1 00:00:00,933 --> 00:00:02,600 [cheers] - OKAY, THAT IS IT. 2 00:00:02,600 --> 00:00:04,767 EVERYBODY OUT OF MY HOUSE. RAY! 3 00:00:04,767 --> 00:00:06,933 IF THEY MISS THAT BUS, YOU'RE DRIVING THEM. 4 00:00:06,933 --> 00:00:09,767 - OH, I GOT THE JACKET! I GOT IT! 5 00:00:09,767 --> 00:00:11,167 COME ON. STOP IT, STOP IT. 6 00:00:11,167 --> 00:00:12,533 - HEY, WHAT ARE YOU DOING, HUH? 7 00:00:12,533 --> 00:00:13,733 COME ON NOW. 8 00:00:13,733 --> 00:00:14,933 YOU KNOW BOTH ARMS DON'T GO IN ONE HOLE. 9 00:00:14,933 --> 00:00:17,333 - BUONGIORNO! 10 00:00:17,333 --> 00:00:19,367 - WE'RE BACK FROM OUR HONEYMOON. 11 00:00:19,367 --> 00:00:20,467 - HE'S GOT NO SHOE. WHERE'S HIS SHOE? 12 00:00:20,467 --> 00:00:22,067 - WHAT DID YOU DO? HERE. 13 00:00:22,067 --> 00:00:23,600 TAKE THIS ONE. - IT DOESN'T MATCH. 14 00:00:23,600 --> 00:00:25,300 - I DON'T CARE. DON'T PUT IT ON IN HERE. 15 00:00:25,300 --> 00:00:26,400 YOU TAKE THAT SHOE. YOU PUT IT ON AT THE BUS STOP. GO. 16 00:00:26,400 --> 00:00:28,300 - HEY, KIDS. [horn honking] 17 00:00:28,300 --> 00:00:29,767 - ALL RIGHT, THE BUS IS HERE. YOU GUYS BETTER RUN. 18 00:00:29,767 --> 00:00:31,433 - GO. RUN. - AND, MICHAEL, DON'T FORGET 19 00:00:31,433 --> 00:00:33,300 TO GIVE YOUR NOTE TO MRS. ABBY. NO GYM TODAY. 20 00:00:33,300 --> 00:00:35,233 - WAIT, GEOFFREY'S HOMEWORK. HIS HOMEWORK. 21 00:00:35,233 --> 00:00:38,467 - HOLD THE BUS. HOLD THE BUS! 22 00:00:38,467 --> 00:00:42,100 - I FOUND THE OTHER SHOE. I FOUND THE OTHER SHOE. 23 00:00:46,367 --> 00:00:50,033 - I DON'T THINK WE MISSED ANYTHING. 24 00:00:52,233 --> 00:00:53,333 - THE DRIVER'S SUCH A JERK. 25 00:00:53,333 --> 00:00:54,833 HE SEES ME RUNNING AT HIM, 26 00:00:54,833 --> 00:00:55,833 WAVING THIS, YELLING, 27 00:00:55,833 --> 00:00:58,367 HE STILL TAKES OFF. 28 00:00:58,367 --> 00:01:00,500 - I THINK HE WAS SCARED. 29 00:01:02,800 --> 00:01:05,167 - HI, DEBRA. - HI. HI. 30 00:01:05,167 --> 00:01:07,367 HI, ROBERT. - HIYA, SIS. 31 00:01:07,367 --> 00:01:10,233 - YEAH, WELCOME BACK. WHAT'S UP? 32 00:01:12,767 --> 00:01:16,167 - HOW WAS ITALY? 33 00:01:16,167 --> 00:01:18,700 - GREAT! - IT WAS SO FANTASTIC. 34 00:01:18,700 --> 00:01:19,900 - YEAH, WELL, GUESS WHAT. 35 00:01:19,900 --> 00:01:21,933 NOW THAT THE HONEYMOON'S OVER... 36 00:01:21,933 --> 00:01:24,867 THE HONEYMOON'S OVER. 37 00:01:24,867 --> 00:01:27,000 - IT'S NOT OVER IN HERE, 38 00:01:27,000 --> 00:01:30,267 AND IT'S NOT OVER IN HERE. 39 00:01:30,267 --> 00:01:35,733 - THAT'S BECAUSE THAT IS IN THERE. 40 00:01:42,333 --> 00:01:45,500 - SO YOU TWO LOOK GREAT. DID YOU HAVE FUN? 41 00:01:45,500 --> 00:01:46,967 - OH, YEAH. 42 00:01:46,967 --> 00:01:48,900 VENICE AND FLORENCE... 43 00:01:48,900 --> 00:01:50,133 - LIKE A PAINTING. 44 00:01:50,133 --> 00:01:51,567 EVERY NIGHT AT SUNSET, 45 00:01:51,567 --> 00:01:53,467 WE'D GET ON THE GONDOLA WITH A BOTTLE OF WINE 46 00:01:53,467 --> 00:01:56,500 AND JUST FLOAT DOWN THE GRAND CANAL. 47 00:01:56,500 --> 00:01:58,367 - AND THE GONDOLIERS WOULD SING FOR US, 48 00:01:58,367 --> 00:02:03,333 AND WE'D SIP OUR WINE UNDER A BLANKET AND CUDDLE. 49 00:02:03,333 --> 00:02:07,267 - AND IT WAS SO BEAUTIFUL, WE'D JUST START TO CRY. 50 00:02:16,233 --> 00:02:19,033 - WHAT DID YOU GUYS DO THE LAST COUPLE OF WEEKS? 51 00:02:26,000 --> 00:02:26,567 - [chuckles] 52 00:02:27,500 --> 00:02:28,567 I LOVE SEEING RAYMOND LIKE THIS. 53 00:02:28,567 --> 00:02:31,667 - LIKE WHAT? - DEPRESSED. 54 00:02:31,667 --> 00:02:33,567 - LOOK WHO'S HERE! 55 00:02:33,567 --> 00:02:34,667 - HI, MA. 56 00:02:34,667 --> 00:02:37,500 - OH, HONEY! 57 00:02:37,500 --> 00:02:39,533 OH, I THOUGHT I SAW YOU TWO COME IN HERE. 58 00:02:39,533 --> 00:02:43,500 I'VE BEEN LOOKING OUT THE WINDOW FOR THE LAST TWO DAYS. 59 00:02:43,500 --> 00:02:46,267 - SHE SCARED THE CRAP OUT OF THE MAILMAN. 60 00:02:48,033 --> 00:02:50,233 - YOU TWO LOOK SO WONDERFUL. 61 00:02:50,233 --> 00:02:52,467 - THANKS, MA. YOU LOOK NICE TOO. 62 00:02:52,467 --> 00:02:55,967 - HEY, MA. - COME ON, LET'S SIT DOWN. 63 00:02:55,967 --> 00:02:58,067 I WANT TO HEAR EVERYTHING. 64 00:02:58,067 --> 00:02:59,800 - MA, I JUST SAID HI. 65 00:02:59,800 --> 00:03:01,600 - RAYMOND, CAN'T YOU SEE 66 00:03:01,600 --> 00:03:04,200 WE'RE HAVING A CONVERSATION? 67 00:03:06,700 --> 00:03:09,600 ROBBIE'S HOME! 68 00:03:09,600 --> 00:03:12,467 WITH HIS BEAUTIFUL NEW BRIDE! 69 00:03:12,467 --> 00:03:14,567 - HI, MA! 70 00:03:18,700 --> 00:03:19,800 - OH, WE HAVE PRESENTS! 71 00:03:19,800 --> 00:03:21,433 - PRESENTS TOO? 72 00:03:21,433 --> 00:03:23,533 BUT JUST SEEING YOU TWO IS A PRESENT. 73 00:03:23,533 --> 00:03:26,000 - OPEN THE BAG. 74 00:03:27,900 --> 00:03:30,033 - OH, YOU DIDN'T HAVE TO. 75 00:03:30,033 --> 00:03:32,433 - THIS IS THE MOST THOUGHTFUL GIFT 76 00:03:32,433 --> 00:03:34,233 ANYONE HAS EVER GIVEN ME. 77 00:03:34,233 --> 00:03:39,467 - WHAT IS IT? - IT'S A PIECE OF SHRAPNEL. 78 00:03:39,467 --> 00:03:42,500 - IT'S FROM WORLD WAR II IN ANZIO. 79 00:03:44,333 --> 00:03:47,433 - IT'S WONDERFUL. 80 00:03:47,433 --> 00:03:50,700 I'LL BET IT'S FROM THE ASS OF SOME KRAUT. 81 00:03:55,700 --> 00:03:58,167 - OH, LOOK! A PIN! 82 00:03:58,167 --> 00:04:01,033 - THAT'S ANTIQUE, 100 YEARS OLD. 83 00:04:01,033 --> 00:04:03,667 ANTIQUE. 84 00:04:03,667 --> 00:04:06,300 - FRANK, LOOK. 85 00:04:06,300 --> 00:04:09,033 WHAT DO YOU THINK? 86 00:04:09,033 --> 00:04:11,433 100 YEARS OLD! 87 00:04:17,767 --> 00:04:19,767 - I THINK IT'S LOVELY, 88 00:04:19,767 --> 00:04:21,000 JUST LOVELY. 89 00:04:21,000 --> 00:04:22,900 - OHH... 90 00:04:22,900 --> 00:04:26,067 - WHAT THE HELL? 91 00:04:26,067 --> 00:04:27,733 - AH, THIS IS SO NICE. 92 00:04:27,733 --> 00:04:29,933 OH, SPEAKING OF GIFTS, HOW DID YOU LIKE 93 00:04:29,933 --> 00:04:32,533 WHAT LEE AND STAN GOT YOU FOR YOUR WEDDING PRESENT? 94 00:04:32,533 --> 00:04:34,667 - OH, YES. WHAT WAS IT AGAIN? 95 00:04:34,667 --> 00:04:37,933 SOME SORT OF PORCELAIN THING OR A SCULPTURE? 96 00:04:37,933 --> 00:04:39,167 - OH, NO, NO, NO. 97 00:04:39,167 --> 00:04:41,500 IT WAS A LARGE CRYSTALLY COVERED CANDLE 98 00:04:41,500 --> 00:04:44,300 WHICH THEY HAD MADE WITH YOUR WEDDING INVITATION 99 00:04:44,300 --> 00:04:46,667 IN A KIND OF WINDOW WITHIN THE WAX 100 00:04:46,667 --> 00:04:49,133 SO THAT, WHEN THE CANDLE BURNS DOWN, 101 00:04:49,133 --> 00:04:53,667 THE INVITATION IS ILLUMINATED FROM BEHIND. 102 00:04:55,300 --> 00:04:57,800 YOU KNOW, THE ORANGE ONE? 103 00:04:57,800 --> 00:05:00,067 - RIGHT, RIGHT, RIGHT. YES. 104 00:05:00,067 --> 00:05:03,333 IT WAS...BEAUTIFUL. 105 00:05:03,333 --> 00:05:05,667 - I THOUGHT IT WAS SO CLEVER. 106 00:05:05,667 --> 00:05:08,233 THEY JUST WANTED TO MAKE SURE YOU GOT IT. 107 00:05:08,233 --> 00:05:10,733 - OH, YEAH, WE GOT IT. 108 00:05:10,733 --> 00:05:12,933 - 'CAUSE THEY HAD IT SPECIALLY MADE. 109 00:05:12,933 --> 00:05:15,067 - WE GOT IT, MA. VERY NICE. 110 00:05:15,067 --> 00:05:17,300 - SO I'LL TELL THEM THAT YOU GOT IT. 111 00:05:17,300 --> 00:05:19,633 THEY DIDN'T KNOW... 112 00:05:19,633 --> 00:05:23,733 BECAUSE THEY DIDN'T GET A THANK-YOU NOTE. 113 00:05:23,733 --> 00:05:25,900 - OH. WELL... 114 00:05:25,900 --> 00:05:28,000 - WELL, MOM, THEY'RE GONNA GET A THANK-YOU NOTE. 115 00:05:28,000 --> 00:05:29,567 IT'S JUST, YOU KNOW... 116 00:05:29,567 --> 00:05:31,967 - OF COURSE. YOU'RE GONNA SEND ONE, RIGHT? 117 00:05:31,967 --> 00:05:33,667 I MEAN, YOU'RE GONNA BE SENDING OUT THANK-YOU NOTES, 118 00:05:33,667 --> 00:05:34,733 AREN'T YOU, AMY? 119 00:05:34,733 --> 00:05:37,133 - YEAH, SURE, MARIE. I'LL GET TO IT. 120 00:05:37,133 --> 00:05:38,467 - OKAY, GOOD. 121 00:05:38,467 --> 00:05:43,400 WHEN YOU SAY "GET TO IT"... 122 00:05:43,400 --> 00:05:45,467 WHEN DO YOU THINK YOU'D BE DOING THEM? 123 00:05:45,467 --> 00:05:49,800 BECAUSE PEOPLE HAVE BEEN COMMENTING. 124 00:05:49,800 --> 00:05:52,467 - WHAT DO YOU MEAN? WHO'S COMMENTING? 125 00:05:52,467 --> 00:05:53,633 - PEOPLE. 126 00:05:53,633 --> 00:05:56,567 SO, AMY, WHEN CAN I TELL THE PEOPLE 127 00:05:56,567 --> 00:05:59,367 TO EXPECT THEIR THANK-YOU NOTES? 128 00:05:59,367 --> 00:06:03,667 - WELL...CAN I BE HONEST WITH YOU, MARIE? 129 00:06:03,667 --> 00:06:07,133 - UH-OH. 130 00:06:07,133 --> 00:06:09,600 - OF COURSE. YOU CAN SAY ANYTHING TO ME. 131 00:06:09,600 --> 00:06:11,033 WE'RE FAMILY. 132 00:06:11,033 --> 00:06:15,300 - UH-OH. 133 00:06:15,300 --> 00:06:18,367 - WELL, YOU KNOW, WE JUST GOT BACK 134 00:06:18,367 --> 00:06:19,867 FROM OUR HONEYMOON, AND-- 135 00:06:19,867 --> 00:06:21,800 - OH. - WHAT? 136 00:06:21,800 --> 00:06:23,367 - NOTHING. 137 00:06:23,367 --> 00:06:24,867 I JUST THOUGHT YOU WERE GONNA BE HONEST WITH ME. 138 00:06:24,867 --> 00:06:26,833 I MEAN, TO TELL THE TRUTH, YOU TWO HAVE BEEN HOME 139 00:06:26,833 --> 00:06:29,367 FOR A DAY AND A HALF NOW, HAVEN'T YOU? 140 00:06:34,900 --> 00:06:40,067 - WELL, WE JUST WANTED TO UNWIND FOR A LITTLE BIT. 141 00:06:40,067 --> 00:06:41,733 - BUT YOU KNEW I WAS WAITING. 142 00:06:41,733 --> 00:06:43,467 NO CALL OR ANYTHING. 143 00:06:43,467 --> 00:06:45,367 I WAS SO WORRIED, I CALLED THE AIRLINES. 144 00:06:45,367 --> 00:06:47,600 I THOUGHT, "WHAT IF THERE WAS A PLANE CRASH?" 145 00:06:47,600 --> 00:06:49,833 BUT WHEN THEY SAID OF COURSE THERE WAS NONE, 146 00:06:49,833 --> 00:06:52,333 I HAVE TO TELL YOU, I WAS A LITTLE UPSET. 147 00:07:00,067 --> 00:07:01,800 AND NOW TO MAKE SUCH A FUSS 148 00:07:01,800 --> 00:07:04,500 WHEN I'M JUST ASKING ABOUT THANK-YOU NOTES... 149 00:07:04,500 --> 00:07:07,100 YOU KNOW, I WOULD LIKE TO THINK THAT WE'RE AT LEAST GRATEFUL 150 00:07:07,100 --> 00:07:09,333 FOR THE GOOD FORTUNE AND GENEROSITY 151 00:07:09,333 --> 00:07:13,067 BESTOWED UPON US BY PEOPLE WHO LOVE US. 152 00:07:17,067 --> 00:07:20,700 - "THANK YOU FOR MY SHRAPNEL." 153 00:07:34,867 --> 00:07:38,033 - MARIE, I CAN'T BELIEVE THIS MEANS SO MUCH TO YOU. 154 00:07:38,033 --> 00:07:39,400 BUT, IF IT DOES, 155 00:07:39,400 --> 00:07:41,467 I'LL WRITE THE NOTES AS SOON AS I CAN. 156 00:07:41,467 --> 00:07:43,633 - AND WHEN WILL THAT BE, DEAR? 157 00:07:43,633 --> 00:07:45,800 SO I CAN TELL EVERYONE. 158 00:07:45,800 --> 00:07:47,200 - I DON'T KNOW, MARIE. 159 00:07:47,200 --> 00:07:48,600 CAN'T YOU JUST TELL THEM 160 00:07:48,600 --> 00:07:50,833 THEY'LL GET THEM WHEN THEY GET THEM? 161 00:07:50,833 --> 00:07:53,767 - I SEE. 162 00:07:53,767 --> 00:07:55,333 I HAVE TO SAY, AMY, 163 00:07:55,333 --> 00:07:59,133 THAT I'M A LITTLE SURPRISED AND DISAPPOINTED. 164 00:07:59,133 --> 00:08:01,467 - AND I HAVE TO SAY, MARIE, 165 00:08:01,467 --> 00:08:05,300 I REALLY DON'T CARE ABOUT THIS RIGHT NOW. 166 00:08:17,100 --> 00:08:19,167 - HEY! 167 00:08:19,167 --> 00:08:21,633 - WE'RE LEAVING, FRANK. 168 00:08:21,633 --> 00:08:22,900 - OH, COME ON, MOM. 169 00:08:22,900 --> 00:08:24,167 YOU KNOW, YOU'RE BEING A LITTLE CRAZY ABOUT-- 170 00:08:24,167 --> 00:08:27,633 - WHAT DID YOU SAY TO ME? 171 00:08:30,067 --> 00:08:33,200 - [whispers] NOTHING. 172 00:08:50,167 --> 00:08:54,600 - ROBBIE'S HOME! 173 00:08:54,600 --> 00:08:56,067 [laughing] 174 00:09:00,100 --> 00:09:03,267 - THAT COULD'VE GONE BETTER. 175 00:09:07,033 --> 00:09:09,567 - NICE GOING, AMY. 176 00:09:10,733 --> 00:09:12,267 - WHAT HAPPENED? 177 00:09:12,267 --> 00:09:15,233 I DON'T UNDERSTAND. 178 00:09:15,233 --> 00:09:16,933 - OH, HONEY. 179 00:09:16,933 --> 00:09:19,600 YOU MARRIED INTO THE MANSON FAMILY. 180 00:09:24,467 --> 00:09:28,500 AND CHARLIE GOES OFF SOMETIMES. 181 00:09:29,900 --> 00:09:31,433 - I DIDN'T MEAN TO ARGUE. 182 00:09:31,433 --> 00:09:34,167 IT'S THANK-YOU NOTES. IT'S SO STUPID. 183 00:09:34,167 --> 00:09:36,200 - HEY, HEY, HEY, HEY, HEY. 184 00:09:36,200 --> 00:09:37,667 LOOK AT ME. 185 00:09:37,667 --> 00:09:41,800 YOU WERE GREAT. 186 00:09:41,800 --> 00:09:43,467 DO YOU HEAR ME? 187 00:09:43,467 --> 00:09:45,900 YOU CAN'T LET HER GET AWAY WITH ANYTHING. 188 00:09:45,900 --> 00:09:47,733 - BUT SHE'S SO UPSET. 189 00:09:47,733 --> 00:09:49,667 I DON'T WANT A BAD RELATIONSHIP WITH HER. 190 00:09:49,667 --> 00:09:50,800 I SHOULD GO APOLOGIZE. 191 00:09:50,800 --> 00:09:53,233 - NO, NO, NO, NO, NO. 192 00:09:53,233 --> 00:09:56,033 HEY, LISTEN, THAT IS EXACTLY WHAT SHE IS WAITING FOR, 193 00:09:56,033 --> 00:09:57,467 FOR YOU TO GO OVER THERE 194 00:09:57,467 --> 00:09:58,867 AND SAY YOU'LL WRITE THOSE THANK-YOU NOTES. 195 00:09:58,867 --> 00:10:01,667 YOU HAVE GOT TO BE STRONG. 196 00:10:01,667 --> 00:10:03,433 SHE IS TESTING YOU. 197 00:10:03,433 --> 00:10:04,833 TRUST ME, WHAT SHE JUST PULLED HERE, 198 00:10:04,833 --> 00:10:07,633 THAT'S HER BIG WEAPON, THE GUILT BOMB. 199 00:10:07,633 --> 00:10:10,000 AND IT DOESN'T HELP THAT ALL THE MEN IN HER FAMILY 200 00:10:10,000 --> 00:10:12,333 ARE SCARED TO DEATH OF HER. 201 00:10:18,000 --> 00:10:19,667 WHENEVER SHE COMES UP AGAINST SOMEBODY WITH A BACKBONE 202 00:10:19,667 --> 00:10:21,533 WHO MIGHT ACTUALLY CONFRONT HER, 203 00:10:21,533 --> 00:10:24,233 SHE'S COMPLETELY THREATENED AND SHE GETS HER CLAWS OUT. 204 00:10:24,233 --> 00:10:26,267 AND SO SHE HAS BEEN ALLOWED TO RULE THIS WAY, 205 00:10:26,267 --> 00:10:29,567 UNOPPOSED, FOR DECADES. 206 00:10:29,567 --> 00:10:31,933 LISTEN, AMY... 207 00:10:31,933 --> 00:10:35,133 I HAVE BEEN WAITING FOR YOU. 208 00:10:43,100 --> 00:10:44,600 THIS IS A CRITICAL TIME. 209 00:10:44,600 --> 00:10:46,400 EVEN THOUGH THIS IS A TOUGH REGIME TO TOPPLE, 210 00:10:46,400 --> 00:10:48,667 WITH YOU IN THE FAMILY, NOW WE HAVE A SHOT, 211 00:10:48,667 --> 00:10:51,100 YOU AND ME TOGETHER, TO END ALL THE SUFFERING. 212 00:10:51,100 --> 00:10:53,733 DO YOU HEAR ME? WE CAN DO IT! 213 00:10:55,800 --> 00:10:58,300 [Ray laughs] 214 00:10:58,300 --> 00:11:00,000 - WHAT IS SO FUNNY? 215 00:11:00,000 --> 00:11:02,933 - YOU'RE SO NUTS. 216 00:11:02,933 --> 00:11:04,500 YOU STILL, AFTER 15 YEARS, 217 00:11:04,500 --> 00:11:07,467 HAVEN'T FIGURED ANYTHING OUT ABOUT THIS WOMAN? 218 00:11:07,467 --> 00:11:09,333 AMY... 219 00:11:09,333 --> 00:11:11,767 HERE'S HOW I SEE ALL THIS STUFF. 220 00:11:16,333 --> 00:11:19,900 MOM LOVES THE FAMILY. SHE REALLY DOES. 221 00:11:19,900 --> 00:11:24,467 AND SHE THINKS IT'S HER JOB TO HOLD IT ALL TOGETHER. 222 00:11:24,467 --> 00:11:28,067 DOES SHE OVERREACT OCCASIONALLY? 223 00:11:29,400 --> 00:11:31,733 OKAY. 224 00:11:33,367 --> 00:11:36,367 SO SHE WANTS YOU TO WRITE A FEW THANK-YOU NOTES. 225 00:11:36,367 --> 00:11:40,733 SHE'S AN OLD LADY. WHAT ELSE DOES SHE HAVE? 226 00:11:40,733 --> 00:11:45,467 BESIDES, BEFORE EVEN GIVING UP A DROP OF POWER, 227 00:11:45,467 --> 00:11:48,767 SHE WILL TRULY KILL US ALL. 228 00:11:56,100 --> 00:11:58,233 - WHAT DO YOU THINK, ROBERT? 229 00:11:58,233 --> 00:12:00,033 - I AGREE WITH RAYMOND. - OH, COME ON! 230 00:12:00,033 --> 00:12:02,667 - NO, NO. 231 00:12:04,067 --> 00:12:06,000 I TOTALLY AGREE, AND I EVEN ADD 232 00:12:06,000 --> 00:12:08,667 THAT BECAUSE MA FAVORS RAYMOND SO MUCH MORE THAN ME, 233 00:12:08,667 --> 00:12:11,600 YOU WILL HAVE TO BE DOUBLY NICE. 234 00:12:13,933 --> 00:12:16,867 - YOU'RE BOTH IDIOTS. 235 00:12:16,867 --> 00:12:19,500 - YOU KNOW, IT'S REAL EASY TO MAKE TROUBLE, MISSY, OKAY? 236 00:12:19,500 --> 00:12:22,100 BUT WHEN MA'S UPSET WITH YOU, WE'RE THE ONES WHO SUFFER! 237 00:12:22,100 --> 00:12:24,400 - PLEASE DON'T MAKE HER MAD. 238 00:12:25,933 --> 00:12:27,600 - ALL RIGHT, STOP. 239 00:12:27,600 --> 00:12:30,300 WHY DOES THIS FAMILY HAVE TO BE THIS WAY, 240 00:12:30,300 --> 00:12:32,500 WITH MARIE WIELDING SO MUCH POWER 241 00:12:32,500 --> 00:12:34,100 AND EVERYONE LIVING IN FEAR 242 00:12:34,100 --> 00:12:35,967 INSTEAD OF JUST ENJOYING EACH OTHER? 243 00:12:35,967 --> 00:12:37,367 - YOU ARE RIGHT, AMY. 244 00:12:37,367 --> 00:12:40,167 THAT HAS BEEN MY PHILOSOPHY FROM DAY ONE. 245 00:12:40,167 --> 00:12:43,033 HARMONY, LOVE, UNDERSTANDING-- 246 00:12:43,033 --> 00:12:45,700 THAT IS WHAT HOLDS A FAMILY TOGETHER. 247 00:12:45,700 --> 00:12:48,133 MARIE IS GOING DOWN. 248 00:12:48,133 --> 00:12:50,533 - NO, NO, NO, NO. PLEASE STOP THIS. 249 00:12:50,533 --> 00:12:52,133 - THIS IS WHAT WE DO. - I CAN'T TAKE THIS. 250 00:12:52,133 --> 00:12:53,833 I CAN'T--RAYMOND! - NO MORE CRAP. 251 00:12:53,833 --> 00:12:55,967 WE STAND UP; WE CONFRONT. 252 00:12:55,967 --> 00:12:57,433 - I'M NOT AFRAID TO CONFRONT. 253 00:12:57,433 --> 00:13:00,133 - MY LIFE WAS SUPPOSED TO GET BETTER. 254 00:13:00,133 --> 00:13:01,800 - THAT'S GOOD. 255 00:13:01,800 --> 00:13:04,133 NOW, WITH THESE THANK-YOU NOTES, HERE'S WHAT WE DO. 256 00:13:04,133 --> 00:13:06,067 YOU WAIT A MONTH, TWO MONTHS. 257 00:13:06,067 --> 00:13:07,400 - REALLY? YOU THINK? 258 00:13:07,400 --> 00:13:10,200 - ANY SOONER, AND MARIE WINS. 259 00:13:10,200 --> 00:13:12,467 YOU SET THE TIMETABLE. THAT IS KEY. 260 00:13:12,467 --> 00:13:14,733 AND ANOTHER THING-- IF SHE COMES OVER TO YOUR HOUSE 261 00:13:14,733 --> 00:13:17,033 AND STARTS SNOOPING AROUND YOUR REFRIGERATOR, 262 00:13:17,033 --> 00:13:18,567 YOU PULL HER THE HELL OUT OF THERE. 263 00:13:18,567 --> 00:13:21,200 - RIGHT, BECAUSE IT'S MY REFRIGERATOR. 264 00:13:21,200 --> 00:13:23,000 - YES! THIS IS SO GREAT, 265 00:13:23,000 --> 00:13:25,067 BECAUSE YOU CAN NIP THIS IN THE BUD, 266 00:13:25,067 --> 00:13:26,933 AND I AM GOING TO BE RIGHT BEHIND YOU. 267 00:13:26,933 --> 00:13:28,267 - WE CAN HELP EACH OTHER. 268 00:13:28,267 --> 00:13:31,700 - I'M HAVING CHEST PAINS. 269 00:13:44,700 --> 00:13:47,067 - YOU GET MY SHRAPNEL? 270 00:13:47,067 --> 00:13:48,400 - SHH! 271 00:13:48,400 --> 00:13:49,667 LISTEN, DAD, I DON'T KNOW WHAT TO DO. 272 00:13:49,667 --> 00:13:50,900 I NEED YOUR HELP. 273 00:13:50,900 --> 00:13:54,333 THE LADIES, THEY'RE PLANNING A TAKEOVER. 274 00:13:55,933 --> 00:13:58,800 - GO ON. 275 00:13:58,800 --> 00:14:00,033 - DEBRA, SHE SAW WHAT HAPPENED 276 00:14:00,033 --> 00:14:01,433 WITH AMY AND MOM AND THE THANK-YOU NOTES, 277 00:14:01,433 --> 00:14:03,467 AND SHE GOT AMY TO JOIN FORCES WITH HER, 278 00:14:03,467 --> 00:14:07,200 AND NOW DEBRA'S ALL FOAMING AT THE MOUTH. 279 00:14:07,200 --> 00:14:10,800 - WAIT A MINUTE. THIS IS BAD NEWS FOR ME. 280 00:14:10,800 --> 00:14:13,400 ANYTHING THAT PUTS THE MISSUS IN A WORSE MOOD THAN USUAL 281 00:14:13,400 --> 00:14:16,133 PUTS ME IN THE DUMPER. 282 00:14:16,133 --> 00:14:19,600 WHO'S GONNA FEED ME IF THIS HAPPENS? 283 00:14:19,600 --> 00:14:24,467 DEBRA? THAT'S NO KIND OF LIFE. 284 00:14:24,467 --> 00:14:26,833 HOW'S AMY'S COOKING? 285 00:14:26,833 --> 00:14:28,633 - I DON'T KNOW. IT'S GOOD, I GUESS. 286 00:14:28,633 --> 00:14:31,500 - STILL, IT'S A TEN-MINUTE DRIVE. 287 00:14:31,500 --> 00:14:33,067 YOU GOT TO SHUT THIS DOWN, RAY. 288 00:14:33,067 --> 00:14:34,367 HOW ARE THEY GONNA PULL IT OFF? 289 00:14:34,367 --> 00:14:35,733 - IT'S ALREADY STARTED. 290 00:14:35,733 --> 00:14:37,567 THEY'RE PLANNING, LIKE, A BIG THROW-DOWN, 291 00:14:37,567 --> 00:14:40,033 LAYING OUT THE NEW ORDER, AND--AND EVERYBODY'S EQUAL. 292 00:14:40,033 --> 00:14:42,667 LOVE ALL AROUND, PEACE AND HARMONY. 293 00:14:42,667 --> 00:14:46,467 - THOSE STUPID BROADS. 294 00:14:47,933 --> 00:14:49,500 YOU CAN'T OVERTHROW MARIE. 295 00:14:49,500 --> 00:14:51,533 BESIDES, ANY TIME YOU CUT THE HEAD OFF SOMETHING, 296 00:14:51,533 --> 00:14:55,500 THE BODY STILL RUNS AROUND BY ITSELF, ALL CRAZED-LIKE. 297 00:14:55,500 --> 00:14:57,833 - I KNOW! I KNOW. THAT'S WHY I'M ASKING YOU. 298 00:14:57,833 --> 00:15:00,000 I DON'T KNOW WHAT TO DO. WHAT DO YOU THINK WE SHOULD DO? 299 00:15:00,000 --> 00:15:03,000 - I'M NOT SURE YET. - AAH! 300 00:15:08,633 --> 00:15:10,333 WHAT THE-- 301 00:15:13,300 --> 00:15:15,033 YOU HEARD EVERYTHING? 302 00:15:15,033 --> 00:15:16,633 - I HEARD ENOUGH. 303 00:15:16,633 --> 00:15:18,800 - DID YOU KNOW SHE WAS BACK THERE? 304 00:15:18,800 --> 00:15:21,733 - YES. 305 00:15:23,333 --> 00:15:26,067 - WELL, WHAT DID YOU LET ME GO ON FOR? 306 00:15:26,067 --> 00:15:29,367 - I WANT MY SHRAPNEL BACK. 307 00:15:33,033 --> 00:15:35,067 - ALL RIGHT. LISTEN, MA... 308 00:15:36,300 --> 00:15:38,067 YOU GOT TO UNDERSTAND... 309 00:15:45,400 --> 00:15:46,867 - AND IF SHE OFFERS TO DO YOUR LAUNDRY? 310 00:15:46,867 --> 00:15:48,033 - JUST SAY NO? 311 00:15:48,033 --> 00:15:49,467 - UNLESS YOU WANT EVERYONE TO KNOW 312 00:15:49,467 --> 00:15:52,967 WHAT SIZE UNDERWEAR YOU HAVE AT DINNER PARTIES. 313 00:15:52,967 --> 00:15:54,900 - THAT'S FUNNY. YEAH. 314 00:15:54,900 --> 00:15:58,167 HEY, UH, WHO WANTS TO GET SOMETHING TO EAT? 315 00:15:58,167 --> 00:16:00,067 YOU KNOW, I MEAN, LIKE, RIGHT THIS SECOND. 316 00:16:01,033 --> 00:16:04,000 - HELLO. 317 00:16:04,000 --> 00:16:05,633 - LET'S GO! WHATEVER YOU WANT. 318 00:16:05,633 --> 00:16:07,333 I'M BUYING, I'M DRIVING, AND I'M LEAVING RIGHT NOW! 319 00:16:07,333 --> 00:16:09,733 VROOM, VROOM, VROOM! 320 00:16:11,767 --> 00:16:13,333 - RAYMOND, PLEASE STAY. 321 00:16:13,333 --> 00:16:16,000 AFTER ALL, YOU BROUGHT SOMETHING IMPORTANT TO MY ATTENTION. 322 00:16:24,400 --> 00:16:28,767 - WHERE DID YOU JUST COME FROM? 323 00:16:28,767 --> 00:16:30,800 - I WENT TO THE BATHROOM. 324 00:16:30,800 --> 00:16:33,167 - NO, YOU DIDN'T. 325 00:16:34,233 --> 00:16:37,233 - I'M DOING IT NOW. 326 00:16:41,700 --> 00:16:43,500 - I WAS SHOCKED TO HEAR THAT YOU TWO 327 00:16:43,500 --> 00:16:46,933 WERE CONSPIRING AGAINST ME IN SOME WAY. 328 00:16:46,933 --> 00:16:49,200 - GROUP HUG! 329 00:16:52,867 --> 00:16:56,067 ALL RIGHT, IT AIN'T HAPPENING; IT'S NOT HAPPENING. 330 00:16:58,133 --> 00:17:02,200 - WHAT HAVE I DONE TO BRING ON SUCH DISRESPECT? 331 00:17:03,533 --> 00:17:06,233 I MEAN, YOU KNOW, IN THE ORIENT, 332 00:17:06,233 --> 00:17:08,333 ELDERS ARE REVERED AND HONORED, 333 00:17:08,333 --> 00:17:10,633 NOT PLOTTED AGAINST. 334 00:17:10,633 --> 00:17:13,067 AND WHY DO YOU HAVE TO TALK ABOUT ME BEHIND MY BACK? 335 00:17:13,067 --> 00:17:15,500 I'M HERE, RIGHT HERE. 336 00:17:16,633 --> 00:17:20,133 AND, DEBRA, WE MAY HAVE OUR DIFFERENCES, 337 00:17:20,133 --> 00:17:23,567 BUT I CONSIDER YOU MY DAUGHTER. 338 00:17:23,567 --> 00:17:27,233 AND, AMY, ALL I WANT IS FOR YOU TO FEEL THE SAME WAY. 339 00:17:27,233 --> 00:17:31,633 I JUST DON'T UNDERSTAND WHY YOU COULDN'T BE DIRECT WITH ME. 340 00:17:31,633 --> 00:17:34,033 YOU MAY NOT LIKE WHAT I SAID BEFORE, 341 00:17:34,033 --> 00:17:37,333 BUT AT LEAST I SAID IT TO YOU. 342 00:17:39,433 --> 00:17:43,267 - YOU'RE RIGHT, MARIE. I'M SORRY. 343 00:17:43,267 --> 00:17:44,800 I DON'T WANT TO START OFF LIKE THIS. 344 00:17:44,800 --> 00:17:45,800 I LOVE YOU. 345 00:17:45,800 --> 00:17:48,233 - I LOVE YOU, HONEY. 346 00:17:54,967 --> 00:17:56,700 - AND YOU KNOW WHAT? 347 00:17:56,700 --> 00:17:59,067 I'M GONNA SIT DOWN AND START ON THOSE THANK-YOU NOTES TODAY. 348 00:17:59,067 --> 00:18:00,467 - WHAT? 349 00:18:00,467 --> 00:18:02,333 - WHENEVER YOU GET TO IT, DEAR. NO PRESSURE. 350 00:18:02,333 --> 00:18:04,033 - WAIT A MINUTE. WAIT A MINUTE. 351 00:18:04,033 --> 00:18:06,233 THAT'S WHAT THIS IS ALL ABOUT! 352 00:18:06,233 --> 00:18:07,967 - WHAT'S THE MATTER, DEBRA? 353 00:18:07,967 --> 00:18:11,233 - OH, DON'T GIVE ME THAT. I KNOW YOU TOO WELL, MARIE. 354 00:18:11,233 --> 00:18:14,000 YOU COME OVER HERE ALL RATIONAL AND NORMAL 355 00:18:14,000 --> 00:18:15,133 AND TELLING THE TRUTH, 356 00:18:15,133 --> 00:18:16,800 AND THIS SAP FELL FOR IT. 357 00:18:16,800 --> 00:18:19,067 - HEY! 358 00:18:19,067 --> 00:18:20,433 - YOU CAN'T SEE THAT? 359 00:18:20,433 --> 00:18:22,900 THIS IS A STRATEGY: DIVIDE AND CONQUER. 360 00:18:22,900 --> 00:18:26,133 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT, DEBRA, 361 00:18:26,133 --> 00:18:29,400 BUT COULD IT BE THAT YOU'RE A BIT JEALOUS 362 00:18:29,400 --> 00:18:33,367 BECAUSE YOU HAVE TO SHARE THE SPOTLIGHT WITH AMY? 363 00:18:38,033 --> 00:18:41,667 - JEALOUS? JEALOUS? 364 00:18:46,800 --> 00:18:48,200 - WHAT IS THIS? 365 00:18:48,200 --> 00:18:50,733 - VANILLA EXTRACT. 366 00:18:56,800 --> 00:18:59,633 - SHE JUST DID IT AGAIN, AMY! 367 00:18:59,633 --> 00:19:01,600 I AM PUTTING AN END TO ALL OF THIS, DO YOU HEAR ME? 368 00:19:01,600 --> 00:19:03,600 I AM NOT LETTING YOU TAKE ANOTHER ONE. 369 00:19:03,600 --> 00:19:05,133 AMY, DON'T YOU SEE SHE WILL DO ANYTHING TO WIN? 370 00:19:05,133 --> 00:19:07,700 SHE'S THE DEVIL! 371 00:19:07,700 --> 00:19:09,367 - I GOT TO TELL YOU, DEB, IT SEEMED TO ME 372 00:19:09,367 --> 00:19:11,533 LIKE SHE WAS BEING VERY UP FRONT AND HONEST. 373 00:19:11,533 --> 00:19:15,633 - NO! NO, AMY, DON'T GO! DON'T GO! 374 00:19:15,633 --> 00:19:18,767 - DEBRA, STOP IT! 375 00:19:18,767 --> 00:19:21,233 I CAN'T STAND ALL THIS. 376 00:19:21,233 --> 00:19:24,967 I'M NOT USED TO IT. I'M NOT GOOD AT IT. 377 00:19:24,967 --> 00:19:26,367 I COME FROM A FAMILY 378 00:19:26,367 --> 00:19:30,467 THAT WOULDN'T YELL IF THEY WERE ON FIRE. 379 00:19:30,467 --> 00:19:34,200 YOU KNOW, YOU'RE NOT GONNA LIKE HEARING THIS, DEBRA, 380 00:19:34,200 --> 00:19:35,667 BUT I THINK RAY WAS RIGHT BEFORE 381 00:19:35,667 --> 00:19:41,233 WHEN HE SAID MAYBE WE SHOULD JUST ALL TRY BEING NICE. 382 00:19:46,800 --> 00:19:49,600 - SHE'S GONE. 383 00:19:50,833 --> 00:19:53,200 - DID YOU WANT TO SAY SOMETHING, DEBRA? 384 00:19:53,200 --> 00:19:55,800 - NO, MARIE. 385 00:19:55,800 --> 00:19:58,667 NOTHING. 386 00:19:58,667 --> 00:20:01,067 JUST... 387 00:20:01,067 --> 00:20:04,200 I'M SORRY. 388 00:20:04,200 --> 00:20:09,900 - AW, NOW, DOESN'T THAT FEEL GOOD TO SAY THAT? 389 00:20:09,900 --> 00:20:11,467 OH, YES. 390 00:20:15,100 --> 00:20:18,767 - GET OUT OF HERE! 391 00:20:18,767 --> 00:20:22,733 - AND I AGREE WITH EVERYTHING YOU'VE SAID, AMY, 392 00:20:22,733 --> 00:20:23,933 EVERYTHING. 393 00:20:23,933 --> 00:20:25,367 - THANK YOU, MARIE. 394 00:20:25,367 --> 00:20:27,233 - AND ABOUT THOSE THANK-YOU NOTES, 395 00:20:27,233 --> 00:20:29,300 I DON'T CARE IF YOU EVER GET TO THEM. 396 00:20:29,300 --> 00:20:33,033 EXCEPT MAYBE ONE TO LEE AND STAN ABOUT THE CANDLE. 397 00:20:33,033 --> 00:20:34,700 COULD YOU JUST DO THAT ONE? 398 00:20:34,700 --> 00:20:38,933 SEE, LEE CAN BE SO ANNOYING ABOUT THINGS LIKE THIS. 399 00:20:38,933 --> 00:20:41,167 - NO PROBLEM, MARIE. 400 00:20:41,167 --> 00:20:43,867 - OH, YOU'RE AN ANGEL. 401 00:20:54,100 --> 00:20:56,300 - HELLO. - OH, HI, LEE. HOW ARE YOU? 402 00:20:56,767 --> 00:20:58,167 - HEY, LEE. 403 00:20:58,167 --> 00:21:00,233 - HI. I'M ON MY WAY TO THE SUPERMARKET, 404 00:21:00,233 --> 00:21:01,933 BUT I JUST HAD TO STOP BY AND TELL YOU 405 00:21:01,933 --> 00:21:05,700 I GOT THE NICEST THANK-YOU NOTE FROM THAT SWEET AMY. 406 00:21:05,700 --> 00:21:09,900 - OH, ISN'T THAT NICE? WHAT DID IT SAY? 407 00:21:09,900 --> 00:21:11,467 - OH, IT JUST WENT ON AND ON 408 00:21:11,467 --> 00:21:14,800 ABOUT HOW SHE AND ROBERT LOVE THE ORANGE CANDLE 409 00:21:14,800 --> 00:21:18,000 AND WILL TREASURE IT ALWAYS. 410 00:21:18,000 --> 00:21:19,633 I HAVE TO TELL YOU, MARIE, 411 00:21:19,633 --> 00:21:23,800 WHEN YOU PICKED OUT THAT CANDLE FOR US TO GIVE TO THEM, 412 00:21:23,800 --> 00:21:26,500 I WASN'T SURE ABOUT IT. 413 00:21:26,500 --> 00:21:29,267 BUT I AM SO SORRY I GAVE YOU AN ARGUMENT. 414 00:21:29,267 --> 00:21:33,633 OBVIOUSLY YOU HAVE WONDERFUL TASTE. 415 00:21:34,933 --> 00:21:36,733 - OH, THANK YOU, LEE. 416 00:21:36,733 --> 00:21:39,733 - THANK YOU. I'LL SEE YOU LATER. 417 00:21:39,733 --> 00:21:42,133 - OKAY, BYE-BYE. 418 00:21:42,133 --> 00:21:45,467 [humming]