1 00:00:12,200 --> 00:00:13,467 - HEY, RAY, 2 00:00:13,467 --> 00:00:15,400 I WAS CLEANING OUT THE BASEMENT AND-- 3 00:00:15,400 --> 00:00:17,767 BY THE WAY, DID YOU KNOW YOUR FAMILY'S DOWNSTAIRS? 4 00:00:17,767 --> 00:00:21,667 - WHY DO YOU THINK I'M UPSTAIRS? 5 00:00:21,667 --> 00:00:24,933 - WHY DO YOU THINK I'M CLEANING OUT THE BASEMENT? 6 00:00:24,933 --> 00:00:26,300 ANYWAY, I WAS DOWN THERE, 7 00:00:26,300 --> 00:00:28,067 AND I CAME ACROSS A BOX OF YOUR OLD TROPHIES. 8 00:00:28,067 --> 00:00:30,200 - WHAT, MY FOOSBALL TROPHIES? 9 00:00:30,200 --> 00:00:34,667 - NO, YOUR NOBEL PRIZES. 10 00:00:34,667 --> 00:00:35,667 AND LOOK AT THIS. 11 00:00:35,667 --> 00:00:36,867 I FOUND THIS IN THERE. 12 00:00:36,867 --> 00:00:37,933 - WHAT? 13 00:00:37,933 --> 00:00:38,933 - THIS TAPE. 14 00:00:38,933 --> 00:00:40,600 IT SAYS "KAREN 1982" ON IT. 15 00:00:45,333 --> 00:00:46,733 - I DON'T KNOW WHAT THAT IS. 16 00:00:49,333 --> 00:00:51,833 - SOUNDS LIKE SOMETHING FROM YOUR COLLEGE DAYS. 17 00:00:51,833 --> 00:00:53,500 WHO'S "KAREN 1982"? 18 00:00:53,500 --> 00:00:55,200 - I DON'T KNOW, JUST SOME GIRL, 19 00:00:55,200 --> 00:00:56,767 SOME NOBODY FROM THE EARLY '80s, 20 00:00:56,767 --> 00:00:58,700 NOBODY YOU HAVE TO WORRY ABOUT. 21 00:00:58,700 --> 00:00:59,767 - HERE, LET'S PLAY IT. 22 00:00:59,767 --> 00:01:01,400 - NO! NO, NO! YOU DON'T PLAY IT! 23 00:01:01,400 --> 00:01:04,000 - RELAX, RELAX. I'VE HEARD IT ALREADY. 24 00:01:04,000 --> 00:01:06,333 - WHAT? YOU ALREADY LISTENED TO IT? 25 00:01:06,333 --> 00:01:08,633 THAT SEEMS LIKE AN INVASION OF EVERYTHING! 26 00:01:08,633 --> 00:01:10,167 - I KNOW. I'M SORRY, I'M SORRY. 27 00:01:10,167 --> 00:01:11,567 HERE WE GO. 28 00:01:11,567 --> 00:01:12,933 [rock music plays] 29 00:01:12,933 --> 00:01:15,700 - HI, THIS IS RAY. 30 00:01:15,700 --> 00:01:17,067 IF I'M NOT HERE, 31 00:01:17,067 --> 00:01:19,833 I'M PROBABLY HANGING AT THE QUAD WITH MY GIRL, KAREN. 32 00:01:19,833 --> 00:01:20,833 YOU KNOW IT! 33 00:01:20,833 --> 00:01:22,233 [beeps] 34 00:01:22,233 --> 00:01:23,800 - RAY, IT'S KAREN. 35 00:01:23,800 --> 00:01:26,500 LISTEN, THERE'S SOMETHING I NEED TO SAY. 36 00:01:26,500 --> 00:01:29,267 I WANTED TO TELL YOU AT THE KAPPA DELT HOEDOWN, 37 00:01:29,267 --> 00:01:33,233 BUT YOU WERE HAVING SO MUCH FUN PLAYING FOOSBALL, SO... 38 00:01:33,233 --> 00:01:36,067 WELL, I'LL JUST SAY IT. 39 00:01:36,067 --> 00:01:37,433 I WAS THINKING THAT 40 00:01:37,433 --> 00:01:39,867 MAYBE WE SHOULD START SEEING OTHER PEOPLE 41 00:01:39,867 --> 00:01:43,833 AND, YOU KNOW, NOT EACH OTHER. 42 00:01:43,833 --> 00:01:46,467 I'M SORRY TO KIND OF BREAK UP AND EVERYTHING ON THE PHONE, 43 00:01:46,467 --> 00:01:49,133 BUT I DIDN'T WANT TO-- 44 00:01:49,133 --> 00:01:51,933 ANYWAY. OKAY, I GOT TO GO. 45 00:01:51,933 --> 00:01:55,467 AND YOU SHOULD CHANGE YOUR OUTGOING MESSAGE, OKAY? 46 00:01:55,467 --> 00:01:57,367 BYE. 47 00:01:59,900 --> 00:02:02,333 - I WAS WONDERING WHY SHE HADN'T CALLED. 48 00:02:06,200 --> 00:02:07,367 - I DON'T GET IT, RAY. 49 00:02:07,367 --> 00:02:08,800 WHY WOULD YOU KEEP A TAPE OF A GIRL 50 00:02:08,800 --> 00:02:09,800 BREAKING UP WITH YOU? 51 00:02:09,800 --> 00:02:10,800 - I DIDN'T KEEP IT. 52 00:02:10,800 --> 00:02:11,967 - OH, IT'S OKAY. 53 00:02:11,967 --> 00:02:13,400 YOU CAN KEEP WHATEVER YOU WANT. 54 00:02:13,400 --> 00:02:15,767 I'M JUST CURIOUS. - I DIDN'T KEEP IT! 55 00:02:19,267 --> 00:02:20,633 - COME ON, RAY, YOU KEPT IT. 56 00:02:20,633 --> 00:02:22,367 YOU TOOK IT OUT OF THE ANSWERING MACHINE, 57 00:02:22,367 --> 00:02:24,400 YOU LABELED IT, AND YOU PLACED IT IN A BOX 58 00:02:24,400 --> 00:02:26,633 ALONG WITH A BUNCH OF LAME FOOSBALL TROPHIES. 59 00:02:26,633 --> 00:02:28,867 - LAME? 60 00:02:28,867 --> 00:02:35,300 I WAS PLAYING AT A LEVEL THAT YOU WILL NEVER UNDERSTAND. 61 00:02:35,300 --> 00:02:39,567 - AND I NOTICED YOU TOOK THE TIME TO POP OUT THE TABS, 62 00:02:39,567 --> 00:02:43,100 WHICH YOU NEGLECTED TO DO WITH OUR WEDDING VIDEO. 63 00:02:45,367 --> 00:02:46,800 - ALL RIGHT. SO YOU'RE JEALOUS. 64 00:02:46,800 --> 00:02:49,000 - HONEY, I'M NOT JEALOUS! I'M NOT. 65 00:02:49,000 --> 00:02:50,467 I JUST THINK IT'S A LITTLE WEIRD 66 00:02:50,467 --> 00:02:52,400 THAT YOU WOULD KEEP A BREAKUP TAPE FOR 20 YEARS. 67 00:02:52,400 --> 00:02:54,033 - I DON'T SEE HOW THAT'S WEIRD. 68 00:02:54,033 --> 00:02:55,500 - A BREAKUP TAPE? 69 00:02:55,500 --> 00:02:58,500 THAT'S LIKE KEEPING A HANGNAIL. 70 00:02:58,500 --> 00:02:59,933 - NO, IT'S NOT. OKAY? 71 00:02:59,933 --> 00:03:01,667 THERE'S PLENTY OF PEOPLE THAT WOULD KEEP THIS. 72 00:03:01,667 --> 00:03:02,800 - WHO? - ANYBODY! 73 00:03:02,800 --> 00:03:03,900 - NOBODY. 74 00:03:03,900 --> 00:03:06,200 - NOT NOBODY, BECAUSE I-BODY! 75 00:03:07,900 --> 00:03:09,467 - "I-BODY"? 76 00:03:09,467 --> 00:03:11,767 YOU KNOW, THE HARDEST THING TO BELIEVE ABOUT THIS TAPE 77 00:03:11,767 --> 00:03:13,300 IS THAT YOU WENT TO COLLEGE. 78 00:03:13,300 --> 00:03:15,000 - YEAH, ALL RIGHT. JUST GIVE ME MY TAPE. 79 00:03:15,000 --> 00:03:16,567 - WHEN YOU TELL ME WHY YOU KEEP IT. 80 00:03:16,567 --> 00:03:18,233 - I DON'T HAVE TO TELL YOU ANYTHING, ALL RIGHT? 81 00:03:18,233 --> 00:03:20,133 WHAT YOU DID IS UNCONSCIONABLE. 82 00:03:20,133 --> 00:03:22,300 THAT'S RIGHT, THERE'S YOUR COLLEGE. 83 00:03:25,233 --> 00:03:26,467 - WHY ARE WE YELLING? 84 00:03:26,467 --> 00:03:28,300 - OH, JEEZ, MA, NOBODY'S YELLING. 85 00:03:28,300 --> 00:03:30,000 - THEN WHY AM I UP HERE? 86 00:03:30,000 --> 00:03:32,067 - YEAH, I DON'T KNOW. 87 00:03:32,067 --> 00:03:33,500 - HEY, WHAT'S WITH THE YELLING? 88 00:03:33,500 --> 00:03:34,833 - YEAH, WHAT'S WITH THE YELLING? 89 00:03:34,833 --> 00:03:38,000 - OH, COME ON. COULD EVERYBODY PLEASE GO? 90 00:03:38,000 --> 00:03:39,433 - WHY ARE YOU IN YOUR UNDERWEAR? 91 00:03:39,433 --> 00:03:42,567 - BECAUSE THIS IS MY BEDROOM! 92 00:03:42,567 --> 00:03:44,267 - YOU KNOW WHAT? I'M GLAD YOU'RE ALL HERE. 93 00:03:44,267 --> 00:03:45,267 LET ME ASK YOU SOMETHING. 94 00:03:45,267 --> 00:03:46,900 DO YOU THINK IT'S WEIRD 95 00:03:46,900 --> 00:03:49,033 THAT SOMEONE WOULD KEEP A TAPE OF SOMEONE BREAKING UP WITH THEM 96 00:03:49,033 --> 00:03:50,033 FOR 20 YEARS? 97 00:03:50,033 --> 00:03:51,733 - "KAREN 1982"? 98 00:03:53,433 --> 00:03:55,233 - HOW THE HELL DO YOU KNOW ABOUT THAT? 99 00:03:55,233 --> 00:03:56,800 - I CAME ACROSS IT ONE DAY 100 00:03:56,800 --> 00:04:00,233 WHEN I WAS DRAWING GENITALS ON YOUR FOOSBALL TROPHIES. 101 00:04:00,233 --> 00:04:03,800 - YOU REALLY ARE A MENTAL CASE, YOU KNOW THAT? 102 00:04:03,800 --> 00:04:05,067 - SO THIS KAREN BROAD 103 00:04:05,067 --> 00:04:06,900 DUMPED YOU OVER THE PHONE ON A TAPE? 104 00:04:06,900 --> 00:04:09,267 [chuckling] 105 00:04:09,267 --> 00:04:12,333 - YOU NEVER TOLD ME ANYTHING ABOUT A KAREN. 106 00:04:12,333 --> 00:04:14,133 HOW LONG DID YOU TWO DATE? 107 00:04:14,133 --> 00:04:16,433 - I DON'T KNOW, LIKE, FIVE MONTHS. 108 00:04:16,433 --> 00:04:18,267 - YOU WENT TOGETHER FIVE MONTHS, 109 00:04:18,267 --> 00:04:20,133 AND THIS IS HOW I FIND OUT ABOUT IT? 110 00:04:20,133 --> 00:04:23,000 - OH, COME ON, MA! IT WAS 20 YEARS AGO! 111 00:04:23,000 --> 00:04:25,067 - WHAT WERE YOU DOING WITH HER? 112 00:04:25,067 --> 00:04:26,633 - NOTHING THAT KEPT HER HAPPY. 113 00:04:31,000 --> 00:04:32,267 - I GOT TO TELL YA, 114 00:04:32,267 --> 00:04:33,833 BREAKIN' UP ON THE ANSWERING MACHINE 115 00:04:33,833 --> 00:04:35,333 IS THE WAY TO GO. 116 00:04:35,333 --> 00:04:37,000 IF THOSE THINGS WERE AROUND IN MY DAY, 117 00:04:37,000 --> 00:04:39,000 I WOULDN'T HAVE HAD TO MOVE SO MUCH. 118 00:04:44,200 --> 00:04:45,800 - BUT NOBODY THINKS IT'S ODD 119 00:04:45,800 --> 00:04:48,333 THAT SOMEONE WOULD KEEP A TAPE LIKE THIS? 120 00:04:48,333 --> 00:04:50,567 - I'LL TELL YOU WHAT IT IS. IT'S DUMB. 121 00:04:50,567 --> 00:04:53,200 YOU SHOULD GET RID OF ALL EVIDENCE OF THE PAST. 122 00:04:53,200 --> 00:04:56,133 - I KEPT EVERYTHING FROM MY PAST RELATIONSHIPS. 123 00:04:56,133 --> 00:04:57,567 - SHE HAD TO. 124 00:04:57,567 --> 00:05:00,033 IT'S TOUGH TO THROW OUT A CAVE PAINTING. 125 00:05:05,800 --> 00:05:08,367 - I MEAN, I KEEP THINGS TOO, BUT THEY'RE-- 126 00:05:08,367 --> 00:05:10,133 THEY'RE HAPPY THINGS. 127 00:05:10,133 --> 00:05:12,200 YOU KNOW, A LETTER OR PICTURES. 128 00:05:12,200 --> 00:05:13,867 SOMEONE WROTE ME A POEM ONCE. 129 00:05:13,867 --> 00:05:15,233 - POEM? FROM WHO? 130 00:05:15,233 --> 00:05:18,067 WHAT POEM? WHO WRITES YOU POEMS? 131 00:05:18,067 --> 00:05:19,700 - JUST A GUY I KNEW IN THE 10TH GRADE. 132 00:05:19,700 --> 00:05:22,233 BUT IT'S A HAPPY POEM, MAKES ME SMILE WHEN I READ IT. 133 00:05:22,233 --> 00:05:23,667 - YOU STILL READ IT? 134 00:05:23,667 --> 00:05:25,767 - I HAVE, ONCE OR TWICE. 135 00:05:25,767 --> 00:05:27,767 - [gasps] 136 00:05:29,167 --> 00:05:30,967 - YOU NEVER TOLD ME ABOUT A POEM. 137 00:05:30,967 --> 00:05:35,033 - BURN EVERYTHING, I TELL YA. 138 00:05:35,033 --> 00:05:37,133 - SUCH SECRETS FROM YOUR HUSBAND. 139 00:05:37,133 --> 00:05:39,100 - I'M NOT KEEPING SECRETS! 140 00:05:39,100 --> 00:05:40,533 RAY, I DIDN'T TELL YOU 141 00:05:40,533 --> 00:05:42,400 BECAUSE EVERY TIME I MENTION AN OLD BOYFRIEND, 142 00:05:42,400 --> 00:05:43,633 YOU SAY, "I DON'T WANT TO HEAR IT." 143 00:05:43,633 --> 00:05:45,067 HE DOESN'T WANT TO KNOW ABOUT IT. 144 00:05:45,067 --> 00:05:47,400 LOOK, LOOK, THIS IS NOT UNUSUAL. 145 00:05:47,400 --> 00:05:48,867 EVERYBODY KEEPS NICE STUFF. 146 00:05:48,867 --> 00:05:51,767 WHAT THEY DON'T KEEP ARE BREAKUP TAPES. 147 00:05:53,333 --> 00:05:54,533 FORGET IT. JUST FORGET IT! 148 00:05:54,533 --> 00:05:55,733 YOU KNOW WHERE IT'S NICE? 149 00:05:55,733 --> 00:05:57,367 IN THE BASEMENT. 150 00:05:58,933 --> 00:06:00,433 - CAN I HEAR THAT KAREN TAPE? 151 00:06:00,433 --> 00:06:04,200 - NO, NO, NO. IT'S NONE OF YOUR BUSINESS. 152 00:06:05,067 --> 00:06:06,633 - I HAVE A COPY. 153 00:06:18,333 --> 00:06:20,267 - OKAY, DEBRA. I WAS THINKING. 154 00:06:20,267 --> 00:06:21,867 I NOW UNDERSTAND THAT IT IS KIND OF WEIRD 155 00:06:21,867 --> 00:06:23,067 TO KEEP THAT TAPE. 156 00:06:23,067 --> 00:06:24,300 - RAY, CAN WE JUST DROP THE WHOLE THING? 157 00:06:24,300 --> 00:06:25,567 - NO, NO, NO, NO, NO. 158 00:06:25,567 --> 00:06:27,033 I WISH THAT I HAD TOLD YOU ABOUT IT. 159 00:06:27,033 --> 00:06:28,100 - OKAY. 160 00:06:28,100 --> 00:06:29,133 I SHOULD'VE BEEN MORE OPEN. 161 00:06:29,133 --> 00:06:30,633 WE SHOULD BE MORE OPEN. 162 00:06:30,633 --> 00:06:32,533 I THINK FROM NOW ON, WE SHOULD BOTH BE OPEN, OKAY? 163 00:06:32,533 --> 00:06:35,767 LET'S CONSIDER THIS "OPENING NIGHT." 164 00:06:35,767 --> 00:06:36,767 - RAY. 165 00:06:36,767 --> 00:06:38,200 - IN THIS SHOEBOX, 166 00:06:38,200 --> 00:06:40,467 I HAVE EVERYTHING FROM MY PAST RELATIONSHIPS. 167 00:06:40,467 --> 00:06:41,600 - YEAH? 168 00:06:41,600 --> 00:06:43,200 - YEAH, AND I'M GONNA SHOW IT TO YOU 169 00:06:43,200 --> 00:06:46,833 JUST TO SHOW YOU THAT, YOU KNOW, I CAN SHOW. 170 00:06:46,833 --> 00:06:48,000 - GREAT, IF YOU WANT. 171 00:06:48,000 --> 00:06:49,600 - YES, I DO. I DO. I REALLY DO. 172 00:06:52,900 --> 00:06:54,467 YOU FIRST. 173 00:06:55,967 --> 00:06:56,967 - WHAT? 174 00:06:56,967 --> 00:06:58,267 - WELL, YOU GOT A POEM. 175 00:06:58,267 --> 00:06:59,833 YOU SAID THERE'S SOME OTHER STUFF. 176 00:06:59,833 --> 00:07:01,067 I WANT TO SEE WHAT YOU GOT. 177 00:07:01,067 --> 00:07:02,267 - WHY? 178 00:07:02,267 --> 00:07:04,800 - ARE WE GONNA BE OPEN OR NOT? 179 00:07:04,800 --> 00:07:06,067 - YEAH. 180 00:07:06,067 --> 00:07:07,567 I MEAN, OF COURSE I WANT TO BE OPEN. 181 00:07:07,567 --> 00:07:09,067 BUT I DON'T THINK YOU'RE DOING THIS 182 00:07:09,067 --> 00:07:10,200 FOR THE RIGHT REASON. 183 00:07:11,267 --> 00:07:12,767 - IS WANTING TO BE CLOSER TO YOU 184 00:07:12,767 --> 00:07:16,100 NOT THE RIGHT REASON? 185 00:07:16,100 --> 00:07:18,067 - YOU ARE SO FULL OF IT. 186 00:07:18,067 --> 00:07:20,967 BUT I DO WANT TO BE MORE OPEN, AND I WOULD LIKE TO BE CLOSER. 187 00:07:20,967 --> 00:07:22,267 - WHAT AM I SAYING HERE? 188 00:07:22,267 --> 00:07:23,533 - OKAY, YOU SURE? 189 00:07:23,533 --> 00:07:24,933 - YES. LET'S DO THIS. 190 00:07:24,933 --> 00:07:26,033 SHOW ME YOUR STUFF. 191 00:07:26,033 --> 00:07:28,133 GOOD. THIS IS GOOD. 192 00:07:28,133 --> 00:07:29,467 I'M GLAD WE'RE DOING THIS. 193 00:07:29,467 --> 00:07:32,400 THIS IS GONNA BE GOOD FOR OUR MARRIAGE. 194 00:07:32,400 --> 00:07:34,167 WOW! 195 00:07:42,467 --> 00:07:44,000 WHAT DO YOU GOT IN THERE, 196 00:07:44,000 --> 00:07:47,867 A POEM OR THE GUY WHO WROTE IT? 197 00:07:47,867 --> 00:07:48,933 - WHAT CAN I SAY? 198 00:07:48,933 --> 00:07:50,933 I'VE INSPIRED SOME WRITING. 199 00:07:50,933 --> 00:07:52,567 OKAY. GO AHEAD. 200 00:07:52,567 --> 00:07:54,900 - NO. NO, NO. YOU HEARD MY TAPE. 201 00:07:54,900 --> 00:07:56,333 IT'S YOUR TURN. 202 00:07:56,333 --> 00:07:57,533 GO AHEAD. LET'S START WITH THE POEM. 203 00:07:57,533 --> 00:07:59,267 - ALL RIGHT. ALL RIGHT. 204 00:08:03,933 --> 00:08:05,167 - THAT WAS FAST. 205 00:08:05,167 --> 00:08:07,400 WHAT, DO YOU GOT IT ALPHABETIZED? 206 00:08:07,400 --> 00:08:09,467 - YOU WANT TO HEAR THE POEM OR NOT? 207 00:08:09,467 --> 00:08:11,167 - YEAH. 208 00:08:11,167 --> 00:08:13,633 - THIS IS FROM CHAD. - CHAD. 209 00:08:18,567 --> 00:08:20,100 - DEBRA'S EYES. 210 00:08:20,100 --> 00:08:21,467 "BROWN AS EARTH, 211 00:08:21,467 --> 00:08:24,267 "GIVETH LIFE TO TREE AND BRUSH. 212 00:08:24,267 --> 00:08:27,167 "SPECKLED GREEN, LIKE THE BREAST OF A THRUSH. 213 00:08:27,167 --> 00:08:30,000 "YELLOW RINGED AS THE SUN ON A WEB. 214 00:08:30,000 --> 00:08:32,433 "SO MANY COLORS IN THINE EYE, 215 00:08:32,433 --> 00:08:33,567 MY DEB." 216 00:08:37,633 --> 00:08:39,233 - OH, MY GOD! 217 00:08:39,233 --> 00:08:41,433 OH, MY GOD! 218 00:08:41,433 --> 00:08:43,567 [laughing] 219 00:08:43,567 --> 00:08:45,333 HOO-HOO! 220 00:08:45,333 --> 00:08:47,100 OH, MAN! 221 00:08:47,100 --> 00:08:48,333 THAT'S THE POEM? 222 00:08:48,333 --> 00:08:49,600 - DON'T MAKE FUN OF IT! 223 00:08:49,600 --> 00:08:51,267 - I DON'T HAVE TO. READ IT AGAIN. 224 00:08:51,267 --> 00:08:53,733 - IT HAPPENS TO BE VERY ROMANTIC! 225 00:08:53,733 --> 00:08:55,533 - YEAH, YEAH, YEAH. READ IT AGAIN. 226 00:08:55,533 --> 00:08:57,733 - NO! YOU DON'T APPRECIATE IT. 227 00:08:57,733 --> 00:08:58,933 FOR YOUR INFORMATION, 228 00:08:58,933 --> 00:09:00,133 HE WROTE THIS IN THE 10TH GRADE, 229 00:09:00,133 --> 00:09:01,800 AND HE ENDED UP GOING TO YALE. 230 00:09:01,800 --> 00:09:04,467 - NOT ON A POETRY SCHOLARSHIP. 231 00:09:04,467 --> 00:09:06,600 - WELL, I DON'T SEE YOU WRITING ME ANY POEMS. 232 00:09:06,600 --> 00:09:11,433 - I CAN'T NOW. CHAD KILLED POETRY. 233 00:09:11,433 --> 00:09:13,133 SO THAT'S ALL YOU GOT? 234 00:09:13,133 --> 00:09:16,533 SOME RHYMES ABOUT YOUR MANY-COLORED EYEBALL? 235 00:09:16,533 --> 00:09:19,300 - NO. THERE ARE LETTERS AND GIFTS. 236 00:09:19,300 --> 00:09:21,000 - GIFTS? WHAT GIFT? 237 00:09:21,000 --> 00:09:22,700 YOU DIDN'T TELL ME ABOUT ANY GIFTS. 238 00:09:22,700 --> 00:09:23,900 WHAT? SHOW ME A GIFT. 239 00:09:23,900 --> 00:09:25,067 - THEY'RE NOT IN THE BOX. 240 00:09:25,067 --> 00:09:26,933 - WHERE ARE THEY? 241 00:09:26,933 --> 00:09:27,933 - AROUND. 242 00:09:27,933 --> 00:09:29,100 - AROUND WHERE? 243 00:09:29,100 --> 00:09:30,467 - I DON'T KNOW. 244 00:09:30,467 --> 00:09:33,433 I GOT THAT BIRD FEEDER OUT IN BACK. 245 00:09:33,433 --> 00:09:35,300 - THAT WAS FROM A BOYFRIEND? 246 00:09:35,300 --> 00:09:36,600 THAT'S A GREAT GIFT. 247 00:09:36,600 --> 00:09:38,233 GUARANTEES THE BIRDS ARE NICE AND FULL 248 00:09:38,233 --> 00:09:41,567 WHEN THEY FLY OVER MY CAR. 249 00:09:41,567 --> 00:09:44,333 BOY, THAT CHAD'S A REAL WINNER. 250 00:09:44,333 --> 00:09:46,967 - THAT WASN'T FROM CHAD. THAT WAS FROM GARY. 251 00:09:46,967 --> 00:09:50,000 - GARY? OH, ANOTHER GUY. 252 00:09:50,000 --> 00:09:51,967 WHAT'S GARY'S DEAL, HUH? 253 00:09:51,967 --> 00:09:54,133 IS HE A GOOD KISSER? 254 00:09:54,133 --> 00:09:55,367 - OKAY, LISTEN, YOU KNOW WHAT? 255 00:09:55,367 --> 00:09:56,567 I'M SORRY I BROUGHT THIS UP. 256 00:09:56,567 --> 00:09:58,333 - COME ON, IS HE A GOOD KISSER? 257 00:09:58,333 --> 00:09:59,733 - I DON'T REMEMBER. 258 00:09:59,733 --> 00:10:00,733 - COME ON. 259 00:10:00,733 --> 00:10:02,033 I JUST WANT TO KNOW 260 00:10:02,033 --> 00:10:03,300 WHEN I'M HOSING OFF MY WINDSHIELD 261 00:10:03,300 --> 00:10:05,033 THAT THE KISSING WAS GOOD. 262 00:10:05,033 --> 00:10:06,433 - RAY, I REALLY DON'T REMEMBER. 263 00:10:06,433 --> 00:10:08,433 NONE OF THESE GUYS MEAN ANYTHING TO ME NOW. 264 00:10:08,433 --> 00:10:09,767 - WHAT OTHER GIFTS DO YOU HAVE? 265 00:10:09,767 --> 00:10:10,767 - I DON'T KNOW. 266 00:10:10,767 --> 00:10:12,767 UM, THE PEPPER GRINDER. 267 00:10:12,767 --> 00:10:15,600 - THE PEPPER GRINDER? 268 00:10:15,600 --> 00:10:17,500 OUR PEPPER GRINDER? 269 00:10:17,500 --> 00:10:21,200 THE GRINDER I PEPPER MY FOOD WITH? 270 00:10:24,767 --> 00:10:27,067 COME--WHAT ELSE? 271 00:10:27,067 --> 00:10:28,900 - ALLY'S DOLL WITH THE BLUE DRESS. 272 00:10:28,900 --> 00:10:32,100 - SUSANNA? 273 00:10:32,100 --> 00:10:34,833 SOME BOYFRIEND GAVE ALLY THE SUSANNA DOLL? 274 00:10:34,833 --> 00:10:36,267 - NO, HE GAVE IT TO ME. 275 00:10:36,267 --> 00:10:37,633 - WELL, WHY DID YOU LET HER PLAY WITH IT? 276 00:10:37,633 --> 00:10:39,067 - SHE SAW IT, AND SHE WANTED IT. 277 00:10:39,067 --> 00:10:40,433 SHE DIDN'T KNOW WHERE IT WAS FROM. 278 00:10:40,433 --> 00:10:43,000 - SO SHE JUST SAW SOME BOYFRIEND DOLL? 279 00:10:43,000 --> 00:10:45,100 WHAT, DID YOU HAVE IT OUT WHEN YOU WERE READING POETRY 280 00:10:45,100 --> 00:10:47,900 AND FEEDING THE BIRDS 281 00:10:47,900 --> 00:10:50,433 WITH PEPPER? 282 00:10:52,067 --> 00:10:54,233 - YOU KNOW, 283 00:10:54,233 --> 00:10:56,133 MAYBE I DON'T WANT TO BE CLOSER TO YOU. 284 00:10:56,133 --> 00:10:57,533 - YEAH, WELL, IT'S TOO LATE NOW. 285 00:10:57,533 --> 00:11:00,067 WE'RE CLOSE, MY FRIEND, OKAY? WHAT ELSE? 286 00:11:00,067 --> 00:11:01,067 - RAY, COME ON. 287 00:11:01,067 --> 00:11:02,300 - NO, NO! COME ON. 288 00:11:02,300 --> 00:11:04,067 I WANT TO KNOW ABOUT ALL YOUR OTHER... 289 00:11:04,067 --> 00:11:06,300 LOVER GIFTS. 290 00:11:15,333 --> 00:11:17,467 [clears throat] GO AHEAD. 291 00:11:17,467 --> 00:11:19,400 - WHAT, ARE YOU GONNA WRITE THESE DOWN? 292 00:11:19,400 --> 00:11:22,167 - YEAH, FOR INSURANCE PURPOSES. LET'S GO, KEEP GOING. 293 00:11:22,167 --> 00:11:23,500 - OKAY, ALL RIGHT. 294 00:11:23,500 --> 00:11:25,333 THE LEAKY COOLER IN THE GARAGE. 295 00:11:25,333 --> 00:11:29,200 - "SUCKY COOLER." 296 00:11:29,200 --> 00:11:30,500 - "LEAKY COOLER." 297 00:11:30,500 --> 00:11:33,333 - YEAH, I GOT MY OWN SYSTEM. WHAT ELSE? 298 00:11:33,333 --> 00:11:35,700 - THE LAMP WITH THE HORSES. 299 00:11:35,700 --> 00:11:38,033 - "HORSE'S ASS LAMP." 300 00:11:40,833 --> 00:11:41,867 KEEP GOING. 301 00:11:41,867 --> 00:11:43,233 - THERE ARE SOME OTHER THINGS, 302 00:11:43,233 --> 00:11:44,767 BUT I DON'T WANT TO PLAY THIS ANYMORE. 303 00:11:44,767 --> 00:11:46,167 - WHAT? WHAT OTHER THINGS? 304 00:11:46,167 --> 00:11:48,000 GOD, THESE THINGS MUST BE EVERYWHERE, RIGHT? 305 00:11:48,000 --> 00:11:49,333 WHAT ABOUT IN HERE, HUH? 306 00:11:49,333 --> 00:11:52,767 ANYTHING IN OUR BEDROOM FROM YOUR PAST? 307 00:11:55,500 --> 00:11:56,600 - NO. 308 00:11:56,600 --> 00:11:58,200 - THERE IS. THERE IS, ISN'T THERE? 309 00:11:58,200 --> 00:12:00,867 WHAT? WHAT IS IT? 310 00:12:00,867 --> 00:12:03,067 AM I WEARING ANY OF IT? 311 00:12:09,167 --> 00:12:11,633 - THE WHITE PICTURE FRAME. 312 00:12:11,633 --> 00:12:12,700 - [gasps] 313 00:12:12,700 --> 00:12:15,700 THAT'S AROUND A PICTURE OF OUR CHILDREN! 314 00:12:19,267 --> 00:12:20,733 WAIT A MINUTE. 315 00:12:20,733 --> 00:12:23,267 - THEY'RE OUR KIDS, RAY! 316 00:12:26,900 --> 00:12:29,567 - REALLY? 317 00:12:29,567 --> 00:12:32,067 YOU SURE THAT THEY WEREN'T A GIFT? 318 00:12:32,067 --> 00:12:33,733 - HONEY, CALM DOWN! 319 00:12:33,733 --> 00:12:34,733 - NO. 320 00:12:34,733 --> 00:12:35,867 - OH, RAY, COME ON. 321 00:12:35,867 --> 00:12:36,867 COME HERE. COME HERE. 322 00:12:36,867 --> 00:12:38,133 - NO, NO, NO. 323 00:12:38,133 --> 00:12:40,400 YOU CAN'T LURE ME WITH YOUR SEX. 324 00:12:42,133 --> 00:12:44,200 THAT'S HOW YOU DO IT, RIGHT? 325 00:12:44,200 --> 00:12:46,133 I COME OVER THERE, AND THE NEXT THING YOU KNOW, 326 00:12:46,133 --> 00:12:48,133 I'M IN A CAGE WITH CHAD AND GARY, GOING, 327 00:12:48,133 --> 00:12:49,300 "I HOPE DEBRA COMES BACK!" 328 00:12:49,300 --> 00:12:50,767 YEAH, WELL, NO THANK YOU! 329 00:12:59,033 --> 00:13:01,100 - HEY, WHERE YOU BEEN? 330 00:13:01,100 --> 00:13:03,000 WHAT'S ALL THIS STUFF? 331 00:13:03,000 --> 00:13:04,500 - I BOUGHT SOME THINGS. 332 00:13:04,500 --> 00:13:06,667 I THOUGHT IT WAS TIME TO GET SOME NEW, BETTER THINGS. 333 00:13:10,900 --> 00:13:12,200 - WHAT DID YOU GET? 334 00:13:12,200 --> 00:13:13,633 - WHAT DID I GET? I GOT SOME GREAT STUFF. 335 00:13:13,633 --> 00:13:16,667 I GOT A COOLER, A LAMP, A PICTURE FRAME, 336 00:13:16,667 --> 00:13:19,333 AND A PEPPER MILL THAT HAS BEEN CHEF RECOMMENDED. 337 00:13:32,300 --> 00:13:33,800 SOME NEW, BETTER THINGS. 338 00:13:33,800 --> 00:13:36,067 OH, AND I ALMOST FORGOT. 339 00:13:40,033 --> 00:13:41,500 DEBRA'S EARS. 340 00:13:44,767 --> 00:13:46,333 "ONE ON EACH SIDE, 341 00:13:46,333 --> 00:13:48,500 "LIKE A DAINTY CUP, 342 00:13:48,500 --> 00:13:53,567 "SO GENTLY THEY HOLD THINE SUNGLASSES UP. 343 00:13:53,567 --> 00:13:56,333 "SO ROUND AND NICE, WITH A SUBTLE RIDGE, 344 00:13:56,333 --> 00:13:58,133 THERE'S NO BONE IN THERE. 345 00:13:58,133 --> 00:14:00,000 IT'S CARTILAGE." 346 00:14:06,900 --> 00:14:09,467 - OKAY, VERY NICE. 347 00:14:09,467 --> 00:14:11,033 - SO NOW THAT WE HAVE ALL THESE THINGS, 348 00:14:11,033 --> 00:14:12,700 YOU CAN GET RID OF ALL YOUR OTHER STUFF. 349 00:14:12,700 --> 00:14:14,300 - RAY. - WHAT? 350 00:14:14,300 --> 00:14:16,667 IF, AS YOU SAY, CHAD AND GARY 351 00:14:16,667 --> 00:14:19,233 AND THE OTHER GIVERS OF GIFTS DON'T MEAN ANYTHING, 352 00:14:19,233 --> 00:14:20,967 THEN YOU SHOULD HAVE NO REASON TO KEEP THAT STUFF, 353 00:14:20,967 --> 00:14:22,600 SO LET'S JUST TOSS IT OUT. 354 00:14:22,600 --> 00:14:24,800 - DON'T YOU THINK YOU'RE GOING A LITTLE OVERBOARD? 355 00:14:24,800 --> 00:14:26,100 - NO, I DO NOT. 356 00:14:26,100 --> 00:14:27,767 - YOU'RE A COMPLETELY RATIONAL PERSON? 357 00:14:27,767 --> 00:14:29,367 - YES, I AM. 358 00:14:29,367 --> 00:14:31,767 - HAS ANYONE SEEN SUSANNA? 359 00:14:35,800 --> 00:14:37,900 - YOU DIDN'T! 360 00:14:37,900 --> 00:14:39,633 - DIDN'T WHAT? 361 00:14:39,633 --> 00:14:41,833 HOW ARE WE SUPPOSED TO KNOW WHERE YOUR DOLL IS, HUH? 362 00:14:41,833 --> 00:14:43,267 MAYBE THIS IS WHAT HAPPENS 363 00:14:43,267 --> 00:14:44,600 WHEN YOU DON'T TAKE CARE OF YOUR THINGS. 364 00:14:44,600 --> 00:14:47,067 - RAY! 365 00:14:47,067 --> 00:14:48,300 - DID YOU LOOK UNDER YOUR BED? 366 00:14:48,300 --> 00:14:49,967 - YES. - AND THE REST OF YOUR ROOM? 367 00:14:49,967 --> 00:14:53,067 - YES. - AND THE TRUNK OF MY CAR? 368 00:14:53,067 --> 00:14:54,733 - NO. 369 00:14:54,733 --> 00:14:57,133 - WELL, THEN MAYBE BEFORE YOU COME IN HERE AND START GOING, 370 00:14:57,133 --> 00:14:59,900 "MOMMY, DADDY, I CAN'T FIND MY THINGS," 371 00:14:59,900 --> 00:15:02,167 MAYBE YOU SHOULD LOOK THERE. 372 00:15:10,267 --> 00:15:11,500 - WHAT WERE YOU GONNA DO, RAY? 373 00:15:11,500 --> 00:15:13,500 DUMP THE DOLL'S BODY IN JERSEY? 374 00:15:18,367 --> 00:15:20,367 - I WAS JUST GONNA TAKE IT FOR A RIDE. 375 00:15:22,667 --> 00:15:23,800 MAYBE... 376 00:15:23,800 --> 00:15:27,733 COME BACK WITH A BRAND-NEW, BETTER DOLL. 377 00:15:27,733 --> 00:15:29,233 MAYBE A BLACK ONE, 378 00:15:29,233 --> 00:15:31,300 UNLESS MAYBE YOU HAVE SOME KIND OF PROBLEM WITH THAT. 379 00:15:31,300 --> 00:15:32,700 - OH, YOU ARE OUT OF YOUR MIND! 380 00:15:32,700 --> 00:15:34,600 - ARE YOU GONNA THROW OUT THE STUFF OR NOT? 381 00:15:34,600 --> 00:15:35,767 - NO! 382 00:15:35,767 --> 00:15:36,967 - I WOULD DO IT FOR YOU! 383 00:15:36,967 --> 00:15:38,200 - I WOULD NEVER ASK YOU TO DO THAT. 384 00:15:38,200 --> 00:15:39,700 - YOU WOULDN'T HAVE TO. 385 00:15:39,700 --> 00:15:41,467 I'D NEVER PUT YOU IN A POSITION OF HAVING TO! 386 00:15:41,467 --> 00:15:45,800 HERE, MY ENTIRE PRE-DEBRA FEMALE HISTORY, GONE! 387 00:15:45,800 --> 00:15:46,800 - WHAT ARE YOU DOING? 388 00:15:46,800 --> 00:15:47,800 - I DO IT FOR YOU! 389 00:15:47,800 --> 00:15:50,933 - OH, THIS IS CRAZY! 390 00:15:50,933 --> 00:15:53,133 WAIT A MINUTE. WHAT'S IN HERE? 391 00:15:53,133 --> 00:15:54,900 THIS IS JUST THE TAPE AND A SHOE HORN. 392 00:15:54,900 --> 00:15:56,467 THERE'S NOTHING IN HERE. 393 00:15:56,467 --> 00:15:59,000 WHAT, ARE YOU BLUFFING SO I'LL THROW OUT MY STUFF? 394 00:15:59,000 --> 00:16:02,367 - I WASN'T BLUFFING. 395 00:16:02,367 --> 00:16:04,000 DEBRA. 396 00:16:06,300 --> 00:16:08,667 THAT'S ALL THERE IS. 397 00:16:08,667 --> 00:16:11,033 - A SHOE HORN? 398 00:16:11,033 --> 00:16:12,567 - IT CAME WITH THE BOX. 399 00:16:22,867 --> 00:16:26,000 - WHAT ABOUT THAT "WHAT A HUNK" MUG WITH THE HEARTS? 400 00:16:27,767 --> 00:16:29,567 - FROM MY MOM. 401 00:16:33,433 --> 00:16:34,267 - OH. 402 00:16:34,267 --> 00:16:35,667 - DON'T FEEL SORRY FOR ME, 403 00:16:35,667 --> 00:16:37,467 UNLESS YOU'RE FEELING SORRY FOR ME 404 00:16:37,467 --> 00:16:41,233 BECAUSE I HAVE TO LIVE IN A MUSEUM OF YOUR EROTIC PAST. 405 00:16:41,233 --> 00:16:43,233 - IT IS NOT A MUSEUM. 406 00:16:43,233 --> 00:16:47,333 - SO YOU ADMIT IT WAS EROTIC! 407 00:16:47,333 --> 00:16:49,067 YOU KNOW WHAT? IT'S TIME TO CLEAN HOUSE. 408 00:16:49,067 --> 00:16:50,367 - ALL RIGHT. OKAY, FINE. 409 00:16:50,367 --> 00:16:52,100 YOU--YOU THROW IT ALL OUT IF YOU WANT. 410 00:16:52,100 --> 00:16:53,433 YOU CAN THROW OUT ALL MY STUFF. 411 00:16:53,433 --> 00:16:54,967 I DON'T CARE ABOUT THAT STUFF. 412 00:16:54,967 --> 00:16:58,067 BUT IF YOU THINK THAT YOU ARE GOING TO ERASE MY PAST, 413 00:16:58,067 --> 00:16:59,567 YOU ARE NOT GONNA DO THAT. 414 00:16:59,567 --> 00:17:02,233 AND I DON'T KNOW WHY YOU WOULD WANT TO DO THAT 415 00:17:02,233 --> 00:17:05,400 BECAUSE MY PAST HAS MADE ME WHO I AM. 416 00:17:10,800 --> 00:17:12,500 - SO I CAN THROW IT ALL OUT? 417 00:17:20,233 --> 00:17:21,333 - YOU KNOW, YOU HAVE A PROBLEM. 418 00:17:21,333 --> 00:17:22,700 YOU KNOW WHAT YOUR PROBLEM IS? 419 00:17:22,700 --> 00:17:23,667 THAT TAPE. 420 00:17:23,667 --> 00:17:25,267 - NO, IT'S NOT. - YES, IT IS. 421 00:17:25,267 --> 00:17:27,000 YOU THINK ALL THESE GIFTS MEAN AS MUCH TO ME 422 00:17:27,000 --> 00:17:29,100 AS YOUR PRECIOUS TAPE MEANS TO YOU. 423 00:17:29,100 --> 00:17:30,533 - THE TAPE DOESN'T MEAN ANYTHING TO ME. 424 00:17:30,533 --> 00:17:32,167 YOU JUST SAW ME THROW IT IN THE GARBAGE! 425 00:17:32,167 --> 00:17:34,033 - OH, AND I SAW YOUR FACE WHEN YOU LISTENED TO IT. 426 00:17:34,033 --> 00:17:35,333 ALL OF A SUDDEN, IT WAS 20 YEARS AGO, 427 00:17:35,333 --> 00:17:37,300 AND WE WERE BACK IN YOUR DORM ROOM. 428 00:17:37,300 --> 00:17:38,667 - I DIDN'T MAKE ANY FACE. 429 00:17:38,667 --> 00:17:42,733 - YOU TURNED ALL RED AND EMBARRASSED 430 00:17:42,733 --> 00:17:45,267 LIKE ON OUR FIRST DATE WHEN YOU ORDERED THE... 431 00:17:45,267 --> 00:17:47,000 "FIL-LET MIG-NON." 432 00:17:55,767 --> 00:17:56,833 - SO? 433 00:17:56,833 --> 00:17:58,200 IT'S A LITTLE EMBARASSING. 434 00:17:58,200 --> 00:18:00,567 - NO, IT'S MORE THAN THAT. 435 00:18:00,567 --> 00:18:02,100 BUT IF YOU DON'T WANT TO TELL ME 436 00:18:02,100 --> 00:18:05,900 WHY "KAREN 1982" STILL MEANS SO MUCH TO YOU, 437 00:18:05,900 --> 00:18:07,433 I'M NOT GONNA KEEP ASKING. 438 00:18:15,767 --> 00:18:18,600 - WHY DID SHE BREAK UP WITH ME? 439 00:18:18,600 --> 00:18:20,000 - WHAT? 440 00:18:21,300 --> 00:18:22,933 - THAT'S WHY I KEPT THE TAPE FOR SO LONG. 441 00:18:22,933 --> 00:18:26,100 I JUST WANTED TO FIGURE IT OUT. 442 00:18:26,100 --> 00:18:27,800 COULD YOU LISTEN TO THE TAPE? 443 00:18:27,800 --> 00:18:30,267 MAYBE THERE'S SOME HIDDEN WOMAN THING I'M NOT HEARING. 444 00:18:31,733 --> 00:18:33,133 - I HEARD THE TAPE. 445 00:18:33,133 --> 00:18:34,700 SHE DOESN'T SAY WHY SHE BREAKS UP WITH YOU. 446 00:18:34,700 --> 00:18:36,067 - WHY DOESN'T SHE? 447 00:18:36,067 --> 00:18:38,967 - I WASN'T THERE. 448 00:18:38,967 --> 00:18:40,167 WHAT HAPPENED? 449 00:18:40,167 --> 00:18:43,000 - I DON'T KNOW. 450 00:18:43,000 --> 00:18:44,367 THINGS WERE GOING GOOD. 451 00:18:44,367 --> 00:18:47,200 WE HAD BEEN GOING OUT FOR A COUPLE MONTHS. 452 00:18:47,200 --> 00:18:49,600 IT SEEMED LIKE SHE WAS HAPPY WITH ME. 453 00:18:49,600 --> 00:18:51,433 THEN I REMEMBER WE WENT TO SEE TOOTSIE. 454 00:18:51,433 --> 00:18:52,967 I LIKED IT. SHE LIKED IT. 455 00:18:52,967 --> 00:18:54,800 WE HAD FUN. 456 00:18:54,800 --> 00:18:58,067 NEXT THING I KNOW, "GOOD-BYE FOREVER, RAY." 457 00:18:58,067 --> 00:19:00,633 WHAT DID I DO? 458 00:19:00,633 --> 00:19:02,700 PEOPLE LIKE TOOTSIE, RIGHT? 459 00:19:04,933 --> 00:19:06,000 - I LIKED IT. 460 00:19:06,000 --> 00:19:08,200 - SEE? 461 00:19:08,200 --> 00:19:10,633 SO WHAT WAS IT? 462 00:19:10,633 --> 00:19:12,300 IT'S LIKE SOMEBODY CAN BREAK UP WITH YOU 463 00:19:12,300 --> 00:19:14,133 AT ANY TIME FOR NO REASON. 464 00:19:19,433 --> 00:19:21,700 I JUST ALWAYS WANTED TO KNOW WHY, YOU KNOW? 465 00:19:38,500 --> 00:19:39,500 - HI, RAY. 466 00:19:39,500 --> 00:19:40,633 THIS IS DEBRA. 467 00:19:40,633 --> 00:19:42,667 UM, I'VE BEEN DOING SOME THINKING, 468 00:19:42,667 --> 00:19:46,233 AND THESE ARE THE REASONS WHY WE SHOULD BREAK UP. 469 00:19:46,233 --> 00:19:50,600 YOU'RE OBSESSIVE, INSECURE, SELFISH. 470 00:19:50,600 --> 00:19:52,333 YOU DON'T ALWAYS HAVE THE BEST JUDGMENT 471 00:19:52,333 --> 00:19:56,033 WITH YOUR CHILDREN AND THEIR DOLLS. 472 00:19:56,033 --> 00:19:57,367 AND YET, 473 00:19:57,367 --> 00:19:59,467 I'M NEVER GONNA LEAVE YOU EVER, 474 00:19:59,467 --> 00:20:02,200 BECAUSE YOU HAPPEN TO BE PERFECT FOR ME. 475 00:20:02,200 --> 00:20:06,433 AND I LOVE YOU VERY MUCH, YOU STUPID, STUPID MAN. 476 00:20:14,700 --> 00:20:16,033 BEEP! 477 00:20:22,333 --> 00:20:24,767 - THAT'S THE BEST MESSAGE ANYBODY'S EVER LEFT ME. 478 00:20:32,567 --> 00:20:34,767 STILL WANNA LURE ME WITH YOUR SEX? 479 00:20:40,400 --> 00:20:43,000 - DID YOU EVER LISTEN TO THE REST OF THAT TAPE FROM COLLEGE? 480 00:20:43,000 --> 00:20:44,533 - WHAT DO YOU MEAN? 481 00:20:44,533 --> 00:20:47,200 - SOUNDED LIKE THERE WERE A LOT MORE MESSAGES ON IT. 482 00:20:47,200 --> 00:20:49,067 - NO, I DIDN'T LISTEN. 483 00:20:49,067 --> 00:20:50,400 AFTE THE KAREN MESSAGE, 484 00:20:50,400 --> 00:20:52,400 ALL I COULD LISTEN TO WAS DAN FOGELBERG. 485 00:20:57,900 --> 00:20:59,367 - YOU READY? READY FOR THIS? 486 00:21:01,600 --> 00:21:03,300 - HELLO, RAYMOND. 487 00:21:03,300 --> 00:21:06,133 IT'S YOUR MOTHER. 488 00:21:06,133 --> 00:21:08,433 I HAVEN'T HEARD FROM YOU TODAY. 489 00:21:08,433 --> 00:21:11,433 DID YOU ENJOY THE COOKIES I SENT YOU? 490 00:21:11,433 --> 00:21:12,767 [beeps] 491 00:21:12,767 --> 00:21:15,967 RAYMOND, IT'S YOUR MOTHER. 492 00:21:15,967 --> 00:21:18,067 STILL HAVEN'T HEARD FROM YOU. 493 00:21:18,067 --> 00:21:19,900 I HOPE YOU'RE ALL RIGHT. 494 00:21:19,900 --> 00:21:20,900 [beeps] 495 00:21:20,900 --> 00:21:23,267 RAYMOND ALBERT BARONE. 496 00:21:23,267 --> 00:21:24,467 THIS IS YOUR MOTHER. 497 00:21:24,467 --> 00:21:26,633 YOU PICK UP THAT PHONE, AND YOU CALL ME. 498 00:21:26,633 --> 00:21:27,933 [beeps] 499 00:21:27,933 --> 00:21:29,000 - RAY, IT'S YOUR FATHER. 500 00:21:29,000 --> 00:21:30,567 JEEZALOO, CALL YOUR MOTHER. 501 00:21:32,867 --> 00:21:33,867 [beeps] 502 00:21:33,867 --> 00:21:35,233 - RAY, ROBERT. 503 00:21:35,233 --> 00:21:36,733 I WAS THINKING OF COMING UP THIS WEEKEND. 504 00:21:36,733 --> 00:21:38,533 - ROBBIE, ARE YOU TALKING TO RAYMOND? 505 00:21:38,533 --> 00:21:40,700 - I GOT TO GET OUT OF THIS HOUSE. 506 00:21:40,700 --> 00:21:41,867 I CAN'T TAKE IT ANYMORE. 507 00:21:41,867 --> 00:21:43,100 WHY WOULD YOU GO TO COLLEGE? 508 00:21:43,100 --> 00:21:44,267 YOU GOT TO HELP ME, MAN. 509 00:21:44,267 --> 00:21:45,567 - COME ON, GIVE ME THAT PHONE. 510 00:21:45,567 --> 00:21:46,367 - MA! MA! 511 00:21:46,367 --> 00:21:47,667 GET OUT OF MY ROOM!