1
00:00:14,890 --> 00:00:16,851
CLERK:
Is that it? Just Tall Boys?

2
00:00:16,892 --> 00:00:19,311
EDWARD:
That'll do. I like my Tall Boys,

3
00:00:19,353 --> 00:00:22,690
which is weird because,
uh, I'm a short man.

4
00:00:22,732 --> 00:00:24,608
What's your name?

5
00:00:24,650 --> 00:00:25,985
I'm Chris.

6
00:00:26,026 --> 00:00:28,028
I'm Rick.

7
00:00:31,115 --> 00:00:33,159
CHRIS: What're you
up to today, Rick?

8
00:00:33,200 --> 00:00:34,994
Uh, you know, taking five.

9
00:00:35,035 --> 00:00:37,496
Busted my ass all week
on the job, you get it.

10
00:00:37,538 --> 00:00:39,832
So, um, wh-what do you do?

11
00:00:39,874 --> 00:00:42,668
I, uh, I find
buried treasure, Chris.

12
00:00:42,710 --> 00:00:44,462
(chuckles)

13
00:00:44,503 --> 00:00:47,673
(whispering):
Fuck it, run.

14
00:01:00,144 --> 00:01:02,480
("Sure Shot" by Beastie Boys
playing)

15
00:01:02,521 --> 00:01:04,315
♪ 'Cause you can't, you won't,
and you don't stop ♪

16
00:01:04,356 --> 00:01:07,151
♪ Well, you can't,
you won't, and you don't stop ♪

17
00:01:07,193 --> 00:01:09,487
♪ Mike D,
come and rock the sure shot ♪

18
00:01:09,528 --> 00:01:10,863
♪ I've got
the brand-new doo-doo ♪

19
00:01:10,905 --> 00:01:12,490
♪ Guaranteed like Yoo-hoo ♪

20
00:01:12,531 --> 00:01:14,825
♪ I'm on like Dr. John,
yeah, Mr. Zu Zu ♪

21
00:01:14,867 --> 00:01:17,286
♪ I'm a newlywed,
I'm not a divorcée, yeah ♪

22
00:01:17,328 --> 00:01:19,789
♪ And everything I do
is funky like Lee Dorsey ♪

23
00:01:19,830 --> 00:01:21,749
♪ Well, it's The Taking
of the Pelham One Two Three ♪

24
00:01:21,791 --> 00:01:24,210
♪ If you want a doo-doo rhyme,
then come see me ♪

25
00:01:24,251 --> 00:01:26,545
♪ I've got the savoir faire
with the unique rhymin' ♪

26
00:01:26,587 --> 00:01:30,007
♪ I keep it on and on,
it's never quittin' time and ♪

27
00:01:30,049 --> 00:01:31,592
♪ Strictly handheld
is the style I go ♪

28
00:01:31,634 --> 00:01:34,261
♪ Never rock the mic
with the pantyhose ♪

29
00:01:34,303 --> 00:01:36,430
♪ I strap on my ear goggles
and I'm ready to go ♪

30
00:01:36,472 --> 00:01:38,974
♪ 'Cause at the boards is
the man they call the Mario ♪

31
00:01:39,016 --> 00:01:41,685
♪ Pull up at the function
and you know I Kojak ♪

32
00:01:41,727 --> 00:01:44,146
♪ To all the party people
that are on my bozack ♪

33
00:01:44,188 --> 00:01:45,940
♪ I've got more action
than my man John Woo ♪

34
00:01:45,981 --> 00:01:49,151
♪ And I've got mad hits
like I was Rod Carew, yeah ♪

35
00:01:49,193 --> 00:01:51,403
♪ Because you can't, you won't,
and you don't stop ♪

36
00:01:51,445 --> 00:01:53,781
♪ Because you can't,
you won't, and you don't stop ♪

37
00:01:53,823 --> 00:01:56,534
♪ Oh, well, you can't, you
won't, and you don't stop ♪

38
00:01:56,575 --> 00:01:58,702
♪ I keep my underwear up
with a piece of elastic ♪

39
00:01:58,744 --> 00:02:01,622
♪ Use a bullshit mic
that's made out of plastic ♪

40
00:02:01,664 --> 00:02:03,791
♪ To send my rhymes
out to all the nations ♪

41
00:02:03,833 --> 00:02:06,418
♪ Like Ma Bell,
I got the ill communication ♪

42
00:02:06,460 --> 00:02:08,671
♪ 'Cause you can't, you won't,
and you don't stop ♪

43
00:02:08,712 --> 00:02:11,131
♪ 'Cause you can't,
you won't, and you don't stop ♪

44
00:02:11,173 --> 00:02:13,717
♪ Well, you can't, you won't,
and you don't stop ♪

45
00:02:13,759 --> 00:02:17,346
♪ Keep on and rockin'
the sure shot. ♪

46
00:04:13,712 --> 00:04:16,048
WOMAN:
Could you specifically say

47
00:04:16,090 --> 00:04:18,425
what you learned
during this first period,

48
00:04:18,467 --> 00:04:21,387
during these first moments
you crossed this line

49
00:04:21,428 --> 00:04:23,764
you continue to mention?

50
00:04:23,806 --> 00:04:27,267
Uh, that...

51
00:04:31,355 --> 00:04:34,692
I guess that a man may need
to strike another man

52
00:04:34,733 --> 00:04:39,488
17 times in the face
to render him unconscious,

53
00:04:39,530 --> 00:04:44,326
which is contrary to the way
I formerly imagined it.

54
00:04:44,368 --> 00:04:49,999
I cartoonishly imagined that
a man would accomplish that...

55
00:04:50,040 --> 00:04:55,295
incorrectly imagined
as being brief if not instant.

56
00:04:57,297 --> 00:05:01,719
And I learned that,
for better or worse...

57
00:05:01,760 --> 00:05:03,429
(sighs)

58
00:05:03,470 --> 00:05:08,183
...in those moments,
in that place,

59
00:05:08,225 --> 00:05:13,022
it turns out that I am
the sort of person who...

60
00:05:13,063 --> 00:05:15,482
counts those blows...

61
00:05:18,235 --> 00:05:22,531
...and whose stomach
is turned by them.

62
00:05:36,879 --> 00:05:38,464
(gunshot)

63
00:05:54,354 --> 00:05:55,981
Hold him.

64
00:05:57,816 --> 00:06:00,235
(grunting)

65
00:06:16,376 --> 00:06:19,379
JOHN:
Keep going.

66
00:06:49,159 --> 00:06:51,537
♪ ♪

67
00:07:05,425 --> 00:07:07,386
JOHN:
You okay?

68
00:07:07,427 --> 00:07:09,930
My God.

69
00:07:09,972 --> 00:07:11,557
Son.

70
00:07:11,598 --> 00:07:12,975
JOHN:
You gonna be okay?

71
00:07:13,016 --> 00:07:15,269
Can you make it to the train?

72
00:07:20,315 --> 00:07:24,736
Go. Go.

73
00:07:24,778 --> 00:07:27,406
-Careful, stay in
his blind spot until...
-Yeah.

74
00:07:27,447 --> 00:07:30,450
Are you going to be able
to stay in a straight line?

75
00:07:45,757 --> 00:07:48,177
(panting)

76
00:07:52,639 --> 00:07:57,060
TOM: Another thing about being
on the far side of this line?

77
00:07:57,102 --> 00:07:59,438
You're consigned
to side streets,

78
00:07:59,479 --> 00:08:03,442
figuratively, literally.

79
00:08:03,483 --> 00:08:05,652
And the dangerous thing
about this,

80
00:08:05,694 --> 00:08:09,615
well, there you cross paths

81
00:08:09,656 --> 00:08:12,618
certainly, necessarily

82
00:08:12,659 --> 00:08:16,538
with others consigned
to side streets.

83
00:08:43,732 --> 00:08:46,193
Are you sure that's mine?

84
00:08:46,235 --> 00:08:48,028
-What?
-(grunts)

85
00:08:48,070 --> 00:08:50,489
Are you sure that's my finger
that you're putting on my hand

86
00:08:50,530 --> 00:08:52,950
-and not John's?
-Y-You got to stop talking, man.

87
00:08:52,991 --> 00:08:56,703
(groans)
Will it take or, I mean...

88
00:08:56,745 --> 00:08:58,914
is that the term?
If it's John's?

89
00:08:58,956 --> 00:09:01,625
-No.
-Even if you're best friends?

90
00:09:01,667 --> 00:09:04,461
Yes. Stop fucking talking.

91
00:09:04,503 --> 00:09:06,922
(groaning): I'm sorry.
I'm in incredible pain.

92
00:09:06,964 --> 00:09:08,924
Shut the fuck up.

93
00:09:08,966 --> 00:09:12,386
If you want a veterinarian to
put your fingers on your hand,

94
00:09:12,427 --> 00:09:15,180
don't talk because my patients
don't fucking talk

95
00:09:15,222 --> 00:09:19,142
because they're cats.

96
00:09:19,184 --> 00:09:22,562
Oh, my God.
I can't, I can't do this.

97
00:09:22,604 --> 00:09:24,690
Go to the fucking hospital.

98
00:09:24,731 --> 00:09:28,568
(Dennis groaning)

99
00:09:43,709 --> 00:09:47,254
(phone rings)

100
00:09:47,296 --> 00:09:48,880
Hello?

101
00:09:48,922 --> 00:09:51,550
-PADDOCKS (over phone):
Mr. Tavner?
-Yeah?

102
00:09:51,591 --> 00:09:53,927
This is Brent Paddocks from
the General Accounting Office.

103
00:09:53,969 --> 00:09:55,387
I've been awaiting
your return call

104
00:09:55,429 --> 00:09:57,055
to address an overage
on a case file.

105
00:09:57,097 --> 00:09:58,724
We still need to address that.

106
00:09:58,765 --> 00:10:03,395
Also, there's the new matter
of an expense, a chair.

107
00:10:03,437 --> 00:10:05,105
-A chair?
-Yes.

108
00:10:05,147 --> 00:10:07,607
-A chair.
-Yes.

109
00:10:07,649 --> 00:10:10,610
-Brent, is it?
-Yes. Paddocks.

110
00:10:10,652 --> 00:10:12,612
-Fuck you, Brent.
-I'm sorry?

111
00:10:12,654 --> 00:10:15,574
This call is being recorded,
I was about to mention that.

112
00:10:15,615 --> 00:10:17,659
Mr. Tavner,
who's John Lakeman?

113
00:10:17,701 --> 00:10:19,745
John Lakeman?

114
00:10:19,786 --> 00:10:22,164
He's received, possibly in
one case, apparently in another,

115
00:10:22,205 --> 00:10:24,958
governmental funds in excess
of any authorization.

116
00:10:25,000 --> 00:10:27,586
And our-our cross-reference
processes have indicated

117
00:10:27,627 --> 00:10:30,589
-governmental billing
for a travel billet for a...
-(phone beeps)

118
00:10:30,630 --> 00:10:32,257
-Did they see you?
-Yeah.

119
00:10:32,299 --> 00:10:33,759
-With the gun?
-Yeah.

120
00:10:33,800 --> 00:10:35,218
Fuck!

121
00:10:36,636 --> 00:10:39,056
He was an impossible
target already.

122
00:10:39,097 --> 00:10:40,432
Now they're alerted.

123
00:10:40,474 --> 00:10:43,727
I shot at someone else,
across the street.

124
00:10:43,769 --> 00:10:46,146
-Who?
-I didn't get her.

125
00:10:46,188 --> 00:10:47,606
The car was just
down the street,

126
00:10:47,647 --> 00:10:49,483
they might think
that's what I meant to do.

127
00:10:49,524 --> 00:10:53,320
We may be okay.
We should separate.

128
00:10:53,362 --> 00:10:54,988
Go.

129
00:10:55,030 --> 00:10:57,866
No, no. You go, you're hurt.

130
00:10:57,908 --> 00:11:00,285
I can wait, I'll take
the next one. Go, son.

131
00:11:00,327 --> 00:11:02,329
Go.

132
00:11:13,465 --> 00:11:15,467
♪ ♪

133
00:11:18,470 --> 00:11:22,682
♪ Oh, my heavy ♪

134
00:11:22,724 --> 00:11:26,436
♪ Motivator ♪

135
00:11:26,478 --> 00:11:30,065
♪ I can't ease your labor ♪

136
00:11:30,107 --> 00:11:33,568
♪ Blessed with faith
and cursed with sons ♪

137
00:11:40,367 --> 00:11:44,204
♪ Oh, my lovely ♪

138
00:11:44,246 --> 00:11:48,208
♪ Resonator ♪

139
00:11:48,250 --> 00:11:52,254
♪ Hear your voice trembling ♪

140
00:11:52,295 --> 00:11:56,299
♪ Let your notes
come tumbling down ♪

141
00:12:04,266 --> 00:12:07,686
♪ To sing our song ♪

142
00:12:07,727 --> 00:12:13,692
♪ Blessed with faith
and cursed with sons ♪

143
00:12:19,072 --> 00:12:24,953
♪ Oh, my sleepless ♪

144
00:12:24,995 --> 00:12:28,165
♪ Dreamless singer ♪

145
00:12:28,206 --> 00:12:32,085
♪ All the weightless gather ♪

146
00:12:32,127 --> 00:12:35,130
♪ Calling mother to her ♪

147
00:12:41,553 --> 00:12:45,265
♪ Oh, my pale ♪

148
00:12:45,307 --> 00:12:49,311
♪ Defender ♪

149
00:12:49,352 --> 00:12:52,772
♪ When will we protect her? ♪

150
00:12:52,814 --> 00:12:57,194
♪ When will we ever
see her home? ♪

151
00:13:04,868 --> 00:13:08,538
♪ To sing our song ♪

152
00:13:08,580 --> 00:13:14,419
♪ Blessed with faith
and cursed with sons ♪

153
00:13:16,796 --> 00:13:20,383
♪ To sing our song ♪

154
00:13:20,425 --> 00:13:25,889
♪ Blessed with faith
and cursed with sons. ♪

155
00:14:25,532 --> 00:14:27,576
-Okay.
-Okay.

156
00:14:29,578 --> 00:14:31,204
BERNICE:
I guess I don't have to know

157
00:14:31,246 --> 00:14:33,790
what happened to you exactly,

158
00:14:33,832 --> 00:14:36,876
but I want you to go
to the hospital, John.

159
00:14:36,918 --> 00:14:39,045
Whatever else is happening.

160
00:14:39,087 --> 00:14:40,964
I can't.

161
00:14:41,006 --> 00:14:44,843
I have to do something else now.

162
00:14:44,884 --> 00:14:47,971
-Mom?
-Yeah.

163
00:14:48,013 --> 00:14:50,098
-Icabod?
-Yup?

164
00:14:50,140 --> 00:14:53,602
You should leave the area.

165
00:14:53,643 --> 00:14:56,896
I'll see you sometime later.

166
00:15:22,422 --> 00:15:24,424
♪ ♪

167
00:15:37,228 --> 00:15:39,230
♪ ♪

168
00:15:55,288 --> 00:15:57,082
Mom?

169
00:15:59,084 --> 00:16:02,128
What, honey?

170
00:16:02,170 --> 00:16:05,924
I'm sorry.

171
00:16:05,965 --> 00:16:07,801
I need help.

172
00:16:07,842 --> 00:16:10,637
What?

173
00:16:10,679 --> 00:16:13,973
I've been trying
to do this alone,

174
00:16:14,015 --> 00:16:16,059
but I can't.

175
00:16:16,101 --> 00:16:20,105
I don't want to bring you
into... but...

176
00:16:20,146 --> 00:16:22,691
Fuck, I need help.

177
00:16:22,732 --> 00:16:26,319
-It's okay.
-What do you need to do?

178
00:16:28,071 --> 00:16:30,281
Shoot someone.

179
00:16:57,934 --> 00:16:59,853
DENNIS:
How much time's left

180
00:16:59,894 --> 00:17:01,896
on the "finger back on"
clock thing?

181
00:17:01,938 --> 00:17:04,023
One and a half hours.

182
00:17:04,065 --> 00:17:06,526
Ah, fuck.

183
00:17:06,568 --> 00:17:09,988
(grunts) That's not a lot.

184
00:17:10,029 --> 00:17:12,490
-What?
-That's not a lot of time.

185
00:17:12,532 --> 00:17:14,242
In terms of getting
my fingers back on.

186
00:17:14,284 --> 00:17:17,871
-F-Fuck. Come on!
-Don't yell at me, man.

187
00:17:17,912 --> 00:17:20,415
I didn't tell you to grab a gun
with your hand.

188
00:17:20,457 --> 00:17:23,084
I saved the day!

189
00:17:23,126 --> 00:17:25,003
Now it's a new day.

190
00:17:25,044 --> 00:17:28,715
And I want to spend it getting
my fucking fingers put back on!

191
00:17:28,757 --> 00:17:31,885
Come on! Where's John?

192
00:17:31,926 --> 00:17:33,720
He said he was
coming right back.

193
00:17:33,762 --> 00:17:36,097
I... I need guidance.

194
00:17:36,139 --> 00:17:38,391
I don't know if I'm allowed
to go to the hospital

195
00:17:38,433 --> 00:17:42,353
or if these fingers are mine
or his, or what the fuck!

196
00:17:42,395 --> 00:17:47,442
Come on! I need guidance!
Goddamn it!

197
00:17:47,484 --> 00:17:49,903
Goddamn it, guidance.

198
00:19:14,362 --> 00:19:17,949
You know, at this stage
of this thing,

199
00:19:17,991 --> 00:19:19,617
I feel like I need to remind you

200
00:19:19,659 --> 00:19:23,454
of the context
of these decisions.

201
00:19:23,496 --> 00:19:26,583
WOMAN:
Which is?

202
00:19:26,624 --> 00:19:29,878
That a hostile regime
was perilously close

203
00:19:29,919 --> 00:19:31,963
to acquiring devastating power,

204
00:19:32,005 --> 00:19:36,467
and that these decisions
were made in a context...

205
00:19:36,509 --> 00:19:41,139
Well, that simply
couldn't happen.

206
00:19:43,391 --> 00:19:45,810
JOHN:
I can't see,

207
00:19:45,852 --> 00:19:48,521
can't see very much right now.

208
00:19:48,563 --> 00:19:51,983
I'm supposed to shoot somebody
this morning.

209
00:19:52,025 --> 00:19:53,818
I don't want to shoot
the wrong person.

210
00:19:53,860 --> 00:19:56,946
BERNICE: Who are you
trying to shoot?

211
00:19:56,988 --> 00:20:00,366
JOHN:
No one in particular.

212
00:20:00,408 --> 00:20:03,536
BERNICE: You're trying to shoot
no one in particular?

213
00:20:03,578 --> 00:20:06,664
Is that, um, that's a plan?

214
00:20:06,706 --> 00:20:08,166
JOHN:
Yeah.

215
00:20:10,126 --> 00:20:12,754
BERNICE: You know, I know
I'm not supposed to ask

216
00:20:12,795 --> 00:20:14,756
about the plan, I guess,

217
00:20:14,797 --> 00:20:19,260
but now I have to ask about it
because that's a shitty plan.

218
00:20:19,302 --> 00:20:21,721
And I'm mad at whoever
gave it to you, and...

219
00:20:21,763 --> 00:20:24,849
JOHN: Well, it's not the plan.
It's the new plan.

220
00:20:24,891 --> 00:20:27,352
After other plans got fucked up.

221
00:20:27,393 --> 00:20:30,188
But I've been involved
in some events here,

222
00:20:30,229 --> 00:20:32,732
some events in Paris
that tell a story

223
00:20:32,774 --> 00:20:34,984
if you string them together.

224
00:20:35,026 --> 00:20:39,614
You can guess the ending if you
stringed them together, so...

225
00:20:39,656 --> 00:20:42,241
I need to make it look like
the story is over.

226
00:20:42,283 --> 00:20:44,869
-By shooting a random person?
-Yeah.

227
00:20:44,911 --> 00:20:48,539
BERNICE: Well... and that's
going to allow you to what?

228
00:20:48,581 --> 00:20:50,875
JOHN:
Shoot another person later.

229
00:20:50,917 --> 00:20:54,420
But I can't really see
anybody right now,

230
00:20:54,462 --> 00:20:56,631
so I can't really
pick anybody to shoot.

231
00:20:56,673 --> 00:21:00,218
I'm saying, I kind of want
to pick someone

232
00:21:00,259 --> 00:21:02,887
who sort of deserves it
a little.

233
00:21:02,929 --> 00:21:05,932
I thought some guy
might be scolding his wife

234
00:21:05,974 --> 00:21:07,392
in a not cool way,

235
00:21:07,433 --> 00:21:11,020
or some dude might kick his dog,
I was hoping.

236
00:21:11,062 --> 00:21:14,732
But I can't fucking
see anything.

237
00:21:14,774 --> 00:21:18,778
BERNICE: I'm not going-- you
can't just shoot someone, John.

238
00:21:18,820 --> 00:21:22,240
-JOHN: Yeah, but I am.
-BERNICE: Well, you're not.

239
00:21:22,281 --> 00:21:24,242
JOHN:
Well, I am.

240
00:21:24,283 --> 00:21:28,246
I'm just gonna wing them,
but I'm gonna do it.

241
00:21:28,287 --> 00:21:33,668
BERNICE: There's no one doing
anything like what you said.

242
00:21:33,710 --> 00:21:37,714
I don't see anyone doing
anything like that.

243
00:21:39,757 --> 00:21:41,718
JOHN:
Shit.

244
00:21:41,759 --> 00:21:44,554
BERNICE:
There's just two old ladies,

245
00:21:44,595 --> 00:21:47,098
and a guy, like,
walking to work.

246
00:21:47,140 --> 00:21:50,518
A kid playing the accordion

247
00:21:50,560 --> 00:21:53,855
beside his father
for spare change.

248
00:21:53,896 --> 00:21:56,649
JOHN: Man, I really need
to shoot somebody. Fuck.

249
00:21:56,691 --> 00:21:58,985
PETER: So-- okay,
so possibly, I can help.

250
00:21:59,027 --> 00:22:00,278
JOHN:
Cool.

251
00:22:00,319 --> 00:22:02,196
PETER:
We travel to Europe plenty.

252
00:22:02,238 --> 00:22:03,990
-McMillan.
-JOHN: Okay.

253
00:22:04,032 --> 00:22:06,993
PETER: These dark-haired boys
who play accordion in the Metro,

254
00:22:07,035 --> 00:22:10,455
in the parks, right here,
they're not regular little boys.

255
00:22:10,496 --> 00:22:12,331
They're accordion slaves.

256
00:22:12,373 --> 00:22:14,042
BERNICE:
Accordion slaves?

257
00:22:14,083 --> 00:22:16,878
PETER: They're Romanian slaves,
these accordion boys.

258
00:22:16,919 --> 00:22:20,256
They're abducted from Romania,
from Gypsy clans,

259
00:22:20,298 --> 00:22:24,093
by older Gypsies, in order
to play accordion music here

260
00:22:24,135 --> 00:22:26,095
for tourists, for spare change.

261
00:22:26,137 --> 00:22:30,099
They sleep in crowded shitholes,

262
00:22:30,141 --> 00:22:33,519
and they're paid
monthly pennies.

263
00:22:33,561 --> 00:22:36,147
They'll play these melodies
for ten years,

264
00:22:36,189 --> 00:22:37,356
and never earn enough money

265
00:22:37,398 --> 00:22:41,194
to buy, say, uh,
an ordinary belt.

266
00:22:41,235 --> 00:22:44,363
The accordion slaves of Paris.

267
00:22:44,405 --> 00:22:47,450
They have pimps. See?

268
00:22:47,492 --> 00:22:48,868
Right there.

269
00:22:48,910 --> 00:22:51,079
BERNICE:
That man is not his father?

270
00:22:51,120 --> 00:22:52,497
PETER:
No.

271
00:22:52,538 --> 00:22:54,624
BERNICE:
He's an accordion pimp.

272
00:22:54,665 --> 00:22:56,626
PETER:
Yep. He likely oversees

273
00:22:56,667 --> 00:23:01,255
a clan of a hundred
accordion boys.

274
00:23:01,297 --> 00:23:04,467
I first took notice
a-a few years ago,

275
00:23:04,509 --> 00:23:07,678
when these children's faces,
I noticed,

276
00:23:07,720 --> 00:23:10,932
even as they played
their joyful tunes,

277
00:23:10,973 --> 00:23:14,352
were bereft and soulless.

278
00:23:14,393 --> 00:23:16,562
They have slave faces.

279
00:23:16,604 --> 00:23:19,857
Because they're forced
to panhandle forever.

280
00:23:19,899 --> 00:23:23,069
For accordion pimps.

281
00:23:23,111 --> 00:23:25,696
JOHN:
Mom?

282
00:23:25,738 --> 00:23:27,365
BERNICE:
Yes.

283
00:23:27,406 --> 00:23:29,617
JOHN:
Can I shoot the accordion pimp?

284
00:23:29,659 --> 00:23:33,371
BERNICE:
Yes.

285
00:23:33,412 --> 00:23:35,039
What?

286
00:23:35,081 --> 00:23:37,083
BERNICE: Well,
I kind of want to see that.

287
00:23:37,125 --> 00:23:38,501
PETER:
Me, too.

288
00:23:38,543 --> 00:23:41,587
Well, just... watch
from here, I guess.

289
00:23:41,629 --> 00:23:44,048
Or just-- leave would be best.

290
00:23:46,300 --> 00:23:48,469
What do you do, Bernice?

291
00:23:48,511 --> 00:23:51,305
BERNICE:
Secretary of Transportation.

292
00:23:51,347 --> 00:23:53,307
PETER:
Of America?

293
00:23:53,349 --> 00:23:54,517
BERNICE:
Yeah.

294
00:23:54,559 --> 00:23:55,893
PETER:
You're a cabinet member?

295
00:23:55,935 --> 00:23:57,353
BERNICE:
Yeah.

296
00:23:57,395 --> 00:23:59,814
PETER:
You really shouldn't be here.

297
00:24:02,942 --> 00:24:06,445
(accordion playing)

298
00:24:06,487 --> 00:24:09,073
BERNICE:
Is he doing this left-handed?

299
00:24:09,115 --> 00:24:12,118
PETER: Uh, due-- yeah--
I think, to-to the fingers.

300
00:24:12,160 --> 00:24:13,536
BERNICE:
Well... (stammers)

301
00:24:13,578 --> 00:24:15,580
Is that gonna affect his aim?

302
00:24:20,126 --> 00:24:22,837
(accordion stops)

303
00:24:22,879 --> 00:24:24,046
Oh, no.

304
00:24:24,088 --> 00:24:25,506
Oh, gosh.

305
00:24:25,548 --> 00:24:27,133
What just happened? Fuck.

306
00:24:27,175 --> 00:24:28,384
Yeah.

307
00:24:28,426 --> 00:24:31,053
BERNICE:
Did he shoot the accordion boy?

308
00:24:31,095 --> 00:24:34,682
PETER:
He did, yeah. He did.

309
00:24:34,724 --> 00:24:36,267
Yeah.

310
00:24:36,309 --> 00:24:38,936
We should leave now.

311
00:24:40,980 --> 00:24:42,356
Leave.

312
00:24:42,398 --> 00:24:44,400
Yeah.

313
00:24:51,115 --> 00:24:53,117
(siren wailing)

314
00:25:37,078 --> 00:25:39,664
Fuck!

315
00:25:47,505 --> 00:25:49,257
Damn it.

316
00:25:49,298 --> 00:25:51,884
I'm gonna take a nap.

317
00:25:51,926 --> 00:25:53,636
Shut it down.

318
00:25:53,678 --> 00:25:55,638
(exhales)

319
00:25:55,680 --> 00:25:59,350
Shut it down.

320
00:25:59,392 --> 00:26:01,394
Yeah, right.

321
00:26:03,854 --> 00:26:05,481
Fuck!

322
00:26:05,523 --> 00:26:07,692
(siren wailing)

323
00:28:44,515 --> 00:28:46,517
(panting)

324
00:29:09,123 --> 00:29:11,125
(siren wailing)

325
00:29:55,878 --> 00:29:57,630
Sure Shot?

326
00:29:57,671 --> 00:29:59,381
JOHN:
Yeah.

327
00:29:59,423 --> 00:30:02,801
PETER: Maybe you're not
Sure Shot anymore.

328
00:30:02,843 --> 00:30:07,806
Maybe you should
stop taking shots, eh?

329
00:30:09,934 --> 00:30:12,603
I'm not quite sure
how this works,

330
00:30:12,645 --> 00:30:17,274
but I imagine, John, if you
shoot at someone and miss,

331
00:30:17,316 --> 00:30:20,486
possibly, that someone
turns and shoots back.

332
00:30:20,528 --> 00:30:22,488
At you-- no bueno.

333
00:30:22,530 --> 00:30:26,367
So maybe it's time for you
to stop taking shots...

334
00:30:28,410 --> 00:30:31,413
...is what I'm saying,

335
00:30:31,455 --> 00:30:34,792
John.

336
00:30:34,833 --> 00:30:38,003
JOHN: I had to shoot
someone today, man.

337
00:30:38,045 --> 00:30:40,631
It's just what I had to do.

338
00:30:40,673 --> 00:30:43,175
And I didn't do it.

339
00:30:43,217 --> 00:30:46,262
I just grazed
that accordion boy.

340
00:30:46,303 --> 00:30:47,972
He's not gonna
go to the hospital.

341
00:30:48,013 --> 00:30:51,141
-Big whoop.
-No, it is, Peter.

342
00:30:51,183 --> 00:30:52,768
It's a whole thing.

343
00:30:52,810 --> 00:30:57,022
It's not Milwaukee,
it's a whole thing.

344
00:30:57,064 --> 00:31:00,859
Someone had to go
to the hospital.

345
00:31:03,445 --> 00:31:05,906
ALICE:
I don't understand.

346
00:31:05,948 --> 00:31:08,534
If you know all this
about my husband,

347
00:31:08,576 --> 00:31:10,828
why don't you just arrest him?

348
00:31:10,869 --> 00:31:13,831
AGATHE:
He's been instructed

349
00:31:13,872 --> 00:31:16,792
to commit a murder
in Luxembourg.

350
00:31:16,834 --> 00:31:20,963
Which is considered a crime
in Luxembourg, the instructions.

351
00:31:21,005 --> 00:31:22,673
And I am obligated to learn

352
00:31:22,715 --> 00:31:24,883
who his instructor is
and arrest him.

353
00:31:24,925 --> 00:31:29,888
For conspiracy to commit
a homicide in Luxembourg.

354
00:31:29,930 --> 00:31:33,267
And I know
who his instructor is.

355
00:31:33,309 --> 00:31:35,477
I won't talk about that.

356
00:31:35,519 --> 00:31:37,479
-Alice.
-What?

357
00:31:37,521 --> 00:31:41,108
I need help organizing
his arrest.

358
00:31:45,988 --> 00:31:49,366
Alice, if you help me
arrest John's father,

359
00:31:49,408 --> 00:31:51,827
I won't arrest John.

360
00:31:54,788 --> 00:31:57,875
ALICE:
What would happen to John?

361
00:31:57,916 --> 00:32:00,294
Myna asked me why your husband
is so sad

362
00:32:00,336 --> 00:32:02,880
and I didn't know the answer
to that then,

363
00:32:02,921 --> 00:32:06,050
but when I learned who
his instructor was, I knew.

364
00:32:06,091 --> 00:32:09,470
Your husband brutalizes anyone
who interferes

365
00:32:09,511 --> 00:32:11,889
with the execution
of his instructions

366
00:32:11,930 --> 00:32:13,807
and he can't stop doing this

367
00:32:13,849 --> 00:32:16,894
because of the identity
of his instructor,

368
00:32:16,935 --> 00:32:21,315
despite all the harm
it causes him.

369
00:32:21,357 --> 00:32:26,278
But you can make it stop
if you help me with this arrest.

370
00:32:28,280 --> 00:32:29,698
Je veux la main.

371
00:32:29,740 --> 00:32:32,409
What does that mean?

372
00:32:32,451 --> 00:32:35,329
-I want the hand.
-The hand?

373
00:32:35,371 --> 00:32:37,665
Not the sword.

374
00:32:37,706 --> 00:32:41,168
I need two things, Alice,
to make this arrest.

375
00:32:41,210 --> 00:32:43,212
I need proof Thomas Tavner
was in Luxembourg.

376
00:32:43,253 --> 00:32:46,882
-You'll never get that.
-I have that.

377
00:32:46,924 --> 00:32:50,260
Now I need to apprehend him
in the presence of the money,

378
00:32:50,302 --> 00:32:53,889
the money that motivated
these murders.

379
00:32:53,931 --> 00:32:56,141
To seize him with this money,

380
00:32:56,183 --> 00:32:59,603
over which two men died,
I cannot do this alone.

381
00:33:04,608 --> 00:33:06,902
Alice.

382
00:33:06,944 --> 00:33:11,990
Your husband is crying mercy,
but he has no voice.

383
00:33:24,420 --> 00:33:27,381
Please make sure Myna
attends to her math homework

384
00:33:27,423 --> 00:33:29,550
as she's not
a natural math student

385
00:33:29,591 --> 00:33:31,301
and once you fall behind
in that discipline,

386
00:33:31,343 --> 00:33:33,971
it is hard to catch up.

387
00:33:38,976 --> 00:33:41,979
Agathe.

388
00:33:42,020 --> 00:33:44,106
Why'd you take the money?

389
00:33:44,148 --> 00:33:46,066
The answer will disturb you.

390
00:33:46,108 --> 00:33:49,778
I don't care.

391
00:33:49,820 --> 00:33:53,198
Your husband has physically
assaulted multiple men and women

392
00:33:53,240 --> 00:33:55,409
who have come between him
and this money.

393
00:33:55,451 --> 00:33:58,620
He would ravage the women
I work with.

394
00:33:58,662 --> 00:34:00,998
I took the money from them
because of your husband's

395
00:34:01,039 --> 00:34:04,084
extraordinary brutality
and aggression.

396
00:34:06,170 --> 00:34:07,921
I want the women
with whom I work

397
00:34:07,963 --> 00:34:10,048
uninvolved
in the final matters

398
00:34:10,090 --> 00:34:14,011
of his and his instructor's
arrest and capture.

399
00:34:14,052 --> 00:34:18,432
My colleagues aren't aware that
I continue to make this case.

400
00:34:18,474 --> 00:34:21,435
They believe another party's
responsible.

401
00:34:21,477 --> 00:34:24,980
That's safer for them.

402
00:34:25,022 --> 00:34:27,149
So I'm alone.

403
00:34:27,191 --> 00:34:29,401
So I need your help.

404
00:34:34,698 --> 00:34:38,243
What the fuck is wrong with you?

405
00:34:38,285 --> 00:34:41,538
You're afraid of him but you
leave your daughter with him.

406
00:34:41,580 --> 00:34:43,499
He wouldn't hurt Myna.

407
00:34:45,501 --> 00:34:47,544
Am I wrong?

408
00:34:53,300 --> 00:34:56,762
He's not yet, um...

409
00:34:56,804 --> 00:34:58,889
I don't know the word.

410
00:34:58,931 --> 00:35:01,642
Une goule.

411
00:35:01,683 --> 00:35:05,729
It is almost like a monster.

412
00:35:05,771 --> 00:35:08,190
But it's worse than a monster.

413
00:35:08,232 --> 00:35:11,318
A ghoul?

414
00:35:11,360 --> 00:35:13,987
A ghoul.

415
00:35:14,029 --> 00:35:18,325
He's not yet a ghoul.

416
00:35:18,367 --> 00:35:21,119
Please help me apprehend the man
who's changing him.

417
00:35:40,138 --> 00:35:42,140
(phone chimes)

418
00:35:59,783 --> 00:36:01,994
-I'm sorry.
-What?

419
00:36:02,035 --> 00:36:06,206
I'm sorry, I just forgot
what's going on.

420
00:36:06,248 --> 00:36:08,125
Everything's going on.

421
00:36:08,166 --> 00:36:09,793
It's okay.

422
00:36:13,380 --> 00:36:17,009
-Hey.
-Hey.

423
00:36:20,596 --> 00:36:21,972
John.

424
00:36:22,014 --> 00:36:23,599
It's all right.

425
00:36:23,640 --> 00:36:24,933
I'll be all right.

426
00:36:24,975 --> 00:36:26,602
Let's get to the others.

427
00:36:41,867 --> 00:36:43,869
♪ ♪

428
00:37:09,269 --> 00:37:11,271
(phone chimes)

429
00:37:49,017 --> 00:37:51,395
-(phone chimes)
-What did he say?

430
00:37:51,436 --> 00:37:56,274
He said that he would only
listen to me when I'll be 18.

431
00:38:14,292 --> 00:38:16,211
(groans)

432
00:39:11,308 --> 00:39:13,685
♪ ♪