1 00:01:10,542 --> 00:01:13,375 SOMETIMES I WONDER IF I HAUNT MY SISTER. 2 00:01:15,375 --> 00:01:16,874 WHEN SHE'S LAYING THERE IN THE MORNING 3 00:01:16,875 --> 00:01:18,290 AND IT'S ALL QUIET, 4 00:01:18,291 --> 00:01:20,707 I WONDER IF SHE'S THINKING ABOUT ME. 5 00:01:20,708 --> 00:01:21,833 SHE IS 11. 6 00:01:21,834 --> 00:01:23,707 SHE'S PROBABLY JUST THINKING ABOUT A BOY... 7 00:01:23,708 --> 00:01:25,666 OR BREAKFAST... 8 00:01:25,667 --> 00:01:27,083 OR FLYING AWAY. 9 00:01:39,000 --> 00:01:42,375 ONCE A YEAR, MY FAMILY GOES TO THIS CABIN BY A LAKE. 10 00:01:43,208 --> 00:01:45,249 ON THE ROAD BY 10:00. 11 00:01:45,250 --> 00:01:47,165 THREE HOURS OUT, WE'D STOP AT A STORE 12 00:01:47,166 --> 00:01:49,457 WHERE THIS GUY WHO LOOKED LIKE COLONEL SANDERS 13 00:01:49,458 --> 00:01:52,040 WOULD GIVE ME SOME HOMEMADE TAFFY. 14 00:01:52,041 --> 00:01:55,124 THEN THREE MORE HOURS WITH THE WINDOWS DOWN. 15 00:01:55,125 --> 00:01:58,166 JUST AS MY STOMACH WOULD START TO GROWL AGAIN, 16 00:01:58,167 --> 00:02:00,457 THERE WE WERE, AT THE RENTAL OFFICE 17 00:02:00,458 --> 00:02:03,290 WITH A CLOCK IN THE SHAPE OF A CAT'S FACE. 18 00:02:03,291 --> 00:02:05,250 THAT'S WHERE WE'D PICK UP THE KEY. 19 00:02:10,041 --> 00:02:12,791 BY THE TIME I GOT TO HIGH SCHOOL, 20 00:02:12,792 --> 00:02:14,082 I JUST THOUGHT I WAS TOO COOL 21 00:02:14,083 --> 00:02:16,582 TO GO ON VACATION WITH MY FAMILY. 22 00:02:16,583 --> 00:02:19,875 I'D COMPLAIN AND ACT ALL SULLEN MOST OF THE TIME I WAS THERE. 23 00:02:21,167 --> 00:02:23,082 IT'S WHAT I DID BEST. 24 00:02:23,083 --> 00:02:24,624 NOW THEY WERE HEADING UP THERE 25 00:02:24,625 --> 00:02:27,666 FOR THE FIRST TIME SINCE I DIED, 26 00:02:27,667 --> 00:02:31,124 AND ALL I COULD THINK ABOUT WAS THAT I WANTED TO GO, 27 00:02:31,125 --> 00:02:33,375 THAT I WANTED TO BE ON VACATION WITH THEM. 28 00:02:35,583 --> 00:02:37,916 RUBE ONCE TOLD ME 29 00:02:37,917 --> 00:02:40,125 THAT HAUNTING IS ALL ABOUT ENVY. 30 00:02:43,125 --> 00:02:45,333 I'M BEGINNING TO UNDERSTAND. 31 00:02:51,542 --> 00:02:53,207 I SAID I HATED GOING TO THAT LAKE 32 00:02:53,208 --> 00:02:55,416 WHEN I WAS IN HIGH SCHOOL. 33 00:02:55,417 --> 00:02:57,083 I WAS LYING. 34 00:02:57,084 --> 00:02:59,333 EVERY SUMMER, I COULDN'T WAIT TO GET UP THERE. 35 00:03:10,084 --> 00:03:11,541 HEY, REG. HOW YOU DOING? 36 00:03:11,542 --> 00:03:12,666 GOOD. 37 00:03:12,667 --> 00:03:14,375 DAD'S LETTING ME USE HIS POCKET KNIFE. 38 00:03:16,000 --> 00:03:17,500 WHAT ARE YOU GOING TO DO WITH IT? 39 00:03:18,542 --> 00:03:20,500 I WAS THINKING OF WHITTLING SOMETHING. 40 00:03:21,834 --> 00:03:24,125 TRADE YOU THE FISHING POLE FOR THE KNIFE. 41 00:03:25,375 --> 00:03:26,500 OKAY. 42 00:03:37,875 --> 00:03:40,290 DID YOU EVER FEEL GOOD AND BAD ABOUT SOMETHING 43 00:03:40,291 --> 00:03:42,084 AT THE SAME TIME? 44 00:03:42,792 --> 00:03:46,040 YOU KNOW, REALLY CONFLICTED. 45 00:03:46,041 --> 00:03:49,083 I ONCE HAD SEX WITH THE PILOT OF A 747 IN FLIGHT. 46 00:03:50,041 --> 00:03:51,499 THE SEX WAS GREAT, 47 00:03:51,500 --> 00:03:53,666 BUT I WAS SURE WE WERE GOING TO DIE. 48 00:03:53,667 --> 00:03:56,500 FLYING USED TO BE AN ENTIRELY DIFFERENT EXPERIENCE. 49 00:03:57,333 --> 00:03:58,999 IT WAS MORE GENTEEL. 50 00:03:59,000 --> 00:04:01,332 YEAH, CAN'T GET INTO THAT COCKPIT ANYMORE, 51 00:04:01,333 --> 00:04:02,582 SO TO SPEAK. 52 00:04:02,583 --> 00:04:04,165 PEOPLE DRESSED UP. 53 00:04:04,166 --> 00:04:06,749 YOU COULD SMOKE. 54 00:04:06,750 --> 00:04:09,083 THEY USED TO SERVE A HIGHBALL IN A NICE ROCK GLASS. 55 00:04:09,084 --> 00:04:10,874 CAN I HAVE MY ASSIGNMENT, PLEASE? 56 00:04:10,875 --> 00:04:12,083 WHERE'S THE FIRE? 57 00:04:12,084 --> 00:04:13,457 THAT WOULD BE IN MY PANTS. 58 00:04:13,458 --> 00:04:14,917 THAT'S PROBABLY SYPHILIS. 59 00:04:16,250 --> 00:04:18,375 HEY, CAN YOU STEAL ME A CAR? 60 00:04:20,000 --> 00:04:21,166 FIRST OF ALL, 61 00:04:21,167 --> 00:04:23,290 THE CORRECT PHRASE IS "BOOST," GEORGE. 62 00:04:23,291 --> 00:04:25,208 SECOND OF ALL, I'M NOT A USED CAR LOT, 63 00:04:25,209 --> 00:04:26,208 AND, DARLING, 64 00:04:26,209 --> 00:04:28,999 YOU REALLY HAVE TO LEARN TO STEAL YOUR OWN CARS. 65 00:04:29,000 --> 00:04:30,207 WHY DO YOU WANT A CAR? 66 00:04:30,208 --> 00:04:32,083 YOU GOING TO KNOCK SOMETHING OVER? 67 00:04:32,084 --> 00:04:33,833 LIKE A LIQUOR STORE? 68 00:04:33,834 --> 00:04:35,166 NO. 69 00:04:35,167 --> 00:04:39,165 I WAS THINKING ABOUT GETTING AWAY. 70 00:04:39,166 --> 00:04:41,499 I'VE ALWAYS WANTED TO KNOCK OVER A LIQUOR STORE. 71 00:04:41,500 --> 00:04:42,707 YEAH? 72 00:04:42,708 --> 00:04:44,165 WELL, I COULD HELP YOU OUT THERE. 73 00:04:44,166 --> 00:04:46,749 OKAY. WE'LL BE THE NEXT BONNIE AND CLYDE. 74 00:04:46,750 --> 00:04:47,874 YEAH? REALLY? 75 00:04:47,875 --> 00:04:49,166 NO, NEVER. NOT EVER. 76 00:04:49,167 --> 00:04:51,082 FORGET ABOUT THE CAR, OKAY? 77 00:04:51,083 --> 00:04:53,000 RUBE, CAN I PLEASE HAVE MY POST-IT? 78 00:04:56,959 --> 00:04:58,082 HERE. I'M LEAVING. 79 00:04:58,083 --> 00:04:59,125 NO, YOU'RE NOT. SIT DOWN. 80 00:05:02,041 --> 00:05:04,083 HELLO, HELLO. I'M SITTING HERE. 81 00:05:07,583 --> 00:05:09,208 RUBE, I REALLY HAVE TO GO. 82 00:05:10,291 --> 00:05:11,791 JOY, ARE YOU READY TO GO? 83 00:05:11,792 --> 00:05:13,082 ALMOST. 84 00:05:13,083 --> 00:05:14,249 REGGIE, ARE YOU PACKING? 85 00:05:14,250 --> 00:05:15,666 YES. 86 00:05:15,667 --> 00:05:17,667 ARE WE GOING TO GET THERE IN TIME TO GO SWIMMING? 87 00:05:18,250 --> 00:05:19,416 I DON'T KNOW. 88 00:05:19,417 --> 00:05:20,625 MAYBE. 89 00:05:23,084 --> 00:05:24,209 WELL? 90 00:05:25,083 --> 00:05:26,792 JUST ASK ME, OKAY? 91 00:05:27,917 --> 00:05:29,083 FOR THE NEXT FIVE DAYS, 92 00:05:29,084 --> 00:05:30,524 IF YOU WOULD LIKE ME TO DO SOMETHING, 93 00:05:30,548 --> 00:05:31,499 ASK ME TO DO IT. 94 00:05:31,500 --> 00:05:32,917 JUST DON'T FUCKING START. 95 00:05:33,208 --> 00:05:34,834 [PHONE RINGS] 96 00:05:35,959 --> 00:05:37,875 HELLO? HELLO? 97 00:05:40,750 --> 00:05:43,041 YOU KNOW, YOU ALWAYS KEEP THAT LEDGER IN YOUR HEAD. 98 00:05:43,042 --> 00:05:45,667 WHAT? THE MASTER LIST OF ALL THE THINGS I DO WRONG. 99 00:05:48,166 --> 00:05:51,249 [JOY]: I WOULD LIKE TO GET THERE BY NIGHTFALL... 100 00:05:51,250 --> 00:05:53,207 AND I WANT TO STOP AT THE TAFFY STORE. 101 00:05:53,208 --> 00:05:54,792 [PHONE RINGS] 102 00:05:58,166 --> 00:05:59,166 HELLO? 103 00:05:59,167 --> 00:06:00,959 OH, COME ON. HELLO! 104 00:06:02,458 --> 00:06:03,666 WHO WAS THAT? 105 00:06:03,667 --> 00:06:05,082 MUST HAVE BEEN A WRONG NUMBER. 106 00:06:05,083 --> 00:06:06,249 MUST HAVE BEEN. 107 00:06:06,250 --> 00:06:07,458 FLASHLIGHT. 108 00:06:10,333 --> 00:06:11,582 [JOY]: DO YOU EVEN WANT TO GO? 109 00:06:11,583 --> 00:06:12,749 [CLANCY]: OF COURSE I DO. 110 00:06:12,750 --> 00:06:14,833 OH, GOD. YOU'RE LYING. 111 00:06:14,834 --> 00:06:17,667 YOU'RE SUCH A LIAR, AND YOU DON'T FOOL ME. 112 00:06:19,917 --> 00:06:22,749 I WANTED TO TELL REGGIE IT WOULD BE OKAY, 113 00:06:22,750 --> 00:06:25,624 EVEN THOUGH I DIDN'T BELIEVE IT WOULD BE. 114 00:06:25,625 --> 00:06:29,166 RUBE, I THINK IT'S TIME WE HAND OUT THE ASSIGNMENTS, PLEASE. 115 00:06:29,167 --> 00:06:30,417 THERE ARE NO ASSIGNMENTS TODAY. 116 00:06:31,083 --> 00:06:32,249 WHAT DO YOU MEAN? 117 00:06:32,250 --> 00:06:33,582 NO ONE'S DYING TODAY. 118 00:06:33,583 --> 00:06:34,791 REALLY? 119 00:06:34,792 --> 00:06:36,166 LOOK OVER THERE. 120 00:06:36,167 --> 00:06:37,375 DON'T LOOK RIGHT AT IT. 121 00:06:38,625 --> 00:06:40,249 YOU'VE GOT TO LOOK ASKANCE. 122 00:06:40,250 --> 00:06:42,125 A-WHAT? ASKANCE. 123 00:06:44,417 --> 00:06:46,792 OUT OF THE CORNER OF YOUR EYE. 124 00:06:53,583 --> 00:06:55,750 GRAVELINGS ARE TAKING THE DAY OFF. 125 00:06:57,084 --> 00:06:58,542 THEY DO IT EVERY FEW YEARS. 126 00:07:00,167 --> 00:07:01,791 WHY? 127 00:07:01,792 --> 00:07:03,499 THINK OF IT LIKE AN ECLIPSE. 128 00:07:03,500 --> 00:07:05,041 IT'S JUST THE WAY THE PLANETS ALIGN. 129 00:07:06,708 --> 00:07:09,083 NO ONE DIES TODAY. 130 00:07:09,084 --> 00:07:11,125 TELL ME THIS MEANS WE GET A THREE-DAY WEEKEND. 131 00:07:11,875 --> 00:07:13,208 [CHUCKLES] 132 00:07:21,542 --> 00:07:23,000 COCKSUCKER. 133 00:07:26,000 --> 00:07:27,000 [PHONE RINGS] 134 00:07:27,001 --> 00:07:28,750 [JOY]: AW, FUCK. I'M NOT GETTING IT. 135 00:07:55,208 --> 00:07:57,083 [PHONE RINGS] 136 00:07:57,084 --> 00:07:59,124 DON'T EVEN ANSWER IT. 137 00:07:59,125 --> 00:08:02,166 HELLO? HELLO. JUST A SECOND. 138 00:08:03,125 --> 00:08:04,707 IT'S SCHOOL NONSENSE. 139 00:08:04,708 --> 00:08:06,417 I'M GOING TO TAKE IT IN THE OFFICE. 140 00:08:18,000 --> 00:08:20,499 WE'VE GOT TO DO FILING? 141 00:08:20,500 --> 00:08:23,667 PAPERWORK FOR EVERY SOUL THE DIVISION'S EVER TAKEN. 142 00:08:24,291 --> 00:08:26,041 I'M A LITTLE BEHIND. 143 00:08:26,042 --> 00:08:29,250 WHY IS IT MY KARMIC DESTINY TO DO PAPERWORK? 144 00:08:30,000 --> 00:08:32,500 WHEREVER I GO, I'M A TEMP. 145 00:08:33,917 --> 00:08:36,624 EVERYTHING'S GOT TO BE ORGANIZED AND LOGGED. 146 00:08:36,625 --> 00:08:38,499 YOU'RE LOCKING UP MY WHOLE SECTION. 147 00:08:38,500 --> 00:08:39,874 WELL, WE'VE GOT WORK TO DO. 148 00:08:39,875 --> 00:08:41,375 THEN THE WORK HAS TO ORDER. 149 00:08:43,083 --> 00:08:45,208 I HEAR YOU. 150 00:08:45,209 --> 00:08:47,009 THIS PILE HERE IS LOOKING FOR A LIGHT SCRAMBLE, 151 00:08:47,033 --> 00:08:49,249 SIDE OF BROWNS, THIS PILE WANTS THE BELGIANS, 152 00:08:49,250 --> 00:08:50,570 THIS PILE WOULD LIKE THE BENEDICT, 153 00:08:50,594 --> 00:08:51,999 EASY ON THE HOLLANDAISE, 154 00:08:52,000 --> 00:08:54,082 AND FOUR BLACK COFFEES, FOUR SIDES OF WHITE TOAST, 155 00:08:54,083 --> 00:08:55,323 AND MY FRIENDS OVER AT BOOTH SIX 156 00:08:55,347 --> 00:08:56,541 ANOTHER PITCHER OF MIMOSAS. 157 00:08:56,542 --> 00:08:58,083 BOOTH SIX IS EMPTY. 158 00:09:16,000 --> 00:09:18,166 OKAY, J.D., THE FIRST THING WE DO WHEN WE GET THERE, 159 00:09:18,167 --> 00:09:20,707 WE JUMP IN THE WATER, 'CAUSE YOU NEED TO KNOW HOW TO SWIM. 160 00:09:20,708 --> 00:09:22,028 WE CAN MAKE A FIRE TONIGHT, RIGHT? 161 00:09:22,052 --> 00:09:23,844 MM. BLAZING. 162 00:09:25,250 --> 00:09:28,040 MAYBE I'LL CATCH A FISH AND COOK IT. 163 00:09:28,041 --> 00:09:29,624 I DON'T KNOW IF THERE'S WOOD. 164 00:09:29,625 --> 00:09:31,582 I'LL COLLECT IT. 165 00:09:31,583 --> 00:09:33,000 GEORGE USED TO COLLECT DRIFTWOOD. 166 00:09:33,625 --> 00:09:35,084 I REMEMBER. 167 00:09:38,041 --> 00:09:39,250 SO WE'LL HAVE A FIRE. 168 00:09:41,875 --> 00:09:43,207 OKAY, EACH WHITE SHEET 169 00:09:43,208 --> 00:09:45,791 HAS ALL THE INFORMATION ON A SINGLE DEATH. 170 00:09:45,792 --> 00:09:47,312 WE NEED TO CATEGORIZE THE WHITE SHEETS, 171 00:09:47,336 --> 00:09:48,999 AND THEN COPY THEM INTO THESE LEDGERS. 172 00:09:49,000 --> 00:09:51,333 HOW ARE YOU GOING TO WANT TO ACCESS THE DATA? 173 00:09:52,083 --> 00:09:53,541 WHAT? 174 00:09:53,542 --> 00:09:55,208 WHEN IT'S ALL DONE. 175 00:09:55,209 --> 00:09:56,208 ARE YOU JUST GOING TO WANT 176 00:09:56,209 --> 00:09:57,999 TO ACCESS THEM CHRONOLOGICALLY? 177 00:09:58,000 --> 00:09:59,791 'CAUSE IF YOU WANT TO GET ANY MORE COMPLEX, 178 00:09:59,792 --> 00:10:01,552 THEN YOU'RE GOING TO HAVE TO GIVE EACH RECORD 179 00:10:01,576 --> 00:10:04,409 A UNIQUE IDENTIFIER SO THAT YOU CAN DO CROSSTABS. 180 00:10:07,500 --> 00:10:10,624 WHEN YOU PUT SO MUCH EFFORT INTO HATING YOUR DAY JOB, 181 00:10:10,625 --> 00:10:13,041 IT'S EASY NOT TO NOTICE YOU'RE LEARNING SOMETHING. 182 00:10:14,375 --> 00:10:16,624 MY SYSTEM WORKS FINE. 183 00:10:16,625 --> 00:10:18,792 ARE WE ALPHABETIZING BY FIRST OR LAST NAME? 184 00:10:21,000 --> 00:10:22,582 HAVE YOU EVER SEEN ANYONE 185 00:10:22,583 --> 00:10:25,083 ALPHABETIZE BY FIRST NAME? 186 00:10:25,084 --> 00:10:26,749 I AM SIMPLY TRYING TO UNDERSTAND 187 00:10:26,750 --> 00:10:28,291 WHAT IT IS WE ARE DOING HERE. 188 00:10:29,084 --> 00:10:30,999 WOW. 189 00:10:31,000 --> 00:10:32,320 DAISY DIDN'T ASK YOU THAT QUESTION 190 00:10:32,344 --> 00:10:33,916 TO PISS YOU OFF. 191 00:10:33,917 --> 00:10:35,082 THANK YOU. 192 00:10:35,083 --> 00:10:37,043 SHE ASKED THAT QUESTION BECAUSE SHE CAN'T SHUT UP. 193 00:10:37,067 --> 00:10:39,124 NEITHER ONE OF YOU CAN. 194 00:10:39,125 --> 00:10:41,500 LISTEN TO THE MAN AND SHUT THE FUCK UP. 195 00:10:41,959 --> 00:10:43,374 THANK YOU. 196 00:10:43,375 --> 00:10:45,208 THESE ARE FILED BY LAST THOUGHT. 197 00:10:45,209 --> 00:10:46,208 [GEORGE] LAST THOUGHT? 198 00:10:46,209 --> 00:10:49,208 THE LAST THOUGHT IS WRITTEN ON THE BACK OF EACH PAGE. 199 00:10:49,209 --> 00:10:51,666 BUT YOU ONLY GIVE US NAMES, ADDRESSES, AND ETDs. 200 00:10:51,667 --> 00:10:53,707 YES, THAT IS ALL I GIVE YOU. THAT IS NOT ALL I GET. 201 00:10:53,708 --> 00:10:54,750 COME HERE. 202 00:10:56,209 --> 00:10:57,833 LAST THOUGHT... 203 00:10:57,834 --> 00:11:00,124 "I SHOULD HAVE APOLOGIZED TO MR. ROY 204 00:11:00,125 --> 00:11:02,666 ABOUT THE BROKEN PHONOGRAPH." 205 00:11:02,667 --> 00:11:04,874 NOW, WHAT THE FUCK AM I MEANT TO FILE THAT UNDER? 206 00:11:04,875 --> 00:11:06,475 THE CATEGORIES REVEAL THEMSELVES AS WE GO. 207 00:11:08,042 --> 00:11:09,416 OKAY? 208 00:11:09,417 --> 00:11:10,917 SO, LET'S GET GOING. 209 00:11:17,041 --> 00:11:20,040 IT WAS STRANGE TO THINK THAT WHILE WE GOT TO WORK, 210 00:11:20,041 --> 00:11:23,333 ALL OVER TOWN, DEATH WAS TAKING A BREAK... 211 00:11:36,167 --> 00:11:38,457 NOT THAT ANYONE NOTICED. 212 00:11:38,458 --> 00:11:40,625 DEATH IS KIND OF LIKE SEX IN HIGH SCHOOL. 213 00:11:44,000 --> 00:11:46,499 IF YOU KNEW HOW MANY TIMES YOU MISSED HAVING IT, 214 00:11:46,500 --> 00:11:48,417 YOU'D BE PARALYZED. 215 00:11:50,458 --> 00:11:51,833 WHAT HAVE WE GOT HERE? 216 00:11:51,834 --> 00:11:53,417 "SHOULDA, WOULDA, COULDA." 217 00:11:55,167 --> 00:11:57,874 HAS ANYONE SEEN A SHEET FOR I.A. NEWMAN? 218 00:11:57,875 --> 00:11:59,124 WHO KNOWS? 219 00:11:59,125 --> 00:12:00,457 ISIDORE NEWMAN? YEAH. 220 00:12:00,458 --> 00:12:02,916 I REMEMBER HIM. PIANO TUNER. 221 00:12:02,917 --> 00:12:04,708 LIKED THE SYMPHONY AND PAINTINGS BY DEGAS. 222 00:12:06,041 --> 00:12:08,124 HE WAS WORKING ON A BABY GRAND. 223 00:12:08,125 --> 00:12:10,833 PIANO STRING SNAPPED RIGHT IN THE FACE. 224 00:12:10,834 --> 00:12:12,874 BLINDED HIM. 225 00:12:12,875 --> 00:12:14,583 HE STOOD STRAIGHT UP AND KNOCKED THE LID. 226 00:12:15,834 --> 00:12:18,249 IT SMACKED RIGHT DOWN ON HIS FIRST VERTEBRAE. 227 00:12:18,250 --> 00:12:20,083 BROKE HIS NECK. 228 00:12:20,084 --> 00:12:21,833 WHAT TIME IS IT? 229 00:12:21,834 --> 00:12:23,167 FIVE PAST 5:00. 230 00:12:24,834 --> 00:12:26,417 I'VE GOT TO GO TO THE BATHROOM. 231 00:12:30,875 --> 00:12:33,125 I DON'T THINK IT'S HEALTHY TO SCHEDULE THAT SORT OF THING. 232 00:12:45,333 --> 00:12:47,013 HEY, GEORGE, TELL YOUR MOM THE HEATER'S ON. 233 00:12:47,037 --> 00:12:48,557 ABOUT HALF AN HOUR UNTIL WE CAN SHOWER. 234 00:12:49,000 --> 00:12:50,707 MOM, HEATER'S ON. 235 00:12:50,708 --> 00:12:52,499 HALF AN HOUR UNTIL IT'S HOT. 236 00:12:52,500 --> 00:12:54,999 I'M NOT SHOWERING FOR THE NEXT FIVE DAYS. 237 00:12:55,000 --> 00:12:58,125 TELL YOUR FATHER HE'S LUCKY IF I EVEN BRUSH MY TEETH. 238 00:12:58,959 --> 00:13:00,209 REALLY? 239 00:13:02,291 --> 00:13:05,707 NO, AND YOU'RE GOING TO BE BRUSHING YOUR TEETH TOO. 240 00:13:05,708 --> 00:13:08,249 DAD, CAN WE ROAST MARSHMALLOWS OVER THE FIRE TONIGHT? 241 00:13:08,250 --> 00:13:09,958 WE'LL HAVE ALL WEEK, GEORGE. 242 00:13:09,959 --> 00:13:12,624 PLEASE? REGGIE LOVES MARSHMALLOWS. 243 00:13:12,625 --> 00:13:14,545 YEAH, I THINK WE'LL STICK WITH BOTTLES FOR REGGIE 244 00:13:14,569 --> 00:13:15,958 FOR THE TIME BEING. 245 00:13:15,959 --> 00:13:17,916 MOM LOVES MARSHMALLOWS. 246 00:13:17,917 --> 00:13:20,084 IT WAS A LONG DRIVE, GEORGE. WHY DON'T WE JUST RELAX? 247 00:13:21,000 --> 00:13:22,332 TOMORROW, I PROMISE. 248 00:13:22,333 --> 00:13:24,208 OKAY. 249 00:13:24,209 --> 00:13:26,375 IT'S VACATION. WE HAVE ALL WEEK. 250 00:13:27,500 --> 00:13:28,834 WHATEVER. 251 00:13:30,792 --> 00:13:32,290 HEY. 252 00:13:32,291 --> 00:13:33,500 GO GET THE MARSHMALLOWS. 253 00:13:34,084 --> 00:13:35,167 YES! 254 00:13:40,208 --> 00:13:42,416 "I WISH I'D TAKEN BETTER CARE OF LUCY." 255 00:13:42,417 --> 00:13:45,041 "I SHOULDN'T HAVE PUT JEZEBEL TO SLEEP." WHAT DO YOU THINK? 256 00:13:45,042 --> 00:13:46,282 "PET REGRETS," "SPOUSE REGRETS," 257 00:13:46,306 --> 00:13:47,999 OVER ON THAT TABLE. 258 00:13:48,000 --> 00:13:49,416 I'M GOING TO GO WITH "PET REGRETS." 259 00:13:49,417 --> 00:13:50,916 WHICH STACK? BIG ONE. 260 00:13:50,917 --> 00:13:51,999 HEY, DAISY, 261 00:13:52,000 --> 00:13:56,332 OUT OF THE MASSIVE COLLECTION OF SEX STORIES YOU'VE TOLD US, 262 00:13:56,333 --> 00:13:57,973 I'VE NOTICED THERE'S NO BRITS IN THE BUNCH. 263 00:13:57,997 --> 00:13:59,041 WHY IS THAT? 264 00:13:59,042 --> 00:14:02,041 ALEC GUINNESS, REX HARRISON, RICHARD BURTON... 265 00:14:02,042 --> 00:14:03,374 RICHARD BURTON'S WELSH. 266 00:14:03,375 --> 00:14:04,855 I CAN'T BELIEVE HE NEVER WON AN OSCAR. 267 00:14:04,856 --> 00:14:06,376 DO YOU THINK THAT WAS HIS LAST THOUGHT? 268 00:14:06,400 --> 00:14:07,999 DAISY, LET'S NOT PRETEND. 269 00:14:08,000 --> 00:14:10,582 ME AND YOU, NASTY LITTLE SPARK THERE. 270 00:14:10,583 --> 00:14:13,040 NO, NON, NYET, NEIN, NADA, NEVER. 271 00:14:13,041 --> 00:14:15,708 ALL RIGHT, THEN. WAGER. IF I WIN, YOU KISS ME. 272 00:14:17,291 --> 00:14:19,291 FINE. CALL IT. 273 00:14:21,000 --> 00:14:22,208 TAILS. 274 00:14:23,542 --> 00:14:25,666 AW... MASON... 275 00:14:25,667 --> 00:14:26,958 YEAH. 276 00:14:26,959 --> 00:14:28,082 YOU DON'T HAVE ANY MONEY, 277 00:14:28,083 --> 00:14:29,791 YOUR HYGIENE, IT'S SUSPECT, 278 00:14:29,792 --> 00:14:32,083 YOUR CLOTHES ALONE DISQUALIFY YOU, 279 00:14:32,084 --> 00:14:33,667 AND YOU'RE NOT EVEN ALIVE. 280 00:14:39,125 --> 00:14:40,625 PET REGRETS. 281 00:14:45,209 --> 00:14:46,249 MORE COFFEE? 282 00:14:46,250 --> 00:14:47,457 THANKS. 283 00:14:47,458 --> 00:14:48,874 HOW'RE YOU DOING? 284 00:14:48,875 --> 00:14:50,082 THANKS FOR ASKING. 285 00:14:50,083 --> 00:14:52,041 PEOPLE DON'T ASK THAT MUCH ANYMORE, 286 00:14:52,042 --> 00:14:53,583 OR IF THEY DO, THEY DON'T REALLY CARE. 287 00:14:54,625 --> 00:14:56,249 THAT'S THE TRUTH. 288 00:14:56,250 --> 00:14:58,707 PEOPLE MOSTLY JUST WANT TO HEAR THEMSELVES TALK. 289 00:14:58,708 --> 00:15:00,083 MM-HMM. 290 00:15:00,084 --> 00:15:04,124 LIKE WHEN MY SON CALLS, EVERY TWO MONTHS TO NEVER, 291 00:15:04,125 --> 00:15:06,041 HE ONLY WANTS TO BORROW MONEY 292 00:15:06,042 --> 00:15:08,541 OR ELSE HE WANTS TO COMPLAIN ABOUT HIS SISTER. 293 00:15:08,542 --> 00:15:11,916 NOW, SHE'S THE SMART ONE, UNTIL IT COMES TO THE OTB. 294 00:15:11,917 --> 00:15:14,624 THEN IT'S 500 ON THE TRIFECTA. 295 00:15:14,625 --> 00:15:16,791 I MEAN, I CAN UNDERSTAND THE RUSH, 296 00:15:16,792 --> 00:15:18,125 BUT $500? 297 00:15:26,209 --> 00:15:27,449 CAN WE ALL GO DOWN TO THE WATER? 298 00:15:27,473 --> 00:15:28,916 I THINK J.D. WANTS TO GO. 299 00:15:28,917 --> 00:15:30,208 CAN I GO FISHING? 300 00:15:30,209 --> 00:15:31,417 [CELL PHONE RINGS] 301 00:15:34,209 --> 00:15:36,249 I WOULDN'T HAVE THOUGHT YOU'D GET RECEPTION UP HERE. 302 00:15:38,250 --> 00:15:39,374 WHY DON'T WE UNPACK THE CAR, 303 00:15:39,375 --> 00:15:41,000 AND THEN WE'LL SEE ABOUT FISHING? 304 00:15:42,291 --> 00:15:43,542 WHY'D YOU BRING THE CELL PHONE? 305 00:15:44,834 --> 00:15:46,209 IN CASE ANY OF US GOT INTO TROUBLE. 306 00:16:09,750 --> 00:16:12,083 WHAT HAPPENS WHEN WE MAKE ALL THE PILES? 307 00:16:12,084 --> 00:16:14,958 WE COPY EACH SHEET IN ORDER INTO THE LEDGERS. 308 00:16:14,959 --> 00:16:16,083 BY HAND? 309 00:16:16,084 --> 00:16:17,125 YES, BY HAND. 310 00:16:17,750 --> 00:16:19,124 THIS IS USELESS. 311 00:16:19,125 --> 00:16:20,792 YOU KNOW WHAT'S A LOST ART, PEANUT? 312 00:16:21,500 --> 00:16:23,332 CALLIGRAPHY. 313 00:16:23,333 --> 00:16:25,332 NO ONE EVEN USES FOUNTAIN PENS ANYMORE. 314 00:16:25,333 --> 00:16:29,582 IT'D BE MUCH FASTER TO COPY THEM INTO A COMPUTER FILE. 315 00:16:29,583 --> 00:16:31,749 WELL, DEATH HASN'T REALLY EVOLVED MUCH 316 00:16:31,750 --> 00:16:34,332 SINCE PRE-GUTENBERG-BIBLE DAYS. 317 00:16:34,333 --> 00:16:37,040 REAPING DOESN'T REALLY LEND ITSELF TO MICROSOFT OUTLOOK. 318 00:16:37,041 --> 00:16:40,416 YOU MEAN EXCEL, NOT OUTLOOK. 319 00:16:40,417 --> 00:16:43,666 IT'S JUST ANOTHER WAY OF ORGANIZING INFORMATION. 320 00:16:43,667 --> 00:16:45,165 DEATH MAY NOT HAVE EVOLVED, 321 00:16:45,166 --> 00:16:47,166 BUT DATA ENTRY HAS. 322 00:16:47,167 --> 00:16:48,791 WHY DON'T WE HAVE A COMPUTER? 323 00:16:48,792 --> 00:16:49,917 AMEN! 324 00:16:51,041 --> 00:16:53,583 UM, I MAY REGRET SAYING THIS, 325 00:16:54,041 --> 00:16:56,958 BUT MY OLD OFFICE 326 00:16:56,959 --> 00:16:58,582 WAS ALWAYS EMPTY AT THIS HOUR. 327 00:16:58,583 --> 00:16:59,791 THIS IS WHAT I USED TO DO 328 00:16:59,792 --> 00:17:01,000 AT HAPPY TIME. 329 00:17:01,291 --> 00:17:02,624 USED TO DO. 330 00:17:02,625 --> 00:17:05,208 I STILL HAVE KEYS. 331 00:17:05,209 --> 00:17:06,332 WELL, IF WE ALL JUST BUCKLE DOWN, 332 00:17:06,333 --> 00:17:08,124 I'VE GOT FRESH FOUNTAIN PENS FOR EVERYBODY... 333 00:17:08,125 --> 00:17:09,582 RUBE, I HAVE DELICATE HANDS. 334 00:17:09,583 --> 00:17:10,791 AND SERIOUSLY, 335 00:17:10,792 --> 00:17:13,124 WE CANNOT COPY DOWN ALL THIS INFORMATION BY HAND. 336 00:17:13,125 --> 00:17:17,749 YOU KNOW, IF YOU FOCUS AND START RIGHT NOW... 337 00:17:17,750 --> 00:17:19,582 FUCK THAT SHIT, RUBE. 338 00:17:19,583 --> 00:17:21,125 I NEED A GODDAMN LAPTOP. 339 00:17:27,583 --> 00:17:28,875 HAPPY TIME IT IS. 340 00:17:30,125 --> 00:17:31,999 THERE'S MONOPOLY IN THE LIVING ROOM. 341 00:17:32,000 --> 00:17:33,582 MAYBE WE COULD PLAY. 342 00:17:33,583 --> 00:17:35,875 YOU KNOW WHAT, REG? I'M WIPED OUT. 343 00:17:36,708 --> 00:17:38,499 YOU AND YOUR MOTHER GO AHEAD AND PLAY. 344 00:17:38,500 --> 00:17:41,458 YOU CAN'T REALLY PLAY MONOPOLY WITH JUST TWO PEOPLE. 345 00:17:42,000 --> 00:17:44,166 I'M EXHAUSTED, SWEETIE. 346 00:17:44,167 --> 00:17:45,542 I'LL CATCH YOU NEXT TIME. 347 00:17:53,041 --> 00:17:56,542 I SAY WE IGNORE THESE DISHES AND BREAK OUT THE MONOPOLY. 348 00:17:59,291 --> 00:18:00,999 FORGET IT. 349 00:18:01,000 --> 00:18:02,209 REG... 350 00:18:03,041 --> 00:18:04,708 IT DOESN'T WORK WITH JUST TWO PEOPLE. 351 00:18:08,250 --> 00:18:09,583 REGGIE... 352 00:18:10,959 --> 00:18:12,084 WHAT? 353 00:18:13,834 --> 00:18:15,074 WE'LL GO FISHING IN THE MORNING. 354 00:18:15,708 --> 00:18:16,834 OKAY. 355 00:18:38,000 --> 00:18:39,707 WE CAN SET UP IN THE CONFERENCE ROOM, 356 00:18:39,708 --> 00:18:41,749 AND THEN WE CAN USE SOME OF THESE CUBICLES 357 00:18:41,750 --> 00:18:43,417 FOR THE DATA ENTRY. 358 00:18:44,834 --> 00:18:46,541 OH, I WANT THIS ONE. 359 00:18:46,542 --> 00:18:48,124 IT SMELLS LIKE POTPOURRI. 360 00:18:48,125 --> 00:18:50,707 THAT'S MARIE'S. SHE HAS GUM DISEASE. 361 00:18:50,708 --> 00:18:52,707 WHAT TIME DO YOUR FELLOW COGS ROLL IN? 362 00:18:52,708 --> 00:18:54,749 WELL, SOME GUY COMES IN AROUND DAWN 363 00:18:54,750 --> 00:18:57,165 TO CALL THE PHILIPPINES ON THE W.A.T.S. LINE. 364 00:18:57,166 --> 00:18:59,165 LOOKS LIKE THE CLEANING CREW'S COME AND GONE. 365 00:18:59,166 --> 00:19:00,791 WHAT TIME IS IT? 366 00:19:00,792 --> 00:19:02,209 IT'S 8:30. 367 00:19:03,083 --> 00:19:04,917 GOODNIGHT, GEORGE. 368 00:19:07,250 --> 00:19:09,290 IS SHE SLEEPY? 369 00:19:09,291 --> 00:19:11,000 SHE'S GETTING THERE. 370 00:19:11,959 --> 00:19:13,165 SHE'S SO BORING. 371 00:19:13,166 --> 00:19:15,125 ALL SHE DOES IS SLEEP AND POOP. 372 00:19:16,125 --> 00:19:18,541 SAME AS YOU DID, YOUNG LADY. 373 00:19:18,542 --> 00:19:21,166 DO YOU THINK SHE'S GOING TO BE AS SMART AS I AM? 374 00:19:21,167 --> 00:19:22,542 OH, I HOPE SO. 375 00:19:24,333 --> 00:19:26,000 GOODNIGHT, GEORGIA. 376 00:19:27,125 --> 00:19:28,791 LEAVE IT OPEN. 377 00:19:28,792 --> 00:19:30,541 OH, WELL, WE'RE GOING TO BE UP 378 00:19:30,542 --> 00:19:32,124 TALKING FOR A WHILE, SWEETIE. 379 00:19:32,125 --> 00:19:33,125 I LIKE THAT. 380 00:19:35,417 --> 00:19:36,917 NIGHT-NIGHT. 381 00:19:42,000 --> 00:19:43,416 IF WE SPLIT UP INTO PAIRS, 382 00:19:43,417 --> 00:19:45,207 WE CAN CATALOG IT ALL BY MORNING. 383 00:19:45,208 --> 00:19:47,290 WHY PAIRS? 384 00:19:47,291 --> 00:19:49,624 ONE PERSON READS, ONE PERSON TYPES. 385 00:19:49,625 --> 00:19:51,249 HEAR THAT, DAISY? PAIRS. 386 00:19:51,250 --> 00:19:54,207 I'M GOING TO WORK ALONE. I WORK BETTER ALONE, 387 00:19:54,208 --> 00:19:55,416 AND THERE ARE FIVE OF US, 388 00:19:55,417 --> 00:19:57,166 SO SOMEBODY HAS TO BE ALONE. 389 00:19:57,167 --> 00:19:58,374 I'M SUPERVISING. 390 00:19:58,375 --> 00:20:00,874 WHAT IS THERE TO SUPERVISE? 391 00:20:00,875 --> 00:20:03,582 I'M GOING TO COPY SOME OF THEM DOWN IN THE LEDGER, 392 00:20:03,583 --> 00:20:04,749 JUST TO BE SAFE. 393 00:20:04,750 --> 00:20:05,874 YOU DON'T NEED TO DO THAT. 394 00:20:05,875 --> 00:20:07,290 WHAT IF THE MATERIAL GETS LOST? 395 00:20:07,291 --> 00:20:08,541 THERE'S A TAPE BACK-UP, 396 00:20:08,542 --> 00:20:10,958 AND IT AUTO-SAVES TO AN OFF-SITE SERVER. 397 00:20:10,959 --> 00:20:13,874 CHIM-CHAM, AND IT GEEGAWS TO A HOO-HA WHIMMY-WHIZZLE. 398 00:20:13,875 --> 00:20:15,999 FINE, YOU WANT TO USE YOUR FOUNTAIN PEN, 399 00:20:16,000 --> 00:20:17,791 YOU GO FOR IT, 400 00:20:17,792 --> 00:20:19,999 BUT AT THE END OF A LONG NIGHT, 401 00:20:20,000 --> 00:20:22,083 AND YOU'VE MANAGED TO COVER THREE PAGES, 402 00:20:22,084 --> 00:20:23,041 FEEL GOOD ABOUT IT. 403 00:20:23,042 --> 00:20:24,791 [CLATTERING] 404 00:20:24,792 --> 00:20:26,166 WHAT WAS THAT? 405 00:20:41,667 --> 00:20:44,041 FUCKING GRAVELINGS. 406 00:20:44,042 --> 00:20:46,166 THEY DON'T HAVE ANYTHING BETTER TO DO ON THEIR DAY OFF? 407 00:20:49,500 --> 00:20:50,999 [DAISY]: "I SHOULD HAVE GONE 408 00:20:51,000 --> 00:20:52,167 TO ART SCHOOL." 409 00:20:56,209 --> 00:20:57,583 "I SHOULD HAVE SAID YES." 410 00:20:59,542 --> 00:21:00,791 "I SHOULD HAVE..." 411 00:21:00,792 --> 00:21:02,332 WAIT, WAIT, WAIT. "I SHOULD HAVE" WHAT? 412 00:21:02,333 --> 00:21:03,958 SAID YES. 413 00:21:03,959 --> 00:21:07,000 OH. THERE'S A LOT OF THAT GOING AROUND, HUH? 414 00:21:07,542 --> 00:21:08,667 PLEASE. 415 00:21:11,209 --> 00:21:13,499 OKAY, I'M NOT YOUR TYPE. 416 00:21:13,500 --> 00:21:14,999 SO WHO IS? 417 00:21:15,000 --> 00:21:17,040 "I SHOULD HAVE HELD HER HAND." DAISY, DAISY, DAISY. 418 00:21:17,041 --> 00:21:19,042 COME ON, SERIOUSLY. TELL ME. 419 00:21:22,166 --> 00:21:23,458 MY TYPE? 420 00:21:25,959 --> 00:21:27,375 WHERE TO BEGIN? 421 00:21:29,291 --> 00:21:33,416 THERE NEEDS TO BE SOMETHING ABOUT THE WAY THE MAN LOOKS 422 00:21:33,417 --> 00:21:35,177 THAT GIVES ME CHILLS ON THE BACK OF THE NECK. 423 00:21:36,417 --> 00:21:38,125 RICH IS GOOD. 424 00:21:39,458 --> 00:21:41,040 OKAY, RICH IS IMPERATIVE. 425 00:21:41,041 --> 00:21:45,582 RICH AND FAMOUS, A LETHAL COMBINATION. 426 00:21:45,583 --> 00:21:48,999 I ONCE HAD A GUY, WHO SHALL REMAIN BING CROSBY, 427 00:21:49,000 --> 00:21:50,124 WHO SENT ME TWO DOZEN LILIES 428 00:21:50,125 --> 00:21:51,666 EVERY SINGLE DAY 429 00:21:51,667 --> 00:21:53,147 FOR THE SEVEN MONTHS WE WERE TOGETHER. 430 00:21:53,917 --> 00:21:55,999 AFTER WE BROKE IT OFF, 431 00:21:56,000 --> 00:21:59,209 I FELL FOR A BIG CHEESE OVER AT MGM. 432 00:22:00,917 --> 00:22:03,916 HE PROMISED ME AN EXCLUSIVE STUDIO CONTRACT 433 00:22:03,917 --> 00:22:05,874 JUST AS SOON AS HIS DIVORCE CAME THROUGH, 434 00:22:05,875 --> 00:22:08,041 AND THEN THERE WAS... THE SENATOR. 435 00:22:10,542 --> 00:22:12,082 HE MIGHT'VE BEEN... 436 00:22:12,083 --> 00:22:13,834 "IT'S FREEZING." 437 00:22:18,583 --> 00:22:20,125 "MAMA. OH, MAMA." 438 00:22:26,083 --> 00:22:27,583 "I GIVE UP." 439 00:22:30,959 --> 00:22:33,583 "FUCK, IT'S JUST SEAWEED." 440 00:22:43,000 --> 00:22:44,374 WHAT PILE IS THIS? 441 00:22:44,375 --> 00:22:46,125 MID-OCEAN DEATHS. 442 00:22:47,083 --> 00:22:49,582 LET ME TYPE, RUBE. I'M GETTING BETTER. 443 00:22:49,583 --> 00:22:50,749 NO, YOU'RE NOT. 444 00:22:50,750 --> 00:22:52,290 IT'S THE KEYS. 445 00:22:52,291 --> 00:22:54,582 YOU BREATHE ON THEM, THEY GO DOWN. 446 00:22:54,583 --> 00:22:55,958 I HAD AN OLD MANHATTAN B, 447 00:22:55,959 --> 00:22:58,084 AND THE THING WAS A GATLING FOR YOUR THOUGHTS. 448 00:22:58,667 --> 00:23:00,041 LET ME TYPE, RUBE. 449 00:23:00,042 --> 00:23:01,375 I'M GETTING BETTER. 450 00:23:03,458 --> 00:23:05,249 THEY'RE ALL... EVERYTHING'S IN CAPS. 451 00:23:05,250 --> 00:23:06,625 OH, FUCK. 452 00:23:45,750 --> 00:23:47,165 MOM? 453 00:23:47,166 --> 00:23:49,124 DID I WAKE YOU? 454 00:23:49,125 --> 00:23:50,500 WHAT ARE YOU READING? 455 00:23:51,792 --> 00:23:53,999 IT'S CALLED CAT'S CRADLE. 456 00:23:54,000 --> 00:23:57,249 SOMEONE LEFT IT. I LOVE IT. 457 00:23:57,250 --> 00:23:59,667 I LOVE THE BOOKS THAT PEOPLE LEAVE HERE. 458 00:24:00,333 --> 00:24:02,083 WHY DON'T PEOPLE STEAL THEM? 459 00:24:02,750 --> 00:24:05,124 I DON'T KNOW. 460 00:24:05,125 --> 00:24:08,208 THEY'RE THE KIND OF BOOKS YOU WOULDN'T READ AT HOME. 461 00:24:08,209 --> 00:24:09,750 I WANT TO TAKE THEM ALL HOME. 462 00:24:10,542 --> 00:24:11,749 WHY? 463 00:24:11,750 --> 00:24:13,666 BECAUSE THEY MAKE YOU HAPPY. 464 00:24:13,667 --> 00:24:15,249 NOW, WHO'S HAPPY? 465 00:24:15,250 --> 00:24:16,667 EVERYBODY. 466 00:24:18,250 --> 00:24:20,000 WHAT TIME IS IT? 467 00:24:21,083 --> 00:24:22,916 I GUESS I'M ONE OF THE FEW PEOPLE 468 00:24:22,917 --> 00:24:24,916 WHO CAN KNOW IT FOR SURE, 469 00:24:24,917 --> 00:24:25,999 BUT THE ONLY THING 470 00:24:26,000 --> 00:24:28,624 AS RANDOM AND UNLIKELY AS MY DEATH 471 00:24:28,625 --> 00:24:30,040 WAS MY BIRTH. 472 00:24:30,041 --> 00:24:31,457 HELLO, LARRY. 473 00:24:31,458 --> 00:24:32,583 YEAH. 474 00:24:33,417 --> 00:24:34,666 JOHNNY. JOHNNY-BOY. 475 00:24:34,667 --> 00:24:36,332 HOW'S IT HANGING? YES. 476 00:24:36,333 --> 00:24:37,666 MARY, COME ON. 477 00:24:37,667 --> 00:24:39,042 WHAT'S THE 411? 478 00:24:39,750 --> 00:24:41,583 WHAT THE HELL ARE YOU DOING? 479 00:24:42,917 --> 00:24:45,375 OH, I'M PRETENDING TO CARE ABOUT ALL THESE PEOPLE. 480 00:24:45,708 --> 00:24:46,999 OH. 481 00:24:47,000 --> 00:24:48,999 WELL, THE GUY WHO SITS IN THAT CUBICLE 482 00:24:49,000 --> 00:24:51,958 HAS A WEBSITE DEDICATED TO RARE BUTTONS, 483 00:24:51,959 --> 00:24:55,374 AND THE WOMAN WHO SITS IN THERE HAS PHONE SEX 484 00:24:55,375 --> 00:24:58,166 WITH A HIGH SCHOOL SENIOR FROM NEW MEXICO... 485 00:24:58,167 --> 00:25:00,083 NATIVE AMERICAN... 486 00:25:00,084 --> 00:25:01,917 AND THE WOMAN WHO SITS OVER THERE... 487 00:25:03,875 --> 00:25:05,708 IS SITTING OVER THERE. 488 00:25:07,083 --> 00:25:08,375 CRYSTAL? 489 00:25:09,375 --> 00:25:11,290 WE HAVE A PROBLEM. 490 00:25:11,291 --> 00:25:13,666 I DON'T THINK IT'S A PROBLEM. 491 00:25:13,667 --> 00:25:14,708 GRAVELINGS? 492 00:25:15,458 --> 00:25:16,834 HMM. WEIRDER. 493 00:25:23,667 --> 00:25:25,165 IT'S FINE. 494 00:25:25,166 --> 00:25:28,250 SHE SAID SHE CAME HERE TO WATER HER PLANTS, 495 00:25:30,084 --> 00:25:32,541 AND SHE OFFERED TO HELP. 496 00:25:32,542 --> 00:25:34,262 DOES SHE KNOW YOU'RE NO LONGER EMPLOYED HERE? 497 00:25:35,291 --> 00:25:38,291 IT'S REALLY HARD TO TELL WHAT CRYSTAL KNOWS. 498 00:25:40,166 --> 00:25:41,208 IT'S 2:30. 499 00:25:42,291 --> 00:25:44,125 WE HAVE A LOT MORE TO DO. 500 00:25:44,583 --> 00:25:45,917 DOES IT TYPE? 501 00:25:46,792 --> 00:25:48,958 "HOW COULD SHE DO IT?" 502 00:25:48,959 --> 00:25:51,082 "HOW COULD HE DO IT?" 503 00:25:51,083 --> 00:25:53,165 "WHY DID SHE DO THIS?" 504 00:25:53,166 --> 00:25:55,458 AM I GOING TOO FAST? YOU SURE? UH-HUH. 505 00:25:56,375 --> 00:25:58,666 "THIS'LL SHOW HER." 506 00:25:58,667 --> 00:26:00,291 "HE WON'T FORGET ME NOW." 507 00:26:00,959 --> 00:26:02,084 "NO." 508 00:26:04,166 --> 00:26:05,458 "YES." 509 00:26:08,125 --> 00:26:10,167 "NOW, THAT'S IRONIC." 510 00:26:12,959 --> 00:26:14,707 OLDER MEN ARE FINE. 511 00:26:14,708 --> 00:26:16,417 WELL, OLDER MEN CAN BE DELIGHTFUL. 512 00:26:17,041 --> 00:26:18,457 THEY DEMAND LESS, 513 00:26:18,458 --> 00:26:21,083 THEY'RE EXTRA ATTENTIVE TO THEIR PERSONAL HYGIENE, 514 00:26:21,084 --> 00:26:22,583 THEY GIVE FABULOUS GIFTS, 515 00:26:23,583 --> 00:26:25,708 THEY'RE ALWAYS REALLY GRATEFUL, 516 00:26:28,167 --> 00:26:31,208 THOUGH THEY VERY, VERY RARELY LEAVE THEIR WIVES. 517 00:26:34,291 --> 00:26:35,749 THAT WAS INFORMATIVE. 518 00:26:35,750 --> 00:26:37,833 SHALL WE TAKE ANOTHER STAB AT THESE? 519 00:26:37,834 --> 00:26:39,708 YEAH. YOU READ, I TYPE. 520 00:26:42,333 --> 00:26:43,999 "WHY?" 521 00:26:44,000 --> 00:26:46,207 BECAUSE I'M CERTAIN I'M THE BETTER TYPIST. 522 00:26:46,208 --> 00:26:47,874 LAST THOUGHT. 523 00:26:47,875 --> 00:26:51,000 OH, WHY. SHORT AND SWEET. 524 00:26:52,792 --> 00:26:54,792 HMM. "I WISH I HAD SOMEONE." 525 00:26:55,750 --> 00:26:57,500 "I WISH I HAD SOMEONE." 526 00:26:59,917 --> 00:27:01,500 "IS ANYONE THERE?" 527 00:27:03,834 --> 00:27:05,959 "WHY CAN'T SOMEBODY BE WITH ME?" 528 00:27:10,083 --> 00:27:11,792 "BORN ALONE, DIE ALONE." 529 00:27:20,041 --> 00:27:21,708 "I FEEL EMPTY." 530 00:27:34,792 --> 00:27:36,833 WE'RE MAKING GOOD PROGRESS, PEANUT. 531 00:27:36,834 --> 00:27:38,417 AHEAD OF SCHEDULE. 532 00:27:39,166 --> 00:27:41,624 DELORES ALWAYS SAID I WAS "EXCELLENT" 533 00:27:41,625 --> 00:27:44,582 AT IMPLEMENTING ACTION PLANS." 534 00:27:44,583 --> 00:27:46,333 WELL, THEY WERE LUCKY TO HAVE HAD YOU. 535 00:27:47,167 --> 00:27:48,583 HAD YOU STAYED, 536 00:27:49,834 --> 00:27:51,124 MAYBE YOU WOULD HAVE BEEN NAMED 537 00:27:51,125 --> 00:27:52,916 HAPPY TIME WORKER OF THE YEAR. 538 00:27:52,917 --> 00:27:54,290 I GUESS. 539 00:27:54,291 --> 00:27:56,416 WHY ARE WE DOING ALL THIS? 540 00:27:56,417 --> 00:27:57,977 YOU MEAN, IF A TREE FALLS IN THE FOREST, 541 00:27:58,001 --> 00:27:59,707 WHO GIVES A FLYING FUCK? 542 00:27:59,708 --> 00:28:00,834 YEAH. 543 00:28:01,959 --> 00:28:04,083 LIKE, WHO WAS ALL THIS WORK FOR? 544 00:28:04,084 --> 00:28:06,291 KNOW WHAT HENRY WARD BEECHER'S LAST WORDS WERE? 545 00:28:07,042 --> 00:28:08,457 NO. 546 00:28:08,458 --> 00:28:09,834 NOW COMES MYSTERY. 547 00:28:10,417 --> 00:28:11,708 BEAUTIFUL. 548 00:28:12,667 --> 00:28:14,416 KNOW WHAT HIS LAST THOUGHTS WERE? 549 00:28:14,417 --> 00:28:15,624 NO. 550 00:28:15,625 --> 00:28:17,208 ME NEITHER. 551 00:28:17,209 --> 00:28:18,769 HAVEN'T BEEN ABLE TO FIND HIS PAPERWORK. 552 00:28:20,000 --> 00:28:22,207 WE'RE WITNESSES, PEANUT. 553 00:28:22,208 --> 00:28:23,417 EVERYONE MATTERS. 554 00:28:26,250 --> 00:28:29,125 BUT WHO IS ALL THIS WORK FOR? 555 00:28:29,750 --> 00:28:31,541 ANYONE WHO'S INTERESTED. 556 00:28:31,542 --> 00:28:32,834 ARE YOU? 557 00:28:34,625 --> 00:28:35,708 YES. 558 00:28:36,583 --> 00:28:38,457 YOU CAN'T SMOKE IN HERE. 559 00:28:38,458 --> 00:28:40,708 OH, FUCK THAT BULLSHIT. THEY CAN BLOW ME. 560 00:28:44,000 --> 00:28:45,290 I'VE GOT A QUESTION. 561 00:28:45,291 --> 00:28:47,084 YES, YOU'RE BURNING IT. 562 00:28:47,834 --> 00:28:49,541 NO, YOU DON'T HAVE TO EAT IT. 563 00:28:49,542 --> 00:28:50,583 NO. 564 00:28:51,291 --> 00:28:53,374 WHY CAN'T WE LIVE HERE? 565 00:28:53,375 --> 00:28:55,290 HERE? IN THIS CABIN. 566 00:28:55,291 --> 00:28:57,499 GEORGIA, YOU COULDN'T FIT HALF YOUR TOYS IN THERE. 567 00:28:57,500 --> 00:28:59,416 I DON'T NEED MY TOYS. 568 00:28:59,417 --> 00:29:01,165 YEAH, I'D LIKE TO SEE THAT. 569 00:29:01,166 --> 00:29:03,166 I COULD LIVE HERE. 570 00:29:03,167 --> 00:29:04,167 LET'S DO IT, FOR REAL. 571 00:29:05,542 --> 00:29:08,749 SOMETIMES I LOOK AT ALL THE CRAP IN OUR HOUSE, 572 00:29:08,750 --> 00:29:11,125 ALL THOSE THINGS WE NEEDED... 573 00:29:11,834 --> 00:29:13,457 I COULD DO WITHOUT. 574 00:29:13,458 --> 00:29:15,298 I'M GOING TO MAKE GEORGE JUMP IN THE LAKE, JOY. 575 00:29:15,322 --> 00:29:17,489 I'M NOT JUMPING IN THE LAKE. 576 00:29:19,041 --> 00:29:21,165 I'M SERIOUS. 577 00:29:21,166 --> 00:29:24,208 I MEAN, IF WE DIDN'T HAVE TO WORK SO HARD TO MAKE THE MONEY, 578 00:29:24,209 --> 00:29:25,569 WE WOULDN'T HAVE TO SPEND THE MONEY 579 00:29:25,593 --> 00:29:28,259 TO MAKE OURSELVES FEEL BETTER ABOUT WORKING SO HARD. 580 00:29:29,208 --> 00:29:30,750 WE COULD REALLY LIVE OUT HERE. 581 00:29:31,291 --> 00:29:32,417 DEEP. 582 00:29:33,792 --> 00:29:35,166 SHUT UP. 583 00:29:35,167 --> 00:29:37,916 NO, YOU'RE RIGHT. WE COULD HAVE A MUCH SIMPLER LIFE. 584 00:29:37,917 --> 00:29:40,416 LET'S DO IT. I DON'T NEED ANYTHING BACK THERE. 585 00:29:40,417 --> 00:29:43,000 I CAN TEACH REGGIE ABOUT FISHING AND EVERYTHING. 586 00:29:44,083 --> 00:29:46,165 WHAT WOULD WE DO ALL DAY? 587 00:29:46,166 --> 00:29:47,291 THIS. 588 00:29:54,625 --> 00:29:56,499 "I DON'T UNDERSTAND." 589 00:29:56,500 --> 00:29:58,000 THAT'S WHERE THAT ONE ENDS. 590 00:30:01,084 --> 00:30:02,542 "I'M SO ALONE." 591 00:30:06,959 --> 00:30:08,500 "THERE'S NOBODY." 592 00:30:11,750 --> 00:30:12,834 ARE WE ALMOST FINISHED? 593 00:30:13,792 --> 00:30:15,583 YEAH. A COUPLE MORE. 594 00:30:18,000 --> 00:30:19,840 WHAT DO YOU SAY THE VERY SECOND WE'RE DONE HERE, 595 00:30:19,864 --> 00:30:21,864 WE GO BACK TO MY PLACE FOR A DRINK? 596 00:30:23,792 --> 00:30:25,166 DON'T FUCK WITH ME, DAISY. 597 00:30:25,167 --> 00:30:26,290 I PROBABLY WON'T, 598 00:30:26,291 --> 00:30:28,091 BUT A DRINK OR TWO ISN'T GOING TO KILL ANYBODY, 599 00:30:28,115 --> 00:30:29,166 LEAST OF ALL US, RIGHT? 600 00:30:29,167 --> 00:30:30,834 WHAT'S YOUR POISON? I'M GUESSING JAMESONS. 601 00:30:32,083 --> 00:30:33,417 UH, YEAH. 602 00:30:35,083 --> 00:30:37,249 YOU'RE NOT SUCH BAD COMPANY. 603 00:30:37,250 --> 00:30:40,083 I'M GUESSING WITH SOME DISINFECTANT SOAP 604 00:30:40,084 --> 00:30:41,499 AND AMERICAN DENTISTRY, 605 00:30:41,500 --> 00:30:43,208 YOU'D CLEAN UP JUST FINE. 606 00:30:47,041 --> 00:30:48,792 "I WISH I'D TAKEN BETTER CARE OF LUCY." 607 00:30:51,000 --> 00:30:52,959 THAT IS IT FOR THIS ONE. 608 00:30:56,834 --> 00:30:58,999 ARE YOU JUST CHECKING IT OVER? 609 00:30:59,000 --> 00:31:00,042 GOOD. 610 00:31:02,625 --> 00:31:04,375 DO YOU LIKE YOUR JOB? 611 00:31:05,125 --> 00:31:06,917 I HEAR YOU, GIRL. 612 00:31:08,041 --> 00:31:10,250 IT'S ALL JUST ONE BIG SHRUG. 613 00:31:12,625 --> 00:31:14,125 PAPER CLIPS? 614 00:31:15,500 --> 00:31:20,499 OH, I'M ORGANIZED LIKE THIS, TOO. 615 00:31:20,500 --> 00:31:23,499 I DO NOT UNDERSTAND PEOPLE WHO CAN'T FIND THEIR OWN SHIT. 616 00:31:23,500 --> 00:31:24,583 YOU? 617 00:31:26,000 --> 00:31:28,791 PUT THINGS IN THEIR PLACE. 618 00:31:28,792 --> 00:31:30,374 THEN THEY CALL YOU ANAL, 619 00:31:30,375 --> 00:31:31,916 LIKE HOLDING ALL YOUR SHIT IN AT FOUR 620 00:31:31,917 --> 00:31:33,249 HAS SOMETHING TO DO 621 00:31:33,250 --> 00:31:36,040 WITH WHY YOU PUT THE STAPLES IN A BOX NEXT TO THE STAPLER. 622 00:31:36,041 --> 00:31:37,332 KNOW WHAT I'M TALKING ABOUT? 623 00:31:37,333 --> 00:31:38,582 "PLEASE, PLEASE, PLEASE." 624 00:31:38,583 --> 00:31:39,791 "I WANT TO HEAR A VOICE." 625 00:31:39,792 --> 00:31:41,542 "WHY AM I SO LONELY?" 626 00:31:42,417 --> 00:31:44,624 IT'S THE SECOND-TO-LAST PAGE, RIGHT? 627 00:31:44,625 --> 00:31:46,332 THIS ONE SHOULD BE "WHY AM I SO ALONE?" 628 00:31:46,333 --> 00:31:47,542 SORRY. 629 00:31:51,208 --> 00:31:53,416 WELL, YOU CAN DO THE LAST ONES WITHOUT ME. 630 00:31:53,417 --> 00:31:54,791 I'M GOING TO TAKE A QUICK BREAK. 631 00:31:54,792 --> 00:31:56,125 DON'T FORGET ABOUT THAT DRINK. 632 00:31:57,166 --> 00:31:58,375 I WON'T. 633 00:32:02,084 --> 00:32:03,583 ALL RIGHT. 634 00:32:04,792 --> 00:32:05,999 SO I TOLD THE GIRL, 635 00:32:06,000 --> 00:32:07,280 "IF WE'RE GOING TO SHARE THE MAN, 636 00:32:07,304 --> 00:32:08,833 WE MIGHT AS WELL JUST CUT HIM IN HALF," 637 00:32:08,834 --> 00:32:10,154 BECAUSE I'M NOT GOING TO BE DATING 638 00:32:10,178 --> 00:32:11,874 SOME DOUBLE-DIPPER, 639 00:32:11,875 --> 00:32:14,082 ESPECIALLY WHEN ALL THREE OF US KNOW ABOUT IT. 640 00:32:14,083 --> 00:32:16,833 WOULD YOU? UH-UH. 641 00:32:16,834 --> 00:32:19,791 I GUESS SHE THOUGHT WE WERE JUST GOING TO CHAT OVER DINNER. 642 00:32:19,792 --> 00:32:21,583 HUH. I MOVED OUT. 643 00:32:23,834 --> 00:32:25,250 YOU THINK I DID THE RIGHT THING? 644 00:32:28,125 --> 00:32:30,042 WE'RE ON THE SAME PAGE, GIRL. 645 00:32:35,042 --> 00:32:37,666 I DIDN'T KNOW ANYONE WAS IN HERE. 646 00:32:37,667 --> 00:32:41,082 RUBE DEMANDED A COPY OF THE HARD COPY. 647 00:32:41,083 --> 00:32:44,875 HE'S STILL A LITTLE SKITTISH ABOUT THE WHOLE DIGITAL THING. 648 00:32:45,542 --> 00:32:46,667 WELL. 649 00:32:48,250 --> 00:32:49,749 YOU GUYS ALMOST FINISHED? 650 00:32:49,750 --> 00:32:51,000 UH-HUH. 651 00:32:53,500 --> 00:32:54,708 DAISY? 652 00:32:58,167 --> 00:33:00,084 DOESN'T IT BOTHER YOU, GEORGIA? 653 00:33:02,084 --> 00:33:03,209 WHAT? 654 00:33:05,458 --> 00:33:06,875 EVERYBODY'S THOUGHTS ARE THE SAME. 655 00:33:08,375 --> 00:33:11,416 TWO-THIRDS ARE PEOPLE WHO REGRET. 656 00:33:11,417 --> 00:33:14,833 THE REST ARE PEOPLE WHO FORGOT TO DO STUFF 657 00:33:14,834 --> 00:33:19,041 OR ARE PRAYING OR... ARE ALONE. 658 00:33:20,083 --> 00:33:21,917 SHOULDN'T THERE BE MORE? 659 00:33:22,708 --> 00:33:24,582 MORE WHAT? 660 00:33:24,583 --> 00:33:28,084 MORE PILES. MORE WORDS. MORE THOUGHTS. 661 00:33:29,959 --> 00:33:31,000 I GUESS. 662 00:33:34,084 --> 00:33:36,375 AND THEN... AND THEN YOU DIE, 663 00:33:37,417 --> 00:33:39,125 AND YOU MIGHT BECOME A REAPER, 664 00:33:39,750 --> 00:33:41,624 AND THE MAGIC OF CREATION, 665 00:33:41,625 --> 00:33:44,791 WELL, THAT TURNS OUT TO BE A 9:00 TO 5:00 GRIND 666 00:33:44,792 --> 00:33:46,290 WITH LOTS OF PAPERWORK. 667 00:33:46,291 --> 00:33:49,458 IT'S JUST... IT'S SO... IT'S SO EVERYDAY. 668 00:33:51,209 --> 00:33:53,916 LOTS OF PEOPLE LEAVE. 669 00:33:53,917 --> 00:33:55,959 THERE'S NOTHING EVERYDAY ABOUT WHERE THEY'RE GOING. 670 00:33:57,291 --> 00:33:59,290 HOW DO YOU KNOW THAT'S TRUE? 671 00:33:59,291 --> 00:34:02,250 MAYBE WE JUST KEEP MOVING FROM ONE FILING JOB TO THE NEXT. 672 00:34:03,125 --> 00:34:04,583 OH, MY GOD. 673 00:34:05,667 --> 00:34:07,958 WE'RE ALL TEMPS. 674 00:34:07,959 --> 00:34:10,916 IT WAS STRANGE TO HEAR THE SECRET OF THE UNIVERSE 675 00:34:10,917 --> 00:34:13,041 TUMBLE OUT OF THE MOUTH OF A FALLEN STARLET 676 00:34:14,041 --> 00:34:16,375 IN A COPY ROOM AT 3:00 IN THE MORNING, 677 00:34:18,333 --> 00:34:20,458 BUT CONSIDERING WHAT THE SECRET WAS, 678 00:34:21,042 --> 00:34:22,458 IT WAS PERFECT. 679 00:34:32,667 --> 00:34:34,227 [CLANCY]: I HATE SPIDERS. PLEASE KILL IT. 680 00:34:34,228 --> 00:34:35,352 [JOY]: THAT'S A BIG SUCKER. 681 00:34:35,353 --> 00:34:36,874 JUST PLEASE KILL IT FOR ME. 682 00:34:36,875 --> 00:34:38,707 CLANCY, DON'T BE SUCH A PUSSY. 683 00:34:38,708 --> 00:34:41,249 JOY, YOU KNOW THAT I HAVE A PHOBIA ABOUT SPIDERS. 684 00:34:41,250 --> 00:34:42,791 USE YOUR CELL PHONE. 685 00:34:42,792 --> 00:34:45,125 SEE IF YOU CAN FIND SOMEONE WHO GIVES A FLYING FUCK. 686 00:34:49,291 --> 00:34:51,916 "I SHOULD HAVE HELD HER HAND." 687 00:34:51,917 --> 00:34:54,708 THAT'S THE THING ABOUT LIFE... ISN'T IT? 688 00:35:26,583 --> 00:35:30,999 HOW CAN SOMETHING BE SO BORING AND EXTRAORDINARY 689 00:35:31,000 --> 00:35:32,792 AT THE SAME TIME? 690 00:35:42,500 --> 00:35:43,917 GEORGIA, TIME TO GO! 691 00:35:44,083 --> 00:35:45,333 COMING! 692 00:36:01,125 --> 00:36:02,458 YOU READY FOR THAT DRINK? 693 00:36:03,875 --> 00:36:06,167 YOU KNOW WHAT? MAYBE SOME OTHER TIME, EH? 694 00:36:14,375 --> 00:36:16,166 COME ON. I'LL WALK YOU OUT, DAISY. 695 00:36:30,083 --> 00:36:32,083 THANKS FOR ALL YOUR HELP. 696 00:36:33,166 --> 00:36:35,791 I LIKE YOUR FRIEND ROXY. 697 00:36:35,792 --> 00:36:37,875 I'M SURE SHE LIKES YOU TOO. 698 00:36:40,500 --> 00:36:42,541 HEY, CRYSTAL... 699 00:36:42,542 --> 00:36:44,125 I WON'T TELL ANYONE. 700 00:36:52,167 --> 00:36:53,333 THANK YOU. 701 00:36:56,083 --> 00:36:58,041 HEY, RUBE, CAN I BORROW YOUR TRUCK? 702 00:37:09,042 --> 00:37:11,333 MY GOD, YOU'RE UP EARLY THIS MORNING, REG. 703 00:37:12,959 --> 00:37:14,500 WANT SOME HOT CHOCOLATE? 704 00:37:15,167 --> 00:37:16,958 UM, NO. 705 00:37:16,959 --> 00:37:18,041 HOW ABOUT SOME OATMEAL? 706 00:37:18,625 --> 00:37:20,375 NO, THANK YOU. 707 00:37:23,041 --> 00:37:24,959 HOW DID J.D. SLEEP? 708 00:37:26,125 --> 00:37:27,250 FINE. 709 00:37:28,708 --> 00:37:29,834 GOOD. 710 00:37:31,667 --> 00:37:32,792 YOU OKAY? 711 00:37:36,125 --> 00:37:37,167 NO. 712 00:37:37,583 --> 00:37:38,875 ARE YOU? 713 00:37:43,333 --> 00:37:44,375 NO. 714 00:37:47,125 --> 00:37:49,041 HEY, ARE THE FISH BITING THIS MORNING? 715 00:37:57,333 --> 00:37:58,792 I MISS HER. 716 00:38:06,625 --> 00:38:10,708 MAYBE WE COULD GO SOMEPLACE DIFFERENT NEXT SUMMER. 717 00:38:16,125 --> 00:38:17,250 OKAY. 718 00:39:33,792 --> 00:39:36,374 MAYBE DAISY WAS RIGHT. 719 00:39:36,375 --> 00:39:40,458 MAYBE DEATH WAS THE TEMP JOB AND LIFE WAS THE VACATION, 720 00:39:41,542 --> 00:39:42,958 A VACATION 721 00:39:42,959 --> 00:39:46,083 YOU WERE SUPPOSED TO SPEND WITH THE PEOPLE YOU LOVED, 722 00:39:46,084 --> 00:39:48,125 WITH PEOPLE WHO LOVED YOU, 723 00:39:49,125 --> 00:39:51,083 AND IF LIFE WAS THAT KIND OF VACATION, 724 00:39:51,084 --> 00:39:53,124 WHAT THEN? 725 00:39:53,125 --> 00:39:55,417 WHAT WOULD YOUR LAST THOUGHTS BE THEN?