1 00:00:03,467 --> 00:00:04,800 - LOOK AT THIS. 2 00:00:04,833 --> 00:00:06,433 SAYS HERE I CAN LOOK LIKE THIS GUY 3 00:00:06,467 --> 00:00:09,567 JUST BY WORKING OUT 15 MINUTES A DAY. 4 00:00:09,600 --> 00:00:10,733 - HMM. 5 00:00:12,967 --> 00:00:15,300 YOU BETTER MAKE IT 20. 6 00:00:19,033 --> 00:00:20,500 - HOW ARE YOU TWO? 7 00:00:20,533 --> 00:00:21,500 YEAH? 8 00:00:21,533 --> 00:00:22,667 SUPER. 9 00:00:24,633 --> 00:00:26,133 - YEAH, HELP YOURSELF, DAD. 10 00:00:26,167 --> 00:00:28,133 - YOUR MOTHER'S NEVER AT HOME ANYMORE. 11 00:00:28,167 --> 00:00:31,667 SHE HASN'T COOKED FOR ME IN A MONTH. 12 00:00:31,700 --> 00:00:33,067 - AH, SHE'S REALLY LOVING THAT SCULPTURE CLASS, 13 00:00:33,100 --> 00:00:34,267 ISN'T SHE? 14 00:00:34,300 --> 00:00:35,267 - [sarcastically] YEAH. 15 00:00:35,300 --> 00:00:38,367 THANKS FOR TALKING HER INTO THAT. 16 00:00:38,400 --> 00:00:41,267 I JUST ATE A FISTFUL OF BOUILLON CUBES. 17 00:00:45,167 --> 00:00:46,800 - HEY, DID YOU KNOW THAT MARIE'S TEACHER 18 00:00:46,833 --> 00:00:48,500 SAID THAT SHE HAS REAL TALENT? 19 00:00:48,533 --> 00:00:49,367 - REALLY? 20 00:00:49,400 --> 00:00:52,767 THE TEACHER THAT SHE PAYS? 21 00:00:52,800 --> 00:00:54,000 - NEVER MIND. 22 00:00:54,033 --> 00:00:55,233 LOOK, SHE'S MEETING NEW PEOPLE. 23 00:00:55,267 --> 00:00:57,000 I THINK THAT'S GOOD FOR HER. 24 00:00:57,033 --> 00:00:59,533 - HAVE YOU TALKED TO THEM? 25 00:01:02,200 --> 00:01:07,600 announcer: ANOTHER SEASON OF "EVERYBODY LOVES RAYMOND." 26 00:01:07,633 --> 00:01:10,600 [grunting] 27 00:01:10,633 --> 00:01:13,533 [intense instrumental music] 28 00:01:19,433 --> 00:01:21,100 [laughter] 29 00:01:35,467 --> 00:01:37,833 - HI, EVERYONE. 30 00:01:37,867 --> 00:01:39,100 - OH, MY GOD, LOOK. 31 00:01:39,133 --> 00:01:42,100 THEY'VE TENTED YOUR MOTHER FOR TERMITES. 32 00:01:43,533 --> 00:01:46,833 - I FINISHED THE PIECE I WAS WORKING ON. 33 00:01:46,867 --> 00:01:48,500 - IS IT A SANDWICH? 34 00:01:49,900 --> 00:01:51,000 - I'M SO EXCITED. 35 00:01:51,033 --> 00:01:52,400 I CAN'T WAIT FOR YOU TO SEE IT. 36 00:01:52,433 --> 00:01:53,467 ARE YOU READY? 37 00:01:53,500 --> 00:01:54,467 - READY? 38 00:01:54,500 --> 00:01:55,633 - BRING IT IN, ROBBIE. 39 00:01:55,667 --> 00:01:56,700 BE CAREFUL. 40 00:01:56,733 --> 00:01:57,767 - HEY, EVERYBODY-- 41 00:01:57,800 --> 00:02:00,167 - SHH! DON'T RUIN THE MOMENT. 42 00:02:01,433 --> 00:02:03,733 OKAY, EVERYBODY. 43 00:02:03,767 --> 00:02:05,800 [giggles] 44 00:02:05,833 --> 00:02:08,900 I WANT TO THANK BOTH RAYMOND AND DEBRA 45 00:02:08,933 --> 00:02:10,667 FOR THEIR SUPPORT AND ENCOURAGEMENT 46 00:02:10,700 --> 00:02:12,667 OF MY ARTISTIC PURSUITS. 47 00:02:12,700 --> 00:02:13,800 - [snoring] 48 00:02:13,833 --> 00:02:15,567 - ALL RIGHT, FRANK. 49 00:02:15,600 --> 00:02:19,233 - AND IN THE TRADITION OF ARTISTS AND THEIR PATRONS, 50 00:02:19,267 --> 00:02:21,767 THE MICHELANGELOS AND THE MEDICIS, 51 00:02:21,800 --> 00:02:23,300 I GIVE YOU... 52 00:02:23,333 --> 00:02:25,233 THIS. 53 00:02:27,767 --> 00:02:28,733 - [gasps] 54 00:02:28,767 --> 00:02:30,933 MARIE, THIS IS FANTASTIC. 55 00:02:30,967 --> 00:02:31,933 - YOU LIKE IT? 56 00:02:31,967 --> 00:02:33,900 - WOW. - YEAH, OH. 57 00:02:33,933 --> 00:02:36,067 I LOVE IT. YOU REALLY DID THIS? 58 00:02:36,100 --> 00:02:38,433 - YEAH, MA, IT'S GREAT! 59 00:02:38,467 --> 00:02:41,300 - ROBBIE, TURN ON THE LIGHTS. 60 00:02:42,200 --> 00:02:43,767 - CAN I TALK TO YOU? 61 00:02:43,800 --> 00:02:46,133 COME OVER HERE A SECOND. 62 00:02:46,167 --> 00:02:49,833 DID YOU LOOK AT THE SCULPTURE? 63 00:02:49,867 --> 00:02:50,933 - YEAH, IT'S GREAT. WHAT? 64 00:02:50,967 --> 00:02:53,733 - YEAH, WELL, WHAT DOES IT LOOK LIKE? 65 00:02:56,667 --> 00:02:57,667 - I DON'T KNOW. 66 00:02:57,700 --> 00:02:59,433 IT DOESN'T LOOK LIKE ANYTHING. 67 00:02:59,467 --> 00:03:03,300 - OH, IT--IT DEFINITELY LOOKS LIKE SOMETHING. 68 00:03:08,833 --> 00:03:11,067 - WHAT? 69 00:03:11,100 --> 00:03:14,433 - DON'T YOU THINK IT LOOKS A LITTLE LIKE A... 70 00:03:14,467 --> 00:03:15,767 HMM? 71 00:03:19,800 --> 00:03:21,433 - WHAT? 72 00:03:22,800 --> 00:03:24,633 - ISN'T IT A BIT TOO... 73 00:03:24,667 --> 00:03:26,633 LADYLIKE? 74 00:03:34,333 --> 00:03:35,467 - GREAT! 75 00:03:35,500 --> 00:03:36,300 - YOU SEE? 76 00:03:36,333 --> 00:03:38,100 - OH, NOW I DO, THANK YOU. 77 00:03:38,133 --> 00:03:40,833 - [laughs] RAYMOND. 78 00:03:40,867 --> 00:03:41,933 WHAT DO YOU THINK? 79 00:03:41,967 --> 00:03:43,133 - WHAT? YEAH. 80 00:03:43,167 --> 00:03:44,800 YEAH, YEAH, YEAH, YEAH, YEAH. IT'S GOOD. 81 00:03:44,833 --> 00:03:46,000 - UH-HUH? 82 00:03:46,033 --> 00:03:50,733 - YEAH, IT--IT'S WONDERFUL, MARIE, REALLY. 83 00:03:50,767 --> 00:03:52,000 - SO, MA, WHAT IS IT? 84 00:03:52,033 --> 00:03:54,100 - IT'S AN ABSTRACT. 85 00:03:54,133 --> 00:03:55,300 - NOT ABSTRACT ENOUGH. 86 00:03:55,333 --> 00:03:57,033 - [giggles] 87 00:03:57,067 --> 00:03:59,200 YOU'VE DONE AN AMAZING JOB. 88 00:04:00,333 --> 00:04:01,800 - IT LOOKS LIKE SOMETHING, THOUGH. 89 00:04:01,833 --> 00:04:03,467 WHAT DOES IT LOOK LIKE? 90 00:04:10,267 --> 00:04:12,833 - I DON'T THINK RAYMOND LIKES IT. 91 00:04:12,867 --> 00:04:14,167 - WHAT? 92 00:04:14,200 --> 00:04:16,233 - YOU'RE HARDLY LOOKING AT IT. 93 00:04:16,267 --> 00:04:18,867 - WHA-- I'M LOOKIN' AT IT. 94 00:04:18,900 --> 00:04:20,567 - YOU CAN GET CLOSE. YOU CAN EVEN TOUCH IT. 95 00:04:20,600 --> 00:04:21,767 - I'M FINE! 96 00:04:27,100 --> 00:04:28,333 - THIS IS BUGGING ME. 97 00:04:28,367 --> 00:04:30,567 WHERE HAVE I SEEN THIS BEFORE? 98 00:04:36,233 --> 00:04:38,233 - YOU KNOW, THE GREEKS USED TO SAY 99 00:04:38,267 --> 00:04:39,633 THAT THE SHAPE IS IN THE STONE 100 00:04:39,667 --> 00:04:42,567 JUST WAITING TO COME OUT. 101 00:04:42,600 --> 00:04:44,633 - [whispering] WHAT? 102 00:04:51,900 --> 00:04:55,000 OH...MY GOD! 103 00:04:57,733 --> 00:04:58,700 - WHAT, ROBBIE? 104 00:04:58,733 --> 00:05:00,200 - HUH? 105 00:05:00,233 --> 00:05:02,000 NO--IT'S--IT'S NOTHING. 106 00:05:02,033 --> 00:05:03,700 IT'S FABULOUS! 107 00:05:05,700 --> 00:05:06,867 ABSTRACT! 108 00:05:06,900 --> 00:05:08,300 VERY... 109 00:05:10,767 --> 00:05:11,867 - I GOT TO TELL YA, 110 00:05:11,900 --> 00:05:14,767 I--I DON'T KNOW WHAT THE HELL THIS IS, 111 00:05:14,800 --> 00:05:16,300 BUT I LOVE IT. 112 00:05:19,533 --> 00:05:20,867 - DO YOU REALLY, FRANK? 113 00:05:20,900 --> 00:05:22,400 OH, THANK YOU. 114 00:05:26,067 --> 00:05:27,167 - WELL... 115 00:05:27,200 --> 00:05:29,700 - YOU SEE IT, HUH? - YEAH, MAKE IT STOP. 116 00:05:31,367 --> 00:05:33,367 - WELL, WHERE SHOULD WE PUT IT? 117 00:05:33,400 --> 00:05:35,467 - WHAT? 118 00:05:35,500 --> 00:05:38,233 - IT'S A GIFT TO YOU AND RAYMOND. 119 00:05:39,400 --> 00:05:43,100 - [laughing] MAN, OH, MAN. 120 00:05:48,900 --> 00:05:50,967 - I THINK IT LOOKS GREAT RIGHT HERE. 121 00:05:51,000 --> 00:05:54,267 IT BECOMES THE FOCAL POINT OF THE WHOLE ROOM. 122 00:05:54,300 --> 00:05:55,900 - OH, MY GOD, YOU HAVE TO SAY SOMETHING! 123 00:05:55,933 --> 00:05:57,133 - YEAH? WHY ME? 124 00:05:57,167 --> 00:06:00,033 - BECAUSE THIS IS A WOMAN'S ISSUE. 125 00:06:00,067 --> 00:06:03,033 - YOU KNOW HOW YOU CAN TELL IT'S GOOD ART? 126 00:06:03,067 --> 00:06:06,033 BECAUSE IT FOLLOWS YOU WHEN YOU MOVE. 127 00:06:10,467 --> 00:06:12,867 - ROBBIE, LET'S TAKE THE DOLLY BACK TO THE STUDIO. 128 00:06:12,900 --> 00:06:15,000 - WITH PLEASURE, MOTHER. 129 00:06:16,333 --> 00:06:19,033 ENJOY YOUR SCULPTURE, RAYMOND! 130 00:06:19,933 --> 00:06:23,333 [laughs] 131 00:06:23,367 --> 00:06:25,067 TA-TA! 132 00:06:29,267 --> 00:06:30,633 - DAD? 133 00:06:30,667 --> 00:06:32,600 DAD, YOU CAN GO NOW, TOO. 134 00:06:32,633 --> 00:06:34,200 - IN A MINUTE. 135 00:06:34,233 --> 00:06:36,267 - COME ON, YOU CAN VISIT IT LATER, ALL RIGHT? 136 00:06:36,300 --> 00:06:37,800 - HEY, YOU KNOW, I'LL TELL YOU WHAT, 137 00:06:37,833 --> 00:06:39,133 I'M GONNA BRING MY CAMERA OVER HERE 138 00:06:39,167 --> 00:06:41,900 AND GET A SHOT OF ALL OF US STANDING AROUND IT. 139 00:06:41,933 --> 00:06:43,533 HEY, THAT COULD BE OUR CHRISTMAS CARD! 140 00:06:43,567 --> 00:06:45,267 - YEAH. 141 00:06:49,133 --> 00:06:50,333 - YOU KNOW... 142 00:06:50,367 --> 00:06:52,000 MAYBE... 143 00:06:52,033 --> 00:06:55,967 WELL, FROM THIS ANGLE, IT LOOKS KIND OF LIKE A... 144 00:06:56,000 --> 00:06:59,333 LIKE A... 145 00:06:59,367 --> 00:07:00,133 A SAILBOAT. 146 00:07:00,167 --> 00:07:01,967 YES, I-I SEE A SAILBOAT. 147 00:07:02,000 --> 00:07:04,633 - A SAILBOAT THAT COULD USE A PAIR OF UNDERWEAR! 148 00:07:09,400 --> 00:07:11,767 - OKAY, LISTEN. 149 00:07:11,800 --> 00:07:12,933 YOUR MOTHER GAVE THIS TO US, 150 00:07:12,967 --> 00:07:14,067 AND IF WE HAVE TO LIVE WITH IT, 151 00:07:14,100 --> 00:07:15,733 IT'S GONNA BE A SAILBOAT. 152 00:07:15,767 --> 00:07:16,900 - WHOA, WHOA, WHOA. 153 00:07:16,933 --> 00:07:18,067 I'M NOT LIVING WITH IT, OKAY? 154 00:07:18,100 --> 00:07:19,333 I CAN'T LIVE WITH IT! 155 00:07:19,367 --> 00:07:21,100 - YOU CAN'T TELL HER THAT. 156 00:07:21,133 --> 00:07:22,733 NOW, THIS MAY MAKE YOU UNCOMFORTABLE, 157 00:07:22,767 --> 00:07:23,933 BUT WE HAVE GOT TO SUPPORT HER. 158 00:07:23,967 --> 00:07:25,367 - OH, GREAT, YES, WE'LL SUPPORT HER. 159 00:07:25,400 --> 00:07:27,100 MEANTIME, THERE'S GONNA BE A COVER CHARGE 160 00:07:27,133 --> 00:07:29,233 TO GET IN OUR LIVING ROOM. 161 00:07:32,800 --> 00:07:35,800 - I CAN'T FIND MY CRAYONS. 162 00:07:35,833 --> 00:07:37,033 - CRAYONS? 163 00:07:37,067 --> 00:07:38,600 NO, THERE'S NO CRAYONS HERE. 164 00:07:38,633 --> 00:07:40,700 - HERE THEY ARE, HONEY. THERE YOU GO, SWEETIE. 165 00:07:40,733 --> 00:07:41,733 - WHAT'S THAT? 166 00:07:41,767 --> 00:07:42,733 - WHAT? WHAT? 167 00:07:42,767 --> 00:07:44,167 - OH. LOOK. 168 00:07:44,200 --> 00:07:46,033 IT'S SOMETHING THAT YOUR GRANDMOTHER 169 00:07:46,067 --> 00:07:47,667 CARVED OUT OF STONE. 170 00:07:47,700 --> 00:07:48,767 THIS IS CALLED A SCULPTURE. 171 00:07:48,800 --> 00:07:50,167 THIS IS ART. 172 00:07:53,567 --> 00:07:56,367 OKAY, MAYBE THAT'S ENOUGH ART FOR NOW. 173 00:07:56,400 --> 00:07:57,733 SHOO. GO PLAY. 174 00:07:57,767 --> 00:07:58,767 - CAN I COLOR IT? 175 00:07:58,800 --> 00:08:00,633 - NO. GO UPSTAIRS. 176 00:08:04,567 --> 00:08:07,100 - YOU KNOW, NOT THAT I WOULD ENCOURAGE IT, 177 00:08:07,133 --> 00:08:09,133 BUT THE WAY HE WAS LOOKING AT IT, THAT'S GOOD, RIGHT? 178 00:08:09,167 --> 00:08:10,667 HE'S LIKE A LITTLE MAN. 179 00:08:13,633 --> 00:08:15,233 - IDIOT. - WHAT? 180 00:08:15,267 --> 00:08:17,600 BECAUSE MY FATHER WAS CONCERNED ABOUT HIM 181 00:08:17,633 --> 00:08:19,267 IN THAT DEPARTMENT. 182 00:08:28,167 --> 00:08:30,000 OH, DAMN, IT DOES FOLLOW YOU. 183 00:08:42,267 --> 00:08:43,933 ALL RIGHT, IF YOU'RE GONNA STAND THERE, 184 00:08:43,967 --> 00:08:45,333 AT LEAST BLOCK MY VIEW. 185 00:08:48,500 --> 00:08:50,567 WHAT? 186 00:08:50,600 --> 00:08:52,700 - I'VE BEEN THINKING ABOUT IT, AND I'M WONDERING, 187 00:08:52,733 --> 00:08:55,300 WHERE'S MY SCULPTURE? 188 00:08:55,333 --> 00:08:56,600 WHAT ARE YOU TALKING ABOUT? 189 00:08:56,633 --> 00:08:57,533 YOU WANT ONE OF THESE? 190 00:08:57,567 --> 00:08:59,533 - YOU MEAN A SIGN OF AFFECTION FROM MY MOTHER? 191 00:08:59,567 --> 00:09:02,000 I DON'T KNOW. WHAT'S THAT LIKE? 192 00:09:03,100 --> 00:09:05,300 - THIS IS A SIGN OF AFFECTION? 193 00:09:05,333 --> 00:09:08,167 - IN ITS OWN DISTURBING WAY, YES. 194 00:09:08,200 --> 00:09:09,767 - OH, GOD. YOU'RE SICK. 195 00:09:09,800 --> 00:09:10,800 - YOU'RE SICK. - YOU. 196 00:09:10,833 --> 00:09:12,100 - I LOATHE YOU. 197 00:09:12,133 --> 00:09:13,600 - OKAY. ALL RIGHT, ANYWAY. 198 00:09:13,633 --> 00:09:14,900 BYE. 199 00:09:14,933 --> 00:09:16,000 OKAY, GREAT. 200 00:09:16,033 --> 00:09:17,367 THE PARKERS' BASEMENT IS FLOODED. 201 00:09:17,400 --> 00:09:19,367 - HA HA, THAT'S FUNNY. I HATE THAT PARKER. 202 00:09:21,833 --> 00:09:22,833 - NO, THAT'S NOT FUNNY, RAY. 203 00:09:22,867 --> 00:09:24,000 THEIR WHOLE HOUSE IS FLOODED. 204 00:09:24,033 --> 00:09:25,267 THAT MEANS NO PLAY DATE. 205 00:09:25,300 --> 00:09:28,033 - OH. SO WHY CAN'T THE KIDS JUST COME OVER HERE? 206 00:09:28,067 --> 00:09:29,033 - I DON'T KNOW, RAY. 207 00:09:29,067 --> 00:09:30,167 DO WE REALLY WANT TO HAVE 208 00:09:30,200 --> 00:09:31,667 ALL THE NEIGHBORHOOD KIDS COME OVER HERE 209 00:09:31,700 --> 00:09:35,233 AND LEARN ABOUT THE BIRDS AND THE GIGANTIC BEES? 210 00:09:35,267 --> 00:09:36,867 - I THOUGHT IT WAS A SAILBOAT. 211 00:09:36,900 --> 00:09:38,533 - FRANK, WHAT ARE YOU DOING? 212 00:09:38,567 --> 00:09:40,167 HE'S BEEN STANDING THERE FOR AN HOUR. 213 00:09:40,200 --> 00:09:41,600 WOULD YOU STOP STARING AT THAT? 214 00:09:41,633 --> 00:09:43,700 YOU'RE FREAKIN' ME OUT! 215 00:09:43,733 --> 00:09:45,267 - WHY? IT'S JUST A SAILBOAT. 216 00:09:45,300 --> 00:09:47,300 - THAT'S NO SAILBOAT! 217 00:09:47,333 --> 00:09:48,767 - ALL RIGHT. LOOK, COME ON, DAD. 218 00:09:48,800 --> 00:09:50,233 - WHERE ARE WE GOING? 219 00:09:50,267 --> 00:09:51,733 - PIZZA. 220 00:09:51,767 --> 00:09:53,033 - CAN'T WE JUST ORDER IN? 221 00:09:53,067 --> 00:09:54,433 - LET'S GO. 222 00:09:55,633 --> 00:09:58,033 - HEY, YOU KNOW WHAT, PIZZA SOUNDS GOOD. 223 00:09:58,067 --> 00:09:59,233 I'M GONNA GET A COUPLE SLICES. 224 00:09:59,267 --> 00:10:01,000 - OH, NO, NO, NO. YOU'RE NOT GOING ANYWHERE. 225 00:10:01,033 --> 00:10:02,167 - WHY? WHY NOT? 226 00:10:02,200 --> 00:10:03,800 - BECAUSE I CAN'T TAKE ONE MORE DAY 227 00:10:03,833 --> 00:10:05,233 BEING STUCK HERE WITH THAT, 228 00:10:05,267 --> 00:10:07,133 AND THE KIDS AND THEIR QUESTIONS-- 229 00:10:07,167 --> 00:10:08,200 "WHY DID GRANDMA MAKE THAT? 230 00:10:08,233 --> 00:10:11,767 WHAT IS IT? WHY IS IT SO BIG?" 231 00:10:11,800 --> 00:10:13,167 I CAN'T TAKE IT ANYMORE. 232 00:10:13,200 --> 00:10:14,767 I AM SEEING IT IN MY SLEEP. 233 00:10:14,800 --> 00:10:16,333 I SEE IT, 234 00:10:16,367 --> 00:10:17,767 AND I KNOW IT'S YOUR MOTHER'S, 235 00:10:17,800 --> 00:10:19,300 AND WE HAVE TO GET RID OF IT. 236 00:10:22,767 --> 00:10:24,033 - ALL RIGHT. 237 00:10:24,067 --> 00:10:26,000 I'M WITH YOU. HOW? 238 00:10:26,033 --> 00:10:27,833 - I DON'T KNOW, HONEY. JUST--JUST DO IT, OKAY? 239 00:10:27,867 --> 00:10:29,133 I CAN'T LOOK AT IT ANYMORE. 240 00:10:29,167 --> 00:10:30,233 - ALL RIGHT. OKAY. 241 00:10:30,267 --> 00:10:32,700 YOU KNOW WHAT, I'M... 242 00:10:32,733 --> 00:10:34,233 I'M COVERING IT UP FOR NOW. 243 00:10:35,967 --> 00:10:39,367 I'LL START SANDING IT DOWN TOMORROW. 244 00:10:39,400 --> 00:10:40,567 EVERY DAY A LITTLE BIT MORE. 245 00:10:40,600 --> 00:10:43,300 I'LL SNEAK THE DUST OUT IN MY PANTS TO THE YARD. 246 00:10:45,767 --> 00:10:47,733 - I WAS JUST IN THE-- 247 00:10:52,867 --> 00:10:55,833 - YOU KNOW WHAT I'M DOIN'? 248 00:10:55,867 --> 00:10:57,167 I'M COVERIN' IT UP... 249 00:10:57,200 --> 00:10:59,667 BECAUSE IT SEEMS... 250 00:10:59,700 --> 00:11:01,267 SO ALIVE. 251 00:11:01,300 --> 00:11:03,533 THAT IT SHOULD REST AT NIGHT. 252 00:11:12,900 --> 00:11:14,733 NIGHTY-NIGHT. 253 00:11:23,433 --> 00:11:24,467 - RAYMOND? 254 00:11:24,500 --> 00:11:28,500 YOU'RE COVERING MY SCULPTURE WITH A GARBAGE BAG? 255 00:11:28,533 --> 00:11:30,933 - WELL, UH, WELL... 256 00:11:30,967 --> 00:11:32,100 - WE DIDN'T WANT IT TO GET DIRTY. 257 00:11:32,133 --> 00:11:34,633 YOU KNOW HOW DUSTY I LET THIS HOUSE GET. 258 00:11:36,167 --> 00:11:38,867 I KNOW, DEAR, BUT THAT'S ALL RIGHT. 259 00:11:38,900 --> 00:11:41,167 I GAVE IT TO YOU TO ENJOY. 260 00:11:41,200 --> 00:11:42,800 A LITTLE DUST CAN'T HURT IT. 261 00:11:42,833 --> 00:11:45,133 - YEAH, I KNOW, BUT DON'T YOU WANT TO ENJOY IT, TOO? 262 00:11:45,167 --> 00:11:46,267 YOU KNOW, IT DOESN'T SEEM FAIR 263 00:11:46,300 --> 00:11:48,200 THAT--THAT WE GET ALL THE ENJOYMENT. 264 00:11:48,233 --> 00:11:49,567 MAYBE YOU COULD KEEP IT AT YOUR HOUSE, 265 00:11:49,600 --> 00:11:53,333 AND WE COULD COME BY FOR ENJOYABLE VISITS. 266 00:11:53,367 --> 00:11:55,667 - YEAH, THAT-- THAT WOULD BE GREAT. 267 00:11:55,700 --> 00:11:57,500 - BUT I GAVE IT TO YOU. 268 00:11:57,533 --> 00:11:58,967 - YES. YES, YOU DID. 269 00:11:59,000 --> 00:12:00,733 AND--AND WE LOVE IT. 270 00:12:00,767 --> 00:12:02,133 - LOVE IT! 271 00:12:06,367 --> 00:12:10,633 - BUT I WAS JUST THINKING, JUST NOW, UM... 272 00:12:10,667 --> 00:12:12,067 IT'S SO PRECIOUS, I MEAN, 273 00:12:12,100 --> 00:12:13,667 WHAT IF ONE OF THE KIDS BREAKS IT? 274 00:12:13,700 --> 00:12:16,200 - YEAH. THAT WOULD BE BAD. 275 00:12:20,300 --> 00:12:21,833 - WELL, IF YOU'RE WORRIED ABOUT THAT, 276 00:12:21,867 --> 00:12:22,933 WE COULD MOVE IT. 277 00:12:22,967 --> 00:12:24,200 OOH, IT COULD GO IN YOUR BEDROOM. 278 00:12:24,233 --> 00:12:27,600 - NO, NO. - NO, NO, NO, NO. 279 00:12:27,633 --> 00:12:31,333 - WE--WE DON'T REALLY LIKE ART IN THE BEDROOM. 280 00:12:33,200 --> 00:12:35,033 - TOO HIGHFALUTIN. 281 00:12:36,067 --> 00:12:37,700 WE'RE SIMPLE FOLK. 282 00:12:44,100 --> 00:12:46,167 - ARE YOU SAYING YOU DON'T WANT IT? 283 00:12:50,967 --> 00:12:54,133 - WELL, THE THING IS, 284 00:12:54,167 --> 00:12:57,333 IT'S NOT REALLY MY TASTE. 285 00:12:57,367 --> 00:12:59,500 YOU KNOW, I LIKE THE KIND OF STATUES... 286 00:12:59,533 --> 00:13:05,433 LIKE A HORSE OR SOMEBODY'S HEAD, 287 00:13:05,467 --> 00:13:07,433 YOU KNOW, OR THE HEISMAN TROPHY. 288 00:13:07,467 --> 00:13:08,633 THAT'S A BEAUTY. 289 00:13:11,967 --> 00:13:15,600 - I'M REALLY INTO UNICORNS MYSELF. 290 00:13:17,433 --> 00:13:19,767 - I SEE. 291 00:13:19,800 --> 00:13:21,267 ALL RIGHT. 292 00:13:22,567 --> 00:13:23,800 - WELL... 293 00:13:23,833 --> 00:13:26,300 THANK YOU FOR YOUR CANDOR. 294 00:13:26,333 --> 00:13:28,400 - OKAY, BUT--BUT YOU'RE REALLY A GREAT SCULPTRESS. 295 00:13:28,433 --> 00:13:30,133 HEY, YOU KNOW, WHY DON'T YOU-- 296 00:13:30,167 --> 00:13:32,800 WHY DON'T YOU DO LIKE, UH, A MOUNT RUSHMORE, 297 00:13:32,833 --> 00:13:34,733 ONLY...WITH US? 298 00:13:37,833 --> 00:13:40,300 - IT'S OKAY, RAYMOND, YOU DON'T HAVE TO KEEP IT. 299 00:13:40,333 --> 00:13:41,767 AND I DON'T EXPECT YOU TO COME 300 00:13:41,800 --> 00:13:43,800 TO THE CLASS EXHIBIT, EITHER. 301 00:13:43,833 --> 00:13:46,800 I THINK IT'S SAFE TO SAY YOU WOULDN'T ENJOY IT. 302 00:13:46,833 --> 00:13:48,100 - OH, MARIE. 303 00:13:48,133 --> 00:13:49,267 - AND I'M SORRY THAT IT HAD TO BE 304 00:13:49,300 --> 00:13:50,967 IN YOUR HOUSE FOR SO LONG. 305 00:13:51,000 --> 00:13:53,367 I'LL HAVE IT REMOVED JUST AS SOON AS POSSIBLE. 306 00:14:00,967 --> 00:14:02,467 - I THINK IT'S MAD. 307 00:14:14,000 --> 00:14:16,233 [doorbell rings] 308 00:14:22,967 --> 00:14:25,800 [mouth full] HELLO. 309 00:14:25,833 --> 00:14:27,033 - HELLO. 310 00:14:27,067 --> 00:14:28,433 RAYMOND BARONE? 311 00:14:28,467 --> 00:14:29,367 - MM-HMM. 312 00:14:29,400 --> 00:14:31,200 - I'M SISTER ANN; THIS IS SISTER BETH. 313 00:14:31,233 --> 00:14:33,200 WE'RE HERE TO PICK UP THE SCULPTURE. 314 00:14:41,700 --> 00:14:43,233 - YOU'RE WHAT? 315 00:14:43,267 --> 00:14:46,333 - THE ONE YOUR MOTHER DONATED TO THE CHURCH AUCTION. 316 00:14:46,367 --> 00:14:48,200 - OH, OH, OH. OH, OH, YEAH, YEAH. 317 00:14:48,233 --> 00:14:50,167 THAT SCULPTURE, THAT'S NOT HERE ANYMORE. 318 00:14:50,200 --> 00:14:51,300 - IT'S NOT? - NO, NO, NO. 319 00:14:51,333 --> 00:14:52,633 - ISN'T THAT A SCULPTURE? 320 00:14:52,667 --> 00:14:53,933 - NO, NO, NO, NO, NO. 321 00:14:53,967 --> 00:14:55,900 - BUT--BUT--BUT-- OW! 322 00:14:55,933 --> 00:14:57,300 - SORRY. 323 00:14:57,333 --> 00:14:59,700 - OW. 324 00:14:59,733 --> 00:15:00,933 - SORRY. 325 00:15:00,967 --> 00:15:03,267 I'M SORRY. I'M SORRY. 326 00:15:03,300 --> 00:15:05,833 SORRY, SISTER, YES, UH, YOU MEAN THAT SCULPTURE. 327 00:15:05,867 --> 00:15:07,600 YEAH, YEAH, THAT'S THE SCULPTURE. 328 00:15:07,633 --> 00:15:09,100 I--I--WE... 329 00:15:09,133 --> 00:15:10,733 WE HAD ANOTHER SCULPTURE. 330 00:15:10,767 --> 00:15:11,867 I GOT CONFUSED, THAT'S ALL. 331 00:15:11,900 --> 00:15:13,600 THAT'S-- THAT'S THE SCULPTURE. 332 00:15:13,633 --> 00:15:15,133 I WAS NOT LYING TO NUNS. 333 00:15:17,733 --> 00:15:19,200 - OKAY, LET'S LOAD IT UP. 334 00:15:19,233 --> 00:15:20,900 - OKAY, ALL RIGHT. TAKE IT AWAY. 335 00:15:20,933 --> 00:15:22,800 ENJOY IT. 336 00:15:22,833 --> 00:15:24,133 THE SHEET COMES WITH IT. 337 00:15:24,167 --> 00:15:25,667 YOU GET THAT FOR FREE. 338 00:15:25,700 --> 00:15:26,733 NO LIE. HA HA. 339 00:15:26,767 --> 00:15:29,000 YOU KNOW WHAT, THE SHEET SHOULD STAY ON IT ALL THE TIME. 340 00:15:29,033 --> 00:15:30,533 IT'S KIND OF PART OF THE SCULPTURE. 341 00:15:30,567 --> 00:15:31,733 IT'S--NO--NO. 342 00:15:54,600 --> 00:15:56,833 - OH, MY. 343 00:15:56,867 --> 00:15:58,467 - WELL... 344 00:15:58,500 --> 00:16:00,033 - PRETTY ABSTRACT, HUH? 345 00:16:00,067 --> 00:16:01,433 OKAY, ALL RIGHT, ALL RIGHT. 346 00:16:01,467 --> 00:16:03,633 LET'S, UH-- LET'S LOAD THIS PUPPY UP, HUH? 347 00:16:08,633 --> 00:16:11,467 - GOOD, SISTERS, I'M GLAD YOU'RE HERE. 348 00:16:11,500 --> 00:16:12,533 - OH, BOY. 349 00:16:12,567 --> 00:16:15,133 - MRS. BARONE, HELLO. 350 00:16:15,167 --> 00:16:16,933 IS THAT THE SCULPTURE YOU INTENDED 351 00:16:16,967 --> 00:16:18,933 TO CONTRIBUTE TO THE CHURCH AUCTION? 352 00:16:18,967 --> 00:16:20,100 - YES. 353 00:16:20,133 --> 00:16:23,200 - WELL, DON'T YOU THINK THE SUBJECT MATTER IS... 354 00:16:23,233 --> 00:16:25,500 MIGHT BE INAPPROPRIATE? 355 00:16:26,900 --> 00:16:29,733 - SUBJECT MATTER? WHAT DO YOU MEAN? 356 00:16:29,767 --> 00:16:34,200 - FORGIVE ME, BUT IS THAT NOT A SCULPTURE OF... 357 00:16:35,567 --> 00:16:36,767 - WHAT? 358 00:16:43,700 --> 00:16:47,300 WHAT'S WRONG WITH YOU? 359 00:16:47,333 --> 00:16:50,333 - IT'S JUST THAT IT MAY NOT BE RIGHT FOR-- 360 00:16:50,367 --> 00:16:52,500 - ARE YOU CRAZY? 361 00:16:52,533 --> 00:16:54,333 - OKAY, UH, SISTERS, THANK YOU FOR COMING BY. 362 00:16:54,367 --> 00:16:55,733 WE CERTAINLY APPRECIATE IT. 363 00:16:55,767 --> 00:16:58,367 - IF YOU HAVE ANYTHING ELSE, WE'LL BE HAPPY TO TAKE IT. 364 00:16:58,400 --> 00:17:00,633 IF YOU HAVE A SCULPTURE OF ALMOST ANYTHING ELSE. 365 00:17:00,667 --> 00:17:02,000 - YEAH, UH, WE DON'T-- 366 00:17:02,033 --> 00:17:03,833 WE DON'T HAVE ANY MORE SCULPTURES; WE DON'T. 367 00:17:03,867 --> 00:17:04,967 I HAVE A CERAMIC PIG UPSTAIRS. 368 00:17:05,000 --> 00:17:06,967 IT'S FULL OF QUARTERS. YOU WANT THAT? 369 00:17:07,000 --> 00:17:09,100 - THAT'S ALL RIGHT. WE'LL JUST BE GOING. 370 00:17:09,133 --> 00:17:10,100 - OKAY, ALL RIGHT. 371 00:17:10,133 --> 00:17:11,967 THANK YOU. GOD BLESS YOU. 372 00:17:12,000 --> 00:17:14,233 I'LL SEE YOU SUNDAY. I'M GONNA BRING THE PIG! 373 00:17:21,067 --> 00:17:23,167 NUNS, RIGHT? WHAT'S GOING ON? 374 00:17:31,300 --> 00:17:34,367 - RAYMOND, DO YOU SEE WHAT THEY SEE? 375 00:17:34,400 --> 00:17:38,533 - UM... 376 00:17:38,567 --> 00:17:39,833 I DON'T KNOW. 377 00:17:39,867 --> 00:17:41,333 - NO, TELL ME THE TRUTH. 378 00:17:42,467 --> 00:17:44,067 - WELL... 379 00:17:44,100 --> 00:17:46,333 MAYBE IF I SQUINT A LITTLE. 380 00:17:52,100 --> 00:17:54,067 - OH, MY GOD, I'M A LESBIAN. 381 00:18:04,333 --> 00:18:05,833 - MOM. 382 00:18:05,867 --> 00:18:07,233 - WELL, LOOK AT IT! 383 00:18:07,267 --> 00:18:09,400 - I'VE SEEN IT! - I MEAN, IT-- 384 00:18:09,433 --> 00:18:10,967 IT'S SO OBVIOUS. 385 00:18:11,000 --> 00:18:12,767 - NO, NO, IT'S NOT, REALLY. 386 00:18:14,000 --> 00:18:15,500 - I'M A FAILURE. 387 00:18:17,667 --> 00:18:19,700 - HEY... 388 00:18:21,500 --> 00:18:23,133 THERE. 389 00:18:26,833 --> 00:18:29,700 SO WHAT? 390 00:18:29,733 --> 00:18:34,200 YOU--YOU MADE A...THING. 391 00:18:34,233 --> 00:18:35,633 - IT'S NOT THAT, RAYMOND. 392 00:18:35,667 --> 00:18:37,100 I'M NOT A PRUDE. 393 00:18:37,133 --> 00:18:39,767 THE FEMALE BODY IS A BEAUTIFUL-- 394 00:18:39,800 --> 00:18:40,767 - OKAY, OKAY. 395 00:18:40,800 --> 00:18:41,967 OKAY. 396 00:18:42,000 --> 00:18:44,967 SO--SO WHAT IS IT? WHAT'S BOTHERING YOU? 397 00:18:45,000 --> 00:18:48,333 - WELL, IT'S SUPPOSED TO BE AN ABSTRACT. 398 00:18:48,367 --> 00:18:50,233 THE TEACHER TOLD US THAT WE COULD MAKE 399 00:18:50,267 --> 00:18:52,333 ANY KIND OF A STATUE WE WANTED. 400 00:18:52,367 --> 00:18:53,933 AND SO I CHOSE AN ABSTRACT 401 00:18:53,967 --> 00:18:56,167 BECAUSE I THOUGHT IT WAS EASY. 402 00:18:56,200 --> 00:18:58,367 TURNS OUT I CAN'T EVEN DO THAT. 403 00:19:00,833 --> 00:19:03,600 - DEBRA THINKS IT LOOKS LIKE A SAILBOAT. 404 00:19:07,500 --> 00:19:10,067 - THERE'S SOMETHING WRONG WITH HER. 405 00:19:14,433 --> 00:19:19,433 I JUST TRIED TO DO SOMETHING DIFFERENT, 406 00:19:19,467 --> 00:19:22,000 FIND SOMETHING NEW. 407 00:19:22,033 --> 00:19:23,767 THAT'S ALL. 408 00:19:23,800 --> 00:19:25,100 SOMETHING MORE THAN JUST BEING 409 00:19:25,133 --> 00:19:28,100 A SHORT-ORDER COOK FOR YOUR FATHER. 410 00:19:30,067 --> 00:19:33,033 - YOU WANTED TO FIND SOMETHING NEW ABOUT YOURSELF? 411 00:19:33,067 --> 00:19:34,733 - MM-HMM. 412 00:19:34,767 --> 00:19:36,700 - WELL... 413 00:19:36,733 --> 00:19:38,100 NOBODY EXPECTED THIS. 414 00:19:41,267 --> 00:19:42,700 TA-DA! 415 00:19:44,700 --> 00:19:46,233 - ALL RIGHT, RAYMOND. 416 00:19:46,267 --> 00:19:48,667 - NO, I MEAN, COME ON, MA, LOOK, YOU MADE SOMETHING HERE. 417 00:19:48,700 --> 00:19:50,700 - IT WAS AN ACCIDENT. 418 00:19:50,733 --> 00:19:53,300 - HEY, SO WAS PENICILLIN. 419 00:19:53,333 --> 00:19:55,967 AND ROBERT. 420 00:19:56,000 --> 00:19:57,167 NO, COME ON. 421 00:19:57,200 --> 00:19:58,167 REALLY, COME OVER HERE. 422 00:19:58,200 --> 00:19:59,367 LOOK. LOOK AT THIS. 423 00:19:59,400 --> 00:20:01,100 I MEAN, LOOK. 424 00:20:01,133 --> 00:20:04,900 ALL RIGHT, IT MAY NOT BE MY TASTE, 425 00:20:04,933 --> 00:20:06,800 BUT--BUT THIS USED TO BE JUST A ROCK, OKAY? 426 00:20:06,833 --> 00:20:08,967 EVEN I CAN APPRECIATE THAT. 427 00:20:09,000 --> 00:20:10,867 AND WHAT DO MOST PEOPLE WHO TAKE AN ART CLASS-- 428 00:20:10,900 --> 00:20:12,000 WHAT DO THEY MAKE? 429 00:20:12,033 --> 00:20:14,467 LIKE A LITTLE PAPERWEIGHT OR AN ASHTRAY, 430 00:20:14,500 --> 00:20:17,333 BUT LOOK WHAT YOU DID. 431 00:20:17,367 --> 00:20:18,733 YOU... 432 00:20:18,767 --> 00:20:21,367 YOU KNOW, I MEAN-- 433 00:20:21,400 --> 00:20:25,167 LOOK AT THIS. YOU MADE THIS. 434 00:20:25,200 --> 00:20:26,967 YOU--YOU GOT PEOPLE TALKING. 435 00:20:27,000 --> 00:20:29,400 YOU SHOCKED PEOPLE, RIGHT? 436 00:20:30,833 --> 00:20:34,133 I THINK THAT'S WHAT REAL ARTISTS DO. 437 00:20:34,167 --> 00:20:35,667 I'M PROUD OF YOU. 438 00:20:38,800 --> 00:20:40,467 - THANK YOU, RAYMOND. 439 00:20:40,500 --> 00:20:42,333 YOU'RE A GOOD BOY. 440 00:20:42,367 --> 00:20:43,533 - HMM. 441 00:20:45,667 --> 00:20:48,767 BUT REALLY, YOU GOT TO GET IT OUT OF HERE. 442 00:20:55,767 --> 00:20:57,767 - OH, THANK YOU FOR COMING. 443 00:20:57,800 --> 00:21:00,067 I'M SO THRILLED YOU CAME. 444 00:21:00,100 --> 00:21:02,100 - WELL, MARIE, YOUR PIECE WAS THE HIT OF THE SHOW. 445 00:21:02,133 --> 00:21:04,233 - OH, THANK YOU, DEAR. 446 00:21:04,267 --> 00:21:05,433 - CONGRATULATIONS, YEAH. 447 00:21:05,467 --> 00:21:07,300 YOU DIDN'T HAVE TO DEDICATE IT TO ME. 448 00:21:09,567 --> 00:21:10,867 - WHO ELSE? 449 00:21:10,900 --> 00:21:13,267 - [mocking] WHO ELSE? 450 00:21:15,833 --> 00:21:17,100 - YEAH. ALL RIGHT. 451 00:21:17,133 --> 00:21:20,400 I GOT TO GO HOME AND WASH MY EYES. 452 00:21:20,433 --> 00:21:22,600 - OKAY, LET'S GO. WHERE'S FRANK? 453 00:21:29,733 --> 00:21:31,367 - IF YOU ASK ME, IT LOOKS LIKE A... 454 00:21:49,800 --> 00:21:51,367 - HOLY CRAP!