WARWICK: Sort of look at the paintings and let it absorb you
and figure out what's going on.
Lot of nudity, isn't there?
WARWICK: Yeah, but it's interesting.
The males are represented
and, you know, look good,
but you look at the females, I don't think they look quite as good.
KARL: Maybe women were just rougher then.
She wouldn't get in Hollyoaks
or Made in Chelsea, would she?
With that look. But at the time, was she good-looking?
Well, look at it, though, it's getting us talking.
I mean, it's provoking us,
which is what art's supposed to do, isn't it?
Maybe back then. Now it's just to brighten up a room.
You watch things like DIYSOS and all that.
It's just splashes of colour on a canvas.
And they go, "That brightens up a room."
WARWICK: That's not art, though.
- 'Course it's art. - (WARWICK CHUCKLES)
It's still art, innit? It's about... I don't know, it's giving a feeling.
We like bright now, don't we?
You watch the House Doctor or one of those programmes
when it says how to sell your house, it's magnolia, get it bright.
Yeah, but look at that.
That could have taken many months, if not years.
That's not 60 Minute Makeover, though.
KARL: Yeah, I just find it... I'd be scared in a room with all this.
All the eyes looking at me and...
Just a bit dark.
Depressing.
It's everywhere, innit?
Every bit of wall space,
they've drawn a picture of someone being hung
or stabbed in the head.
Where's the happy wall?