1
00:00:02,800 --> 00:00:05,280
Hello?
'Steve, it's Rob.'

2
00:00:05,761 --> 00:00:08,360
Oh, hey, hey.
'How's the show going?'

3
00:00:08,361 --> 00:00:11,160
Uh, just finished...
just started the hiatus.

4
00:00:11,161 --> 00:00:12,800
'Yeah, I know, I spoke to your agent.

5
00:00:12,801 --> 00:00:15,720
'Listen, The Observer wants us to do
more restaurant reviews,

6
00:00:15,721 --> 00:00:17,360
'another six lunches.' Really?

7
00:00:17,361 --> 00:00:22,120
'But, this time in Italy. La Bella
Italia. Yeah? What do you think?

8
00:00:22,121 --> 00:00:24,720
Oh, um... 'I'm going to fly you
into Europe.'

9
00:00:24,721 --> 00:00:27,681
First Class?
'No. They're offering Business.'

10
00:00:33,401 --> 00:00:35,601
Baciamo le mani, Don Ciccio.

11
00:00:38,241 --> 00:00:39,720
Mi benedica.

12
00:00:39,721 --> 00:00:41,320
Benedetto.

13
00:00:41,321 --> 00:00:43,240
Come ti chiami?

14
00:00:43,241 --> 00:00:45,161
Mi chiamo Vito Corleone.

15
00:00:46,921 --> 00:00:49,000
E tuo padre, come si chiama?

16
00:00:49,001 --> 00:00:51,040
Si chiama Antonio Andolini.

17
00:00:51,041 --> 00:00:53,760
Piu forte. Non ti sento bene.

18
00:00:53,761 --> 00:00:55,041
Avvicinati.

19
00:00:56,281 --> 00:01:00,960
Mio padre si chiama Antonio Brydon.

20
00:01:00,961 --> 00:01:02,921
E questo e per te.

21
00:01:04,681 --> 00:01:06,801
HE GRUNTS

22
00:01:08,401 --> 00:01:13,880
E questo... E questo...
E questo e per te.

23
00:01:13,881 --> 00:01:15,720
E questo e per te.

24
00:01:15,721 --> 00:01:17,961
KNOCK ON DOOR

25
00:01:33,281 --> 00:01:36,280
Hi. Hi. Sorry, did I wake you up?
No, no.

26
00:01:36,281 --> 00:01:40,440
Joe has said he wants to come out
and, you know, hang out with us.

27
00:01:40,441 --> 00:01:43,480
Excellent. It means that Emma's got
to fly to pick him up in Ibiza

28
00:01:43,481 --> 00:01:45,400
and I've got to meet them
both in Naples.

29
00:01:45,401 --> 00:01:48,040
Right. Is that OK?
Yeah, absolutely.

30
00:01:48,041 --> 00:01:49,401
Cos it means missing Sicily.

31
00:01:51,121 --> 00:01:53,240
It's your boy,
that's more important.

32
00:01:53,241 --> 00:01:55,920
OK, thank you. Great. Good? All
right, yeah. Right.

33
00:01:55,921 --> 00:01:58,161
Good, see you at breakfast.
Breakfast.

34
00:02:02,681 --> 00:02:04,320
Grazie.

35
00:02:04,321 --> 00:02:05,881
Oh... I am starving.

36
00:02:08,521 --> 00:02:10,960
Aah...

37
00:02:10,961 --> 00:02:13,320
Whoa, look at this, eh?

38
00:02:13,321 --> 00:02:15,120
Oh, yes, oh, yes... this is good.

39
00:02:15,121 --> 00:02:17,280
Mmm, that's good eggs. Yeah, yeah.

40
00:02:17,281 --> 00:02:19,840
You can taste a good egg, can't you?
Yeah.

41
00:02:19,841 --> 00:02:24,200
What I've discovered on this trip is
that I can live very simply.

42
00:02:24,201 --> 00:02:28,800
I mean, I'm very happy right now,
with a simple breakfast,

43
00:02:28,801 --> 00:02:32,040
a simple view, nothing fancy.

44
00:02:32,041 --> 00:02:34,480
And that's just wonderful.

45
00:02:34,481 --> 00:02:36,760
I don't think you can top it really,
with anything.

46
00:02:36,761 --> 00:02:38,880
Could be some brown sauce, I think.
That's true.

47
00:02:38,881 --> 00:02:42,280
Emma's organised a place for us
to stay on Capri.

48
00:02:42,281 --> 00:02:45,320
So, I was going to ask you,
if you want, you can come and stay.

49
00:02:45,321 --> 00:02:48,400
Yeah, yeah, yeah. Because then you'll
still have

50
00:02:48,401 --> 00:02:51,120
your six places to write about.
Great.

51
00:02:51,121 --> 00:02:53,320
Be a shame not to go to Sicily,
though.

52
00:02:53,321 --> 00:02:56,320
I was looking forward to
that for obvious reasons.

53
00:02:56,321 --> 00:02:58,240
Well, you don't have to be in Sicily

54
00:02:58,241 --> 00:03:00,320
to do impressions of the Godfather,
do you?

55
00:03:00,321 --> 00:03:03,240
I could it anywhere, but there's
something about Sicily, you know.

56
00:03:03,241 --> 00:03:05,880
You should put rolled up bread
in your cheeks to pad them out.

57
00:03:05,881 --> 00:03:08,680
I have a yeast intolerance.
Oh, yeah.

58
00:03:08,681 --> 00:03:11,800
Yeah, when Michael went back there in
the first Godfather,

59
00:03:11,801 --> 00:03:14,120
Michael has to go down there and he
says to Kay,

60
00:03:14,121 --> 00:03:16,320
"I got to lay low for a while,

61
00:03:16,321 --> 00:03:18,880
"then I come back as the family, Kay,
not me."

62
00:03:18,881 --> 00:03:21,600
"OK, Michael, la-dee-da."

63
00:03:21,601 --> 00:03:22,960
That was Diane Keaton.

64
00:03:22,961 --> 00:03:26,000
Diane Keaton didn't realise she was
in the Godfather and not Annie Hall.

65
00:03:26,001 --> 00:03:28,160
She's going to stay with me
for a while, that's OK.

66
00:03:28,161 --> 00:03:29,240
Who the hell are you?

67
00:03:29,241 --> 00:03:35,040
I live in Manhattan, I'm just
laughing out of nervousness.

68
00:03:35,041 --> 00:03:36,960
Why are you carrying
lobsters with him, Kay?

69
00:03:36,961 --> 00:03:39,600
What are you doing? Hey, Mikey,
you want me to take this guy out?

70
00:03:39,601 --> 00:03:41,000
There's always the big fat guy.

71
00:03:41,001 --> 00:03:43,480
Mikey, this guy, this little guy,
this Jew bothering you?

72
00:03:43,481 --> 00:03:46,640
I really...
no, please I'm allergic to death.

73
00:03:46,641 --> 00:03:49,280
You want me to pick up by the neck,
squeeze the neck

74
00:03:49,281 --> 00:03:52,160
till there's no life left in this guy
and chuck him out a window?

75
00:03:52,161 --> 00:03:55,160
That's a joke, right?
Cos I like it, it's funny.

76
00:03:55,161 --> 00:03:56,600
My friend doesn't make jokes.

77
00:03:56,601 --> 00:03:58,960
Kay, you got to explain
what it is with this guy.

78
00:03:58,961 --> 00:04:01,320
Oh, la-dee-da, Michael, la-dee-da.

79
00:04:01,321 --> 00:04:03,720
At what point did it become...
Yeah, one day.

80
00:04:03,721 --> 00:04:05,480
He went to bed, he said to his wife,
he said,

81
00:04:05,481 --> 00:04:07,520
"Mrs Pacino, I'm going to sleep now,
good night.

82
00:04:07,521 --> 00:04:08,800
"I'll see you in the morning.

83
00:04:08,801 --> 00:04:11,440
"Good night to all the kids,
all of the pets, everybody,

84
00:04:11,441 --> 00:04:13,240
"good night to the help, good night.

85
00:04:13,241 --> 00:04:15,040
"Good night, Al, sleep well."

86
00:04:15,041 --> 00:04:18,120
He turns over, he wakes up in the
morning. "What do you got?!"

87
00:04:18,121 --> 00:04:19,400
I've got laryngitis.

88
00:04:19,401 --> 00:04:22,520
For the rest of my life!

89
00:04:22,521 --> 00:04:23,880
Don't go too loud here.

90
00:04:23,881 --> 00:04:25,400
For the rest of my life.

91
00:04:25,401 --> 00:04:28,040
You see the coffee commercial he did?
No.

92
00:04:28,041 --> 00:04:29,760
Pacino, he sits there and he says,

93
00:04:29,761 --> 00:04:32,320
"You know, for me,
coffee is a way of life.

94
00:04:32,321 --> 00:04:35,040
"A Pacino script will always have
coffee marks on it,

95
00:04:35,041 --> 00:04:37,080
"that's how you know it's
a Pacino script."

96
00:04:37,081 --> 00:04:39,880
And then he takes a sip and goes,
"That's good coffee."

97
00:04:39,881 --> 00:04:42,040
And you go, that's Al Pacino?!

98
00:04:42,041 --> 00:04:43,680
And that's another reason
why I think,

99
00:04:43,681 --> 00:04:46,120
so I did Crunchy Nut Cornflakes,
you know?

100
00:04:46,121 --> 00:04:49,240
But he did coffee. There's a lot of
similarities. Yeah.

101
00:04:49,241 --> 00:04:52,120
Two short, brooding, intense actors,

102
00:04:52,121 --> 00:04:54,401
promoting products
they genuinely love.

103
00:04:58,841 --> 00:05:01,561
PHONE RINGS

104
00:05:02,961 --> 00:05:05,320
Hello. 'Hello, you all right?'
Yeah, great.

105
00:05:05,321 --> 00:05:08,320
'I've got Joe and we're just
booked our plane to Naples.'

106
00:05:08,321 --> 00:05:10,000
OK, how is he? 'He's great.'

107
00:05:10,001 --> 00:05:12,040
'We're going to get a cab from the
airport

108
00:05:12,041 --> 00:05:14,520
'and we'll go to the Fontanelle
catacombs, OK?'

109
00:05:14,521 --> 00:05:16,520
Why are we meeting at a cemetery?

110
00:05:16,521 --> 00:05:18,560
'Well, it's on the edge of town,
so it'll be easy,

111
00:05:18,561 --> 00:05:21,480
'cos Naples is crazy for the traffic
and I've always wanted to see it.

112
00:05:21,481 --> 00:05:23,120
'It's in one of my favourite films.'

113
00:05:23,121 --> 00:05:26,160
Listen, tell Joe I love him and
we're going to have a great time.

114
00:05:26,161 --> 00:05:28,760
'Brilliant, I'll pass it on.
See you later, see you soon.'

115
00:05:28,761 --> 00:05:32,200
Thanks, love. OK, bye.
Right, let's see...

116
00:05:32,201 --> 00:05:34,400
OK, hang on, I've got it...
don't you...

117
00:05:34,401 --> 00:05:36,520
you just concentrate on the driving.

118
00:05:36,521 --> 00:05:38,800
Paul McCartney and
"The Long and Winding Road"

119
00:05:38,801 --> 00:05:42,001
and he may well have been
talking about the Amalfi Coast.

120
00:05:44,161 --> 00:05:47,241
Right, very close. Very close.
We can almost touch it.

121
00:05:49,841 --> 00:05:51,160
Right, have a look at that now.

122
00:05:51,161 --> 00:05:54,240
Tell me, is that where we're meant
to be? Um...

123
00:05:54,241 --> 00:05:56,400
That should be working with us,
not against us.

124
00:05:56,401 --> 00:05:58,121
I'm trying to make it go bigger.

125
00:06:07,161 --> 00:06:09,600
It's like being at one of your gigs.

126
00:06:09,601 --> 00:06:11,400
Uh-huh, a lot of people.

127
00:06:11,401 --> 00:06:13,961
Well, they turned up,
I'll give you that.

128
00:06:18,201 --> 00:06:22,320
Weird, isn't it, that Byron used
to drink out of a skull.

129
00:06:22,321 --> 00:06:24,120
Oh.

130
00:06:24,121 --> 00:06:25,560
You all right?

131
00:06:25,561 --> 00:06:27,840
Alas, poor Yorick, I knew him well.

132
00:06:27,841 --> 00:06:30,680
That's a misquote, it's, "Alas poor
Yorick, I knew him, Horatio."

133
00:06:30,681 --> 00:06:35,000
Alas, poor Yorick, I knew him well.
It's not, "I knew him well", it's "I
knew him, Horatio." I knew him well.

134
00:06:35,001 --> 00:06:38,160
It's the most famous mis-quote in
the English language and you just
did it.

135
00:06:38,161 --> 00:06:41,320
What's the actual quote? I'm a bit
shocked. What's the actual quote,
then?

136
00:06:41,321 --> 00:06:44,240
I... ala, alas poor Yor... ala...
See, you don't know it yourself.

137
00:06:44,241 --> 00:06:47,160
I do know it. Alas, poor Yorick...
alas, alas, poor Yorick...

138
00:06:47,161 --> 00:06:49,680
Well, who are you talking to?
Me or the invisible man?

139
00:06:49,681 --> 00:06:51,880
I'm talking to him about you.
Who am I?

140
00:06:51,881 --> 00:06:55,760
You're Yorick. Alas, poor
Yorick, I knew him, Horatio.

141
00:06:55,761 --> 00:06:57,600
A man of infinite jest.

142
00:06:57,601 --> 00:06:58,880
Thank you.

143
00:06:58,881 --> 00:07:00,520
Of excellent fancy.

144
00:07:00,521 --> 00:07:01,880
Thank you.

145
00:07:01,881 --> 00:07:03,960
He hath borne me on his back
a thousand times.

146
00:07:03,961 --> 00:07:05,201
That is true.

147
00:07:06,681 --> 00:07:10,880
Where be your gibes now?
Your gambols? Your songs?

148
00:07:10,881 --> 00:07:14,601
Your flights of merriment... wont
to set a table on a roar?

149
00:07:23,521 --> 00:07:25,600
Feel lucky, punk?

150
00:07:25,601 --> 00:07:27,080
He didn't say that.

151
00:07:27,081 --> 00:07:29,520
I deliberately got it wrong
to reel you in.

152
00:07:29,521 --> 00:07:31,640
All right, go on,
what's the real quote?

153
00:07:31,641 --> 00:07:33,480
I know what you're thinking, punk.

154
00:07:33,481 --> 00:07:38,040
You're thinking,
"Did he fire six shots or only five?"

155
00:07:38,041 --> 00:07:41,040
Tell you the truth,
I can't quite remember myself...

156
00:07:41,041 --> 00:07:42,480
..in all this excitement.

157
00:07:42,481 --> 00:07:45,160
It's a myth that he whispers
all the time, sometimes

158
00:07:45,161 --> 00:07:48,720
he just speaks normally
but his jaw is clenched.

159
00:07:48,721 --> 00:07:51,520
If I wanted a lesson in how
Clint Eastwood spoke,

160
00:07:51,521 --> 00:07:53,320
I'd talk to Clint Eastwood.

161
00:07:53,321 --> 00:07:56,120
MOBILE PHONE RINGS
Oh, shit. Hello?

162
00:07:56,121 --> 00:07:58,160
'Hey, we're here.'

163
00:07:58,161 --> 00:08:00,400
Are you? Oh, great.
'We're just at the entrance.'

164
00:08:00,401 --> 00:08:02,240
Right, see you in a bit.

165
00:08:02,241 --> 00:08:03,960
She here? Yeah.

166
00:08:03,961 --> 00:08:05,881
Have they arrived? Yeah.

167
00:08:07,121 --> 00:08:09,961
HE TRUMPETS

168
00:08:12,961 --> 00:08:14,960
Come here, lad.

169
00:08:14,961 --> 00:08:16,280
Nice to see you. You, too.

170
00:08:16,281 --> 00:08:17,680
It's good to see you, buddy.

171
00:08:17,681 --> 00:08:19,560
Here he is, big boy.

172
00:08:19,561 --> 00:08:21,960
Yeah. Hello, all right?

173
00:08:21,961 --> 00:08:24,160
I'll start wearing me
high heels soon.

174
00:08:24,161 --> 00:08:27,520
Listen, I've arranged for the Mini
people to come and collect the car
from here

175
00:08:27,521 --> 00:08:30,480
and then we can take the taxi to the
port and it'll be about ten minutes.

176
00:08:30,481 --> 00:08:32,880
I, in the meantime, am going
to have a quick look around.

177
00:08:32,881 --> 00:08:35,040
I'll come with you.
Good. You can show me the way.

178
00:08:35,041 --> 00:08:38,120
Hey, mate, it's just really good to
see you, honestly. How are you?

179
00:08:38,121 --> 00:08:40,400
I'm good, yeah. How's Mimi? Oh,
she's good, yeah.

180
00:08:40,401 --> 00:08:41,880
Enjoying it a lot more than I was.

181
00:08:41,881 --> 00:08:43,400
Why are we here?

182
00:08:43,401 --> 00:08:45,320
Ingrid Bergman.

183
00:08:45,321 --> 00:08:47,320
Which one is she?

184
00:08:47,321 --> 00:08:50,880
She's not here, but she was
in Journey to Italy.

185
00:08:50,881 --> 00:08:52,720
Well, how do you feel
about your exams?

186
00:08:52,721 --> 00:08:54,200
Oh, you know, I hope they went fine.

187
00:08:54,201 --> 00:08:56,880
I'm just trying not to worry about
them. Just can relax...

188
00:08:56,881 --> 00:08:58,560
I'm sure they're fine,
sure they're fine.

189
00:08:58,561 --> 00:09:00,560
You worked a damn sight harder
than I ever did.

190
00:09:00,561 --> 00:09:03,840
First her husband goes off to Capri
to try and have an affair

191
00:09:03,841 --> 00:09:05,600
and her friend brings here.

192
00:09:05,601 --> 00:09:09,320
Her friends come here to try
and pray for a baby. Uff!

193
00:09:09,321 --> 00:09:13,120
Let's get out of here.
It's been a downer, to be honest.

194
00:09:13,121 --> 00:09:14,760
Not quite sure why.

195
00:09:14,761 --> 00:09:18,520
Ciao. Ciao. Antonello? Si.
Yeah. Posso aiutare?

196
00:09:18,521 --> 00:09:20,000
How are you? Thank you.

197
00:09:20,001 --> 00:09:21,160
Hello, hello, thank you.

198
00:09:21,161 --> 00:09:24,440
Joe, do you want to go and put
your bag in the back of that taxi.

199
00:09:24,441 --> 00:09:27,320
Sure. All right, love, thank you.
That's a nice hat.

200
00:09:27,321 --> 00:09:30,201
Borsalino, Al Capone used
to wear these. Thanks very much.

201
00:09:32,281 --> 00:09:33,321
Seat belts on?

202
00:09:34,601 --> 00:09:36,960
Can we stop at Shelley's house,
get a photo?

203
00:09:36,961 --> 00:09:39,760
Oh, yeah. Yeah, let's do that.
You've done quite a few.

204
00:09:39,761 --> 00:09:42,521
We have to have one in Naples,
it's the last chapter of the book.

205
00:09:55,041 --> 00:09:58,840
250. This is it. Quick photo.

206
00:09:58,841 --> 00:10:01,880
He didn't live here. This is 1960s.
This is the spot.
I've not Googled it.

207
00:10:01,881 --> 00:10:04,480
There's the camera. Come on.
It's been like this all week...

208
00:10:04,481 --> 00:10:06,880
Rob Brydon in front of various
nondescript buildings.

209
00:10:06,881 --> 00:10:09,761
Do you want the satellite dishes in?
It's what he would have wanted.

210
00:10:16,681 --> 00:10:19,320
You all right, Joe?
Yeah, pretty good.

211
00:10:19,321 --> 00:10:20,960
See that double bass case? Yeah.

212
00:10:20,961 --> 00:10:22,081
Carbon fibre.

213
00:10:23,161 --> 00:10:25,720
It's the strongest
man-made material in the world.

214
00:10:25,721 --> 00:10:27,160
You could stop a bullet with that.

215
00:10:27,161 --> 00:10:28,921
It does. They use it in
bullet proof vests.

216
00:10:31,361 --> 00:10:33,240
I still get like a, sort of,

217
00:10:33,241 --> 00:10:36,720
a frisson of excitement crossing
water. A distant isle.

218
00:10:36,721 --> 00:10:39,960
Vedi a Napoli e muori.
What does that mean?

219
00:10:39,961 --> 00:10:42,440
See Naples and die, in Italian.

220
00:10:42,441 --> 00:10:45,240
Ciao! Look, look, look, the birds
are following us!

221
00:10:45,241 --> 00:10:48,160
Look at that one there, look, he's
following us. Quite scary.

222
00:10:48,161 --> 00:10:51,960
Like The Birds. It is.
You could be Tippy Hedren. Aah!

223
00:10:51,961 --> 00:10:54,800
I'll be Alfred Hitchcock,
just telling you what to do.

224
00:10:54,801 --> 00:10:56,160
He really let her get pecked.

225
00:10:56,161 --> 00:10:58,480
He let the birds peck Tippi Hedren?
Yeah, I think so.

226
00:10:58,481 --> 00:11:02,520
He also named all the individual
birds, and when they'd be having a go

227
00:11:02,521 --> 00:11:05,160
at Tippi Hedren and he would
instruct them.

228
00:11:05,161 --> 00:11:07,361
So he'd go up to one, he'd say,
"Gregory, peck".

229
00:11:09,601 --> 00:11:12,001
Come on, let's go and wander.
OK.

230
00:11:21,881 --> 00:11:25,240
Yeah. No, what happened was that all
the ash buried everyone.

231
00:11:25,241 --> 00:11:27,681
Is it still active?
I like to think so.

232
00:11:29,441 --> 00:11:34,401
You got sun, sea, sangria
and la dolce vita over there.

233
00:11:57,001 --> 00:11:59,000
Maybe wander round this way?

234
00:11:59,001 --> 00:12:01,081
Watch out, hey, hey!
Watch out, don't die!

235
00:12:04,081 --> 00:12:06,480
Look, it's the house from Le Mepris!

236
00:12:06,481 --> 00:12:09,200
What's that? Oh, with
Brigitte Bardot. It's incredible.

237
00:12:09,201 --> 00:12:11,880
They're making a film that she's
married to the scriptwriter,

238
00:12:11,881 --> 00:12:15,080
and it all starts to go wrong and
there's that incredible piece of
music,

239
00:12:15,081 --> 00:12:18,000
they keep playing it all the way
through, it's really romantic,

240
00:12:18,001 --> 00:12:21,320
but then it kind of gets annoying
it's sort of again and again and
again.

241
00:12:21,321 --> 00:12:23,720
Is that where she's naked on the
bed? Yes, that's the one.

242
00:12:23,721 --> 00:12:25,560
What happens at the end?

243
00:12:25,561 --> 00:12:28,840
She gets together with the producer
and then dies in a car crash.

244
00:12:28,841 --> 00:12:30,240
I like the sound of that.

245
00:12:30,241 --> 00:12:32,240
Really sexy with no happy ending...

246
00:12:32,241 --> 00:12:34,561
like the opposite of a massage,
you know.

247
00:13:05,921 --> 00:13:09,760
We have the local wine. Local?
That's a del Furore.

248
00:13:09,761 --> 00:13:11,040
Furore?

249
00:13:11,041 --> 00:13:12,680
Yeah, it's from a region. Buono.

250
00:13:12,681 --> 00:13:14,081
You're welcome. Grazie.

251
00:13:15,281 --> 00:13:17,480
I just feel like I look different,

252
00:13:17,481 --> 00:13:20,400
like I feel puffier and kind of...
I don't know.

253
00:13:20,401 --> 00:13:21,880
You're an attractive woman.

254
00:13:21,881 --> 00:13:24,400
You were maybe a bit more attractive
a year ago. Ah! But...

255
00:13:24,401 --> 00:13:25,600
I appreciate your honesty.

256
00:13:25,601 --> 00:13:28,081
..imagine what it's like for an ugly
woman who's pregnant?

257
00:13:29,641 --> 00:13:31,400
Un goccio, per favore.

258
00:13:31,401 --> 00:13:35,320
Pregnanti.
Is that the Italian for it?

259
00:13:35,321 --> 00:13:38,361
THEY SPEAK IN ITALIAN

260
00:13:41,241 --> 00:13:44,520
Ah. Here you have the scallop fish.
Oh, lovely.

261
00:13:44,521 --> 00:13:47,960
And seafood salad.
The bonito fish, raw.

262
00:13:47,961 --> 00:13:50,920
Raw, OK. It's not for you.
Not for me.

263
00:13:50,921 --> 00:13:53,120
Octopus to the grill. Grazie.

264
00:13:53,121 --> 00:13:56,120
There's another octopus to the
grill. Grazie.

265
00:13:56,121 --> 00:13:58,200
Bonito fish. Grazie mille.

266
00:13:58,201 --> 00:13:59,560
Oh, grazie mille.

267
00:13:59,561 --> 00:14:02,281
Do you want some of this? Oh, yeah,
sure. Cos you'll like this.

268
00:14:03,641 --> 00:14:06,960
The calamari is absolutely gorgeous,
try it. Perfect.

269
00:14:06,961 --> 00:14:08,561
Think I'll have some of this.

270
00:14:10,921 --> 00:14:12,360
Lovely Furore.

271
00:14:12,361 --> 00:14:16,320
Furore... that's an angry Italian
sports car.

272
00:14:16,321 --> 00:14:20,440
I might have a glass of Furore or
perhaps a carafe of kerfuffle.

273
00:14:20,441 --> 00:14:23,440
Or a bottle of brew-ha-ha.

274
00:14:23,441 --> 00:14:24,640
Very good.

275
00:14:24,641 --> 00:14:27,841
THEY SPEAK IN ITALIAN

276
00:14:29,121 --> 00:14:30,720
Well, I like to think of myself

277
00:14:30,721 --> 00:14:33,160
as a fine wine, maturing
these passing years.

278
00:14:33,161 --> 00:14:35,000
Sitting in the dark, getting fusty.

279
00:14:35,001 --> 00:14:37,160
If he sits there too long,
a little heavy.

280
00:14:37,161 --> 00:14:39,200
He does get a little heavy.
A little heavy.

281
00:14:39,201 --> 00:14:42,240
Well, I think it's a very,
very fine wine. Can get bitter.

282
00:14:42,241 --> 00:14:44,560
A little bit bitter,
a bit vinegary, a bit cynical.

283
00:14:44,561 --> 00:14:46,760
He's not as cynical as he makes out,
you know.

284
00:14:46,761 --> 00:14:48,400
Remember we were watching Mamma Mia.

285
00:14:48,401 --> 00:14:51,040
You know, you're watching it with
Mamie and then at the end

286
00:14:51,041 --> 00:14:54,520
when Meryl Streep gets together with
Pierce Brosnan, you started crying.

287
00:14:54,521 --> 00:14:56,800
Yeah, yeah. What?! You cried at
Mamma Mia? Yeah.

288
00:14:56,801 --> 00:14:58,800
You cried at that bit with
Meryl Streep?

289
00:14:58,801 --> 00:15:00,760
I mean, I love Mamma Mia,
but I didn't cry.

290
00:15:00,761 --> 00:15:01,800
I love old Pierce Bro...

291
00:15:01,801 --> 00:15:04,600
I can't do Pierce Brosnan,
I'll be very honest with you, Joe.

292
00:15:04,601 --> 00:15:06,120
I can't do him,
I can't do him very well.

293
00:15:06,121 --> 00:15:08,800
When I do him I sound like a very
effeminate Bono, so I do.

294
00:15:08,801 --> 00:15:09,801
Top o'the mornin' to ya.

295
00:15:09,802 --> 00:15:13,000
The name's Bond,
top o'the mornin' to you, Blofeld.

296
00:15:13,001 --> 00:15:14,560
I'm, oh, oh, oh, seven.

297
00:15:14,561 --> 00:15:16,000
I'm James Bond, oh, oh, oh, seven.

298
00:15:16,001 --> 00:15:19,240
What he's meaning to say is,
the name's Bond, James Bond,

299
00:15:19,241 --> 00:15:20,920
double-oh-seven, licensed to kill.

300
00:15:20,921 --> 00:15:23,720
You need a slight huskiness
and it's slightly mid-Atlantic.

301
00:15:23,721 --> 00:15:26,600
The name's Bond, James Bond.
Am I getting it now?

302
00:15:26,601 --> 00:15:28,560
That's Northern Ireland.
God, no!

303
00:15:28,561 --> 00:15:31,600
Well, he's a secret agent, he's got
to be able to go other places

304
00:15:31,601 --> 00:15:33,240
and lay low, hasn't he now?

305
00:15:33,241 --> 00:15:37,360
Interestingly, up until
Daniel Craig,

306
00:15:37,361 --> 00:15:40,641
there was only one English
James Bond.

307
00:15:42,081 --> 00:15:45,400
Sean Connery. Yeah.
Connery. Scottish. Scottish.

308
00:15:45,401 --> 00:15:48,360
A milkman by trade,
a part-time actor,

309
00:15:48,361 --> 00:15:50,280
he took the role
and made it his own.

310
00:15:50,281 --> 00:15:52,680
He went for the audition - I don't
know if you know this -

311
00:15:52,681 --> 00:15:55,040
and Cubby Broccoli and Saltzman
auditioned him,

312
00:15:55,041 --> 00:15:57,400
they thought he was good.
He left the room.

313
00:15:57,401 --> 00:16:01,320
As he walked away in the street,
they said he walked like a panther.

314
00:16:01,321 --> 00:16:04,600
Now, in reality that would be
impractical, he'd be on all fours.

315
00:16:04,601 --> 00:16:06,440
He'd be soiling the furniture.

316
00:16:06,441 --> 00:16:09,280
George Lazenby.
Australian. Australian.

317
00:16:09,281 --> 00:16:11,200
Come on, I know where this is going.

318
00:16:11,201 --> 00:16:13,160
Roger Moore, of course
he was English.

319
00:16:13,161 --> 00:16:16,760
And Dalton. Where was he from? Welsh.
Welsh. Yeah. No. Oh, yes!

320
00:16:16,761 --> 00:16:19,120
Now Rob's going to go...
go on, do your Timothy Dalton.

321
00:16:19,121 --> 00:16:21,120
I'm not going to do what you
think I'm going to do.

322
00:16:21,121 --> 00:16:23,680
I thought you were going to go,
"My name's Bond, James Bond."

323
00:16:23,681 --> 00:16:25,880
No, I'm not going to do that.
Like, dressed to kill.

324
00:16:25,881 --> 00:16:28,360
No, you do him well,
he's got a northern sound.

325
00:16:28,361 --> 00:16:30,560
Things could have turned
out very nasty.

326
00:16:30,561 --> 00:16:33,120
That's almost a very butch
Alan Bennett.

327
00:16:33,121 --> 00:16:35,560
Things could have turned
out very nasty.

328
00:16:35,561 --> 00:16:37,601
THEY SPEAK IN ITALIAN

329
00:16:39,041 --> 00:16:41,240
Who's your best Bond?
Daniel Craig.

330
00:16:41,241 --> 00:16:44,681
Aah. Our generation, you and me.

331
00:16:46,001 --> 00:16:48,520
Go on, say that Roger Moore again.
What was that?

332
00:16:48,521 --> 00:16:49,481
The Roger Moore again.

333
00:16:49,482 --> 00:16:51,920
Oh, you'd like to hear it again?
Yeah. Course you would.

334
00:16:51,921 --> 00:16:54,840
It must be nice for you to hear...
He's so well brought up, isn't he?

335
00:16:54,841 --> 00:16:57,960
It must be lovely for you, Joe, to
hear an impression properly done,
yeah?

336
00:16:57,961 --> 00:17:03,200
Now, when I say properly done,
I mean done properly.

337
00:17:03,201 --> 00:17:04,721
Right, ready, here he goes.

338
00:17:06,121 --> 00:17:11,880
Er, my name is Roger Moore, now I'm
a lot older than I used to be,

339
00:17:11,881 --> 00:17:14,680
so there's a degree...
I'm still doing it, Steve,

340
00:17:14,681 --> 00:17:16,840
please don't
interrupt in front of your son.

341
00:17:16,841 --> 00:17:19,280
There's a...
what are you doing? You're pointing.

342
00:17:19,281 --> 00:17:21,321
Are you Alvin Stardust?
What are you doing?

343
00:17:23,921 --> 00:17:26,840
Uh, I just think... do him when he
shouts, do him shouting.

344
00:17:26,841 --> 00:17:28,640
We are in a nice place.

345
00:17:28,641 --> 00:17:30,360
You there, come back!

346
00:17:30,361 --> 00:17:34,000
No. Move! He squeaks like that.

347
00:17:34,001 --> 00:17:37,040
Move! Move! Move! Move! Move! Move!

348
00:17:37,041 --> 00:17:38,960
You sound like a cow
when you're doing that.

349
00:17:38,961 --> 00:17:40,240
The name's Bond. Move! Move!

350
00:17:40,241 --> 00:17:42,800
Hold on, I want both of you,
one eyebrow, one eyebrow up...

351
00:17:42,801 --> 00:17:44,760
Oh, good, good. That's very good,
Rob.

352
00:17:44,761 --> 00:17:47,400
Of course, that's entry level.
Ah, very good, whoa!

353
00:17:47,401 --> 00:17:49,840
But, I can do that eyebrow or
I can do that eyebrow.

354
00:17:49,841 --> 00:17:51,400
That is really impressive.

355
00:17:51,401 --> 00:17:55,041
I can do them with very little
effort at exactly the right time.

356
00:18:00,041 --> 00:18:02,760
It's the linguine with the shrimps
and zucchini. Oh, wow.

357
00:18:02,761 --> 00:18:04,040
Great cooking, huh? Great.

358
00:18:04,041 --> 00:18:06,200
And here you have the paccheri
with anchovies.

359
00:18:06,201 --> 00:18:08,600
Oh, looks lovely, that.
Yeah.

360
00:18:08,601 --> 00:18:10,680
And for you, that's the linguine,

361
00:18:10,681 --> 00:18:13,720
same with the shrimps
and the roe egg cooking.

362
00:18:13,721 --> 00:18:16,200
For you, that's the best plate.
Best one? Wow.

363
00:18:16,201 --> 00:18:17,601
Sea fruits. Look at that!

364
00:18:18,681 --> 00:18:19,681
Mmm. Mmm.

365
00:18:21,041 --> 00:18:24,720
How is it? Beautiful.
I have an announcement to make.

366
00:18:24,721 --> 00:18:27,600
Oh? Really? You're pregnant.

367
00:18:27,601 --> 00:18:29,680
No. I've got a part in a film.

368
00:18:29,681 --> 00:18:32,120
Well done. That's great news.
American film.

369
00:18:32,121 --> 00:18:35,560
Great, wow. Good for you.
The Michael Mann one? Yeah.

370
00:18:35,561 --> 00:18:37,520
A Michael Mann film? Yeah.

371
00:18:37,521 --> 00:18:39,400
Rob, that is crazy. Wow!

372
00:18:39,401 --> 00:18:42,320
Shall we do another one? Thanks.

373
00:18:42,321 --> 00:18:45,360
Gosh, that's incredible!
I know, and it's one of the leads.

374
00:18:45,361 --> 00:18:46,560
It's not THE lead.

375
00:18:46,561 --> 00:18:48,560
It's one of the leads.
It's a supporting...

376
00:18:48,561 --> 00:18:50,920
I play a mafia accountant.

377
00:18:50,921 --> 00:18:52,960
I can really see it.
That's amazing, I can see it.

378
00:18:52,961 --> 00:18:55,920
A gangster accountant?
Tough guy with a pen.

379
00:18:55,921 --> 00:18:58,800
I can't make these numbers add up.

380
00:18:58,801 --> 00:19:00,600
I just can't do it.

381
00:19:00,601 --> 00:19:02,960
You didn't do that, did you, in
the... Wasn't far off.

382
00:19:02,961 --> 00:19:05,960
That's not what you had to do for
you... that's not really a good...

383
00:19:05,961 --> 00:19:08,680
That's not why he did that.
I kissed a waitress in the audition.

384
00:19:08,681 --> 00:19:11,040
Huh! Did you? Remember that?

385
00:19:11,041 --> 00:19:12,840
Yes, I do. It was a peck.

386
00:19:12,841 --> 00:19:14,960
His eyes. He wasn't happy.

387
00:19:14,961 --> 00:19:17,760
So, how long you going to
be away for? Eight weeks.

388
00:19:17,761 --> 00:19:19,760
Eight weeks? Gosh. That's tough.

389
00:19:19,761 --> 00:19:22,360
That's a long time to be away
though, isn't it?

390
00:19:22,361 --> 00:19:24,640
I mean, there wasn't going to be
anything otherwise,

391
00:19:24,641 --> 00:19:26,480
I'd just do more panel shows.

392
00:19:26,481 --> 00:19:29,040
Joe's just finished his GCSEs,
doing his A Levels now.

393
00:19:29,041 --> 00:19:30,320
A Levels, gosh.

394
00:19:30,321 --> 00:19:31,680
What A Levels you going to do?

395
00:19:31,681 --> 00:19:33,040
Oh, I'm going a bit science-y.

396
00:19:33,041 --> 00:19:37,880
Maths, further maths, physics,
chemistry and electronics.

397
00:19:37,881 --> 00:19:39,760
Seriously?! Yeah. Bloody hell.

398
00:19:39,761 --> 00:19:42,280
Well, you see, it runs in the
family. My dad's an engineer.

399
00:19:42,281 --> 00:19:43,480
Yeah, Grandad.

400
00:19:43,481 --> 00:19:45,560
What about skipping a generation.

401
00:19:45,561 --> 00:19:48,080
Car swerved out of its lane,
almost went into a field

402
00:19:48,081 --> 00:19:49,600
and then came back in the road.

403
00:19:49,601 --> 00:19:52,400
Listen, I know a damn sight
more about engineering than you do.

404
00:19:52,401 --> 00:19:53,600
Yeah, but I know nothing.

405
00:19:53,601 --> 00:19:56,041
THEY SPEAK IN ITALIAN

406
00:19:57,801 --> 00:19:59,240
I have a scientifical law...

407
00:19:59,241 --> 00:20:01,400
it's the Brydon Coogan
law of actor's respect.

408
00:20:01,401 --> 00:20:03,960
Oh, so you both came up with it,
then. Well, he helped me.

409
00:20:03,961 --> 00:20:05,080
I was more of a lab assistant.

410
00:20:05,081 --> 00:20:08,000
Yeah, he was in a little coat,
just carrying beakers and things.

411
00:20:08,001 --> 00:20:09,360
Test tube boy. Yeah, yeah, yeah.

412
00:20:09,361 --> 00:20:11,920
There is a direct inverse
relationship between

413
00:20:11,921 --> 00:20:15,920
an actor's intelligibility and the
respect afforded to that actor.

414
00:20:15,921 --> 00:20:17,600
You've put a lot of thought
into this.

415
00:20:17,601 --> 00:20:19,840
I'll give you an example.
OK, Brando.

416
00:20:19,841 --> 00:20:22,880
Everybody adores Brando,
there is no greater actor.

417
00:20:22,881 --> 00:20:25,560
He smiles like a thing,
you come to my house,

418
00:20:25,561 --> 00:20:29,960
but they don't call me the
Godfather, you know, my surname is...

419
00:20:29,961 --> 00:20:32,560
Christian Bale, Batman,
one of your...

420
00:20:32,561 --> 00:20:34,680
HE MUMBLES

421
00:20:34,681 --> 00:20:37,200
I'm sorry Master Bruce,
what is that that you're saying?

422
00:20:37,201 --> 00:20:39,360
And then you've got his nemesis.

423
00:20:39,361 --> 00:20:43,720
HE MUFFLES HIS SPEECH

424
00:20:43,721 --> 00:20:46,680
So, you can't understand them,
but they get the respect.

425
00:20:46,681 --> 00:20:51,480
Whereas your father and I, wonderful
enunciation, very little respect.

426
00:20:51,481 --> 00:20:53,800
Yeah. Yeah... well.

427
00:20:53,801 --> 00:20:55,440
Relatively little respect.

428
00:20:55,441 --> 00:20:58,040
Well, it's all relative,
that's for sure, yeah.

429
00:20:58,041 --> 00:21:00,081
THEY SPEAK IN ITALIAN

430
00:21:01,281 --> 00:21:03,400
I think I'm going to go for a walk.
Yeah? Is that OK?

431
00:21:03,401 --> 00:21:06,600
Fine, yeah.
Say hello to those girls over there.

432
00:21:06,601 --> 00:21:08,960
No! They've been looking at you.
Definitely not.

433
00:21:08,961 --> 00:21:11,040
Leave him alone!

434
00:21:11,041 --> 00:21:12,521
Plenty of time for all that.

435
00:21:17,161 --> 00:21:19,680
Oh... He's so grown up, isn't he?
What a nice boy.

436
00:21:19,681 --> 00:21:22,040
Yes, nothing like me.
Credit to you, so he is.

437
00:21:22,041 --> 00:21:24,040
Well, he's taller than me,
of course.

438
00:21:24,041 --> 00:21:26,120
You've both got that to
look forward to. Oh, yeah.

439
00:21:26,121 --> 00:21:28,361
Won't be long for me.
Chloe's nearly four.

440
00:21:31,481 --> 00:21:34,640
Totally at ease with himself.
Totally at ease with himself.

441
00:21:34,641 --> 00:21:36,040
Ah! Oh my... wow!

442
00:21:36,041 --> 00:21:37,720
That's fish, beautiful.

443
00:21:37,721 --> 00:21:39,200
What fish is it?

444
00:21:39,201 --> 00:21:40,640
That's turbot.

445
00:21:40,641 --> 00:21:43,720
Oh, I love turbot.
Oh, my goodness me.

446
00:21:43,721 --> 00:21:47,840
Oh, my God. Incredible.
Oh, wow. Oh, my God.

447
00:21:47,841 --> 00:21:50,680
Oh, that smells amazing.
Grazie. You're welcome.

448
00:21:50,681 --> 00:21:52,321
I'm looking forward to this.

449
00:21:53,761 --> 00:21:56,160
That's fantastic. Try that.

450
00:21:56,161 --> 00:21:57,720
Oh, my goodness me! Steve?

451
00:21:57,721 --> 00:21:59,640
Oh, come on.

452
00:21:59,641 --> 00:22:01,080
Come on.

453
00:22:01,081 --> 00:22:02,960
Come on!

454
00:22:02,961 --> 00:22:04,680
Not for me. Not for me.

455
00:22:04,681 --> 00:22:06,840
It's all right if you like that
kind of thing.

456
00:22:06,841 --> 00:22:08,760
You're the Simon Cowell of the lunch.

457
00:22:08,761 --> 00:22:10,920
I'm going to have a look for Joe.
Yeah.

458
00:22:10,921 --> 00:22:13,480
Rescue. Get my priorities right.

459
00:22:13,481 --> 00:22:14,601
Exactly.

460
00:22:16,961 --> 00:22:17,801
See you in a bit.

461
00:22:19,241 --> 00:22:21,560
He's walking very
slowly in his later years, isn't he?

462
00:22:21,561 --> 00:22:22,681
SHE LAUGHS

463
00:22:29,441 --> 00:22:32,400
I might have a chocolate
boob, I think.

464
00:22:32,401 --> 00:22:35,920
Nothing wrong with chocolate
and chocolate sauce.

465
00:22:35,921 --> 00:22:38,361
Right, let's go sit in the shade.
Yeah, definitely.

466
00:22:40,401 --> 00:22:41,960
Joe!

467
00:22:41,961 --> 00:22:43,320
Hey!

468
00:22:43,321 --> 00:22:45,680
Do you want to go for a swim?
Yeah, OK!

469
00:22:45,681 --> 00:22:49,320
Oh, grazie. You're welcome. Grazie.
Grazie mille. Oh. Yum.

470
00:22:49,321 --> 00:22:52,480
Would you like a cappuccino? Yes,
grazie. Not for me. OK.

471
00:22:52,481 --> 00:22:54,920
And look, I've got the view.
It's absolutely beautiful.

472
00:22:54,921 --> 00:22:56,680
Well, thank you very much.

473
00:22:56,681 --> 00:23:00,600
This shirt is rather flattering
and I suppose this light casts me

474
00:23:00,601 --> 00:23:02,880
in a rather heroic frame.

475
00:23:02,881 --> 00:23:04,680
It does, it's very flattering
to you.

476
00:23:04,681 --> 00:23:06,960
I'm going to have this just
with my hands.

477
00:23:06,961 --> 00:23:08,360
Oh, wow.

478
00:23:08,361 --> 00:23:13,640
It's ready, the cappuccino. It's
really good. Ah, grazie. Grazie.

479
00:23:13,641 --> 00:23:16,640
And you have the digestif. Oh, thank
you. Ah... the bill. How much is it?

480
00:23:16,641 --> 00:23:19,280
Welcome back to...
Oh gosh, I get to do the game.

481
00:23:19,281 --> 00:23:22,640
..guess the bill and it's great to
have everybody at home playing along

482
00:23:22,641 --> 00:23:25,840
with us now, and I know you've got
your scratch cards there ready.

483
00:23:25,841 --> 00:23:28,440
Emma, great to have you along.
Great to be here.

484
00:23:28,441 --> 00:23:31,080
I know that you work for a ruthless
bastard of a man.

485
00:23:31,081 --> 00:23:33,840
It's very nice to be away from him
now, isn't it? It is!

486
00:23:33,841 --> 00:23:38,000
All right, Steve Coogan, whatever
became of him? Doesn't matter. So...

487
00:23:38,001 --> 00:23:43,160
Is the bill, Emma, is it a, 432 Euro?
OK.

488
00:23:43,161 --> 00:23:50,120
Is it b, 435 Euro, or, Emma,
is it c, 438 Euro?

489
00:23:50,121 --> 00:23:53,320
And I must take your first answer,
no helping from the audience, please.

490
00:23:53,321 --> 00:23:55,640
OK, Rob, I think...

491
00:23:55,641 --> 00:23:57,760
IMITATES HEARTBEAT

492
00:23:57,761 --> 00:23:59,001
..438.

493
00:24:00,081 --> 00:24:02,000
Is the wrong answer, Emma.
Oh, no!

494
00:24:02,001 --> 00:24:03,200
It was four-three-five.

495
00:24:03,201 --> 00:24:05,280
It's been lovely having
you on the show,

496
00:24:05,281 --> 00:24:07,361
but please bugger off home, goodbye.

497
00:24:09,081 --> 00:24:12,120
Oh... I need this. Yeah.

498
00:24:12,121 --> 00:24:15,440
Kids diving off there before today.
Yeah?

499
00:24:15,441 --> 00:24:17,560
Great news about your film, as well.

500
00:24:17,561 --> 00:24:19,560
Thank you very much. Amazing.

501
00:24:19,561 --> 00:24:23,200
I have another announcement to make,
actually. Really?

502
00:24:23,201 --> 00:24:24,241
Yes...

503
00:24:25,761 --> 00:24:28,400
I've had a little adventure.

504
00:24:28,401 --> 00:24:29,520
Right.

505
00:24:29,521 --> 00:24:32,200
You know the boat that we went on.
Yeah.

506
00:24:32,201 --> 00:24:37,280
I had an... altercation with a
deckhand.

507
00:24:37,281 --> 00:24:40,000
You had a fight?
No, no. Quite the opposite.

508
00:24:40,001 --> 00:24:44,761
A lady deckhand,
who shivered my timber.

509
00:24:45,961 --> 00:24:48,841
She circumnavigated my globe.

510
00:24:49,961 --> 00:24:54,440
She scraped the barnacles
from my bottom...

511
00:24:54,441 --> 00:24:56,920
and she hoisted my mainsail.

512
00:24:56,921 --> 00:24:59,040
I get the picture. Yes, yes.

513
00:24:59,041 --> 00:25:02,201
And, of course, the...
the thing is...

514
00:25:04,121 --> 00:25:08,200
I'm thinking about hopping
aboard again before we return home.

515
00:25:08,201 --> 00:25:10,200
Really? Yes. Yes.

516
00:25:10,201 --> 00:25:12,400
Slight fly in the ointment,
of course...

517
00:25:12,401 --> 00:25:14,480
wife, small child back at home.
Yeah.

518
00:25:14,481 --> 00:25:17,360
I'm certainly don't want you
to sit in judgment.

519
00:25:17,361 --> 00:25:19,800
I probably wasn't.
Or to profess an opinion.

520
00:25:19,801 --> 00:25:22,400
OK. But, what do you think?

521
00:25:22,401 --> 00:25:25,120
Oh, God. Do you know what?

522
00:25:25,121 --> 00:25:28,400
Hormonal pregnant women probably
aren't the best to ask.

523
00:25:28,401 --> 00:25:30,561
I don't know, really.
Aah...

524
00:25:35,361 --> 00:25:36,681
Rob!

525
00:25:39,201 --> 00:25:41,680
Rob, are you going to come in?

526
00:25:41,681 --> 00:25:42,720
No, thank you!

527
00:25:42,721 --> 00:25:44,480
Go for a swim?

528
00:25:44,481 --> 00:25:45,521
No, thanks!

529
00:25:46,801 --> 00:25:49,001
You're missing out!
I know!

530
00:25:50,321 --> 00:25:53,600
Oh, I'll sit down there.

531
00:25:53,601 --> 00:25:54,801
Oh, this is relaxing.

532
00:25:56,921 --> 00:25:59,520
Do you remember
the end of Roman Holiday?

533
00:25:59,521 --> 00:26:03,880
When Gregory Peck and Audrey Hepburn
have had that amazing day together

534
00:26:03,881 --> 00:26:05,840
and then she goes back to being
a princess.

535
00:26:05,841 --> 00:26:10,480
And she gets told about her
duties as a princess and she says,

536
00:26:10,481 --> 00:26:14,320
"But if I wasn't aware of the
importance of my duties

537
00:26:14,321 --> 00:26:19,001
"to my family and to my country,
I wouldn't have ever come back."

538
00:26:23,001 --> 00:26:25,000
Joe. Hmm?

539
00:26:25,001 --> 00:26:27,000
I'm going to sell the flat.
Really?

540
00:26:27,001 --> 00:26:28,760
Yeah. I've been thinking about it.

541
00:26:28,761 --> 00:26:32,040
I'm going to get a house near
you guys. Oh, OK.

542
00:26:32,041 --> 00:26:34,321
Walking distance,
so you can come over.

543
00:26:35,641 --> 00:26:38,480
You maybe could come
and live with me if you wanted.

544
00:26:38,481 --> 00:26:42,520
Mamie wants to live with Mum
and I don't want to not be with her.

545
00:26:42,521 --> 00:26:45,040
Yeah, I know, I know. I mean,
you know, that's right,

546
00:26:45,041 --> 00:26:46,120
that's right, and all.

547
00:26:46,121 --> 00:26:49,161
But, I'm around the corner anyway,
so you can...

548
00:26:50,521 --> 00:26:51,920
..have your own key.

549
00:26:51,921 --> 00:26:54,120
That scene at the press conference.

550
00:26:54,121 --> 00:26:57,480
Gregory Peck signals he's not
going to run the story,

551
00:26:57,481 --> 00:27:00,640
the photographer hands back
the photos.

552
00:27:00,641 --> 00:27:02,360
That would never happen now.

553
00:27:02,361 --> 00:27:04,480
Don't they copy that in Notting Hill?

554
00:27:04,481 --> 00:27:07,400
You know the scene in the press
conference with Hugh Grant

555
00:27:07,401 --> 00:27:09,080
and Julia Roberts where he says,

556
00:27:09,081 --> 00:27:13,640
"I was just wondering, if a person
realised that that person

557
00:27:13,641 --> 00:27:18,280
"had been a daft prick, whether that
person might, you know,

558
00:27:18,281 --> 00:27:22,440
"sort of get down on bended knees
and plead with you to reconsider,

559
00:27:22,441 --> 00:27:25,640
"whether you might, in fact,
reconsider."

560
00:27:25,641 --> 00:27:28,360
Well... everyone's a daft prick
sometimes.

561
00:27:28,361 --> 00:27:30,760
That's my point, yes, yes,
that's my point.

562
00:27:30,761 --> 00:27:33,560
You could come over with your mum
if you want, for supper one night,

563
00:27:33,561 --> 00:27:35,640
I'll cook for you.

564
00:27:35,641 --> 00:27:37,721
Try out my mushroom risotto.

565
00:27:39,081 --> 00:27:40,240
Sounds good.

566
00:27:40,241 --> 00:27:43,200
It's a work in progress
at the moment.

567
00:27:43,201 --> 00:27:44,641
But... I'm getting there.

568
00:27:48,081 --> 00:27:50,721
Shall we go for a swim?
Yeah, OK.

569
00:27:52,961 --> 00:27:57,120
Of course, in Notting Hill,
they went off together.

570
00:27:57,121 --> 00:28:00,161
None of this sacrificing
love for duty. No...

571
00:28:02,761 --> 00:28:04,481
I prefer the Roman Holiday ending.

572
00:28:06,481 --> 00:28:08,081
Unrequited love.

573
00:28:09,801 --> 00:28:12,921
Don't really do that any more.
No...