40:57,840 --> 00:41:02,280
The morning where we had to collect
the girls from their apartment

619
00:41:02,280 --> 00:41:04,400
around the corner from the hotel.

620
00:41:04,400 --> 00:41:07,240
They were a bit late
and we were a bit concerned.

621
00:41:07,240 --> 00:41:13,800
They got carbon monoxide poisoning
from faulty pipes and things.

622
00:41:13,800 --> 00:41:18,320
If they'd left us there
another hour, we would be dead.

623
00:41:18,320 --> 00:41:22,960
The Comic Strip tried to kill me
then save my life
at the very last moment.

624
00:41:22,960 --> 00:41:25,380
It was, "Where's Jennifer and Dawn?

625
00:41:25,380 --> 00:41:28,760
"They're late for their call.
Somebody go and knock them up."

626
00:41:28,760 --> 00:41:31,280
They were minutes away from dying.

627
00:41:31,280 --> 00:41:35,440
They were very ill that day.
Very ill. And we were blessed...

628
00:41:35,440 --> 00:41:39,860
Nearly held us up filming.
I was a bit concerned about lunch.

629
00:41:39,860 --> 00:41:42,520
Which football team do you support?

630
00:41:45,820 --> 00:41:47,200
Watford.

631
00:41:48,020 --> 00:41:49,220
SPITS

632
00:41:50,320 --> 00:41:53,220
Watford can't play
to save their lives, amigo.

633
00:41:53,940 --> 00:41:55,880
I agree.

634
00:41:55,880 --> 00:41:57,040
Oh.

635
00:41:57,720 --> 00:41:59,880
Oh, well, then I don't agree.

636
00:41:59,880 --> 00:42:03,960
I think they CAN play.
They just need a new manager.

637
00:42:03,960 --> 00:42:05,520
Yeah.

638
00:42:06,920 --> 00:42:11,280
Anyway, you're going to die.

639
00:42:13,340 --> 00:42:15,580
GUNSHOTS

640
00:42:19,060 --> 00:42:22,940
I'm feeling...a bit...peaky.

641
00:42:22,940 --> 00:42:26,520
Huh. One gun fight too many,
perhaps.

642
00:42:26,520 --> 00:42:28,860
I had whooping cough

643
00:42:28,860 --> 00:42:30,680
last year.

644
00:42:31,960 --> 00:42:33,940
Haven't felt the same since.

645
00:42:34,740 --> 00:42:37,040
You're taking pills for that?

646
00:42:37,040 --> 00:42:39,820
Or just the occasional
slug of whisky?

647
00:42:39,820 --> 00:42:41,140
No.

648
00:42:45,280 --> 00:42:47,860
Just loads of Ovaltine.

649
00:42:49,700 --> 00:42:52,980
As a kid, I was a teenager,
it was like...

650
00:42:54,000 --> 00:42:58,160
..it was like punk was for music
for me. It was this kind of...

651
00:42:58,160 --> 00:43:01,960
I can't really overstate
the effect it had on me, really.

652
00:43:18,500 --> 00:43:22,320
'Coming next, the Comic Strip go
on the road with Bad News.'

653
00:43:27,200 --> 00:43:31,240
'In 1982, The Comic Strip were
commissioned to make a documentary

654
00:43:31,240 --> 00:43:34,940
'about a maverick heavy metal band
who, like hundreds of others,

655
00:43:34,940 --> 00:43:37,640
'were searching for instant fame
and success.

656
00:43:37,640 --> 00:43:39,460
'Their name was Bad News.'

657
00:43:39,460 --> 00:43:41,040
# Bad news

658
00:43:42,440 --> 00:43:44,080
# Bad news #

659
00:43:45,760 --> 00:43:49,360
'Their lead singer was Alan Metcalf,
a painter and decorator

660
00:43:49,360 --> 00:43:51,480
'who called himself Vim Fuego.'

661
00:43:51,480 --> 00:43:55,580
We're not sitting on the fence.
We're trying to burn the fence down.

662
00:43:55,580 --> 00:43:58,300
It's pretty stupid
to sit on a burning fence.

663
00:43:59,640 --> 00:44:03,080
'On bass was Colin Grigson,
son of a wealthy banker.

664
00:44:03,080 --> 00:44:06,480
'He was only allowed in the band
because he owned the PA system.'

665
00:44:06,480 --> 00:44:10,400
I was with this chick and we were
just about to get down to it,

666
00:44:10,400 --> 00:44:13,060
I put my foot through
the television set!

667
00:44:13,060 --> 00:44:16,880
'Den Dennis, also a painter and
decorator, was the rhythm guitarist.

668
00:44:16,880 --> 00:44:21,200
'At home on stage,
he would sometimes get confused
when facing a camera.'

669
00:44:21,200 --> 00:44:23,760
'Ello, Den.
Hello, Alan.

670
00:44:23,760 --> 00:44:25,080
Vim.

671
00:44:26,140 --> 00:44:29,020
Eh?
Vim. My name's Vim, remember.

672
00:44:29,020 --> 00:44:31,340
Oh, yeah. S-sorry.

673
00:44:31,340 --> 00:44:33,520
Er... Hello, Vim.

674
00:44:33,520 --> 00:44:37,000
'And then there was the drummer,
known simply as Spider.

675
00:44:37,000 --> 00:44:43,960
'When not hitting the drums, he was
experimenting, in rock 'n' roll
fashion, with illegal substances.'

676
00:44:43,960 --> 00:44:45,900
Come on, Spi...
SMASH

677
00:44:45,900 --> 00:44:48,140
What time do you call this, then?

678
00:44:48,140 --> 00:44:51,200
I've smashed the window, Spider.
Sorry.

679
00:44:51,200 --> 00:44:54,320
Sorry. Never mind, Den.
It's all anarchy, innit?

680
00:44:56,780 --> 00:45:02,780
'Early one morning, the band set off
for Grantham, in the hope
of playing their first paid gig.'

681
00:45:02,780 --> 00:45:06,240
These people are bursting
with energy, they're very funny.

682
00:45:06,240 --> 00:45:11,580
The words they utter are unprintable
and probably can't be broadcast.

683
00:45:11,580 --> 00:45:14,140
'We've broken down,
you stupid bastard.'

684
00:45:14,140 --> 00:45:18,840
I fully appreciate your problem,
but you can't use our bus. Why not?

685
00:45:18,840 --> 00:45:21,560
Because it's your problem.
You've got to handle it.

686
00:45:21,560 --> 00:45:24,120
We're just here
to point the cameras.

687
00:45:24,120 --> 00:45:28,060
That's the point of documentaries.
We're lucky it happened.

688
00:45:28,060 --> 00:45:31,040
DEN: You're lucky
I don't knock your fucking head in.

689
00:45:31,040 --> 00:45:33,360
There's no need
to get violent.

690
00:45:33,360 --> 00:45:35,420
And try not
to swear so much.

691
00:45:35,420 --> 00:45:37,680
You can always put in
a fucking bleep.

692
00:45:37,680 --> 00:45:40,700
'It wasn't just problems
with the van and the crew.

693
00:45:40,700 --> 00:45:44,000
'Bad News were also experiencing
musical differences.'

694
00:45:44,000 --> 00:45:49,200
We're not just another stupid
heavy metal band.
What about futuristic heavy metal?

695
00:45:49,200 --> 00:45:53,180
We're modern than futuristic.
Right, that's it.

696
00:45:53,180 --> 00:45:57,880
I'm getting out if we're anything
to do with the new romantics.

697
00:45:57,880 --> 00:46:02,160
I'm not going any further until
I hear Alan say we're heavy metal.

698
00:46:06,980 --> 00:46:08,920
Go on, tell him, Vim.

699
00:46:09,680 --> 00:46:12,060
OK. We're heavy metal, OK?

700
00:46:12,060 --> 00:46:15,160
Heavy metal. Heavy metal.
Heavy metal.

701
00:46:15,160 --> 00:46:18,240
Have I said it enough?
We're heavy metal, OK?

702
00:46:19,260 --> 00:46:23,620
Just like your fucking brain!
Cos it's heavy, get it?

703
00:46:23,620 --> 00:46:26,980
I heard the music.
Not something I wanted to pursue.

704
00:46:26,980 --> 00:46:32,540
I THINK Bad News came out...
two years before Spinal Tap?

705
00:46:32,540 --> 00:46:36,580
I like the characters.
Spider was always my favourite.

706
00:46:36,580 --> 00:46:40,520
How did you get
into the music business, Spider?
Well, I went down the Jobcentre.

707
00:46:40,520 --> 00:46:43,600
And told them I wanted
to blow their minds.

708
00:46:43,600 --> 00:46:47,460
'The group did have one important
fan. Her name was Sally Friedman.'

709
00:46:47,460 --> 00:46:49,520
Hey, Bad News.

710
00:46:49,520 --> 00:46:52,440
ALL: Hey, Sally Friedman!

711
00:46:52,440 --> 00:46:54,960
Britain's number one
sexy chic rock journalist.

712
00:46:54,960 --> 00:46:56,960
What gives? Coast-to-coast tour?

713
00:46:56,960 --> 00:46:59,720
Putting heavy metal back
on the rock 'n' roll map.

714
00:46:59,720 --> 00:47:01,820
1001 smashed motel rooms.

715
00:47:01,820 --> 00:47:05,240
We're on... No, I still can't
read that from here.

716
00:47:06,060 --> 00:47:08,160
'Late that afternoon,

717
00:47:08,160 --> 00:47:12,580
'they finally reached Grantham and
things really began to fall apart.'

718
00:47:12,580 --> 00:47:15,360
Stop! Stop!
What's the matter?

719
00:47:15,360 --> 00:47:17,760
You're supposed to come in there,
Colin.

720
00:47:17,760 --> 00:47:20,800
All I'm asking, Vim,
is you let me sing just one number.

721
00:47:20,800 --> 00:47:22,760
I know, and I said you can't.

722
00:47:22,760 --> 00:47:27,260
It's my brother's PA
and I say that you all can't use it.

723
00:47:27,260 --> 00:47:31,580
The only reason you're in this band
is cos you got the bloody PA.

724
00:47:31,580 --> 00:47:36,840
Maybe I should take my PA
to a band where I might
be appreciated a little bit more!

725
00:47:36,840 --> 00:47:40,800
It'd better be a band in Grantham
cos it's not going in my van!

726
00:47:40,800 --> 00:47:43,560
Yes! Which I paid for
to have repaired.

727
00:47:43,560 --> 00:47:47,120
'Vim was so angry, he punched
the director of the documentary

728
00:47:47,120 --> 00:47:50,780
'and the band were not on speaking
terms for at least a month.

729
00:47:50,780 --> 00:47:54,240
'30 years later,
Spider and Den recall that night.'

730
00:47:54,240 --> 00:47:57,100
Well, I mean, technically speaking,

731
00:47:57,100 --> 00:48:00,800
Bad News, as a band,
never did come together.

732
00:48:00,800 --> 00:48:02,880
I mean, we never came together

733
00:48:02,880 --> 00:48:09,000
because we, like,
started from...musical differences.

734
00:48:09,000 --> 00:48:13,440
That was the starting point.
And the differences
could only get wider.

735
00:48:13,440 --> 00:48:17,440
I think there were probably people
genuinely in the music business

736
00:48:17,440 --> 00:48:22,000
who listened to Bad News and went,
"Do you know what? They're not bad."

737
00:48:22,000 --> 00:48:24,480
They WERE bad. They were terrible.

738
00:48:24,480 --> 00:48:29,000
'When the Bad News documentary
was shown on Channel 4,
it divided opinion.

739
00:48:29,000 --> 00:48:31,020
'Some thought they were terrible.

740
00:48:31,020 --> 00:48:35,640
'Others thought they were so bad,
they were quite funny.

741
00:48:35,640 --> 00:48:39,560
'They appeared on The Tube, but not
even Jools Holland or the cameras

742
00:48:39,560 --> 00:48:42,300
'could prevent the band
from self-destructing.'

743
00:48:42,300 --> 00:48:45,840
You're a very visual band.
You still want to do an interview?

744
00:48:45,840 --> 00:48:49,020
Yes, please. Yes.
I think it's probably just me.

745
00:48:49,020 --> 00:48:51,460
No, we can have all the band in.

746
00:48:51,460 --> 00:48:57,380
'Rock manager Sharkey McIntyre
offered them a few gigs -
an offer he was soon to regret.'

747
00:48:57,380 --> 00:49:02,360
It was terrible! The whole thing
was a really, really bad experience.

748
00:49:02,360 --> 00:49:05,400
'They were the worst band
in the world.'

749
00:49:05,400 --> 00:49:12,280
We are a live band, basically,
but I don't think anybody guessed
we were miming. Everybody, shut up!

750
00:49:12,280 --> 00:49:14,980
Some people were fans of Bad News,
yeah.

751
00:49:14,980 --> 00:49:17,740
It was a strange thing, in a way.

752
00:49:17,740 --> 00:49:22,760
They all paid to get in.
No freebies. We didn't have to pay
for the houses or anything.

753
00:49:22,760 --> 00:49:26,480
'Phil McIntyre decided to approach
the giant record label EMI,

754
00:49:26,480 --> 00:49:29,900
'to see if they'd be interested
in signing Bad News.'

755
00:49:29,900 --> 00:49:31,660
'Phil McIntyre,'

756
00:49:31,660 --> 00:49:35,760
who used to promote Iron Maiden and
quite a lot of the bands we managed,

757
00:49:35,760 --> 00:49:39,440
came to us one day and said,
"I've got this great idea!

758
00:49:39,440 --> 00:49:41,860
"I think we should make a record."

759
00:49:41,860 --> 00:49:46,320
So we sort of looked at each other,
the way you do with Phil.

760
00:49:46,320 --> 00:49:50,280
"I don't think anybody's
going to want to make a record
with Bad News."

761
00:49:50,280 --> 00:49:55,200
HEAVY METAL MUSIC

762
00:49:55,200 --> 00:49:58,940
I did go and see them live
more than once.

763
00:49:58,940 --> 00:50:04,480
I remember once at Poole Arts Centre
there was nearly a riot.

764
00:50:04,480 --> 00:50:07,800
Normally,
it's people trying to get in.

765
00:50:07,800 --> 00:50:10,620
There, it was people
trying to get out, really.

766
00:50:13,540 --> 00:50:17,340
# I am Mr Rock and Roll... #

767
00:50:18,060 --> 00:50:19,960
They were shit, really.

768
00:50:23,080 --> 00:50:25,980
LONE WOMAN CHEERS AND APPLAUDS

769
00:50:28,480 --> 00:50:31,300
'One of the crew in Portsmouth'

770
00:50:31,300 --> 00:50:34,440
called me on stage
and said, "Look at this."

771
00:50:34,440 --> 00:50:39,020
There were sheep's eyes with
the entrails hanging off the back.

772
00:50:39,020 --> 00:50:43,140
They were chucking sheep's eyes
and liver and intestines at us.

773
00:50:43,140 --> 00:50:46,180
As well as the bottles of piss
and the gob.

774
00:50:46,180 --> 00:50:49,520
It was, er, fierce!

775
00:50:49,520 --> 00:50:52,580
'Thanks to McIntyre,
the band signed to EMI

776
00:50:52,580 --> 00:50:57,040
'and went into the studio to record
their first album, titled Bad News.'

777
00:50:57,040 --> 00:51:00,940
Just another two or three notches.
STRUMS BASS

778
00:51:00,940 --> 00:51:05,380
Bloody hell! All those lagers!
I brought them in.
They're for afterwards.

779
00:51:05,380 --> 00:51:08,720
Just a little bit more.
OK. Up a notch.

780
00:51:08,720 --> 00:51:10,840
Just a touch.
STRUMS BASS

781
00:51:10,840 --> 00:51:13,760
Lovely. OK, we'll try it, then.

782
00:51:13,760 --> 00:51:16,000
LOUD DRUMMING

783
00:51:19,440 --> 00:51:24,660
'Next came a pop video, as EMI threw
yet more good money at Bad News,

784
00:51:24,660 --> 00:51:28,060
'in the desperate attempt
to get them into the top 40.'

785
00:51:28,060 --> 00:51:30,700
Another 100 records,
we'd have been in.

786
00:51:30,700 --> 00:51:33,240
'Bumping into Queen's guitarist,
Brian May,

787
00:51:33,240 --> 00:51:38,180
'they persuaded him to produce
a Bad News version
of Bohemian Rhapsody.'

788
00:51:38,180 --> 00:51:41,120
# ..Can't do this to me, baby

789
00:51:41,120 --> 00:51:45,700
# I've just gotta get out
I just gotta get right out of here #

790
00:51:45,700 --> 00:51:49,700
'Phil rings me up and says that he
wants to do the Marquee in London.'

791
00:51:49,700 --> 00:51:54,600
We had Jeff Beck one night, doing
duelling guitars with Vim Fuego.

792
00:51:54,600 --> 00:51:58,320
Probably the lowest point
in my career.

793
00:51:58,320 --> 00:52:04,360
We were watching the act
for a few minutes before Brian May
and myself were due on.

794
00:52:04,360 --> 00:52:11,440
We noticed that the stage
was swimming with broken glass
and drink.

795
00:52:11,440 --> 00:52:15,840
Brian said, "This is great!"
I said, "We're going to be
in the middle of that!"

796
00:52:17,480 --> 00:52:19,580
'Despite the large EMI advance,

797
00:52:19,580 --> 00:52:23,840
'the band became increasingly keen
to find out where the money went.

798
00:52:23,840 --> 00:52:26,980
'30 years later, Den and Spider
are still concerned.'

799
00:52:26,980 --> 00:52:33,420
Their arrangement with Sharkey,
I wouldn't know
the ins and outs of it.

800
00:52:33,420 --> 00:52:36,700
I got you a record deal with EMI,
£250,000 advance.

801
00:52:36,700 --> 00:52:41,360
And I got you 45 grand
off Tony Smith for your publishing.

802
00:52:41,360 --> 00:52:45,920
And I got you money to make a video,
which, you know, was a nightmare.

803
00:52:45,920 --> 00:52:49,540
We never saw that. Where is
that money? Where's the money, Phil?

804
00:52:49,540 --> 00:52:51,760
You were on expenses from day one.

805
00:52:51,760 --> 00:52:55,580
Expenses? What do you mean?
Were YOU getting expenses?

806
00:52:55,580 --> 00:53:00,280
Ten a month. £10 a month? Yes.
I never got £10 a month.

807
00:53:00,280 --> 00:53:06,040
The fact that you didn't
save any of that for your old age
is your fault.

808
00:53:06,040 --> 00:53:09,720
If you'd have invested it properly,
you wouldn't be begging now.

809
00:53:09,720 --> 00:53:15,160
That sounds like bollocks to me.
Phil, we want to know where
our money is. Where's the money?

810
00:53:15,160 --> 00:53:19,880
You know I get annoyed about this,
Spider, this constant badgering
for money.

811
00:53:19,880 --> 00:53:22,360
There is no money to give you back.

812
00:53:22,360 --> 00:53:27,260
CROWD CHEERING
How many of you people
have heard of Bad News?

813
00:53:27,260 --> 00:53:32,780
Ladies and gentlemen,
will you welcome Bad News?

814
00:53:32,780 --> 00:53:35,300
'So to the Monsters Of Rock
festival.

815
00:53:35,300 --> 00:53:37,700
'Bad News may have finally arrived,

816
00:53:37,700 --> 00:53:42,340
'playing on the same bill
as Motorhead, Ozzy Osbourne
and Def Leppard.'

817
00:53:42,340 --> 00:53:45,920
Hello, Donington!
CHEERING

818
00:53:46,960 --> 00:53:49,040
We are Bad News!

819
00:53:53,340 --> 00:53:55,440
# Bad news... #

820
00:53:56,440 --> 00:53:59,320
They were absolutely BLEEP awful!

821
00:53:59,320 --> 00:54:01,520
LAUGHTER

822
00:54:01,520 --> 00:54:02,800
# Two, three, four... #

823
00:54:03,800 --> 00:54:05,860
I thought Bad News hit a new high

824
00:54:05,860 --> 00:54:08,320
in altruistic, self-indulgent,

825
00:54:08,320 --> 00:54:12,280
bullshit, mollycoddled,
mother-my-dog instinct rock n roll.

826
00:54:16,080 --> 00:54:19,040
You can't describe it as music,
not really.

827
00:54:19,040 --> 00:54:21,120
It's diabolical.

828
00:54:31,620 --> 00:54:34,480
Yeah, the first number
went quite well.

829
00:54:35,440 --> 00:54:36,960
Well, the first part of it did.

830
00:54:36,960 --> 00:54:41,640
To be perfectly honest, I think the
lot of you turned out worthlessly.

831
00:54:41,640 --> 00:54:45,260
No, that's not... That's not...
I don't believe that.

832
00:54:45,260 --> 00:54:50,080
It was all a disaster, wasn't it,
cos none of you got on.
LAUGHTER

833
00:54:50,080 --> 00:54:53,240
Who likes YOU, Mr McIntyre? Yeah.

834
00:54:53,240 --> 00:54:56,260
The bickering became
about people playing.

835
00:54:56,260 --> 00:54:59,400
Like any of you could play, anyway.
Yeah. Yeah.

836
00:54:59,400 --> 00:55:02,700
So that took over
after about ten dates.

837
00:55:02,700 --> 00:55:06,480
You're all fighting and squabbling
about keeping in time,

838
00:55:06,480 --> 00:55:10,400
and you were a rubbish drummer
cos you were playing the lead part.

839
00:55:10,400 --> 00:55:13,080
Colin's guitar was turned up
too high.

840
00:55:13,080 --> 00:55:16,900
Colin's defence was he didn't know
where the switch was.

841
00:55:16,900 --> 00:55:22,720
He only had two strings, anyway,
so how much noise could you make?
I agree with that, Phil.

842
00:55:22,720 --> 00:55:26,120
'So, what did happen to Bad News?

843
00:55:26,120 --> 00:55:29,720
'Colin, thanks to his father,
got a job as a bank clerk.'

844
00:55:29,720 --> 00:55:32,800
# Nothing really matters

845
00:55:32,800 --> 00:55:36,560
# Anyone can see... #

846
00:55:36,560 --> 00:55:40,960
'Den went back to painting
and decorating and doing part-time
jobs for Alan.'

847
00:55:40,960 --> 00:55:45,100
I've finished the job
in Corsica Street... Shut up!

848
00:55:45,100 --> 00:55:49,520
'Spider went to live in a barn
in the West Country with his partner
and three kids.

849
00:55:49,520 --> 00:55:53,520
'And Vim Fuego? Well, he got married
to that one important fan,

850
00:55:53,520 --> 00:55:55,640
'Sally Friedman.

851
00:55:55,640 --> 00:56:01,120
'After the break, find out
what Ken Livingstone thought about
the Comic Strip's film GLC.'

852
00:56:04,000 --> 00:56:08,320
The results for the GLC election
are as follows -

853
00:56:08,320 --> 00:56:10,280
Kenneth John Livingstone...

854
00:56:10,280 --> 00:56:13,860
'After The Strike came GLC,
a Death Wish style satire

855
00:56:13,860 --> 00:56:16,920
'on Ken Livingstone's battle
with the Thatcher government.'

856
00:56:16,920 --> 00:56:19,540
MACHINE GUNFIRE

857
00:56:20,540 --> 00:56:24,180
I was told something's going
to be on the TV.

858
00:56:24,180 --> 00:56:29,340
I couldn't resist watching it and,
not only did I laugh all through it,

859
00:56:29,340 --> 00:56:31,360
I was tremendously flattered.

860
00:56:31,360 --> 00:56:34,740
I laughed all the way through.
It's incredibly funny.

861
00:56:38,080 --> 00:56:41,280
Who the hell are you?
I'm the new leader of the GLC.

862
00:56:41,280 --> 00:56:46,340
Wonderful. Come on in. Have a drink.
Have a...piece of cake.

863
00:56:46,340 --> 00:56:50,340
Party's over. Put your clothes on
and go home. You can't do this.

864
00:56:50,340 --> 00:56:53,700
Do you know who I am?
I'm the Lord Mayor of London!

865
00:56:53,700 --> 00:56:56,320
Was!
Get the hell out of County Hall.

866
00:56:56,320 --> 00:57:01,980
The Comic Strip brilliantly turned
this into an epic Hollywood drama.

867
00:57:01,980 --> 00:57:05,560
The great thing about
the Comic Strip is it politicised

868
00:57:05,560 --> 00:57:07,580
a whole generation of comics.

869
00:57:07,580 --> 00:57:12,000
Most people chatted about it
in the tea room at
the House of Commons the next day.

870
00:57:12,000 --> 00:57:15,180
Living in London, it was the centre
of life, in many ways.

871
00:57:15,180 --> 00:57:17,100
The GLC and all that.

872
00:57:17,100 --> 00:57:19,200
Thatcher was trying to dissolve

873
00:57:19,200 --> 00:57:23,260
a lot of London institutions
which were very good for London,

874
00:57:23,260 --> 00:57:25,640
many of which
have not really recovered.

875
00:57:25,640 --> 00:57:28,480
It was quite a serious point
we were making.

876
00:57:28,480 --> 00:57:32,040
Horace is running for
the leadership of the GLC again.

877
00:57:32,040 --> 00:57:37,100
You're the only man who can
take him on and win. No, no. Not me.

878
00:57:38,060 --> 00:57:42,660
This is my life now. This old river
gives me everything I need.

879
00:57:42,660 --> 00:57:46,500
You'd better find yourself
another man. Or woman.

880
00:57:46,500 --> 00:57:50,500
What if I told you that Horace
is going to flood south London?

881
00:57:50,500 --> 00:57:55,040
He's going to turn it into a marina.
County Hall's gonna be a yacht club.
He can't do that.

882
00:57:55,040 --> 00:57:59,520
It's the ice maiden's idea.
He'll go through with it all right.

883
00:57:59,520 --> 00:58:02,260
Besides, who's going to stop him?

884
00:58:07,100 --> 00:58:11,080
I think Ken was one of the best
things that ever happened to London.

885
00:58:11,080 --> 00:58:13,160
I've always been pro-Ken.

886
00:58:13,160 --> 00:58:15,500
Sly, how are you at making speeches?

887
00:58:15,500 --> 00:58:19,820
Well, I've never really
t-t-t-tr-tried...

888
00:58:19,820 --> 00:58:22,860
Start practising.
You're the new Lord Mayor.

889
00:58:23,900 --> 00:58:27,480
Oh, well. Thank you K-K-K...

890
00:58:27,480 --> 00:58:31,500
OK, those of you that don't know,
my name's Ken Livingstone.

891
00:58:31,500 --> 00:58:35,080
# Look to the left
and to the right... #

892
00:58:35,080 --> 00:58:37,900
KEN: Most of it rang true, actually.

893
00:58:37,900 --> 00:58:42,700
Except I didn't ever have pads
on my elbows.

894
00:58:46,460 --> 00:58:49,120
The headlines, a lot of the clashes.

895
00:58:49,120 --> 00:58:53,100
I mean, we didn't have gun fights,
but most of it rang true.

896
00:58:54,680 --> 00:58:58,680
I didn't wash my clothes
in the River Thames. You didn't? No!

897
00:59:00,340 --> 00:59:04,580
I'm looking for councillors
who ain't afraid to get their hands
a little dirty.

898
00:59:04,580 --> 00:59:07,380
What do you do?
London Transport, trains AND buses.

899
00:59:07,380 --> 00:59:11,400
Half the fares. Old people travel
for free. Sorry, sir? You heard me.

900
00:59:11,400 --> 00:59:15,340
The day we cut the fares,
the Daily Mail said,
"This is the first step

901
00:59:15,340 --> 00:59:20,160
"towards the introduction
of a full Soviet economy."
LAUGHS

902
00:59:20,160 --> 00:59:24,900
Papers like the Sun and the Mail
and the Telegraph hated the GLC.

903
00:59:24,900 --> 00:59:28,200
Joan, go to the bank,
borrow some money for CND.

904
00:59:28,200 --> 00:59:31,580
I want those cruise missiles out
by Christmas. Sure, Ken.

905
00:59:31,580 --> 00:59:34,980
He also said,
"Raid the GLC bank account."

906
00:59:34,980 --> 00:59:38,440
LAUGHING: Which I think,
after all the trouble we'd had

907
00:59:38,440 --> 00:59:41,440
with the media suggesting
we took Kremlin gold,

908
00:59:41,440 --> 00:59:45,480
that was not
a particularly helpful line!

909
00:59:45,480 --> 00:59:48,960
You, I want you to take care
of the black minorities.

910
00:59:48,960 --> 00:59:52,040
Set up theatres, sports centres,
recreational grounds.

911
00:59:52,040 --> 00:59:54,820
Yes, sir.
And equalise some women.

912
00:59:54,820 --> 00:59:58,180
You, start a new movement.
Call it Gay Pride.

913
00:59:58,180 --> 01:00:01,160
Let's get those gays
out of the closet. Oh, yes, sir!

914
01:00:01,160 --> 01:00:04,940
All right, let's move it out!
Let's shake this city up!

915
01:00:04,940 --> 01:00:06,980
WHOOPS AND APPLAUSE

916
01:00:06,980 --> 01:00:12,440
It's remarkable,
the amount of things that you caught
me or others saying that were true.

917
01:00:12,440 --> 01:00:16,860
The Horace Cutler figure
played by Leslie Phillips
was such a dead ringer.

918
01:00:16,860 --> 01:00:20,140
You've never had it so good!

919
01:00:20,140 --> 01:00:23,060
And thanks to the Tories,

920
01:00:23,060 --> 01:00:26,380
every home has a colour TV.

921
01:00:26,380 --> 01:00:30,940
And the shops are full of potatoes.

922
01:00:30,940 --> 01:00:33,900
The things that the Tory leader
said at the time!

923
01:00:33,900 --> 01:00:37,580
Joan Ruddock, CND.
Pleased to meet you, Joan.

924
01:00:37,580 --> 01:00:43,220
Dawn French playing Cher playing me
was, I have to say,
a hilarious experience for me.

925
01:00:43,220 --> 01:00:47,060
I was a very conventionally
married woman with no children.

926
01:00:47,060 --> 01:00:52,940
There I am, portrayed as this
temptress who's a single mother
with out-of-control kids.

927
01:00:52,940 --> 01:00:55,960
'So that was all very bizarre.'

928
01:00:55,960 --> 01:00:59,480
Get your hands off that child.
Mummy, mummy.

929
01:01:01,060 --> 01:01:04,160
Who are you?
What are you doing here?

930
01:01:04,160 --> 01:01:07,300
Isn't it a little late to leave
your children on their own?

931
01:01:07,300 --> 01:01:11,500
But for me, it just added to the fun
and the kind of fame of the thing.

932
01:01:12,600 --> 01:01:16,220
I'm a single mother.
I got no choice.

933
01:01:16,220 --> 01:01:18,720
Somebody's gotta stop
those cruise missiles.

934
01:01:18,720 --> 01:01:22,620
My mother couldn't find it funny
for a moment.

935
01:01:22,620 --> 01:01:25,260
She was deeply, deeply shocked.

936
01:01:25,260 --> 01:01:29,880
One of her neighbours came up to her
the very next day and said,

937
01:01:29,880 --> 01:01:34,380
"I never knew that your daughter,

938
01:01:34,380 --> 01:01:38,760
"your DAUGHTER was in a relationship
with that man Livingstone."

939
01:01:38,760 --> 01:01:41,700
Joan Ruddock is the most, you know,

940
01:01:41,700 --> 01:01:47,420
perfect, polite, restrained person
I ever met in politics.

941
01:01:47,420 --> 01:01:51,520
And her depiction as pushing me
on the floor to have sex

942
01:01:51,520 --> 01:01:54,920
was not ever going to be
really like Joan.

943
01:01:54,920 --> 01:01:58,980
It's not like we thought
that anything we were going to do

944
01:01:58,980 --> 01:02:01,380
was going to bring down
the government,

945
01:02:01,380 --> 01:02:05,220
although, fabulously,
for a lot of the Comic Strip time

946
01:02:05,220 --> 01:02:09,280
we had a massively attractive
common enemy, who was Thatcher.

947
01:02:09,280 --> 01:02:14,420
Of course we wanted to bring down
THAT government because it was
headed by an eight-headed monster.

948
01:02:14,420 --> 01:02:16,040
Come here.

949
01:02:16,040 --> 01:02:18,040
SNIVELLING

950
01:02:25,140 --> 01:02:28,820
Of course you worked hard
and of course you're tired.

951
01:02:28,820 --> 01:02:31,420
And old. And useless.

952
01:02:31,420 --> 01:02:36,320
Yes, I need a change.
Of course you do.

953
01:02:36,320 --> 01:02:39,000
And you know what I'm going to do?

954
01:02:39,000 --> 01:02:41,780
I'm going to change your face.

955
01:02:43,260 --> 01:02:45,440
Aargh!

956
01:02:45,440 --> 01:02:48,900
I think the attitude
of Margaret Thatcher,

957
01:02:48,900 --> 01:02:52,940
which was a kind of hatred
of the left, we all felt that.

958
01:02:52,940 --> 01:02:56,440
By the time this film was made,
both Ken Livingstone and I

959
01:02:56,440 --> 01:02:58,560
had just come into Parliament.

960
01:02:58,560 --> 01:03:01,980
So we were very aware of her
and her kind of persona.

961
01:03:01,980 --> 01:03:06,400
LAUGHING: You made her almost
more human than she really was!

962
01:03:06,400 --> 01:03:11,080
I think the portrayal of HER was
very good in what we felt about her,

963
01:03:11,080 --> 01:03:14,220
even though, again,
there were tremendous inaccuracies.

964
01:03:15,160 --> 01:03:16,520
Balls!

965
01:03:16,520 --> 01:03:19,860
He's tearing this city upside down
and you are doing nothing!

966
01:03:20,860 --> 01:03:22,780
Stop him! Get rid of him!

967
01:03:22,780 --> 01:03:26,420
He's much too popular.
Then get rid of the GLC.

968
01:03:26,420 --> 01:03:28,680
Kill Livingstone!

969
01:03:28,680 --> 01:03:31,220
Kill him! Kill him!

970
01:03:32,780 --> 01:03:38,280
It really did give a physical
characterisation

971
01:03:38,280 --> 01:03:42,540
to what everybody felt about her,
that she was utterly ruthless.

972
01:03:47,460 --> 01:03:49,980
Something I can do for you, mister?

973
01:03:51,900 --> 01:03:53,820
Mind if I smoke?

974
01:03:55,060 --> 01:03:57,600
Suppose you tell me who you are.

975
01:03:57,600 --> 01:04:00,280
My name is Benn, Tony Benn.

976
01:04:01,400 --> 01:04:04,420
Tony Benn, well, I'll be damned!

977
01:04:04,420 --> 01:04:06,660
It was all excellent.

978
01:04:06,660 --> 01:04:12,140
Tony Benn, another great figure
who was around at that time
and very active in politics.

979
01:04:13,100 --> 01:04:15,320
- She's banned the GLC.
- Why?

980
01:04:16,420 --> 01:04:19,140
Because it's too wild
and too popular.

981
01:04:19,140 --> 01:04:21,920
Huh! Too handsome, you mean?
Maybe.

982
01:04:21,920 --> 01:04:24,960
Who's too handsome?
You are.

983
01:04:24,960 --> 01:04:29,560
Where are you going? I gotta see
the one man who can help us.

984
01:04:32,520 --> 01:04:35,140
What's he talking about?

985
01:04:35,140 --> 01:04:38,420
Well, if I was as wild
and handsome as Ken,

986
01:04:38,420 --> 01:04:41,300
which I'm not, but if I was,

987
01:04:41,300 --> 01:04:45,400
there's one person
I'd want to see.
Who's that?

988
01:04:46,540 --> 01:04:48,480
The Prince of Wales.

989
01:04:48,480 --> 01:04:52,320
At that stage, I'd not had
any dealings with Prince Charles.

990
01:04:52,320 --> 01:04:56,260
I think you depicted him as even
more loopier than he really is.

991
01:04:56,260 --> 01:04:59,680
'You're just lucky
he didn't sue you for that.'

992
01:04:59,680 --> 01:05:01,960
KEN LAUGHS

993
01:05:03,300 --> 01:05:05,280
HUMMING TO SELF

994
01:05:09,960 --> 01:05:12,160
"Let's grow plums".

995
01:05:12,160 --> 01:05:14,220
That's interesting.

996
01:05:14,220 --> 01:05:16,960
Never seen this one before.

997
01:05:16,960 --> 01:05:21,240
Try chapter ten, sir.
"Growing plums in a clay soil".

998
01:05:21,240 --> 01:05:24,640
It's a good read.
Yes, thank you. I will.

999
01:05:26,980 --> 01:05:31,640
Who are you? Your Majesty, my
name's Ken. I've got to talk to you.

1000
01:05:31,640 --> 01:05:34,940
The Tony Benn character shooting
Neil Kinnock in the back.

1001
01:05:34,940 --> 01:05:37,260
All those sorts of things.

1002
01:05:37,260 --> 01:05:41,560
Derek Hatton going off
to Stringfellows and so on.

1003
01:05:41,560 --> 01:05:45,500
There were an awful lot of poisonous
barbs that were very funny.

1004
01:05:45,500 --> 01:05:49,440
When we were writing the script,
the thing that cracked us up most

1005
01:05:49,440 --> 01:05:52,160
was the line,
"Kinnock goes for his gun."

1006
01:05:52,160 --> 01:05:57,160
At the time,
we wanted Kinnock to go for his gun
and he wasn't going for his gun.

1007
01:05:57,160 --> 01:06:00,360
That's in the script.
It's nowhere in the film.

1008
01:06:00,360 --> 01:06:03,080
That was the attitude,
the tone behind it.

1009
01:06:03,080 --> 01:06:06,840
What about you, Kinnock? I think
my time would be better served

1010
01:06:06,840 --> 01:06:10,540
if I use my influence
in the House of Commons.

1011
01:06:10,540 --> 01:06:13,180
Yeah? Like you did
in the abolition debate?

1012
01:06:13,180 --> 01:06:15,240
I... I...

1013
01:06:15,240 --> 01:06:18,360
I...
I really don't know what you mean.

1014
01:06:18,780 --> 01:06:20,120
GUNSHOT

1015
01:06:23,040 --> 01:06:25,540
I've been wanting that
for a long time.

1016
01:06:25,540 --> 01:06:30,360
I thought it was a bit unfair to
my very close and dear friend Neil.

1017
01:06:30,360 --> 01:06:32,580
I did think that was a bit unfair.

1018
01:06:37,460 --> 01:06:40,920
CHEERING AND WHISTLES

1019
01:06:59,900 --> 01:07:01,260
GROANING

1020
01:07:01,260 --> 01:07:03,320
Aaarrgghhh!

1021
01:07:09,400 --> 01:07:12,020
HOWLING

1022
01:07:12,020 --> 01:07:17,800
What keeps you going in politics,
you know, is if you can't laugh at
things that happen in politics

1023
01:07:17,800 --> 01:07:20,480
then you really are going to be
a very sad person.

1024
01:07:23,040 --> 01:07:27,780
I like that closing shot where her
hand comes and grabs my testicles.

1025
01:07:28,820 --> 01:07:31,140
Aargh!

1026
01:07:31,140 --> 01:07:33,220
That's when my kids fell over!

1027
01:07:33,220 --> 01:07:38,440
What was so clever was, although the
GLC was very pertinent at the time,
the comedy's timeless.

1028
01:07:38,440 --> 01:07:41,580
It's fantastic to watch
your teenage children

1029
01:07:41,580 --> 01:07:46,260
falling off their seats watching
something you did 30 years ago!

1030
01:07:49,400 --> 01:07:55,560
'Coming next, Keith Allen
and Peter Richardson lampoon the TV
tough guys with The Bullshitters.'

1031
01:08:04,000 --> 01:08:06,820
'When Keith Allen got commissioned
by Channel 4

1032
01:08:06,820 --> 01:08:10,080
'to perform his own show, he invited
Peter Richardson to join him

1033
01:08:10,080 --> 01:08:14,280
'in acting out several spoofs of
the TV cop show, The Professionals,

1034
01:08:14,280 --> 01:08:17,540
'which lampooned the image
of the TV tough guy.

1035
01:08:19,300 --> 01:08:23,980
'They wrote and filmed a 40-minute
special, directed by Stephen Frears,

1036
01:08:23,980 --> 01:08:27,660
'and followed it with Detectives
On The Edge Of A Nervous Breakdown.'

1037
01:08:27,660 --> 01:08:31,680
'I always wanted to take the piss
out of The Professionals.'

1038
01:08:31,680 --> 01:08:34,900
So The Bullshitters were born
and we did it as sketches.

1039
01:08:34,900 --> 01:08:40,140
Bonehead, darling, repeat after me.

1040
01:08:40,140 --> 01:08:44,460
"I cannot live without Vladimir."

1041
01:08:48,240 --> 01:08:50,280
Green!

1042
01:08:50,280 --> 01:08:53,740
I'm common. Green I'm common.
Greenham Common.

1043
01:08:53,740 --> 01:08:55,480
I'm coming out.

1044
01:08:56,620 --> 01:08:58,700
I think I'm gay!

1045
01:09:00,440 --> 01:09:03,040
I want a pink alert in green sector.

1046
01:09:03,780 --> 01:09:06,820
Do it. Foyle, come back.
It could be dangerous.

1047
01:09:06,820 --> 01:09:10,540
He's my friend!
I want to talk to you!

1048
01:09:10,540 --> 01:09:14,780
I want that anti-gay serum
up on Hampstead Heath in an hour.

1049
01:09:14,780 --> 01:09:17,260
Look, I'm gonna have to kill you.

1050
01:09:17,260 --> 01:09:21,300
I'd rather be gay and dead, Foyle,
than alive and straight.

1051
01:09:21,300 --> 01:09:22,680
Freeze!

1052
01:09:24,360 --> 01:09:27,700
Those awful things -
The Professionals,

1053
01:09:27,700 --> 01:09:32,840
The Sweeney, all these idiot
tough guys on screen that
we were supposed to look up to -

1054
01:09:32,840 --> 01:09:38,240
destroyed by this magnificent
programme, The Bullshitters.

1055
01:09:38,240 --> 01:09:41,920
Jackson here. I want all ports
and airports closed as of now.

1056
01:09:41,920 --> 01:09:44,780
And, Bridget, make sure
my wife's put under sedation.

1057
01:09:44,780 --> 01:09:47,980
Bullshitters,
I remember that at school.

1058
01:09:47,980 --> 01:09:50,160
Me and my friend, JB,
talking about that.

1059
01:09:50,160 --> 01:09:52,200
I wished to be one of those guys.

1060
01:09:52,200 --> 01:09:55,000
That's what I was going
to be in the army.

1061
01:09:55,000 --> 01:09:56,880
To the TV tough guy,

1062
01:09:56,880 --> 01:09:59,900
a motorcar is his mistress.

1063
01:10:01,440 --> 01:10:05,400
His lover. And this is a good
opportunity for a nice profile shot.

1064
01:10:05,400 --> 01:10:09,320
International terrorists in town,
the TV tough guy never does what?

1065
01:10:09,320 --> 01:10:14,700
Locks his car, sir. And why?
Wasting film, sir. Very good.

1066
01:10:14,700 --> 01:10:18,060
I knew Stephen Frears
cos I'd worked with him.

1067
01:10:18,060 --> 01:10:20,520
I said to Peter, "What do you think?

1068
01:10:20,520 --> 01:10:23,800
I'll try and get Stephen Frears."
He said, "As if!"

1069
01:10:23,800 --> 01:10:27,800
Because you were all so young
and did things in that young way,

1070
01:10:27,800 --> 01:10:30,080
which I found invigorating,

1071
01:10:30,080 --> 01:10:35,840
to show the clash between
a middle-aged man and a younger man
was rather interesting, I guess.

1072
01:10:35,840 --> 01:10:40,800
We had to take the script round,
he read it. "That's funny, is it?"

1073
01:10:40,800 --> 01:10:44,800
That's what he said. "That's funny,
is it?" "See you on Monday, then."

1074
01:10:44,800 --> 01:10:48,120
Sometimes you were,
sometimes you weren't funny.

1075
01:10:48,120 --> 01:10:54,380
I wouldn't have known
how to craft it into something
like an Ealing comedy.

1076
01:10:54,380 --> 01:10:57,120
It didn't seem to require that.

1077
01:10:57,120 --> 01:11:02,440
We used to film most of our stuff
without permission.
You didn't have time.

1078
01:11:02,440 --> 01:11:06,540
We had to do it, and we would run
around the streets of London

1079
01:11:06,540 --> 01:11:08,620
brandishing replica guns

1080
01:11:08,620 --> 01:11:12,140
in leatherette jockstraps.
Like you do. Yeah.

1081
01:11:12,140 --> 01:11:13,380
Let's go!

1082
01:11:18,700 --> 01:11:20,800
I'll take a 38. I'll take a 42.

1083
01:11:28,040 --> 01:11:32,240
'No-one knew we were coming in those
pubs. We banged in through a door.'

1084
01:11:32,240 --> 01:11:38,820
People were drinking beer and you
come in with a gun and a jockstrap
and we'd be gone so fast.

1085
01:11:42,700 --> 01:11:45,740
You couldn't do it nowadays.
You couldn't do it.

1086
01:11:45,740 --> 01:11:50,500
All that bus stuff, they were buses
with people going to work on them.

1087
01:11:50,500 --> 01:11:54,960
Some idiot jumping on and off
in his leather jockstrap.

1088
01:11:54,960 --> 01:11:56,680
With a gun.

1089
01:11:56,680 --> 01:12:00,080
Well, you were lunatics,
but you knew what you wanted.

1090
01:12:00,080 --> 01:12:04,720
'You had your own imaginative world
and that's what
you were trying to capture.'

1091
01:12:04,720 --> 01:12:07,660
I've never dared make something
called a comedy.

1092
01:12:07,660 --> 01:12:10,060
That's my jockstrap. It's not.

1093
01:12:10,060 --> 01:12:14,220
That was the jockstrap that we used
to run around London in. Look.

1094
01:12:15,220 --> 01:12:17,400
I'm not putting mine on.

1095
01:12:17,400 --> 01:12:19,440
Peter, your knees will go!

1096
01:12:19,440 --> 01:12:22,540
BOTH LAUGH

1097
01:12:22,540 --> 01:12:26,320
The Bullshitters was brilliant
cos I was a massive fan

1098
01:12:26,320 --> 01:12:28,360
of The Professionals.

1099
01:12:28,360 --> 01:12:31,980
So... And also seeing two guys
just snogging like that.

1100
01:12:31,980 --> 01:12:34,560
It was incredible! And extremely...

1101
01:12:34,560 --> 01:12:37,080
It was a good thing,
but was also very funny.

1102
01:12:37,080 --> 01:12:41,080
Doing what we did with Hot Fuzz
a long time before we did,

1103
01:12:41,080 --> 01:12:45,360
to identify the homoerotic sub-text
in buddy cops.

1104
01:12:45,360 --> 01:12:48,600
The script was absolutely fantastic.

1105
01:12:48,600 --> 01:12:52,500
The pair of them in their jockstraps
snogging. It was so naughty!

1106
01:12:52,500 --> 01:12:57,940
Yeah, him and Keith rolling
around... Did they snog?
I think they did, in their pants.

1107
01:12:57,940 --> 01:12:59,980
It was unrehearsed.

1108
01:12:59,980 --> 01:13:02,820
We tumbled down the gravel

1109
01:13:02,820 --> 01:13:05,060
and I ended up on top.

1110
01:13:05,060 --> 01:13:08,120
We hadn't discussed it.
It wasn't planned that way.

1111
01:13:08,120 --> 01:13:14,220
I was feeling insecure about
coming out in front of a film crew,
let alone the nation of my fans.

1112
01:13:14,220 --> 01:13:17,000
Keith hadn't shaved.
The stubble was horrible.

1113
01:13:17,000 --> 01:13:20,100
'I thought, "How could girls
kiss Keith with all that stubble?"'

1114
01:13:20,100 --> 01:13:23,020
You know your tight black jeans?
GUNSHOT

1115
01:13:23,020 --> 01:13:26,840
He couldn't stop laughing.
You'll see it in the scene.

1116
01:13:26,840 --> 01:13:32,940
I was crying. I know.
This ridiculous crying acting!
Trying not to laugh!

1117
01:13:32,940 --> 01:13:35,060
I thought I'd lost you, Foyle.

1118
01:13:38,280 --> 01:13:41,840
Stephen was behind the camera,
wetting himself laughing. Yeah.

1119
01:13:41,840 --> 01:13:43,960
"Stick your tongue down his throat!"

1120
01:13:43,960 --> 01:13:50,060
That's what I said to
Daniel Day Lewis on the first day.
"Stick your tongue in his ear."

1121
01:13:50,060 --> 01:13:54,040
He looked at me as if the devil
had just landed on the earth.

1122
01:13:54,040 --> 01:13:56,280
And did it and became a star.

1123
01:13:56,280 --> 01:14:01,520
All the way through the shoot,
we never saw more than
three people behind the camera.

1124
01:14:01,520 --> 01:14:03,940
Suddenly, there were about 30. Yeah.

1125
01:14:03,940 --> 01:14:06,860
It was like a crowd,
coming to watch this...

1126
01:14:06,860 --> 01:14:10,260
..homoerotic scene in a gravel pit.

1127
01:14:10,260 --> 01:14:11,980
I was just a referee.

1128
01:14:11,980 --> 01:14:14,120
Freeze!
Cover me!

1129
01:14:14,120 --> 01:14:15,560
Freeze!

1130
01:14:15,560 --> 01:14:20,080
You take the one on the right.
You take the one on the left. Go!

1131
01:14:23,720 --> 01:14:26,860
TV detectives from different eras
trying to find out

1132
01:14:26,860 --> 01:14:30,340
which era the case from.
I've explained it pretty well.

1133
01:14:30,340 --> 01:14:34,400
We need to get the old hands in.
We need the stars of the '70s.

1134
01:14:34,400 --> 01:14:38,160
What? Driving fast cars
and shouting a lot?

1135
01:14:38,160 --> 01:14:40,000
All that macho shite?

1136
01:14:40,000 --> 01:14:42,920
All your long pauses
haven't got me anywhere.

1137
01:14:42,920 --> 01:14:46,860
I got the chance to play Spanker,
which was a take on Spender.

1138
01:14:46,860 --> 01:14:50,060
Which was a big detective series
with Jimmy Nail.

1139
01:14:50,060 --> 01:14:53,340
Who've we got?
Bonehead and Foyle.

1140
01:14:53,340 --> 01:14:54,740
Sir.

1141
01:14:54,740 --> 01:14:56,120
The Bullshitters.

1142
01:15:01,840 --> 01:15:04,140
SHOUTING: Who do you think you are?

1143
01:15:04,140 --> 01:15:07,140
Bonehead and Foyle.
The Bullshitters.

1144
01:15:07,140 --> 01:15:11,240
What's your problem, Granddad?
SHOUTING: You're my problem!

1145
01:15:11,240 --> 01:15:15,280
Listen, modern coppers don't abandon
their cars any more!

1146
01:15:15,280 --> 01:15:17,600
They park 'em in the space provided.

1147
01:15:17,600 --> 01:15:21,620
They get out, central lock 'em
and behave like decent citizens

1148
01:15:21,620 --> 01:15:23,780
who are there to serve the public!

1149
01:15:25,960 --> 01:15:28,160
What's he talking about, Foyle?
I dunno.

1150
01:15:28,160 --> 01:15:31,980
You've heard the sad news
about the gourmet detective?

1151
01:15:31,980 --> 01:15:35,680
Yeah, sounds like he got his...
just desserts. Nice line.

1152
01:15:35,680 --> 01:15:39,180
Good show, though.
Lots of great vegetarian dishes.

1153
01:15:39,180 --> 01:15:45,100
It was so funny. We wrote it and it
did open with the gourmet detective.

1154
01:15:45,100 --> 01:15:50,440
Blow me down, six months later,
a whole series came out
called Pie In The Sky.

1155
01:15:50,440 --> 01:15:54,000
Which was a gourmet detective.
About a gourmet detective.

1156
01:15:54,000 --> 01:15:56,040
So ahead of our time. Yeah.

1157
01:15:56,040 --> 01:15:59,780
Keith and Peter were both directing.
LAUGHS

1158
01:15:59,780 --> 01:16:02,820
That was interesting.
And acting in it.

1159
01:16:02,820 --> 01:16:05,760
You can imagine
what it was like at times.

1160
01:16:05,760 --> 01:16:08,840
Where's shouting George
from the Weeny?

1161
01:16:11,640 --> 01:16:14,000
SHOUTING: You can't park here!

1162
01:16:14,000 --> 01:16:15,820
Shut it!

1163
01:16:16,420 --> 01:16:20,180
He had great people. He got
Jim Broadbent playing, "Shut it!"

1164
01:16:20,180 --> 01:16:22,180
You know, playing Jack Regan.

1165
01:16:22,180 --> 01:16:28,140
George, you met Bonehead and Foyle.
Our paths have crossed, guv.

1166
01:16:28,140 --> 01:16:30,980
Look, let's get one thing straight.

1167
01:16:30,980 --> 01:16:34,320
Nobody calls me guv.
Why not?

1168
01:16:34,320 --> 01:16:36,340
Because it's old-fashioned.

1169
01:16:36,340 --> 01:16:38,960
Who's the squatter? Friend of yours?

1170
01:16:38,960 --> 01:16:41,520
Detective Inspector David Spanker.

1171
01:16:41,520 --> 01:16:43,560
Shut up!

1172
01:16:43,560 --> 01:16:46,180
Listen, guv,
I'm a ten-guv-a-day copper,

1173
01:16:46,180 --> 01:16:48,780
always have been, always will be.

1174
01:16:48,780 --> 01:16:53,640
If you want me to work on this case,
I'm gonna call you guv all day long.

1175
01:16:53,640 --> 01:16:57,860
It's all I know
and it's all you need to know! Guv!

1176
01:16:57,860 --> 01:17:00,820
I loved The Professionals so much
that...

1177
01:17:00,820 --> 01:17:03,400
I wanted to BE The Professionals.

1178
01:17:03,400 --> 01:17:06,080
You think that mid-'70s bullshit
is gonna help?

1179
01:17:06,080 --> 01:17:09,260
It's not mid-'70s bullshit,
it's that!

1180
01:17:09,260 --> 01:17:12,500
Banging tables and shouting loudly.

1181
01:17:12,500 --> 01:17:17,780
The Comic Strip, bizarrely, was
maybe the first thing that showed me
the story is king.

1182
01:17:17,780 --> 01:17:20,040
Story is more important than gags.

1183
01:17:20,040 --> 01:17:23,820
Story will take someone through
an hour and a half. Gags will not.

1184
01:17:23,820 --> 01:17:26,700
JOLLY WHISTLING
Shut it!

1185
01:17:26,700 --> 01:17:28,940
What do we do now?

1186
01:17:28,940 --> 01:17:31,620
Waiting for a Mini Moke to turn up.

1187
01:17:32,480 --> 01:17:36,040
Mini Moke!
Miniskirt.

1188
01:17:37,620 --> 01:17:39,180
Minnie Mouse!

1189
01:17:39,180 --> 01:17:41,200
A mini...

1190
01:17:42,220 --> 01:17:45,200
Mini pencil... No, hang on.
Minnesota!

1191
01:17:45,200 --> 01:17:47,180
That's a good one.

1192
01:17:48,400 --> 01:17:51,680
Minicab.
Could do with one
to get me out this shit!

1193
01:17:51,680 --> 01:17:57,320
Peter did this wonderful rendition
of Jason King, you know,

1194
01:17:57,320 --> 01:18:01,580
with the moustache
and drinking champagne!

1195
01:18:01,580 --> 01:18:05,320
"Indeedy deedy!"
That was Pete's line, really.

1196
01:18:05,320 --> 01:18:09,440
Apparently, there's a new law
forbidding one to drink and drive.

1197
01:18:09,440 --> 01:18:12,320
If that happens,
I shall give up touring for ever.

1198
01:18:13,880 --> 01:18:16,160
Ah, this looks promising.

1199
01:18:16,160 --> 01:18:20,140
Feel free to search the grounds.
I have nothing to hide.

1200
01:18:20,140 --> 01:18:22,520
Indeedy deedy.

1201
01:18:22,520 --> 01:18:24,580
Do tell me,

1202
01:18:24,580 --> 01:18:27,880
don't you have
a 19-year-old daughter

1203
01:18:27,880 --> 01:18:30,760
with a miniskirt
and too much make-up?

1204
01:18:30,760 --> 01:18:34,400
Yes, I do.
I thought so.

1205
01:18:34,400 --> 01:18:37,140
She lives in Kenya
with an African prince.

1206
01:18:37,140 --> 01:18:39,180
Any other questions?

1207
01:18:39,180 --> 01:18:42,040
Yeah. What are we doing here?

1208
01:18:45,260 --> 01:18:46,520
Cheers.

1209
01:18:47,200 --> 01:18:50,820
I never initially warmed to it
in quite the same way.

1210
01:18:50,820 --> 01:18:56,340
But then, like The Famous Five,
it was an amazingly warped pastiche.

1211
01:18:56,340 --> 01:18:58,320
It was just so good.

1212
01:18:58,320 --> 01:19:00,880
Come on, Spanker! Tell us about it!

1213
01:19:00,880 --> 01:19:03,080
I never had your chances, George.

1214
01:19:03,080 --> 01:19:06,920
What are you doing, Foyle? I'm gonna
do some crawling. Where? There.

1215
01:19:06,920 --> 01:19:09,460
I'm gonna do some over here.
Let's go.

1216
01:19:09,460 --> 01:19:11,940
SPANKER: I was ten years too late.

1217
01:19:11,940 --> 01:19:15,800
All I got was marriage problems
and a northern atmosphere.

1218
01:19:15,800 --> 01:19:19,020
I had marriage problems as well,
Spanker.

1219
01:19:19,020 --> 01:19:22,500
But you know why I survived?
By shouting!

1220
01:19:22,500 --> 01:19:25,280
I didn't send people to sleep,
like you do.

1221
01:19:25,280 --> 01:19:29,000
Think about Jim Broadbent,
about how talented he is.

1222
01:19:29,000 --> 01:19:32,760
You were really lucky to get him,
to be on screen with him.

1223
01:19:32,760 --> 01:19:35,400
There's no towel, for Christ's sake!

1224
01:19:35,400 --> 01:19:38,020
Can't a copper dry his hands
any more?

1225
01:19:38,020 --> 01:19:41,680
I've got wet hands here
and they need drying!

1226
01:19:41,680 --> 01:19:44,440
This place is a bloody khazi!

1227
01:19:45,100 --> 01:19:48,840
Detectives On The Edge Of A Nervous
Breakdown, The Bullshitters,

1228
01:19:48,840 --> 01:19:53,580
all those shows were just spot-on,
precision perfect.

1229
01:19:53,580 --> 01:19:55,580
Those boxes, Foyle!

1230
01:19:56,400 --> 01:19:58,440
Beautiful! Beautiful, Foyle!

1231
01:19:59,820 --> 01:20:01,680
SHUT IT!

1232
01:20:04,940 --> 01:20:07,000
Oh, yes!

1233
01:20:07,000 --> 01:20:09,300
Go! Go! Go! Go!

1234
01:20:10,060 --> 01:20:14,600
What do you mean, it won't start?
We've wrecked the gearbox.

1235
01:20:14,600 --> 01:20:18,520
It's broken the gearbox.
You're the one who was driving it.

1236
01:20:20,360 --> 01:20:24,740
What do you want? I want to be
driving around in circles. So do I!

1237
01:20:24,740 --> 01:20:27,620
'After the break,
Tony Blair goes on the run

1238
01:20:27,620 --> 01:20:31,080
'in a '50s-style thriller,
The Hunt For Tony Blair.'

1239
01:20:35,000 --> 01:20:37,760
'In 2011, the Comic Strip returned

1240
01:20:37,760 --> 01:20:41,380
'and I, former swimwear model,
Stephen Mangan,

1241
01:20:41,380 --> 01:20:46,360
'was given the starring role
in a 39 Steps style thriller.'

1242
01:20:49,140 --> 01:20:53,280
I play this man who is completely
Teflon coated. Nothing is his fault.

1243
01:20:53,280 --> 01:20:55,160
'It's a total joy.'

1244
01:20:55,160 --> 01:20:59,720
Good evening, sir.
Are you Tony Charles Lynton Blair?

1245
01:20:59,720 --> 01:21:01,000
Yes.

1246
01:21:01,000 --> 01:21:05,160
I've a warrant for your arrest, sir.
The charge is...murder.

1247
01:21:06,440 --> 01:21:08,180
Oh, heck.

1248
01:21:08,180 --> 01:21:11,460
It was definitely a return to form.

1249
01:21:11,460 --> 01:21:17,600
They had a newcomer, Stephen Mangan,
who took to the Comic Strip formula
like a duck to water.

1250
01:21:17,600 --> 01:21:22,020
Perfect as Tony Blair,
that combination of likeability
and smackability.

1251
01:21:22,020 --> 01:21:25,380
I really liked the Blair one.
It was almost near-perfect.

1252
01:21:25,380 --> 01:21:28,560
Except my bit
shouldn't have been in it.

1253
01:21:28,560 --> 01:21:31,320
I felt under a lot of pressure,
actually.

1254
01:21:31,320 --> 01:21:36,780
But the script was great
and looks incredible, I think,
the way Peter shot it.

1255
01:21:36,780 --> 01:21:38,680
'Beautiful, black-and-white look.'

1256
01:21:38,680 --> 01:21:42,480
Tony, what's the matter?
I've got to get out of here.

1257
01:21:42,480 --> 01:21:47,040
What are you talking about?
It's no big deal,
but I've been charged with murder.

1258
01:21:47,040 --> 01:21:50,280
Tony, talk to me.
What have you done?

1259
01:21:50,280 --> 01:21:52,820
I've served my country,
that's what I've done.

1260
01:21:52,820 --> 01:21:56,020
Tony Blair spoof, which I loved.

1261
01:21:56,020 --> 01:22:00,900
It was all in black and white,
which was kind of brilliant.

1262
01:22:01,660 --> 01:22:03,940
Don't be a fool, Blair.
GUNSHOTS

1263
01:22:03,940 --> 01:22:06,060
'It's ballsy, I give you that.

1264
01:22:06,060 --> 01:22:08,300
'People automatically, nowadays,'

1265
01:22:08,300 --> 01:22:12,200
if they see something
in black and white, find it boring.

1266
01:22:12,200 --> 01:22:15,180
Visually, they're not stimulated.

1267
01:22:15,180 --> 01:22:22,120
I've got a nine-month-old son.
He didn't have a clue
what was going on.

1268
01:22:22,120 --> 01:22:27,500
'Apparently, all the stuff
that was Whitehall,'

1269
01:22:27,500 --> 01:22:33,020
Peter used old naval buildings
that doubled up for London streets.

1270
01:22:33,020 --> 01:22:37,260
Yeah, I think he lives in Devon, so
obviously, we had to film in Devon.

1271
01:22:37,260 --> 01:22:41,760
'Most of the actors, cast and crew,
were all London based.

1272
01:22:41,760 --> 01:22:45,120
'So it only made sense
to film in Devon.'

1273
01:22:46,200 --> 01:22:48,120
A film set in London.

1274
01:22:50,780 --> 01:22:53,880
AS BLAIR: 'After a cold wet night
on that park bench,

1275
01:22:53,880 --> 01:22:55,940
'it was time to get out of town.

1276
01:22:55,940 --> 01:22:57,980
'Ha! If only it was that easy.

1277
01:22:57,980 --> 01:23:02,100
'Being such hot news,
this was one story I couldn't spin.

1278
01:23:02,100 --> 01:23:04,500
'It was all looking pretty hopeless,

1279
01:23:04,500 --> 01:23:07,300
'but I still had one or two cards
up my sleeve.'

1280
01:23:08,220 --> 01:23:11,580
Hi, is that Bernie Ecclestone?
It's Tony Blair.

1281
01:23:11,580 --> 01:23:16,040
You couldn't lend me a really fast
car without "Durex" on the side.

1282
01:23:16,040 --> 01:23:20,260
I read his book. Which is a treat
for all comedy fans.

1283
01:23:20,260 --> 01:23:25,600
A lot of the lines that
Tony Blair... Not all of the lines,
but a lot of them.

1284
01:23:25,600 --> 01:23:27,680
I read Tony Blair's book,

1285
01:23:27,680 --> 01:23:31,520
and loads of the lines
that he says in that are directly...

1286
01:23:31,520 --> 01:23:33,900
They've taken them directly.

1287
01:23:33,900 --> 01:23:36,060
'Stuff that you wouldn't even...

1288
01:23:36,060 --> 01:23:40,800
'Stuff that you would think,
"God! He'd never say that."'

1289
01:23:40,800 --> 01:23:43,660
Thank you, Robin,
for such kind words.

1290
01:23:43,660 --> 01:23:45,700
As you can probably...

1291
01:23:45,700 --> 01:23:50,200
Look, Peter. If John dies,
I will be leader, not Gordon.

1292
01:23:50,200 --> 01:23:52,680
And I think, somehow,
this will happen.

1293
01:23:54,240 --> 01:23:58,200
What do you mean, "If John dies"?
Look, don't cross me over this.

1294
01:23:58,200 --> 01:24:01,700
This is mine. I know it.
And I will take it.

1295
01:24:01,700 --> 01:24:06,760
- Blair actually said that?
- Oh, yes. It's all in his book.

1296
01:24:06,760 --> 01:24:09,500
Page 63, chapter two.

1297
01:24:09,500 --> 01:24:13,380
The Hunt For Tony Blair was again
consistent of the Comic Strip.

1298
01:24:13,380 --> 01:24:19,520
It was shot cinematically,
beautiful performances from
great characters, great writing.

1299
01:24:19,520 --> 01:24:22,060
I came in just to play a doorman.

1300
01:24:23,160 --> 01:24:25,720
Which was great!
LAUGHS

1301
01:24:31,620 --> 01:24:33,500
Good morning, Mr Brown.

1302
01:24:33,500 --> 01:24:36,960
I was told I was moving in here
today. Now, in fact.

1303
01:24:36,960 --> 01:24:40,960
Not yet, sir. Not while you still
suffer from psychological problems

1304
01:24:40,960 --> 01:24:43,180
and Tony Blair's still in charge.

1305
01:24:43,180 --> 01:24:44,800
Good day, sir.

1306
01:24:46,180 --> 01:24:51,640
To have to turn Gordon Brown
away from Chequers was not something
you get to do every day.

1307
01:24:51,640 --> 01:24:56,340
The last sight of Blair is around
here, sir. Suddenly, he disappears.

1308
01:24:56,340 --> 01:24:59,480
Just here.
Hm. All right, Mandelson.

1309
01:24:59,480 --> 01:25:01,900
If you were Blair,
where would you be?

1310
01:25:01,900 --> 01:25:05,020
Tuscany, Florida or Barbados
with Cliff Richard.

1311
01:25:05,020 --> 01:25:09,960
He's not on holiday,
he's on the run. Where would he be?

1312
01:25:11,020 --> 01:25:12,980
Oh, yes.

1313
01:25:12,980 --> 01:25:16,420
Yes, of course.
Of course what?

1314
01:25:16,420 --> 01:25:22,280
General Pinochet hid out here
when he, too, was on the run
for mass murder.

1315
01:25:22,280 --> 01:25:24,660
Where, damn it?

1316
01:25:24,660 --> 01:25:29,340
Have you forgotten...
the Iron Lady, Inspector?

1317
01:25:29,340 --> 01:25:32,160
'Pete always likes to layer
those things.'

1318
01:25:32,160 --> 01:25:35,240
You're always playing someone
playing someone.

1319
01:25:35,240 --> 01:25:36,820
In The Hunt For Tony Blair,

1320
01:25:36,820 --> 01:25:41,080
'I honestly didn't know what I was
going to do until I opened my mouth.

1321
01:25:41,080 --> 01:25:43,800
'There were so many
different things he wanted.

1322
01:25:43,800 --> 01:25:49,300
'He wanted me to be like
Margaret Thatcher, but I was dressed
as Bette Davis from Baby Jane'

1323
01:25:49,300 --> 01:25:52,540
but playing it
as if I was in Sunset Boulevard!

1324
01:25:52,540 --> 01:25:56,540
LAUGHS
So, where do you go with that?

1325
01:25:56,540 --> 01:26:02,060
'So until I opened my mouth,
I honestly didn't know
what I was going to do.'

1326
01:26:02,060 --> 01:26:04,040
Mrs Thatcher.

1327
01:26:05,420 --> 01:26:08,360
Is that Cecil? Cecil Parkinson?

1328
01:26:08,360 --> 01:26:10,340
No, it's Tony. Tony Blair.

1329
01:26:11,300 --> 01:26:13,660
Oh, the pretty Tony Blair.

1330
01:26:13,660 --> 01:26:17,140
Come here, come here,
where I can see you.

1331
01:26:17,140 --> 01:26:18,820
Come to Mummy.

1332
01:26:19,520 --> 01:26:22,360
Are you in a lot of trouble, Tony?

1333
01:26:22,360 --> 01:26:26,060
Well, you know, I might have made
a few honest mistakes but, hey,

1334
01:26:26,060 --> 01:26:28,480
think I can talk my way out of it.

1335
01:26:28,480 --> 01:26:34,060
It was always that blind faith
in yourself that made you
so very appealing.

1336
01:26:34,060 --> 01:26:35,340
Thank you.

1337
01:26:35,340 --> 01:26:37,380
Sexy Maggie.

1338
01:26:37,380 --> 01:26:41,960
Who...I slept with.

1339
01:26:41,960 --> 01:26:44,680
I played Tony Blair...

1340
01:26:46,180 --> 01:26:50,340
..and I slept with Maggie Thatcher
played by Jennifer Saunders.

1341
01:26:50,340 --> 01:26:56,900
These kind of brilliant caricatures,
so you had, again, Jennifer Saunders
as Maggie with her butler, Tebbit.

1342
01:26:56,900 --> 01:27:00,500
And the wonderful Harry Enfield
playing Alastair Campbell

1343
01:27:00,500 --> 01:27:04,360
as a kind of Sweeney figure
with his bruising leather jacket

1344
01:27:04,360 --> 01:27:07,460
and cockney vowels, that was fab.

1345
01:27:07,460 --> 01:27:10,940
It didn't need the Alastair Campell
bit. That was ghastly.

1346
01:27:10,940 --> 01:27:14,080
But everything else was perfect.
Mrs Blair was brilliant.

1347
01:27:14,080 --> 01:27:18,860
Tony, the washing machine's broken
again. It goes straight to rinse.

1348
01:27:18,860 --> 01:27:24,320
I'm not a plumber. I'm a Prime
Minister. That's a pathetic excuse.
Is it? "Is it?"

1349
01:27:24,320 --> 01:27:27,780
For fuck's sake, Cherie.
Leave the poor fucker alone.

1350
01:27:27,780 --> 01:27:29,760
Shut up, you little man!

1351
01:27:29,760 --> 01:27:34,820
You've only got to see the newer,
younger comedians
in the Tony Blair film.

1352
01:27:34,820 --> 01:27:39,720
You've got Stephen Mangan,
very successful in his own right,
and Ross Noble.

1353
01:27:39,720 --> 01:27:43,740
There's clearly a reverence there
for the Comic Strip generation.

1354
01:27:43,740 --> 01:27:47,380
These guys are enthusiastic about
appearing in a Comic Strip film.

1355
01:27:47,380 --> 01:27:52,360
'They're happy to kind of be
absorbed and honoured, in a way.'

1356
01:27:52,360 --> 01:27:55,540
ON RADIO: 'The hunt for Tony Blair
continues with an unconfirmed report

1357
01:27:55,540 --> 01:27:57,900
'that he's driving
a blue Ford Anglia.

1358
01:27:57,900 --> 01:28:02,660
'Police advise everyone not
to approach the ex-Prime Minister,
as he could be a danger...'

1359
01:28:02,660 --> 01:28:06,680
Don't be so hysterical.
Bloody media! Danger to the public?

1360
01:28:07,700 --> 01:28:09,380
TYRES SCREECH

1361
01:28:10,380 --> 01:28:11,840
Aaargh!

1362
01:28:12,480 --> 01:28:14,840
Oh, shit! I killed again!

1363
01:28:14,840 --> 01:28:16,920
'I got this thing through saying,'

1364
01:28:16,920 --> 01:28:19,960
"Do you want to be
in a Comic Strip film?"

1365
01:28:19,960 --> 01:28:24,160
I was like, "They've probably got
the wrong person there.

1366
01:28:24,160 --> 01:28:27,580
'"Do you want to double check
and make sure?"

1367
01:28:27,580 --> 01:28:31,580
'I knew roughly who was in it but it
wasn't till I turned up on the day

1368
01:28:31,580 --> 01:28:36,920
'and I started reading the cast list
and went, "Oh, Christ! Really?"'

1369
01:28:36,920 --> 01:28:40,620
It was one of those things
where I thought,

1370
01:28:40,620 --> 01:28:45,180
"If he's booked me,
all his old mates have obviously
told him to piss off!"

1371
01:28:45,180 --> 01:28:50,840
'It's that thing of going,
"Oh, God! I could sink this!

1372
01:28:50,840 --> 01:28:53,720
'LAUGHING: "I'm only in one scene!"'

1373
01:28:57,440 --> 01:28:59,360
Blimey, is that legal?

1374
01:29:00,680 --> 01:29:03,160
Oh, sorry. Bit of a tight spot.

1375
01:29:03,160 --> 01:29:05,780
And I saw it once in a film.

1376
01:29:05,780 --> 01:29:09,440
SLURRED: I-I know who you are.
It's Tony Blair!

1377
01:29:09,440 --> 01:29:11,720
I voted for you, Tony!

1378
01:29:11,720 --> 01:29:13,640
I'll never forget that night.

1379
01:29:13,640 --> 01:29:17,700
# Things can only get better... #

1380
01:29:17,700 --> 01:29:20,960
Thank you,
but I'm travelling incognito, so...

1381
01:29:20,960 --> 01:29:23,160
CONTINUES HUMMING DRUNKENLY

1382
01:29:23,160 --> 01:29:27,140
The whole alternative comedy scene
came from Peter and that lot,

1383
01:29:27,140 --> 01:29:29,280
who influenced everyone, really.

1384
01:29:30,500 --> 01:29:32,300
WOMAN: Tony.

1385
01:29:32,300 --> 01:29:36,440
'Oh, heck, Carole Caplin. Just what
I didn't need back in my life.'

1386
01:29:36,440 --> 01:29:39,320
I was wondering
whether you'd show up here.

1387
01:29:40,400 --> 01:29:42,580
Just the car you want, is it?

1388
01:29:42,580 --> 01:29:47,040
To be honest, I didn't know
you were here. I thought Cherie
had had you evicted.

1389
01:29:47,040 --> 01:29:49,220
She did, but I changed the locks.

1390
01:29:49,220 --> 01:29:52,160
Well, that shows spirit.

1391
01:29:52,160 --> 01:29:55,840
A stylistic layer of detachment
allows them to get away with a lot.

1392
01:29:55,840 --> 01:30:00,320
'In The Hunt For Tony Blair,
you have this '50s film noir,

1393
01:30:00,320 --> 01:30:05,120
'misty streets, slicked-back hair
kind of milieu that allowed them'

1394
01:30:05,120 --> 01:30:08,500
to take a lot of liberties
and yet be fairly brash,

1395
01:30:08,500 --> 01:30:13,980
'and blunt and tackle the Blair era
head-on, not pull any punches.'

1396
01:30:13,980 --> 01:30:17,560
Tony, Robin Cook's here.
What the hell is going on?

1397
01:30:17,560 --> 01:30:23,500
We're already at war with
the Taliban and you want to make
an unprovoked attack against Iraq?

1398
01:30:23,500 --> 01:30:25,440
What are you? Insane?

1399
01:30:25,440 --> 01:30:27,900
No, that's not a war.
That's a crusade.

1400
01:30:27,900 --> 01:30:30,460
This is a proper war,
with tanks and everything.

1401
01:30:30,460 --> 01:30:33,700
We were told lies to start a war

1402
01:30:33,700 --> 01:30:39,520
for reasons which I still
don't understand and which nobody's
felt the need to explain to us.

1403
01:30:39,520 --> 01:30:42,400
Yeah, I thought, "Right on."
You know?

1404
01:30:42,400 --> 01:30:44,860
"This'll rattle some cages."

1405
01:30:44,860 --> 01:30:49,640
And it's about time. There was some
stuff that needed to be said.

1406
01:30:49,640 --> 01:30:51,720
Um...

1407
01:30:52,640 --> 01:30:55,840
And I'm glad that we were the guys
that did it.

1408
01:30:55,840 --> 01:30:58,140
Got a lot of people thinking.

1409
01:30:59,140 --> 01:31:04,160
"Should they make more
Comic Strip Presents?" for one!

1410
01:31:04,160 --> 01:31:08,740
I look back on its influence on me,
in terms of what I do now.

1411
01:31:08,740 --> 01:31:14,080
I wouldn't be doing what I'm doing
now if it wasn't for the Comic Strip
to blaze that trail.

1412
01:31:14,080 --> 01:31:18,720
AS SELF: 'That brings to an end the
first part of the Comic Strip story.

1413
01:31:18,720 --> 01:31:22,840
'The last word comes
from the founder of the group,
Peter Richardson.'

1414
01:31:22,840 --> 01:31:26,820
Look, I've had a great deal of fun
with The Comic Strip.

1415
01:31:26,820 --> 01:31:32,340
And now we're on the Gold channel,
things are looking rather good.

1416
01:31:32,340 --> 01:31:36,520
I've got a place to stay and the
future's beginning to look sunny.

1417
01:31:36,520 --> 01:31:38,500
CLAP OF THUNDER

1418
01:31:38,500 --> 01:31:40,020
Oh, shit!

1419
01:31:40,020 --> 01:31:42,080
CAR ALARM BLARES

1420
01:31:42,080 --> 01:31:44,320
RAIN THUNDERS DOWN