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WARWICK: Sort of look at the paintings
and let it absorb you

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and figure out what's going on.

3
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Lot of nudity, isn't there?

4
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WARWICK: Yeah, but it's interesting.

5
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The males are represented

6
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and, you know, look good,

7
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but you look at the females,
I don't think they look quite as good.

8
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KARL: Maybe women
were just rougher then.

9
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She wouldn't get in <i>Hollyoaks</i>

10
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or <i>Made in Chelsea,</i> would she?

11
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With that look. But at the time,
was she good-looking?

12
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Well, look at it, though,
it's getting us talking.

13
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I mean, it's provoking us,

14
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which is what art's
supposed to do, isn't it?

15
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Maybe back then.
Now it's just to brighten up a room.

16
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You watch things like
<i>DIYSOS</i> and all that.

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It's just splashes of colour
on a canvas.

18
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And they go,
"That brightens up a room."

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WARWICK: That's not art, though.

20
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- 'Course it's art.
- (WARWICK CHUCKLES)

21
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It's still art, innit? It's about...
I don't know, it's giving a feeling.

22
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We like bright now, don't we?

23
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You watch the <i>House Doctor</i>
or one of those programmes

24
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when it says how to sell your house,
it's magnolia, get it bright.

25
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Yeah, but look at that.

26
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That could have taken many months,
if not years.

27
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That's not <i>60 Minute Makeover,</i> though.

28
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KARL: Yeah, I just find it...
I'd be scared in a room with all this.

29
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All the eyes looking at me and...

30
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Just a bit dark.

31
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Depressing.

32
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It's everywhere, innit?

33
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Every bit of wall space,

34
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they've drawn a picture
of someone being hung

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or stabbed in the head.

36
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Where's the happy wall?