#### [ Whistling ]
#### [ Scatting ]
#### [ Scatting Continues ]
## TOGETHER AGAIN ##
## GEE, IT'S GOOD TO BE TOGETHER AGAIN ##
## I JUST CAN'T IMAGINE THAT YOU'VE EVER BEEN GONE ##
## IT'S NOT STARTING OVER IT'S JUST GOING ON ##
## TOGETHER AGAIN ##
## NOW WE'RE HERE AND THERE'S NO NEED REMEMBERING WHEN ##
## 'CAUSE NO FEELING FEELS LIKE THAT FEELING ##
## TOGETHER AGAIN ##
## GEE, IT'S GOOD TO BE TOGETHER AGAIN ##
## I JUST CAN'T IMAGINE THAT YOU'VE EVER BEEN GONE ##
## IT'S NOT STARTING OVER IT'S JUST GOING ON ##
## TOGETHER AGAIN ## ## AGAIN ##
## NOW WE'RE HERE AND THERE'S NO NEED REMEMBERING WHEN ##
## 'CAUSE NO FEELING FEELS LIKE THAT FEELING ##
## TOGETHER A-- TOGETHER A-- TOGETHER A-- ##
## TOGETHER AGAIN ##
## TOGETHER AGAIN ####
[ Chattering ]
THANK YOU. THANK YOU.
THANK YOU VERY MUCH. THANK YOU.
OOPS.
[ Cheering Continues ]
THEY LIKE IT ! THEY LOVE IT !
THEY'RE STILL APPLAUDING. KERMY, YOU HAVE TO GO OUT AND TAKE A BOW.
YEAH. TAKE A BOW.
KERMIT ! KERMIT ! KERMIT ! KERMIT !
GO. [ Giggles ]
YEAH.
THANK YOU. THANK YOU. THANK YOU.
THANK YOU, UH-- I REALLY DON'T KNOW WHAT TO SAY EXCEPT, UH--
WELL, WE'RE REALLY GLAD YOU LIKED MANHATTAN MELODIES,
BECAUSE WE ALL WORKED SO HARD TO MAKE IT THE BEST SENIOR VARIETY SHOW EVER.
HEY, KERMIT, NEXT TIME WE'LL SEE YOU ON BROADWAY !
[ Applause ] YEAH. YEAH, SURE.
THAT'S A GREAT IDEA. WHY DON'T WE TAKE MANHATTAN MELODIES TO NEW YORK ?
WHAT ? BROADWAY'D BE DYING TO GET A GREAT MUSICAL LIKE THIS.
BROADWAY ?
WE'D JUST LIKE TO THANK EVERYBODY FOR HAVING SO MUCH FAITH IN US.
IT'S NOT OFTEN THAT A FROG AND A BEAR AND A PIG...
AND A CHICKEN AND A WHATEVER EVEN GET ACCEPTED INTO COLLEGE.
WE'RE ALL SO PROUD TO BE GRADUATING NOW, SOME WITH HONORS--
[ Screaming ]
WOMAN ! WOMAN ! WOMAN ! WOMAN ! WOMAN !
WOMAN !
SOME WITH THE HELP OF DAILY PSYCHOLOGICAL COUNSELING.
ANYWAY, ANYWAY, THANK YOU AGAIN.
THANK YOU FOR EVERYTHING, GUYS. THANK YOU. YEAH. THANK YOU.
BROADWAY ? YEAH ! YEAH ! YEAH !
BUT THIS SHOW'S NOT GOOD ENOUGH FOR BROADWAY.
THE SCRIPT NEEDS WORK. I THINK THERE'S SOMETHING MISSING.
NO ! NO ! NO !
KERMY, KERMY. REMEMBER YOU SAID WE COULD NOT GET MARRIED UNTIL WE HAD ENOUGH MONEY ?
YEAH. WELL, WE'D HAVE ENOUGH IF WE HAD A HIT ON BROADWAY.
THAT'S RIGHT. YES, YES.
BROADWAY OF WHAT CITY ?
AW, COME ON. COME ON.
EVEN IF THE SHOW WAS GOOD ENOUGH, WE'RE JUST GRADUATING.
WHAT ABOUT OUR FUTURE PLANS ?
WELL, THIS COULD BE OUR FUTURE. YEAH ! YEAH !
IF WE DON'T DO IT, WE JUST SAY GOOD-BYE TO EACH OTHER.
OH. BROADWAY ! BROADWAY, BROADWAY !
WHAT ARE WE WAITING FOR ? LET'S GO TO BROADWAY !
YEAH ! YEAH ! BROADWAY !
NEW YORK ! LOOK AT EVERYTHING THERE !
WE MADE IT, GUYS. WE'RE REALLY HERE.
[ Chattering ] WHAT A GREAT-LOOKING PLACE.
IT'S FILLED WITH NEW YORKERS. LOOK AT 'EM ALL.
WOWEE ! LOOK HOW GORGEOUS EVERYTHING IS. OHH.
WE BETTER DUMP OUR STUFF AND FIND A PLACE TO STAY.
[ Chattering ]
YEAH. YEAH.
OKAY, SCOOTER, BREAK OUT THE QUARTERS. YES, SIR.
YOU ALL RIGHT DOWN THERE ? HOW ABOUT UP THERE ? [ Chattering ]
WHAT DO YOU THINK, GUYS ? WHAT ?
I SAY, HOW DO YOU LIKE IT ? OH, IT'S GREAT.
MUCH BETTER THAN THAT CEMENT MIXER I USED TO LIVE IN.
I'LL TRADE WITH ANYONE THAT HAS A JACUZZI.
COME ON. IT'S JUST FOR ONE DAY.
WE'LL ALL BE ON BROADWAY TOMORROW. YEAH.
WE'D LIKE TO SEE MR. PRICE. [ Woman ] DO YOU HAVE AN APPOINTMENT ?
NO, BUT WE SAW HIS NAME IN THE PAPER.
WE'VE GOT THIS SHOW CALLED MANHATTAN MELODIES HE'S GONNA WANT TO PRODUCE ON BROADWAY.
IT'S ABOUT A COUPLE OF KIDS THAT COME TO NEW YORK CITY TO GET MARRIED.
IT HAS A WONDERFUL OPENING NUMBER. IT GOES LIKE THIS.
HOLD IT. HOLD IT. #### [ Humming ]
[ Man On Intercom ] WHAT'S GOING ON OUT THERE ?
JUST A FROG WITH A MUSICAL, MR. PRICE.
MUSICAL ? SEND HIM IN.
[ Chattering ]
NET. I'M TALKING NET. YOU'VE GOTTA BE KIDDING WITH GROSS.
NICE UPHOLSTERY. HOLD IT A MINUTE. I'LL GET BACK TO YOU.
MR. PRICE, I'M KERMIT, AND THESE ARE MY FRIENDS.
WE'VE GOT A SHOW CALLED MANHATTAN MELODIES...
WE THINK YOU'RE GONNA WANT TO PRODUCE ON BROADWAY.
IT'S ABOUT A COUPLE OF KIDS THAT COME TO NEW YORK CITY TO GET MARRIED.
IT OPENS WITH A GREAT NUMBER THAT GOES LIKE THIS.
## LOOK AT ME HERE I AM-- ##
FROG. FROG. NO SINGING, OKAY ?
GIVE ME THE GENERAL IDEA. IT'S ALL ABOUT LIFE IN THE BIG CITY.
BIG CITY, HUH ? COPS ? SHOOTINGS ? CAR CHASES ? THAT KIND OF THING ?
[ Kermit ] NO SHOOTING STUFF. IT'S MORE LIKE SONGS AND DANCES.
SONGSANDDANCES ? MM-HMM.
THAT MIGHT BE INTERESTING.
NOBODY CARES ABOUT SHOOTINGS ANYWAY.
WHAT ARE YOU THINKING ABOUT ? BIG-NAME STARS ?
WELL, WE'RE GONNA BE THE STARS.
THAT'S WHAT I WAS ABOUT TO SAY.
- YOU BE THE STARS. - UH-HUH.
SONGS, DANCES, SHOOTINGS.
UH-UH. UH-UH.
NO. NO SHOOTINGS. UH-UH.
YOU KNOW WHAT ? I SMELL SOMETHING.
[ Sniffing ] WHY DOES EVERYONE ALWAYS BLAME DOGS ?
WHAT I SMELL IS A HIT. A WHAT ?
- A HIT. - YOU MEAN--
ABSOLUTELY. I'D BE PROUD TO PRODUCE YOUR SHOW.
FELLAS, YOU'RE GONNA BE ON BROADWAY.
OH, OH, OH. KERMIT, WE DID IT !
WE DID IT !
THANKS A LOT, MR. PRICE. I REALLY WOULD LIKE YOU TO READ THE SCRIPT.
THERE'S STILL SOMETHING MISSING. NO, FROG, FROG.
WE FIX ALL THOSE THINGS IN THE PREVIEWS. I'VE GOT A MILLION THINGS TO DO.
I'VE GOTTA CALL THE PAPERS, RENT A THEATER, AND ALL I NEED FROM YOU IS $300.
- THREE HUNDRED DOLLARS ? - YEAH. APIECE.
APIECE ? TODAY. YEAH.
WHAT ?
[ Kermit Whimpers ]
LOOK, FELLAS, THAT'S STANDARD BROADWAY PROCEDURE.
YOU GIVE ME THE MONEY, AND WE START THE REHEARSALS TOMORROW.
BUT WE DON'T HAVE-- I DON'T THINK THAT'S RIGHT.
YEAH, NOW I SMELL SOMETHING.
FELLAS-- [ Woman ] MR. PRICE.
THERE ARE TWO POLICE OFFICERS OUTSIDE. THEY'D LIKE TO SPEAK TO YOU.
THAT'S HIM. THAT'S MURRAY PLOTSKY.
I GAVE HIM MY LIFE SAVINGS.
MURRAY ? I THOUGHT HIS NAME WAS MARTIN.
LET'S GO, MURRAY. YOU'VE PULLED YOUR LAST CON JOB.
I DON'T WANT ANY TROUBLE.
[ Squawking ] GET BACK OR THE CHICKEN GETS IT.
- THAT'S A THREAT ? - PLEASE DON'T HURT HER ! TAKE ME !
WHATEVER YOU SAY, PAL !
GET AWAY FROM THAT DOOR. MOVE !
LET GO ! LET GO OF MY NOSE !
WATCH IT ! YOU TOO !
BAD MAN !
EASY !
BAD MAN ! [ Screams ]
WHOO ! [ Squawking ]
OHHH !
GET THIS OFF !
OH !
BACK !
[ Screaming ]
GET THIS CHICKEN OFF MY EAR ! GET IT OFF MY EAR !
GET IT OFF ! OH !
[ Screaming ] GET IT OFF !
[ Chattering ]
GET IT OFF MY EAR !
[ Screaming ] BAD MAN ! BAD MAN !
WAY TO GO, EVERYBODY. WHERE WERE YOU WHEN I NEEDED YOU ?
MURRAY ? ANIMALS ! YOU'RE CRAZY-- ALL OF YOU !
I WANT MY MONEY BACK !
GONZO, ARE YOU OKAY ?
I JUST SAW MY WHOLE LIFE FLASH BEFORE MY NOSE.
[ Gasping ] CAMILLA ! SHE'S HYPERVENTILATING !
SHE NEEDS MOUTH-TO-BEAK RESUSCITATION !
KERMIT, HE NEVER WANTED OUR SHOW. HE JUST WANTED OUR MONEY.
YEAH. GONZO, IS CAMILLA ALL RIGHT ?
YEAH, BUT I THINK WE'RE ENGAGED.
COME ON, EVERYBODY. WE'RE GONNA GET THIS SHOW ON BROADWAY !
RIGHT ! YEAH, LET'S GO, GUYS !
#### [ Rock ]
####
## YOU CAN'T TAKE NO FOR AN ANSWER ##
## NO, NO, NO ##
####
## WHENEVER THERE'S A DREAM WORTH A-DREAMIN' ## ## DREAMIN' ##
## YOU WANNA SEE THAT DREAM COME TRUE ## ## DREAM COME TRUE ##
## THERE'LL BE PLENTY OF PEOPLE TALKIN'-- SAY FORGET ALL ABOUT IT ##
## SAYIN' IT ISN'T WORTH THE TROUBLE ##
## ALL THE TROUBLE THAT YOU'RE GOIN' THROUGH ##
## IT AIN'T WORTH IT, NO ## ## WHAT CAN YOU DO ##
- ## YOU CAN'T TAKE NO FOR AN ANSWER ## -## YOU CAN'T TAKE NO ##
## YOU CAN'T TAKE NO FOR AN ANSWER ## ## NO, NO, NO, NO ##
## YOU CAN'T TAKE NO FOR AN ANSWER NO, NO, NO ##
## NO-NO-NO NO-NO-NO, NO-NO-NO ##
## WHAT YA GONNA DO WHEN THE TIMES GET TOUGH ##
## AND THE WORLD'S TREATIN' YOU UNKIND ##
## YOU GOTTA HANG ON TO YOUR OPTIMISTIC OUTLOOK ##
## AND KEEP POSSESSION OF YOUR POSITIVE STATE OF MIND ##
## STATE OF MIND, STATE OF MIND, STATE OF MIND STATE-- STATE OF MIND ##
- ## YOU CAN'T TAKE NO FOR AN ANSWER ## - ## YOU CAN'T TAKE NO ##
## YOU CAN'T TAKE NO FOR AN ANSWER ## ## NO, NO, NO, NO ##
## YOU CAN'T TAKE NO FOR AN ANSWER NO, NO, NO ##
## NO-NO-NO NO-NO-NO, NO-NO-NO ##
## NO, NO, NO ## ## NO-NO-NO NO-NO-NO, NO-NO-NO ##
## NO, NO, NO ####
THIS IS TURNIN' OUT TO BE A LITTLE TOUGHER THAN I THOUGHT.
KERMIT, I'M NOT GOOD AT THIS. I DON'T TAKE REJECTION WELL.
MAYBE WE COULD SELL THE SHOW IF YOU WROTE IN SPECIAL EFFECTS, LIKE EXPLODING SOCKS.
OH, GONZO, LIKE THAT'S A REALLY LAME IDEA.
OH, YEAH ? HEY, MAN, STOP YELLIN' AT HER.
HE WASN'T YELLING. YES, I WAS.
OH, GONZO, DON'T MAKE TROUBLE. FIGHT ! FIGHT !
[ Muttering ]
KERMIT, DO YOU THINK WE SHOULD CHANGE THE SCRIPT ?
KERMIT, WHAT SHOULD WE DO ?
I DON'T KNOW ! HOW SHOULD I KNOW ? WHY ARE YOU ASKING ME ?
CAN'T YOU TAKE CARE OF YOURSELVES ?
I DON'T KNOW WHAT TO DO NEXT. WE FAILED, OKAY ?
WE TRIED AND WE FAILED.
SCOOTER, HOW MUCH MONEY DO WE HAVE LEFT ?
ENOUGH FOR TWO NIGHTS UNLESS WE FIND CHEAPER LOCKERS.
WELL, WE HAVE TO EAT.
WHY START NOW ? GONZO !
GANGWAY ! COMIN' THROUGH.
HEY, WATCH IT, WILL YA ?
HEY, THAT WAITER'S A RAT !
I'M GLAD WE GOT NO MONEY. NOW I GOT NO APPETITE.
THERE YOU GO. ONE CHEESEBURGER PLATTER.
WHAT DO YOU WANT TO DRINK ? GLASS OF MILK.
I WOULD LIKE MEAT IN HERE.
PICKY ! HEY, PETE, WHERE'S THE BEEF ?
IT'S COMING ! GOT TWO HANDS ONLY !
[ Sighing ]
OKAY. WHAT'LL YOU HAVE ?
THE NUMBER FOR THE BOARD OF HEALTH.
THAT DOES IT ! ANOTHER RAT CRACK ?
I GOT FEELINGS TOO. DO YOU THINK I'M DOIN' THIS AS A HOBBY ?
YOU WANNA KNOW WHAT I MAKE ?
NOTHING ! NOTHING ! I LIVE ON TIPS !
I WORK HARD ! I TRY TO GET TIPS TO FEED MY FAMILY AND MY MOTHER.
[ Sniffs ] IT JUST ISN'T FAIR !
[ Whimpering ] WE UNDERSTAND.
WE DON'T HAVE ANY MONEY EITHER.
SORRY. NOT MY TABLE.
WHAT A RAT !
UH, I'LL GET US SOMETHING TO EAT.
IS PATTY COMING. IS COW JUICE COMING.
RIZZO, WHERE JENNY ?
MAY I SEE A MENU, PLEASE ?
SPECIAL TODAY. YANKEE BEAN SOUP, WITH SPOON.
SORRY I'M LATE, POP. HI, FRAN. HOW ARE YA ?
IT WENT LONGER THAN I THOUGHT.
YOU WILL BE SO PROUD OF ME. I DID GREAT !
IT WAS ALL ESSAY QUESTIONS. NO SWEAT. I KNOW I PASSED.
JENNY, THAT'S VERY GOOD. IS COW JUICE AND PATTY FOR LADY.
- RIZZO, I'M BACK. - IT'S ABOUT TIME.
I CAN'T HANDLE EVERYBODY. TAKE THE WEIRDOS AT TABLE FOUR.
WHICH ONE IS TABLE FOUR ?
I WONDER IF KERMY MEANT IT. I MEAN, ABOUT FAILING.
THOSE PRODUCERS LOOKED AT US LIKE WE WERE FROM OUTER SPACE.
WHAT ? WHAT ? NO, MAN. GO BACK TO SLEEP.
NOBODY'S LANDED. AH, OH.
WE'LL TAKE 11 BOWLS, PLEASE. OKEYDOKEY.
JUST ONE THING.
WE'VE GOT THIS SHOW THAT'S GONNA BE A BIG HIT ON BROADWAY,
BUT, UH, WELL, UH,
UH,
RIGHT NOW WE'RE ALL BROKE.
[ Jenny ] YOU DON'T HAVE ANY MONEY ? NOT REALLY. NO.
WE'D WORK IT OFF. WE PROMISE.
[ Woman ] WAITRESS ! COMING.
HEY, I TELL YOU WHAT IS.
BIG CITY. HMM ?
LIVE. WORK. HUH ?
BUT, NOT CITY OPEN.
ONLY PEOPLES.
PEOPLES IS PEOPLES. NO IS BUILDINGS.
IS TOMATOES, UH ? IS PEOPLES.
IS DANCING. IS MUSIC. IS POTATOES.
SO, PEOPLES IS PEOPLES, OKAY ?
YEAH.
THANKS. THAT HELPED A LOT.
WHERE YOU GOIN' ?
HUH ? OH, UH, WELL--
AREN'T YOU GONNA WAIT FOR YOUR SOUP ?
BUT I TOLD YOU. WE DON'T HAVE--
I KNOW, BUT I KNOW MY POP.
WHEN HE FIRST STARTED OUT IN THIS CITY, HE DIDN'T HAVE ANYTHING EITHER.
I BET HE'S BACK THERE GETTING SOUP BOWLS FOR EVERYBODY.
REALLY ? WITH SOUP IN THEM ?
UH-HUH. I GOTTA GET BACK TO WORK.
I HAD A TEST TODAY. I CAME IN LATE.
YEAH. I HEARD YOU PASSED THE TEST.
I HOPE I PASSED IT.
IT'S FOR ACCEPTANCE INTO A FASHION DESIGN COLLEGE.
OH, YEAH ? WE JUST GRADUATED FROM COLLEGE.
REALLY ? YEAH.
- MY NAME'S JENNY. - HI. I'M KERMIT.
- HI, KERMIT. NICE TO MEET YOU. - I'M A FROG.
[ Chattering ]
NO, NO, IT--
LISTEN, I'M SAYING MAYBE IT'S TIME WE WENT OUT ON OUR OWN.
YOU MEAN, ON OUR OWN ALONE ? WITHOUT EVEN EACH OTHER ?
THE FROG'S RIGHT. WE DO DEPEND ON HIM TOO MUCH.
LIKE HE FEELS TOO RESPONSIBLE FOR US.
HE'D BE BETTER OFF IF WE LEFT TOWN.
I CAN'T LEAVE KERMIT. WE'RE STILL PINNED.
[ Muttering ] MAYBE--
OH-- UH--
I'M SORRY I BLEW UP OUTSIDE.
BUT GUESS WHAT. PETE'S COOKING UP SOME SOUP FOR US.
OH. MM-HMM.
WELL, WHAT'S WRONG ?
IT'S JUST--
WE'VE HAD SOME JOB OFFERS, RIGHT ?
- YEAH ! RIGHT ! - JOB OFFERS ! - YEAH ! YEAH !
THAT'S GREAT.
THESE JOB OFFERS ARE...
KINDA OUT OF TOWN, RIGHT ?
-YEAH, YEAH. -THEY'RE OUT-OF-TOWN JOB OFFERS.
WHAT JOB DID I GET ? GONZO !
PIGGY, ARE YOU GOING TOO ?
WELL, KERMY, I--
[ Crying ]
WE GO BYE-BYE ?
KERMIT, WE'LL WRITE TO YOU AND LET YOU KNOW WHERE WE ARE.
YEAH, AND, KERMIT, WE STILL BELIEVE IN THE SHOW.
YEAH, YEAH.
BOARD !
## SAYING GOOD-BYE ##
## GOING AWAY ##
## SEEMS LIKE GOOD-BYE'S ##
## ## SUCH A HARD THING TO SAY
## TOUCHING A HAND ##
## WONDERING WHY ##
[ Both ] ## IT'S TIME FOR SAYING GOOD-BYE ##
GOOD-BYE, KERMY !
PIG ? KERMY !
GOOD-BYE ! GOOD-BYE !
## SAYING GOOD-BYE ##
## WHY IS IT SAD ##
## MAKES US REMEMBER ##
## ## THE GOOD TIMES WE'VE HAD
## MUCH MORE TO SAY ##
## FOOLISH TO TRY ##
## IT'S TIME ##
## FOR SAYING GOOD-BYE ##
## DON'T WANT TO LEAVE ##
## BUT WE BOTH KNOW ##
? ## SOMETIMES IT'S BETTER TO GO ?
## SOMEHOW I KNOW ##
## WE'LL MEET AGAIN ##
## NOT SURE QUITE WHERE ##
## AND I DON'T KNOW JUST WHEN ##
## YOU'RE IN MY HEART ##
## SO UNTIL THEN ##
## IT'S TIME FOR SAYING GOOD-BYE ##
## SOMEHOW I KNOW ##
## WE'LL MEET AGAIN ##
## NOT SURE QUITE WHERE ##
## AND I DON'T KNOW JUST WHEN ##
## YOU'RE IN MY HEART ##
## SO UNTIL THEN ##
## WANNA SMILE ##
## WANNA CRY ##
## SAYING GOOD-BYE ## [ Group ] ## LA-LA-LA-LA ##
## IT'S TIME ##
## FOR SAYING GOOD-BYE ##
## LA-LA-LA-LA ##
## LA-LA, LA-LA-LA ##
## LA-LA ####
[ Horn Honks ]
[ Siren Wailing ]
LOOK AT ALL THOSE PEOPLE OUT THERE.
LOTS OF PEOPLE.
BUT MY FRIENDS--
MY FRIENDS ARE ALL GONE.
I'M GONNA GET 'EM BACK.
I'M GONNA GET 'EM BACK !
'CAUSE THE SHOW'S NOT DEAD AS LONG AS I BELIEVE IN IT.
I'M GONNA SELL THAT SHOW.
WE'RE ALL GONNA BE ON BROADWAY !
YOU HEAR ME, NEW YORK ?
WE'RE GONNA BE ON BROADWAY !
BECAUSE-- BECAUSE I'M NOT GIVIN' UP !
I'M STILL HERE AND I'M STAYIN' ! YOU HEAR THAT, NEW YORK ?
I'M STAYIN' HERE !
THE FROG IS STAYIN' !
HI, JENNY. KERMIT. HI !
RIZZO, IS BAGEL READY ! IS HOMINY GRITS READY ! EXCUSE ME, PETE.
WHAT IS ? I THOUGHT YOU MIGHT HAVE SOME WORK HERE.
RIZZO, IS READY ! PART-TIME SO I COULD KEEP WORKING ON THE SHOW.
WHAT IS THAT SUPPOSED TO BE ?
IS GRITS. HOMINY GRITS.
HOW SHOULD I KNOW HOW MANY ? COUNT 'EM YOURSELF ! HA-HA.
WHAT ? UH, LISTEN--
WAIT ! WAIT ! WHAT IS ? IS ALL MORNING LIKE THIS.
YOU COMPLAIN. YOU SLOW. YOU NO TAKE ORDERS.
YOU LAZY RAT YOU ! LAZY RAT ? OKAY ! HAVE IT YOUR WAY.
I DON'T HAVE TO TAKE THIS ABUSE !
I QUIT ! HUH ! QUIT ? YOU NO CAN QUIT !
IS BREAKFAST CROWD ! ALL RIGHT !
DON'T BEG. I'LL STAY. BUT I NEED SOME HELP.
OKAY, GUYS, THIS IS IT. DON'T BLOW IT.
PETE, MEET YOUR NEW EMPLOYEES.
SAY HELLO TO TATOOEY, YO !
MASTERSON, HELLO.
CHESTER... I FEEL TERRIBLE !
[ Sneezes ] AND YOLANDA !
WHAT A CRAZY BODY ! YEAH.
PETE, ABOUT THAT JOB-- [ Clamoring ]
WAIT ! IS NO GOOD !
RATS WANT JOB ! FROG WANT JOB !
- WHAT NEXT ? PENGUINS ? - DO YOU HAVE JOBS AVAILABLE ?
- NO ! - WELL, EXCUSE US FOR LIVING ! [ Cackling ]
HEY, POP, EVERYBODY'S WAITING FOR THEIR FOOD.
PETE, I CAN WORK NIGHTS.
COME ON, PETE. GIVE THESE GUYS A BREAK, ALL RIGHT ?
[ Clamoring ] HEY, I GO CRAZY !
OKAY, RATS, YOU GO TO WORK. YEA !
WAIT ! WAIT ! LISTEN. I TELL YOU WHAT IS.
IS NO WORK, IS DANCING,
IS CHEESE-- IS BIG SHOES !
OKAY ?
[ Woman ] WAITRESS !
ALL RIGHT, RATS, GO TO WORK. YEA !
SO, LIKE, YOU GOT A BOYFRIEND ?
PETE, THERE'S NOTHING ELSE ?
I'LL DO ANYTHING-- POP, WE COULD USE SOME HELP IN THE KITCHEN.
UH, IS DISHES NEED WASHING.
OH, THANKS, PETE ! THAT'S TERRIFIC ! OH, BOY !
THANKS A LOT, JENNY ! HEY, NO SWEAT.
SO, WHERE ARE ALL YOUR FRIENDS ? THEY HAD TO LEAVE.
OH, EVEN YOUR PIG FRIEND ? YES, BUT I'M BRINGING HER BACK.
I WROTE THE SHOW FOR THEM. WHEN I SELL IT, I CAN BRING THEM BACK.
I'M STAYING AND I'M GETTING OUR SHOW ON BROADWAY.
I REALLY ADMIRE THAT.
I'M GOING TO DO SOMETHING SPECIAL TOO.
I MEAN, IN FASHION.
MAYBE YOUR FASHION DESIGNING CAN HELP ME NOW.
WHAT DO YOU MEAN ?
I DID SOME READING LAST NIGHT ABOUT BROADWAY PRODUCERS AND INVESTORS AND AGENTS.
NOW I KNOW WHAT I HAVE TO DO TO SELL OUR SHOW.
I CAN USE YOUR HELP 'CAUSE I HAVE A THREE-PART PLAN.
AND THE FIRST PART IS,
IF YOU CAN'T BEAT 'EM, JOIN 'EM.
[ Clears Throat ]
HIYA, SWEETHEART ! I JUST FLEW IN FROM THE COAST.
I LOVE YOUR HAIR ! DON'T EVER TOUCH IT !
LISTEN, I GOT AN APPOINTMENT WITH YOUR TOP THEATER AGENT.
LEONARD WINESOP ?
YEAH, LENNIE, RIGHT. WHAT OFFICE IS HE IN, DOLL ?
HE'S IN SUITE 1024. I'LL CALL AND SEE--
NO, NO, SWEETHEART. NO NEED FOR THAT, 'CAUSE LENNIE AND I GO WAY BACK !
I'M TALKIN' WAY BACK. THANKS, HONEY.
FAR OUT ! RIGHT ON !
MR. WINESOP ?
YEAH ? A FROG.
WITH AN AFRO. [ Door Opens ]
HIYA, LENNIE, SWEETHEART, BABE ! I JUST FLEW IN FROM THE COAST.
HEY, I LOVE YOUR OFFICE. DON'T CHANGE A THING.
MY PRIVATE PLANE'S DOUBLE-PARKED SO I GOTTA RUN.
I GOT THIS BOFFO, SOCKO SCRIPT FOR A BROADWAY SLOT CALLED MANHATTAN MELODIES.
IT'S TOTALLY TODAY YET TREMENDOUSLY TIMELESS.
I'M GIVING YOU FIRST LOOK-SEE 'CAUSE WE'RE LIKE FAMILY.
HAVE I EVER LIED TO YOU ? OOP, I THINK I HEAR MY BEEPER.
I GOTTA SPLIT. I'LL HAVE YOUR PEOPLE CALL MY PEOPLE.
WE'LL SET A CONFERENCE CALL.
REMEMBER, LENNIE. BOFFO, LENNIE. SOCKO, LENNIE.
I'LL CALL YOU. WE'LL HAVE LUNCH. CIAO !
[ Panting ]
JENNY ! KERMIT !
HI, JENNY ! HI. HERE. HAVE A SEAT.
WERE YOU A HIT ? THEY LOVED IT, RIGHT ?
HOW'D THE COSTUME WORK ? THE COSTUME WAS GREAT.
IT'S HARD TO TELL HOW IT WENT. THEY'RE PROBABLY READING THE SCRIPT RIGHT NOW.
HEY, BABY.
BABY !
WHERE YOU GOIN', SWEETHEART ?
HELLO.
I SAID HELLO.
FOR THE NEXT PART OF MY PLAN I HAVE TO LOOK OLDER,
SO I'M GONNA GROW A MUSTACHE. OH.
I THINK YOU'D LOOK CUTE WITH A MUSTACHE. YOU THINK SO ?
MM-HMM. PIGGY SAID THAT TO ME ONCE TOO.
SHE'S HOT ! HOT MAMA ! HEY, BABY !
HOT STUFF ! LOOKIN' GOOD.
PERFECT AND PRETTY. PRETTY AND PERFECT.
HEY, BABY ! SWEET THING. SWEET THING.
SHE MUST BE REALLY TALENTED. YOU'RE TALENTED TOO.
YOU MEAN IT ? OF COURSE.
I KNOW YOU'RE GONNA BE A FAMOUS FASHION DESIGNER.
KERMIT, THANK YOU FOR SAYING THAT.
COME ON, BABY. DON'T BE RUDE.
[ Grunting ]
COME HERE, MAMA. COME HERE.
[ Straining, Screaming ]
[ Screaming Continues ]
[ Banging ] WHAT WAS THAT ?
OH, IT'S JUST NEW YORK. YEP.
[ Screaming ]
[ Gasps ]
I'M SORRY I'M LATE, MR. WRIGHTSON.
I WOULD SUGGEST TO YOU THAT IT IS NEITHER PRUDENT NOR WISE...
TO BE A HALF HOUR LATE RETURNING FROM LUNCH, ESPECIALLY WHEN IT'S YOUR FIRST DAY ON THE JOB.
YES, SIR. YES, SIR. EILEEN, SORRY I'M LATE.
IT'S OKAY, PIGGY. EVERYTHING'S BEEN GOIN' WRONG LATELY.
GET YOUR FRENCH PERFUME. QUELLE DIFFERENCE.
[ Growls ] SOMETHING WRONG ? CAN WE TALK ?
NO ! I'LL BE FINE. JUSTBIEN. SORRY.
GET YOURQUELLE DIFFERENCE. IT'S FRENCH. IT'S FEMININE.
IT'LL HELP YOU GRAB ONE OF THOSE ROTTEN, STINKIN' MEN.
QUELLE DIFFERENCE-- PIGGY, PLEASE !
YOU WERE FINE THIS MORNING. SOMETHING HAPPEN AT LUNCH ?
MY FROG TURNED ON ME. I HAD SOME BAD TUNA MYSELF.
I'M GONNA FIGHT FOR HIM THOUGH.
EILEEN, DO YOU THINK I'M PRETTY ?
OF COURSE YOU ARE. YOU'RE MORE THAN PRETTY. GORGEOUS ?
DON'T PUSH IT, PIG. YOU'RE--
YOU'RE MORE THAN GORGEOUS. YOU'RE UNIQUE !
BUT YOU COULD USE A LITTLE ROUGE. HMM ?
HAVE A SEAT. WHAT ARE YOU--
WHAT ARE YOU GOING TO DO ? WE'LL FIX YOU UP. MAKE YOU LOOK LIKE A MOVIE STAR.
HOW'D YOU LIKE THAT ? YES.
CHEEKBONES. THAT'S WHAT YOU NEED. YOUR FACE IS A LITTLE ROUND.
I'M GONNA GIVE YOU A COMPLETE MAKEUP JOB.
THIS MORNING, I SAID, SHE NEEDS ROUGE.
TURN YOUR FACE. EVER WEAR ROUGE ? YES.
NOW YOU'RE GONNA REALLYWEAR ROUGE.
KERMIT WON'T CARE. KERMIT, SHMERMIT. YOU LOOK GREAT !
IT BRINGS OUT YOUR EYES. YOU NEED EYEBROWS.
PIGS DON'T HAVE EYEBROWS. THIS PIG IS GOING TO.
AND SO IS THIS. [ Laughing ] WHY DID YOU DO THAT ?
BOY, I THINK I OVERDID IT. LET ME SEE.
[ Laughing ] YOU HAVE THEM TOO. I HAVE THEM TOO.
DO SOME MORE. I'LL GIVE YOU DOE EYES.
DOE EYES ? WHAT ARE DOE EYES ?
DOE EYES ARE WHAT BAMBI HAS. LET ME SEE.
DOE EYES. DO SOME MORE.
YOU NEED FRECKLES FOR CUTESY.
OH, FRECKLES. CUTESY, CUTESY. I'LL BE CUTESY.
[ Laughing ]
YOU GOT IT TOO. LIPSTICK.
WHY DON'T YOU WEAR LIPSTICK ?
PUCKER. PUCKER. MMM.
YOU LOOK FABULOUS. A LITTLE MORE ON THE CHEEKS.
A LITTLE MORE ON MY CHEEKS. AHH !
[ Miss Piggy ] AH-HOO-HOO !
A POWDER PUFF FOR YOU AND A POWDER PUFF FOR ME.
[ Both Laughing ]
QUELLE DIFFERENCE. TRY THE NEWEST PERFUME FROM FRANCE.
YOU ARE FIRED.
[ Screaming ] [ Laughing ]
PETE, WHAT HAPPENED TO THOSE RATS YOU HAD WORKING HERE ?
CUSTOMER COMPLAINED. THEY NO LIKE RATS FOR WAITERS.
IS OKAY. I MAKE THEM COOK. HEY, PETE.
HERE YOU GO. TWO ZEROS ON A TRAMPOLINE WITH A SIDE OF JOAN OF ARC.
YEAH !
HA, HA. OH, YEAH.
? ## BA-DUPE-DEEP-DO BE-DUDELLY DUPE, BA-DO-BA-BA ?
## DABA-DABA, DETTIO-DABA DOOBA-DOOAH ##
## BE-BOOP, BE-DOODELY-DOOP BE-BE-DEETIN-DE-DE ##
## DABA-DOOBY DABA-DOOBY, DA-BA ##
## BAH ####
OH-OH-OH-OH-OH-OH--
OH-OH-OH. HEY, HOW'S THE COFFEE ?
UHH ! AHH ! UHH !
THE COFFEE'S FINE. COME ON IN. HA, HA, HA !
## ## BE-DOOLIA, DE-BE-DEEP, BE-DE
## BEEP-BOOM-BOW, DO-DOOLIA-BEEP BEEP, DE-DE-DE, DEEP ##
## BOP-BOO-DOW, BA-DOOLIA DE-DEEP, DE-DOOLIA-DOOP ##
## BA-DO-BOP-BA, DABA-DABA DOLIA-DA-BA ##
## DO-BE-DO-AH, DEEP-DOOP BADELIA-DOOP ##
## DEBE-DEETIN, DE-DE DABA-DOOBY, DABA-DOOBY ##
## DAT-DO-BOW, I SAID ##
## DO-BOW ##
## DOOPA, DOLIA-DOOPA DOOPA, DOOPA-DO-OW, YEAH #### YEOW !
KERMIT, WHEN ARE YOU GOING TO START GROWING YOUR MUSTACHE ?
I STOPPED SHAVING THREE DAYS AGO. DIDN'T YOU NOTICE ?
OH. WELL--
NO ?
IT'S SUBTLE.
YEAH. I BET WE COULD HELP IT ALONG WITH MAKEUP.
GOOD. I'M READY FOR THE SECOND PART OF MY PLAN. HEY, FROG.
MAIL COME. GOT MAIL FOR YOU.
YEAH, IT MUST BE FROM THE GANG.
NOW, YOLANDA, CHOPPING IS AN ART.
YOU GOTTA BE SMOOTH.
[ Grunts ] [ Groans ]
HEY, IT'S FROM SCOOTER.
"DEAR KERMIT, HOW ARE YOU ?"
[ Scooter's Voice ] "HAVE YOU SOLD THE SHOW YET ? HAVE YOU HEARD FROM THE GANG ?
"I'M IN CLEVELAND. I HAVE THIS TERRIFIC JOB.
"I'M MANAGING A HUGE MOVIE HOUSE.
MAYBE NOT MANAGING, BUT I DO HAVE A LOT OF RESPONSIBILITIES."
HERE ARE YOUR GLASSES. SEATING TO THE LEFT.
HURRY UP, MOM. THANK YOU.
[ Scooter's Voice ] "I'M MEETING INTERESTING PEOPLE."
AH ! YOUR POPPIN' CORN IS 3-D !
AHA ! THE CORN IS POPPIN' IN YOUR FACE IN 3-D !
CHEF, THAT'S NOT HOW 3-D WORKS.
OH, NEVER MIND. HERE'S YOUR TICKET. HA, HA, HA.
THANKS. SIR, YOUR 3-D GLASSES. SIR, YOUR GLASSES !
WHOOPTI, DO, DO, DEE, DO.
SIR, DON'T YOU WANT YOUR 3-D GLASSES ?
OH, I DON'T NEED 'EM. I'VE SEEN THIS MOVIE 97 TIMES.
MY NAME IS LEW ZEALAND. I'M A BOOMERANG FISH THROWER.
I THROW THE FISH AWAY AND THEY COME BACK TO ME.
HA, HA, HA. HERE'S MY FAVORITE PART.
[ Man ] THE FISH ! THEY'RE COMING FROM THE GAME ROOM !
[ Woman ] OH, NO ! THE KILLER FISH ARE ATTACKING ! [ Crashing ]
[ Woman Screaming ] GO GET 'EM, GUYS ! HA, HA, HA.
-[ Woman ] HELP ! HELP ! - YEAH ! HA, HA.
[ Lew ] OH, HO-HO.
[ Screaming ]
OH, HA-HA. OOPS.
[ Scooter's Voice ] "SO, LIFE IS GREAT HERE IN OHIO. LOVE, SCOOTER."
[ Kermit's Voice ] HERE'S ONE FROM FOZZIE.
"DEAR KERMIT, WACKA, WACKA, WACKA."
[ Fozzie's Voice ] "BUT SERIOUSLY. I'M IN MAINE.
"MY JOB DIDN'T TURN OUT TOO TERRIFIC.
"SO I DECIDED TO HIBERNATE. AHH, BACK TO NATURE.
"I LOVE IT OUT HERE IN THE WOODS.
IT'S WHERE A BEAR SHOULD BE."
[ Snoring ]
HOW DO THEY DO IT ?
I'VE BEEN TRYIN' TO SLEEP FOR DAYS.
ANYBODY GOT SOME WARM MILK ?
OH, BROTHER.
HELLO.
OH. I DIDN'T KNOW THIS CAVE WAS CO-ED.
MY NAME'S BETH.
WELL, I'M FOZZIE.
I CAN'T SLEEP EITHER.
MAYBE IF WE SNUGGLE. HMM ?
KER-MIT.
[ Kermit's Voice ] HMPH. HERE'S ONE MORE. IT'S FROM DR. TEETH.
[ Dr. Teeth's Voice ] "DEAR KERMIT, HOW'S THE MAN ?
"WE GOT THIS GREAT GIG OUTSIDE OF PITTSBURGH.
"I TELL YOU, FROG, THE BAND'S WAILIN'. THE MUSIC'S COOKIN'.
"CROWD IS ALSO WAILIN' AND COOKIN'.
YEAH, WE'RE IN HIP CITY HERE."
AUGH-AUGH-AUGH-AUGH-- AUGH-AUGH-AUGH-AUGH--
AUGH !
THEY'RE ALL DOING PRETTY WELL.
YEAH, THEY ARE.
BUT THERE ARE NO LETTERS FROM GONZO OR ROWLF OR PIGGY.
I'M SURE THEY'VE WRITTEN.
SOMETIMES IT JUST TAKES A WHILE.
YEAH, SURE. PIGGY'S PROBABLY BUSY WITH SOME TERRIFIC JOB.
YEAH. YEAH.
I GUESS THEY'RE ALL OUT THERE DOING TERRIFIC.
IF I CAN ONLY SELL THE SHOW,
THEN EVERYONE COULD COME BACK AND WE COULD DO IT TOGETHER LIKE THE OLD DAYS.
YOU'LL DO IT, KERMIT. WELL, THANKS, JENNY.
[ Chuckles ] [ Glass Breaking, Clattering ]
[ Thudding ] [ Shouting ]
THAT'S BEEN HAPPENING A LOT LATELY OVER THERE. I KNOW.
IT'S NEW YORK. [ Sighs ]
HEY, RIZZO, I'M ABOUT READY FOR THE SECOND PART OF MY PLAN.
I'M GOING TO NEED YOUR HELP AND ALL THE OTHER RATS TOO.
I THINK WE COULD BE MAKING SOME OVERTIME HERE.
JENNY, I NEED YOU TO DRAW A PICTURE OF ME. SURE.
WHAT'S THE SCOOP ? HAVE YOU EVER HEARD OF A WHISPERING CAMPAIGN ?
GOOD AFTERNOON. KERMIT THE FROG.
MY RESERVATION SECRETARY MADE A RESERVATION FOR ME.
[ Sneezing ]
GESUNDHEIT. THIS WAY, PLEASE.
AFTERNOON, ALL.
[ Chattering ]
DON'T GET UP. KEEP EATING.
TA !
MAY I TAKE YOUR COAT ?
NO ! UH, THAT IS, UH, NO, THANK YOU VERY MUCH INDEED.
HMM.
[ Sneezing ]
[ Grunting, Coughing ]
THAT'S THE CLOSEST I EVER WANT TO BE TO A FROG.
OKAY, GUYS, DO YOUR STUFF. RIGHT.
OKAY, YOU START.
UH, SAY, ISN'T THAT THAT RICH PRODUCER OVER THERE ?
THE ONE WHO'S INVESTING IN MANHATTAN MELODIES?
YES, HE'S INVESTING MILLIONS OF DOLLARS IN MANHATTAN MELODIES.
WHAT'S THAT ALL ABOUT ? MANHATTAN MELODIES?
ISN'T THAT KERMIT THE FROG, THE BIG-TIME PRODUCER, OVER THERE ?
A PRODUCER IS HERE.
A PRODUCER, DEAR. THERE'S A BIG PRODUCER OVER THERE.
[ Murmuring ]
IT'S THE HOTTEST THING COMING TO BROADWAY THIS SEASON.
[ Murmuring ]
BEST BROADWAY SHOW IN YEARS.
[ Laughing ]
HELLO.
VINCENT ? VINCENT ?
DID I DO SOMETHING WRONG ? NO.
VINCENT, A FROG ?
THAT FOOD SMELLS GOOD UP THERE. I'M STARVIN'.
[ Grunts ]
[ Screaming ]
OH !
[ Screaming ]
[ Gasping ]
- [ Shouting ] - [ Screaming Continues ]
BUT THIS IS ALL A MISUNDERSTANDING-- AAH !
[ Grunts, Pants ]
WELL, THANKS A LOT, YOU GUYS.
[ Sneezes ]
SO WHAT'S THE THIRD PART OF YOUR PLAN ?
I DON'T THINK THERE'S GOING TO BE ONE.
I FEEL LIKE I'M BEING A PHONEY, AND I CAN'T TAKE IT ANYMORE.
BUT I-I DON'T KNOW WHAT TO DO NEXT.
[ Muttering ]
[ Jenny ] ALL RIGHT.
MOPING TIME'S OVER.
HOW ABOUT A LITTLE EXERCISE ? WELL--
I KNEW YOU WANTED TO.
AH, DEAR LORD, NOT JOGGING. [ Moans ]
WOW. IT'S SUCH A BEAUTIFUL DAY.
YEAH.
[ Panting ] COME ON. GIVE ME A BREAK.
COME ON. LET'S GO THIS WAY. OKAY.
FEEL BETTER ? YEAH.
GOOD. EXERCISE DOES THE TRICK. YEAH, STRETCHES THE OLD FROG LEGS.
[ Panting ]
OH, NO. OH.
[ Screams ]
[ Grunting ] MY PURSE !
THAT DOES IT ! [ Grunts ]
[ Grunting ] EXCUSE ME.
MAY I BORROW THOSE A MOMENT ? [ Giggles ]
[ Shouts ]
[ Screaming ]
PIGGY ?
[ Screaming ]