1 00:00:04,800 --> 00:00:07,467 - OH, GOD, I'M EXHAUSTED. 2 00:00:07,500 --> 00:00:08,400 [groans] 3 00:00:08,433 --> 00:00:09,600 I COULD FALL ASLEEP RIGHT HERE. 4 00:00:09,633 --> 00:00:13,067 - ALL RIGHT, OKAY. I GET IT. 5 00:00:19,800 --> 00:00:21,500 - GET WHAT? 6 00:00:21,533 --> 00:00:25,133 - YOU DON'T GOT TO DO THE WHOLE "I'M TIRED" SHOW. 7 00:00:27,767 --> 00:00:28,767 DON'T WORRY. 8 00:00:28,800 --> 00:00:33,100 I WILL NOT BE...BOTHERING YOU THIS EVENING. 9 00:00:34,567 --> 00:00:35,633 - WAIT A MINUTE. 10 00:00:35,667 --> 00:00:36,567 YOU THINK THIS IS AN ACT 11 00:00:36,600 --> 00:00:39,200 SO I WON'T HAVE TO HAVE SEX WITH YOU? 12 00:00:39,233 --> 00:00:41,267 - NOT MUCH OF AN ACT. 13 00:00:44,333 --> 00:00:47,667 YOU COULD JAZZ IT UP WITH A SONG OR TWO. 14 00:00:47,700 --> 00:00:49,000 AND--AND BY THE WAY, 15 00:00:49,033 --> 00:00:52,633 I WASN'T GONNA DO ANYTHING LATER ANYWAY, OKAY, SO... 16 00:00:52,667 --> 00:00:57,567 YOU DON'T GOT TO INSULT ME WITH YOUR PREEMPTIVE STRIKE. 17 00:00:57,600 --> 00:00:58,767 - YOU'RE NUTS. 18 00:00:58,800 --> 00:00:59,733 - ADMIT IT. 19 00:00:59,767 --> 00:01:02,467 YOU CAME IN HERE TO TELL ME YOU WERE TIRED 20 00:01:02,500 --> 00:01:03,900 SO I WOULD LEAVE YOU ALONE LATER. 21 00:01:03,933 --> 00:01:04,900 - I DID NOT! 22 00:01:04,933 --> 00:01:05,900 - WHY CAN'T YOU ADMIT IT? 23 00:01:05,933 --> 00:01:07,233 - [sighs] 24 00:01:07,267 --> 00:01:09,267 - LOOK, YOU'RE TIRED, RIGHT? YOU HAD A LONG DAY. 25 00:01:09,300 --> 00:01:13,533 SO WHAT'S THE LAST THING YOU WOULD WANT TO DO LATER? 26 00:01:13,567 --> 00:01:16,000 - WELL, YOU MIGHT BE RIGHT ABOUT THAT. 27 00:01:16,033 --> 00:01:18,333 - HUH. SEE? I KNOW. 28 00:01:18,367 --> 00:01:21,333 I KNOW WHEN PEOPLE DON'T WANT TO HAVE SEX WITH ME. 29 00:01:23,400 --> 00:01:26,300 YOU'RE TALKIN' TO AN EXPERT. 30 00:01:26,333 --> 00:01:29,333 - OKAY, SO LET ME ASK YOU THIS... 31 00:01:29,367 --> 00:01:30,600 HOW COME YOU'RE ONLY PICKING UP 32 00:01:30,633 --> 00:01:32,433 THAT "I'M TIRED" MEANS "NO SEX TONIGHT"? 33 00:01:32,467 --> 00:01:34,067 HOW COME "I'M TIRED" DOESN'T ALSO MEAN 34 00:01:34,100 --> 00:01:36,000 "GEE, I COULD REALLY USE SOME HELP IN THE KITCHEN 35 00:01:36,033 --> 00:01:37,833 WITH ALL THOSE DISHES"? 36 00:01:37,867 --> 00:01:41,100 - WHAT AM I, A MIND READER? 37 00:01:42,867 --> 00:01:48,700 announcer: ANOTHER SEASON OF "EVERYBODY LOVES RAYMOND." 38 00:01:48,733 --> 00:01:51,667 [grunting] 39 00:01:55,033 --> 00:01:58,167 [triumphant instrumental music] 40 00:02:00,667 --> 00:02:02,200 [laughter] 41 00:02:20,633 --> 00:02:21,700 - HEY. 42 00:02:21,733 --> 00:02:25,000 - HI. 43 00:02:25,033 --> 00:02:26,400 - HOW'S YOUR BOOK? 44 00:02:26,433 --> 00:02:28,600 - IT'S REALLY GREAT. 45 00:02:28,633 --> 00:02:29,667 - YEAH? 46 00:02:29,700 --> 00:02:31,433 - YEAH, IT TAKES PLACE IN THE 19TH CENTURY-- 47 00:02:31,467 --> 00:02:34,067 - THAT'S VERY INTERESTING. 48 00:02:34,100 --> 00:02:36,133 - RAY! WHAT ARE YOU DOING? 49 00:02:36,167 --> 00:02:38,167 - WHAT? YOU'RE UP. 50 00:02:38,200 --> 00:02:40,633 - SO WHAT? 51 00:02:40,667 --> 00:02:41,600 - SO I-I COME IN HERE, 52 00:02:41,633 --> 00:02:43,133 YOU'RE UP; YOU'RE IN A GOOD MOOD. 53 00:02:43,167 --> 00:02:44,367 YOU'RE NOT TOO TIRED. 54 00:02:44,400 --> 00:02:45,800 - WHO SAYS I'M NOT TOO TIRED? 55 00:02:45,833 --> 00:02:47,500 ALL I'M DOING IS READING. 56 00:02:47,533 --> 00:02:48,767 - SO YOU CAN STAY UP TO READ, 57 00:02:48,800 --> 00:02:51,267 BUT YOU CAN'T SPARE TWO MINUTES FOR SEX? 58 00:02:53,567 --> 00:02:56,167 - LOOK, I'M SORRY, RAY, OKAY? 59 00:02:56,200 --> 00:02:57,967 IT'S NOT LIKE I'M TRYING TO TRICK YOU. 60 00:02:58,000 --> 00:02:59,900 I AM TIRED, 61 00:02:59,933 --> 00:03:01,600 AND I THOUGHT I WOULD DO A LITTLE READING 62 00:03:01,633 --> 00:03:04,933 BEFORE I FELL ASLEEP. 63 00:03:04,967 --> 00:03:07,533 - ALL RIGHT. 64 00:03:07,567 --> 00:03:09,300 THERE ARE OTHER THINGS WE COULD DO A LITTLE 65 00:03:09,333 --> 00:03:11,433 BEFORE WE BOTH FALL ASLEEP. 66 00:03:11,467 --> 00:03:14,833 I MEAN, WE'RE NOT TALKIN' ABOUT RUNNIN' A MARATHON HERE. 67 00:03:14,867 --> 00:03:17,133 WE'RE JUST GOING TO ROLL AROUND A LITTLE, YOU KNOW? 68 00:03:17,167 --> 00:03:20,000 I FIND IT VERY RELAXING AND RESTFUL, 69 00:03:20,033 --> 00:03:23,800 BUT WHAT THE HELL DO I KNOW? 70 00:03:23,833 --> 00:03:25,100 [sighs] YOU GO AHEAD, GO AHEAD-- 71 00:03:25,133 --> 00:03:26,600 - RAY, COME ON. 72 00:03:30,367 --> 00:03:31,733 - IF A BOOK ABOUT THE 19TH CENTURY 73 00:03:31,767 --> 00:03:36,133 DOESN'T PUT YOU TO SLEEP, HOW TIRED CAN YOU BE? 74 00:03:41,000 --> 00:03:44,567 SO WHAT YOU'RE SAYING IS THAT YOU WOULD RATHER READ? 75 00:03:44,600 --> 00:03:47,333 - TONIGHT, YES. 76 00:03:49,833 --> 00:03:52,833 - DO ME A FAVOR, IF THERE'S PEOPLE HAVING SEX IN THAT BOOK, 77 00:03:52,867 --> 00:03:55,400 COULD YOU READ OUT LOUD? 78 00:04:02,900 --> 00:04:05,467 - HERE, ONE OF YOU TRY THIS. 79 00:04:08,500 --> 00:04:11,067 - OH, GOD! 80 00:04:11,100 --> 00:04:13,000 THIS IS AWFUL! 81 00:04:20,567 --> 00:04:25,600 - I THOUGHT SO. IT'S DEBRA'S. 82 00:04:25,633 --> 00:04:26,600 IT'S GONE BAD. 83 00:04:26,633 --> 00:04:27,433 ALTHOUGH, WITH DEBRA, 84 00:04:27,467 --> 00:04:29,967 IT PROBABLY DIDN'T HAVE FAR TO GO. 85 00:04:30,000 --> 00:04:33,100 - WAIT A MINUTE. LET ME SEE THAT. 86 00:04:46,400 --> 00:04:49,567 YOU'RE RIGHT. THIS IS NOT GOOD. 87 00:04:53,033 --> 00:04:57,600 THE UNDERPART'S A LITTLE BETTER. 88 00:04:57,633 --> 00:04:59,100 - WHAT IS IT? 89 00:04:59,133 --> 00:05:00,733 - I DON'T KNOW. 90 00:05:00,767 --> 00:05:01,833 IT'S GOT A CRUNCH, 91 00:05:01,867 --> 00:05:06,100 BUT I DON'T THINK THAT'S ON PURPOSE. 92 00:05:09,400 --> 00:05:11,233 - OH, HELLO, RAYMOND. 93 00:05:11,267 --> 00:05:13,000 - MA, WHAT ARE YOU DOING? 94 00:05:13,033 --> 00:05:14,367 - I'M CLEANING YOUR FRIDGE. 95 00:05:14,400 --> 00:05:17,200 I THOUGHT IT WAS JUST ONE ITEM, BUT ONCE I OPENED IT... 96 00:05:17,233 --> 00:05:20,533 WELL, DEAR, IT'S NOT GOOD NEWS. 97 00:05:20,567 --> 00:05:23,000 - MA, YOU--YOU PROBABLY SHOULDN'T BE DOING THIS. 98 00:05:23,033 --> 00:05:26,233 OH. ALL RIGHT, DO IT TO THAT. 99 00:05:26,267 --> 00:05:29,267 JUST HURRY UP BEFORE SHE GETS BACK. 100 00:05:29,300 --> 00:05:31,033 - WHAT ELSE YOU GOT? 101 00:05:34,733 --> 00:05:36,600 - YOU FINISHED THAT? 102 00:05:36,633 --> 00:05:39,700 - YEP. 103 00:05:39,733 --> 00:05:42,500 - AND NOW WE WAIT. 104 00:05:46,867 --> 00:05:48,300 - WHAT DID YOU BUY, RAYMOND? 105 00:05:48,333 --> 00:05:50,033 - OH, UH...NO, IT'S NOTHING. 106 00:05:50,067 --> 00:05:51,633 - OH, SOMETHING SENSITIVE. 107 00:05:51,667 --> 00:05:52,933 - WHAT IS IT? 108 00:05:52,967 --> 00:05:55,067 - NO, IT'S JUST SHIRTS. 109 00:05:55,100 --> 00:05:56,767 - YOU BOUGHT SHIRTS? 110 00:05:56,800 --> 00:05:58,367 BY YOURSELF? 111 00:05:58,400 --> 00:05:59,867 - YES. 112 00:05:59,900 --> 00:06:03,333 - LET'S SEE THESE...SHIRTS. 113 00:06:03,367 --> 00:06:06,900 - I WOULD NOT BE COMFORTABLE WITH THAT, ALL RIGHT? 114 00:06:06,933 --> 00:06:08,233 - WHY THE HELL NOT? 115 00:06:08,267 --> 00:06:10,033 - BECAUSE, THEY'RE... 116 00:06:10,067 --> 00:06:12,000 UNDERSHIRTS. 117 00:06:12,033 --> 00:06:13,300 - ARE YOU TRYING TO HIDE SOMETHING? 118 00:06:13,333 --> 00:06:16,733 - MIND YOUR BUSINESS, MA. ALL RIGHT? 119 00:06:16,767 --> 00:06:19,767 - SENSUOPOLY. 120 00:06:26,433 --> 00:06:28,833 THE BOARD GAME OF LOVE AND INTIMACY. 121 00:06:28,867 --> 00:06:32,033 - IT'S A GAG GIFT THAT I GOT FOR A FRIEND OF MINE 122 00:06:32,067 --> 00:06:36,967 WHO...LOVES GAGS. 123 00:06:37,000 --> 00:06:38,333 - OH, REALLY? 124 00:06:38,367 --> 00:06:43,033 AND WHO IS THIS LOVER OF GAGS? 125 00:06:43,067 --> 00:06:45,400 WOULD HIS NAME START WITH AN "R" 126 00:06:45,433 --> 00:06:50,133 AND END WITH AN "AYMOND," HMM? 127 00:06:50,167 --> 00:06:51,500 - GIVE ME THE GAME. 128 00:06:51,533 --> 00:06:53,700 - I'VE HEARD OF THESE GAMES. THEY'RE FOR ADULTS ONLY. 129 00:06:53,733 --> 00:06:55,467 - OH, MY GOD. 130 00:06:55,500 --> 00:06:58,900 - GONNA SPICE THINGS UP, EH, RACY? 131 00:06:58,933 --> 00:07:00,167 - DAD, NO. IT'S JUST-- 132 00:07:00,200 --> 00:07:03,767 - OH, RAYMOND. ANOTHER SEX GAME? 133 00:07:03,800 --> 00:07:05,133 - WHAT ARE YOU TALKING ABOUT? 134 00:07:05,167 --> 00:07:07,733 - WELL, IT'S LIKE THE OTHER ONE YOU HAD WHEN YOU WERE YOUNGER 135 00:07:07,767 --> 00:07:09,667 WITH ALL THE COLORED DOTS. 136 00:07:09,700 --> 00:07:11,567 - TWISTER? 137 00:07:13,200 --> 00:07:17,167 - DON'T THINK I DIDN'T KNOW WHAT WAS GOING ON DOWNSTAIRS. 138 00:07:17,200 --> 00:07:20,700 - WHAT? I PLAYED WITH ROBERT. 139 00:07:20,733 --> 00:07:24,600 - I DON'T WANT TO HEAR ANY MORE. 140 00:07:24,633 --> 00:07:27,100 - THIS GAME MUST BE DEBRA'S DOING. 141 00:07:27,133 --> 00:07:28,200 - WELL, IT'S NOT. 142 00:07:28,233 --> 00:07:30,200 - I SHOULD HAVE GUESSED WHEN I OPENED THE FRIDGE 143 00:07:30,233 --> 00:07:33,033 WITH TWO BOTTLES OF WHITE WINE? 144 00:07:33,067 --> 00:07:36,067 ARE YOU SWINGERS? 145 00:07:36,100 --> 00:07:37,200 - ALL RIGHT, MA. 146 00:07:37,233 --> 00:07:40,367 YOU JUST ASKED IF I WAS A WIFE-SWAPPER. 147 00:07:40,400 --> 00:07:43,967 - NOW, THERE'S AN IDEA. 148 00:07:44,000 --> 00:07:45,267 I DON'T EVEN HAVE TO SWAP. 149 00:07:45,300 --> 00:07:48,333 I'LL JUST MAKE A DONATION. 150 00:07:53,433 --> 00:07:55,000 - I SURE HOPE YOU'RE BETTER AT THIS 151 00:07:55,033 --> 00:07:58,367 THAN YOU WERE AT TWISTER. 152 00:07:58,400 --> 00:08:03,433 AS I REMEMBER, YOU HAD NO FLEXIBILITY AT ALL. 153 00:08:03,467 --> 00:08:06,000 POOR DEBRA. 154 00:08:08,700 --> 00:08:10,700 - NO, YOU SHOULD CLOSE YOUR CURTAINS TOO. 155 00:08:10,733 --> 00:08:12,967 YOU NEVER KNOW WHO'S LOOKING INTO THE WINDOWS. 156 00:08:13,000 --> 00:08:15,400 - I GOT A PRETTY GOOD IDEA. 157 00:08:16,867 --> 00:08:17,833 - HEY. 158 00:08:17,867 --> 00:08:18,833 - HEY. - WHAT'S UP? 159 00:08:18,867 --> 00:08:19,967 - MOM! 160 00:08:20,000 --> 00:08:23,767 - WHATEVER YOU DO IN YOUR BEDROOM IS YOUR BUSINESS. 161 00:08:23,800 --> 00:08:25,700 - SENSUOPOLY? 162 00:08:25,733 --> 00:08:29,100 - IT'S NOT FROM ME. IT'S FROM HIM. 163 00:08:29,133 --> 00:08:31,967 - RAY, WHAT IS GOING ON? 164 00:08:32,000 --> 00:08:34,000 - I'LL TELL YOU WHAT'S GOING ON. 165 00:08:34,033 --> 00:08:36,300 FOR ONCE I'D LIKE TO BRING A GAME INTO THIS HOUSE 166 00:08:36,333 --> 00:08:39,333 WITHOUT BEING ACCUSED OF HAVING SEX WITH MY BROTHER. 167 00:08:44,267 --> 00:08:45,633 - LISTEN, SWEETHEART... 168 00:08:45,667 --> 00:08:47,967 EVERYBODY'S MAKING A BIG FUSS OVER NOTHING. 169 00:08:48,000 --> 00:08:49,400 NOW, I LOOKED AT THE BACK OF THE BOX, 170 00:08:49,433 --> 00:08:52,600 AND FROM WHAT I COULD SEE... 171 00:08:57,667 --> 00:09:00,333 TO BE CONTINUED. 172 00:09:14,133 --> 00:09:16,600 - OKAY, KIDS ARE DOWN. 173 00:09:16,633 --> 00:09:18,600 - YEAH. LISTEN... 174 00:09:18,633 --> 00:09:22,733 SORRY ABOUT THE EMBARRASSMENT TODAY WITH THE GAME AND ALL. 175 00:09:22,767 --> 00:09:24,733 YOU KNOW, I JUST-- I WENT TO THE STORE TO TRY 176 00:09:24,767 --> 00:09:26,900 TO BUY YOU A FUNNY CARD. YOU KNOW, 'CAUSE OF LAST NIGHT. 177 00:09:26,933 --> 00:09:29,733 BUT THEY'RE NOT FUNNY. THEY'RE JUST STUPID. 178 00:09:29,767 --> 00:09:33,233 THERE'S ONE FUNNY ONE-- THE OLD GUY WITH NO TEETH... 179 00:09:33,267 --> 00:09:34,500 [muffled] LIKE THIS... 180 00:09:34,533 --> 00:09:35,933 BUT, YEAH, I COULDN'T REMEMBER 181 00:09:35,967 --> 00:09:39,133 IF I GOT YOU THAT FOR VALENTINE'S DAY OR NOT SO... 182 00:09:39,167 --> 00:09:40,933 YOU KNOW, SO I JUST-- 183 00:09:40,967 --> 00:09:43,667 I GOT YOU THAT GAME JUST TO SAY, 184 00:09:43,700 --> 00:09:46,867 YOU KNOW, "HA HA." 185 00:09:46,900 --> 00:09:48,033 - IT'S OKAY, RAY. 186 00:09:48,067 --> 00:09:50,800 COME ON, LET'S GO PLAY. 187 00:09:50,833 --> 00:09:52,867 - WHAT? 188 00:09:52,900 --> 00:09:54,300 WHAT? 189 00:10:11,067 --> 00:10:12,367 YOU REALLY WANT TO PLAY THIS? 190 00:10:12,400 --> 00:10:15,167 EVEN THOUGH MY MOTHER KNOWS WE HAVE IT? 191 00:10:15,200 --> 00:10:16,167 - WE'VE ALREADY GOT THE GUILT. 192 00:10:16,200 --> 00:10:17,900 WE MIGHT AS WELL HAVE THE FUN. 193 00:10:17,933 --> 00:10:20,400 - WELL, ALL RIIIGHT! 194 00:10:21,967 --> 00:10:24,267 - OKAY. HERE'S THE DIRECTIONS. I'VE ALREADY READ THEM. 195 00:10:24,300 --> 00:10:27,167 - HEY, I DON'T NEED DIRECTIONS. 196 00:10:27,200 --> 00:10:31,467 I MEAN, IT'S BEEN A WHILE, BUT I REMEMBER. 197 00:10:31,500 --> 00:10:32,967 - OKAY, SO IT'S PRETTY SIMPLE. 198 00:10:33,000 --> 00:10:34,333 YOU JUST ROLL THE DICE, 199 00:10:34,367 --> 00:10:36,900 AND YOU DO WHATEVER IT SAYS ON THE SQUARE YOU LAND ON. 200 00:10:36,933 --> 00:10:38,100 - OKAY. - ALL RIGHT? 201 00:10:38,133 --> 00:10:39,767 NOW, SOME OF THE SQUARES ARE NAUGHTY... 202 00:10:39,800 --> 00:10:42,467 - HANG ON. 203 00:10:45,500 --> 00:10:47,200 GO AHEAD. 204 00:10:47,233 --> 00:10:48,433 - AND SOME ARE ROMANTIC. 205 00:10:48,467 --> 00:10:49,767 - YEAH, YEAH, YEAH, YEAH. 206 00:10:49,800 --> 00:10:51,800 - OKAY, SO I'LL GO FIRST. 207 00:10:51,833 --> 00:10:53,500 THIS IS ME. THAT'S YOU. 208 00:10:53,533 --> 00:10:55,667 - ALL RIGHT, COME ON, BUDDY, PUT YOUR GAME FACE ON. 209 00:10:55,700 --> 00:10:57,100 OOH, OOH... 210 00:10:57,133 --> 00:10:59,000 - ALL RIGHT, ALL RIGHT, ALL RIGHT, ALL RIGHT! 211 00:10:59,033 --> 00:11:01,200 STOP, STOP, STOP. OKAY, READY? 212 00:11:01,233 --> 00:11:02,833 - OOH, LUCKY NUMBER SEVEN. 213 00:11:02,867 --> 00:11:08,167 - OKAY, ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN. 214 00:11:08,200 --> 00:11:10,433 "KISS YOUR LOVER 215 00:11:10,467 --> 00:11:13,500 AS THOUGH THEY ARE ABOUT TO CLIMB MOUNT EVEREST." 216 00:11:13,533 --> 00:11:15,933 - OH, YEAH. 217 00:11:15,967 --> 00:11:18,233 - OKAY. 218 00:11:29,267 --> 00:11:31,067 RAY! RAY, RAY, STOP IT! 219 00:11:31,100 --> 00:11:32,967 RAY! 220 00:11:33,000 --> 00:11:34,333 IT'S YOUR TURN. 221 00:11:34,367 --> 00:11:35,633 - I LOVE THIS GAME. 222 00:11:35,667 --> 00:11:36,800 - RAY, COME ON! RAY! 223 00:11:36,833 --> 00:11:38,367 YOU'VE GOT TO ROLL! 224 00:11:38,400 --> 00:11:39,867 - HEY, I'M CLIMBING EVEREST. 225 00:11:39,900 --> 00:11:42,033 I COULD BE DEAD TOMORROW. 226 00:11:42,067 --> 00:11:44,800 - LISTEN, RAY! 227 00:11:44,833 --> 00:11:46,133 - I'M GOING AWAY! 228 00:11:46,167 --> 00:11:49,333 - WOULD YOU ROLL THE DICE? 229 00:11:49,367 --> 00:11:52,167 - ALL RIGHT, ALL RIGHT, ALL RIGHT, ALL RIGHT. 230 00:11:53,667 --> 00:11:55,567 OKAY. 231 00:11:57,867 --> 00:12:00,467 THREE. ONE, TWO, THREE. 232 00:12:00,500 --> 00:12:04,100 "TELL YOUR LOVER SOMETHING ABOUT YOU THEY DO NOT KNOW." 233 00:12:07,467 --> 00:12:08,800 I'M BACK FROM EVEREST! 234 00:12:08,833 --> 00:12:13,033 - RAY! RAY, COME ON. WOULD YOU...STOP IT! 235 00:12:13,067 --> 00:12:15,267 WOULD YOU STOP? 236 00:12:19,600 --> 00:12:22,567 YOU'RE SUPPOSED TO SHARE SOMETHING WITH ME. 237 00:12:22,600 --> 00:12:23,833 - I'M TRYING TO! 238 00:12:23,867 --> 00:12:26,067 - COME ON. 239 00:12:27,800 --> 00:12:30,033 - WHERE ARE THE FUN SQUARES? 240 00:12:30,067 --> 00:12:32,133 - THE BLUE SQUARES ARE NAUGHTY. 241 00:12:32,167 --> 00:12:33,967 THE PINK SQUARES ARE ROMANTIC. 242 00:12:34,000 --> 00:12:35,067 - PINK. 243 00:12:35,100 --> 00:12:37,300 - ALL RIGHT, COME ON. 244 00:12:37,333 --> 00:12:40,433 TELL ME SOMETHING I DON'T KNOW ABOUT YOU. 245 00:12:40,467 --> 00:12:42,033 - ALL RIGHT. SOMETHING YOU DON'T KNOW. 246 00:12:42,067 --> 00:12:43,333 - OKAY. 247 00:12:43,367 --> 00:12:45,733 - WELL...THIS AFTERNOON 248 00:12:45,767 --> 00:12:47,700 WHEN I WAS TRYING TO GET YOU SOMETHING... 249 00:12:47,733 --> 00:12:48,633 - YEAH? 250 00:12:48,667 --> 00:12:51,733 - I STOPPED AND GOT A CHILI DOG. 251 00:12:57,033 --> 00:12:58,433 - JUST GIVE ME THE DICE. - WAIT, COME ON. 252 00:12:58,467 --> 00:12:59,733 THERE'S NOTHING BUT PINK SQUARES. 253 00:12:59,767 --> 00:13:01,667 HOLD ON, WHERE'S BLUE? RIGHT HERE'S BLUE. 254 00:13:01,700 --> 00:13:02,800 THE FIRST BLUE ONE-- 255 00:13:02,833 --> 00:13:03,867 "WITHOUT USING YOUR HAND, 256 00:13:03,900 --> 00:13:05,833 REMOVE A PIECE OF YOUR LOVER'S CLOTHING." 257 00:13:05,867 --> 00:13:10,833 OH, YEAH. [gnawing sound] 258 00:13:10,867 --> 00:13:11,733 HOLD ON, WHAT DO I NEED? 259 00:13:11,767 --> 00:13:13,267 I NEED A ONE, TWO, THREE, FOUR, FIVE. 260 00:13:13,300 --> 00:13:14,867 OKAY, FIVE'S WHAT I'M TALKING ABOUT. 261 00:13:14,900 --> 00:13:15,867 COME ON, FIVE, BABY. 262 00:13:15,900 --> 00:13:16,867 - IF WE GET A THREE, 263 00:13:16,900 --> 00:13:18,100 WE GET TO WRITE EACH OTHER A POEM. 264 00:13:18,133 --> 00:13:19,367 - OH, GOD! PLEASE, NO. 265 00:13:19,400 --> 00:13:22,400 PLEASE, FIVE! COME ON, FIVE! FIVE! 266 00:13:22,433 --> 00:13:25,567 FEVER IN THE CATHOUSE, THE DOCTOR AIN'T HOME. 267 00:13:25,600 --> 00:13:26,467 - HA! NINE. 268 00:13:26,500 --> 00:13:27,933 - ALL RIGHT, I'LL MOVE IT FOR YOU. 269 00:13:27,967 --> 00:13:29,133 ONE, TWO, THREE, FOUR, FIVE, 270 00:13:29,167 --> 00:13:30,500 SIX, SEVEN, EIGHT, NINE-- A BLUE ONE! 271 00:13:30,533 --> 00:13:32,133 - NO, NO, YOU COUNTED THAT SQUARE TWICE. 272 00:13:32,167 --> 00:13:33,400 - NO, I DIDN'T. I DIDN'T. 273 00:13:33,433 --> 00:13:35,567 - ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT, NINE. 274 00:13:35,600 --> 00:13:38,967 - I DON'T THINK YOU'RE GETTING INTO THE SPIRIT OF THE GAME. 275 00:13:39,000 --> 00:13:42,867 - LET ME READ THE SQUARE. 276 00:13:42,900 --> 00:13:43,933 "WITHOUT TALKING, 277 00:13:43,967 --> 00:13:46,467 STARE INTO YOUR LOVER'S EYES FOR THREE MINUTES." 278 00:13:46,500 --> 00:13:48,967 - WHAT, ARE YOU KIDDING ME? 279 00:13:49,000 --> 00:13:51,400 - THREE MINUTES. 280 00:13:51,433 --> 00:13:53,033 - DO YOU KNOW HOW LONG THREE MINUTES IS? 281 00:13:53,067 --> 00:13:56,033 IT'S LONG. ASK AN EGG. 282 00:13:59,333 --> 00:14:00,567 - DO IT. 283 00:14:00,600 --> 00:14:03,400 - ALL RIGHT, LET ME SET MY THING. 284 00:14:06,733 --> 00:14:08,167 OKAY. 285 00:14:08,200 --> 00:14:11,300 READY, GO. 286 00:14:30,567 --> 00:14:32,167 - PUT IT DOWN! 287 00:14:36,533 --> 00:14:38,800 - I DON'T THINK WE'RE GETTING WHAT'S INTENDED HERE, 288 00:14:38,833 --> 00:14:40,667 'CAUSE YOU'RE STARTIN' TO LOOK LIKE THE DEVIL. 289 00:14:40,700 --> 00:14:42,100 - ALL RIGHT. YOU KNOW, FORGET IT. 290 00:14:42,133 --> 00:14:43,367 - NO, NO, NO! 291 00:14:43,400 --> 00:14:45,400 IT'S JUST THAT MY EYES ARE BLURRY, THAT'S ALL! 292 00:14:45,433 --> 00:14:46,300 COME ON. 293 00:14:46,333 --> 00:14:47,800 I DIDN'T SAY IT'S NOT ROMANTIC. 294 00:14:47,833 --> 00:14:49,333 RIGHT, THE DEVIL'S HOT. 295 00:14:49,367 --> 00:14:51,433 - WHY CAN'T YOU LOOK INTO MY EYES? 296 00:14:51,467 --> 00:14:53,000 - BECAUSE THEY'RE TOO BEAUTIFUL. 297 00:14:53,033 --> 00:14:54,267 - OH! 298 00:14:54,300 --> 00:14:56,167 - LOOK, THE GAME'S OBVIOUSLY RIGGED, ALL RIGHT? 299 00:14:56,200 --> 00:14:58,000 THERE'S TWICE AS MANY PINK ROMANTIC SQUARES 300 00:14:58,033 --> 00:15:00,167 AS NAUGHTY BLUE ONES. 301 00:15:00,200 --> 00:15:02,167 - WHY DID YOU BUY THE GAME, RAY, HUH? 302 00:15:02,200 --> 00:15:03,633 THAT'S WHAT I REALLY DON'T UNDERSTAND. 303 00:15:03,667 --> 00:15:05,433 WHY DID YOU BUY IT IF YOU DIDN'T WANT TO PLAY? 304 00:15:05,467 --> 00:15:07,033 - I THOUGHT IT WOULD BE FUN. 305 00:15:07,067 --> 00:15:08,467 IT'S GOT SOMETHING FOR BOTH OF US: 306 00:15:08,500 --> 00:15:12,333 SEX FOR ME, READING FOR YOU. 307 00:15:12,367 --> 00:15:15,633 - YOU REALLY HAVE NO IDEA WHAT THIS GAME IS FOR, DO YOU? 308 00:15:15,667 --> 00:15:16,700 - YES, I HAVE AN IDEA. 309 00:15:16,733 --> 00:15:18,700 THE GAME IS TO GET YOU IN THE MOOD. 310 00:15:18,733 --> 00:15:20,333 REMEMBER THE MOOD? 311 00:15:20,367 --> 00:15:22,167 - NO, THIS GAME IS NOT ABOUT MY MOOD. 312 00:15:22,200 --> 00:15:24,800 THIS GAME IS SUPPOSED TO IMPROVE OUR SEX LIFE. 313 00:15:24,833 --> 00:15:26,667 - YEAH, WELL, THEN I GOT THE WRONG GAME. 314 00:15:26,700 --> 00:15:27,500 I SHOULD'VE GOT THE GAME 315 00:15:27,533 --> 00:15:29,633 THAT GETS YOU TO HAVE A SEX LIFE. 316 00:15:29,667 --> 00:15:33,567 - OH, YES, YOU'RE THE POOR SEX-STARVED HUSBAND. 317 00:15:33,600 --> 00:15:35,233 - YEAH, AND YOU'RE THE POOR PUT-UPON WIFE 318 00:15:35,267 --> 00:15:36,367 WHO DOESN'T GET ANY ROMANCE. 319 00:15:36,400 --> 00:15:37,733 - NO, I'M NOT TALKING ABOUT ROMANCE. 320 00:15:37,767 --> 00:15:40,067 I WANTED TO PLAY THIS GAME FOR OTHER THINGS TOO. 321 00:15:40,100 --> 00:15:41,333 - YEAH, I KNOW, I KNOW, I KNOW. 322 00:15:41,367 --> 00:15:42,500 I DON'T HOLD YOUR HAND ENOUGH, 323 00:15:42,533 --> 00:15:44,667 WATCH YOU SLEEP, LISTEN TO YOUR HEARTBEAT, 324 00:15:44,700 --> 00:15:46,500 MUH, MUH, MUH... 325 00:15:46,533 --> 00:15:48,433 AND LET ME TELL YOU SOMETHING. 326 00:15:48,467 --> 00:15:50,700 WHAT YOU CALL ROMANCE, IT'S ALWAYS CHANGING. 327 00:15:50,733 --> 00:15:52,400 SOMETIMES IT'S THAT YOU WANT FLOWERS, 328 00:15:52,433 --> 00:15:54,467 AND THEN OTHER TIMES-- OTHER TIMES-- 329 00:15:54,500 --> 00:15:56,367 HOW ABOUT THE TIME YOU GOT EXCITED 330 00:15:56,400 --> 00:15:58,233 'CAUSE I BROUGHT HOME A BUCKET OF CHICKEN? 331 00:15:58,267 --> 00:15:59,667 WHY? WHAT IS ROMANCE? 332 00:15:59,700 --> 00:16:01,567 TELL ME WHAT IT IS. I'LL DO IT EVERY TIME. 333 00:16:01,600 --> 00:16:03,867 - LISTEN, RAY, I'M NOT TALKING ABOUT YOU AND THE ROMANCE. 334 00:16:03,900 --> 00:16:08,033 I'M TALKING ABOUT YOU AND...THE BLUE SQUARES. 335 00:16:08,067 --> 00:16:09,267 - WHAT? THE BLUE SQUARES? 336 00:16:09,300 --> 00:16:11,933 THE BLUE ONES ARE THE SEX ONES! 337 00:16:11,967 --> 00:16:14,400 WHAT? WHAT ARE YOU SAYING? 338 00:16:14,433 --> 00:16:16,200 WHAT? 339 00:16:23,933 --> 00:16:26,200 OH. 340 00:16:38,733 --> 00:16:41,133 THE BLUE SQUARES. 341 00:16:44,233 --> 00:16:47,033 - IS IT ALL RIGHT IF WE TALK ABOUT IT? 342 00:16:51,167 --> 00:16:52,700 - [whispers] GO AHEAD. 343 00:16:55,200 --> 00:17:00,467 - ALL RIGHT. WELL... 344 00:17:00,500 --> 00:17:02,867 FIRST OF ALL, I LOVE YOU. 345 00:17:02,900 --> 00:17:05,033 - OOHHH... 346 00:17:05,067 --> 00:17:09,500 - BUT WHEN WE ARE 347 00:17:09,533 --> 00:17:11,767 MAKING LOVE... 348 00:17:11,800 --> 00:17:13,267 - OOHHH... 349 00:17:13,300 --> 00:17:15,967 - RAY, JUST LOOK AT ME. - NO. 350 00:17:16,000 --> 00:17:17,200 - I'M YOUR WIFE. 351 00:17:17,233 --> 00:17:18,800 YOU SHOULD BE ABLE TO TALK TO ME ABOUT THIS. 352 00:17:18,833 --> 00:17:20,100 COME ON. 353 00:17:20,133 --> 00:17:21,267 - YOUR WIFE IS THE LAST PERSON 354 00:17:21,300 --> 00:17:22,567 YOU WANT TO HEAR THESE THINGS FROM. 355 00:17:22,600 --> 00:17:24,200 - WHO WOULD YOU RATHER HEAR IT FROM? 356 00:17:24,233 --> 00:17:27,733 - SOMEBODY WHO DOESN'T HAVE ANY PROOF. 357 00:17:27,767 --> 00:17:31,233 - LOOK, THIS ISN'T EASY FOR ME TO TALK ABOUT EITHER. 358 00:17:31,267 --> 00:17:32,500 - HOW BAD IS THIS? 359 00:17:32,533 --> 00:17:35,500 - NO, IT'S NOT BAD, AND IT'S NOT JUST YOU. 360 00:17:35,533 --> 00:17:37,767 - WHO ELSE? 361 00:17:37,800 --> 00:17:39,000 - ME! 362 00:17:39,033 --> 00:17:41,267 RAY, IT'S ABOUT US. 363 00:17:41,300 --> 00:17:44,867 LISTEN. JUST LISTEN. 364 00:17:44,900 --> 00:17:47,667 I NEED... 365 00:17:47,700 --> 00:17:50,400 MORE... 366 00:17:50,433 --> 00:17:53,400 VARIETY. 367 00:17:53,433 --> 00:17:55,200 - VARIETY? 368 00:17:55,233 --> 00:17:56,667 YOU NEED VARIETY? 369 00:17:56,700 --> 00:17:58,733 OH, I GOT THAT. 370 00:17:58,767 --> 00:18:00,833 I WAS WORRIED YOU WERE GOING TO MENTION MY-- 371 00:18:00,867 --> 00:18:03,200 WELL, WHY BRING IT UP? 372 00:18:03,233 --> 00:18:06,667 BUT VARIETY? I AM VARIETY. I'M ED SULLIVAN. 373 00:18:06,700 --> 00:18:07,600 VARIETY. 374 00:18:07,633 --> 00:18:09,267 WASN'T I THE GUY WHO CAME INTO THE BEDROOM 375 00:18:09,300 --> 00:18:10,500 WITH THE COWBOY HAT ON? 376 00:18:10,533 --> 00:18:12,333 HOW ABOUT THE TIME I WAS THE FIREMAN 377 00:18:12,367 --> 00:18:16,000 AND YOU WERE THE BURNING SORORITY HOUSE? 378 00:18:16,033 --> 00:18:18,667 - WELL, I MEAN, BY VARIETY, I MEAN... 379 00:18:18,700 --> 00:18:21,867 LOOK, THE COWBOY AND THE FIREMAN ARE FUN, 380 00:18:21,900 --> 00:18:25,033 BUT ONCE THEY TAKE THEIR HATS OFF, 381 00:18:25,067 --> 00:18:27,867 THEY'RE PRETTY MUCH THE SAME. 382 00:18:27,900 --> 00:18:30,767 - WHAT DO YOU MEAN? 383 00:18:30,800 --> 00:18:33,433 - I NEED THEM TO BE... 384 00:18:33,467 --> 00:18:36,967 LESS...SELFISH. 385 00:18:37,000 --> 00:18:39,467 - NOW, HOLD ON. 386 00:18:39,500 --> 00:18:41,567 HOLD ON. I AM NOT SELFISH! 387 00:18:41,600 --> 00:18:42,800 I AM NOT SELFISH! 388 00:18:42,833 --> 00:18:45,267 IF THERE'S ANYTHING YOU WANT--ANYTHING--I DO IT! 389 00:18:45,300 --> 00:18:47,067 YOU WANT ME TO BE MORE FLEXIBLE? 390 00:18:47,100 --> 00:18:48,433 I'M FLEXING! 391 00:18:48,467 --> 00:18:50,167 YOU WANT ME TO TALK IN AN ACCENT? 392 00:18:50,200 --> 00:18:53,500 "YOU GO' IT, GUV'NER." HUH? 393 00:18:53,533 --> 00:18:55,600 COME ON, JUST TELL ME WHAT YOU WANT. 394 00:18:55,633 --> 00:18:57,600 WHAT DO YOU WANT? 395 00:18:57,633 --> 00:18:58,633 - I WANT... 396 00:18:58,667 --> 00:18:59,700 - WHAT? 397 00:18:59,733 --> 00:19:01,433 - SEE, THIS IS WHAT I'M TALKING ABOUT. 398 00:19:01,467 --> 00:19:04,233 WHY SHOULD I HAVE TO TELL YOU WHAT I WANT? 399 00:19:04,267 --> 00:19:06,567 - SO I WILL KNOW. 400 00:19:08,200 --> 00:19:09,500 - DO YOU KNOW HOW DEPRESSING THAT IS, 401 00:19:09,533 --> 00:19:11,533 THAT AFTER 12 YEARS, YOU DON'T KNOW? 402 00:19:11,567 --> 00:19:13,433 WHY DO I HAVE TO SAY IT OUT LOUD? 403 00:19:13,467 --> 00:19:17,067 WHY HAVEN'T YOU BEEN PAYING ATTENTION? 404 00:19:17,100 --> 00:19:18,533 - WHAT DO YOU MEAN "PAYING ATTENTION"? 405 00:19:18,567 --> 00:19:21,067 - YOU ONLY SEEM TO PICK UP THE SIGNALS THAT AFFECT YOU. 406 00:19:21,100 --> 00:19:22,567 LIKE, YOU KNOW WHAT "I'M TIRED" MEANS 407 00:19:22,600 --> 00:19:24,333 BECAUSE IT MEANS NO FUN FOR RAYMOND. 408 00:19:24,367 --> 00:19:26,267 BUT IF I GIVE YOU THE "GO" SIGNAL, 409 00:19:26,300 --> 00:19:27,900 THEN YOU JUST STOP PAYING ATTENTION. 410 00:19:27,933 --> 00:19:29,167 I COULD SHOOT OFF A FLARE IN HERE, 411 00:19:29,200 --> 00:19:32,900 AND YOU WOULDN'T EVEN NOTICE. 412 00:19:32,933 --> 00:19:35,633 - SORRY. 413 00:19:35,667 --> 00:19:37,600 I DIDN'T KNOW THAT. 414 00:19:37,633 --> 00:19:39,867 CAN I ASK YOU SOMETHING? 415 00:19:39,900 --> 00:19:41,200 - SURE. 416 00:19:41,233 --> 00:19:43,233 - AFTER 12 YEARS, I SHOULD KNOW YOU, RIGHT? 417 00:19:43,267 --> 00:19:44,467 - THAT'S ALL I'M SAYING. 418 00:19:44,500 --> 00:19:46,400 - AFTER 12 YEARS, SHOULDN'T YOU KNOW ME? 419 00:19:46,433 --> 00:19:47,767 I MEAN, YOU COULD HAVE REALIZED 420 00:19:47,800 --> 00:19:49,833 THAT I WASN'T GETTING YOUR SIGNALS AFTER... 421 00:19:49,867 --> 00:19:52,133 YEAR THREE. 422 00:19:55,400 --> 00:19:57,467 I MEAN, YOU HAD TO KNOW THAT YOU WERE MARRIED TO A GUY 423 00:19:57,500 --> 00:19:59,300 WHO OCCASIONALLY MIGHT MISS A THING OR TWO, 424 00:19:59,333 --> 00:20:01,633 AND MAYBE YOU MIGHT HAVE TO... 425 00:20:01,667 --> 00:20:04,067 SPEAK UP. 426 00:20:04,100 --> 00:20:05,667 - I DON'T WANT TO SPEAK UP. 427 00:20:05,700 --> 00:20:07,033 - WHY NOT? 428 00:20:07,067 --> 00:20:09,367 - IT'S EMBARRASSING. 429 00:20:09,400 --> 00:20:10,833 - NOT AS EMBARRASSING AS FINDING OUT 430 00:20:10,867 --> 00:20:13,533 YOU'VE BEEN DOING IT WRONG FOR 12 YEARS. 431 00:20:16,133 --> 00:20:18,233 - YEAH. I-- 432 00:20:18,267 --> 00:20:21,167 YOU'RE RIGHT. I'M SORRY. 433 00:20:24,400 --> 00:20:27,600 OKAY, I'LL TRY TO SPEAK UP MORE. 434 00:20:27,633 --> 00:20:29,100 - OKAY, GOOD. 435 00:20:29,133 --> 00:20:31,533 THAT'S GOOD. 436 00:20:44,533 --> 00:20:48,800 SO YOU WANNA START SPEAKIN' UP? 437 00:20:48,833 --> 00:20:49,867 - OKAY. 438 00:20:49,900 --> 00:20:51,367 BUT YOU'LL TRY TO BE A LITTLE MORE AWARE, RIGHT? 439 00:20:51,400 --> 00:20:52,833 - YEAH, YEAH! YEAH, YEAH, YEAH, YEAH. 440 00:20:52,867 --> 00:20:55,267 - OKAY, AND I DON'T MEAN JUST IN THE BEDROOM. 441 00:20:55,300 --> 00:20:56,400 - NO, NO, NO, NO! 442 00:20:56,433 --> 00:20:57,767 - IF YOU SEE THE LAUNDRY LYING AROUND 443 00:20:57,800 --> 00:20:59,500 OR THE BILLS ARE PILING UP OR THE GARBAGE-- 444 00:20:59,533 --> 00:21:01,000 - MAYBE WE SHOULD START WITH THE SEX 445 00:21:01,033 --> 00:21:02,333 AND THEN SEE HOW FAR WE GET. 446 00:21:02,367 --> 00:21:04,167 - RAY, YOU KNOW WHAT I'M TALKIN' ABOUT, RIGHT? 447 00:21:04,200 --> 00:21:06,033 - I DO. I HEAR YOU. 448 00:21:06,067 --> 00:21:07,933 YOU'RE RIGHT. 449 00:21:07,967 --> 00:21:09,700 - OKAY. THANK YOU, HONEY. 450 00:21:12,200 --> 00:21:14,400 - SO ARE YOU GOING TO TELL ME WHAT YOU WANT? 451 00:21:14,433 --> 00:21:15,867 - I'LL GIVE IT A TRY. 452 00:21:15,900 --> 00:21:18,400 - WHAT WOULD YOU LIKE? 453 00:21:18,433 --> 00:21:22,067 - I'D LIKE YOU TO HELP ME WITH THE LAUNDRY.