1 00:01:07,934 --> 00:01:09,374 [GEORGE]: FROM THE MOMENT WE'RE BORN, 2 00:01:09,375 --> 00:01:11,082 WE HIT THE GROUND RUNNING. 3 00:01:11,083 --> 00:01:13,958 PUT ONE FOOT IN FRONT OF THE OTHER, AND ANYTHING IS POSSIBLE. 4 00:01:13,959 --> 00:01:15,416 OF COURSE, THAT'S ALL BULLSHIT. 5 00:01:15,417 --> 00:01:18,457 THE TRUTH IS, FROM EVOLUTION TO REVOLUTION, 6 00:01:18,458 --> 00:01:20,666 THINGS HARDLY EVER CHANGE GRADUALLY. 7 00:01:20,667 --> 00:01:23,374 THEY CHANGE SUDDENLY, IN GREAT LEAPS. 8 00:01:23,375 --> 00:01:24,707 FOR THOSE WHO UNDERSTAND THIS, 9 00:01:24,708 --> 00:01:26,834 LIFE IS A CONSTANT SEARCH FOR THE NEXT BIG JUMP. 10 00:01:28,708 --> 00:01:32,207 FOR THE REST OF US, ALL THAT JUMPING SEEMS KIND OF STUPID. 11 00:01:32,208 --> 00:01:36,041 ARE YOU MAD AT ME? 12 00:01:36,042 --> 00:01:38,958 BESIDE MYSELF. FINE. GO AHEAD. GIVE IT TO ME. 13 00:01:38,959 --> 00:01:41,916 YOU DON'T MESS WITH FATE. PEOPLE DIE WHEN THEY SHOULD 14 00:01:41,917 --> 00:01:44,637 THERE'S NO DISCUSSION, THERE'S NO NEGOTIATION, THERE'S NO WIGGLE ROOM. 15 00:01:44,638 --> 00:01:45,803 WHEN LIFE'S DONE, IT'S DONE. 16 00:01:45,804 --> 00:01:47,041 I KNOW THAT. 17 00:01:47,042 --> 00:01:48,482 YOU, OF ALL PEOPLE, SHOULD KNOW THAT. 18 00:01:50,084 --> 00:01:52,124 I HAVE TO GO TO WORK. 19 00:01:52,125 --> 00:01:54,041 WANT TO TALK? 20 00:01:54,042 --> 00:01:55,667 I DON'T WANT TO TALK. 21 00:01:58,500 --> 00:02:00,082 HAVE SOME FRENCH FRIES. 22 00:02:00,083 --> 00:02:01,499 THEY'RE COLD. 23 00:02:01,500 --> 00:02:03,084 I'VE GOT TO GO. 24 00:02:06,125 --> 00:02:07,958 THAT'S WHEN IT OCCURRED TO ME... 25 00:02:07,959 --> 00:02:11,040 I REALLY DIDN'T HAVE ANY FRIENDS. 26 00:02:11,041 --> 00:02:13,999 I JUST HAD CO-WORKERS, 27 00:02:14,000 --> 00:02:16,917 AND I REALLY WANTED A FRIEND. 28 00:02:18,750 --> 00:02:22,582 AS A YOUNG UNDEAD WOMAN OUT ON MY OWN IN THE WORLD, 29 00:02:22,583 --> 00:02:24,500 WHERE WOULD I FIND THAT FRIEND? 30 00:02:25,834 --> 00:02:29,124 MAYBE AT MY DAY JOB. MAYBE AT HAPPY TIME. 31 00:02:29,125 --> 00:02:31,833 MAYBE DELORES WASN'T JUST MY CO-WORKER. 32 00:02:31,834 --> 00:02:33,208 MAYBE SHE COULD BE MY FRIEND... 33 00:02:33,209 --> 00:02:34,041 HI! 34 00:02:34,042 --> 00:02:36,666 HOW'S THE LITTLE ENGINE THAT COULD? 35 00:02:36,667 --> 00:02:38,208 OR NOT. 36 00:02:38,209 --> 00:02:40,791 I'M ALMOST FINISHED. WONDERFUL. 37 00:02:40,792 --> 00:02:44,874 THE EMBOSSED BINDERS ARE IN A WHITE BOX BY MY DESK. 38 00:02:44,875 --> 00:02:46,416 WE'RE GOING TO DO THE COVER PAGE LAST. 39 00:02:46,417 --> 00:02:47,999 I'M HAVING GAYLE MAKE A FEW CHANGES. 40 00:02:48,000 --> 00:02:50,208 DID YOU KNOW SHE'S COLOR BLIND? 41 00:02:50,500 --> 00:02:51,582 NO. 42 00:02:51,583 --> 00:02:53,499 THAT'S UNUSUAL FOR GIRLS. 43 00:02:53,500 --> 00:02:54,582 REALLY? SURE. 44 00:02:54,583 --> 00:02:56,707 MY SISTER'S COLOR BLIND 45 00:02:56,708 --> 00:02:59,082 AND EVERYONE MADE SUCH A FUSS BECAUSE IT'S SO RARE, 46 00:02:59,083 --> 00:03:02,083 BUT SHE'S A LITTLE MASCULINE, SO NONE OF US WERE VERY SURPRISED. 47 00:03:02,084 --> 00:03:03,542 HAS A WISPY LITTLE MOUSTACHE. 48 00:03:04,458 --> 00:03:06,333 SHE SOUNDS PRETTY. 49 00:03:07,125 --> 00:03:11,290 DO YOU HAVE A SISTER, MILLIE? 50 00:03:11,291 --> 00:03:13,208 I KNOW GEORGE HAS A SISTER... 51 00:03:13,209 --> 00:03:14,249 HAD A SISTER... 52 00:03:14,250 --> 00:03:16,041 BUT DOES MILLIE? 53 00:03:16,042 --> 00:03:17,207 I DIDN'T MEAN TO STUMP YOU. 54 00:03:17,208 --> 00:03:19,499 SO I PULLED SOMETHING OUT OF MY ASS. 55 00:03:19,500 --> 00:03:22,541 I HAVE AN OLDER BROTHER. HIS NAME IS LUKE. 56 00:03:22,542 --> 00:03:24,040 HE'S A JET PILOT. 57 00:03:24,041 --> 00:03:27,124 HE BOMBED THE CRAP OUT OF BAGHDAD. 58 00:03:27,125 --> 00:03:28,208 A JET PILOT? 59 00:03:28,209 --> 00:03:30,916 AND IN THAT INSTANT, I INVENTED MILLIE. 60 00:03:30,917 --> 00:03:32,791 I HAD NO IDEA. 61 00:03:32,792 --> 00:03:33,874 NEITHER DID I. 62 00:03:33,875 --> 00:03:35,124 OKAY, BACK TO WORK. 63 00:03:35,125 --> 00:03:36,541 WE'LL HAVE TO SAVE THIS CONVERSATION 64 00:03:36,542 --> 00:03:38,917 FOR A SOY LATTE ONE OF THESE MORNINGS. 65 00:03:54,708 --> 00:03:56,833 MILLIE, 66 00:03:56,834 --> 00:03:59,000 HAVE YOU EVER KEPT A SCRAPBOOK? 67 00:04:00,209 --> 00:04:01,791 UH... 68 00:04:01,792 --> 00:04:03,209 NO. 69 00:04:09,458 --> 00:04:11,834 DO YOU ALL KNOW MILLIE? 70 00:04:12,583 --> 00:04:14,082 HI, MILLIE. HI, MILLIE. 71 00:04:14,083 --> 00:04:15,332 HI. 72 00:04:15,333 --> 00:04:16,666 SHE'S JUST GETTING HER FEET WET 73 00:04:16,667 --> 00:04:18,833 WITH THE WHOLE EXCEL SYSTEM, 74 00:04:18,834 --> 00:04:20,582 AND WE ALL KNOW WHAT THAT CAN BE LIKE. 75 00:04:20,583 --> 00:04:22,125 ARE YOU GOING ON THE EXCEL RETREAT? 76 00:04:23,125 --> 00:04:26,249 I'M KEEPING MY FINGERS CROSSED. 77 00:04:26,250 --> 00:04:28,082 AM I GOING? NO. 78 00:04:28,083 --> 00:04:32,166 WE'VE HAD A BAD EXPERIENCE WITH ONE OF THE TUTORIAL STAFF. 79 00:04:32,167 --> 00:04:33,624 WHAT WAS HER NAME? 80 00:04:33,625 --> 00:04:35,499 DIANE SOMETHING? FARBER? 81 00:04:35,500 --> 00:04:37,166 FARMER? WILSON? 82 00:04:37,167 --> 00:04:39,541 I BLOCKED IT OUT. 83 00:04:39,542 --> 00:04:41,782 SHE WAS A BIG "SEE YOU NEXT TUESDAY," THAT'S WHAT SHE WAS. 84 00:04:41,806 --> 00:04:42,973 GAYLE... 85 00:04:43,708 --> 00:04:47,332 I THINK SHE WAS JUST IN AN UNHAPPY PLACE. 86 00:04:47,333 --> 00:04:48,582 ANYWAY, 87 00:04:48,583 --> 00:04:53,207 SO WELCOME TO OUR LITTLE SCRAPBOOK CIRCLE. 88 00:04:53,208 --> 00:04:55,958 THE LENGTHS I GO TO FOR FREE FOOD. 89 00:04:55,959 --> 00:04:57,166 YOU WANT TO MAKE SURE 90 00:04:57,167 --> 00:04:59,541 AND USE ACID-FREE STICKERS, 91 00:04:59,542 --> 00:05:03,083 ESPECIALLY ON YOUR FRIENDSHIP PAGES. 92 00:05:03,084 --> 00:05:05,084 MM, GOOD... THAT'S GOOD TO KNOW. 93 00:05:06,500 --> 00:05:10,167 THIS IS MY WORK-RELATED SCRAPBOOK. 94 00:05:12,250 --> 00:05:15,290 MY FIRST PAY STUB... 95 00:05:15,291 --> 00:05:19,667 AND THE SPARKLING CIDER LABEL FROM HARRY V.'S CAKE LUNCH. 96 00:05:24,000 --> 00:05:26,250 THIS IS MY WORK-RELATED SCRAPBOOK. 97 00:05:28,333 --> 00:05:31,083 THESE ARE BONE FRAGMENTS I FOUND IN A TELEPHONE POLE 98 00:05:31,084 --> 00:05:34,207 NEXT TO AN EXPLODED HIGH-VOLTAGE TRANSFORMER, 99 00:05:34,208 --> 00:05:38,541 AND THIS IS FROM THAT NUCLEAR REACTOR INCIDENT. 100 00:05:38,542 --> 00:05:41,332 I THINK IT'S A TESTICLE. 101 00:05:41,333 --> 00:05:43,332 [LAUGHING] 102 00:05:43,333 --> 00:05:46,000 I RECOMMEND NOT SKIMPING ON BORDER PAPER. 103 00:05:49,250 --> 00:05:51,207 WOULD YOU LIKE TO START A SCRAPBOOK, MILLIE? 104 00:05:51,208 --> 00:05:52,999 I COULD HAVE TRIED TO SEE THE THRILL 105 00:05:53,000 --> 00:05:56,791 IN CATALOGING ARTIFACTS AND LAMINATING MEMORIES, 106 00:05:56,792 --> 00:05:58,082 BUT THAT WOULDN'T BE ME. 107 00:05:58,083 --> 00:06:00,624 UM, I WOULD, 108 00:06:00,625 --> 00:06:04,917 BUT I'M HAVING ONE OF THOSE HEAVY FLOW DAYS. 109 00:06:10,125 --> 00:06:11,624 I THINK RED IS MY FAVORITE. 110 00:06:11,625 --> 00:06:14,041 COULD BETTY BE A FRIEND? 111 00:06:14,042 --> 00:06:16,916 YOU'RE JUST TALKING ABOUT THE WAX AND NOT THE CHEESE? 112 00:06:16,917 --> 00:06:18,437 WELL, HALF THE FUN OF EATING THE CHEESE 113 00:06:18,438 --> 00:06:19,979 IS TAKING THE WAX OFF THE CHEESE. 114 00:06:19,980 --> 00:06:22,667 IT'S KIND OF LIKE TAKING OFF A MAN'S CLOTHES. 115 00:06:23,458 --> 00:06:24,958 I WOULDN'T KNOW. 116 00:06:24,959 --> 00:06:26,750 SO MUCH FUN. 117 00:06:28,125 --> 00:06:30,749 YOU'RE REALLY BEAUTIFUL. YOU DO KNOW THAT. 118 00:06:30,750 --> 00:06:32,249 DEFINITELY A FRIEND. 119 00:06:32,250 --> 00:06:33,457 IT'S TRUE. 120 00:06:33,458 --> 00:06:35,207 OKAY. 121 00:06:35,208 --> 00:06:36,999 I LIKE YOUR RING. 122 00:06:37,000 --> 00:06:39,082 I SAW IT IN THE VILLAGE IN 1927. 123 00:06:39,083 --> 00:06:40,874 MY BOY BOUGHT IT FOR ME. 124 00:06:40,875 --> 00:06:41,999 WOW. 125 00:06:42,000 --> 00:06:43,280 NO GUY'S EVER BOUGHT ME ANYTHING. 126 00:06:45,041 --> 00:06:46,083 ISN'T SHE BEAUTIFUL? 127 00:06:47,291 --> 00:06:48,542 ARE YOU PROSTITUTES? 128 00:06:48,875 --> 00:06:49,999 NO. 129 00:06:50,000 --> 00:06:51,582 THEN WHY ARE YOU TALKING TO ME? 130 00:06:51,583 --> 00:06:52,958 YOU'VE GOT A WORLDLY QUALITY, 131 00:06:52,959 --> 00:06:54,834 A CERTAIN JE NE SAIS QUOI. 132 00:06:56,000 --> 00:06:57,040 SAY WHAT? 133 00:06:57,041 --> 00:06:58,208 YOU'RE CHUCK, RIGHT? 134 00:06:59,084 --> 00:07:00,249 YEAH. 135 00:07:00,250 --> 00:07:01,666 WHAT KIND OF CAR DO YOU DRIVE? 136 00:07:01,667 --> 00:07:03,332 A CONVERTIBLE. 137 00:07:03,333 --> 00:07:05,791 WE USED TO CALL THEM "BREEZERS." ISN'T THAT CUTE? 138 00:07:05,792 --> 00:07:07,207 UH-HUH. 139 00:07:07,208 --> 00:07:08,374 IS IT A RED CONVERTIBLE? 140 00:07:08,375 --> 00:07:09,833 YEAH. 141 00:07:09,834 --> 00:07:11,624 I THOUGHT YOU MIGHT. 142 00:07:11,625 --> 00:07:12,833 [SIRENS APPROACHING] 143 00:07:12,834 --> 00:07:16,042 I DON'T GET IT. WHO ARE YOU? 144 00:07:16,834 --> 00:07:18,374 SOMEWHERE IN THE BACK OF HIS MIND, 145 00:07:18,375 --> 00:07:21,041 HE CONVINCED HIMSELF WE WERE A PAIR OF BLACK WIDOWS 146 00:07:21,042 --> 00:07:23,165 OUT TO MATE AND KILL, 147 00:07:23,166 --> 00:07:24,958 BUT HIS TIME WOULD HAVE BEEN BETTER SPENT 148 00:07:24,959 --> 00:07:26,999 WORRYING ABOUT THE NEST OF POISONOUS SPIDERS 149 00:07:27,000 --> 00:07:28,374 IN HIS CLOSET. 150 00:07:28,375 --> 00:07:30,041 I FORGOT TO TELL YOU. 151 00:07:30,042 --> 00:07:31,833 I FINALLY FOUND OUT WHO MILLIE IS. 152 00:07:31,834 --> 00:07:33,250 OH, YEAH? 153 00:07:34,041 --> 00:07:35,041 HELLO? 154 00:07:35,042 --> 00:07:37,041 HOW COME I CAN'T GET A GLASS OF WATER? 155 00:07:37,042 --> 00:07:39,041 BECAUSE YOU'RE HISTORY, CHUCK. 156 00:07:39,042 --> 00:07:40,208 MILLIE HAS AN OLDER BROTHER. 157 00:07:40,209 --> 00:07:43,165 HIS NAME IS LUKE. HE'S A JET PILOT. HE'S WAY COOL. 158 00:07:43,166 --> 00:07:45,084 ARE YOU CLOSE WITH HIM? YEAH. 159 00:07:46,042 --> 00:07:47,208 AT LEAST, I THINK I AM. 160 00:07:47,209 --> 00:07:50,166 DOES HE DRIVE A BREEZER? ABSOLUTELY. 161 00:07:50,167 --> 00:07:52,457 HE'S A JET PILOT. HE LOVES SPEED. 162 00:07:52,458 --> 00:07:53,874 HE SOUNDS HOT. 163 00:07:53,875 --> 00:07:55,874 WHAT KIND OF CAR DOES MILLIE DRIVE? 164 00:07:55,875 --> 00:07:58,041 MILLIE DOESN'T HAVE ONE. SHE HITCHES. 165 00:07:58,042 --> 00:08:00,000 LOOKS LIKE SOMEONE FELL OVER IN THE STREET. 166 00:08:02,708 --> 00:08:04,499 OH, HONEY, THAT'S YOU. 167 00:08:04,500 --> 00:08:08,165 BETTY COULD GET EXCITED ABOUT THE LITTLEST THINGS. 168 00:08:08,166 --> 00:08:10,457 BEING UNDEAD MADE HER MORE ALIVE 169 00:08:10,458 --> 00:08:12,624 THAN ANY LIVING PERSON I KNOW, 170 00:08:12,625 --> 00:08:15,125 BUT NOTHING SURPRISED HER. 171 00:08:21,708 --> 00:08:22,958 HOW'S THE WATER? 172 00:08:22,959 --> 00:08:24,834 CHILLY. IT WOKE ME RIGHT UP. 173 00:08:29,166 --> 00:08:32,207 IT DOESN'T LOOK LIKE HE'S INTERESTED IN TAKING THE LEAP. 174 00:08:32,208 --> 00:08:34,833 TERRIBLE WHEN A MAN'S LILY-LIVERED, ISN'T IT? 175 00:08:34,834 --> 00:08:36,209 SO UNATTRACTIVE. 176 00:08:37,417 --> 00:08:38,833 IT'S A LITTLE HIGH. 177 00:08:38,834 --> 00:08:40,000 BIGGER SPLASH FROM UP THERE. 178 00:08:40,583 --> 00:08:42,041 IS THAT A FACT? 179 00:08:42,042 --> 00:08:45,082 SAY, AREN'T YOU A FRIEND OF THE FROTTEURIST? 180 00:08:45,083 --> 00:08:47,707 THE MAN AT THE PICNIC RUBBING HIMSELF ON PEOPLE. 181 00:08:47,708 --> 00:08:49,582 I MADE HIS ACQUAINTANCE AT THE DESSERT TABLE. 182 00:08:49,583 --> 00:08:50,833 I DIDN'T SEE A DESSERT TABLE. 183 00:08:50,834 --> 00:08:52,165 WELL, THEN YOU NEED TO GET YOUR PEEPERS CHECKED, 184 00:08:52,166 --> 00:08:53,726 BECAUSE IT'S RIGHT THERE IN PLAIN SIGHT. 185 00:08:53,750 --> 00:08:55,374 YOUR FRIEND CUPPED MY BUTTOCKS 186 00:08:55,375 --> 00:08:57,541 REACHING FOR A PIECE OF BLUEBERRY BUCKLE. 187 00:08:57,542 --> 00:09:00,207 PROBABLY FIGURED THAT I DIDN'T NOTICE, BUT I DID. 188 00:09:00,208 --> 00:09:02,166 HE CALLS THAT SOUL-POPPING. 189 00:09:02,167 --> 00:09:04,807 WELL, CALL IT WHAT YOU LIKE. I THINK YOU SHOULD KEEP BETTER COMPANY. 190 00:09:04,831 --> 00:09:06,874 I APOLOGIZE ON HIS BEHALF. 191 00:09:06,875 --> 00:09:08,124 WELL, THAT'S SWEET OF YOU, 192 00:09:08,125 --> 00:09:10,645 BUT I THINK A MAN SHOULD TAKE RESPONSIBILITY FOR HIS OWN ACTIONS. 193 00:09:10,669 --> 00:09:12,416 COULDN'T AGREE MORE. 194 00:09:12,417 --> 00:09:14,165 THEN I EXPECT A FORMAL APOLOGY, 195 00:09:14,166 --> 00:09:15,249 SO GO ON. 196 00:09:15,250 --> 00:09:17,165 MARCH YOUR FRIEND DOWN HERE FOR A WHAT'S WHAT. 197 00:09:17,166 --> 00:09:19,374 HE'S ALREADY GONE. WELL, WHERE DID HE GO? 198 00:09:19,375 --> 00:09:21,082 HE GOT A PROMOTION, I GUESS. 199 00:09:21,083 --> 00:09:22,666 HE'S GOING WHEREVER HE'S GOING. 200 00:09:22,667 --> 00:09:25,250 IF IT'S ANY COMFORT AT ALL, YOURS WAS THE LAST TUSH HE'LL GRAB. 201 00:09:27,000 --> 00:09:28,000 WHERE YOU HEADED? 202 00:09:28,001 --> 00:09:29,999 OH, I'M GOING AGAIN. THAT WAS A HOOT. 203 00:09:30,000 --> 00:09:31,416 YOU LIKE FALLING, DO YOU? 204 00:09:31,417 --> 00:09:33,624 WELL, IT'S NOT THE FALLING. IT'S THE JUMPING. 205 00:09:33,625 --> 00:09:36,425 I'D FEEL A WHOLE LOT BETTER ABOUT JUMPING IF IT WEREN'T FOR THE FALLING. 206 00:09:36,449 --> 00:09:38,499 FALLING'S EASY. YOU JUST FALL. 207 00:09:38,500 --> 00:09:40,041 JUMPING REQUIRES STRENGTH OF WILL. 208 00:09:40,042 --> 00:09:41,290 UNLESS YOU'RE ON A PLANK. 209 00:09:41,291 --> 00:09:42,582 THEN IT ISN'T YOUR CHOICE, 210 00:09:42,583 --> 00:09:43,666 BUT IF IT IS, 211 00:09:43,667 --> 00:09:45,027 IT'S THE BEST FEELING IN THE WORLD. 212 00:09:45,667 --> 00:09:47,541 YOU DON'T CARE WHERE YOU LAND? 213 00:09:47,542 --> 00:09:49,262 LANDING'S A LOT LIKE FALLING. YOU JUST LAND. 214 00:09:49,286 --> 00:09:51,582 YOU'RE A FORCE OF NATURE. 215 00:09:51,583 --> 00:09:53,082 YOU SHOULD REALLY TRY THE JUMPING. 216 00:09:53,083 --> 00:09:54,603 IT'S THE GREATEST FEELING IN THE WORLD. 217 00:09:57,125 --> 00:09:58,125 OH, NO. 218 00:09:59,291 --> 00:10:01,666 SHE'S WEARING MY BATHING SUIT. 219 00:10:01,667 --> 00:10:04,749 AND THAT'S HOW BETTY LEARNED 220 00:10:04,750 --> 00:10:08,125 SOMETIMES JUMPING IS YOUR LAST FEELING IN THE WORLD. 221 00:10:09,542 --> 00:10:10,749 I MISS CHUCK. 222 00:10:10,750 --> 00:10:12,541 WHY DO YOU TAKE PEOPLE'S POLAROID'S 223 00:10:12,542 --> 00:10:14,333 RIGHT BEFORE YOU POP THEIR SOULS? 224 00:10:16,042 --> 00:10:17,374 I WAS LOOKING FOR A SIGNATURE. 225 00:10:17,375 --> 00:10:19,575 TRYING TO GET AWAY FROM THE WHOLE CLOAK AND SICKLE THING. 226 00:10:19,599 --> 00:10:21,874 IT'S SO UNFLATTERING. 227 00:10:21,875 --> 00:10:24,208 I'VE GOT A WHOLE SACK OF CONVERTIBLE PEOPLE AT HOME. 228 00:10:24,209 --> 00:10:25,208 A WHOLE SACK OF THEM? 229 00:10:25,209 --> 00:10:27,999 I'VE GOT LOTS OF SACKS. HELPS ME KEEP TRACK. 230 00:10:28,000 --> 00:10:29,124 REALLY? 231 00:10:29,125 --> 00:10:32,208 MM-HMM. A PLACE FOR EVERYONE, AND EVERYONE IN THEIR PLACE. 232 00:10:32,209 --> 00:10:33,999 WHAT SACK ARE YOU IN? OH, I'M A JUMPER. 233 00:10:34,000 --> 00:10:36,208 NO SACK CAN HOLD ME. 234 00:10:37,417 --> 00:10:39,958 OKAY, HAPPY THOUGHTS. 235 00:10:39,959 --> 00:10:42,624 MY FACE GETS SORE IF I SMILE TOO MUCH. 236 00:10:42,625 --> 00:10:43,834 DO IT ANYWAY. 237 00:10:47,084 --> 00:10:48,874 MAYBE BETTY WAS RIGHT. 238 00:10:48,875 --> 00:10:51,374 MAYBE THERE IS A PLACE FOR EVERYTHING. 239 00:10:51,375 --> 00:10:54,250 MAYBE EVERYTHING IS IN ITS PLACE... 240 00:10:55,542 --> 00:10:57,332 BUT WHAT IF YOU'VE SEEN ALL THE PLACES 241 00:10:57,333 --> 00:10:59,874 AND EVERYTHING'S ALREADY IN ITS PLACE... 242 00:10:59,875 --> 00:11:01,999 AND YOU STILL CAN'T SIT STILL? 243 00:11:02,000 --> 00:11:04,249 THIS ONE IS FOR THE LITTLE HARD REUSABLE ONES 244 00:11:04,250 --> 00:11:06,165 THAT LOOKS LIKE A NIPPLE ON A TONGUE-DEPRESSOR, 245 00:11:06,166 --> 00:11:09,040 AND THIS ONE, FREQUENCY-WIPES THOSE ELECTRONIC JOBBIES 246 00:11:09,041 --> 00:11:10,999 THAT THE MANUFACTURERS PUT INSIDE THE PACKAGES. 247 00:11:11,000 --> 00:11:12,249 YOU GOING SHOPPING? 248 00:11:12,250 --> 00:11:13,541 I AM. SHE IS. 249 00:11:13,542 --> 00:11:14,833 WANT ME TO PICK YOU UP ANYTHING? 250 00:11:14,834 --> 00:11:16,290 A SWEATER? MAYBE A V-NECK? 251 00:11:16,291 --> 00:11:19,251 I'M OKAY, BUT IF YOU SEE SOMETHING THAT SCREAMS ME, GO AHEAD AND PICK IT UP. 252 00:11:20,625 --> 00:11:22,165 YOU HEARD ABOUT THE BIG DUST CLOUD? 253 00:11:22,166 --> 00:11:24,041 WHAT DUST CLOUD? 254 00:11:24,042 --> 00:11:25,958 FIVE MILES WIDE. COUPLE OF MILES HIGH. 255 00:11:25,959 --> 00:11:27,833 FLOATING OVER CHINA, 256 00:11:27,834 --> 00:11:29,290 WIPING OUT EVERYTHING IN ITS PATH. 257 00:11:29,291 --> 00:11:30,916 THEY SAY THE DUST IS SO THICK 258 00:11:30,917 --> 00:11:32,357 IT'S BLOCKING OUT THE SUN IN BEIJING. 259 00:11:32,381 --> 00:11:34,082 IT'S TAKING OFF PAINT OFF OF CARS 260 00:11:34,083 --> 00:11:35,458 AND FLESH OFF OF COWS. 261 00:11:40,375 --> 00:11:42,250 FLESH OFF COWS. 262 00:11:44,042 --> 00:11:45,749 THOUSANDS OF LITTLE YELLOW PEOPLE 263 00:11:45,750 --> 00:11:47,250 KEELING OVER IN THE STREETS. 264 00:11:48,000 --> 00:11:49,290 LITTLE YELLOW PEOPLE? 265 00:11:49,291 --> 00:11:51,000 YOU BEEN TALKING TO GARY? 266 00:11:51,708 --> 00:11:52,708 YEAH. 267 00:11:53,875 --> 00:11:56,290 WHAT DID I TELL YOU ABOUT TALKING TO GARY? 268 00:11:56,291 --> 00:11:57,457 HE'S FULL OF SHIT. 269 00:11:57,458 --> 00:11:59,166 NO DUST CLOUD? 270 00:11:59,167 --> 00:12:00,167 NO DEAD YELLOW PEOPLE? 271 00:12:02,125 --> 00:12:03,165 MAYBE NOT. 272 00:12:03,166 --> 00:12:04,791 WELL, THAT'S TOO BAD. 273 00:12:04,792 --> 00:12:07,112 A TRIP TO THE ORIENT WOULD HAVE BEEN NICE THIS TIME OF YEAR. 274 00:12:07,136 --> 00:12:08,083 I LOVE THAT DIM SUM. 275 00:12:08,084 --> 00:12:09,707 I'VE BEEN SHIPPED TO BALI FOUR TIMES. 276 00:12:09,708 --> 00:12:11,457 THREE VOLCANOS, ONE TYPHOON. 277 00:12:11,458 --> 00:12:13,083 INCREDIBLE DEVASTATION, 278 00:12:13,084 --> 00:12:14,958 BUT THE MOST BEAUTIFUL BLACK SAND BEACHES. 279 00:12:14,959 --> 00:12:16,583 DO I EVER GET TO GO ANYWHERE? 280 00:12:18,375 --> 00:12:19,958 MAYBE I'LL TAKE YOU TO PAMPLONA. 281 00:12:19,959 --> 00:12:22,124 WORK THOSE EARLY MORNING BULL RUNS, HUH? 282 00:12:22,125 --> 00:12:24,541 I COULD DO THAT, EXCEPT DO THEY HAVE, LIKE, 283 00:12:24,542 --> 00:12:28,165 LATE MORNING OR EARLY AFTERNOON BULL RUNS? 284 00:12:28,166 --> 00:12:30,874 WE USUALLY TAKE THE SOUL IN THE A.M. 285 00:12:30,875 --> 00:12:33,791 REST OF THE DAY IS SANGRIA AND SUNSHINE. 286 00:12:33,792 --> 00:12:35,999 THE DEAD ARE VERY LAID BACK IN SPAIN. 287 00:12:36,000 --> 00:12:37,290 IT'S A NICE GIG. 288 00:12:37,291 --> 00:12:39,499 DO WE EVER TAKE NON-WORKING VACATIONS? 289 00:12:39,500 --> 00:12:41,500 YOU KNOW, WHERE NO ONE DIES? 290 00:12:44,125 --> 00:12:46,124 EVERYONE THROW IN, EXCEPT YOU. YOU DIDN'T EAT. 291 00:12:46,125 --> 00:12:47,457 HE ATE MY FRUIT, 292 00:12:47,458 --> 00:12:50,250 AND NOT JUST THE CANTALOUPE. THE STRAWBERRIES TOO. 293 00:12:51,042 --> 00:12:52,707 WELL, YOU DID. 294 00:12:52,708 --> 00:12:54,333 ACTUALLY, ABOUT A DOLLAR'S WORTH. 295 00:12:55,542 --> 00:12:57,374 YOU WANT ME TO GIVE YOU A DOLLAR? 296 00:12:57,375 --> 00:13:00,167 THAT'S WHY I SAID YOU ATE A WHOLE DOLLAR'S WORTH. 297 00:13:07,834 --> 00:13:12,041 RUBE, HOW AM I MEANT TO GET ALL THE WAY OUT TO EAST BUMBLEFUCK? 298 00:13:13,375 --> 00:13:14,666 YOU'VE GOT A BUS PASS. USE IT. 299 00:13:14,667 --> 00:13:17,040 WELL, YOU COULD AT LEAST TELL ME THE RIGHT LINE. 300 00:13:17,041 --> 00:13:19,000 GET A SCHEDULE. STITCH IT INTO YOUR COAT. 301 00:13:19,875 --> 00:13:21,624 I COULD USE A RIDE HOME. 302 00:13:21,625 --> 00:13:24,249 YOU'VE GOT TWO GOOD LEGS, PEANUT. USE THEM. 303 00:13:24,250 --> 00:13:25,999 I'LL TAKE YOU, SWEETIE. 304 00:13:26,000 --> 00:13:28,541 RUBE, SHE'S JUST A KID. DO YOU HAVE TO BE SUCH AN ASSHOLE? 305 00:13:28,542 --> 00:13:29,542 COME ON. 306 00:13:35,125 --> 00:13:37,041 [SCRATCHY RECORD PLAYING] 307 00:13:39,291 --> 00:13:41,791 NO, I'VE NEVER HEARD OF IT. I'M SORRY. 308 00:13:41,792 --> 00:13:45,499 RECORDED IN '33 OR '34. 309 00:13:45,500 --> 00:13:47,042 I CAN'T RECALL. 310 00:13:47,792 --> 00:13:50,749 PRACTICALLY A NATIONAL ANTHEM. 311 00:13:50,750 --> 00:13:52,458 OH, NO MORE TEA FOR YOU. 312 00:13:54,042 --> 00:13:56,083 THEN WHY DID YOU POUR ME A CUP? 313 00:13:56,084 --> 00:13:58,332 I DIDN'T. I POURED ME A CUP. WHERE'S YOUR SUGAR? 314 00:13:58,333 --> 00:14:00,291 SUGAR'S IN THE SUGAR BOWL, 315 00:14:02,542 --> 00:14:04,165 AND THAT'S MY CUP. 316 00:14:04,166 --> 00:14:07,499 I'M THE ONLY ONE WHO DRINKS OUT OF THAT CUP. 317 00:14:07,500 --> 00:14:11,332 RINSE IT OUT AND PUT IT BACK WHERE YOU FOUND IT. 318 00:14:11,333 --> 00:14:13,417 WELL, IT'S NOT LIKE YOU CAN USE IT ANYMORE. 319 00:14:14,417 --> 00:14:17,042 I'VE GOT OTHER CUPS FOR GUESTS. 320 00:14:22,208 --> 00:14:27,959 I ALSO SANG WITH LES BROWN AND HIS BAND OF RENOWN. 321 00:14:29,417 --> 00:14:31,375 OH, YOU CAN HAVE THAT CUP. 322 00:14:32,125 --> 00:14:34,166 I HATE THAT CAT. 323 00:14:34,167 --> 00:14:35,999 IF I HAD A CAT LIKE THAT, 324 00:14:36,000 --> 00:14:38,290 I'D SELL IT TO A VIETNAMESE RESTAURANT. 325 00:14:38,291 --> 00:14:39,750 YOU KNOW LES BROWN? 326 00:14:40,083 --> 00:14:41,457 NO. 327 00:14:41,458 --> 00:14:45,749 LES TOLD ME I COULD DO ANYTHING ON THAT STAGE 328 00:14:45,750 --> 00:14:48,707 AS LONG AS I WAS SINGING. 329 00:14:48,708 --> 00:14:50,916 SUCH A KIND HEART, 330 00:14:50,917 --> 00:14:53,457 EXCEPT WHEN HE WAS WORKING WITH RED NICKLES, 331 00:14:53,458 --> 00:14:56,332 BUT THAT'S BECAUSE RED COULD BE A REAL COCKSUCKER, 332 00:14:56,333 --> 00:14:59,749 ESPECIALLY WHEN HE WAS PARADING AROUND WITH HIS ASS IN THE AIR, 333 00:14:59,750 --> 00:15:02,999 LIKE A BABOON PRESENTING. 334 00:15:03,000 --> 00:15:04,834 I NEVER HAD TIME FOR HIM. 335 00:15:05,708 --> 00:15:07,042 ARE THESE VALUABLE? 336 00:15:08,333 --> 00:15:10,042 I PAINTED THOSE. 337 00:15:10,333 --> 00:15:12,040 OH, PITY. 338 00:15:12,041 --> 00:15:16,083 I BURIED THREE DOGS IN THOSE WOODS. 339 00:15:16,084 --> 00:15:18,542 COYOTES DUG UP THE FIRST TWO. 340 00:15:20,792 --> 00:15:22,125 [KNOCK] 341 00:15:24,125 --> 00:15:25,125 HI. 342 00:15:25,458 --> 00:15:26,458 HI. 343 00:15:34,458 --> 00:15:36,999 HOW DO YOU KNOW WHO GOES WHERE? 344 00:15:37,000 --> 00:15:38,290 I LOOK AT THE PICTURE 345 00:15:38,291 --> 00:15:41,000 AND THEN A LIGHT BULB GOES OFF IN MY STOMACH. 346 00:15:42,209 --> 00:15:44,000 GUT REACTION? BINGO. 347 00:15:45,000 --> 00:15:48,040 DO YOU KNOW WHAT PEOPLE ARE IN WHAT SACK? 348 00:15:48,041 --> 00:15:50,791 OF COURSE I DO. I PUT THEM THERE. 349 00:15:50,792 --> 00:15:52,749 GOD. YOU'RE LIKE MY MOTHER. 350 00:15:52,750 --> 00:15:55,332 MILLIE'S OR YOURS? MINE. 351 00:15:55,333 --> 00:15:58,582 OOH, BUT MILLIE HAS A BROTHER. 352 00:15:58,583 --> 00:16:00,541 RACE CAR DRIVER, A JET PILOT... 353 00:16:00,542 --> 00:16:01,958 HE IS. 354 00:16:01,959 --> 00:16:04,541 HE ALMOST WON THE INDY 500. 355 00:16:04,542 --> 00:16:05,791 OOH. 356 00:16:05,792 --> 00:16:07,666 DO YOU HAVE ANY BROTHERS OR SISTERS? 357 00:16:07,667 --> 00:16:09,666 UH-UH. JUST COUSINS. 358 00:16:09,667 --> 00:16:11,332 WHAT ABOUT YOUR OTHER IDENTITIES, 359 00:16:11,333 --> 00:16:13,332 OR WHATEVER YOU CALL IT? 360 00:16:13,333 --> 00:16:14,792 LIKE THERESA? 361 00:16:16,084 --> 00:16:18,624 THERESA AND SANDY. 362 00:16:18,625 --> 00:16:20,624 ALL MY ALTER EGOS WERE ONLY CHILDREN. 363 00:16:20,625 --> 00:16:22,375 IT'S JUST EASIER TO REMEMBER THAT WAY. 364 00:16:23,041 --> 00:16:24,457 YOU WERE A SANDY? 365 00:16:24,458 --> 00:16:26,791 I LOVED BEING SANDY. SHE WAS A PISTOL. 366 00:16:26,792 --> 00:16:29,416 HOW MANY GIRLS HAVE YOU BEEN? 367 00:16:29,417 --> 00:16:31,083 THREE. NO, FOUR. 368 00:16:31,084 --> 00:16:33,999 MAXINE, CANDACE, SANDY, AND THERESA. 369 00:16:34,000 --> 00:16:36,582 EVERY FEW DECADES, YOU'VE GOT TO SHAKE THINGS UP A BIT 370 00:16:36,583 --> 00:16:38,791 OR FOLKS WILL GET SUSPICIOUS. 371 00:16:38,792 --> 00:16:40,872 COME ON, DON'T YOU EVER WANT TO JUST SHAKE THINGS UP? 372 00:16:40,896 --> 00:16:43,999 I FEEL PRETTY SHAKEN UP MOST OF THE TIME ANYWAY. 373 00:16:44,000 --> 00:16:45,208 AW. 374 00:16:45,209 --> 00:16:47,165 LISTEN, DO YOU WANT ME TO CALL ANYBODY, OR... 375 00:16:47,166 --> 00:16:48,624 AND SAY WHAT? 376 00:16:48,625 --> 00:16:50,457 I COULD REPORT A STRANGE SMELL. 377 00:16:50,458 --> 00:16:55,332 IF ANYONE CARED WHETHER OR NOT I WAS ALIVE, THEY'D COME LOOK. 378 00:16:55,333 --> 00:16:58,667 I DON'T FEEL THE NEED TO MAKE IT EASY FOR THEM. 379 00:16:59,417 --> 00:17:01,707 GOOD. THEN NEITHER DO I. 380 00:17:01,708 --> 00:17:07,791 WHAT YOU COULD DO IS LEAVE THE BACK DOOR OPEN AND LET THE COYOTES EAT ME. 381 00:17:07,792 --> 00:17:10,166 THAT'D MAKE THEM THINK. 382 00:17:10,167 --> 00:17:11,999 I'D FEEL LIKE SHIT IF COYOTES ATE MY MOM. 383 00:17:12,000 --> 00:17:15,125 DAMN RIGHT YOU WOULD, BECAUSE YOU'RE A GOOD BOY. 384 00:17:18,041 --> 00:17:19,291 OH, MY GOD. 385 00:17:21,625 --> 00:17:24,249 MY GOD, MY DAD USED TO LISTEN TO LOUIS PRIMA. 386 00:17:24,250 --> 00:17:26,249 I WORKED WITH LOUIS. 387 00:17:26,250 --> 00:17:30,749 IT WAS AT FRANK DELANEY'S TERRACE ROOM. 388 00:17:30,750 --> 00:17:33,124 THAT'S IN NEWARK. YOU EVER BEEN TO NEWARK? 389 00:17:33,125 --> 00:17:34,332 NO, CAN'T SAY I HAVE. 390 00:17:34,333 --> 00:17:35,958 IT'S A TOILET, 391 00:17:35,959 --> 00:17:37,541 BUT LOUIS 392 00:17:37,542 --> 00:17:39,583 HAD SUCH A DISTINCTIVE VOICE. 393 00:17:40,375 --> 00:17:41,833 IT WOULD RUB YOU ALL WRONG, 394 00:17:41,834 --> 00:17:43,500 AND IT WOULD RUB YOU ALL RIGHT. 395 00:17:44,041 --> 00:17:46,082 HE WAS SOMETHING ELSE. 396 00:17:46,083 --> 00:17:47,666 IS THIS COLLECTIBLE? 397 00:17:47,667 --> 00:17:50,374 I WAS RAISED ON THAT WASHING POWDER. 398 00:17:50,375 --> 00:17:53,040 THOSE ARE THE GOLD DUST TWINS. 399 00:17:53,041 --> 00:17:55,667 AREN'T THEY JUST THE CUTEST LITTLE JIGABOOS? 400 00:17:57,917 --> 00:17:59,208 WEREN'T YOU QUITE THE RACIST. 401 00:17:59,209 --> 00:18:03,165 I EVEN NAMED A COUPLE DOGS AFTER THEM. 402 00:18:03,166 --> 00:18:05,750 THEY'RE THE ONES THE COYOTES DUG UP. 403 00:18:07,167 --> 00:18:08,875 YOU GOT LOTS OF MONEY ANYWHERE? 404 00:18:12,500 --> 00:18:13,542 SIT DOWN. 405 00:18:14,125 --> 00:18:15,125 OKAY. 406 00:18:18,500 --> 00:18:20,000 CLOSE YOUR EYES. 407 00:18:20,625 --> 00:18:21,750 ALL RIGHT. 408 00:18:30,750 --> 00:18:32,792 WHAT PEOPLE, WHAT SACK? 409 00:18:35,667 --> 00:18:36,749 HMM. 410 00:18:36,750 --> 00:18:39,749 REITERATOR PEOPLE. NORDSTROM BAG. 411 00:18:39,750 --> 00:18:42,208 THEY'RE INAUTHENTIC. THEY HAVE NO IDEA WHO THEY ARE. 412 00:18:42,209 --> 00:18:44,049 THEY STEAL PEOPLE'S PERSONALITIES AND THOUGHTS, 413 00:18:44,050 --> 00:18:45,424 CONVINCED THAT THEY SAID IT FIRST, 414 00:18:45,425 --> 00:18:49,082 AND ALMOST ALL OF THEM HAVE REALLY GREASY HAIR. 415 00:18:49,083 --> 00:18:51,666 WHY CAN'T PEOPLE BE MORE DIFFERENT? 416 00:18:51,667 --> 00:18:54,624 WELL, THERE'S A FINITE NUMBER OF PERSONALITIES IN THE WORLD, 417 00:18:54,625 --> 00:18:57,040 AND I HAVE MET THEM ALL. 418 00:18:57,041 --> 00:18:59,249 WHY DID YOU BRING ALL THESE SACKS OVER HERE? 419 00:18:59,250 --> 00:19:00,458 TO ILLUSTRATE MY POINT. 420 00:19:01,542 --> 00:19:02,791 WHICH IS WHAT? 421 00:19:02,792 --> 00:19:06,084 PEOPLE ARE NOT SNOWFLAKES... 422 00:19:07,625 --> 00:19:10,332 AND I NEEDED TO CLEAR OUT SOME ROOM IN MY CLOSET. 423 00:19:10,333 --> 00:19:12,041 YOU DON'T MIND, DO YOU? 424 00:19:12,042 --> 00:19:13,791 I'D LIKE TO THINK BETTY WAS WRONG... 425 00:19:13,792 --> 00:19:18,332 PEOPLE COULDN'T BE CLUMPED TOGETHER IN SACKS AND SHOEBOXES... 426 00:19:18,333 --> 00:19:20,791 BUT AFTER SPENDING TIME AT WORK, 427 00:19:20,792 --> 00:19:22,499 I STARTED TO THINK MAYBE THEY COULD. 428 00:19:22,500 --> 00:19:25,959 MAYBE PEOPLE REALLY WEREN'T THAT DIFFERENT FROM ONE ANOTHER. 429 00:19:26,375 --> 00:19:27,958 HI, MILLIE. 430 00:19:27,959 --> 00:19:30,040 WORKING HARD OR HARDLY WORKING? 431 00:19:30,041 --> 00:19:36,208 SACKS AND SHOEBOXES MIGHT NOT BE SUCH A BAD IDEA. 432 00:19:36,209 --> 00:19:37,749 FOR EVERY THING YOU LOVE OR HATE, 433 00:19:37,750 --> 00:19:40,249 THERE ARE HUNDREDS AND THOUSANDS OF OTHER PEOPLE 434 00:19:40,250 --> 00:19:42,165 WHO LOVE OR HATE THE SAME THING. 435 00:19:42,166 --> 00:19:45,165 I'M A CAT PERSON, MILLIE. 436 00:19:45,166 --> 00:19:47,125 LET ME SHOW YOU A PICTURE OF MURRAY. 437 00:19:50,834 --> 00:19:54,375 HE'S 15 YEARS OLD. HIS BLADDER'S GOING. 438 00:19:54,959 --> 00:19:56,083 POOR THING 439 00:19:56,084 --> 00:19:59,374 PISSED ON THE DRAPES YESTERDAY. 440 00:19:59,375 --> 00:20:00,792 I JUST LOVE HIM. 441 00:20:02,542 --> 00:20:04,000 MEOW, MEOW. 442 00:20:07,000 --> 00:20:10,124 THAT'S WHY GOD MADE SUPPORT GROUPS, 443 00:20:10,125 --> 00:20:12,707 BUT THERE'S NO SUPPORT GROUP FOR EVERYTHING. 444 00:20:12,708 --> 00:20:15,207 I JUST HATE HER. WHAT A BITCH. 445 00:20:15,208 --> 00:20:17,124 WHO THE HELL DOES SHE THINK SHE IS? 446 00:20:17,125 --> 00:20:19,208 IT'S HARD ENOUGH FOR ME WITHOUT SOMEBODY RIDING MY ASS 447 00:20:19,209 --> 00:20:21,165 EVERY GODDAMN SECOND OF EVERY GODDAMN MINUTE 448 00:20:21,166 --> 00:20:22,291 OF EVERY GODDAMN DAY. 449 00:20:24,333 --> 00:20:27,500 NO CURE, NO QUICK FIX. 450 00:20:29,041 --> 00:20:33,666 ONE WAY OR ANOTHER, YOU FIND YOUR SACK, CRAWL INSIDE... 451 00:20:33,667 --> 00:20:35,749 AMBER JUST GOT BACK FROM GETTING HER WAX. 452 00:20:35,750 --> 00:20:38,166 FIVE BUCKS SAYS SHE'LL BE SHOWING RAOUL IN THE MAILROOM 453 00:20:38,167 --> 00:20:39,041 BEFORE THE END OF BUSINESS. 454 00:20:39,042 --> 00:20:41,332 AND MAKE THE MOST OF IT. 455 00:20:41,333 --> 00:20:42,958 YOU'RE ON. 456 00:20:42,959 --> 00:20:45,124 YOU'RE PUSHING TOO HARD. 457 00:20:45,125 --> 00:20:47,792 JUST THE ONE STROKE ON THE "F." 458 00:20:48,917 --> 00:20:51,374 YOU LIFTED THE GODDAMN PEN, 459 00:20:51,375 --> 00:20:53,749 AND THAT "N," IT LOOKS LIKE AN "M." 460 00:20:53,750 --> 00:20:57,416 I MEAN, THERE'S NO "M" IN "FLORENCE." 461 00:20:57,417 --> 00:20:59,999 NO WONDER YOUR CHILDREN DON'T COME AND VISIT YOU. 462 00:21:00,000 --> 00:21:03,583 YOU WANT MY SOCIAL SECURITY CHECKS OR NOT? 463 00:21:09,250 --> 00:21:11,542 WHY IS IT TAKING SO LONG? 464 00:21:13,000 --> 00:21:14,124 I DON'T KNOW. 465 00:21:14,125 --> 00:21:17,125 MAYBE THERE'S A FEW SYNAPSES IN THERE STILL FIRING. 466 00:21:17,875 --> 00:21:19,000 AM I COLD? 467 00:21:20,458 --> 00:21:22,041 GO CHECK AND SEE IF I'M COLD. 468 00:21:30,291 --> 00:21:31,500 NO, YOU'RE NOT REALLY COLD. 469 00:21:32,667 --> 00:21:34,374 YOU'RE NOT WARM EITHER. 470 00:21:34,375 --> 00:21:36,500 KIND OF LIKE A ROOM TEMPERATURE. LIKE A SOFT BRIE. 471 00:21:38,167 --> 00:21:40,208 HEY. 472 00:21:40,209 --> 00:21:41,875 YOU'LL KNOW WHEN IT HAPPENS. 473 00:21:43,250 --> 00:21:45,249 IT GETS BRIGHT, YOU SEE SOMETHING NICE... 474 00:21:45,250 --> 00:21:48,125 WHAT DO YOU MEAN, "SOMETHING NICE"? 475 00:21:50,500 --> 00:21:53,416 WELL, YOU SEE SOMETHING NICE 476 00:21:53,417 --> 00:21:55,041 THAT YOU WANT TO SEE. 477 00:21:55,042 --> 00:21:57,917 IT'S ALL ABOUT YOU AND WHAT YOU WANT. 478 00:21:59,083 --> 00:22:01,290 WHAT DID YOU SEE WHEN YOU DIED? 479 00:22:01,291 --> 00:22:04,666 WELL, I'M NOT OFFICIALLY DEAD. I DIDN'T CROSS OVER, 480 00:22:04,667 --> 00:22:06,875 SO I DIDN'T GET A BIG LIGHT SHOW, YOU KNOW. 481 00:22:08,375 --> 00:22:12,374 IT DOESN'T MEAN I DON'T HAVE TO WATCH EVERYBODY ELSE'S, 482 00:22:12,375 --> 00:22:14,291 AND THEY'RE NOT ALWAYS PRETTY. BELIEVE ME. 483 00:22:15,250 --> 00:22:16,999 ONE BLOKE 484 00:22:17,000 --> 00:22:20,124 CLIMBED RIGHT BACK INSIDE HIS MOTHER BEFORE MY VERY EYES. 485 00:22:20,125 --> 00:22:22,332 JESUS CHRIST, FELLA. 486 00:22:22,333 --> 00:22:23,792 CUT THE CORD. 487 00:22:25,000 --> 00:22:26,166 JESUS... 488 00:22:28,208 --> 00:22:33,209 AS MASON WAS MAKING FRIENDS, I WAS FENDING OFF CO-WORKERS. 489 00:22:34,875 --> 00:22:36,416 HI. 490 00:22:36,417 --> 00:22:39,332 MICHAEL AND I WERE THINKING OF DRIVING TO THE OUTLETS AT LUNCH. 491 00:22:39,333 --> 00:22:42,124 I HEAR THERE'S A STATIONERY STORE YOU HAVE TO SEE TO BELIEVE. 492 00:22:42,125 --> 00:22:43,874 OH, THAT SOUNDS LIKE FUN. 493 00:22:43,875 --> 00:22:45,374 YOU'RE WELCOME TO COME WITH. 494 00:22:45,375 --> 00:22:47,416 OH, I WOULD, BUT... 495 00:22:47,417 --> 00:22:49,874 BUT I'M ONE MONTH SOBER TODAY, 496 00:22:49,875 --> 00:22:51,582 SO MY SPONSOR'S TAKING ME TO THE PARK 497 00:22:51,583 --> 00:22:54,166 TO FLY KITES. 498 00:22:54,167 --> 00:22:55,708 OH. 499 00:22:58,167 --> 00:22:59,457 I USED TO HAVE A KITE... 500 00:22:59,458 --> 00:23:01,874 SHAPED LIKE A DRAGON. 501 00:23:01,875 --> 00:23:05,208 I'LL MEET YOU IN FRONT OF THE ELEVATORS ON P-2. 502 00:23:11,792 --> 00:23:13,209 I AM... 503 00:23:15,041 --> 00:23:17,958 SO PROUD OF YOU. 504 00:23:17,959 --> 00:23:20,791 I LOOK AT YOU, 505 00:23:20,792 --> 00:23:24,166 AND MY HEART SWELLS WITH SUCH... 506 00:23:25,083 --> 00:23:26,250 PRIDE. 507 00:23:31,917 --> 00:23:33,624 I KNOW I ACT LIKE I HAVE IT ALL TOGETHER, 508 00:23:33,625 --> 00:23:36,750 BUT I AM NO STRANGER TO ADVERSITY. 509 00:23:39,125 --> 00:23:42,208 I WENT THROUGH A ROUGH PATCH WHEN I WAS YOUR AGE. 510 00:23:42,209 --> 00:23:46,084 IT WAS THE '80s, AND EVERYONE WAS DOING SO MUCH COCAINE. 511 00:23:46,625 --> 00:23:49,083 WE CALLED IT "BLOW." 512 00:23:49,084 --> 00:23:51,374 I PRAYED FOR SOMETHING, ANYTHING, 513 00:23:51,375 --> 00:23:53,874 TO PREVENT MORE WORDS COMING OUT OF DELORES' MOUTH. 514 00:23:53,875 --> 00:23:55,083 MAY I HELP YOU? 515 00:23:55,917 --> 00:23:57,083 READY TO GO? 516 00:23:57,084 --> 00:23:58,207 ANYTHING BUT THIS. 517 00:23:58,208 --> 00:23:59,959 YOU'RE SUPPOSED TO WAIT DOWNSTAIRS. 518 00:24:00,708 --> 00:24:01,916 HI. 519 00:24:01,917 --> 00:24:05,290 I'M DELORES HERBIG, AS IN "HER BIG, BROWN EYES." 520 00:24:05,291 --> 00:24:06,999 HI. NICE TO MEET YOU, 521 00:24:07,000 --> 00:24:08,207 AND YOUR BIG, BROWN EYES. 522 00:24:08,208 --> 00:24:09,958 ARE YOU MILLIE'S SPONSOR? 523 00:24:09,959 --> 00:24:13,499 YES. IN FACT, WE'RE ON OUR WAY TO THE PARK RIGHT NOW TO FLY KITES. 524 00:24:13,500 --> 00:24:14,667 YOU SAID THAT. 525 00:24:15,542 --> 00:24:17,166 HEY, THESE COMMUNAL? 526 00:24:17,167 --> 00:24:20,082 THINK OF THEM AS A WELL-DESERVED REWARD. 527 00:24:20,083 --> 00:24:23,582 IT'S A WONDERFUL THING TO BE A SHEPHERD TO A YOUNG PERSON. 528 00:24:23,583 --> 00:24:28,082 I MYSELF AM VERY HAPPY TO BE MILLIE'S SHEPHERD FROM 9:00 TO 5:00. 529 00:24:28,083 --> 00:24:29,874 HOW'S MILLIE WORKING OUT FOR YOU? 530 00:24:29,875 --> 00:24:30,999 WONDERFUL. 531 00:24:31,000 --> 00:24:33,290 SHE'S A VERY INDUSTRIOUS YOUNG WOMAN. 532 00:24:33,291 --> 00:24:35,040 REALLY? ABSOLUTELY. 533 00:24:35,041 --> 00:24:37,041 DOESN'T GIVE YOU ANY LIP? DOES WHAT SHE'S TOLD? 534 00:24:37,042 --> 00:24:40,541 OR DO YOU GOT TO GIVE HER AN OCCASIONAL TIME-OUT? 535 00:24:40,542 --> 00:24:43,124 SHE'S AN ANGEL. THIS MILLIE RIGHT HERE? 536 00:24:43,125 --> 00:24:45,207 SHE SAID I'M AN ANGEL. DROP IT. 537 00:24:45,208 --> 00:24:46,250 THAT'S GREAT. 538 00:24:47,750 --> 00:24:49,209 CAN WE GO NOW? 539 00:24:51,667 --> 00:24:53,208 DO NOT TOUCH YOUR HAIR. 540 00:24:53,209 --> 00:24:55,165 PROMISE ME THAT YOU WON'T TOUCH YOUR HAIR. 541 00:24:55,166 --> 00:24:56,999 SAY, "I PROMISE THAT I WILL NOT TOUCH MY HAIR." 542 00:24:57,000 --> 00:24:58,416 SAY IT. 543 00:24:58,417 --> 00:25:00,833 I PROMISE. LET'S GO. 544 00:25:00,834 --> 00:25:02,000 BYE. BYE. 545 00:25:16,667 --> 00:25:20,208 TODAY'S THE DAY M.J. BOWERS IS GOING TO DIE, 546 00:25:20,209 --> 00:25:24,207 AND IF YOU'RE IN THE MARKET FOR A BOWERS SOUL, THIS WAS THE PLACE TO BE. 547 00:25:24,208 --> 00:25:26,707 NICE DAY FOR A REUNION, HUH? 548 00:25:26,708 --> 00:25:29,791 WE HAD TO DO IT TODAY, COME RAIN OR SHINE. 549 00:25:29,792 --> 00:25:31,209 BOWERS COMING IN FROM ALL OVER. 550 00:25:31,750 --> 00:25:32,999 IS THAT A FACT? 551 00:25:33,000 --> 00:25:35,374 EVEN HAD A BOWERS COME ALL THE WAY FROM MIAMI. 552 00:25:35,375 --> 00:25:38,416 YEAH, WELL, YOU SHOULD HAVE HELD IT THERE. 553 00:25:38,417 --> 00:25:42,084 YOU'RE NOT A BOWERS, ARE YOU? JUST BY MARRIAGE. 554 00:25:44,041 --> 00:25:45,374 THIS SUCKS. 555 00:25:45,375 --> 00:25:47,041 AT LEAST YOU'RE NOT BY YOURSELF. 556 00:25:47,042 --> 00:25:50,290 I HAD TO WORK THE MACY'S THANKSGIVING PARADE ALL ALONE ONE YEAR. 557 00:25:50,291 --> 00:25:52,500 THERE WAS THIS TRAVESTY WITH A ROGUE MARMADUKE BALLOON. 558 00:25:53,083 --> 00:25:54,624 OKAY. 559 00:25:54,625 --> 00:25:55,999 LET'S WORK THE CROWD. 560 00:25:56,000 --> 00:25:59,125 LOOK FOR HIGH-RISK FACTORS, AND JUST TRY NOT TO ALARM ANYBODY. 561 00:25:59,708 --> 00:26:01,833 OKAY. 562 00:26:01,834 --> 00:26:05,125 BETTY ALWAYS SEEMS TO GO A DIFFERENT WAY THAN EVERYONE ELSE. 563 00:26:07,042 --> 00:26:10,083 IT WAS MYSTERIOUS AND REASSURING. 564 00:26:10,084 --> 00:26:13,207 I WONDER IF SHE HAD A SACK FOR "MYSTERIOUS AND REASSURING." 565 00:26:13,208 --> 00:26:15,624 IF SHE DID, I'D PUT HER PICTURE IN IT. 566 00:26:15,625 --> 00:26:19,374 AGE AND WISDOM HAD NO IMPACT ON HER. 567 00:26:19,375 --> 00:26:23,084 JUST THAT STRANGE LIGHT BULB THAT LIVED IN HER STOMACH. 568 00:26:24,792 --> 00:26:27,032 KNOWING THAT MADE MY AFTERLIFE A LITTLE MORE COMFORTABLE. 569 00:26:27,917 --> 00:26:29,499 EXCUSE ME. SORRY. 570 00:26:29,500 --> 00:26:31,582 M.J.? M.J.? 571 00:26:31,583 --> 00:26:32,749 M.J.? 572 00:26:32,750 --> 00:26:34,792 ANY OF YOU FOLKS M.J. BOWERS? 573 00:26:40,000 --> 00:26:41,583 M.J., BUDDY? 574 00:26:43,625 --> 00:26:44,958 SHE'S A PIT BULL, RIGHT? 575 00:26:44,959 --> 00:26:46,079 I HEAR THEY'RE REAL UNSTABLE. 576 00:26:46,103 --> 00:26:48,749 THEY GO NUTS AND KILL PEOPLE ALL THE TIME. 577 00:26:48,750 --> 00:26:50,390 HAS YOUR DOG EVER DONE ANYTHING LIKE THAT? 578 00:26:52,917 --> 00:26:55,707 IS YOUR NAME M.J.? WHAT? 579 00:26:55,708 --> 00:26:57,582 MY FRIEND TELLS ME, "GO SAY HELLO TO M.J. 580 00:26:57,583 --> 00:26:59,463 HE'S STANDING OVER THERE," AND SHE POINTS AT YOU. 581 00:26:59,487 --> 00:27:00,290 WHICH FRIEND? 582 00:27:00,291 --> 00:27:01,374 RIGHT THERE. 583 00:27:01,375 --> 00:27:03,207 THE PRETTY GIRL IN THE PANTSUIT. 584 00:27:03,208 --> 00:27:04,666 THAT ONE? YEAH. 585 00:27:04,667 --> 00:27:07,124 I DON'T KNOW HER. WHY'D SHE POINT AT ME FOR? 586 00:27:07,125 --> 00:27:09,166 SHE THOUGHT YOU WERE M.J. BOWERS. ARE YOU? 587 00:27:09,167 --> 00:27:10,166 WHO WANTS TO KNOW? 588 00:27:10,167 --> 00:27:11,999 IT'S A FAMILY REUNION. WE'RE ALL FAMILY. 589 00:27:12,000 --> 00:27:13,374 I'M JUST ASKING YOUR NAME. 590 00:27:13,375 --> 00:27:15,166 I DON'T KNOW YOU, SIR. 591 00:27:15,167 --> 00:27:17,165 RUBE. HI, HOW ARE YOU? 592 00:27:17,166 --> 00:27:18,566 LISTEN, I'M TIRED OF FUCKING AROUND. 593 00:27:18,590 --> 00:27:20,132 IS YOUR NAME M.J. BOWERS OR NOT? 594 00:27:21,625 --> 00:27:22,958 I'M STUCK! 595 00:27:22,959 --> 00:27:24,290 [BANGING] 596 00:27:24,291 --> 00:27:25,458 GET ME OUT OF THIS SLIDE! 597 00:27:26,417 --> 00:27:27,499 [WHISTLE] 598 00:27:27,500 --> 00:27:29,166 GEORGE. 599 00:27:29,167 --> 00:27:32,040 M.J. YOU REMEMBER M.J. 600 00:27:32,041 --> 00:27:34,582 HEY, THAT'S NOT M.J. I'VE GOT M.J. 601 00:27:34,583 --> 00:27:36,999 THERE'S A FAT KID NAMED MARVIN JAMES STUCK IN THE TUBE SLIDE. 602 00:27:37,000 --> 00:27:39,666 ALL THE OTHER CHILDREN KEEP PILING IN ON TOP OF HIM. 603 00:27:39,667 --> 00:27:41,307 THEY'RE PACKED IN THERE LIKE SAUSAGE MEAT. 604 00:27:41,331 --> 00:27:43,166 COME ON. 605 00:27:43,167 --> 00:27:47,749 THERE'S A SUBTLE DISTINCTION BETWEEN "AN" M.J. BOWERS AND "THE" M.J. BOWERS. 606 00:27:47,750 --> 00:27:49,791 COMFORTABLE AND SAFE? 607 00:27:49,792 --> 00:27:52,167 OR MYSTERIOUS AND REASSURING? 608 00:27:54,792 --> 00:27:57,250 IT DIDN'T MATTER EITHER WAY, BECAUSE TIME WAS UP. 609 00:28:02,458 --> 00:28:03,500 HAPPY THOUGHTS. 610 00:28:05,458 --> 00:28:07,165 [HORN HONKS, BRAKES SCREECH] 611 00:28:07,166 --> 00:28:09,290 SLOW DOWN! 612 00:28:09,291 --> 00:28:11,208 THIS IS A FUN ZONE, YOU STUPID SON OF A BITCH! 613 00:28:15,417 --> 00:28:17,249 I DIDN'T SEE THAT ONE COMING. 614 00:28:17,250 --> 00:28:19,916 THEN AGAIN, NEITHER DID HE. 615 00:28:19,917 --> 00:28:24,582 EITHER WAY, M.J. BOWERS ENDED UP IN A SACK, 616 00:28:24,583 --> 00:28:26,624 BUT BETTY HAD A WAY WITH THE DEAD, 617 00:28:26,625 --> 00:28:29,041 A DEAD-SIDE MANNER, I GUESS. 618 00:28:29,042 --> 00:28:31,374 THE GLASS DOESN'T HAVE TO BE HALF EMPTY. 619 00:28:31,375 --> 00:28:34,958 YOU KNOW HOW MUCH RECONSTRUCTIVE SURGERY YOU'D HAVE IF YOU SURVIVED? 620 00:28:34,959 --> 00:28:37,374 LOTS. LOTS AND LOTS. 621 00:28:37,375 --> 00:28:40,249 I MEAN, SURE, IT WOULD BE WORTH IT IF YOU'RE STILL ALIVE, 622 00:28:40,250 --> 00:28:43,583 BUT SINCE YOU'RE NOT, IT'S JUST ONE LESS THING THAT YOU NEED TO WORRY ABOUT. 623 00:28:45,083 --> 00:28:46,443 AREN'T YOU GUYS SUPPOSED TO HELP ME 624 00:28:46,467 --> 00:28:48,040 SEND A MESSAGE TO MY LOVED ONES? 625 00:28:48,041 --> 00:28:50,000 I DON'T SEE DELLA REESE SITTING AT THIS TABLE. 626 00:28:51,834 --> 00:28:53,165 LOOK, 627 00:28:53,166 --> 00:28:55,290 YOU SEEM LIKE A VERY NICE MAN, 628 00:28:55,291 --> 00:28:57,040 BUT YOU CAN'T BE EXPECTING US 629 00:28:57,041 --> 00:29:00,040 TO DROP A CARD IN THE MAIL EVERY TIME SOMEBODY DIES. 630 00:29:00,041 --> 00:29:01,249 WHY NOT? 631 00:29:01,250 --> 00:29:03,291 POSTAGE. IT ADDS UP. 632 00:29:04,041 --> 00:29:05,041 THIS WAS MY LIFE. 633 00:29:05,042 --> 00:29:09,083 HEY, WE DON'T GET PAID. THIS IS A PUBLIC SERVICE. 634 00:29:09,084 --> 00:29:10,041 REALLY? 635 00:29:10,042 --> 00:29:12,416 YEAH, THAT'S STUPID, HUH? WE SHOULD GET PAID. 636 00:29:12,417 --> 00:29:14,124 AT LEAST MINIMUM WAGE. 637 00:29:14,125 --> 00:29:16,083 LOOK WHO'S NORMA RAE. 638 00:29:16,084 --> 00:29:17,644 MY SISTER LIVES RIGHT AROUND THE CORNER. 639 00:29:17,668 --> 00:29:19,582 WRITE SOMETHING ON A NAPKIN. 640 00:29:19,583 --> 00:29:22,041 YOU DON'T WANT TO TAP DANCE ON HER HEAD LIKE THAT. 641 00:29:22,042 --> 00:29:24,282 PEOPLE CAN'T BE GETTING NOTES FROM THEIR DEARLY DEPARTED. 642 00:29:24,306 --> 00:29:25,749 YOU WANT YOUR SISTER TO GO INSANE? 643 00:29:25,750 --> 00:29:27,000 THIS GOES DOUBLE FOR YOU. 644 00:29:28,250 --> 00:29:30,249 TELL HER IT'S A NOTE FROM JESUS, 645 00:29:30,250 --> 00:29:32,999 AND JESUS SAYS I'M OKAY. 646 00:29:33,000 --> 00:29:35,874 FINE. JESUS WILL LEAVE A NOTE. 647 00:29:35,875 --> 00:29:37,332 IF HE CAN WALK ON WATER, 648 00:29:37,333 --> 00:29:40,249 I GUESS HE CAN WRITE A NOTE, TOO. 649 00:29:40,250 --> 00:29:44,124 THE CURTAIN WAS COMING DOWN ALL OVER TOWN, 650 00:29:44,125 --> 00:29:46,250 AND A DIRGE WOULD PLAY. 651 00:30:06,291 --> 00:30:09,041 IF THIS IS MURRAY THE DEAD CAT, I'M SO OUT OF HERE. 652 00:30:11,000 --> 00:30:13,124 PAYDAY... 653 00:30:13,125 --> 00:30:14,416 AND... 654 00:30:14,417 --> 00:30:18,249 TO CELEBRATE YOUR VERY FIRST HAPPY TIME PAYCHECK... 655 00:30:18,250 --> 00:30:20,750 PAYDAY. GET IT? 656 00:30:21,792 --> 00:30:24,041 ALLOW ME TO PASS ON A HELPFUL HINT. 657 00:30:24,042 --> 00:30:28,040 THAT PAYDAY LABEL MAKES A GREAT TITLE PAGE FOR YOUR WORK SCRAPBOOK. 658 00:30:28,041 --> 00:30:29,290 I'LL KEEP THAT IN MIND. 659 00:30:29,291 --> 00:30:31,083 WHERE'S THE WINDFALL GOING? 660 00:30:31,084 --> 00:30:35,041 SOME NEW SLINGBACKS? A BLAZER FOR WORK? 661 00:30:35,042 --> 00:30:38,958 THIS IS USUALLY WHERE I START COUNTING DELORES' EYEBROW HAIRS, 662 00:30:38,959 --> 00:30:40,166 BUT THEN... 663 00:30:40,167 --> 00:30:41,999 I WAS THINKING ABOUT BUYING AN TERRARIUM. 664 00:30:42,000 --> 00:30:44,165 I HAVE A FROG, AND HE HAS NO PLACE TO LIVE. 665 00:30:44,166 --> 00:30:45,999 I STARTED TALKING TO HER, 666 00:30:46,000 --> 00:30:48,083 AND I WASN'T JUST BULLSHITTING, EITHER. 667 00:30:48,084 --> 00:30:49,999 I KIND OF DIDN'T WANT HER TO LEAVE. 668 00:30:50,000 --> 00:30:53,916 I LIKE TO SOCK AWAY 10% OF EVERY PAYCHECK. 669 00:30:53,917 --> 00:30:56,707 PUT THE MONEY SOMEPLACE WHIMSICAL. 670 00:30:56,708 --> 00:30:59,833 A BRIGHTLY COLORED CIGAR BOX IS WHAT WORKS FOR ME. 671 00:30:59,834 --> 00:31:01,290 I CALL IT MY "FUN FUND". 672 00:31:01,291 --> 00:31:03,207 FUN FUND? 673 00:31:03,208 --> 00:31:05,166 I GO HOG WILD EVERY ONCE IN A WHILE. 674 00:31:05,167 --> 00:31:07,749 BUY SOMETHING COMPLETELY FRIVOLOUS, JUST FOR ME. 675 00:31:07,750 --> 00:31:09,417 IT USED TO BE THE... 676 00:31:10,084 --> 00:31:11,666 BLOW. 677 00:31:11,667 --> 00:31:14,582 LAST MONTH, I BOUGHT MYSELF THE MOST ADORABLE ASHTRAY, 678 00:31:14,583 --> 00:31:16,084 AND I DON'T EVEN SMOKE. 679 00:31:17,875 --> 00:31:19,042 HOW'S YOUR CAT? 680 00:31:20,250 --> 00:31:22,041 HOW'S MURRAY? 681 00:31:22,042 --> 00:31:26,291 OH, THANK YOU FOR ASKING. HIS BLADDER'S NOT GOOD. 682 00:31:31,875 --> 00:31:33,958 I CASHED IN MY FIRST PAYCHECK TODAY. 683 00:31:33,959 --> 00:31:36,290 BOUGHT A TERRARIUM FOR MY FROG. 684 00:31:36,291 --> 00:31:37,666 WHEN DID YOU GET A FROG? 685 00:31:37,667 --> 00:31:39,749 I THINK HE FOLLOWED ME HOME FROM THE TRAIN WRECK. 686 00:31:39,750 --> 00:31:42,040 THAT'S A LOT OF JUMPING. I MEAN, I LIKE JUMPING, BUT... 687 00:31:42,041 --> 00:31:43,916 MAYBE YOU'RE A FROG-PEOPLE. 688 00:31:43,917 --> 00:31:45,791 MAYBE. 689 00:31:45,792 --> 00:31:48,707 OR MAYBE I JUST CAN'T SIT STILL FOR TOO LONG. 690 00:31:48,708 --> 00:31:52,083 I RETROSPECT, THAT'S THE MOMENT SHE DECIDED TO DO IT. 691 00:31:56,167 --> 00:31:58,083 ON THE BAR WITH YOU! 692 00:32:02,333 --> 00:32:05,249 I WOULD LIKE TO THANK YOU ALL FOR COMING TO MY... 693 00:32:05,250 --> 00:32:07,083 [COUGHS] FIFTH BIRTHDAY. 694 00:32:09,208 --> 00:32:11,833 SOME OF YOU ARE BELOVED CO-WORKERS, 695 00:32:11,834 --> 00:32:13,749 SOME OF YOU ARE LIFE-LONG FRIENDS. 696 00:32:13,750 --> 00:32:16,125 BUT TO ME, YOU'RE ALL FAMILY. 697 00:32:17,167 --> 00:32:19,208 I LOVE YOU ALL. 698 00:32:19,209 --> 00:32:21,207 ESPECIALLY YOU, MAGGIE. 699 00:32:21,208 --> 00:32:24,084 IF IT WASN'T FOR YOU, I WOULDN'T BE WHERE I AM TODAY. 700 00:32:25,042 --> 00:32:26,562 ON TOP OF THE BAR GETTING PISSED DRUNK! 701 00:32:29,250 --> 00:32:30,582 BUT, BUT, BUT... 702 00:32:30,583 --> 00:32:35,999 AS MUCH AS I LOVE YOU ALL, THIS DAY IS NOT ABOUT YOU. 703 00:32:36,000 --> 00:32:39,374 IT'S ABOUT ME. IT'S ABOUT WHAT I WANT TO DO... 704 00:32:39,375 --> 00:32:41,042 AND YOU KNOW WHAT I WANT TO DO. 705 00:32:44,667 --> 00:32:46,625 [CLAPPING] 706 00:33:12,125 --> 00:33:14,041 EXCUSE ME. HAVE WE MET BEFORE? 707 00:33:14,042 --> 00:33:15,666 YEAH, I THINK WE MIGHT HAVE, 708 00:33:15,667 --> 00:33:17,333 A LONG, LONG TIME AGO. 709 00:33:17,959 --> 00:33:19,125 HAPPY THOUGHTS. 710 00:34:01,708 --> 00:34:03,165 [SQUISH] 711 00:34:03,166 --> 00:34:04,583 [WOMAN GASPS] 712 00:34:06,084 --> 00:34:07,375 OH, NO. 713 00:34:14,167 --> 00:34:16,290 I KNOW YOU WERE HAVING FUN IN THERE. 714 00:34:16,291 --> 00:34:17,916 SORRY YOU COULDN'T STAY. 715 00:34:17,917 --> 00:34:19,999 IT MIGHT HAVE BEEN SHORT, 716 00:34:20,000 --> 00:34:22,166 BUT I CAN'T ARGUE WITH THE TIME I DID HAVE. 717 00:34:27,458 --> 00:34:29,916 IT'S THE CLIFFS OF DOVER. 718 00:34:29,917 --> 00:34:32,208 THE BEST THING ABOUT CLIFFS IS JUMPING. 719 00:34:32,209 --> 00:34:34,290 I'M NOT MUCH FOR JUMPING. 720 00:34:34,291 --> 00:34:36,208 NOT MUCH FOR LANDING, EITHER. 721 00:34:38,875 --> 00:34:41,333 YOU DON'T HAVE TO WORRY ABOUT WHERE YOU LAND. 722 00:34:44,167 --> 00:34:45,167 A LEAP OF FAITH? 723 00:34:58,417 --> 00:35:01,083 IF YOU'VE BEEN PUTTING OFF A JUMP, 724 00:35:01,084 --> 00:35:02,958 JUST PUTTING IT OFF, 725 00:35:02,959 --> 00:35:06,917 SOMETIMES THE SUBTLE THINGS ARE WHAT MAKE YOU TAKE THE PLUNGE. 726 00:35:08,417 --> 00:35:10,000 HERE, TAKE MY PICTURE. 727 00:35:10,458 --> 00:35:11,708 WHAT? COME ON. 728 00:35:12,250 --> 00:35:13,542 TAKE MY PICTURE. WHY? 729 00:35:14,458 --> 00:35:16,042 HAPPY THOUGHTS... 730 00:35:17,166 --> 00:35:20,207 FOR MY BEAUTIFUL, YOUNG FRIEND. 731 00:35:20,208 --> 00:35:21,417 I LOVE YOU, SWEETIE. 732 00:35:22,625 --> 00:35:24,040 WHAT ARE YOU DOING? 733 00:35:24,041 --> 00:35:25,624 TIME TO SHAKE THINGS UP A BIT. 734 00:35:25,625 --> 00:35:27,041 PIGGYBACK RIDE. 735 00:35:27,042 --> 00:35:29,707 NO, RUBE SAID WE CAN'T GO WHERE THEY'RE GOING. 736 00:35:29,708 --> 00:35:32,166 OPEN DOOR'S AN INVITATION. 737 00:35:32,167 --> 00:35:34,000 GOT TO JUMP WHILE THE DOOR'S OPEN. 738 00:35:54,042 --> 00:35:57,083 AND JUST LIKE THAT, SHE WAS GONE. 739 00:36:03,166 --> 00:36:05,458 [RUMBLING] 740 00:36:31,125 --> 00:36:33,291 [ROARING OVERHEAD] 741 00:36:37,125 --> 00:36:39,457 WE LEAD OUR LIVES, 742 00:36:39,458 --> 00:36:43,625 AND WHEN THEY END, SOMETIMES WE LEAVE A LITTLE OF OURSELVES BEHIND. 743 00:36:47,084 --> 00:36:50,291 SOMETIMES WE LEAVE MONEY, A PAINTING... 744 00:36:55,000 --> 00:36:58,083 SOMETIMES WE LEAVE A KIND WORD... 745 00:36:58,084 --> 00:36:59,209 JESUS? 746 00:37:01,792 --> 00:37:05,166 AND SOMETIMES WE LEAVE AN EMPTY SPACE. 747 00:37:08,000 --> 00:37:10,084 YOU CAN'T GO WHERE SHE WENT. 748 00:37:11,084 --> 00:37:12,084 I KNOW. 749 00:37:14,917 --> 00:37:17,083 SHE WAS A PISTOL. 750 00:37:17,084 --> 00:37:20,000 I DON'T UNDERSTAND. WHERE DID SHE GO? 751 00:37:21,250 --> 00:37:23,209 SHE'S COMING BACK, RIGHT? 752 00:37:24,333 --> 00:37:25,458 I DON'T KNOW. 753 00:37:26,458 --> 00:37:29,084 GOD, I HATE THIS. 754 00:37:31,084 --> 00:37:34,125 BETTY TOLD ME THAT MILLIE HAD AN OLDER BROTHER. 755 00:37:36,000 --> 00:37:38,417 NO. 756 00:37:40,041 --> 00:37:42,166 SHE HAD AN OLDER SISTER... 757 00:37:45,500 --> 00:37:47,166 AND SHE WAS FEARLESS. 758 00:37:49,083 --> 00:37:51,041 YEAH. 759 00:37:51,042 --> 00:37:53,833 SHE WAS A REAL PISTOL. 760 00:37:53,834 --> 00:38:00,750 WHY DO I KEEP LOSING ALL THE THINGS AND PEOPLE THAT I CARE ABOUT? 761 00:38:03,625 --> 00:38:05,083 THAT'S WHAT LIFE IS, PEANUT. 762 00:38:12,959 --> 00:38:14,875 HOW DOES DEATH DEAL WITH DEATH? 763 00:38:15,917 --> 00:38:17,749 I GUESS THE SAME WAY THE LIVING DO, 764 00:38:17,750 --> 00:38:19,290 TRYING TO MAKE SENSE OF SOMETHING 765 00:38:19,291 --> 00:38:21,125 THAT'LL NEVER QUITE MAKE SENSE. 766 00:38:22,625 --> 00:38:26,875 DON'T BE BASHFUL. I WAS A BEGINNER ONCE TOO. 767 00:38:33,333 --> 00:38:35,583 "MYSTERIOUS AND REASSURING." 768 00:38:36,208 --> 00:38:38,000 UH-HUH. 769 00:38:42,166 --> 00:38:46,041 ALL THESE PEOPLE, THEY ALL HAVE IT, 770 00:38:46,042 --> 00:38:49,207 AROUND THEIR EYES AND THEIR SMILE. 771 00:38:49,208 --> 00:38:52,457 THE REASSURING PART IS... 772 00:38:52,458 --> 00:38:54,666 WHAT LULLS YOU INTO THE SENSE 773 00:38:54,667 --> 00:38:57,416 THAT EVERYTHING'S GOING TO BE FINE... 774 00:38:57,417 --> 00:39:00,290 AND THEN, BOOM, 775 00:39:00,291 --> 00:39:03,208 THEY PULL THE RUG OUT FROM UNDERNEATH YOU. 776 00:39:04,959 --> 00:39:07,042 THAT'S THE MYSTERY PART. 777 00:39:10,042 --> 00:39:11,750 I'M GOING TO STOP YOU RIGHT HERE. 778 00:39:12,917 --> 00:39:15,582 COMMON ROOKIE MOVE IN SCRAPBOOKING, 779 00:39:15,583 --> 00:39:18,041 TURNING THEM INTO PHOTO ALBUMS, 780 00:39:18,042 --> 00:39:20,999 AND THE FIRST THING THEY TEACH YOU ABOUT SCRAPBOOKS, 781 00:39:21,000 --> 00:39:24,375 RULE NUMBER ONE, IS THAT THEY ARE NOT PHOTO ALBUMS. 782 00:39:25,542 --> 00:39:29,208 SCRAPBOOKING IS... ART-FORMING. 783 00:39:29,209 --> 00:39:31,750 EVERY PAGE TELLS A STORY. 784 00:40:01,000 --> 00:40:05,165 WHEN YOU CAN'T MAKE SENSE OF SOMEONE LEAVING, 785 00:40:05,166 --> 00:40:08,458 YOU SOMETIMES TRY TO MAKE SENSE OF WHAT THEY LEFT BEHIND... 786 00:40:11,125 --> 00:40:13,041 AND IT MAKES IT A WHOLE LOT EASIER 787 00:40:13,042 --> 00:40:15,458 WHEN WHAT THEY LEFT YOU WAS BEAUTIFUL.