1 00:00:02,467 --> 00:00:05,600 - COME ON, GUYS! NO, NO, NO, BATHS ARE FUN. 2 00:00:05,600 --> 00:00:06,900 YOU LOVE BATHS. 3 00:00:06,900 --> 00:00:10,567 THERE'S WATER. YOU GET TO BE NAKED, HUH? 4 00:00:10,567 --> 00:00:12,200 - JUMP, GEOFFREY, JUMP! - NO, ALLY. 5 00:00:12,200 --> 00:00:15,700 LISTEN: THE ONLY REASON I LET YOU GET OLDER 6 00:00:15,700 --> 00:00:17,200 IS SO YOU COULD HELP ME. 7 00:00:17,200 --> 00:00:18,600 [children laughing and screaming] 8 00:00:18,600 --> 00:00:20,833 GET OFF THE COUCH. OFF THE COUCH. 9 00:00:20,833 --> 00:00:24,800 - I TOLD YOU IT MIGHT BE A LITTLE CRAZY. 10 00:00:24,800 --> 00:00:25,800 HI, DEAR. 11 00:00:25,800 --> 00:00:27,500 - HI, MARIE. 12 00:00:27,500 --> 00:00:30,367 - I JUST BROUGHT HILDA AND ARTIE OVER 13 00:00:30,367 --> 00:00:31,767 'CAUSE I WANTED THEM 14 00:00:31,767 --> 00:00:34,733 TO SEE THE KIDS DO THEIR "KNOCK, KNOCK" JOKE. 15 00:00:34,733 --> 00:00:36,533 - WE HEAR IT'S A HOOT! 16 00:00:36,533 --> 00:00:38,233 - WELL, YOU KNOW, NOW'S NOT THE BEST TIME. 17 00:00:38,233 --> 00:00:39,500 I'M TRYIN' TO GET 'EM UPSTAIRS. 18 00:00:39,500 --> 00:00:41,067 - MICHAEL, "KNOCK, KNOCK"-- - MARIE. 19 00:00:41,067 --> 00:00:43,333 - HONEY, LET MICHAEL SAY "KNOCK, KNOCK." 20 00:00:43,333 --> 00:00:45,133 - KNOCK, KNOCK! KNOCK, KNOCK! 21 00:00:45,133 --> 00:00:46,533 - NO "KNOCK, KNOCK" JOKES RIGHT NOW. 22 00:00:46,533 --> 00:00:47,933 WE'RE GOIN' UPSTAIRS. 23 00:00:47,933 --> 00:00:49,900 - "ORANGE." DEBRA, SAY "ORANGE." 24 00:00:49,900 --> 00:00:51,333 - MARIE, PLEASE STOP! 25 00:00:51,333 --> 00:00:53,667 WE ARE NOT TELLING "KNOCK, KNOCK" JOKES RIGHT NOW! 26 00:00:53,667 --> 00:00:55,367 WE ARE GOING UPSTAIRS FOR OUR BATHS. 27 00:00:55,367 --> 00:00:57,167 ALL RIGHT? THANK YOU. 28 00:00:57,167 --> 00:01:00,633 LET'S GO. 29 00:01:00,633 --> 00:01:03,100 COME ON. 30 00:01:19,033 --> 00:01:21,167 - WELL. 31 00:01:25,967 --> 00:01:28,100 - HELLO, RAYMOND, DEAR. 32 00:01:28,100 --> 00:01:31,300 I JUST DROPPED BY TO PICK UP MY BIG SPOON. 33 00:01:31,300 --> 00:01:33,967 ARE YOU FINISHED WITH IT? 34 00:01:33,967 --> 00:01:35,467 - ME? 35 00:01:35,467 --> 00:01:37,633 - I WAS THE ONE THAT BORROWED IT, REMEMBER, MARIE? 36 00:01:37,633 --> 00:01:39,200 - IF YOU'RE NOT DONE WITH IT, RAYMOND, 37 00:01:39,200 --> 00:01:43,400 I COULD COME BACK. 38 00:01:43,400 --> 00:01:45,300 - MA, WHAT'S GOIN' ON? - NOTHING... 39 00:01:45,300 --> 00:01:49,167 I'M MAKING SAUCE, AND I JUST WANTED MY BIG SPOON. 40 00:01:49,167 --> 00:01:52,133 - YEAH? SO ASK DEBRA. 41 00:01:56,567 --> 00:02:01,600 - UM, I--I'M FINISHED WITH IT, MARIE, SO... 42 00:02:01,600 --> 00:02:03,033 HERE. 43 00:02:16,967 --> 00:02:19,267 - THANK YOU, RAYMOND. BYE-BYE. 44 00:02:26,300 --> 00:02:27,833 - WHAT'S GOING ON? 45 00:02:27,833 --> 00:02:29,067 - HOW SHOULD I KNOW? 46 00:02:29,067 --> 00:02:33,733 YOU TWO HAVE A LITTLE...ROWDY-DOW? 47 00:02:33,733 --> 00:02:34,967 - NO. 48 00:02:34,967 --> 00:02:36,633 THAT LAST TIME I SAW HER WAS YESTERDAY 49 00:02:36,633 --> 00:02:38,633 WHEN SHE JUST DROPPED BY WITH HILDA AND ARTIE, 50 00:02:38,633 --> 00:02:40,667 AND I WAS TRYING TO GET THE KIDS UPSTAIRS. 51 00:02:40,667 --> 00:02:43,433 - YEAH? - WHAT? 52 00:02:43,433 --> 00:02:45,700 SHE WANTED TO HEAR THE TWINS TELL THEIR "KNOCK, KNOCK" JOKE, 53 00:02:45,700 --> 00:02:47,233 AND I TOLD HER IT WAS A BAD TIME, 54 00:02:47,233 --> 00:02:48,667 AND WE WENT UPSTAIRS. 55 00:02:48,667 --> 00:02:51,467 - DID THEY DO THE GOLIATH ONE? - NO, I-- 56 00:02:51,467 --> 00:02:53,433 - 'CAUSE THAT'S A GOOD ONE. KNOCK, KNOCK. 57 00:02:53,433 --> 00:02:55,000 SAY "WHO'S THERE?" 58 00:02:55,000 --> 00:02:57,200 - WHAT IS WITH YOUR FAMILY? 59 00:02:57,200 --> 00:02:59,133 - COME ON. 60 00:02:59,133 --> 00:03:01,233 SAY "WHO'S THERE?" - WHO'S THERE? 61 00:03:01,233 --> 00:03:02,933 - GOLIATH. - GOLIATH WHO? 62 00:03:02,933 --> 00:03:05,233 - GOLIATH DOWN. YOU LOOKETH TIRED. 63 00:03:14,333 --> 00:03:17,533 - YOU'RE WONDERFUL. 64 00:03:17,533 --> 00:03:19,667 I MEAN, THAT COULDN'T BE WHY SHE'S MAD AT ME, 65 00:03:19,667 --> 00:03:21,633 BECAUSE I TOLD HER IT WAS A BAD TIME? 66 00:03:21,633 --> 00:03:24,233 SHE COULDN'T BE MAD ABOUT THAT, COULD SHE? 67 00:03:24,233 --> 00:03:25,967 - I THINK IT'S CUTE 68 00:03:25,967 --> 00:03:29,267 HOW YOU'RE STILL A LITTLE NAIVE. 69 00:03:29,267 --> 00:03:30,400 - OH, MY GOD. 70 00:03:30,400 --> 00:03:31,833 I MEAN, GOD, SHE'S A LUNATIC! 71 00:03:31,833 --> 00:03:33,633 - SO WHY DIDN'T YOU JUST LET HER HEAR THE JOKE? 72 00:03:33,633 --> 00:03:35,300 IT ONLY TAKES LIKE TWO SECONDS. 73 00:03:35,300 --> 00:03:37,133 HERE, LET'S DO GOLIATH AGAIN. KNOCK, KNOCK-- 74 00:03:37,133 --> 00:03:40,067 - THAT IS NOT THE POINT, OKAY? 75 00:03:40,067 --> 00:03:41,700 - THINGS HAVE TO SCREECH TO A HALT 76 00:03:41,700 --> 00:03:44,033 BECAUSE MARIE'S GONNA WALTZ OVER HERE WITH HER FRIENDS 77 00:03:44,033 --> 00:03:47,800 TO PUT ON THE "GRANDMA SHOW"? 78 00:03:47,800 --> 00:03:49,300 - YEAH. YOU KNOW WHAT? 79 00:03:49,300 --> 00:03:53,333 YOU SHOULD GO OVER AND APOLOGIZE. 80 00:03:53,333 --> 00:03:54,500 - WHAT? 81 00:03:54,500 --> 00:03:56,900 ARE YOU KIDDING? YOU'RE TAKING HER SIDE? 82 00:03:56,900 --> 00:04:01,533 - I'M NOT TAKING ANY SIDE. IT'S TOO SMALL TO HAVE SIDES. 83 00:04:01,533 --> 00:04:04,733 - NO, I LET SO MUCH GO WITH HER, RAY. 84 00:04:04,733 --> 00:04:06,933 I MEAN, I'M ALWAYS LETTING THINGS ROLL OFF MY BACK. 85 00:04:06,933 --> 00:04:08,633 THE WOMAN RUINS MY LIFE, 86 00:04:08,633 --> 00:04:11,133 AND I'M SUPPOSED TO PRETEND EVERYTHING IS FINE AND DANDY. 87 00:04:11,133 --> 00:04:12,900 - WELL, YOUR LIFE ISN'T RUINED, 88 00:04:12,900 --> 00:04:15,033 EVERYTHING IS FINE AND DANDY. 89 00:04:15,033 --> 00:04:16,700 - I AM NOT APOLOGIZING FOR THIS. 90 00:04:16,700 --> 00:04:18,200 YOUR MOTHER IS ACTING LIKE A CHILD, 91 00:04:18,200 --> 00:04:19,633 GIVING ME THE SILENT TREATMENT. 92 00:04:19,633 --> 00:04:21,933 DO YOU REALIZE HOW PASSIVE-AGGRESSIVE THAT IS? 93 00:04:21,933 --> 00:04:23,300 - BUT--BUT-- 94 00:04:23,300 --> 00:04:24,867 - NO, SHE DOESN'T WANT TO TALK TO ME, 95 00:04:24,867 --> 00:04:26,767 SHE DOESN'T HAVE TO-- THAT'S FINE AND DANDY. 96 00:04:26,767 --> 00:04:29,333 - SO YOU'RE JUST GONNA POUT AND GO, "SHE STARTED IT"? 97 00:04:29,333 --> 00:04:31,167 I THINK THAT'S A LITTLE PASSIVE-AGGRESSIVE. 98 00:04:31,167 --> 00:04:32,633 - OH, YEAH? 99 00:04:32,633 --> 00:04:34,767 - WHICH I STILL PREFER TO AGGRESSIVE-AGGRESSIVE. 100 00:04:38,367 --> 00:04:39,633 - SO... 101 00:04:39,633 --> 00:04:40,933 HOW ARE THINGS? 102 00:04:40,933 --> 00:04:42,267 - YEAH, FINE. 103 00:04:42,267 --> 00:04:43,833 - THAT'S NICE. 104 00:04:43,833 --> 00:04:45,300 AND HOW'S DEBRA? 105 00:04:45,300 --> 00:04:48,300 - MA--HA, OKAY, I SEE. 106 00:04:48,300 --> 00:04:49,767 YOU LURED ME OVER WITH CAKE 107 00:04:49,767 --> 00:04:52,667 SO YOU COULD PUMP ME FOR INFORMATION ABOUT DEBRA. 108 00:04:52,667 --> 00:04:54,833 - AND FEED YOU CAKE. 109 00:04:54,833 --> 00:04:57,900 - FEED ME CAKE. 110 00:04:57,900 --> 00:04:59,367 - RAYMOND, I WAS JUST WONDERING 111 00:04:59,367 --> 00:05:01,600 IF DEBRA PICKED UP ON MY LITTLE SIGNAL YESTERDAY. 112 00:05:01,600 --> 00:05:04,033 - WHAT, WHEN YOU GAVE HER THE SILENT TREATMENT? 113 00:05:04,033 --> 00:05:07,633 - OH, GOOD. YOU NOTICED IT TOO. 114 00:05:07,633 --> 00:05:10,933 I WAS WORRIED THAT I MAYBE WAS TOO...SUBTLE. 115 00:05:10,933 --> 00:05:13,267 - YEAH, THAT'S YOUR PROBLEM-- TOO SUBTLE. 116 00:05:20,167 --> 00:05:21,500 - EAT YOUR CAKE. 117 00:05:31,900 --> 00:05:33,733 HOW DID DEBRA REACT? 118 00:05:33,733 --> 00:05:35,467 - I DON'T KNOW, MA, I DON'T WANT TO-- 119 00:05:35,467 --> 00:05:37,467 - JUST STAY OUT OF IT, RAY. - I AM, DAD. 120 00:05:37,467 --> 00:05:39,600 - FRANK, YOU DON'T EVEN KNOW WHAT WE'RE TALKING ABOUT. 121 00:05:39,600 --> 00:05:42,733 - THAT'S RIGHT, BECAUSE I STAY OUT OF IT. 122 00:05:42,733 --> 00:05:47,200 - THE FACT IS THAT YOUR WIFE HAPPENED TO BE RUDE. 123 00:05:47,200 --> 00:05:48,533 SHE HUMILIATED ME, 124 00:05:48,533 --> 00:05:49,967 AND WHAT'S WORSE, IT WAS IN FRONT 125 00:05:49,967 --> 00:05:52,367 OF MY DEAR FRIENDS HILDA AND ARTIE. 126 00:05:52,367 --> 00:05:53,800 - YOU DON'T LIKE HILDA AND ARTIE. 127 00:05:53,800 --> 00:05:56,067 - THAT'S NOT THE POINT. 128 00:05:56,067 --> 00:05:57,833 I MEAN, HILDA HAD JUST BEEN TELLING ME 129 00:05:57,833 --> 00:06:00,567 ABOUT HOW CLOSE SHE IS WITH HER DAUGHTER-IN-LAW, 130 00:06:00,567 --> 00:06:02,867 AND THAT FOR MOTHER'S DAY THIS WEEKEND 131 00:06:02,867 --> 00:06:06,300 THEY WERE GOING TO A SPA TO HAVE MASSAGES TOGETHER, 132 00:06:06,300 --> 00:06:09,500 WITH STEAM BATHS AND BODY LOTIONS. 133 00:06:09,500 --> 00:06:11,633 - HEY, I'M EATIN' HERE! 134 00:06:17,667 --> 00:06:22,000 - AND MY OWN DAUGHTER-IN-LAW CAN'T TOLERATE ME IN HER HOUSE 135 00:06:22,000 --> 00:06:23,300 FOR A "KNOCK, KNOCK" JOKE. 136 00:06:23,300 --> 00:06:25,233 I FIND THAT CRUEL. 137 00:06:25,233 --> 00:06:27,900 - LOOK, MA, DEBRA'S SORRY, OKAY? 138 00:06:27,900 --> 00:06:30,067 - SHE IS? 139 00:06:30,067 --> 00:06:33,833 REALLY? 140 00:06:33,833 --> 00:06:36,867 - Y-YEAH. YES. 141 00:06:36,867 --> 00:06:40,100 I MEAN, SHE JUST HAS A HARD TIME SAYING IT, THAT'S ALL. 142 00:06:40,100 --> 00:06:42,733 AND AREN'T YOU THE MATURE ONE? 143 00:06:42,733 --> 00:06:45,233 - THAT'S TRUE. 144 00:06:45,233 --> 00:06:47,533 I'VE ALWAYS BEEN MATURE. 145 00:06:47,533 --> 00:06:50,167 - SHE'S AS MATURE AS THE HILLS. 146 00:06:55,300 --> 00:06:56,900 - ALL I'M SAYIN' IS, 147 00:06:56,900 --> 00:07:00,667 WHAT IF YOU WERE THE ONE WHO WENT OVER AND APOLOGIZED? 148 00:07:00,667 --> 00:07:03,433 LET ME FINISH. 149 00:07:03,433 --> 00:07:06,900 WHAT IF YOU APOLOGIZED, BECAUSE YOU'RE THE MATURE, 150 00:07:06,900 --> 00:07:09,600 REASONABLE, RESPONSIBLE, 151 00:07:09,600 --> 00:07:13,233 BEAUTIFUL ONE? 152 00:07:13,233 --> 00:07:15,500 - YOU'RE SUGGESTING I APOLOGIZE? 153 00:07:15,500 --> 00:07:16,900 ME? 154 00:07:16,900 --> 00:07:19,000 - YES. 155 00:07:19,000 --> 00:07:24,000 BECAUSE YOU'RE BEAUTIFUL. 156 00:07:24,000 --> 00:07:25,800 - SHAME ON YOU, RAYMOND. 157 00:07:25,800 --> 00:07:28,267 - MA! AWW. 158 00:07:32,267 --> 00:07:35,233 - GUESS WHICH WORD YOU LOST ME ON? 159 00:07:45,333 --> 00:07:48,333 - HEY, IS THAT LAST COOKIE MINE OR YOURS? 160 00:07:48,333 --> 00:07:50,600 - I DON'T KNOW. YOU CAN HAVE IT. 161 00:07:50,600 --> 00:07:53,367 - 'CAUSE I THINK IT'S MINE. 162 00:07:53,367 --> 00:07:55,567 - OKAY, FINE. GO AHEAD. 163 00:07:55,567 --> 00:07:58,467 - NO, NOT "GO AHEAD" LIKE YOU'RE GIVIN' IT TO ME, 164 00:07:58,467 --> 00:08:00,967 BECAUSE I THINK IT REALLY IS MINE. 165 00:08:00,967 --> 00:08:06,300 - YOU KNOW WHAT? 166 00:08:06,300 --> 00:08:07,800 - I DON'T CARE, I'M GETTIN' IT! 167 00:08:07,800 --> 00:08:09,767 GIVE ME THAT COOKIE! 168 00:08:09,767 --> 00:08:12,700 [laughter] 169 00:08:21,233 --> 00:08:22,700 COME ON, DEBRA! 170 00:08:30,800 --> 00:08:32,767 - DEBRA, MAY I TALK TO YOU? 171 00:08:32,767 --> 00:08:35,400 - SURE, MARIE. 172 00:08:35,400 --> 00:08:39,133 - WHAT HAPPENED THE OTHER DAY HAS REALLY WEIGHED ON ME... 173 00:08:39,133 --> 00:08:42,500 AND I DID SOME SERIOUS THINKING. 174 00:08:42,500 --> 00:08:44,400 SO, DEBRA... 175 00:08:44,400 --> 00:08:47,633 I WAS WRONG. PLEASE FORGIVE ME. 176 00:08:47,633 --> 00:08:50,800 - OH, WOW. MARIE, THANK YOU. 177 00:08:50,800 --> 00:08:53,567 BUT YOU DON'T HAVE TO APOLOGIZE, I'M FINE, REALLY. 178 00:08:53,567 --> 00:08:55,600 - NO, NO, NO, DEBRA, I WANT TO. 179 00:08:55,600 --> 00:08:58,667 FIRST OF ALL, I'M SORRY I CAME OVER WHEN I DID. 180 00:08:58,667 --> 00:09:00,667 I SHOULD KNOW BY NOW, BY LATE AFTERNOON 181 00:09:00,667 --> 00:09:04,100 YOU'VE LOST COMPLETE CONTROL OF THE KIDS. 182 00:09:08,767 --> 00:09:11,367 AND THEN, I BROUGHT COMPANY, 183 00:09:11,367 --> 00:09:12,700 WHICH MUST HAVE EMBARRASSED YOU, 184 00:09:12,700 --> 00:09:17,600 SINCE OBVIOUSLY YOU HADN'T TIDIED UP. 185 00:09:17,600 --> 00:09:18,800 SO I UNDERSTAND 186 00:09:18,800 --> 00:09:24,333 WHY YOU FELT THE NEED TO SNAP AT ME SO. 187 00:09:24,333 --> 00:09:28,133 FOR ALL THAT, I'M SORRY. 188 00:09:28,133 --> 00:09:30,500 ALL RIGHT? 189 00:09:42,933 --> 00:09:45,267 - SO... 190 00:09:45,267 --> 00:09:49,567 SHE'S TALKIN' TO YOU AGAIN! 191 00:09:49,567 --> 00:09:51,567 - WELL, SHE CAN DO WHATEVER SHE WANTS, 192 00:09:51,567 --> 00:09:54,500 BECAUSE I'M DONE TALKING TO HER. 193 00:10:02,600 --> 00:10:05,733 - THIS IS WHAT I GET FOR TRYING TO BE NICE. 194 00:10:14,500 --> 00:10:16,067 - COME ON, GUYS. 195 00:10:16,067 --> 00:10:18,600 YOU'RE SUPPOSED TO BE HELPING ME MAKE A NICE MOMMY'S DAY BRUNCH 196 00:10:18,600 --> 00:10:20,767 TO MAKE MOMMY NICE AGAIN, ALL RIGHT? 197 00:10:20,767 --> 00:10:23,400 SO COME ON, HUH? PLEASE! 198 00:10:23,400 --> 00:10:24,700 LET'S NOT BUST DADDY'S HUMP. 199 00:10:24,700 --> 00:10:26,167 I'VE BEEN GETTIN' ENOUGH OF THAT. 200 00:10:26,167 --> 00:10:28,033 HEY, MOMMY IS HERE! 201 00:10:28,033 --> 00:10:29,867 HEY, HAPPY MOTHER'S DAY! HI, MOMMY! 202 00:10:29,867 --> 00:10:32,433 YOU'RE SUPPOSED TO BE UPSTAIRS WAITIN' FOR BREAKFAST IN BED-- 203 00:10:32,433 --> 00:10:33,533 WHAT ARE YOU DOIN' DOWN HERE? 204 00:10:33,533 --> 00:10:36,533 - I SMELLED SOMETHING BURNING. 205 00:10:36,533 --> 00:10:38,300 - IT'S ALL UNDER CONTROL, OKAY? 206 00:10:38,300 --> 00:10:41,800 SO GO BACK UPSTAIRS AND GET PSYCHED FOR TOAST! 207 00:10:41,800 --> 00:10:43,067 - LISTEN, RAY, 208 00:10:43,067 --> 00:10:44,467 I'VE BEEN UP THERE FOR TWO HOURS. 209 00:10:44,467 --> 00:10:48,433 CAN WE JUST GO OUT TO BREAKFAST, OR... 210 00:10:48,433 --> 00:10:50,067 OR LUNCH? 211 00:10:50,067 --> 00:10:51,467 - WELL, LISTEN, 212 00:10:51,467 --> 00:10:53,267 IF SOME PEOPLE WERE TALKING TO OTHER PEOPLE, 213 00:10:53,267 --> 00:10:55,000 WE COULD BE AT OTHER PEOPLE'S HOUSE RIGHT NOW 214 00:10:55,000 --> 00:10:59,933 HAVING OUR ANNUAL VERY NICE-- NOT CRANKY--MOTHER'S DAY BRUNCH. 215 00:10:59,933 --> 00:11:03,300 - I THOUGHT ONE OF THE REQUIREMENTS 216 00:11:03,300 --> 00:11:06,867 FOR A HAPPY MOTHER'S DAY WAS A HAPPY MOTHER. 217 00:11:06,867 --> 00:11:08,700 - LISTEN, ALL I-- ding! 218 00:11:08,700 --> 00:11:09,967 TOAST IS HERE! 219 00:11:09,967 --> 00:11:11,833 HEY, GUYS, WHO WANTS TO GIVE MOMMY BREAKFAST IN BED? 220 00:11:11,833 --> 00:11:13,233 - I DO! - I DO! 221 00:11:13,233 --> 00:11:16,700 - OKAY, HERE YOU GO. COME ON, HERE YOU GO. 222 00:11:16,700 --> 00:11:18,033 TAKE THAT. 223 00:11:23,533 --> 00:11:25,800 OKAY, LET'S GO, COME ON, HURRY UP. 224 00:11:25,800 --> 00:11:27,500 EVERYBODY UPSTAIRS WITH MOMMY! 225 00:11:27,500 --> 00:11:28,733 - RAY-- 226 00:11:28,733 --> 00:11:31,400 - AW, OH, AREN'T THEY ADORABLE? LOOK AT THEM! 227 00:11:31,400 --> 00:11:34,233 - LET'S GO, MOMMY. 228 00:11:34,233 --> 00:11:37,667 - ENJOY YOUR FIRST COURSE. 229 00:11:56,067 --> 00:11:57,567 - HEY, WHAT-- 230 00:11:57,567 --> 00:11:59,500 WHAT ARE YOU DOIN'? WHY AREN'T YOU WITH MOM? 231 00:11:59,500 --> 00:12:02,633 EVIDENTLY, IT'S SIMPLY NOT MOTHER'S DAY WITHOUT RAYMOND. 232 00:12:11,800 --> 00:12:15,167 - SHE'S BEEN A MISERABLE WRETCH ALL WEEK LONG. 233 00:12:15,167 --> 00:12:17,033 I MEAN, ON TOP OF THE USUAL. 234 00:12:17,033 --> 00:12:18,967 - HOW'S IT GOIN' OVER HERE? 235 00:12:18,967 --> 00:12:21,500 - YEAH, WELL, IT'S NOT GOOD. SHE'S IN A BAD MOOD TOO. 236 00:12:21,500 --> 00:12:24,000 I'M JUST GONNA RUN THESE OVER AND DROP THEM OFF FOR MOM. 237 00:12:24,000 --> 00:12:25,200 - "DROP THESE OFF"? 238 00:12:25,200 --> 00:12:27,033 YOU'LL NEVER GET OUT OF THERE! 239 00:12:27,033 --> 00:12:32,200 SHE'S GOT YOUR BABY BOOK OUT, AND SHE'S HUMMING LULLABIES. 240 00:12:33,800 --> 00:12:35,500 SHE SENT US OVER TO GET YOU. 241 00:12:35,500 --> 00:12:40,567 - WHAT SHE DOESN'T KNOW IS, WE'RE NEVER GOING BACK. 242 00:12:40,567 --> 00:12:43,300 - ALL RIGHT. WELL, KEEP IT DOWN. 243 00:12:43,300 --> 00:12:46,100 SHE CAN SENSE HAPPINESS. 244 00:12:50,733 --> 00:12:52,767 - I DON'T LIKE THEM NOT TALKING TO EACH OTHER. 245 00:12:52,767 --> 00:12:56,100 IT MAKES ME NERVOUS. 246 00:12:56,100 --> 00:12:59,000 - IT'S LIKE IN KOREA... 247 00:12:59,000 --> 00:13:02,900 IT WAS MOST SCARY WHEN IT WAS QUIET. 248 00:13:02,900 --> 00:13:05,567 - I HATE SEEING THEM LIKE THIS. I CAN'T TAKE IT ANYMORE! 249 00:13:05,567 --> 00:13:06,600 YOU KNOW WHAT? 250 00:13:06,600 --> 00:13:08,733 THE THREE OF US SHOULD GO TO FLORIDA. 251 00:13:14,700 --> 00:13:17,400 - JUST WHAT EVERY MOTHER WANTS TO DO ON MOTHER'S DAY-- 252 00:13:17,400 --> 00:13:19,600 WASH THE BUTTER OUT OF HER SHEETS. 253 00:13:27,167 --> 00:13:28,400 - WHAT YOU ARE DOIN', MA? 254 00:13:28,400 --> 00:13:29,800 - HELLO. 255 00:13:29,800 --> 00:13:35,800 I WAS JUST FLIPPING THROUGH YOUR BABY BOOKS... 256 00:13:35,800 --> 00:13:39,000 RECALLING THE AGONY OF YOUR DELIVERY. 257 00:13:43,333 --> 00:13:44,600 AND I WAS WONDERING 258 00:13:44,600 --> 00:13:46,967 IF I WAS GOING TO GET A VISIT FROM YOU 259 00:13:46,967 --> 00:13:49,033 ON MOTHER'S DAY. 260 00:13:49,033 --> 00:13:50,900 - YEAH, OF COURSE, MA, 261 00:13:50,900 --> 00:13:52,867 I'M TAKIN' CARE OF A FEW THINGS HERE, THAT'S ALL. 262 00:13:52,867 --> 00:13:55,667 - WELL, OF COURSE. BY ALL MEANS, TAKE YOUR TIME. 263 00:13:55,667 --> 00:13:58,567 YOU OBVIOUSLY HAVE OTHER PRIORITIES-- 264 00:13:58,567 --> 00:14:02,067 ON MOTHER'S DAY. 265 00:14:02,067 --> 00:14:04,733 - HERE YOU GO, MA. THERE ARE FOR YOU. 266 00:14:04,733 --> 00:14:06,900 - HEY, WHAT ARE YOU TALKIN' ABOUT? 267 00:14:06,900 --> 00:14:08,667 - HAPPY MOTHER'S DAY. 268 00:14:08,667 --> 00:14:11,933 - OH! 269 00:14:11,933 --> 00:14:14,100 THEY'RE LOVELY! 270 00:14:14,100 --> 00:14:15,267 THANK YOU, DEAR. 271 00:14:15,267 --> 00:14:17,167 - OKAY, LISTEN, RAY, I-- 272 00:14:32,600 --> 00:14:34,400 - KOREA. 273 00:14:42,333 --> 00:14:44,600 - OKAY, WELL, I'M GOING BACK ACROSS THE STREET. 274 00:14:44,600 --> 00:14:49,800 WHO'S COMING WITH ME? - OW! 275 00:14:49,800 --> 00:14:53,533 I'LL GO WITH YOU, MA. 276 00:14:53,533 --> 00:14:56,400 - ANYONE ELSE? 277 00:14:56,400 --> 00:14:58,233 - SHE AIN'T MY MOTHER. 278 00:15:10,467 --> 00:15:15,000 - GO AHEAD, RAY. 279 00:15:15,000 --> 00:15:16,600 - RAYMOND? 280 00:15:16,600 --> 00:15:18,933 - LOOK, I SHOULDN'T HAVE TO CHOOSE, OKAY? 281 00:15:18,933 --> 00:15:20,800 THIS IS NOT MY FIGHT! 282 00:15:20,800 --> 00:15:23,600 CAN'T YOU TWO JUST START TALKIN' ALREADY? 283 00:15:23,600 --> 00:15:26,533 COME ON, IT'S MOTHER'S DAY! 284 00:15:26,533 --> 00:15:29,367 CAN'T ONE OF YOU TWO MOTHERS JUST SAY SOMETHIN'? 285 00:15:38,533 --> 00:15:41,933 DAD, PLEASE, CAN YOU HELP ME OUT HERE? 286 00:15:41,933 --> 00:15:43,467 - WHAT, ARE YOU KIDDIN' ME? 287 00:15:43,467 --> 00:15:45,167 MAYBE DEBRA WILL COME AROUND AT SOME POINT, 288 00:15:45,167 --> 00:15:49,067 BUT WE'LL NEVER GET ANYTHING OUT OF OLD SITTING BULL OVER THERE. 289 00:15:52,133 --> 00:15:54,267 - DEBRA, PLEASE, COME ON, ALL RIGHT? 290 00:15:54,267 --> 00:15:57,367 JUST DO IT FOR ME. 291 00:15:57,367 --> 00:15:59,500 GREAT. GREAT, GREAT. 292 00:15:59,500 --> 00:16:01,367 YOU SEE? YOU SEE? HERE'S THE PROBLEM, OKAY? 293 00:16:01,367 --> 00:16:02,733 YOU THINK IT'S JUST HER. 294 00:16:02,733 --> 00:16:04,400 WELL, I'M GONNA SAY IT-- 295 00:16:04,400 --> 00:16:07,000 WE ALL KNOW THAT IF MY WIFE WASN'T SO SNIPPY ALL THE TIME-- 296 00:16:07,000 --> 00:16:08,200 YES, I SAID SNIPPY-- 297 00:16:08,200 --> 00:16:10,567 NONE OF THIS WOULD HAVE HAPPENED! 298 00:16:15,967 --> 00:16:17,433 - YOU'D BE SNIPPY TOO 299 00:16:17,433 --> 00:16:19,533 IF THIS ONE WAS YAMMERIN' AT YOU ALL DAY LONG! 300 00:16:19,533 --> 00:16:21,500 YOU GOT NOTHIN' TO COMPLAIN ABOUT. 301 00:16:21,500 --> 00:16:23,167 - HOW DO YOU KNOW WHAT I'VE BEEN GOIN' THROUGH OVER HERE? 302 00:16:23,167 --> 00:16:24,733 I ACTUALLY HAVE TO LIVE WITH HER, 303 00:16:24,733 --> 00:16:26,333 SO DON'T START WITH ME, 'CAUSE YOU DON'T KNOW 304 00:16:26,333 --> 00:16:27,667 WHAT THE HELL YOU'RE TALKIN' ABOUT. 305 00:16:38,367 --> 00:16:39,633 - WOW. 306 00:16:47,967 --> 00:16:50,033 - LET ME ASK YOU SOMETHIN', PAL. 307 00:16:50,033 --> 00:16:52,567 WHAT HAVE YOU HAD, A TOUGH WEEK? 308 00:16:52,567 --> 00:16:54,233 WELL, I'VE BEEN LIVING WITH YOUR MOTHER 309 00:16:54,233 --> 00:16:56,600 SINCE BEFORE YOU WERE BORN! 310 00:16:56,600 --> 00:16:59,533 - DEBRA WOULDN'T LET THE TWINS TELL A "KNOCK, KNOCK" JOKE! 311 00:16:59,533 --> 00:17:02,333 - SHE'S RIGHT! "KNOCK, KNOCK" JOKES STINK! 312 00:17:02,333 --> 00:17:04,067 - LOOK, THAT'S NOT THE POINT! 313 00:17:04,067 --> 00:17:06,467 MA CAME OVER WITH HER FRIENDS TO SHOW HOW CUTE THE TWINS ARE 314 00:17:06,467 --> 00:17:08,000 TELLIN' A "KNOCK, KNOCK" JOKE, 315 00:17:08,000 --> 00:17:10,267 AND DEBRA COULDN'T EVEN GIVE HER THAT LITTLE OF JOY! 316 00:17:10,267 --> 00:17:12,167 - WELL, WHO THE HELL IS MARIE TO COME BARGING IN, 317 00:17:12,167 --> 00:17:13,633 DEMANDING JOY, 318 00:17:13,633 --> 00:17:15,567 WHEN DEBRA'S WRESTLING WITH THE DAMN KIDS? 319 00:17:15,567 --> 00:17:17,367 - SHE DIDN'T HAVE TO BE SO RUDE! 320 00:17:17,367 --> 00:17:20,033 - RUDE IT THE ONLY THING THAT GETS THROUGH TO HER! 321 00:17:20,033 --> 00:17:22,733 HOW DO YOU THINK I GOT THE WAY I AM? 322 00:17:22,733 --> 00:17:25,533 I USED TO BE A GENTLEMAN! 323 00:17:31,400 --> 00:17:33,100 - NEVER! YOU WERE NEVER A GENTLEMAN! 324 00:17:33,100 --> 00:17:35,833 YOU NEVER GAVE MOM ANY RESPECT! YOU'RE JUST AS BAD AS DEBRA! 325 00:17:35,833 --> 00:17:37,633 - THAT'S A FINE WAY TO TALK TO YOUR FATHER! 326 00:17:37,633 --> 00:17:39,367 - YOU DON'T LIKE IT? I DON'T TALK TO YOU AT ALL! 327 00:17:39,367 --> 00:17:41,067 - I DON'T TALK TO YOU AT ALL! 328 00:17:41,067 --> 00:17:43,033 - HOLD IT! HOLD IT! [both shouting] 329 00:17:43,033 --> 00:17:44,033 SIT DOWN! 330 00:17:44,033 --> 00:17:45,833 - YEAH, I WILL SIT DOWN! 331 00:17:45,833 --> 00:17:47,467 - FINE! 332 00:17:54,633 --> 00:17:56,833 - LOOK WHAT YOUR FIGHT IS DOING TO THE FAMILY! 333 00:17:56,833 --> 00:18:01,833 IT'S MOTHER'S DAY, AND YOU'RE RUINING IT. 334 00:18:01,833 --> 00:18:04,433 THIS DAY IS SUPPOSED TO BE FOR APPRECIATING EACH OTHER, 335 00:18:04,433 --> 00:18:07,500 NOT SHUTTING EACH OTHER OUT. 336 00:18:07,500 --> 00:18:09,333 WE SHOULD NOT BE WALLOWING IN HATE, 337 00:18:09,333 --> 00:18:12,000 WE SHOULD BE WALLOWING IN A BEAUTIFUL BRUNCH 338 00:18:12,000 --> 00:18:14,600 OF BELGIAN WAFFLES AND BERRIES 339 00:18:14,600 --> 00:18:18,733 AND SAUSAGES OF BOTH LINK AND PATTY! 340 00:18:28,700 --> 00:18:30,867 NOW, I KNOW WHEN WE'RE ANGRY AND HURT, 341 00:18:30,867 --> 00:18:34,400 WE CAN ONLY SEE THE NEGATIVE IN THE OTHER PERSON. 342 00:18:34,400 --> 00:18:37,467 BUT YOU TWO PEOPLE KNOW DEEP DOWN 343 00:18:37,467 --> 00:18:39,967 HOW YOU FEEL ABOUT EACH OTHER, 344 00:18:39,967 --> 00:18:41,800 HOW YOU CARE ABOUT EACH OTHER, 345 00:18:41,800 --> 00:18:44,067 AND HOW MUCH... 346 00:18:44,067 --> 00:18:46,200 HOW MUCH YOU LOVE EACH OTHER. 347 00:18:51,600 --> 00:18:53,633 - I'M SORRY, RAY. - ME TOO, DAD. 348 00:18:53,633 --> 00:18:57,800 - NOT YOU GUYS! 349 00:18:57,800 --> 00:19:00,200 - YEAH. - YEAH, YEAH. 350 00:19:00,200 --> 00:19:03,033 - YEAH, COME ON, HOW ABOUT IT, DEBRA? 351 00:19:03,033 --> 00:19:05,500 - YEAH, WHAT DO YOU SAY, MARIE? 352 00:19:05,500 --> 00:19:07,133 CAN WE EAT? 353 00:19:32,500 --> 00:19:35,500 - WHY IS THERE BUTTER ON YOUR SHEETS? 354 00:19:53,800 --> 00:19:55,367 - OH, MY GOD. 355 00:19:55,367 --> 00:19:59,300 - HAPPY MOTHER'S DAY. 356 00:19:59,300 --> 00:20:02,000 THERE WAS ONLY ONE BIGGER BOUQUET IN THE STORE, 357 00:20:02,000 --> 00:20:04,000 BUT IT WAS FOR DEAD PEOPLE. 358 00:20:07,667 --> 00:20:11,367 - THEY'RE BEAUTIFUL, RAY. THANK YOU. 359 00:20:11,367 --> 00:20:16,333 - LISTEN, YOU DESERVE THEM. 360 00:20:16,333 --> 00:20:18,200 I'M SORRY ABOUT WHAT I SAID ABOUT YOU, 361 00:20:18,200 --> 00:20:19,900 ABOUT YOU BEING SNIPPY AND ALL. 362 00:20:19,900 --> 00:20:21,567 - OH, THAT'S OKAY. 363 00:20:21,567 --> 00:20:24,000 - I'M SORRY I WAS SNIPPY TO YOU. 364 00:20:24,000 --> 00:20:26,100 - YEAH? 365 00:20:26,100 --> 00:20:28,700 SO WHAT DO YOU THINK? 366 00:20:28,700 --> 00:20:31,733 WHAT DO YOU SAY WE END THIS, HUH? 367 00:20:31,733 --> 00:20:34,333 LET'S PUSH SPEED DIAL NUMBER ONE, 368 00:20:34,333 --> 00:20:38,333 AND JUST TELL HER HAPPY MOTHER'S DAY, FROM YOU. 369 00:20:41,700 --> 00:20:43,100 - NO. 370 00:20:43,100 --> 00:20:44,433 - NO, WHAT? NO. 371 00:20:44,433 --> 00:20:46,300 NOT "NO." "YES." 372 00:20:46,300 --> 00:20:48,367 YOU DON'T REALLY WANT TO STAY MAD, DO YOU? 373 00:20:48,367 --> 00:20:50,033 - I'M NOT MAD AT HER ANYMORE. - YEAH, BUT--BUT-- 374 00:20:50,033 --> 00:20:52,567 - I'M JUST GONNA LIVE MY LIFE. AND YOU KNOW WHAT? 375 00:20:52,567 --> 00:20:55,800 I THINK MY LIFE IS GONNA BE BETTER FROM NOW ON. 376 00:20:55,800 --> 00:20:57,833 - BUT IT WON'T! 377 00:20:57,833 --> 00:21:00,067 HOW COULD IT BE? THERE'S GONNA BE TENSION! 378 00:21:00,067 --> 00:21:01,600 - I THINK WHAT I'VE DONE 379 00:21:01,600 --> 00:21:04,133 IS ACTUALLY REMOVE THE SOURCE OF THE TENSION. 380 00:21:04,133 --> 00:21:05,133 - YOU MEAN MY MOM? 381 00:21:05,133 --> 00:21:07,333 - I THINK SO, YES. 382 00:21:07,333 --> 00:21:11,767 - [groans loudly] 383 00:21:15,033 --> 00:21:16,467 - GOOD NIGHT. 384 00:21:41,800 --> 00:21:45,800 - KNOCK, KNOCK. 385 00:21:45,800 --> 00:21:47,500 - WHO'S THERE? 386 00:21:47,500 --> 00:21:48,700 - IVAN. 387 00:21:48,700 --> 00:21:50,167 - IVAN WHO? 388 00:21:50,167 --> 00:21:53,300 - I'VE AN IDEA-- TALK TO MY MOTHER.